Podcasts about symphonic music

DescriptionFelix Mendelssohn: The Wunderkind Who Composed with Spark & Soul in 60 Seconds. Take a minute to get the scoop!Fun FactFelix Mendelssohn's first known composition, a *Piano Quartet in C minor*, was completed when he was just 13 years old. Written in 1822, this ambitious work already showed remarkable maturity, blending classical elegance with hints of youthful intensity. It was one of many early pieces that demonstrated Mendelssohn's exceptional talent and foreshadowed his future as a celebrated composer. His sense of structure, melodic grace, and expressive depth made even his earliest compositions stand out.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Mercury performs works by Mendelssohn and Brahms.

Steven talks about the (mostly) London Philharmonic Orchestra album Symphonic Music of Yes (1993), which features Anderson, Bruford, Howe, and more! --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

Eccovi un'anteprima del mio nuovo album musicale, pieno di riferimento a Wolfgang Amadeus Mozart. Comunque, l'autore del brano d'apertura, l'unico che non è stato scritto da me, è Jacques Offenbach. Il resto dei brani è stato composto da me in uno stile che richiama alcune composizioni di Mozart, con spunti presi anche da Franz Peter Schubert, Robert Schumann e Richard Strauss. --- Send in a voice message: https://podcasters.spotify.com/pod/show/corgiov/message

Hello once again everyone I'm your host Ray Shasho and welcome to another edition of Interviewing the Legends. Alan Parsons worked as assistant engineer on the last two albums by The Beatles and after he qualified as a fully-fledged recording engineer, he went on to work with Paul McCartney and The Hollies among many others. But it was his contribution as engineer on Pink Floyd's classic The Dark Side Of The Moon that really got him world attention. That soon led to striking successes as a producer – notably with Pilot's Magic, John Miles' Highfly and Music and Steve Harley's (Come Up And See Me) Make Me Smile. He also produced the hugely successful Year Of The Cat album with Al Stewart and two albums with American prog rock band Ambrosia. In 1975 he met Eric Woolfson who not only became his manager but joined forces with Alan as a songwriting and performing partner for what became known as The Alan Parsons Project and a string of hit albums. Parson's most recent studio release is entitled From the New World and features the classic sounds Parsons has become known for in his impressive career, with progressive, symphonic, and classic rock elements all touched upon on this stunning album. Guest appearances from the likes of renowned guitarist and singer Joe Bonamassa, Tommy Shaw of Styx, vocalist David Pack (Ambrosia), and vocalist James Durbin add wonderful atmosphere to the stunning performances by Alan and his incredible backing band. Please welcome legendary audio engineer, singer, songwriter, musician, and record producer Alan Parson to Interviewing the Legends …   PURCHASE  THE LATEST RELEASE BY ALAN PARSONS FROM THE NEW WORLD Available at amazon.com Frontiers Music Srl is proud to announce the release of the new studio album, "From The New World" by the legendary Alan Parsons. The eleven-time Grammy nominated legendary music icon and master of progressive rock released his last studio album “The Secret” in April 2019. "From The New World" features the classic sounds Parsons has become known for in his impressive career, with progressive, symphonic, and classic rock elements all touched upon on this stunning album. Guest appearances from the likes of renowned guitarist and singer Joe Bonamassa, Tommy Shaw of Styx, vocalist David Pack (Ambrosia), and vocalist James Durbin add wonderful atmosphere to the stunning performances by Alan and his incredible backing band.   ALSO PURCHASE Alan Parsons' Art & Science of Sound Recording: The Book (Technical Reference) by Julian Colbeck (Author), Alan Parsons (Author) More than simply the book of the award-winning DVD set, Art & Science of Sound Recording, the Book takes legendary engineer, producer, and artist Alan Parsons' approaches to sound recording to the next level. In book form, Parsons has the space to include more technical background information, more detailed diagrams, plus a complete set of course notes on each of the 24 topics, from “The Brief History of Recording” to the now classic “Dealing with Disasters.” Written with the DVD's coproducer, musician, and author Julian Colbeck, ASSR, the Book offers readers a classic “big picture” view of modern recording technology in conjunction with an almost encyclopedic list of specific techniques, processes, and equipment. Available at amazon.com   FOR MORE INFORMATION ABOUT ALAN PARSONS VISIT www.alanparsons.com Official website www.facebook.com/alanparsons Facebook www.instagram.com/alanparsonsmusic Instagram https://twitter.com/alanparsons Twitter   Full discography Date         Title         as part of The Alan Parsons Project May 1976    Tales of Mystery and Imagination June 1977   I Robot       June 1978 Pyramid     August 1979   Eve         November 1980   The Turn of a Friendly Card June 1982 Eye in the Sky      1983 The Best of the Alan Parsons Project       December 1983   Ammonia Avenue         February 1985     Vulture Culture   November 1985   Stereotomy          January 1987       Gaudi         1988 The Best of the Alan Parsons Project, Vol. 2      1988 The Instrumental Works       1990 Freudiana 9 October 1989    Pop Classics         1995 (6/2004)     Extended Versions: The Encore Collection Live                   15 July 1997         The Definitive Collection       27 July 1999        Master Hits - The Alan Parsons Project             2 August 1999     Alan Parsons Project - Greatest Hits Live = Best of Live     3 August 1999     Eye in the Sky – Encore Collection                    9 May 2000         Alan Parsons Project - Gold Collection    22 August 2002 Works   Audiophile Legends 23 March 2004   Ultimate              2006   Days Are Numbers     2007 The Essential (2 CD Compilation) 2010 The Collection     23 March 2014    The Sicilian Defence (part of The Complete Albums Collection) as Solo Artist – Studio Albums 6 October 1993    Try Anything Once       24 September 1996       On Air        28 September 1999      The Time Machine        24 August 2004 A Valid Path        Artemis      26 April 2019      The Secret 15 July 2022        From the New World    as Solo Artist – Live Albums 27 June 1995       The Very Best Live        6 April 2010 Eye 2 Eye: Live in Madrid   Sept 2013   Alan Parsons                 June 2016 Alan Parsons Symphonic Project, Live in Colombia   5 November 2021 The Neverending Show - Live In The Netherlands             11 February 2022 One Note Symphony - Live In Tel Aviv             as Solo Artist – Singles 15 June 2010 All Our Yesterdays / Alpha Centauri 3 April 2014 Fragile / Luciferama 10 April 2015 Do You Live at All                        as Engineer 1969 Abbey Road (The Beatles)     1970 Atom Heart Mother (Pink Floyd)   1971   Stormcock (Roy Harper)                           1971   Wild Life (Wings)         1973 The Dark Side of the Moon (Pink Floyd) 1973 Red Rose Speedway (Paul McCartney and Wings) 1974 Hollies (The Hollies)    1975 Another Night (The Hollies)           1975 Ambrosia (Ambrosia)   1976 Year of the Cat (Al Stewart)             1978 Time Passages (Al Stewart)             2013 The Raven That Refused to Sing (And Other Stories) (Steven Wilson) as Producer 1974 From the Album of the Same Name (Pilot)                          1974 The Psychomodo (Cockney Rebel) 1975 The Best Years of Our Lives (Steve Harley & Cockney Rebel)                 1975 Second Flight (Pilot)                                 1975 Modern Times (Al Stewart)                                1976 Rebel (John Miles)                 1976 Year of the Cat (Al Stewart)             1976 Somewhere I've Never Travelled (Ambrosia)    1978 Time Passages (Al Stewart)             1979 Lenny Zakatek (Lenny Zakatek)     1984      Keats                1985 Ladyhawke (OST by Andrew Powell)       1993 Symphonic Music of Yes        2012 Grand Ukulele (Jake Shimabukuro)                  2017 Blackfield V (Blackfield)        Kscope                 2019 Jonathan Cilia Faro (Grown up Christmas List)         as Executive Producer / Mentor 1999 Turning the Tide (Iconic Phare)                    Billboard Top 40 hit singles (US) 1976 – "(The System of) Doctor Tarr and Professor Fether" 1977 – "I Wouldn't Want to Be Like You 1979 – "Damned If I Do" 1980 – "Games People Play" 1981 – "Time" 1982 – "Eye in the Sky" 1984 – "Don't Answer Me" 1984 – "Prime Time"   Nominations 1973 – Pink Floyd – The Dark Side of the Moon – Grammy Nomination for Best Engineered Album, Non-Classical 1975 – Ambrosia – Ambrosia – Grammy Nomination for Best Engineered Album, Non-Classical 1976 – Ambrosia – Somewhere I've Never Travelled – Grammy Nomination for Best Engineered Album, Non-Classical 1976 – The Alan Parsons Project – Tales of Mystery and Imagination – Grammy Nomination for Best Engineered Album, Non-Classical 1978 – The Alan Parsons Project – Pyramid – Grammy Nomination for Best Engineered Album, Non-Classical 1978 – Alan Parsons – Producer of the Year, Grammy Nomination for Producer of the Year 1979 – Ice Castles – Original Motion Picture Soundtrack – Grammy Nomination for Best Album of Original Score Written for a Motion Picture 1979 – The Alan Parsons Project – Eve – Grammy Nomination for Best Engineered Album, Non-Classical 1981 – The Alan Parsons Project – The Turn of a Friendly Card – Grammy Nomination for Best Engineered Album, Non-Classical 1982 – The Alan Parsons Project – Eye in the Sky – Grammy Nomination for Best Engineered Album, Non-Classical 1986 – The Alan Parsons Project – "Where's The Walrus?" – Grammy Nomination for Best Rock Instrumental Performance 2007 – Alan Parsons – A Valid Path – Grammy Nomination for Best Surround Sound Album 2018 – Alan Parsons, Dave Donnelly, & PJ Olsson – "Eye in the Sky – 35th Anniversary Edition" – Grammy Award for Best Immersive Audio Album – Alan Parsons, surround mix engineer; surround mastering engineers; Alan Parsons, surround producer (The Alan Parsons Project)   Support us!

Episode 69 More Symphonic Music with Synthesizers   Playlist Tomita, “Gardens In The Rain (Estampes, 3)” from Snowflakes Are Dancing (1974 RCA Red Seal). "Electronic performances of Debussy's tone paintings." Performed, arranged, and electronically created by Isao Tomita, composed by Claude Debussy. Modular Moog synthesizer by Isao Tomita, with equipment listed as: Moog synthesizer; One 914 extended range fixed filter bank; Two 904-A voltage-controlled low-pass filters;  One 904-B voltage-controlled high-pass filter;  One 904-C filter coupler;  One 901 Voltage-controlled oscillator;  Three 901-A oscillator controllers;  Nine 901-B oscillators;  Four 911 envelope generators;  One 911-A dual-trigger delay;  Five 902 voltage-controlled amplifiers;  One 912 envelope follower;  One 984 four-channel mixer;  One 960 sequential controller;  Two 961 interfaces;  One 962 sequential switch;  Two 950 keyboard controllers;  One 6401 Bode ring modulator;  Tape recorders,  One Ampex MM-1100 16-track,  One Ampex AG-440 4-track, One Sony TC-9040 4-track,  One Teac A-3340S 4-track,  One Teac 7030GSL 2-track;  Mixers,  Two Sony MX-16 8-channel mixers,  Two Sony MX-12 6-channel mixers;  Accessories,  One AKG BX20E Echo unit;  One Eventide Clockworks "Instant Phaser";  Two Binson Echorec "2" units ; One Fender "Dimension IV;"  One Mellotron.    3:41 Tomita, “The Old Castle” from Pictures At An Exhibition (1975 RCA Red Seal). “Electronic interpretations of works by classical composer Modest Mussorgsky.” Performed, arranged, and electronically created by Isao Tomita, composed by Modest Mussorgsky. Modular Moog synthesizer by Isao Tomita. Assume same instrumentation as above. 5:16 Pulsar, “Strands of the Future” from Strands of the Future (1976 Kingdom Records). Recorded in Switzerland, released in France. Drums, Percussion, Victor Bosch; Electric Guitar, Acoustic Guitar, Vocals, Gilbert Gandil; Flute, Solina Synthesizer, Roland Richard; Lyrics By François Artaud; Organ, Moog Synthesizer, Mellotron, Bass Guitar, Jacques Roman. 22:13 Vangelis Papathanassiou, “Flamants Roses” from Opéra Sauvage (1979 Polydor). "Original Music For Frédéric Rossif's Television Series.” Recorded in London, 1979. Composed, Arranged, Produced, synthesizers, piano, Fender Rhodes electric piano, drums, percussion, xylophone, Vangelis Papathanassiou; harp, Jon Anderson. 11:48 Rick Wakeman, “Overtures, Part 1 and 2” from 1984 (1981 Charisma). Part 1: Piano, Prophet Synthesizer, Rick Wakeman. Part 2: Organ, Piano, Prophet Synthesizer, RMI Synthesizer, Rick Wakeman. Bass, Runswick D., McGee R.; Bassoon, Sheen G., Hammond H. Cello, Truman B., Robinson M., Willison P.; Cello [Lead], Daziel A.; Clarinet, Weinberg T., Puddy K.; Drums, Tony Fernandez;  Drums, Frank Ricotti;  Fender Bass, Boghead, Steve Barnacle; Flute, Sandeman D., Gregory J.; Guitar, Beaky, Tim Stone; Horn, Thomson M., Easthope P.; Keyboards, Dave Crombie; Oboe, Theodore D., Whiting J.; Producer, Rick Wakeman Saxophone [Selmer] Gary Barnacle; Trombone, Hardie, Wilson; Trumpet, Miller J., Wallis J.; Tuba, Jenkins J. Viola, Newlands D., Robertson G., Andrade L.; Viola [Lead], Cookson M.; Violin, McGee A., Dukov B., Katz D., Bradles D., Clay L., Good T.; Violin, Leader, Rothstein J.. 5:12 Keith Emerson, “Tramway” from Nighthawks (Original Soundtrack) (1981 Backstreet Records). Keith played a Fairlight CMI on this track. The Fairlight was programmed by Kevin Crossley. Keyboards, Performed, Produced, Composed by Keith Emerson; Drums, Neil Symonette; Percussion, Frank Scully; Orchestral Percussion, Tristen Fry; Saxophone, Jerome Richardson; Trumpet [Lead], Greg Bowen. 3:25 Jean Michel Jarre, “Fourth Rendez-Vous” from Rendez-Vous (1986 Polydor). ARP 2600 synthesizer, Eminent organ, Matrisequencer, Roland TR 808 drum machine, Michel Geiss; Elka Synthex, EMS Synthi AKS, Oberheim OBX, Yamaha DX100 synthesizers, Matrisequencer, Roland TR 808 drum machine, Linn 9000 Electronic Drums, Jean-Michel Jarre. 3:59 Jean Michel Jarre, “Fifth Rendez-Vous” from Rendez-Vous (1986 Polydor). “Baby Korg” synthesizer, David Jarre; ARP 2600 synthesizer, Matrisequencer, Michel Geiss; Emulator II sampler/synthesizer, Dave Smith Prophet-5 synthesizer, Casio CZ 5000, ARP 2600, Fairlight CMI, Roland JX 8P, synthesizers, Matrisequencer, Jean-Michel Jarre. 7:56 Jean Michel Jarre, “Last Rendez-Vous: "Ron's Piece" from Rendez-Vous (1986 Polydor). Saxophone, Pierre Gossez; Elka Synthex, Seiko DS 250, Fairlight CMI synthesizers, Matrisequencer, Eminent organ, Jean-Michel Jarre. 5:45 William Ørbit, “Ogive Number 1” from Pieces In A Modern Style (2000 WEA Records). Recorded in England. Written by Erik Satie. Arranged, Programmed, Produced, Performed by William Ørbit. I think this piece is more likely Orbit's arrangement of "Ogive Number 2", not Number 1. But who cares? It's lovely to hear the French musician electrified like this. 6:45 Steve Jansen, Richard Barbieri, Nobukazu Takemura, “Empty Orchestra” from Changing Hands (1997 Medium Productions Limited). UK album of downtempo electronic music with a classical flavor. Recorded in Kyoto and London. Composed, Performed, Produced by Nobukazu Takemura, Richard Barbieri, Steve Jansen. 14:11 Sarah Davachi, “Magdalena” from Antiphonals (2021 Late Music). Canadian electro-acoustical composer and musician who blends classical instruments with electronics. Mellotron (English Horn, Bass Flute, Clarinet, Recorder, Oboe, French Horn, Chamber Organ, Nylon String Guitar), Tape Echo, Korg CX-3 Electric Organ, Pipe Organ, Harpsichord, Piano, ARP Odyssey Synthesizer, Acoustic Guitar, Violin, Voice, Sarah Davachi. 10:12   Background music: James Newton Howard, “Margaret I'm Home” from ‎James Newton Howard (1974 Kama Sutra). Performed, Composed, Arranged by, James Newton Howard.   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Our short, 4 question form about symphonic musichttps://forms.gle/aY3HruZhKvBzeSp28Our sponsor for the podcast: Houghton Hornswww.houghtonhorns.comIn this episode, Kathleen Costello and I discuss the stories we tell about symphonic music. Specifically, we'll cover these 4 questions: "Why does creating or experiencing classical music matter?", "What is unique about symphonic music?", "How does the experience between live and recorded music differ?", and "What is the role of an orchestra in its community?"I hope this episode is thought provoking and helps you gain language to use in sharing about our important art form!Support the show (https://thatsnotspit.com/support/)

On this episode of Cinedicate, we defend Helm's Deep. Carla, one of the talented hosts of the Star Wars podcast, WSTR: Galactic Public Access, returns to discuss The Two Towers. From director Peter Jackson, The Two Towers is an adaptation of the second book in the Lord of the Rings Trilogy by J.R.R. Tolkien. Frodo (Elijah Wood) continues his quest to destroy the One Ring as the rest of the Fellowship defends the Kingdom of Rohan against an Orc invasion.

"Music is supposed to have meaning," says Dr. Adolphus Hailstork whose music captures the tribulations and the occasional triumphs of African Americans in this country. Hailstork's 80th birthday year got off to an impressive start with a performance of his music as part of the Presidential Inauguration ceremony of Joe Biden. Since then there has been a world premiere of a concert aria he composed to commemorate the centenary of the Tulsa Massacre and he awaits the premiere of his recently completed Fourth Symphony.

In this SLSO Stories Podcast, St. Louis Symphony Orchestra Music Director Stéphane Denève and President and CEO Marie-Hélène Bernard discuss Stephane's tenure in St. Louis, his role as music director, and what the future holds for your SLSO.  This episode was originally a Lunch & Learn virtual event in April 2021.

In this episode of the SLSO Stories podcast, St. Louis Symphony Orchestra Music Director Stéphane Denève discusses a genre of orchestral music meaningful to him: film music. He is joined by SLSO including Concertmaster David Halen, Associate Principal Clarinetist Diana Haskell, Principal Horn Roger Kaza, and Associate Principal Trombonist Amanda Stewart. Check out the musicians' selections of their favorite film music here: https://www.slsostories.org/post/favorite-film-musicThis episode was originally a Lunch & Learn virtual event in December 2020.

In this episode of the SLSO Stories podcast, St. Louis Symphony Orchestra Music Director Stéphane Denève visits with newly appointed Assistant Conductor Stephanie Childress. They, along with SLSO Creative Partner Tim Munro, discuss various facets of conducting, Stephanie's musical background, and her hopes for her new position.This episode was originally an SLSO Lunch & Learn virtual event in February 2021.

Devin speaks with John Clay Allen about musicians and composers who were pioneers in bridging electronic and acoustic sounds, especially around the symphony orchestra.  John Clay Allen is a composer, pianist, educator & explorer on the fringes where classical music meets electronic music. Originally from Ruidoso, New Mexico, his music is a synthesis of post-minimalist and spectralist styles, with an underlying predilection for the romantic. His music values the timbral and textural over the traditional note unit, and uses electronics to extend the realm of acoustic possibility. His body of work ranges from pieces for soloist and chamber ensembles to full orchestra, wind symphony, and opera, and his debut album Asnières (silent “s”) was released in 2020.  Clay’s compositions have been performed across the United States and internationally at festivals including SEAMUS, CICTeM in Buenos Aires, the Cortona Sessions in Italy, and the New York City Electroacoustic Music Festival. Recent commissions include works for the Boulder Symphony, Pendulum New Music’s Spark Award, sAge Brass, the Boulder Altitude Directive, and Ajax string quartet. Clay has been a fellow at New Music on the Point and the Charlotte New Music.  As a performer, Clay frequently appears as a conductor and collaborative pianist, and has performed across the United States. Passionate about education and outreach, Clay has taught lessons and classes in composition, piano, and music technology for nearly a decade and is a founding member of the Equinox New Music Collective, a nonprofit organization dedicated to bringing new music to new audiences. Clay holds degrees from West Texas A&M University, University of North Texas, and the University of Colorado Boulder where he received his doctorate in composition. Clay currently divides his time teaching at Metropolitan State University of Denver and the University of Colorado Boulder.  Thank you for joining us on One Symphony and thanks to John Clay Allen for sharing his music, knowledge, & expertise. Thank you to all the incredible performers and record labels that made this episode possible. Tchaikovsky’s 4th symphony was performed by the Oslo Philharmonic and Mariss Jansons. Respighi’s Pines of Rome was played by the Berlin Philharmonic conducted by Herbert Van Karajan. John Adams Transmigration of Souls was performed by the NY Philharmonic and Lorin Maazel on Nonesuch Records. Au Deuxième Etage by Elainie Lillios is from the album Miniatures Concrètes from the Empreintes Digitales label. Pamela Z’s Ethel Dreams of Temporal Distubances is performed by Ethel, Vijay Iyer & Pamela Z from the album Light Cantaloupe Music. Gérard Grisey’s Partiels from Les espaces acoustiques is played by the WDR Sinfonieorchester Köln, conducted by Stefan Asbury on Kairos Records. Warehouse Medicine from the B-Sides by Mason Bates is performed by San Francisco Symphony and Michael Tilson Thomas. The reminder of the tracks come from John Clay Allen’s Asnières, which you can find on all platforms, wherever you listen. You can check out John Clay Allen online at JohnClayAllen.com. You can always find more info at OneSymphony.org including a virtual tip jar if you’d like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

As a concert narrator, Jamie Bernstein has appeared everywhere from Beijing to London to Vancouver. In addition to her own scripted narrations. Jamie also performs standard concert narrations, such as Walton's “Facade,” Copland's “A Lincoln Portrait” and her father's Symphony No. 3, “Kaddish.” A frequent speaker on musical topics, Jamie has presented talks around the world, from conferences in Japan to seminars at Harvard University. In Spanish-speaking locations such as Madrid and Caracas, Jamie narrates en español—thanks to her Chilean-born mother Felicia, who raised her three children to be bilingual.

Edward Elgar's Variations on an Original Theme (a.k.a. Enigma Variations) is one of the most mysterious and puzzling pieces of music of all time. Using a theme he referred to as "the Enigma", he depicts thirteen of his closest friends as if they were taking a stab at cracking the code. One in particular was given the chance to truly solve the case, but she never figured it out. If you want to provide a question for the Q&A episode via voicemail, here is the link to do so, be sure to give your first name and where you're from before asking your question. https://anchor.fm/stephen-j-trygar/message Become a member of The Composer Chronicles on Patreon to get ad-free versions of all the episodes, monthly member only episodes, and other things podcast related! https://patreon.com/thecomposerchronicles My Friends Pictured Within by Edward Elgar: https://ks.imslp.net/files/imglnks/usimg/0/06/IMSLP339677-SIBLEY1802.27173.6d2a-39087004945996text.pdf The Dorabella Cipher: https://ciphermysteries.com/wp-content/uploads/sites/6/2009/02/dorabella-cipher-image.gif Music for this episode: Modern Enigma by Spectacles Wallet and Watch Chanson De Matin, Op. 15, No. 2 by Edward Elgar Berceuse, Op. 16 by Gabriel Faure Cello Concerto in E Minor, Op. 85, Mvt. 1: Adagio by Edward Elgar Variations on an Original Theme ("Enigma"), Op. 36, Mvt. IX "Nimrod" by Edward Elgar Largo from Xerxes by George Friedric Handel Pomp and Circumstance March No. 4 by Edward Elgar Una Noche De Luces by Trevor Kowalski Sources for this episode: My Friends Pictured Within by Edward Elgar (see link above) Variations on an Original Theme, Op. 36 by Edward Elgar (Score) The Musician's Guide to Symphonic Music: Essays from the Eulenberg Scores, edited by Corey Field: https://www.amazon.com/Musicians-Guide-Symphonic-Music-Eulenburg/dp/0930448561/ref=sr_1_2?dchild=1&keywords=The+Musicians+Guide+to+Symphonic+Music&qid=1595963266&sr=8-2 --- Send in a voice message: https://anchor.fm/thecomposerchronicles/message

Joshua Vickery welcomes Justin Muchoney, the Music Director of the CFCArts Symphony Orchestra, to discuss his journey as an artist, conductor, and leader of one of the largest community orchestras in the country.

Musicologist and author Dr. Douglas Shadle traces the origins of American symphonic music through the experiences of Anthony Philip Heinrich, William Henry Fry, and George Frederick Bristow. These composers were contemporaries of many of Europe's classical music masters, yet they were shut out of symphonic music halls in the their own country. Join us as we explore what happened to change the trajectory of American symphonic history. Featuring Dr. William GibbonsExcerpts from sound recordings The Ornithological Combat of Kings/Night in the Tropics and The Wind Demon, from New World Records (p) & © 1978 Anthology of Recorded Music, Inc. Used by permission.www.newworldrecords.org/products/anthony-philip-heinrich-louis-moreau-gottschalk

Andrea Cruz is a singer-songwriter who incorporates folk and Latin music into her works and one of the rising artists in the Puerto Rican independent music scene. Andrea Cruz es una cantautora que incorpora folk con música Latina en su trabajo y una de las artistas emergentes de la escena independiente puertorriqueña. LISTEN TO Andrea Cruz on SPOTIFY: https://open.spotify.com/artist/1CPyRfIuFga1dwN1PmQNn6 FOLLOW FEN on SOCIAL MEDIA: https://www.facebook.com/fencorrea/ https://www.instagram.com/fencorrea/ https://twitter.com/fencorrea FIND FEN'S Books on Amazon: https://www.amazon.com/Fernando-E.-E.-Correa-Gonz%C3%A1lez/e/B07221Q1FY/ref=sr_ntt_srch_lnk_1?qid=1536059902&sr=8-1

Nutopia is an indie rock band with elements of pop and electronic music and one of the rising groups in the Puerto Rican independent music scene. Nutopia es una banda indie rock con elementos de pop y música electrónica y uno de los grupos emergentes de la escena independiente puertorriqueña. LISTEN TO Nutopia on SPOTIFY: https://open.spotify.com/artist/7fbrvNFwDFw8qTdR0dDSfP FOLLOW FEN on SOCIAL MEDIA: https://www.facebook.com/fencorrea/ https://www.instagram.com/fencorrea/ https://twitter.com/fencorrea FIND FEN'S Books on Amazon: https://www.amazon.com/Fernando-E.-E.-Correa-Gonz%C3%A1lez/e/B07221Q1FY/ref=sr_ntt_srch_lnk_1?qid=1536059902&sr=8-1

Rafa Pabön is an indie musician who explores rap, trap, reggaetón and other Latin genres and one of the rising artists in the Puerto Rican independent music scene. Rafa Pabön es un músico independiente que explora rap, trap, reggaetón y otros géneros latinos y uno de los artistas emergentes de la escena independiente puertorriqueña. LISTEN TO Rafa Pabön on SPOTIFY: https://open.spotify.com/artist/11YLRSsZA3YVuQQtHXKTlz FOLLOW FEN on SOCIAL MEDIA: https://www.facebook.com/fencorrea/ https://www.instagram.com/fencorrea/ https://twitter.com/fencorrea FIND FEN'S Books on Amazon: https://www.amazon.com/Fernando-E.-E.-Correa-Gonz%C3%A1lez/e/B07221Q1FY/ref=sr_ntt_srch_lnk_1?qid=1536059902&sr=8-1

Calma Carmona is a singer-songwriter who mixes Latin music, R&B and soul into her work and one of the rising artists in the Puerto Rican independent music scene. Calma Carmona es una cantautora que mezcla música latina, R&B y soul en su trabajo y una de las artistas emergentes de la escena independiente puertorriqueña. LISTEN TO Calma Carmona on SPOTIFY: https://open.spotify.com/artist/3cwyykLjgXZ09CV661ZO8q FOLLOW FEN on SOCIAL MEDIA: https://www.facebook.com/fencorrea/ https://www.instagram.com/fencorrea/ https://twitter.com/fencorrea FIND FEN'S Books on Amazon: https://www.amazon.com/Fernando-E.-E.-Correa-Gonz%C3%A1lez/e/B07221Q1FY/ref=sr_ntt_srch_lnk_1?qid=1536059902&sr=8-1

The music on this new release of orchestral music by the American composer Claude Baker occupies a wide expressive range, ricocheting between wild brilliance and deep introspection. He translates literary references into a uniquely rich and imaginative sound world, with allusions to music by other composers by turns subtle and explicit. Raymond Bisha introduces Baker’s Aus Schwanengesang and his Concerto for Piano and Orchestra ‘From Noon to Starry Night’, featuring the brilliant soloist Marc-André Hamelin.

This week, host Craig braves two brushes with Death as he examines “One for the Angels” and “Nothing in the Dark,” two classic episodes of The Twilight Zone that feature characters being pursued by that sneaky rascal The Grim Reaper. In the interest of full disclosure: after swearing off drinking whilst podcasting, Craig nonetheless had a few during this week’s recording session, and things didn't end in disaster… so he’ll likely be pushing this envelope and lushing it up for future episodes. You’ve been warned. Opening theme: “Neither Here nor There” by Twin Loops Closing music: “Fly on the Windscreen” by The Ineffable Orchestra (from the album Symphonic Music of Depeche Mode, copyright 2006 by Cleopatra Records) The Twilight Zone is a trademark of CBS, Inc. Between Light and a Shadow: A Twilight Zone Podcast is a nonprofit podcast. Music clips and dialogue excerpts used herein are the property of their respective copyright owners; we claim no ownership of these materials. Their use is strictly for illustrative purposes and should be considered Fair Use as stated in the Copyright Act of 1976, 17 U.S.C. section 107.

Some innovations are so powerful they require a separate business to present them.  Host Bart Jackson's guest, musician Lisa Pegher has shattered the old symphonic mold of drummers and percussionists languishing in the orchestra's back row, like accompanying wallpaper.  Noted as one of the top six performers of her generation, the inventive Ms. Pegher has taken her virtuoso percussionist talents out to stage front, in concert of with the nation's top symphonic orchestras.  Yet even these superb musicians cannot quite keep pace.  To better showcase her ever-evolving compositions, Lisa has formed Controlled Chaos, a new band that is in demand in both traditional and avant musical venues.  Tune in and discover the business strategies of moving a revolutionary sound into global prominence in the competitive world of performance.  Also, for your delight, savor a taste of the newest array of percussive music.

Orchestral and Symphonic Music for Music Licensing Track list 1. Pretenders, Contenders and Dark Horses 2. Velvet Room 3. The Champions Of Torino 4. Overture from Henry IV Pt 1 5. And What Rough Beast 6. Mylar Boots 7. Lady Mortimers Song Contact info@callthecow.com for licensing or lyrics.

Orchestral and Symphonic Music for Music Licensing Track list 1. Pretenders, Contenders and Dark Horses 2. Velvet Room 3. The Champions Of Torino 4. Overture from Henry IV Pt 1 5. And What Rough Beast 6. Mylar Boots 7. Lady Mortimers Song Contact info@callthecow.com for licensing or lyrics.