Podcasts about attribution noncommercial noderivs

Viaxamos ao París de inicios do s. XX, para descubrir algo máis sobre a Historia da Arte Contemporánea, seguindo a guia das obras seleccionadas polo grupo de Historia de Arte da CIUG para as probas PAU.  Obras de Pablo Picasso:As señoritas de Avignon.O retrato de Ambroise Vollard.Natureza morta con cadeira de reixa.  Serie: Historia da Arte Contemporánea, Historia da Arte, 2º de Bacharelato.  Música da sintonía (Creative Commons Attribution 3.0): District Four, de Kevin MacLeod (https://incompetech.com), Temptation March, de Jason Shaw (http://audionatix.com).  Música do episodio: Deportes e entretementos (CC BY-NC-ND 3.0. Attribution-NonCommercial-NoDerivs 3.0 Unported), de Erik Satie.Este pódcast está baixo a licencia CC BY-NC 4.0.Máis recursos en: facemoshistoria.gal

Viaxamos á Francia da 2ª metade do s. XIX, para descubrir algo máis sobre a Historia da Arte Contemporánea, seguindo a guia das obras seleccionadas polo grupo de Historia de Arte da CIUG para as probas PAU.Obras de Paul Cézanne:Natureza morta con tarteira.Os xogadores de cartas.Serie: Historia da Arte Contemporánea, Historia da Arte, 2º de Bacharelato. Músicas da sintonía (Creative Commons Attribution 3.0): District Four, de Kevin MacLeod (https://incompetech.com), Temptation March, de Jason Shaw (http://audionatix.com).Música:Tanhausser, de Richard Wagner, Public Domain Mark 1.0 Universal,O holandés errante, de Richard Wagner, Attribution-NonCommercial-NoDerivs 3.0 UnportedEste pódcast está baixo a licencia CC BY-NC 4.0.Máis recursos en: facemoshistoria.gal

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER We're seen all the movies, we've enjoyed or destroyed them all based on how we feel, and the big night is here at last. We start off with a discussion of the 35th Annual Academy Awards and how unremarkable it was - save for one very uniquely petty acceptance speech. Frank Sinatra may be charming, but he really shouldn't emcee an awards show. Then we dive deep into the 2025 Oscars, are befuddled and disappointed by how much everyone seems to love Anora, declare love for Conan O'Brien's bits and the nation of Latvia, and overall just seem underwhelmed by the year in movies that was. Come along for a final Oscars episode to wrap our season on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Interstitial music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the 35th Academy Awards held on April 8, 1963.

CONTENT WARNING: Discussion of racism, sexual assault, false imprisonment. 1962 contained not one but two books that were thrust upon us as required school reading (or acting), but none loom as large as this story. To be fair, it's one of the few stories about the pre-Civil Rights Act South that's presented through the eyes of a child, and that means it's perfect school fodder. The movie was a huge labor of love from the entire creative team, which is fantastic and reads on screen, but also makes for a truly uneven watching experience. Director Robert Mulligan gets the most out of the cast, but his execution of trying to see things through Jem & Scout's perspective never translates on screen. In fact, the only moments that truly work are in the courtroom, when the reality of small town Alabama racism come roaring back. It's a shame it's not a better movie because Gregory Peck is giving his masterpiece performance and the kids are phenomenal on screen, but acting alone cannot a movie make. We wrap up Oscars ‘62 with To Kill A Mockingbird onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main title to the film To Kill A Mockingbird, written and composed by Elmer Bernstein. Copyright 1962 Universal Studios. All Rights Reserved. Excerpts taken from the introduction to the 35th Academy Awards held on April 8, 1963.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Horror, gore, child murderers, child molesters, serial killers, knives. We're coming up on the 2025 Oscars and we share our main picks, our takes on the nominees, and why Emilia Perez is one of the worst nominees ever posted to the Oscars, all in this bonus episode of Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.

CONTENT WARNING: Discussion of alcoholism, child neglect, substance abuse, addiction. Every year at the Oscars there's a movie that stands out as the film that should be the Best Picture, just for the sheer raw power of its storytelling. This is that movie. Jack Lemmon is giving a performance for the ages, the supporting cast is rock solid, and the always contrarian Blake Edwards goes for broke. This could have easily been a melodrama, but you get the sense very quickly that everyone making this movie got the impact of what they were doing here. And that's incredible, considering there's movies that come out in 2025 that can't capture the truth of addiction like this movie. We continue Oscars ‘62 with Days of Wine and Roses onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the main title to the film Days of Wine and Roses, composed and conducted by Henry Mancini with lyrics by Johnny Mercer. Copyright 1962 Warner Bros. Entertainment Inc. All Rights Reserved. Excerpt taken from the main title to the film To Kill A Mockingbird, written and composed by Elmer Bernstein. Copyright 1962 Universal Studios. All Rights Reserved.

CONTENT WARNING: Discussion of abuse, car accidents, aging, mental illness.. If last week was about a world war, this film is about a two-woman war. Joan Crawford and Bette Davis were two of the bitterest rivals in the 30's and 40's, but by 1962 both were desperate for a hit. So was director Robert Aldrich, and the three combined to create a unique blend of gothic horror and Hollywood cynicism that still resonates today. We continue Oscars ‘62 with What Ever Happened to Baby Jane? onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the film What Ever Happened to Baby Jane?, copyright 1962 The Associates & Aldrich Company Inc.; 1962 Warner Bros. Entertainment Inc. All rights reserved. Excerpt taken from the main title to the film Days of Wine and Roses, composed and conducted by Henry Mancini with lyrics by Johnny Mercer. Copyright 1962 Warner Bros. Entertainment Inc. All Rights Reserved.

CONTENT WARNING: Discussion of deafness, blindness, ableism. D-Day happened over 80 years ago, and to this day, there's only been two films that capture the scope and scale of that bloody day. This movie is one of those, and unfortunately it's the boring one. To be clear, the battle sequences are among some of the best committed to celluloid; there's a few moments that will make you gasp at how well legendary ringleader Darryl F. Zanuck captures the battlefield. But then we turn to the characters, and they're all a) played by actors double the age of the characters and b) say the absolute hokiest lines you'll hear in a war movie. It may be an accurate film, but this definitely isn't entertaining history. We continue Oscars ‘62 as we discuss The Longest Day onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main theme in the original soundtrack to the film The Longest Day, written and composed by Maurice Jarre. Copyright 1962 Darryl F. Zanuck Productions, Inc. and Twentieth Century Fox Film Corporation, renewed 1990. All rights reserved. Excerpt taken the film What Ever Happened to Baby Jane?, copyright 1962 The Associates & Aldrich Company Inc.; 1962 Warner Bros. Entertainment Inc. All rights reserved.

CONTENT WARNING: Discussion of deafness, blindness, ableism. If you've ever done theater, and we definitely have, you dread the thought of having to deal with anything related to this movie and this story. And you'd be right to, because all too often we tell a sanitized, ableist, overacted retelling of a very real story: the breakthrough Annie Sullivan had teaching her student Helen Keller to communicate. So you'll have to pardon our shock while watching the original film adaptation of the Broadway success, and finding it's in fact a brilliant film. Director Arthur Penn is brilliant in adapting his own stage production by showing and not telling, a move that seems impossible for most stage to screen adaptations. Anne Bancroft and Patty Duke, reprising their roles from Broadway, are absolutely phenomenal. And sure, the supporting cast might as well be cardboard cutouts, but it doesn't matter when you've got a film as compellingly made as this one. We finally get a winner for Oscars ‘62 as we talk about The Miracle Worker onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Main Title” from the original soundtrack to the film The Miracle Worker, written and composed by Laurence Rosenthal. Copyright 1962 Playfilm Productions, Inc. All Rights Reserved. Excerpt taken from the main theme in the original soundtrack to the film The Longest Day, written and composed by Maurice Jarre. Copyright 1962 Darryl F. Zanuck Productions, Inc. and Twentieth Century Fox Film Corporation, renewed 1990. All rights reserved.

CONTENT WARNING: imprisonment, solitary confinement, murder, homosexuality. The duds just keep on coming this week as a movie about one of America's most dangerous (and quirky) prisoners just collapses under its own weight. Many times we celebrate directors and casts who deeply care about their subject. In this case, it somehow makes the whole experience worse, mostly because it commits the cardinal sin of being boring. It's not the worst movie we've ever seen, but it's a real drag to sit through. Oscars ‘62 continues as we talk about Birdman of Alcatraz onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Main Title” from the original soundtrack to the film Birdman of Alcatraz, written and composed by Elmer Bernstein. Copyright 1962 Metro-Goldwyn-Mayer, Inc. Excerpt taken from “Main Title” from the original soundtrack to the film The Miracle Worker, written and composed by Meredith Willson. Copyright 1962 Playfilm Productions, Inc. All Rights Reserved.

We keep our Oscars series rolling and well, things have been rough to start. You'd think with a musical as culturally significant and iconic as this one that the movies would have done it up for fun. Sadly, this is an incredibly BORING movie. Sure, Robert Preston is incredible, and sure, the songs are fun, but after the 3rd of 17 dance breaks, you start to realize that our director just barely made a movie. They might as well have filmed the stage production and screened that instead for as much money as they sunk into this. Oscars ‘62 trudges, not marches along, as we talk The Music Man onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Main Title” from the original soundtrack to the film The Music Man, written and composed by Meredith Willson. Copyright 1962 Warner Bros Records Inc; Warner Bros Pictures Inc. Excerpt taken from “Main Title” from the original soundtrack to the film Birdman of Alcatraz, written and composed by Elmer Bernstein. Copyright 1962 Metro-Goldwyn-Mayer, Inc.

CONTENT WARNING: castration, sterilization, sex work, abuse, parental abuse and neglect, menace. Did you miss us? We missed you! That's right, it's been far too long, and we're back with a patented Oscars(TM) series, this time focusing on the year 1962. We kick things off this week with mid-century Hollywood stalwart Tennessee Williams. Boy do we wish we hadn't. There are some legitimately good and enjoyable performances, but they're wasted on a movie that said “you know what this play adaptation needs - more set pieces!” This movie is a hot mess, and not in the way Tennessee Williams would want us to see it. Oscars ‘62 kicks off this week with our review of Sweet Bird of Youth onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Ebb Tide,” written and composed by Robert Maxwell. Copyright 1953 Mercury Record Corporation. Excerpt taken from “Main Title” from the original soundtrack to the film The Music Man, written and composed by Meredith Willson. Copyright 1962 Warner Bros Records Inc; Warner Bros Pictures Inc.

New to GNU/Linux resources. Sgoti talks about resources for new Linux users. Tags: New to Linux, documentation The Linux Command Line The book spells Vim wrong (joke). nano ~/.bashrc should be vim ~/.bashrc. groff + sed = "Log off and go to bed." Bash man page. Shell grammar. This section describes the syntax of the various forms of shell commands. DEFINITIONS. The following definitions are used throughout the rest of this document. blank A space or tab. word A sequence of characters considered as a single unit by the shell. Also known as a token. name A word consisting only of alphanumeric characters and underscores, and beginning with an alphabetic character or an underscore. Also referred to as an identifier. metacharacter A character that, when unquoted, separates words. One of the following: | & ; ( ) < > space tab newline control operator A token that performs a control function. It is one of the following symbols: || & && ; ;; ;& ;;& ( ) | |& Lists. A list is a sequence of one or more pipelines separated by one of the operators ;, &, &&, or ||, and optionally terminated by one of ;, &, or . ARITHMETIC EVALUATION. ((expression)) - + unary minus and plus * / % multiplication, division, remainder + - addition, subtraction = < > comparison == != equality and inequality && logical AND || logical OR CONDITIONAL EXPRESSIONS. [[ expression ]] Return a status of 0 or 1 depending on the evaluation of the conditional expression. -a file, True if file exists. -d file, True if file exists and is a directory. -f file, True if file exists and is a regular file. PARAMETERS (Positional Parameters & Special Parameters). A parameter is an entity that stores values. EXPANSION. race expansion, tilde expansion, parameter and variable expansion, command substitution, arithmetic expansion, word splitting, and pathname expansion. JOB CONTROL. Job control refers to the ability to selectively stop (suspend) the execution of processes and continue (resume) their execution at a later point. Title: 'The Linux Command Line' License: creativecommons: Attribution-NonCommercial-NoDerivs 3.0 Unported 'CC BY-NC-ND 3.0' Source(s): linuxcommand: 'The Linux Command Line: Fifth Internet Edition' by William Shotts. archive: 'The Linux Command Line Fifth Internet Edition' by William Shotts. Title: bash Linux manual page. License: Bash is Copyright (C) 1989-2022 by the Free Software Foundation, Inc. Source(s): man7: bash(1) — Linux manual page man7: Linux manual pages: alphabetic list of all pages.

Here are a couple of resources that helped us: http://www.robertbellah.com/articles_5.htm#_edn8 American Gospel Music: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE), https://freemusicarchive.org/music/Comfort_Fit/Forget_And_Remember/03_Sorry

In this episode from the archives, we visit voting as stewardship. It should pair nicely with last week's episode. Aeric recommends David French's two-fold test (https://frenchpress.thedispatch.com/p/how-then-should-christians-vote) recognizing that your vote is your endorsement. That means that voting for the “lesser of two evils” remains an endorsement of evil. Your vote is your personal commitment to the person you vote for, even if your vote doesn't make a difference in the election. (https://www.nationalreview.com/magazine/2020/10/19/voting-for-life/) The smaller the election the more clout your vote will hold and the more difference you can make. Apply the two-fold character and policy test to local candidates, too. You can actually reach out to them and meet them. Aeric did. Get out there and vote next week! Music: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE), https://freemusicarchive.org/music/Comfort_Fit/Forget_And_Remember/03_Sorry

The topic of today's encore episode: How did the Great Awakening affect the Revolutionary War? How is something so religious, that appeared other-worldly, stoke the fire of the American Revolution? What if religion was the engine for the rebellion against Britain? We are delighted to have Dr. Todd Miles on the Podcast with us this week. Dr. Miles teaches theology and church history at Western Seminary. He co-hosts a podcast for the seminary called Food Trucks in Babylon. He is on Twitter at @TL_Miles. And, he is the author of a couple of books, Cannabis and the Christian and Superheroes Can't Save You. Dr. Miles recommended a couple of books that you may want to take a look at: Liberty for All by Andrew Walker God of LIberty by Thomas Kidd Please leave a rating or review wherever you listen to this podcast. And please share the City on a Hill on social media or with a friend. Thank you! Music: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE), https://freemusicarchive.org/music/Comfort_Fit/Forget_And_Remember/03_Sorry

We are so excited to have Dr. David Koyzis, author of Political Visions and Illusions, with us on the podcast today! This is an encore presentation of one of our favorite conversations! We did a book report on the Political Visions book in the past several episodes and invited Dr. Koyzis to bring the conclusion to the book. I think you will enjoy his perspective on how the ideologies in the book mimic the true gospel. He gives good advice to the church about how to think about our relationship with political entities. Dr. David Koyzis is an experienced theologian who taught for 30 years at Redeemer University College in Ancaster, Ontario, and is currently a Global Scholar with Global Scholars Canada. He has attained a Ph.D. in Government and International Studies at the University of Notre Dame, a Master's in Political Theory at Toronto's Institute for Christian Studies, and a Bachelor's degree in Political Science from Bethel University in St. Paul, Minnesota. Dr. Koyzis has authored We Answer to Another: Authority, Office, and the Image of God and Political Visions and Illusions: A Survey and Christian Critique of Contemporary Ideologies. Dr. Koyzis blogs at http://byzantinecalvinist.blogspot.com. He records music (!) at https://genevanpsalter.blogspot.com Please leave a rating or review wherever you listen to this podcast. Spotify recently opened up ratings, so if you are a Spotify listener, please share some love! And please share the City on a Hill on social media or with a friend. Thank you! Send Comments or Questions to: podcast@newlifenw.com Music: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE), https://freemusicarchive.org/music/Comfort_Fit/Forget_And_Remember/03_Sorry

We are so excited to have Dr. David Koyzis, author of We Answer to Another: Authority, Office, and the Image of God as our first return guest! We loved his book, Political Visions and Illusions, and talked with him about that earlier (listen here). He delivers gold again in this conversation about authority! Dr. David Koyzis is an experienced theologian who taught for 30 years at Redeemer University College in Ancaster, Ontario, and is currently a Global Scholar with Global Scholars Canada. David is the recipient of the Queen Elizabeth II Diamond Jubilee Medal in 2012 and the Canada 150 Flamborough-Glanbrook Nation Builder Award in 2017. He earned a Ph.D. in Government and International Studies at the University of Notre Dame, a Master's in Political Theory at Toronto's Institute for Christian Studies, and a Bachelor's degree in Political Science from Bethel University in St. Paul, Minnesota. Dr. Koyzis has authored We Answer to Another: Authority, Office, and the Image of God and Political Visions and Illusions: A Survey and Christian Critique of Contemporary Ideologies. He has another book coming out in November of 2024, so you can expect us to talk with him again. Dr. Koyzis blogs at http://byzantinecalvinist.blogspot.com. He records music (!) at https://genevanpsalter.blogspot.com Please leave a rating or review wherever you listen to this podcast. Spotify recently opened up ratings, so if you are a Spotify listener, please share some love! And please share the City on a Hill on social media or with a friend. Thank you! Send Comments or Questions to: podcast@newlifenw.com Music: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE), https://freemusicarchive.org/music/Comfort_Fit/Forget_And_Remember/03_Sorry

Happy Thanksgiving! Thanksgiving is at the top of our favorite holiday list! NOTES: Here is Abraham Lincoln's Thanksgiving Proclamation. Here is the article about the Mother of Thanksgiving and Abraham Lincoln. RECAP & TAKEAWAYS: Giving thanks is a command from the Lord. And, we have so much to be thankful for! Don't let any opportunity go by without give thanks. Thanksgiving is one Christian idea that mixes with difficulty with the American narrative. Colonialism and imperialism were already present in the earliest thanksgiving. U.S. History with Native Americans does not necessarily reflect Christian values. Abraham Lincoln's proclamation called for contrition and repentance rather than feasting. He, of course, was in the midst of the Civil War. Humility will always become God's people. GET IN TOUCH: We'd love to hear from you. Please send us an email or question at comment@cithonahillpodcast.com. MUSIC: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE), https://freemusicarchive.org/music/Comfort_Fit/Forget_And_Remember/03_Sorry

Recent national surveys show that a significant proportion of college students report having felt overwhelmed, anxious, and lonely during college. If college is supposed to be the “best years of your life” then why are so many students lonely? That's what Dr. Gene Beresin and Dr. Khadijah Booth Watkins dive into today: what's contributing to feelings of loneliness, when should we worry about it, and what can we do to help? They share tips for parents and caregivers, and college students themselves.Media ListFollow along with the conversation.New Surgeon General Raises Alarm About the Devastating Impact of the Epidemic of Loneliness and Isolation in the United States (U.S. Department of Health and Human Services)Our Epidemic of Loneliness: Implementing the Surgeon General's recommendations for parents and caregivers (Psychology Today)'22-'23 Student Lifestyle Survey (Sodexo)Publications and Reports: ACHA-NCHA III (Spring 2023) (American College Health Association)Why Is College So Lonely? (The Sophian)The Challenges of First-Generation College Students (MGH Clay Center)Social Media is Killing Your Friendships (Healthline)Your College Student – Conversation Starters (YouTube)Peer Programs in College Student Mental Health (The Mary Christie Institute & The Ruderman Foundation)Roy Orbison – Only the Lonely (YouTube)Thanks for joining in this conversation. We'll see you back the Third Thursday of every month. Subscribe wherever you stream & leave us a review!Music credit: ‘Only the Lonely' by Roy Orbison; Publication date, 1961; Attribution-NonCommercial-NoDerivs 4.0 InternationalOriginal music by Gene BeresinEpisode produced by Sara Rattigan Hosted on Acast. See acast.com/privacy for more information.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of manipulation, religion. It's time for a new spin around the world of documentaries, and we're starting things off with a certified gem that David brings from his “important film” days. In 1966, door-to-door sales were almost completely dead, but that didn't stop Albert and David Maysles from centering their first-ever film on the subject. Their documentary was honed and crafted from 100 hours of footage and four men giving their best pitches for the Greatest Book Ever Written, and completely self-distributed. But the final result is one of the most incisive, thoughtful and honest portrayals of hustle committed to film, and a true breakthrough for documentary filmmaking. We discuss Salesman for our second ever Documentary series this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the film Salesman, copyright 1968, 2001 Maysles Films Inc. All rights reserved. Excerpt taken from the piece “Orson's Theme” from the film F for Fake, written and composed by Michel Legrand. Copyright 1975 Les Films de L'Astrophore.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, serial killers, gore, blood, childhood trauma, horror, earthquakes, demons, death. Oops, Freddy wasn't really dead after the final nightmare. But as Wes Craven makes abundantly clear in this film, horror legends never really go away, they always stick around. Wes' work in this film is admirable, and it's some of the best storytelling in the series. Yet watching you can't help but think about the meta-horror classic that Wes would bring to us just two years later, a film that redefined the genre. Everyone here is doing admirable work and “sending off “ Freddy in style, but there's a lot of missed opportunities that could have made this a sure-fire horror masterpiece. We discuss (Wes Craven's) New Nightmare this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “A New Nightmare Begins,” written and composed by J. Peter Robinson. Copyright 1994 New Line Productions; Milan Entertainment, Inc. Excerpt taken from the theme to the TV show Documentary Now! written and composed by Joshua Mosier.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, serial killers, gore, blood, child killers, death, trauma, mental illness, childhood trauma, parental murder, suppressed memories, abuse. There's been a wide variety of entries in the Freddy Knife Hands series, but finally, finally, we got the entry that makes zero sense and is a bonkers good time. No, this film is not good, and no, it does not appear to have actually employed a competent editor. Although that may be the fault of the studio more than anyone involved in the production. Nevertheless, THINGS HAPPEN in this movie, and it's beyond weird and messy and hilarious and gory and sometimes, that's all you really want from your "final” entry in a horror franchise. We discuss Freddy's Dead: The Final Nightmare this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Why Was I Born? (Freddy's Dead)” written by Iggy Pop and Whitey Kirst, and performed by Iggy Pop. Copyright 1991 Metal Blade Records Inc.; New Line Cinema Corporation. Excerpt taken from “A New Nightmare Begins,” written and composed by J. Peter Robinson. Copyright 1994 New Line Productions; Milan Entertainment, Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, serial killers, gore, blood, child killers, death, trauma, mental illness, pregnancy, teen pregnancy, body changes in pregnancy. You don't usually expect the worst film of a horror franchise to be followed with one of the most unique entries, but Freddy Knife Hands is a fickle series of movies. It's a stretch to call this movie “good,” but it's one of the most visually interesting and cohesive entries since the original 1984 film. Stephen Hopkins has truly interesting, fascinating ideas of body horror and trauma along with some of the biggest stakes we've seen so far for Freddy himself. Alas, someone forgot to tell the writers that's what we were doing, because the dialogue and the story wholesale misses the part of the story that would really make this movie great, and instead we're left to wonder what might have been. We discuss A Nightmare on Elm Street 4: The Dream Child this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Take Your Daughter to the Slaughter,” written and performed by Bruce Dickinson. Copyright 1989 Zomba Recording Corporation; New Line Cinema Corporation. Excerpt taken from “I'm Awake Now” written and performed by Goo Goo Dolls. Copyright 1991 Metal Blade Records Inc.; Select Records; New Line Cinema Corporation.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, serial killers, gore, blood, child killers, death, trauma, child neglect. You never expect 80's horror movies to be quality cinema. But you do expect there to be some wild, ridiculous stuff that also has enough of an edge to be scary and terrifying. With the 4th installment of Freddy Knife Hands, the writers decided that none of this was necessary. No, instead we kill off the remaining Dream Warriors and tag along with a new heroine who literally does nothing. And we mean that literally - nothing happens in this movie until about the last 10 minutes, except for some intensely goofy Freddy murders and some terrible 80s acting. No, this one is truly dire, and the only hope is they can make it weird again before the end of this series. We discuss A Nightmare on Elm Street 4: The Dream Master this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Anything, Anything (I'll Give You),” written by John Easdale and performed by Dramarama. Copyright 1985, 1990 Chameleon Records. Excerpt taken from “Take Your Daughter to the Slaughter,” written and performed by Bruce Dickinson. Copyright 1989 Zomba Recording Corporation; New Line Cinema Corporation.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, serial killers, gore, blood, child killers, death, trauma, misdiagnosis, medical malpractice, mental health stigma, suicide, mental illness. Wes Craven didn't think Freddy Krueger could be a legitimate franchise character. And then the sequel basically printed money, and Wes thought it might be a good idea to jump back in the fray. This time, though, he and his co-writers returned back to the dream world, and Freddy comes for Nancy and a crew of new kids who discover, maybe, the path to destroy Freddy once and for all. No, the acting hasn't gotten any better, and no, the dialogue is still way too on the nose. But this is a real promising return to form for the franchise, and introduces a ton of new ideas for a great horror villain. We discuss A Nightmare on Elm Street 3: Dream Warriors this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Dream Warriors,” written by George Lynch and Jeff Pilson and performed by Dokken. Copyright 1987 Elektra/Asylum Records. Excerpt taken from “Anything, Anything (I'll Give You),” written by John Easdale and performed by Dramarama. Copyright 1985, 1990 Chameleon Records.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, serial killers, gore, blood, child killers, death, homophobia, trauma.. When we watched the original Nightmare on Elm Street for the show, we were only in our 2nd season and were still relative horror newbies. But it's finally time to explore the entire Fred Krueger canon, and this week we start with a film that has no right to be as interesting and good as it is. The acting still isn't great, the dialogue is atrocious, and the producer made the entire process a nightmare for everyone involved. But the intentional undercurrents of homoeroticism coupled with a totally different take on Freddy's abilities makes this a fun but flawed entry in the canon. We're talking about Freddy Knife Hands in A Nightmare on Elm Street 2: Freddy's Revenge this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Time Has Come Today” written by Joseph Chambers and Willie Chambers, and performed by The Chambers Brothers. Copyright 1966, 1967 Sony Music Entertainment, Inc. Excerpt taken from “Main Title” to the movie A Nightmare on Elm Street 2:Freddy's Revenge, composed by Christopher Young. Copyright 1986 New Line Cinema Corporation Excerpt taken from the film A Nightmare on Elm Street 2: Freddy's Revenge. Copyright 1985 New Line Productions, Inc. Excerpt taken from “Dream Warriors,” written by George Lynch and Jeff Pilson and performed by Dokken. Copyright 1987 Elektra/Asylum Records.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Horror, gore, child murderers, child molesters, serial killers, knives. Back in our second season in 2018 (?!??!?!) we talked about A Nightmare on Elm Street. We probably feel differently about it now. Check out our long ago review as we gear up for our new October series reviewing Freddy Knife Hands on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of war, racism, grief, trauma, PTSD, explosions, abuse, trauma. We're wrapping up our series with Spike's most recent joint, traveling to Vietnam for a cross between Apocalypse Now and The Treasure of the Sierra Madre. It's another bold swing in the new era of Spike, but yet again, the balance is all off. When this movie is working, it's a masterpiece, but there's so much of it that feels like a slog. And it's not because of anything fundamentally wrong with the story, just that there's far too much of it, and far too much pontificating on the story itself. For the cast alone, though, it's a shame this got buried in the COVID shutdown, because they deserve heaps of recognition. We conclude our director's series with 2020's Da 5 Bloods this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Time Has Come Today” written by Joseph Chambers and Willie Chambers, and performed by The Chambers Brothers. Copyright 1966, 1967 Sony Music Entertainment, Inc. Excerpt taken from “Main Title” to the movie A Nightmare on Elm Street, composed by Charles Bernstein. Copyright 1984 New Line Cinema Corp.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of homicide, gun violence, racism, gang wars, gangs, drug use, sex, misogyny, death of a child, grief. We've jumped ahead to Spike's new era of films for a movie we absolutely should have seen so much earlier. Why? Because it's a Spike Lee Joint adapted from one of the most important Greek comedies ever written, and it happens to be pretty hilarious at how good a job it does. The problem is when Spike and new collaborator Kevin Willmott stray from the source and take themselves a little too seriously with an incredibly silly premise. Especially for Greek drama and comedy, allowing the structure to play out without interruption is the only way to go. We discuss 2015's Chi-Raq this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Chi-Raq” written by Rico Cox, Robert Amparan, Leroy Griffin, Jr. and Nick Cannon, and performed by Nick Cannon. Copyright 2015 Da Chi Picture Company, LLC. All Rights Reserved.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of Nazi collaboration, antisemitism, robbery, racism, violence, murder, drug dealing, assault, gun violence, threats of violence, homicide, police. This week we've got a special double feature, with a Spike movie we loved without knowing it was a Spike Lee joint, and one from the past that took a different look at the world of crime. In 2006, Spike dropped his most commercially successful film to date that just so happened to be a heist classic. But in 1995, he'd already explored the drug trade taking over lots of the projects. While both movies are different, they're a look at the different ways Spike approaches crime, police work, detectives, and his beloved New York. We discuss 2006's Inside Man and 1995's Clockers this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Ten Thirty” from the score to the movie Inside Man, composed by Terence Blanchard. Copyright 2006 Universal Studios. Excerpt taken from “Crazy (Acoustic)” written and performed by Seal. Copyright 1991, 2004 Warner Bros. Records Inc., WEA International Inc. Excerpt taken from “Chi-Raq” written by Rico Cox, Robert Amparan, Leroy Griffin, Jr. and Nick Cannon, and performed by Nick Cannon. Copyright 2015 Da Chi Picture Company, LLC. All Rights Reserved.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of underage attraction, racism, sexism, murder, drug use, prison, assault, violence. It's been so long since we had a proper movie fight on this show, and this week's movie finally fit the bill. David thinks this is actually a poignant allegory for the tragic events of 9/11 and trying to reckon with those emotions. Diana thinks it's a pointless movie that deserves to be thrown in the garbage. We both agree, though, that the script could have made some choices to help with the awkwardness of it all. Get ready for an all-out patented Movie Fight(TM) as we discuss 2022's 25th Hour this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Open Title” from the score to the movie 25th Hour, composed by Terence Blanchard. Copyright 2002 Hollywood Records, Inc. and Touchstone Pictures. Excerpt taken from “Crazy (Acoustic)” written and performed by Seal. Copyright 1991, 2004 Warner Bros. Records Inc., WEA International Inc.

If you should approach the scripture without the biases of the Revolution or Civil War, how should you approach it? RECAP/TAKEAWAYS: Read your Bible within a community. Be afraid to be wrong in interpretation. Be humble! Be aware of your own context. What did this mean to the first readers? It can't mean something to you that it didn't mean to them. The original meaning guides your Interpretation. Can you draw a straight line from the meaning of the text to the application? How does the church today have the same Bible reading problems as the Revolution or Civil Wars? Our treatment of Scripture still hinges on the same issues: Is there something special in God's design for America? Or, is God's special relationship with the church? (Covenantal relationship?) Are we misreading end-times to justify our opinions today? Are we parroting what other people are saying about issues and texts? Are we interpreting the Bible individually granting our view of it the same or greater authority as tradition and history? How do you see Romans 13? Are we disregarding the image of God in people? How could you read the Bible politically well? The Gospel is the good news that Jesus is King. If that is the message of the Bible, it IS political! GET IN TOUCH: We'd love to hear from you. Please send us an email or question at comment@cithonahillpodcast.com. MUSIC: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE),

In this episode, we discuss how the Bible was used in churches, by ministers on both sides, to inflame political fervor during the Civil War! NOTES: Here are the two books that motivated this episode. The Civil War as a Theological Crisis by Mark Noll A Holy Baptism of Fire and Blood by James P. Byrd RECAP/TAKEAWAYS: Both sides of the Civil War tried to lay claim to the Patriot's heritage. Both used Scripture to tie into the Spirit of the Revolution. The same issues that colored Biblical interpretation in the time of the Revolution colored interpretation in the Civil War. The belief that America had a special place in God's program or a special relationship to him and an anti-authoritarian bias. The Bible could not settle the matter of slavery. The South relied on individual passages of Scripture as proof the Bible approved of slavery. The abolitionist relied on more general theology, like the implications of the image of God, to prove the evils of slavery. GET IN TOUCH: We'd love to hear from you. Please send us an email or question at comment@cithonahillpodcast.com. MUSIC: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE),

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of racism, childhood grief, dysfunctional families, parental anger, drugs, poverty, grief, loss. It was only a matter of time before Spike Lee decided to make his own ode to basketball. Unfortunately, his script here is just not up to par, which is a shame, because underneath the flash and messy storytelling, there's a really interesting story about fathers and sons. Denzel is bringing his best, as usual, and the supporting cast is doing their absolute best. Even Ray Allen, who's definitely not an actor, still has flashes of brilliance as he relaxes into the role. And Spike's directing has so much thought and care, particularly in his use of score. But none of that matters when the movie just doesn't have a whole lot to say. Check the ball and post up as we discuss 1998's He Got Game this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “He Got Game” from the soundtrack to the movie of the same name, written by LuQuantum Leap featuring Stephen Stills, and performed by Public Enemy along with the Voices of Shabach Community Choir of Long Island. Copyright 1998 Def Jam Records, Inc., a PolyGram Company.

In this episode, we discuss how the Bible was used in churches, by ministers, to inflame political fervor for a revolution! NOTES: Here are the two books that motivated this episode. Sacred Scripture, Sacred War by James P. Byrd A Holy Baptism of Fire and Blood by James P. Byrd RECAP/TAKEAWAYS: Both great wars followed after Great Awakenings. The genuine religious experiences are something to be thankful for, to be sure. Both awakenings centered on individual experience and resulted in privatizing Bible interpretation. Both were, to a degree, anti-institutional. The First Great Awakening bypassed the traditional churches and the second majored on camp meetings. Ministers during the Revolutionary era equated America with Israel and saw the conflict with Britain in Apocalyptic terms. What can you do? Read your Bible. Beware of your own context. What did this mean to the first readers? It can't mean something to you that it didn't mean to them. Can you draw a straight line from the meaning of the text to their application? GET IN TOUCH: We'd love to hear from you. Please send us an email or question at comment@cithonahillpodcast.com. MUSIC: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE),

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of racism, childhood grief, dysfunctional families, parental anger, drugs, poverty, grief, loss. After another Spike masterpiece (one we've both seen already), Spike geared up for one of his most personal projects to date. Written as a TV pilot by Spike's sister Joie and brother Cinqué, Spike reigns everything back in to show a family, both good and bad, living in Brooklyn in 1973. It moves more like a series of scenes than an actual movie, but the characters here are among some of his best, and Spike is willing to lay everything in front of us: the anger, the dysfunction, the sorrow, and the love. It doesn't hurt that he's got Alfre Woodard and Delroy Lindo as the parents either, nor an outstanding child performance from Zelda Harris. It's a really good movie, subtle but true and a delight to watch. Turn the TV off and make sure you clean your dishes as we discuss 1994's Crooklyn this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Everyday People” by Sly and the Family Stone, copyright 1968 Daly City Music. Excerpt taken from “He Got Game” from the soundtrack to the movie of the same name, written by LuQuantum Leap featuring Stephen Stills, and performed by Public Enemy along with the Voices of Shabach Community Choir of Long Island. Copyright 1998 Def Jam Records, Inc., a PolyGram Company.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of womanizing, misogyny, gambling. Spike Lee had the unenviable task of following up one of the greatest movies of all time. And instead of taking a long break or jumping to big budget movies, Spike decided to rein everything back in for another slice of life about another of his many loves - jazz. Granted, his writing efforts were a bit disjointed, a bit lacking in story to make everything well-rounded. But Spike still brought all his visual powers to bear with a cast that absolutely knocks out their roles, even if they're a bit thin on the page. And don't get us started on the music - this movie still has a lot to offer. Grab a seat and order a drink as we talk about 1990's Mo' Better Blues this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Mo' Better Blues” from the soundtrack to the movie Mo' Better Blues, written by Bill Lee and performed by the Branford Marsalis Quartet featuring Terence Blanchard. Copyright 1990 CBS Records Inc. Excerpt taken from “Part I - Acknowledgement” from John Coltrane's A Love Supreme, copyright 1965 ABC-Paramount Records, Inc.; 2022 UMG Recordings, Inc. Excerpt taken from “Everyday People” by Sly and the Family Stone, copyright 1968 Daly City Music.

In this episode, we discuss Roger Williams's contribution to our understanding of church and state and how he shaped the liberal imagination. NOTES: Bonus fact: Our wives are descendants of Roger Williams! So we have a vested interest in his story. Here is the book that Aeric read: Roger Williams and the Creation of the American Soul: Church, State, and the Birth of Liberty  Find out more about Roger Williams here or here or here . RECAP/TAKEAWAYS: The church argued over things that seem to us as minor things. Chances are someone will say that about our arguments in years to come! Colonists fled an established church and created another in Massachusetts Bay. It was all they knew! Roger Williams' key ideas were the separation of Church and State and the Freedom of Conscience. Because you could not coerce someone's conscience in matters of religion he felt the state could not require religious affiliations. It would, in his mind, compromise the genuine nature of a religious belief. This fostered liberalism as we know it. The individual is supreme. The legacy of this freedom of conscience has bred a fierce individualism so that in matters of the state, or church, or other institution, the individual is central and most important. We should all humbly recognize that our ideas, even our good ones, can bring about outcomes that are not good. GET IN TOUCH: We'd love to hear from you. Please send us an email or question at comment@cithonahillpodcast.com. MUSIC: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE),

In this episode, we talk about what is at stake for the church in politics -- namely, that people will draw their first opinions about Jesus from how his followers engage in politics. Between how the "evangelical church" is reported on by media and how people actually mistreat one another it is hard to find people who have a positive opinion of the church. You never get a second chance to make a good first impression. NOTES: What is at stake here? Unity -- By this all people will know that you are my disciples, if you have love for one another." (John 13:35 ESV) What is Jesus like? -- For I have given you an example, that you also should do just as I have done to you. (Joh 13:15 ESV) People SHOULD figure out what Jesus is like by what Christians are like. Character/Moral Authority of the church Identity -- Is identifying with Jesus more compelling than being Republican or Democrat? If Christians prioritize politics in the same way as everyone else in the world, onlookers cannot help but draw the conclusion that we don't have anything better to offer than anyone else. Combining Christianity and Politics would lead the uninitiated to equate a certain political position with Christianity, further confusing that first impression. RECAP/TAKEAWAYS: Assume people have an opinion of Jesus formed by popular media. Each person you talk with will either see Jesus as for their political ideals or against them. They will likely have a low level of trust in the followers of Jesus because of their political behavior. People really need "normal" Christian friends like you! Pause before every comment on social media, or every forwarded article, or every conversation, and realize the reputation of Jesus is at stake in your interaction. GET IN TOUCH: We'd love to hear from you. Please send us an email or question at comment@cithonahillpodcast.com. MUSIC: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE),

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of sexism, misogyny, rape, rape culture, manipulation, narcissism, sex. We're starting a new director series, and this year we're watching the films of one of Hollywood's most controversial and iconic directors: Spike Lee. This week, we check out his first joint, a sex comedy that's shockingly progressive and thoughtful for its time. It's refreshing for one of the greatest low-budget films of all time to be far more thoughtful than most comedies of its era. And it's incredibly funny to boot, provided you remember it's 1986 and off-color jokes cross the line more often than not. It's not the greatest movie, but it's a great start for one of the best directors of all time. Please baby, pleasebaby, please baby baby please join us as we watch 1986's She's Gotta Have It this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Who Will Be The One” from the soundtrack to the movie She's Gotta Have It, written and composed by Bill Lee. Copyright 1986 Island Records Inc. Excerpt taken from “Who Will Be The One” from the soundtrack to the movie She's Gotta Have It, written and composed by Bill Lee. Copyright 1986 Island Records Inc. Excerpt taken from Nike's “It's Got To Be the Shoes” commercial, starring Spike Lee and Michael Jordan. Excerpt taken from “Fight the Power” from the soundtrack to the movie Do the Right Thing, written by Carlton Ridenhour, Eric Sadler, Hank Shocklee and Keith Shocklee and performed by Public Enemy. Copyright 1989 Universal City Studios, Inc.; Motown Record Company, L.P.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of police murders, police brutality, racism, sex, racial tension, alcoholism. Our Spike Lee series continues with, perhaps, Spike's greatest movie and only his third full-length feature. It's a movie so poignant and real that it can literally change lives, and we don't say that lightly. Of course, Hollywood was terrified it would incite violence and rioting, which is preposterous because its real message is how to navigate living together, both in peace and violence. Spike doesn't ask easy questions and doesn't expect easy answers; he just wants to lay it all out in front of us. And, in the meantime, he gives us a whole crew of unique, well-drawn characters that, even when caricatures, still show a sense of the real world and all of its struggles. Wake up, wake up, up you wake and join us as we watch 1989's masterpiece Do the Right Thing this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fight the Power” from the soundtrack to the movie Do the Right Thing, written by Carlton Ridenhour, Eric Sadler, Hank Shocklee and Keith Shocklee and performed by Public Enemy. Copyright 1989 Universal City Studios, Inc.; Motown Record Company, L.P. Excerpts taken from the movie Do the Right Thing, copyright 1989 Universal City Studios, Inc. All Rights Reserved. Excerpt taken from the 1990 Academy Awards with a speech from Kim Basinger. Excerpt taken from “Mo' Better Blues” from the soundtrack to the movie Mo' Better Blues, written by Bill Lee and performed by the Branford Marsalis Quartet featuring Terence Blanchard. Copyright 1990 CBS Records Inc.

In this episode, we struggle to admit another election cycle is upon us. Then, we talk about what someone might to do help others grow as disciples in a politically divided environment. NOTES: Here are the verses we mentioned in this episode: Matthew 28:18-20 -- 18 And Jesus came and said to them, “All authority in heaven and on earth has been given to me. 19 Go therefore and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, 20 teaching them to observe all that I have commanded you. And behold, I am with you always, to the end of the age.” Proverbs 21:1 -- The king's heart is a stream of water in the hand of the LORD; he turns it wherever he will. Isaiah 40: 22-23 -- It is he who sits above the circle of the earth, and its inhabitants are like grasshoppers; who stretches out the heavens like a curtain, and spreads them like a tent to dwell in; who brings princes to nothing, and makes the rulers of the earth as emptiness. Psalm 100: 3, 5 -- Know that the Lord, he is God! It is he who made us, and we are his; we are his people and the sheep of his pasture. For the Lord is good; his steadfast love endures forever, and his faithfulness to all generations. Revelation 21:1-6 -- Then I saw a new heaven and a new earth, for the first heaven and the first earth had passed away, and the sea was no more.  And I saw the holy city, new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband. And I heard a loud voice from the throne saying, "Behold, the dwelling place of God is with man. He will dwell with them, and they will be his people, and God himself will be with them as their God. He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning, nor crying, nor pain anymore, for the former things have passed away." And he who was seated on the throne said, "Behold, I am making all things new." Also, he said, "Write this down, for these words are trustworthy and true." And he said to me, "It is done! I am the Alpha and the Omega, the beginning and the end. To the thirsty, I will give from the spring of the water of life without payment. 1 Peter 1:3-5 -- Blessed be the God and Father of our Lord Jesus Christ! According to his great mercy, he has caused us to be born again to a living hope through the resurrection of Jesus Christ from the dead,  to an inheritance that is imperishable, undefiled, and unfading, kept in heaven for you,  who by God's power are being guarded through faith for a salvation ready to be revealed in the last time. RECAP/TAKEAWAYS: We offered some suggestions on how you can help others focus on Jesus and not on the partisan nature of the elections. Listen, ask questions. That will surprise everyone! Point them to Jesus as their king. Humbly set aside your partisan or political opinions in conversation. Don't confuse what is yours as a citizen of the kingdom of heaven and what is American. Be okay saying, "I don't know." Use some of the verses above to deal with FEAR. Use some of the verses above to remind them of HOPE. Keep learning. GET IN TOUCH: We'd love to hear from you. Please send us an email or question at comment@cithonahillpodcast.com. MUSIC: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE),

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of child neglect, child abuse, teen drug use, teenage pregnancy, racism, systematic racism, manipulation. It wouldn't be a series on this show without a dud to end things on. 1989 had its fair share of great movies, but it also contained this absolutely terrible piece of work. On paper, this movie should be fantastic: Morgan Freeman, John G. Avildsen of Rocky directing, a compelling drama. But the low expectations of our writer and our director's absolute devotion to hitting emotional story beats undercuts a really complicated and unique story from an urban high school. It's bad enough that the movie completely rewrites history; it also just does a really terrible job of it too. Pull your pants up and take your hat off as we watch Lean on Me this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Rap Summary (Lean On Me)” from the soundtrack to the movie Lean on Me, written and performed by Big Daddy Kane. Copyright 1989 Warner Bros. Records Inc. Excerpt taken from the movie Lean on Me, copyright 1989 Warner Bros. Entertainment Inc. All Rights Reserved. Excerpt taken from “Who Will Be The One” from the soundtrack to the movie She's Gotta Have It, written and composed by Bill Lee. Copyright 1986 Island Records Inc.

Scott is back from his sabbatical. In this episode, we catch up on what we've learned in the past few months and the books we've read. NOTES: Here are the books we mentioned in this episode: Uncivil Agreement: How Politics Became Our Identity by Lilliana Mason The New Reformation: Finding Hope in the Fight for Ethnic Unity by Shai Linne Believe Me: The Evangelical Road to Donald Trump by John Fea The Summa Theologica of St. Thomas Aquinas (Five Volumes) RECAP/TAKEAWAYS: We are working on a seminar for churches that will help them navigate the next political cycle in a way that honors Jesus. We'd appreciate your feedback very much if you have any feedback. After listening to City on a Hill for a while, what do churches need to think about in the Spring and Summer of 2024 to handle the elections as citizens of a heavenly kingdom? We think it should be live. Would an online course work? Do you have thoughts about what a church leader would need to bring a seminar like this to their church? GET IN TOUCH: We'd love to hear from you. Please send us an email or question at comment@cithonahillpodcast.com. MUSIC: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE),

Scott is on sabbatical so we highlighted short thoughts that will help the church remain faithful in public life. NOTES: Matthew 28: 16-20 -- Now the eleven disciples went to Galilee, to the mountain to which Jesus had directed them. 17 And when they saw him they worshiped him, but some doubted. 18 And Jesus came and said to them, “All authority in heaven and on earth has been given to me. 19 Go therefore and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, 20 teaching them to observe all that I have commanded you. And behold, I am with you always, to the end of the age.” GET IN TOUCH: We'd love to hear from you. Please send us an email or question at comment@cithonahillpodcast.com. MUSIC: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE),

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: sexism, manipulation, stealing credit, Kevin Spacey. We jump from a New York nightmare to a fairy tale, albeit one with some real power plays. This week's movie is definitely lighter fare, but it's worth realizing just how empowering it was in its time. Secretaries didn't have the chance to work their way up, and hierarchies only allowed for certain women to make their way to the boardroom. So it was a big deal to say that someone working through various menial positions could get the power to make million or even billion dollar deals. What makes this week's movie great is the combination of its message, its attention to detail, and some truly fantastic chemistry between Harrison Ford and Melanie Griffith. Enjoy your new office as we watch Working Girl this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fatal Attraction” from the soundtrack to the movie Fatal Attraction, written and composed by Maurice Jarre. Copyright 1987 Paramount Pictures Corporation. Excerpt taken from “Let the River Run” from the soundtrack to the movie Working Girl, written and performed by Carly Simon. Copyright 1988 Twentieth Century Fox Film Corporation. Excerpt taken from “Work Hard or Die Trying, Girl” from the TV show Bob's Burgers. Copyright 2011, 2014 Fox and its related entities. All rights reserved. Excerpt taken from “Rap Summary (Lean On Me)” from the soundtrack to the movie Lean on Me, written and performed by Big Daddy Kane. Copyright 1989 Warner Bros. Records Inc.

Scott is on sabbatical so we highlighted short thoughts that will help the church remain faithful in public life. NOTES: Micah 6:8 He has told you, O man, what is good;  and what does the Lord require of you  but to do justice, and to love kindness, and to walk humbly with your God? GET IN TOUCH: We'd love to hear from you. Please send us an email or question at comment@cithonahillpodcast.com. MUSIC: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE),

Scott is on sabbatical so we highlighted short thoughts that will help the church remain faithful in public life. NOTES: American Christianity has a hard time discerning what is American and what is Christian. Two of the simplest tools to help with this are time and space -- or history and geography. Did the church at another time struggle with these same things? How does the church around the world deal with our questions? GET IN TOUCH: We'd love to hear from you. Please send us an email or question at comment@cithonahillpodcast.com. MUSIC: Little Lily Swing, Tri-Tachyon, Attribution-Noncommercial 4.0 International, https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Sorry, Comfort Fit, Attribution-NonCommercial-NoDerivs 3.0 Germany (CC BY-NC-ND 3.0 DE),

The Crew and their companion Stiro continue their hunt for the mysterious planet of Exogul and experience some questionable snacks. Transcript Not Yet Available   Guest appearance by: Rob Stith as Stiro Kuwe (@LordOfTheStith) Your Game Master is Nick Robertson Xianna'fan is played by Lilit Penrod Karma Nailo is played by Cameron Robertson Tink is played by Hudson Jameson Content Warnings Detailed defecation  Sexual suggestions and scenarios Drug and alcohol use Strong Language Violence, injury, death   Music Credits Music: Return Of The Hero by Sascha Ende Free download: https://filmmusic.io/song/450-return-of-the-hero License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.sascha-ende.de Monkeys Spinning Monkeys by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4071-monkeys-spinning-monkeys License: https://filmmusic.io/standard-license Road To Dark Tower by Rafael Krux Link: https://filmmusic.io/song/5314-road-to-dark-tower- License: https://filmmusic.io/standard-license Music: Hidden Agenda by Kevin MacLeod Free download: https://filmmusic.io/song/3872-hidden-agenda License (CC BY 4.0): https://filmmusic.io/standard-license Little Trolls by Frank Schröter Link: https://filmmusic.io/song/8104-little-trolls License: https://filmmusic.io/standard-license Alarm Disaster by Filmy Ghost (Sábila Orbe) is licensed under a Attribution-NonCommercial-NoDerivatives 4.0 International License. Music: Games Of Octopi by Tim Kulig Free download: https://filmmusic.io/song/9831-games-of-octopi License (CC BY 4.0): https://filmmusic.io/standard-license URL: http://freemusicarchive.org/music/Lobo_Loco/Salad_Mixed/Old_Ralley_ID_1200 Comments: http://freemusicarchive.org/ Curator: Copyright: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0: http://creativecommons.org/licenses/by-nc-nd/4.0/ Carl Orff Carmina Burana – O Fortuna. UC Davis University Chorus The song is permitted for non-commercial use under license “Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0)