Podcasts about orchestral music

Send us Fan MailWhy are there so many violins in a symphony orchestra?In this episode of The Classical Music Minute, we explore the role of the violin section and why it often contains more players than any other group in the orchestra.Because a single violin produces a relatively delicate sound, many players are needed to create the rich, powerful sonority associated with orchestral strings. Violins also perform much of the orchestra's melodic and harmonic material, making them central to the overall musical texture.Large orchestras often include twenty to thirty violins split between first and second violin sections, helping balance the sound of the brass, woodwinds, and percussion.In just sixty seconds, discover why the violin became the largest section of the modern orchestra.Fun FactIn some of the largest late-Romantic works, composers such as Gustav Mahler and Richard Strauss called for string sections so large that more than forty violins could be on stage at the same time.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Join me on Substack

On this episode of The Bandwich Tapes, I sit down with composer Adam Schoenberg for a thoughtful and deeply human conversation about artistic identity, creative conviction, and the long arc of a life in music. Adam reflects on the early success of Finding Rothko, the orchestral work that helped put him on the map, and what it means to look back on a piece written in his twenties with both gratitude and perspective.We talk about the tension between writing to please others and writing from a place of honesty. Adam shares a formative story from his student years about reshaping a piece to fit institutional expectations, only to realize later that the version that truly sounded like him was the one that opened doors. It leads us into a wider conversation about tonality, contemporary classical music, and why he believes today's musical landscape is more open to different kinds of expression than it once was.Adam also opens up about mentorship, education, and the very different kinds of teachers who shaped him along the way. We discuss studying with John Corigliano, the emotional difficulty of feeling artistically out of place as a young composer, and how those experiences ultimately influenced the kind of teacher he wanted to become for his own students.One of the most moving parts of our conversation centers on Adam's recent health crisis and the way it has changed his relationship to composing, ambition, and time. He speaks candidly about depression, survival, recovery, and the vulnerability of returning to the page after a long silence. We also talk about his percussion concerto Losing Earth, his collaborative relationship with percussionist Jake Nissly, and a powerful new work on the horizon: a Concerto for Body that explores illness, healing, and the orchestra as a living system.Key TakeawaysAdam Schoenberg's breakout orchestral work, Finding Rothko, launched his career and continues to resonate with audiences nearly 20 years later.He learned early on that shaping music to satisfy gatekeepers can come at the expense of artistic truth.Studying with mentors like Robert Beaser and John Corigliano helped him refine both his craft and his confidence as a composer.Adam sees today's classical music world as more stylistically open, with greater room for composers to write in an authentic voice.His percussion concerto Losing Earth, written for Jake Nissly and the San Francisco Symphony, grew out of a highly collaborative process and a desire to create an immersive musical experience.A serious medical crisis took Adam away from composing for nearly two years and forced him to rethink identity, ambition, and what kind of work still matters to him.His upcoming Concerto for Body reflects a new creative chapter shaped by illness, survival, and the experience of coming back.Music from the EpisodeAdam Schoenberg - American Symphony - I. Fanfare - Kansas City Symphony (Michael Stern, Conductor)Adam Schoenberg - Finding Rothko - III. Red - Kansas City Symphony (Michael Stern, Conductor)Adam Schoenberg - Losing Earth: Concerto for Percussion & Wind Ensemble - The University of Texas Wind Ensemble (Jerry Junkin, conductor) - Jake Nissly - percussionAbout the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, composers, songwriters, and creative artists for honest conversations about craft, collaboration, career paths, and the deeper stories behind the work. It's a space for thoughtful musical dialogue, with a focus on process, perspective, and the lived experience of making art.Connect with the ShowEmail: contact@thebandwichtapes.com

For 45 years, George Palmer harboured a secret. He spent every spare moment composing classical music, and then shoving his scores in his bottom drawer. Until one day, almost by pure chance, that music saw the light of day.As a young man, George had dreams of becoming a renowned classical music composer, but when he walked into university, he didn't feel like he belonged in the music department.George left after his first week, and followed a school friend into the law department.At first, George was not inspired by the law, but he ended up falling in love with the human side of the justice system.For the next 45 years, he climbed the ranks from barrister, to Queen's Counsel, and finally to judge in the NSW Supreme Court, where he had ultimate responsibility for all adoptions in the state.But through all those years in public life, George had a secret "vice".Every spare moment he had was spent at his piano, scribbling down choral works and orchestral scores that he never intended anyone to see or hear.He never spoke about composing with his colleagues, friends or family, until one day George's talents were uncovered through chance and tragedy.George's latest work The Drover's Wife - The Opera is playing at Brisbane's QPAC until 22 May, and then will be staged at Sydney's Opera House in August, 2026.This episode of Conversations was produced by Meggie Morris. Executive Producer is Eliza Kirsch.It explores World War Two, family origin stories, spies, British intelligence, hearing loss, late in life career changes, second career, protective list, adoption, foster care, Supreme Court, legal system, justice system, judicial system, commercial law, Beethoven, Bach, Wagner, opera, contemporary classical music, contemporary Australian composers, Indigenous stories, Leah Purcell, stage adaptations, books, writing.

Surprisingly, until this point, The Legacy Music Hour had never done an episode focused on orchestral music.  They'd done some RPG episodes, and that could almost count, but not really.  Whether quiet and peaceful or loud and bombastic, orchestral music can really help set the tone for an emotional scene or an all out brawl.  We've got woodwind, string, brass and percussion

Barry Mare speaks to Shirley Gueller, Marketing and Communications Executive at the Cape Town Philharmonic Orchestra, about the Autumn Symphonies concert series. Weekend Breakfast with Sara-Jayne Makwala King is the weekend breakfast show on CapeTalk. This 3-hour morning programme is the perfect (and perky!) way to kickstart your weekend. Author and journalist Sara-Jayne Makwala-King spends 3 hours interviewing a variety of guests about all things cultural and entertaining. The team keeps an eye on weekend news stories, but the focus remains on relaxation and restoration. Favourites include the weekly wellness check-in on Saturdays at 7:35 am and heartfelt chats during the Sunday 9 am profile interview. Listen live on Primedia+ Saturdays and Sundays between 07:00 and 10:00 am (SA Time) to Weekend Breakfast with Sara-Jayne Makwala-King broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/AgPbZi9 or find all the catch-up podcasts here https://buff.ly/j1EhEkZ Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

DescriptionHolst's Mars: The Sound of War Approaching in 60 Seconds. Take a minute to get the scoop!Fun FactHolst actually wrote Mars before World War I fully erupted, yet many listeners later assumed it was inspired by the conflict. In reality, the piece reflects the astrological character of Mars rather than a specific war—but its ominous power made it feel uncannily prophetic.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.

The chief conductor of the Queensland Symphony Orchestra on the chair of spikes which accompanied his early musical career, and why he doesn't tone down his Italian self for work (R)During his Suzuki lessons in Turin, Italy, a young Umberto Clerici was sitting up straight on a chair full of spikes, lest his posture slip.Umberto chose the cello as his instrument, mainly because it wasn't the violin, which sounded like a cat in a washing machine when played by the older students in his neighbourhood.Throughout his career playing in orchestras around the world, Umberto has gone to great lengths to let the music filter through him, to embody the meaning behind the notes, to learn what the composer thought or felt.Today Umberto Clerici is the chief conductor of the Queensland Symphony Orchestra.To binge even more great episodes of the ‘Conversations podcast' with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, singers, psychologists, musicians, and celebrities.

Sintonía: "Hotel Incidental Music" - Usha Khanna (del film "Hotel" de 1981) 1.- "Giraffe Trapping Music" - Sapan & Jagmohan (del film "Habari" de 1978) 2.- "Orchestral Music" - Raghunath Seth (del film "Ek Baar Phir" de 1979) 3.- "Contessa" - Chic Chocolate (del film "Aakhri Khat" de 1966) 4.- "Dance Music" - S.D. Burman (del film "The Jewel Thief" de 1967) 5.- "Mahbooba Mehbooba" - Van Shipley (del film "Sholay" de 1976) 6.- "Bairaag Dance Music" - Kalyanji - Anandji (del film "Bairaag" de 1973) 7.- "Title Music" - O.P. Nayyar (del film "Kismat" de 1968) 8.- "Dance Music" - Govind-Naresh (del film "Ghamandee" de 1981) 9.- "Chhedo na dekho na" - Hazara Singh (del film "Jigri Dost" de 1969)10.- "Awara sadiyoh se" - Babla & His Orchestra (del film "Bandh Honth" de 1983)11.- "Soul of Bobby" - Laxmikant - Pyarelal (del film "Bobby" de 1973)Todas las músicas extraídas de la compilación (1xLP) "Bollywood Nuggets Vol. II - A Collection of Mind Blowing Instrumental Songs From Hindi Films" (Akenaton Records, 2025)Lo mejor de la compilación (1xLP) "Bollywood Nuggets Vol. I" (2024) + "Nippon Girls Vol. 2" (2014) se emitió el 10/06/2024. Puedes "repescarlo" de los podcasts de Radio 3Escuchar audio

DescriptionWhy the Symphony Became a Cultural Symbol in 60 Seconds. Take a minute to get the scoop!Fun FactBeethoven's Ninth Symphony was the first to include a chorus in a symphony—an audacious move at the time. Critics were baffled. Today, its “Ode to Joy” theme is used as the anthem of the European Union, proving the symphony's power to move from concert hall to cultural symbol.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.Support the show

The focus here is orchestral music in games from the third and fourth generation.  What does "orchestral" even mean?  How many instruments are needed to form an orchestra?  The boizz have some trouble answering these questions, so maybe you can figure it out for yourself while listening to their selections.  Full track listing below.Download and listen NOWGame - Composer -

Bongani Bingwa speaks to Kutlwano Masote, musical curator and conductor of Classics on Turf, about the event’s return to Johannesburg on 14 November 2025 at Killarney Country Club, blending golf, live orchestral music, and a star performance by Judith Sephuma. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.

Although the music of Polish composer Zygmunt Noskowski (1846–1909) is less well known than that of his teacher (Stanisław Moniuszko) and his students (Karol Szymanowski and Mieczysław Karłowicz), Noskowski was nonetheless the primary exponent of modern symphonic music in Poland for most of the 19th century; he also introduced the idea of the symphonic poem to colleagues who would follow in his footsteps. Raymond Bisha introduces a programme of his Third Symphony and the symphonic poem The Steppe, Op. 66, which blends sweeping Romanticism with Polish folk spirit. The symphony is a journey through the seasons, while The Steppe evokes Poland's vast landscapes with colourful hints of Borodin's In the Steppes of Central Asia.

Bruce Wolosoff is an acclaimed American pianist and composer known for his integration of classical, jazz and blues. He likes to compose in response to visual art. His music has been performed by the Chamber Music Society of Lincoln Center and many others, and his compositions span ballet, opera, chamber and orchestral music.My featured song is my version of the Thelonious Monk classic “Well, You Needn't” from the album Miles Behind by The Robert Miller Group. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH BRUCE:www.brucewolosoff.comhttps://www.reflectionsinmusic.org/______________________ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

In this episode of The Bandwich Tapes, I talk with producer, mixer, and engineer Rachael Moore, whose work spans some of the biggest names in music and film. Rachael has been a major force in Nashville for over a decade, collaborating with legends such as Robert Plant, Alison Krauss, and T-Bone Burnett. She also produced and recorded all the music for the Showtime series George & Tammy, starring Jessica Chastain and Michael Shannon.Rachael shares her journey from growing up in the South to becoming a trusted name in Nashville's production scene. We discuss her beginnings as a session engineer, the lessons she learned from top producers, and how she built a career by combining technical precision with a deep understanding of artists' needs. She talks about her work on TV and film projects, including George & Tammy, Nashville, The Old Man, and the indie film Downtown Owl.What stood out to me in our conversation was Rachael's clear commitment to collaboration and service. She sees music production as a people-first business and takes pride in delivering on an artist's vision, sometimes in unconventional ways, but always with heart. From navigating the pandemic to shaping organic sounds across genres like country, Americana, indie, and rock, Rachael's story is a testament to adaptability, creativity, and love for the craft.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

For those looking for an example of a life lived with both artistic excellence and personal richness, oboist Christoph Hartmann is an inspiring model. A member of the Berlin Philharmonic since 1992, Christoph is not only a world-class orchestral musician but also a sought-after soloist and chamber player. He teaches at the Freiburg Musikhochschule, where he now lives, regularly commuting to Berlin for performances with the Philharmonic.Outside of his musical career, Christoph is deeply involved in endurance sports—he has run around 40 marathons and is an avid cyclist. His passion for biking even led him to create his own line of bicycles, Pasulli bikes, as well as open a bike shop. With a schedule this full and diverse, Tony was eager to learn how Christoph balances it all—and that's exactly what this wide-ranging conversation explores.In Part 1, Christoph reflects on his time with the Berlin Philharmonic, sharing how the orchestra has evolved over the decades and offering insight into the leadership and influence of conductors Claudio Abbado, Simon Rattle, and Kirill Petrenko. He also talks about the experience of performing for the Philharmonic's Digital Concert Hall and whether those streamed performances come with added pressure. The conversation turns to the ever-present topic of reeds and their impact on oboe playing, as well as how he manages his time between teaching in Freiburg and performing in Berlin. Christoph also shares how his interest in long-distance running and biking fits into his musical life, and we wrap up the first part with a look at the Mozart Oboe Concerto video he recorded for the YouTube Symphony.[Subscriber Content] Part 2 begins with a thoughtful discussion about Christoph's personal motto—“live your dreams”—and how he balances that ideal with the practical demands of his life. Given how many passions he juggles, Tony asks how he determines his priorities and maintains focus. Christoph also offers his perspective on the differences between German and American styles of oboe playing. The conversation then travels back to his early days on the instrument, culminating in the story of his audition for the Berlin Philharmonic. The episode concludes with his reflections on why the Mozart Oboe Concerto continues to be an ideal first-round audition piece for aspiring orchestral players.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

DescriptionMahler's Motto: Go Big or Go Back to Vienna in 60 Seconds. Take a minute to get the scoop!Fun FactMahler's Symphony No. 8 premiered in 1910 with over 1,000 performers on stage. Though “Symphony of a Thousand” wasn't his title, the name stuck. It was one of the largest-scale choral works ever attempted—and still gives orchestra managers mild panic attacks every time it's programmed.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

DescriptionThe Nutcracker? No Thanks, Said Tchaikovsky (At First) in 60 Seconds. Take a minute to get the scoop!Fun FactTchaikovsky didn't trust Russian composers not to steal his idea of using the celesta for The Nutcracker, so he had it secretly shipped from Paris. He needn't have worried—now it's hard to imagine Christmas without it. He didn't love the ballet, but the celesta made magic.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

The Delaware Symphony Orchestra is introducing local students to the world of classical music through its upcoming “Explorer Concerts.”These performances give young audiences a chance to experience live orchestral music in an engaging setting, with educators receiving lesson plans and materials to help prepare students ahead of time.In this week's edition of Arts Playlist, Delaware Public Media's Martin Matheny talks with Delaware Symphony Orchestra CEO J.C. Barker about these “Explorer Concerts” and the benefits for students and schools.

Our and about with artist musician Sarnia de la Mare

Send us a Text Message.https://www.ivanrodriguezmusic.com/What if classical music has always been a subtle yet powerful form of activism? Join us as we explore this fascinating idea with our special guest, Iván Enrique Rodríguez, a talented composer, mental health advocate, and activist from Puerto Rico. Iván shares his incredible journey, starting from the challenges of navigating a colonized education system and cultural identity in Puerto Rico to making his mark in the classical music world in the United States. Listen as he reflects on the resilience required to thrive as a person of color in predominantly white spaces and the continuous struggle for representation and recognition in the arts.Iván's story is one of triumph over adversity. Raised in a strict Pentecostal family while discovering his identity as a gay man, Iván faced profound challenges, including family rejection and homelessness. Despite these obstacles, his passion for music never wavered. A life-changing encounter with Mahler's Third Symphony ignited his commitment to composition, leading to a prolific portfolio and formal studies in music composition. Iván gives us an intimate look into his creative process, from his preferred composition software to the transformative moments that have defined his career.The episode also delves into the diverse influences that shape Iván's music, from Puerto Rican folk traditions to modern genres. We discuss the critical role of empathy in the arts and the importance of genuine outreach by orchestras to black and brown communities. Iván's latest work, "Casting the Dice," commissioned by the Cabrillo Festival, tackles themes of immigration and asylum seeking, drawing from real-life stories to create a powerful narrative. Tune in for an inspiring conversation that highlights music's ability to foster empathy, drive social change, and transform lives.Cabrillo Festival of Contemporary Music Transform the orchestral experience for artists & audiences by building a vibrant community &more Ignite NexusConsulting, life & executive coaching for organizations & individuals. Start the journey today!Everyone's Music School Creating positive and lasting change in people's lives with music!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the Show.

Deepfake ads and videos are not just coming, they're here. How could this change the way politics, among other things, is conducted going forward? Guest: Marcus Kolga, Director of DisinfoWatch.org and Senior Fellow with the Macdonald Laurier Institute - Watching an orchestra perform can be a moving experience but what about experiencing an orchestra like the musicians? Your opportunity is coming soon and it'll be right here in Hamilton at the Brott Music Festival. Guest: Tania Miller, Artistic Director & Conductor of the Brott Music Festival - Is it a good thing that the jays are this bad yet still in the playoff picture? Has baseball improved the game with so many wild cards? Guest: Steve Foxcroft, NFL official and basketball referee

This week's guest In the Flamingo Lounge, Marcangelo Perricelli, is a highly accomplished composer and songwriter whose music has captured the hearts of audiences worldwide. Throughout his career, Perricelli has received widespread recognition for his exceptional talent and innovation in the music industry. His compositions have been featured in numerous films, television shows, and commercials, adding depth and emotion to various visual productions. Additionally, he has collaborated with renowned artists and musicians, further solidifying his status as a prominent figure in the contemporary music scene. Marcangelo is a member of BMI as well as the Niagara Falls Music Hall of Fame and has also received The Lifetime Achievement award for his outstanding commitment and service to music education and performance in the community.

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview John Sebastian Vera and Nick Schwartz, trombonists and podcast hosts of The Trombone Retreat.  After you listen to this episode, head on over to The Trombone Retreat feed for the second half of this episode.  You can come see us at Booth #271 at the TMEA Convention, February 8th thru 10th, 2024 in San Antonio Texas.   About John Sebastian Vera John Sebastian Vera, a native of Texas, became the principal trombonist of the Pittsburgh Opera in 2010 and also joined the River City Brass as principal Trombone in 2015. He is also professor of trombone at Duquesne University and faculty member at the Cleveland Institute of Music where he teaches a course on Music Entrepreneurship and Digital Media as well as coach chamber music. In addition to the Pittsburgh Opera, Mr. Vera has played with the symphonies of Dallas, Detroit, Pittsburgh, Cleveland, the St. Paul Chamber Orchestra, Buffalo, Kennedy Center Opera House, Malaysian Philharmonic, New York City Ballet, Vermont, Harrisburg, Charleston, American Ballet Theatre, and Orquesta Sinaloa de las Artes in Mexico amongst others.  He began his studies with Jon Bohls in Texas and continued his education at Southern Methodist University where he studied with John Kitzman of the Dallas Symphony. He then spent a year studying with Ed Zadrozny as a graduate assistant at the University of Akron, and finished his graduate work in New York City at the Mannes College of Music studying with David Finlayson and James Markey of the New York Philharmonic.     In 2011, he spent the summer in Haiti volunteer teaching and performing in the Orchestre Philharmonique Sainte Trinite as well as the Ecole de Musique Dessaix Baptiste which became one of the more profound experiences of his life.   A dedicated chamber musician, he also was a founding member of the critically acclaimed Guidonian Hand Trombone Quartet in which he played from 2008-2014. With the quartet, John performed over 100 concerts and gave master classes all over the country. Heralded by the New York Times for their "expertly played performances" they have been recipients of numerous national grants which have enabled them to commission countless composers to create new and innovative works for four trombones.  In 2014 was the premiere of River of Fundament, a movie by film artist Matthew Barney, in which John recorded for and acted in along with the quartet.  Mr. Vera can also be heard on the HBO documentary The Words that Built America as well as on euphonium in the PBS documentary Abraham and Mary Lincoln, A House Divided as well as many commercial and video game soundtracks as well as James Markey's solo release, “On Base”. John is an Artist for Edwards Instruments and resides in Pittsburgh.  His favorite musicians include Sigur Ros, Radiohead, the Books, and Efterklang. When he can get away from the trombone he most enjoys basketball, traveling and reading about psychology and social science.  Check out his podcast he hosts with Nick Schwartz called the Trombone Retreat available everywhere you download your podcasts. Follow him on Instagram @js.vera.   About Nicholas Schwartz Nicholas Schwartz has a diverse career performing across North America, Europe, and Asia. After studying at The Juilliard School with then New York Philharmonic bass trombonist Don Harwood, he moved to San Francisco where he began freelancing throughout the Bay Area.  Since 2010, he has been the principal bass trombonist of the New York City Ballet Orchestra. He has also performed with the Pittsburgh Symphony, the New York Philharmonic, The Metropolitan Opera, The Philadelphia Orchestra, San Francisco Symphony, San Francisco Ballet, Orpheus Chamber Orchestra, St. Lukes Chamber Orchestra, the New York City Opera,  Atlanta Symphony, Minnesota Orchestra, The Malaysia Philharmonic, Mostly Mozart Festival, and Classical Tahoe.  Follow him on instagram @basstrombone444   About Third Coast Retreat The Third Coast Trombone Retreat is an 7-day trombone immersion welcoming talented college, high school, and amateur trombonists from across the country to the beautiful shores of Lake Michigan.   The Retreat takes place in the charming small town of Montague, MI. Truly an escape from the distractions of everyday life, the festival is nestled in a dense forest along the coast where happening across roaming deer is a common occurrence. The Retreat utilizes facilities all over the town from churches to coffee houses to historic barns to the beach.  We will perform not only for ourselves, but for the community. A fulfilling life of being a musician does not simply begin and end with winning an orchestral or teaching position. Mastering the instrument is only the first step.  Being an artist in the 21st century requires discovering one's unique voice and finding new ways to present the art-form to communicate and contribute to society.   Core to the retreat will be guest artist and faculty recitals, topical master classes including personal finance, performance anxiety and wellness as well as private lessons, orchestral section seminar, ensemble coachings, a trombone choir, a mock orchestral audition, and much more. In addition to the performance elements, the curriculum is expanded to include a talks about career-building, faculty bonfire Q&A, discussions on the mental approach to auditions and performances, wellness, meditation, and more.    

On this episode of Books & Whatnot, Beth Golay and Suzanne Perez talk about their latest reads, the #ReadICT Challenge and their 2024 reading goals.

SOMM Recordings is delighted to announce the label debut of the acclaimed British composer Howard Blake with a disc of his orchestral music to mark his 85th birthday.Blake himself is heard at the piano and conducting the Philharmonia Orchestra, with Paul Daniel also conducting the English Northern Philharmonia.Tracks Symphony No. 1: Impressions of a City, Op. 42/409 (1967, rev. 1990) (14:34)Concert Dances for piano and orchestra, Op. 432 (1992) I. Parade (0:55) II. Slow Ragtime (1:39) III. Jump (0:54) IV. Medium Rock (1:48) V. Folk Ballad (2:24) VI. Boogie (1:00) VII. Jazz Waltz (2:34) VIII. Cha-Cha (1:55) IX. Galop (0:53) The Court of Love, Op. 286 (1979) I. The Enchantress (Theme and Variations) (6:16) II. The Maiden and the Troubadour (Scherzo) (7:07) III. The Queen (Theme and Finale) (6:21) A Month in the Country, Op. 446 (1992) I. Larghetto (3:04) II. Alla marcia (1:21) III. Adagio (Elegy) (3:55) IV. Scherzando (1:36) V. Andante espressivo (3:11) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Educator & musician Joseph Lento discusses how he thinks the education system can better serve neurodiverse students. Joseph Lento is an educator and a Conservatory-trained professional Musician. He is licensed by NYS as a Teacher of Orchestral Music and School District Administration and began his career in 1984. In 1999 he was named NYC Bronx County High School Teacher of the Year. In 2014 President Barack Obama named him a National Teacher of Arts and Humanities. Joseph is called on frequently by local Radio Hosts, NY Cable TV and local T.V. News stations as an expert on Music, Special Needs students and curriculum development. Joseph can be emailed at JSLMaestro@gmail.com You can also check out the blogs he has written for us here: http://differentbrains.org/author/joseph-lento/ Follow Different Brains on social media: https://twitter.com/diffbrains https://www.facebook.com/different.brains/ https://www.instagram.com/diffbrains/ Check out more episodes of Exploring Different Brains! http://differentbrains.org/category/edb/

Listen to Eine kleine Nachtmusik and Schubert‘s fifth Symphony, 1st Movement to get a feeling of what the entire orchestra sounds like when performing together in harmony.

Join Julia Jeffress Sadler as she takes us on an incredible adventure in Episode 1. Unlike other ancient accounts of creation, we will discover how God brings order out of chaos. Just with His words, God brings light, order, beauty, and life into existence. Sign up to receive Kids Bible in a Year devotionals in your inbox every weekday: https://www.kidsbibleinayear.com/  Get ready to experience the Bible designed specifically for children with the official KidsBibleinaYear.com podcast, led by Julia Jeffress Sadler. This captivating audio series presents the age-old wisdom of the Bible in an engaging format that will captivate your kids. Each episode Julia translates biblical teachings into real-life applications, making Bible comprehension a breeze for young minds.  And if you want more Christian resources and content, you can download the Pray.com app. Pray.com is the digital destination for faith, offering over 5,000 daily prayers, meditations, bedtime Bible stories, and cinematic stories inspired by the Bible. For more resources on how to live a successful Christian life, visit Julia Jeffress Sadler's website at https://ptv.org/julia/. This episode is sponsored by Little Passports. Visit LittlePassports.com/blessed and use promo code BLESSED to receive 20% off. See omnystudio.com/listener for privacy information.

Following five acclaimed albums with the LSO and JoAnn Falletta for Naxos, the composer Kenneth Fuchs has released a new collection of his orchestral works with John Wilson's Sinfonia of London. Recorded at St Augustine's, Kilburn, in North London, by Chandos, the collection has just been issued. James Jolly caught up with Kenneth Fuchs just before last Christmas - and the day after recording sessions - to talk about the four works on the new album.

In this week's episode, Ricky and Jon interview Heather Mac Donald. Heather is the Thomas W. Smith Fellow at the Manhattan Institute and a contributing editor of City Journal. She is a recipient of the 2005 Bradley Prize. Mac Donald's work has canvassed a range of topics, including higher education, immigration, policing and “racial” profiling, homelessness and homeless advocacy, criminal-justice reform, and race relations. Her books include: “The Burden of Bad Ideas” (2001), “Are Cop Racist?” (2003), “The War on Cops” (2016) And most recently “When Race Trumps Merit: How the Pursuit of Equity Sacrifices Excellence, Destroys Beauty, and Threatens Lives”. We spoke at length about the state of classical music and the lowering of standards in many fields across the West in the pursuit of racial equity.  ---ARTICLES AND LINKS DISCUSSEDOxford University suggests ‘decolonising' music syllabus, following years of pressure by students - Classic FM:https://www.classicfm.com/music-news/oxford-university-decolonising-music-syllabus/ ---A Chicago museum 'fired' its volunteers. Why diversity consultants say it was the right move - USA Today:https://www.usatoday.com/story/news/nation/2021/10/23/chicago-art-institute-backlash-dismantling-docent-program-equity/6136632001/---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/thenewfleshpodcast/---SUPPORT THE NEW FLESHBuy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on Instagram---Logo Design by Made To Move: @made.tomove on InstagramTheme Song: Dreamdrive "Vermilion Lips" 

Are you ready to jump into music production?Here's everything you need to know to become a successful music producer.▶️ Get the gems you need to start creating beats and earn a passive income. Watch the free workshop, it's less than 30 minutes. The Producers Blueprint ▶️ https://www.aspireproducerslab.com

After Pete discusses a very busy month for the Athletics Bands at Mizzou, Principal Percussionist for the Seoul Philharmonic Orchestra and educator Edward Choi stops by to talk about his orchestral position, the ways he serves the greater Korean percussion community, and his college teaching schedule (04:10), his work with the Percussion Conservatory (27:25), growing up mostly in Toronto, his Drum Corps years, getting an English degree and studying Asian languages, and coming to percussion later in life (33:50), living and learning in Korea, and teaching Drum Corps in Asia (49:00), studying with Michael Burritt at Northwestern and She-e Wu at Rutgers (01:04:50), his time learning from Alan Abel (01:11:45), and settles in for the Random Ass Questions, with discussions of the value of both Drum Corps and Orchestral Music study, issues of IDE, watching U.S. sports in Korea, and great books (01:23:50).Finishing with a Rave regarding more of Pete's recent travels (01:59:10).Links:Edward Choi's Percussion Conservatory pageEdward Choi's Seoul Philharmonic pageChristopher DevineyMusical ChairsMyung-Whun ChungAlan AbelRiccardo MutiEric SammutJoshua VonderheideWill James on the podcast in 2017Norm Weinberg on the podcast in 2017Joseph PereiraBoston Crusaders DCIStar of Indiana DCINEXUS PercussionRussell HartenbergerRobin EngelmanFred Hinger“The Birds” - NEXUS Percussion, 1984Thom HannumColin McNuttKeiko AbeMethod of Movement for Marimba - L.H. StevensBeverley Johnston“Dynamite” - BTSSquid Game trailerThe Three Japanese AlphabetsJeff LeeSteven SchickAdrian StefanescuJeremy BransonShe-e Wu“Mirage pour Marimba” - Yasuo Sueyoshi“Variations on Lost Love” - David Maslanka“Caprice No. 24” - Nicolo Paganini/Johan Bridger“Velocities” - Joseph Schwantner“Rhythmic Caprice” - L.H. Stevens“Rhythm Song” - Paul SmadbeckI-Jen FangScheherazade, Mvt. III - N. Rimsky-KorsakovBolero - Maurice RavelThomas SherwoodChristopher LambCloyd DuffUnsuk ChinRebecca Lloyd-Jones on the podcast in 2022Dune (2021) trailerEternals trailerFranny and Zooey - J.D. SalingerIQ84 - Haruki MurakamiDoug Flutie NFL HighlightsOld Dutch Ketchup Potato ChipsCanadian Butter TartsCoffee Crisp Chocolate BarDark Chocolate HobnobsJaap van ZwedenRoyal Concertgebouw OrchestraSymphony No. 1 - Jean SibeliusBecca Laurito on the podcast in 2023Raves:Old SacramentoDOCOFisherman's Wharf (SF)

This one's for the music lovers! Tune in to hear Babatunde Akinboboye tell host Khadija Mbowe about his favorite music, stick around to hear them wax philosophical about training, technology, and the importance of feeling music viscerally.    Chapters: [00:26] Babatunde's 5 favorite hip-hop artists[6:18] Babatunde's 5 favorite arias [08:00] How training threatened to erode Babatunde's relationship with music [11:09] The threat (or lack thereof) from AI technologyMusic and artists mentioned in this episode: Snoop DoggBusta Rhymes2PacEminemDr.Dre (The Chronic)Ludacris Queen of the Night (The Magic Flute)  Largo al factotum (The Barber of Seville)Toreador's song (Carmen) Flower Duet (Lakmé) 

Babatunde Akinboboye, known online as @babatundehiphopera, became a viral sensation when he started blending his lifelong love of hip-hop with his budding interest in opera. Today, he's built a multi-faceted career that gives him the best of the concert hall and the digital stage.  In this candid convo with host Khadija Mbowe, Babatunde talks about overcoming preconceived notions, stepping into his full identity through music, and feeling profound, glowing alignment.   Chapters:[01:22 ] How Babatunde parlayed his love of hip-hop into singing opera, and viral content.[04:22] Cross-cultural upbringing[05:20] Getting peer-pressured into men's choir[08:08] What does alignment feel like?[10:27] Creating a home in his art[13:00] Social media origins and evolution[18:00] Trade-offs between stage and screen[20:49] How his Nigerian mother changed her tune about his career choice [22:51] What music was in the house growing up? [28:17] In-depth lightning round Music from this episode: Babatunde Akinboboye, Avant ~upcoming~Babatunde Akinboboye, Cortigiani (Rigoletto) from Della Citta EPBabatunde Akinboboye, Largo (Figaro) from Della Citta EPBabatunde Akinboboye, Tanti BeatLinks from this episode:Babatunde's website@Babatundehiphopera IG@Babatundehiphopera TikTok@Babatundehiphopera FacebookBabatunde's YoutubeWhat's that white song that gets you turned up? Babatunde x Kendrick Lamar 

Chasing Daylight Earn $100 when you join Chime and receive a qualifying direct deposit! Learn more.  ⁠⁠https://bit.ly/RedeemChime⁠⁠ Redeem your $5 investment! Acorns https://bit.ly/AcornsLink --- Send in a voice message: https://podcasters.spotify.com/pod/show/affirmations912/message Support this podcast: https://podcasters.spotify.com/pod/show/affirmations912/supportSupport this podcast at — https://redcircle.com/i-am-affirmations-for-mental-health-wellbeing6701/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Two friends on an annual alligator hunt discover hidden truths about each other and encounter a legendary gator and a supernatural force they could not have foreseen and might possibly not survive.Join our Facebook group for exclusive insights and art based on our stories: https://www.facebook.com/groups/aintnosuchthingAin't No Such Thing © Inverse Press, LLC.The Bay of the Holy Spirit © Kevin LaPorte. Narrated by Amanda Rachels.Music Credits:Unspoken by MyuuA Bad Encounter by MyuuDark Music Composer | Royalty-Free.Music for YouTubers, Filmmakers, Video Games and media ● Genres: Horror Compositions, Piano, Orchestral Music, Film Scores.

A simple man tending his orange grove suffers an unexpected bite from a seemingly normal pest, but the wound that follows and the consequences for his body and his life are decidedly abnormal.Bitten is written by Erica J. Heflin.Ain't No Such Thing is narrated and produced by Amanda Rachels.Join our Facebook group for exclusive insights and art based on our stories: https://www.facebook.com/groups/aintnosuchthingBitten © Erica J. HeflinAin't No Such Thing © Inverse Press, LLCMusic Credits:Grotesque Fantasia by MyuuDisintegrating by MyuuHaunted House by MyuuDark Music Composer | Royalty-Free.Music for YouTubers, Filmmakers, Video Games and media ● Genres: Horror Compositions, Piano, Orchestral Music, Film Scores.Official Website:http://www.thedarkpiano.com

World's Most Emotional Piano Music| Sentimental Piano Music for Memories, Cry, Emotions. Imagine seeing a real angel when ur little but you just can't remember it.

Join Marie-Claire Gould (@mariecgould) as she reviews her experience at Star Wars Celebration 2022. Friends of the Force: https://www.friendsoftheforcepod.com/episodes/episode/20673f2d/live-from-star-wars-celebration-anaheim-friends-of-the-force-on-the-podcast-stage What the Force: REACTION: https://youtu.be/MvmNd1v-fvE Talking Bay 94: https://www.talkingbay94.com/2022/06/03/matt-martin-live-from-star-wars-celebration/ Skytalkers Podcast Stage: http://skytalkers.libsyn.com/live-at-star-wars-celebration-anaheim-obi-wan-kenobi-part-i-ii-discussion Buy me a Ko-fi https://ko-fi.com/whattheforce Our Acknowledgements: The Intro and Exit music is the What the Force Theme, Orchestral Music by Christy Carew […]

Our Acknowledgements: The Intro and Exit music is the What the Force Theme, Orchestral Music by Christy Carew with full permission for use by Christy Carew (http://www.christycarew.com). This podcast wouldn't be possible without the What the Force? Team: Ty Black, Liam Rathgaber, Brad Noris, Matt Baldwin, BenRolo, Josh Johnson, Christ Carew, & Kyle Gould. Funding […]

Our Acknowledgements: The Intro and Exit music is the What the Force Theme, Orchestral Music by Christy Carew with full permission for use by Christy Carew (http://www.christycarew.com). This podcast wouldn't be possible without the What the Force? Team: Ty Black, Liam Rathgaber, Brad Noris, Matt Baldwin, BenRolo, Josh Johnson, Christ Carew, & Kyle Gould. Funding […]

durée : 00:10:18 - Charlotte Sohy: Orchestral Music - Orchestre national Avignon-Provence - Avec La Boîte à Pépites, un collectif de musiciens réhabilite des œuvres oubliées des compositrices ! Le label poursuit son exploration des oeuvres de la compositrice Charlotte Sohy, c'est notre disque du jour !

Educator & musician Joseph Lento shares his philosophy for effectively teaching neurodiverse students. (VIDEO - 24 mins) Joseph Lento is an educator and a Conservatory-trained professional Musician. He is licensed by NYS as a Teacher of Orchestral Music and School District Administration and began his career in 1984. In 1999 he was named NYC Bronx County High School Teacher of the Year. In 2014 President Barack Obama named him a National Teacher of Arts and Humanities. Joseph is called on frequently by local Radio Hosts, NY Cable TV and local T.V. News stations as an expert on Music, Special Needs students and curriculum development. To find out more about Joseph Lento, visit him at http://www.brasscomets.org/ You can also check out the blogs he has written for us here: http://differentbrains.org/author/joseph-lento/ Follow Different Brains on social media: https://twitter.com/diffbrains https://www.facebook.com/different.brains/ https://www.instagram.com/diffbrains/ Check out more episodes of Exploring Different Brains! http://differentbrains.org/category/edb/

For Video Edition, Please Click Here and Subscribe:  https://youtu.be/deNN3RVbATM What happens when you Look at Creativity through the Lens of Therapy and vice versa? You have Creativity in An Ever-Changing World with Dr, Judi Bloom and Richard Skipper. In Every episode,they come together with amazing artists who prove that with just a little ingenuity, we all are creative beings and that the gifts lie within despite the challenges of the outside world. Joseph S. Lento, a licensed Teacher of Orchestral Music and School District Administration. In 2014, President Obama named him a National Teacher of Arts and Humanities. Joseph also has commendations from Presidents Carter, G.H.W. Bush and G.W. Bush. In 1999, he was named NYC Public Schools Bronx County High Schools Teacher of the Year. TONYA PINKINS is a Tony Awarding actor/singer who has starred in nine Broadway shows including the original CAROLINE OR CHANGE. Her Award Winning Film RED PILL was recently released on TVOD and has been translated into Spanish, Catalonian, Russian and Greek. Her book RED PILL UNMASKED an historical, spiritual and philosophical memoir on life is available at Amazon.com. Visit her at www.tonyapinkins.com or www.redpillmovie2020.com Doug Devita is a two-time O'Neill Semi-Finalist (Fable and Just A Rumor), Semi-Finalist for Barrington Stage Company's Burman New Play Award, Normal Avenue's New American Play Series, and Campfire Theatre Festival (Phillie's Trilogy), Semi-Finalist for B Street Theatre's New Comedy Festival (Goddess Of The Hunt and Upper Division), and Semi-Finalist for We Screenplay's Diverse Voices Competition (The Fierce Urgency Of Now) and is a member of the Dramatists Guild.

Quick update on the busy lives of Issac and Dalton. They discuss Issac's recent interest in orchestral music. Does film music count as orchestral music? Both musicians have experience learning secondary instruments. They go over some of the benefits of taking on a new instrument, the challenges, and why you should be expanding your skillset.

Follow Wouter: YT: https://www.youtube.com/user/wkellerman IG: https://www.instagram.com/wouterkellerman/?hl=en Web: https://www.facebook.com/wouterkellermanmusic TW: https://twitter.com/wouterkellerman SP: https://open.spotify.com/artist/10Rq3Te2tos6wrd84zWxml The Jason Damico Show #124 - Wouter Kellerman New Blue Entertainment - Copyright 2022

Join our host Marie-Claire Gould (@mariecgould) and the whole Gould Family, Kyle, Robin and Wil as they react to Shang-Chi. And with that, Dormammu I've come to Podcast… Our Acknowledgements: The Intro music is the Fangirls Theme, Orchestral Music by Christy Carew with full permission for use by Christy Carew (http://www.christycarew.com). Our Exit Music is […]

Join our host Marie-Claire Gould (@mariecgould) and the whole Gould Family, Kyle, Robin and Wil as they react to Free Guy, Ryan Reynolds action-adventure set in a Video Game. And with that, Dormammu I've come to Podcast… Our Acknowledgements: The Intro and Exit music is the Fangirls Theme, Orchestral Music by Christy Carew with full […]

Join our host Marie-Claire Gould (@mariecgould) and the whole Gould Family, Kyle, Robin and Wil as they react to Black Widow the new Movie from the Marvel Cinematic Universe. And with that, Dormammu I've come to Podcast… Our Acknowledgements: The Intro and Exit music is the Fangirls Theme, Orchestral Music by Christy Carew with full […]