Podcasts about Answer Me

Tropic of Capricorn by Olympic Orchids (2013) + ANSWER Me! by Jim and Debbie Goad (1991-94) with Nick 5/8/25 S7E30 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Recibimos al músico Mauricio Andreu, vocalista y líder del grupo Mauro, para presentar su nuevo trabajo “Días De Vino y Rosas”. También nos ofrece dos canciones en formato acústico: “Mujer” y “Los Últimos Románticos”.   Además suenan Molotov (Voto Latino), Coque Malla (Un Lazo Rojo, Un Agujero FEAT Kase O), Modelo (Vuelve y Volveré), Powafunk (Black Juice), Lady Banana (La Casa Magnética), Isla Kume (No Pido Más), Las Migas (Mediterráneo), Tonino Carotone (Mama), The Alan Parsons Project (Don't Answer Me), Ca7riel y Paco Amoroso (Tetas) y Uña y Carne (Habrá Un Lugar FEAT El Canijo De Jerez).  

"I am the eye in the sky, looking at yoooooouuuuuu..." Das Alan Parsons Project ist bekannt für komplexe Klanglandschaften, lyrische Songtexte und penible Studioarbeit. Kein Wunder, immerhin zählt Alan Parsons zu den gewieftesten Tontechnikern. Zusammen mit Songwriter Eric Woolfson erschuf er einen ganz eigenen Sound, irgendwo zwischen Rock, Pop und Progressive. Mit Songs wie "Eye In The Sky" oder "Don't Answer Me" konnte die Band in den 80ern große Erfolge feiern. Lutz und Carsten schauen sich diese Zeit genauer an und lassen auch den Meister persönlich zu Wort kommen: Alan Parsons spricht u.a. über seine Anfänge in den legendären Abbey Road Studios und die einmalige Verbindung, die er zu Deutschland hat.

The male must be taught "the tears of things" before he is given any power. Friends, The goal of masculine initiation is always God. It is not ultimately healing, though that comes as well. It is not even wholehearted maturity. Above all, the goal of masculine initiation is God himself. Though our Father's aim is always to connect us more deeply to himself, the chaos, losses, failures, pressures, and complexities of our lives obscure the brightness of his good heart. So in the midst of seemingly incoherent pieces, our soul whispers, Where is God? What is God doing?  Why is this happening?  Where do I go? God, ANSWER ME.  In these bewildering moments, let us borrow faith and hope from a man who, in passing through his own initiation, has blazed a path for many to follow.  “I know now, Lord, why you utter no answer. You are yourself the answer. Before your face, questions die away. What other answer would suffice?” Jared Anderson is a husband, father, risk-taker, and renowned soul-poet-musician. But it is his hidden and unique story that clarifies our central aim: to gaze into the eyes of our Father and discover who we are.  Let's dive into Part 1 of this studio session and conversation. You can explore more of Jared's work wherever music can be found. For the Kingdom, Morgan

For those who haven't heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a two-episode look at the song “I Heard it Through the Grapevine”. This week we take a short look at the song’s writers, Norman Whitfield and Barrett Strong, and the first released version by Gladys Knight and the Pips. In two weeks time we’ll take a longer look at the sixties career of the song’s most famous performer, Marvin Gaye. This episode is quite a light one. That one… won’t be. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode, on “Bend Me Shape Me” by Amen Corner. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources Mixcloud will be up with the next episode. For Motown-related information in this and other Motown episodes, I've used the following resources: Where Did Our Love Go? The Rise and Fall of the Motown Sound by Nelson George is an excellent popular history of the various companies that became Motown. To Be Loved by Berry Gordy is Gordy's own, understandably one-sided, but relatively well-written, autobiography. Women of Motown: An Oral History by Susan Whitall is a collection of interviews with women involved in Motown. I Hear a Symphony: Motown and Crossover R&B by J. Andrew Flory is an academic look at Motown. The Motown Encyclopaedia by Graham Betts is an exhaustive look at the people and records involved in Motown's thirty-year history. Motown: The Golden Years is another Motown encyclopaedia. And Motown Junkies is an infrequently-updated blog looking at (so far) the first 693 tracks released on Motown singles. For information on Marvin Gaye, and his relationship with Norman Whitfield, I relied on Divided Soul: The Life of Marvin Gaye by David Ritz. I’ve also used information on Whitfield in  Ain't Too Proud to Beg: The Troubled Lives and Enduring Soul of the Temptations by Mark Ribowsky, I’ve also referred to interviews with Whitfield and Strong archived at rocksbackpages.com , notably “The Norman Whitfield interview”, John Abbey, Blues & Soul, 1 February 1977 For information about Gladys Knight, I’ve used her autobiography. The best collection of Gladys Knight and the Pips’ music is this 3-CD set, but the best way to hear Motown hits is in the context of other Motown hits. This five-CD box set contains the first five in the Motown Chartbusters series of British compilations. The Pips’ version of “I Heard it Through the Grapevine” is on disc 2, while Marvin Gaye’s is on disc 3, which is famously generally considered one of the best single-disc various artists compilations ever. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a brief note — this episode contains some brief mentions of miscarriage and drug abuse. The history of modern music would be immeasurably different had it not been for one car breakdown. Norman Whitfield spent the first fifteen years of his life in New York, never leaving the city, until his grandmother died. She’d lived in LA, and that was where the funeral was held, and so the Whitfield family got into a car and drove right across the whole continent — two thousand five hundred miles — to attend the old lady’s funeral. And then after the funeral, they turned round and started to drive home again. But they only got as far as Detroit when the car, understandably, gave up the ghost.  Luckily, like many Black families, they had family in Detroit, and Norman’s aunt was not only willing to put the family up for a while, but her husband was able to give Norman’s father a job in his drug store while he saved up enough money to pay for the car to be fixed. But as it happened, the family liked Detroit, and they never did get around to driving back home to New York. Young Norman in particular took to the city’s nightlife, and soon as well as going to school he was working an evening job at a petrol station — but that was only to supplement the money he made as a pool hustler. Young Norman Whitfield was never going to be the kind of person who took a day job, and so along with his pool he started hanging out with musicians — in particular with Popcorn and the Mohawks, a band led by Popcorn Wylie. [Excerpt: Popcorn and the Mohawks, “Shimmy Gully”] Popcorn and the Mohawks were a band of serious jazz musicians, many of whom, including Wylie himself, went on to be members of the Funk Brothers, the team of session players that played on Motown’s hits — though Wylie would depart Motown fairly early after a falling out with Berry Gordy. They were some of the best musicians in Detroit at the time, and Whitfield would tag along with the group and play tambourine, and sometimes other hand percussion instruments. He wasn’t a serious musician at that point, just hanging out with a bunch of people who were, who were a year or two older than him. But he was learning — one thing that everyone says about Norman Whitfield in his youth is that he was someone who would stand on the periphery of every situation, not getting involved, but soaking in everything that the people around him were doing, and learning from them. And soon, he was playing percussion on sessions. At first, this wasn’t for Motown, but everything in the Detroit music scene connected back to the Gordy family in one way or another. In this case, the label was Thelma Records, which was formed by Berry Gordy’s ex-mother-in-law and named after Gordy’s first wife, who he had recently divorced. Of all the great Motown songwriters and producers, Whitfield’s life is the least-documented, to the extent that the chronology of his early career is very vague and contradictory, and Thelma was such a small label there even seems to be some dispute about when it existed — different sources give different dates, and while Whitfield always said he worked for Thelma records, he might have actually been employed by another label owned by the same people, Ge Ge, which might have operated earlier — but by most accounts Whitfield quickly progressed from session tambourine player to songwriter. According to an article on Whitfield from 1977, the first record of one of his songs was “Alone” by Tommy Storm on Thelma Records, but that record seems not to exist — however, some people on a soul message board, discussing this a few years ago, found an interview with a member of a group called The Fabulous Peps which also featured Storm, saying that their record on Ge Ge Records, “This Love I Have For You”, is a rewrite of that song by Don Davis, Thelma’s head of A&R, though the credit on the label for that is just to Davis and Ron Abner, another member of the group: [Excerpt: The Fabulous Peps, “This Love I Have For You”] So that might, or might not, be the first Norman Whitfield song ever to be released. The other song often credited as Whitfield’s first released song is “Answer Me” by Richard Street and the Distants — Street was another member of the Fabulous Peps, but we’ve encountered him and the Distants before when talking about the Temptations — the Distants were the group that Otis Williams, Melvin Franklin, and Al Bryant had been in before forming the Temptations — and indeed Street would much later rejoin his old bandmates in the Temptations, when Whitfield was producing for them. Unlike the Fabulous Peps track, this one was clearly credited to N. Whitfield, so whatever happened with the Storm track, this is almost certainly Whitfield’s first official credit as a songwriter: [Excerpt: Richard Street and the Distants, “Answer Me”] He was soon writing songs for a lot of small labels — most of which appear to have been recorded by the Thelma team and then licensed out — like “I’ve Gotten Over You” by the Sonnettes: [Excerpt: The Sonnettes, “I’ve Gotten Over You”] That was on KO Records, distributed by Scepter, and was a minor local hit — enough to finally bring Whitfield to the attention of Berry Gordy. According to many sources, Whitfield had been hanging around Hitsville for months trying to get a job with the label, but as he told the story in 1977 “Berry Gordy had sent Mickey Stevenson over to see me about signing with the company as an exclusive in-house writer and producer. The first act I was assigned to was Marvin Gaye and he had just started to become popular.” That’s not quite how the story went. According to everyone else, he was constantly hanging around Hitsville, getting himself into sessions and just watching them, and pestering people to let him get involved. Rather than being employed as a writer and producer, he was actually given a job in Motown’s quality control department for fifteen dollars a week, listening to potential records and seeing which ones he thought were hits, and rating them before they went to the regular department meetings for feedback from the truly important people. But he was also allowed to write songs. His first songwriting credit on a Motown record wasn’t Marvin Gaye, as Whitfield would later tell the story, but was in fact for the far less prestigious Mickey Woods — possibly the single least-known artist of Motown’s early years. Woods was a white teenager, the first white male solo artist signed to Motown, who released two novelty teen-pop singles. Whitfield’s first Motown song was the B-side to Woods’ second single, a knock-off of Sam Cooke’s “Cupid” called “They Call Me Cupid”, co-written with Berry Gordy and Brian Holland: [Excerpt: Mickey Woods, “They Call Me Cupid”] Unsurprisingly that didn’t set the world on fire, and Whitfield didn’t get another Motown label credit for thirteen months (though some of his songs for Thelma may have come out in this period). When he did, it was as co-writer with Mickey Stevenson — and, for the first time, sole producer — of the first single for a new singer, Kim Weston: [Excerpt: Kim Weston, “It Should Have Been Me”] As it turned out, that wasn’t a hit, but the flip-side, “Love Me All The Way”, co-written by Stevenson (who was also Weston’s husband) and Barney Ales, did become a minor hit, making the R&B top thirty. After that, Whitfield was on his way. It was only a month later that he wrote his first song for the Temptations, a B-side, “The Further You Look, The Less You See”: [Excerpt: The Temptations, “The Further You Look, The Less You See”] That was co-written with Smokey Robinson, and as we heard in the episode on “My Girl”, both Robinson and Whitfield vied with each other for the job of Temptations writer and producer. As we also heard in that episode, Robinson got the majority of the group’s singles for the next couple of years, but Whitfield would eventually take over from him. Whitfield’s work with the Temptations is probably his most important work as a writer and producer, and the Temptations story is intertwined deeply with this one, but for the most part I’m going to save discussion of Whitfield’s work with the group until we get to 1972, so bear with me if I seem to skim over that — and if I repeat myself in a couple of years when we get there. Whitfield’s first major success, though, was also the first top ten hit for Marvin Gaye, “Pride and Joy”: [Excerpt: Marvin Gaye, “Pride and Joy”] “Pride and Joy” had actually been written and recorded before the Kim Weston and Temptations tracks, and was intended as album filler — it was written during a session by Whitfield, Gaye, and Mickey Stevenson who was also the producer of the track, and recorded in the same session as it was written, with Martha and the Vandellas on backing vocals. The intended hit from the session, “Hitch-Hike”, we covered in the previous episode on Gaye, but that was successful enough that an album, That Stubborn Kinda Fellow, was released, with “Pride and Joy” on it. A few months later Gaye recut his lead vocal, over the same backing track, and the record was released as a single, reaching number ten on the pop charts and number two R&B: [Excerpt: Marvin Gaye, “Pride and Joy”] Whitfield had other successes as well, often as B-sides. “The Girl’s Alright With Me”, the B-side to Smokey Robinson’s hit for the Temptations “I’ll Be In Trouble”, went to number forty on the R&B chart in its own right: [Excerpt: The Temptations, “The Girl’s Alright With Me”] That was co-written with Eddie Holland, and Holland and Whitfield had a minor songwriting partnership at this time, with Holland writing lyrics and Whitfield the music. Eddie Holland even released a Holland and Whitfield collaboration himself during his brief attempt at a singing career — “I Couldn’t Cry if I Wanted To” was a song they wrote for the Temptations, who recorded it but then left it on the shelf for four years, so Holland put out his own version, again as a B-side: [Excerpt: Eddie Holland, “I Couldn’t Cry if I Wanted To”] Whitfield was very much a B-side kind of songwriter and producer at this point — but this could be to his advantage. In January 1963, around the same time as all these other tracks, he cut a filler track with the “no-hit Supremes”, “He Means the World to Me”, which was left on the shelf until they needed a B-side eighteen months later and pulled it out and released it: [Excerpt: The Supremes, “He Means the World to Me”] But the track that that was a B-side to was “Where Did Our Love Go?”, and at the time you could make a lot of money from writing the B-side to a hit that big. Indeed, at first, Whitfield made more money from “Where Did Our Love Go?” than Holland, Dozier, or Holland, because he got a hundred percent of the songwriters’ share for his side of the record, while they had to split their share three ways. Slowly Whitfield moved from being a B-side writer to being an A-side writer. With Eddie Holland he was given a chance at a Temptations A-side for the first time, with “Girl, (Why You Wanna Make Me Blue)”: [Excerpt: The Temptations, “Girl (Why You Wanna Make Me Blue)”] He also wrote for Jimmy Ruffin, but in 1964 it was with girl groups that Whitfield was doing his best work. With Mickey Stevenson he wrote “Needle in a Haystack” for the Velvettes: [Excerpt: The Velvettes, “Needle in a Haystack”] He wrote their classic followup “He Was Really Sayin' Somethin’” with Stevenson and Eddie Holland, and with Holland he also wrote “Too Many Fish in the Sea” for the Marvelettes: [Excerpt: The Marvelettes, “Too Many Fish In The Sea”] By late 1964, Whitfield wasn’t quite in the first rank of Motown songwriter-producers with Holland-Dozier-Holland and Smokey Robinson, but he was in the upper part of the second tier with Mickey Stevenson and Clarence Paul. And by early 1966, as we saw in the episode on “My Girl”, he had achieved what he’d wanted for four years, and become the Temptations’ primary writer and producer. As I said, we’re going to look at Whitfield’s time working with the Temptations later, but in 1966 and 67 they were the act he was most associated with, and in particular, he collaborated with Eddie Holland on three top ten hits for the group in 1966. But as we discussed in the episode on “I Can’t Help Myself”, Holland’s collaborations with Whitfield eventually caused problems for Holland with his other collaborators, when he won the BMI award for writing the most hit songs, depriving his brother and Lamont Dozier of their share of the award because his outside collaborations put him ahead of them. While Whitfield *could* write songs by himself, and had in the past, he was at his best as a collaborator — as well as his writing partnership with Eddie Holland he’d written with Mickey Stevenson, Marvin Gaye, and Janie Bradford. And so when Holland told him he was no longer able to work together, Whitfield started looking for someone else who could write lyrics for him, and he soon found someone: [Excerpt: Barrett Strong, “Money”] Barrett Strong had, of course, been the very first Motown act to have a major national hit, with “Money”, but as we discussed in the episode on that song he had been unable to have a follow-up hit, and had actually gone back to working on an assembly line for a while. But when you’ve had a hit as big as “Money”, working on an assembly line loses what little lustre it has, and Strong soon took himself off to New York and started hanging around the Brill Building, where he hooked up with Doc Pomus and Mort Shuman, the writers of such hits as “Save the Last Dance for Me”, “Viva Las Vegas”, “Sweets for My Sweet”, and “A Teenager in Love”.  Pomus and Shuman, according to Strong, signed him to a management contract, and they got him signed to Atlantic’s subsidiary Atco, where he recorded one single, “Seven Sins”, written and produced by the team: [Excerpt: Barrett Strong, “Seven Sins”] That was a flop, and Strong was dropped by the label. He bounced around a few cities before ending up in Chicago, where he signed to VeeJay Records and put out one more single as a performer, “Make Up Your Mind”, which also went nowhere: [Excerpt: Barrett Strong, “Make Up Your Mind”] Strong had co-written that, and as his performing career was now definitively over, he decided to move into songwriting as his main job. He co-wrote “Stay in My Corner” for the Dells, which was a top thirty R&B hit for them on VeeJay in 1965 and in a remade version in 1968 became a number one R&B hit and top ten pop hit for them: [Excerpt: The Dells, “Stay in My Corner”] And on his own he wrote another top thirty R&B hit, “This Heart of Mine”, for the Artistics: [Excerpt: The Artistics, “This Heart of Mine”] He wrote several other songs that had some minor success in 1965 and 66, before moving back to Detroit and hooking up again with his old label, this time coming to them as a songwriter with a track record rather than a one-hit wonder singer. As Strong put it “They were doing my style of music then, they were doing something a little different when I left, but they were doing the more soulful, R&B-style stuff, so I thought I had a place there. So I had an idea I thought I could take back and see if they could do something with it.” That idea was the first song he wrote under his new contract, and it was co-written with Norman Whitfield. It’s difficult to know how Whitfield and Strong started writing together, or much about their writing partnership, even though it was one of the most successful songwriting teams of the era, because neither man was interviewed in any great depth, and there’s almost no long-form writing on either of them. What does seem to have been the case is that both men had been aware of each other in the late fifties, when Strong was a budding R&B star and Whitfield merely a teenager hanging round watching the cool kids. The two may even have written together before — in an example of how the chronology for both Whitfield and Strong seems to make no sense, Whitfield had cowritten a song with Marvin Gaye, “Wherever I Lay My Hat, That’s My Home”, in 1962 — when Strong was supposedly away from Motown — and it had been included as an album track on the That Stubborn Kinda Fellow album: [Excerpt: Marvin Gaye, “Wherever I Lay My Hat, That’s My Home”] The writing on that was originally credited just to Whitfield and Gaye on the labels, but it is now credited to Whitfield, Gaye, and Strong, including with BMI. Similarly Gaye’s 1965 album track “Me and My Lonely Room” — recorded in 1963 but held back – was initially credited to Whitfield alone but is now credited to Whitfield and Strong, in a strange inverse of the way “Money” initially had Strong’s credit but it was later removed. But whether this was an administrative decision made later, or whether Strong had been moonlighting for Motown uncredited in 1962 and collaborated with Whitfield, they hadn’t been a formal writing team in the way Whitfield and Holland had been, and both later seemed to date their collaboration proper as starting in 1966 when Strong returned to Motown — and understandably. The two songs they’d written earlier – if indeed they had – had been album filler, but between 1967 when the first of their new collaborations came out and 1972 when they split up, they wrote twenty-three top forty hits together. Theirs seems to have been a purely business relationship — in the few interviews with Strong he talks about Whitfield as someone he was friendly with, but Whitfield’s comments on Strong seem always to be the kind of very careful comments one would make about someone for whom one has a great deal of professional respect, a great deal of personal dislike, but absolutely no wish to air the dirty laundry behind that dislike, or to burn bridges that don’t need burning. Either way, Whitfield was in need of a songwriting partner when Barrett Strong walked into a Motown rehearsal room, and recognised that Strong’s talents were complementary to his. So he told Strong, straight out, “I’ve had quite a few hit records already. If you write with me, I can guarantee you you’ll make at least a hundred thousand dollars a year” — though he went on to emphasise that that wasn’t a guarantee-guarantee, and would depend on Strong putting the work in. Strong agreed, and the first idea he brought in for his new team earned both of them more than that hundred thousand dollars by itself. Strong had been struck by the common phrase “I heard it through the grapevine”, and started singing that line over some Ray Charles style gospel chords. Norman Whitfield knew a hook when he heard one, and quickly started to build a full song around Strong’s line. Initially, by at least some accounts, they wanted to place the song with the Isley Brothers, who had just signed to Motown and had a hit with the Holland-Dozier-Holland song “This Old Heart of Mine”: [Excerpt: The Isley Brothers, “This Old Heart of Mine (Is Weak For You)”] For whatever reason, the Isley Brothers didn’t record the song, or if they did no copy of the recording has ever surfaced, though it does seem perfectly suited to their gospel-inflected style. The Isleys did, though, record another early Whitfield and Strong song, “That’s the Way Love Is”, which came out in 1967 as a flop single, but would later be covered more successfully by Marvin Gaye: [Excerpt: The Isley Brothers, “That’s the Way Love Is”] Instead, the song was first recorded by the Miracles. And here the story becomes somewhat murky. We have a recording by the Miracles, released on an album two years later, but some have suggested that that version isn’t the same recording they made in 1966 when Whitfield and Strong wrote the song originally: [Excerpt: Smokey Robinson and the Miracles, “I Heard it Through the Grapevine”] It certainly sounds to my ears like that is probably the version of the song the group recorded in 66 — it sounds, frankly, like a demo for the later, more famous version. All the main elements are there — notably the main Ray Charles style hook played simultaneously on Hammond organ and electric piano, and the almost skanking rhythm guitar stabs — but Smokey Robinson’s vocal isn’t *quite* passionate enough, the tempo is slightly off, and the drums don’t have the same cavernous rack tom sound that they have in the more famous version. If you weren’t familiar with the eventual hit, it would sound like a classic Motown track, but as it is it’s missing something… [Excerpt: Smokey Robinson and the Miracles, “I Heard it Through the Grapevine”] According to at least some sources, that was presented to the quality control team — the team in which Whitfield had started his career, as a potential single, but they dismissed it. It wasn’t a hit, and Berry Gordy said it was one of the worst songs he’d ever heard. But Whitfield knew the song was a hit, and so he went back into the studio and cut a new backing track: [Excerpt: Marvin Gaye, “I Heard it Through the Grapevine (backing track only)”] (Incidentally, no official release of the instrumental backing track for “I Heard it Through the Grapevine” exists, and I had to put that one together myself by taking the isolated parts someone had uploaded to youtube and synching them back together in editing software, so if there are some microsecond-level discrepancies between the instruments there, that’s on me, not on the Funk Brothers.) That track was originally intended for the Temptations, with whom Whitfield was making a series of hits at the time, but they never recorded it at the time. Whitfield did produce a version for them as an album track a couple of years later though, so we have an idea how they might have taken the song vocally — though by then David Ruffin had been replaced in the group by Dennis Edwards: [Excerpt: The Temptations, “I Heard it Through the Grapevine”] But instead of giving the song to the Temptations, Whitfield kept it back for Marvin Gaye, the singer with whom he’d had his first big breakthrough hit and for whom his two previous collaborations with Strong – if collaborations they were – had been written. Gaye and Whitfield didn’t get on very well — indeed, it seems that Whitfield didn’t get on very well with *anyone* — and Gaye would later complain about the occasions when Whitfield produced his records, saying “Norman and I came within a fraction of an inch of fighting. He thought I was a prick because I wasn't about to be intimidated by him. We clashed. He made me sing in keys much higher than I was used to. He had me reaching for notes that caused my throat veins to bulge.” But Gaye sang the song fantastically, and Whitfield was absolutely certain they had a sure-fire hit: [Excerpt: Marvin Gaye, “I Heard it Through the Grapevine”] But once again the quality control department refused to release the track. Indeed, it was Berry Gordy personally who decided, against the wishes of most of the department by all accounts, that instead of “I Heard it Through the Grapevine” Gaye’s next single should be a Holland-Dozier-Holland track, “Your Unchanging Love”, a soundalike rewrite of their earlier hit for him, “How Sweet It Is”. “Your Unchanging Love” made the top thirty, but was hardly a massive success. Gordy has later claimed that he always liked “Grapevine” but just thought it was a bit too experimental for Gaye’s image at the time, but reports from others who were there say that what Gordy actually said was “it sucks”. So “I Heard it Through the Grapevine” was left on the shelf, and the first fruit of the new Whitfield/Strong team to actually get released was “Gonna Give Her All the Love I’ve Got”, written for Jimmy Ruffin, the brother of Temptations lead singer David, who had had one big hit, “What Becomes of the Brokenhearted” and one medium one, “I’ve Passed This Way Before”, in 1966. Released in 1967, “Gonna Give Her All the Love I’ve Got” became Ruffin’s third and final hit, making number 29: [Excerpt: Jimmy Ruffin, “Gonna Give Her All the Love I’ve Got”] But Whitfield was still certain that “Grapevine” could be a hit. And then in 1967, a few months after he’d shelved Gaye’s version, came the record that changed everything in soul: [Excerpt: Aretha Franklin, “Respect”] Whitfield was astounded by that record, but also became determined he was going to “out-funk Aretha”, and “I Heard it Through the Grapevine” was going to be the way to do it. And he knew someone who thought she could do just that. Gladys Knight never got on well with Aretha Franklin. According to Knight’s autobiography this was one-sided on Franklin’s part, and Knight was always friendly to Franklin, but it’s also notable that she says the same about several other of the great sixties female soul singers (though not all of them by any means), and there seems to be a general pattern among those singers that they felt threatened by each other and that their own position in the industry was precarious, in a way the male singers usually didn’t. But Knight claimed she always *wished* she got on well with Franklin, because the two had such similar lives. They’d both started out singing gospel as child performers before moving on to the chitlin circuit at an early age, though Knight started her singing career even younger than Franklin did. Knight was only four when she started performing solos in church, and by the age of eight she had won the two thousand dollar top prize on Ted Mack’s Amateur Hour by singing Brahms’ “Lullaby” and the Nat “King” Cole hit “Too Young”: [Excerpt: Nat “King” Cole, “Too Young”] That success inspired her, and she soon formed a vocal group with her brother Bubba, sister Brenda and their cousins William and Eleanor Guest. They named themselves the Pips in honour of a cousin whose nickname that was, and started performing at talent contests in Atlanta Chitlin’ Circuit venues. They soon got a regular gig at one of them, the Peacock, despite them all being pre-teens at the time. The Pips also started touring, and came to the attention of Maurice King, the musical director of the Flame nightclub in Detroit, who became a vocal coach for the group. King got the group signed to Brunswick records, where they released their first single, a song King had written called “Whistle My Love”: [Excerpt: The Pips, “Whistle My Love”] According to Knight that came out in 1955, when she was eleven, but most other sources have it coming out in 1958. The group’s first two singles flopped, and Brenda and Eleanor quit the group, being replaced by another cousin, Edward Patten, and an unrelated singer Langston George, leaving Knight as the only girl in the quintet. While the group weren’t successful on records, they were getting a reputation live and toured on package tours with Sam Cooke, Jackie Wilson, and others. Knight also did some solo performances with a jazz band led by her music teacher, and started dating that band’s sax player, Jimmy Newman. The group’s next recording was much more successful. They went into a makeshift studio owned by a local club owner, Fats Hunter, and recorded what they thought was a demo, a version of the Johnny Otis song “Every Beat of My Heart”: [Excerpt: The Pips, “Every Beat of My Heart (HunTom version)”] The first they knew that Hunter had released that on his own small label was when they heard it on the radio. The record was picked up by VeeJay records, and it ended up going to number one on the R&B charts and number six on the pop charts, but they never saw any royalties from it. It brought them to the attention of another small label, Fury Records, which got them to rerecord the song, and that version *also* made the R&B top twenty and got as high as number forty-five on the pop charts: [Excerpt: Gladys Knight and the Pips, “Every Beat of My Heart (Fury version)”] However, just because they had a contract with Fury didn’t mean they actually got any more money, and Knight has talked about the label’s ownership being involved with gangsters. That was the first recording to be released as by “Gladys Knight and the Pips”, rather than just The Pips, and they would release a few more singles on Fury, including a second top twenty pop hit, the Don Covay song “Letter Full of Tears”: [Excerpt: Gladys Knight and the Pips, “Letter Full of Tears”] But Knight had got married to Newman, who was by now the group’s musical director, after she fell pregnant when she was sixteen and he was twenty. However, that first pregnancy tragically ended in miscarriage, and when she became pregnant again she decided to get off the road to reduce the risk. She spent a couple of years at home, having two children, while the other Pips – minus George who left soon after – continued without her to little success. But her marriage was starting to deteriorate under pressure of Newman’s drug use — they wouldn’t officially divorce until 1972, but they were already feeling the pressure, and would split up sooner rather than later — and Knight  returned to the stage, initially as a solo artist or duetting with Jerry Butler, but soon rejoining the Pips, who by this time were based in New York and working with the choreographer Cholly Atkins to improve their stagecraft. For the next few years the Pips drifted from label to label, scoring one more top forty hit in 1964 with Van McCoy’s “Giving Up”, but generally just getting by like so many other acts on the circuit. Eventually the group ended up moving to Detroit, and hooking up with Motown, where mentors like Cholly Atkins and Maurice King were already working. At first they thought they were taking a step up, but they soon found that they were a lower tier Motown act, considered on a par with the Spinners or the Contours rather than the big acts, and according to Knight they got pulled off an early Motown package tour because Diana Ross, with whom like Franklin Knight had something of a rivalry, thought they were too good on stage and were in danger of overshadowing her. Knight says in her autobiography that they “formed a little club of our own with some of the other malcontents” with Martha Reeves, Marvin Gaye, and someone she refers to as “Ivory Joe Hunter” but I presume she means Ivy Jo Hunter (one of the big problems when dealing with R&B musicians of this era is the number of people with similar names. Ivy Jo Hunter, Joe Hunter, and Ivory Joe Hunter were all R&B musicians for whom keyboard was their primary instrument, and both Ivy Jo and just plain Joe worked for Motown at different points, but Ivory Joe never did) Norman Whitfield was also part of that group of “malcontents”, and he was also the producer of the Pips’ first few singles for Motown, and so when he was looking for someone to outdo Aretha, someone with something to prove, he turned to them. He gave the group the demo tape, and they worked out a vocal arrangement for a radically different version of the song, one inspired by “Respect”: [Excerpt: Gladys Knight and the Pips, “I Heard it Through the Grapevine”] The third time was the charm, and quality control finally agreed to release “I Heard it Through the Grapevine” as a single. Gladys Knight always claimed it had no promotion, but Norman Whitfield’s persistence had paid off — the single went to number two on the pop charts (kept off the top by “Daydream Believer”), number one on the R&B charts, and became Motown’s biggest-selling single *ever* up until that point. It also got Knight a Grammy nomination for Best R&B Vocal Performance, Female — though the Grammy committee, at least, didn’t think she’d out-Aretha’d Aretha, as “Respect” won the award. And that, sadly, sort of summed up Gladys Knight and the Pips at Motown — they remained not quite the winners in everything. There’s no shame in being at number two behind a classic single like “Daydream Believer”, and certainly no shame in losing the Grammy to Aretha Franklin at her best, but until they left Motown in 1972 and started their run of hits on Buddah records, Gladys Knight and the Pips would always be in other people’s shadow. That even extended to “I Heard It Through the Grapevine” when, as we’ll hear in part two of this story, Norman Whitfield’s persistence paid off, Marvin Gaye’s version got released as a single, and *that* became the biggest-selling single on Motown ever, outselling the Pips version and making it forever his song, not theirs. And as a final coda to the story of Gladys Knight and the Pips at Motown, while they were touring off the back of “Grapevine’s” success, the Pips ran into someone they vaguely knew from his time as a musician in the fifties, who was promoting a group he was managing made up of his sons. Knight thought they had something, and got in touch with Motown several times trying to get them to sign the group, but she was ignored. After a few attempts, though, Bobby Taylor of another second-tier Motown group, the Vancouvers, also saw them and got in touch with Motown, and this time they got signed. But that story wasn’t good enough for Motown, and so neither Taylor nor Knight got the credit for discovering the group. Instead when Joe Jackson’s sons’ band made their first album, it was titled Diana Ross Presents the Jackson 5. But that, of course, is a story for another time…

Join Rita for an inside look at her latest album, "Fed by Ravens," as she sits down with Anna Golden and producer Bede Benjamin-Korporaal to discuss the spiritual journey and heart behind the music. We hope you enjoy this discussion and an exclusive preview of Rita's three NEW songs, "He Will," "My Yes," and "Answer Me."Join Rita's Newsletter - http://www.worshipismyweaponshow.comFollow Rita everywhere - https://linktr.ee/ritaspringerIf you're enjoying the show, please rate and review!

ANSWER ME! I've Got Questions For You; Plus OJ Dies And Dr. Influencer? Karel Cast 24-44 OJ Simpson, who was found civilly liable for the murders of Nicole Brown Simpson and Ronald Goldman, has died of prostate cancer. How should the media treat it? Sports star? Famous football player? Acquitted murderer? Felon? How should we publicly treat the death of people who, according to civil courts, have done terrible, terrible things. And what did his trial say about us? Do people under 40 today have it harder or easier than Baby Boomers did? That's a question of the day and I want to read your comments below, so post them. Also; Would you go to a doctor who was an influencer? Who spent time online promoting themselves, their brand and their content? And in the movie Civil War out this weekend, the filmmaker doesn't take sides. Should he? There's two sides to EVERY story, a right and wrong one, and that's it. Why do we act now like there may be two right sides? Watch on YouTube and listen wherever you get your podcast. Subscribe at YouTube.com/reallykarel @ReallyKarel is all social media and website reallykarel.com The Karel Cast is heard three times a week on all your favorite streaming services and the video can be seen on Youtube. Karel is a history-making #LGBTQ talk show host currently living in Las Vegas with his pup Ember. https://youtu.be/vWPhMc8u36o

ANSWER ME! I've Got Questions For You; Plus OJ Dies And Dr. Influencer? Karel Cast 24-44 OJ Simpson, who was found civilly liable for the murders of Nicole Brown Simpson and Ronald Goldman, has died of prostate cancer. How should the media treat it? Sports star? Famous football player? Acquitted murderer? Felon? How should we publicly treat the death of people who, according to civil courts, have done terrible, terrible things. And what did his trial say about us? Do people under 40 today have it harder or easier than Baby Boomers did? That's a question of the day and I want to read your comments below, so post them. Also; Would you go to a doctor who was an influencer? Who spent time online promoting themselves, their brand and their content? And in the movie Civil War out this weekend, the filmmaker doesn't take sides. Should he? There's two sides to EVERY story, a right and wrong one, and that's it. Why do we act now like there may be two right sides? Watch on YouTube and listen wherever you get your podcast. Subscribe at YouTube.com/reallykarel @ReallyKarel is all social media and website reallykarel.com The Karel Cast is heard three times a week on all your favorite streaming services and the video can be seen on Youtube. Karel is a history-making #LGBTQ talk show host currently living in Las Vegas with his pup Ember.

You can grab the free workbook at www.catholicmomcalm.com/lent2024 Full text of St. Faustina's Diary. Reflection question: What came up for you when you read this? Bring your heart to the Lord like a child does to an adult she loves and trusts. Excerpt from St. Faustina's Diary for today (229): At the beginning of the retreat, Jesus told me, During this retreat, I Myself will direct your soul. I want to confirm you in peace and love. And so, the first few days passed by. On the fourth day, doubts began to trouble me; Is not this tranquility of mine false? Then I heard these words, My daughter, imagine that you are the sovereign of all the world and have the power to dispose of all things according to your good pleasure. You have the power to do all the good you want, and suddenly a little child knocks on your door, and trembling and in tears and, trusting in your kindness, asks for a piece of bread lest he die of starvation. What would you do for this child? Answer Me, my daughter.   And I said, “Jesus, I would give the child all it asked and a thousand times more.” And the Lord said to me, That is how I am treating your soul. In this retreat I am giving you, not only peace, but also such a disposition of soul that even if you wanted to experience uneasiness you could not do so. My love has taken possession of your soul, and I want you to be confirmed in it. Bring your ear close to My Heart, forget everything else, and meditate upon My wondrous mercy. My love will give you the strength and courage you need in these matters.

A not great joke about losing brain cells, a car getting totaled, the late, lamented Hyundai Veloster, the stupidity of ethical nonmonogamy, a couple songs about dreaming, the tragedies of John Belushi and Chris Farley, a couple great parts from Animal House, a bad attempt at an Eminem song, the amazingly witty and just great person Craig Bierko, the creepiness of people hovering on the ceiling, Los Angeles is my friend and Sunnyvale is my enemy, and a great catchy as hell Britney Spears song. Stuff mentioned: Jim Morrison and The Doors "A Feast of Friends" (1978), Sugar File Under: Easy Listening (1994), The Minus Man (1999), The Moody Blues "Your Wildest Dreams" (1986), Orchestral Manoeuvres in the Dark "Dreaming" (1988), The Alan Parsons Project "Don't Answer Me" (1984), The Alan Parsons Project "Ammonia Avenue" (1984), Neighbors (1981), Continental Divide (1984), Animal House (1978), Eminem "Til I Collapse" (2020), Scary Movie 4 (2006), Scary Movie 3 (2003), The Long Kiss Goodnight (1996), The Thirteenth Floor (1999), Frank Lloyd Wright Ennis House (2655 Glendower Ave, Los Angeles, CA 90027), Frank Lloyd Wright Hollyhock House (4800 Hollywood Blvd, Los Angeles, CA 90027), Brightburn (2019), Hereditary (2018), MOCA Grand (250 South Grand Avenue, Los Angeles, CA 90012), Dear John's (11208 Culver Blvd, Culver City, CA 90230), Book Soup (8818 Sunset Blvd, West Hollywood, CA 90069), and Britney Spears "Baby One More Time" (1999).

Tribute to Jack Rhine, 1946-2023 Start Name Artist Album Year Comments Muskrat Ramble Ann Leaf Concert Echoes [Pipe Organ Presentations POP125] 1963 2-10 Wurlitzer, Los Angeles Theatre 2:27 Stormy Weather Tom Helms Bertha And A Dozen Friends 1988 4-22 Wurlitzer, Alabama Theatre, Birmingham, AL; Publix #1, designed by Crawford, expanded to 4-29 6:52 Tie A Yellow Ribbon 'Round The Old Oak Tree George Blackmore Goodbye To The Mighty Wurlitzer Of The Ritz, Luton [Acorn CF 273] 1974 3-7 Wurlitzer, Ritz Cinema, Luton, Beds 9:25 The Darling Buds Of May (Perfick!) Phil Kelsall I Do Like To Be Beside The Seaside [Grasmere CRCD 58) 1993 3-14 Wurlitzer, Tower Ballroom, Blackpool 13:19 Frenesi Frank Olsen Frank Olsen's Tricky Fingers [EAR 10261] 1975 3-16 Wurlitzer, Riviera Theatre, North Tonawanda, NY 16:32 Dear Heart Don Scott An Evening At The Palace [DS-7765] 1965 4-21 Wurlitzer, RKO Palace, Rochester, NY; Now 4-23 in Auditorium Theatre, Rochester 20:18 Glaube mir (Answer Me, My Love) Heinrich Riethmüller Zwei in einer großen Stadt [Sikorski SIK-10] 1992 4-16 Wurlitzer, National Institute For Music Research, Berlin, Germany 23:47 This Masquerade Wendy Kieffer-Patrick When Wendy Gets Blue 3-18 Wurlitzer, Uncle Milt's Pizza Co, Vancouver, WA; Originally a 3-13 from the Orpheum Theatre, Seattle, WA; Console from Oriental Theatre, Portland, OR. 27:58 The Waltzing Cat Frances Paige Hi-Fi Pot-Pourri [Jubilee JLP 1038] 1958 3-26 Wurlitzer, Kearns Residence, Hollywood, CA 31:14 Jealous Jocelyn McNeil Very Hi-Fi Organ [Essential Media CD] 1957 3-26 Wurlitzer, Joe Kearns Residence, Hollywood, CA 34:01 Don't Cry My Love; Girl Of My Dreams; Red Roses For A Blue Lady; How Come You Do Me Like You Do? Eddie Layton, Buddy Morrow All-Time Dance Favorites [Mercury SR-60764] 1963 Hammond Organ, Trombone 38:18 Dance Of Love [Hungarian Dance] Keller And Costanzo All Time Favorite Love Songs [Wyncote S-W 9051] 1964 40:35 Misirlou Korla Pandit Odyssey [Fantasy FCD-24746-2] 1958 4-34 Robert Morton, Lorin Whitney Studio, Glendale, CA; recorded 1958-08-06 44:52 I Can't Begin To Tell You Leonard MacClain Golden Years Of Theatre Organ [Vantage DLP-6300] 3-19 Moller, Sedgwick Theatre, Philadelphia, PA 49:11 Golden Mile Kevin Grunill At The End Of The Pier [Soundline Band SLB 4008] 2001 4-14 Wurlitzer, Granada Studios, Manchester, England 52:03 La Rosita Lyn Larsen Wurlitzer Pops Concert [Musical Contrasts Cassette MCI-109] 4-28 Wurlitzer, Sanfilippo Residence, Barrington, IL 56:42 Bandstand Boogie Margaret Hall Kitten On The Keys [Margaret Hall Music 001] 1992 3-17 Wurlitzer, Orion Centre, Sydney, NSW, Australia. Formerly 3-15 in Capitol Theatre, Sydney 59:54 Hey, Look Me Over Horace Weber Au Revoir To The Capitol Wurlitzer [Crest CRE-12-LP-008] 1963 3-15 Wurlitzer, Capitol Theatre, Melbourne, Australia; Last performance on November 17, 1963. 62:07 When You're Away Ken Double An Evening With Ken Double [SP-780] 1988 3-14 Wurlitzer, Long Center For The Performingg Arts, Lafayette, IN; Excerpts from live concert, June 11, 1988

"Answer Me," October 1988 General Conference, Elder Neal A. Maxwell

What empowers people to help the environment and rhymes at the same time? Answer: “Me and Debry,” a half-hour, whimsical, audience-participation play about litter (or marine debris) in the Great Lakes.The play had its “world premiere” in Wisconsin's Door County in October 2022 before a full house at the town library in Egg Harbor. Starring in it were two local actors: Cassandra Bissell and Neil Brookshire. The play is part of a project designed to harnesses the power of storytelling to engage, educate and inspire performing artists and community members to be committed stewards of their Great Lakes watershed.

Hello once again everyone I'm your host Ray Shasho and welcome to another edition of Interviewing the Legends. Alan Parsons worked as assistant engineer on the last two albums by The Beatles and after he qualified as a fully-fledged recording engineer, he went on to work with Paul McCartney and The Hollies among many others. But it was his contribution as engineer on Pink Floyd's classic The Dark Side Of The Moon that really got him world attention. That soon led to striking successes as a producer – notably with Pilot's Magic, John Miles' Highfly and Music and Steve Harley's (Come Up And See Me) Make Me Smile. He also produced the hugely successful Year Of The Cat album with Al Stewart and two albums with American prog rock band Ambrosia. In 1975 he met Eric Woolfson who not only became his manager but joined forces with Alan as a songwriting and performing partner for what became known as The Alan Parsons Project and a string of hit albums. Parson's most recent studio release is entitled From the New World and features the classic sounds Parsons has become known for in his impressive career, with progressive, symphonic, and classic rock elements all touched upon on this stunning album. Guest appearances from the likes of renowned guitarist and singer Joe Bonamassa, Tommy Shaw of Styx, vocalist David Pack (Ambrosia), and vocalist James Durbin add wonderful atmosphere to the stunning performances by Alan and his incredible backing band. Please welcome legendary audio engineer, singer, songwriter, musician, and record producer Alan Parson to Interviewing the Legends …   PURCHASE  THE LATEST RELEASE BY ALAN PARSONS FROM THE NEW WORLD Available at amazon.com Frontiers Music Srl is proud to announce the release of the new studio album, "From The New World" by the legendary Alan Parsons. The eleven-time Grammy nominated legendary music icon and master of progressive rock released his last studio album “The Secret” in April 2019. "From The New World" features the classic sounds Parsons has become known for in his impressive career, with progressive, symphonic, and classic rock elements all touched upon on this stunning album. Guest appearances from the likes of renowned guitarist and singer Joe Bonamassa, Tommy Shaw of Styx, vocalist David Pack (Ambrosia), and vocalist James Durbin add wonderful atmosphere to the stunning performances by Alan and his incredible backing band.   ALSO PURCHASE Alan Parsons' Art & Science of Sound Recording: The Book (Technical Reference) by Julian Colbeck (Author), Alan Parsons (Author) More than simply the book of the award-winning DVD set, Art & Science of Sound Recording, the Book takes legendary engineer, producer, and artist Alan Parsons' approaches to sound recording to the next level. In book form, Parsons has the space to include more technical background information, more detailed diagrams, plus a complete set of course notes on each of the 24 topics, from “The Brief History of Recording” to the now classic “Dealing with Disasters.” Written with the DVD's coproducer, musician, and author Julian Colbeck, ASSR, the Book offers readers a classic “big picture” view of modern recording technology in conjunction with an almost encyclopedic list of specific techniques, processes, and equipment. Available at amazon.com   FOR MORE INFORMATION ABOUT ALAN PARSONS VISIT www.alanparsons.com Official website www.facebook.com/alanparsons Facebook www.instagram.com/alanparsonsmusic Instagram https://twitter.com/alanparsons Twitter   Full discography Date         Title         as part of The Alan Parsons Project May 1976    Tales of Mystery and Imagination June 1977   I Robot       June 1978 Pyramid     August 1979   Eve         November 1980   The Turn of a Friendly Card June 1982 Eye in the Sky      1983 The Best of the Alan Parsons Project       December 1983   Ammonia Avenue         February 1985     Vulture Culture   November 1985   Stereotomy          January 1987       Gaudi         1988 The Best of the Alan Parsons Project, Vol. 2      1988 The Instrumental Works       1990 Freudiana 9 October 1989    Pop Classics         1995 (6/2004)     Extended Versions: The Encore Collection Live                   15 July 1997         The Definitive Collection       27 July 1999        Master Hits - The Alan Parsons Project             2 August 1999     Alan Parsons Project - Greatest Hits Live = Best of Live     3 August 1999     Eye in the Sky – Encore Collection                    9 May 2000         Alan Parsons Project - Gold Collection    22 August 2002 Works   Audiophile Legends 23 March 2004   Ultimate              2006   Days Are Numbers     2007 The Essential (2 CD Compilation) 2010 The Collection     23 March 2014    The Sicilian Defence (part of The Complete Albums Collection) as Solo Artist – Studio Albums 6 October 1993    Try Anything Once       24 September 1996       On Air        28 September 1999      The Time Machine        24 August 2004 A Valid Path        Artemis      26 April 2019      The Secret 15 July 2022        From the New World    as Solo Artist – Live Albums 27 June 1995       The Very Best Live        6 April 2010 Eye 2 Eye: Live in Madrid   Sept 2013   Alan Parsons                 June 2016 Alan Parsons Symphonic Project, Live in Colombia   5 November 2021 The Neverending Show - Live In The Netherlands             11 February 2022 One Note Symphony - Live In Tel Aviv             as Solo Artist – Singles 15 June 2010 All Our Yesterdays / Alpha Centauri 3 April 2014 Fragile / Luciferama 10 April 2015 Do You Live at All                        as Engineer 1969 Abbey Road (The Beatles)     1970 Atom Heart Mother (Pink Floyd)   1971   Stormcock (Roy Harper)                           1971   Wild Life (Wings)         1973 The Dark Side of the Moon (Pink Floyd) 1973 Red Rose Speedway (Paul McCartney and Wings) 1974 Hollies (The Hollies)    1975 Another Night (The Hollies)           1975 Ambrosia (Ambrosia)   1976 Year of the Cat (Al Stewart)             1978 Time Passages (Al Stewart)             2013 The Raven That Refused to Sing (And Other Stories) (Steven Wilson) as Producer 1974 From the Album of the Same Name (Pilot)                          1974 The Psychomodo (Cockney Rebel) 1975 The Best Years of Our Lives (Steve Harley & Cockney Rebel)                 1975 Second Flight (Pilot)                                 1975 Modern Times (Al Stewart)                                1976 Rebel (John Miles)                 1976 Year of the Cat (Al Stewart)             1976 Somewhere I've Never Travelled (Ambrosia)    1978 Time Passages (Al Stewart)             1979 Lenny Zakatek (Lenny Zakatek)     1984      Keats                1985 Ladyhawke (OST by Andrew Powell)       1993 Symphonic Music of Yes        2012 Grand Ukulele (Jake Shimabukuro)                  2017 Blackfield V (Blackfield)        Kscope                 2019 Jonathan Cilia Faro (Grown up Christmas List)         as Executive Producer / Mentor 1999 Turning the Tide (Iconic Phare)                    Billboard Top 40 hit singles (US) 1976 – "(The System of) Doctor Tarr and Professor Fether" 1977 – "I Wouldn't Want to Be Like You 1979 – "Damned If I Do" 1980 – "Games People Play" 1981 – "Time" 1982 – "Eye in the Sky" 1984 – "Don't Answer Me" 1984 – "Prime Time"   Nominations 1973 – Pink Floyd – The Dark Side of the Moon – Grammy Nomination for Best Engineered Album, Non-Classical 1975 – Ambrosia – Ambrosia – Grammy Nomination for Best Engineered Album, Non-Classical 1976 – Ambrosia – Somewhere I've Never Travelled – Grammy Nomination for Best Engineered Album, Non-Classical 1976 – The Alan Parsons Project – Tales of Mystery and Imagination – Grammy Nomination for Best Engineered Album, Non-Classical 1978 – The Alan Parsons Project – Pyramid – Grammy Nomination for Best Engineered Album, Non-Classical 1978 – Alan Parsons – Producer of the Year, Grammy Nomination for Producer of the Year 1979 – Ice Castles – Original Motion Picture Soundtrack – Grammy Nomination for Best Album of Original Score Written for a Motion Picture 1979 – The Alan Parsons Project – Eve – Grammy Nomination for Best Engineered Album, Non-Classical 1981 – The Alan Parsons Project – The Turn of a Friendly Card – Grammy Nomination for Best Engineered Album, Non-Classical 1982 – The Alan Parsons Project – Eye in the Sky – Grammy Nomination for Best Engineered Album, Non-Classical 1986 – The Alan Parsons Project – "Where's The Walrus?" – Grammy Nomination for Best Rock Instrumental Performance 2007 – Alan Parsons – A Valid Path – Grammy Nomination for Best Surround Sound Album 2018 – Alan Parsons, Dave Donnelly, & PJ Olsson – "Eye in the Sky – 35th Anniversary Edition" – Grammy Award for Best Immersive Audio Album – Alan Parsons, surround mix engineer; surround mastering engineers; Alan Parsons, surround producer (The Alan Parsons Project)   Support us!

Mark 11:27-33) NASB 27 They came again to Jerusalem. And as He was walking in the temple, the chief priests and the scribes and the elders came to Him, 28 and began saying to Him, "By what authority are You doing these things, or who gave You this authority to do these things?" 29 And Jesus said to them, "I will ask you one question, and you answer Me, and then I will tell you by what authority I do these things. 30 "Was the baptism of John from heaven, or from men? Answer Me." 31 They began reasoning among themselves, saying, "If we say, 'From heaven,' He will say, 'Then why * did you not believe him?' 32 "But shall we say, 'From men '?"-they were afraid of the people, for everyone considered John to have been a real prophet. 33 Answering Jesus, they said, "We do not know." And Jesus said to them, "Nor will I tell you by what authority I do these things." Theme: Those who refuse to acknowledge and embrace Jesus' authority over their lives will be silenced, exposed, and put to shame. Outline: Rejecters of Jesus' Authority are Silenced 1) Unbelievers challenge the Lord's authority (27-28)2) The Lord asserts His authority (29, 30b)3) The Lord challenges unbelievers' beliefs (30a-33a)4) The Lord is the final authority (33b) Due to technical problems the audio quality of this sermon is not up to standard. We apologize for any inconvenience this may cause.

Episode 420: Today on T.O.A.P., it's the notorious C.H.O.! That's right, comedy legend Margaret Cho comes to the show to talk about punk! Listen in as Margaret and Damian sit down and chat about the journey from Rock Against Reagan shows to discussing film with John Woo and Chow Yun Fat. Foiling a theft of GG Allin art, the witchy powers of the McDonald Bros, Answer Me! being the gift that keeps on giving and so much other goodness: THIS IS NOT TO BE MISSED! Also, don't miss Margaret on tour this fall! More information at margaretcho.com Also, grab a shirt for this podcast at turnedoutapunk.com Also touched on: Going to the Rock Against Reagan  Barrington Hall Self-harming as art Maybe missing the GG show is a good thing? Foiling a robbery at the Museum of Death David Cross: King Of Punk Steven and Jeff McDonald are powerful witches Paula from Frightwig working at the family bookstore Are Penn and Teller the Residents?!? Shit in the pit: The Farm Almost dying in the mosh for Pulp's Common People  Being in the White Trash Debutants  Working with John Woo Face Off The secret union of Degrassi Jr. High fanatics  English Kitchen Sink drama Answer Me! and Tarantino  AND MORE!!!

Mark 11:27-12:12   27 And they *came again to Jerusalem. And as He was walking in the temple area, the chief priests, the scribes, and the elders *came to Him, 28 and began saying to Him, “By what authority are You doing these things, or who gave You this authority to do these things?” 29 But Jesus said to them, “I will ask you one question, and you answer Me, and then I will tell you by what authority I do these things. 30 Was the baptism of John from heaven, or from men? Answer Me.” 31 And they began considering the implications among themselves, saying, “If we say, ‘From heaven,' He will say, ‘Then why did you not believe him?' 32 But should we say, ‘From men'?”—they were afraid of the people, for they all considered John to have been a real prophet.33 Answering Jesus, they *said, “We do not know.” And Jesus *said to them, “Neither am I telling you by what authority I do these things.” 12:1 And He began to speak to them in parables: “A man planted a vineyard and put a fence around it, and dug a vat under the wine press and built a tower, and leased it to vine-growers and went on a journey. 2 And at the harvest time he sent a slave to the vine-growers, in order to receive his shareof the produce of the vineyard from the vine-growers. 3 And they took him, and beat him, and sent him away empty-handed. 4 And again he sent them another slave, and they wounded him in the head, and treated him shamefully. 5 And he sent another, and that one they killed; and so with many others, beating some and killing others. 6 He had one more man to send, a beloved son; he sent him to them last of all, saying, ‘They will respect my son.' 7 But those vine-growers said to one another, ‘This is the heir; come, let's kill him, and the inheritance will be ours!' 8 And they took him and killed him, and threw him out of the vineyard. 9 What will the owner of the vineyard do? He will come and put the vine-growers to death, and give the vineyard to others. 10 Have you not even read this Scripture: ‘A stone which the builders rejected, This has become the chief cornerstone; 11 This came about from the Lord, And it is marvelous in our eyes'?” 12 And they were seeking to seize Him, and yet they feared the people, for they understood that He told the parable against them. And so they left Him and went away.   GIVE -  The Listener's Commentary is a listener supported Bible teaching ministry made possible by the generosity of people like you. Thank you! Give here:  https://www.listenerscommentary.com/give      STUDY HUB - Want more than the audio? Join the study hub to access articles, maps, charts, pictures, and links to other resources to help you study the Bible for yourself. https://www.listenerscommentary.com/members-sign-up   FREE EBOOK - Get the free eBook, Bible in Life, to help you learn how to read and apply the Bible well: https://www.listenerscommentary.com     MORE TEACHING - For more resources and Bible teaching from John visit https://www.johnwhittaker.net  

In Micah 6, Yeshua asks "how have I wearied you? Answer Me." What exactly does Yesua require of us? Underground House Calls is a part of "Go and Do," a ministry equipping believers to help their fellow believers in persecuted countries. More information can be found at: http://www.faithisidentity.com

Join us as we chat about our latest Throwback drama review and see if Reply 1997 (Answer Me 1997) stands up to the test of time. Just a quick hint... It does!!! We talk about all the aspects of the drama that made it groundbreaking when it aired and how it set up the blueprint for all the slice-of-life shows that have followed.You can also find us on Twitter and Facebook.Click HERE for our show notes.Remember to check out our Patreon which is full of extra content for our Kimchi VIPS!! Come check it out HERE and make sure you don't miss a single moment of our fun, drama-filled banter. See acast.com/privacy for privacy and opt-out information.

Why was the King worried about the marriage of the princess Maghna? What condition did she impose to select her groom? What did the old man tell Abi? What was in the sack that Abi got from the crooked man? How did the conversation go between Abi and the Princess? இளவரசியின் திருமணம் பற்றி அரசர் ஏன் கவலைப்பட்டார்? கணவனை தேர்வு செய்ய மக்னாவின் நிபந்தனை என்ன? அபியிடம் பெரியவர் என்ன சொன்னார்? கிறுக்கனிடமிருந்து அபிக்கு கிடைத்த மூட்டையில் என்ன இருந்தது? அபிக்கும் இளவரசிக்கும் என்ன உரையாடல் நடந்தது?Youtube Story Link: https://youtu.be/a3FIvWsaQOs You can listen to this show and other awesome shows on the new and improved IVM Podcast App on Android: https://ivm.today/android or iOS: https://ivm.today/iosYou can check out our website at http://www.ivmpodcasts.com

The twins unearth another gem from the cassette archive and then fall headlong into the maelstrom - discussing everything from recent gigs in Myrtle Beach, Paul Anka, Chrissie Hynde and Garth Brooks to authors, show tunes, a really cool park in Miami and much more. SHOW NOTES: 0:00 - "Answer Me" by Chris Yale circa 1988 4:17 - Greetings and about the song / Stare Cat Sound, Glendale, CA / Ian Talcroft / Steve Kobashigawa 6:00 - "It's a Rock Thing" - English guys singing Southern / Blues and Country origins 6:31 - Garth Brooks documentary - part 2 / Quitting music 7:51 - Shout-out to our friend Carl McClain - thanks for loaning us your P.A. head. 8:29 - Latest House of Blues gig - very enthusiastic crowd / Early gigs versus late gigs / Latest LuLu's gig - great mix 10:40 - "I got pretty good" / Chrissie Hynde / The Pretenders / Lemmy couldn't score with Chrissie 11:44 - "I Want To Be Your Man" - Roger (Troutman) / Peter Tosh with Stones / Ron Wood albums 12:52 - Matheson Hammock Miami / Raleigh Chopper bicycle / Matt Ross / Dixie Highway (U.S. 1) 14:15 - Roger "ran away" from home twice / Mom's soap operas 15:45 - Novellas / David Leavitt, "Arkansas" / Little Free Library / Oscar Wilde 17:45 - The time Dad didn't show up 19:05 - Random show tunes / "Pal Joey '78" with Lena Horne / Roger working out to "Evita" 19:54 - Roger's training for a 5K / Advice from Buck and Jodie / Pacing and distance / Stan Obrycki / Roger's son Wes' "pinky swear with Chris / "Pain Retains" 21:29 - California reports lowest COVID-19 rates in nation / California homelessness / Austin homelessness / Drunk Panhandlers outside Barney's Beanery Hollywood 26:44 - Roger's shroud of political correctness 26:57 - Paul Anka on Lefsetz podcast / More Anka / Anka chews out a musician about wardrobe / Buddy Rich rants on bus 31:08 - Our gig t-shirts 32:32 - Change afoot: Explosive growth growth in Myrtle Beach / Carolina Forest / Myrtle Beach natives / Transplants / Trans Plant / Dread Zeppelin / El Vez 35:22 - Parting shots / Five gigs in a week

Here's another foray into the wilds of Dramaland on the back of our yak - specifically a "shigan yohaeng" (time travel) into Seo In-guk's filmography, from his recent film, Pipeline, all the way back to the impression he made as Yoon Yoon-jae in Reply 1997 (aka Answer Me 1997)...and even further back than that. What was your first Seo In-guk? We'd love to know! LINKS https://www.dramabeans.com/2016/12/2016-year-in-review-part-5-sunbae-minions-weigh-in/ (Saya's 2016 end-of-year review of Police Unit 38) (scroll down): (Saya has reread it, and is crying at the mauling, so much mauling.) https://www.dramabeans.com/tag/police-unit-38/page/3/ (Saya and Paroma's recaps of Police Unit 38), full of intense commentary (also mauled, sigh): Our Beloved Patrons:Egads, Steven, Lia W., Hades, Gracefulegg, Divina, Saoirse10, MCG, Humbledaisy, Eunice Choi, Jojo, Rue, k8ekol, mindy, Liliana, Edyth, Marcia, unatuna, Dr. Chi, Lesley H, G. K, Lynette, Vani, Helena, Staci, Hanna, Eazal, Natalie, Sarah Hope, Frances, David F, Yu Jin Young, Julia, O'Lakes, Foongy L., Lindsey, sah fa, Dianne, MelG, Anonymous Otter, Fredrika, D. Nguyen, SB, and latest additions to our Patreon fam: aebell and ingat kayo! Thank you, we love you! ❤︎ https://mailchi.mp/da35d1e06207/dramas-over-flowers-newsletter (Join our newsletter for monthly updates) and podcast episode roundups! Follow us on Twitter https://twitter.com/dramasoverflow (@dramasoverflow) and Instagram https://www.instagram.com/dramasoverflowers_/ (@dramasoverflowers_). Email us at dramasoverflowers@gmail.com. https://www.patreon.com/dramasoverflowers (Support us on Patreon) or by leaving a review on the podcast app of your choice, or simply by telling your friends. Dramas Over Flowers is part of the Frolic Podcast Network. Find more podcasts you'll love at frolic.media/podcasts. This episode was edited by Saya.

WILL SHE? ANSWER ME!

Psalm 27 “A Longing for Safety” Introduction: Fear is foiled by … I. Experiencing the Character of God (1-3) A. God is My Sight (“light”) (1) B. God is My Salvation (1) (both physical & spiritual) C. God is My Strength (“stronghold”) (1b) II. Exhilarating Communion with God (4-6) A. Seeking Communion (4) B. Secure in Communion (5, 6) III. Expressing Concern to God (7-10) A. Answer Me (7, 8) B. Do not Abandon Me (9,10) IV. Exhibiting Confidence in God (11-13) A. For Guidance (11) B. For Guardance (12) C. For Goodness (13) Conclusion: “wait” (14)

Off the rails IMMEDIATELY!!! But the Boyz, being the qualified professional podcasters that they are, deftly guide the unstoppable train that is Gabbing with Babish seemlessly back on to the rails and its smooth sailing (training?) from there on out. The only thing you need to consider for this episode is whether or not you personally are down with the sickness. Are you? Are you down with the sickness? ANSWER ME!!! Like, subscribe, follow @gabwithbab on Twitter & @gabbingwithbabish on instagram and electronically mail us @ gabbingwithbabish@gmail.com!

[Comment: Mercy] Friends of the Rosary: Jesus Christ wants to fulfill all of us in peace and merciful love. The Son of God explained to St. Maria Faustina Kowalska how He is treating our souls. He said to the Polish XXth century mystic (Diary, 229): “My daughter, imagine that you are the sovereign of all the world and have the power to dispose of all things according to your good pleasure. You have the power to do all the good you want, and suddenly a little child knocks on your door, and trembling and in tears and trusting in your kindness, asks for a piece of bread lest he dies of starvation. What would you do for this child? Answer Me, my daughter.” St. Faustina Kowalska said, “Jesus, I would give the child all it asked and a thousand times more.” And the Lord responded: “That is how I am treating your soul.” Ave Maria! Jesus, I Trust In You! + Mikel A. | TheRosaryNetwork.org, New York — When we are open to the Holy Spirit, the love of Jesus takes possession of our soul. He reminded St. Faustina Kowalska that his love will give us all the strength and courage we need. _ Live Rosary at 7:30 pm ET on YouTube.com/TheRosaryNetwork | Video available right after the Broadcast

Psalms We Can Pray #1 “Answer Me” 5-30-21 by Russ Siders

ANSWER ME, DOMON! THE SCHOOL OF THE UNDEFEATED OF THE EAST! THE WINDS OF THE KING! ZENSHIN! KEIRETSU! TEMPA KYORAN! LOOK! THE EAST IS BURNING RED! Watching - Mobile Fighter G Gundam Episodes 10-12 Featuring - Max | Audrey | Argyle Check out our other stuff! - Pod of Greed | Slappers Only | The Reticulation | Kamurocho Radio Twitter Discord Noise Space

MARK 11:28 (NKJV) “And they said to Him, "By what authority are You doing these things? And who gave You this authority to do these things?" Although they question Jesus, Jesus turns this question around, "I also will ask you one question; then answer Me, and I will tell you by what authority I do these things: The baptism of John—was it from heaven or from men? Answer Me." (Mk. 11:29, 30).  The religious leaders do not provide an answer to Jesus' question. They are in a bit of a trap. If they were to say John's baptism was from heaven, then the obvious question would be, "Why then did you not believe him?" (ref. Mk. 11:31). If they were to say John's baptism was from man, not from God's authority or heaven, they feared what the people might do because they saw John as a prophet of God. So, they do not answer Jesus' question. EPISODE LINKS: FULL EPISODE NOTES SIMPLYREVISED.ORG CONTACT US MUSIC PROVIDED BY ERIC GWIN

In this episode you’ll hear: 1) Ramblin' Rose 2) L-O-V-E 3) Answer Me, My Love 4) Calypso Blues 5) I Understand 6) Walkin' My Baby Back Home (with Natalie Cole) 7) It's Only A Paper Moon 8) Don't Blame Me by The Nat King Cole Trio 9) That Sunday, That Summer 10) Once In Awhile 11) Smile 12) Sweet Lorraine 13) Too Young 14) Ay, Cosita Linda 15) Nat Meets June (with June Christy and The Metronome All Stars) 16) Ballerina 17) What'll I Do by The Nat King Cole Trio 18) (Get Your Kicks On) Route 66 19) Unforgettable 20) The Party's Over 21) The Sand And The Sea ************* Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712 or by email at: dannymemorylane@gmail.com

Damon & Audra review Tales from the Darkside Season 1 episode 16 “Answer Me”

The #1's series is back, baby! I proclaim my enjoyment of Yazoo and the Alan Parsons Project, and throw in references to The Simpsons, Bill Walton, and Richard Sherman. It gets pop culturey, in other words. Enjoy! Song list: "Money (That's What I Want)" by the Flying Lizards, "Don't Answer Me" by the Alan Parsons Project, "The Devil Went Down to Georgia" by The Charlie Daniels Band, "I'm On Fire" by the Dwight Twilley Band, "Cyclops Rock" by They Might Be Giants, "Only You" by Yazoo, and also the Flying Pickets. --- Support this podcast: https://anchor.fm/musicismyradar/support

For episode 1, we go back to where it all began: 1952. We first take a look at what came before the UK Singles Chart began, and the Christmas standards we still hear today such as Bing Crosby’s ‘White Christmas’ and ‘Let It Snow’. While the Christmas number one concept didn’t exist for a while yet, the 1950s was the decade of mellow ballads, piano party tunes, and the emergence of rock and roll. https://traffic.libsyn.com/secure/eamezey/Christmas_Number_One_Rewind_-_1950s.mp3 (Download the episode), stream in the player above, or subscribe for the latest episodes. Full Christmas number ones (look away if you don’t want ‘spoilers’!): 1952: Al Martino – ‘Here In My Heart’ 1953: Frankie Laine – ‘Answer Me’ 1954: Winifred Atwell – ‘Let’s Have Another Party’ 1955: Dickie Valentine – ‘Christmas Alphabet’ 1956: Johnnie Ray – ‘Just Walkin’ in the Rain’ 1957: Harry Belafonte – ‘Mary’s Boy Child’ 1958: Conway Twitty – ‘It’s Only Make Believe’ 1959: Emile Ford and the Checkmates – ‘What Do You Want to Make Those Eyes At For?’ All Episodes: https://christmascharts.wordpress.com/2020/11/10/1950s/ (1950s) | https://christmascharts.wordpress.com/2020/11/13/1960s/ (1960s) | https://christmascharts.wordpress.com/2020/11/18/1970s/ (1970s) | https://christmascharts.wordpress.com/2020/11/23/1980s/ (1980s) | https://christmascharts.wordpress.com/2020/11/28/1990s/ (1990s) | https://christmascharts.wordpress.com/2020/12/04/2000s/ (2000s) | https://christmascharts.wordpress.com/2020/12/09/2010s/ (2010s)

Doordat niet alle aangevraagde muziek in de PodCast paste, hier de volledige muziek keuze van OldStars Den Dungen uit Brabant. Ray Charles - Georgia on My Mind; Abba - The Winner Takes it All; Andrea Bocelli - Besame me Mucho; Charles Aznavour – She; Fats Domino - Blueberry Hill; Freddie Aquilar – Anak; Louis Armstrong - All of Me; Manhattan Transfer - Chanson d'Amour; Oh Sixteen Oh Seventeen - Het Leven is Goed in het Brabantse Land; Rocco Granata –Marina; Amy Macdonald - This is the Life; ELO – It's a Living Thing; Everly Brothers - Wake up Little Suzie; John Secada - Just Another Day; Juliane Werding - Geh Nicht in die Stadt; Michael Bublé - Come Fly with Me; The Alan Parson Project - Don't Answer Me; Guy Mitchell - Singin The Blues. Veel luister plezier!!! PS. Heeft u een tip voor OldStars Radio of wilt u met uw team een muzieklijst samenstellen? Mail dan naar info@oldstars.nl. --- Send in a voice message: https://anchor.fm/oldstars/message

We give big props to Roman, Jey, and Jimmy on what we are calling the Match Of The Year at Clash of Champions. Sami, AJ, and Jeff Hardy deliver an instant classic. Alexa Bliss is brainswashed, and Carmella is revealed as the smoking hot babe that has been in the Smackdown vignettes. Where does the Roman story go from here? Are you sick of Sasha vs Bayley? ANSWER ME

Mark 11:12-33 New King James Version  The Fig Tree Withered12 Now the next day, when they had come out from Bethany, He was hungry. 13 And seeing from afar a fig tree having leaves, He went to see if perhaps He would find something on it. When He came to it, He found nothing but leaves, for it was not the season for figs. 14 In response Jesus said to it, “Let no one eat fruit from you ever again.”And His disciples heard it.Jesus Cleanses the Temple15 So they came to Jerusalem. Then Jesus went into the temple and began to drive out those who bought and sold in the temple, and overturned the tables of the money changers and the seats of those who sold doves. 16 And He would not allow anyone to carry wares through the temple. 17 Then He taught, saying to them, “Is it not written, ‘My house shall be called a house of prayer for all nations’? But you have made it a ‘den of thieves.’ ”18 And the scribes and chief priests heard it and sought how they might destroy Him; for they feared Him, because all the people were astonished at His teaching. 19 When evening had come, He went out of the city.The Lesson of the Withered Fig Tree20 Now in the morning, as they passed by, they saw the fig tree dried up from the roots. 21 And Peter, remembering, said to Him, “Rabbi, look! The fig tree which You cursed has withered away.”22 So Jesus answered and said to them, “Have faith in God. 23 For assuredly, I say to you, whoever says to this mountain, ‘Be removed and be cast into the sea,’ and does not doubt in his heart, but believes that those things he says will be done, he will have whatever he says. 24 Therefore I say to you, whatever things you ask when you pray, believe that you receive them, and you will have them.Forgiveness and Prayer25 “And whenever you stand praying, if you have anything against anyone, forgive him, that your Father in heaven may also forgive you your trespasses. 26 [a]But if you do not forgive, neither will your Father in heaven forgive your trespasses.”Jesus’ Authority Questioned27 Then they came again to Jerusalem. And as He was walking in the temple, the chief priests, the scribes, and the elders came to Him. 28 And they said to Him, “By what authority are You doing these things? And who gave You this authority to do these things?”29 But Jesus answered and said to them, “I also will ask you one question; then answer Me, and I will tell you by what authority I do these things: 30 The baptism of John—was it from heaven or from men? Answer Me.”31 And they reasoned among themselves, saying, “If we say, ‘From heaven,’ He will say, ‘Why then did you not believe him?’ 32 But if we say, ‘From men’ ”—they feared the people, for all counted John to have been a prophet indeed. 33 So they answered and said to Jesus, “We do not know.”And Jesus answered and said to them, “Neither will I tell you by what authority I do these things.”

From the Arrival of the Queen of Sheba to jazz/fusion to guitar concerto to J.SBach....

"Part 2 of BTR's 15th Birthday celebration on The Jaunt brings you throwback tracks by And The Kids, Spiritualized, Swamp Dogg, Patrick Watson, Y La Bamba, Cat Power and more. Stay tuned! 00:00 - The Jaunt on BTR 01:09 - Swimming Pool - Emmy The Great 05:14 - All Day All Night - And The Kids 09:43 - The Ballad Or Arlo Jones - Kevin Morby 12:25 - Here It Comes (The Road) Let's Go - Spiritualized 17:03 - Drawn to the Blood - Sufjan Stevens 20:17 - Grace - Patrick Watson 24:52 - The Jaunt on BTR 25:38 - Ojos Del Sol - Y La Bamba 29:42 - Picture You - The Amazing 39:08 - Wanderer - Cat Power 40:18 - Lazarus - Saintseneca 44:55 - One Foot - The Mynabirds 48:13 - Leaving the City - Joanna Newsom 51:59 - The Jaunt on BTR 52:32 - Plans - Land Lines 57:28 - Light Brang - Little Wings 60:55 - Blister Steel - Roselit Bone 64:42 - Summer Of Love - Waxahatchee 66:47 - Sleepy Eyes - Eerie Wanda 69:55 - Alexander All Alone - Andy Shauf 73:28 - The Jaunt on BTR 73:56 - Shake It Little Tina - Low Cut Connie 77:17 - Love You So Bad - Ezra Furman 80:53 - Pop Phenom - Dressy Bessy 84:15 - Interloper - Momma 87:04 - Bury the Hatchet - Gramma's Boyfriend 90:02 - Cherry Red - Ty Segall 93:00 - The Jaunt on BTR 94:43 - Next To Me - Jay Som 97:19 - Aisles - Eagulls 104:24 - Answer Me, My Love - Swamp Dogg 107:16 - Lonely Wanderer - Panda Bear 111:27 - Last Rites At The Jane Hotel - Of Montreal 116:30 - The Jaunt on BTR 117:55 - The Pot Is On Fire - Ibibio Sound Machine 122:16 - Finish "

CBS Radio Mystery Theater 77-03-04 (0611) Answer Me (1)

Just as the Title Says, In This Episode Curtis Discusses Anything, Everything...and Also Nothing!Join him on this Crazy Adventure to Anywhere, Everywhere, and also Nowhere!This Description won’t get Any More Accurate than This!Don’t Believe Me? Take a Listen!Listen! Listen! Listen! is a show hosted by Curtis Elton. Speaking non-stop in each episode, you'd think he'd actually say something valuable. WRONG! The show has NO THEME...NO USEFUL INFORMATION...NO, NOT THAT EITHER! What it does have is Funny, Completely Random and Crazy non-stop talking lasting Only a Couple of Minutes per episode. Every episode is different! Go on, you know you want to, have a listen to Listen! Listen! Listen! New episodes Every Thursday. Stay tuned for more of Listen! Listen! Listen! TRANSCRIPT:French Curtis:Bonjour!Cowboy Curtis:Howdy!Italian Curtis:Buongiorno!Chinese Curtis:Ni Hao!German Curtis:Hallo!Spanish Curtis:Olé!Bird Curtis:Cuckoo, Cuckoo!(Sound Effect Made with Mouth)Nelson Curtis:Ha! Ha!Curtis:And Hello and Welcome Back to Another Episode of Listen! Listen! Listen!I’m Your Host Curtis Elton and How are you Today?French Curtis:None of Your Darn Business Stupid! (Spits)Curtis:Yes it is!French Curtis:No it Isn’t!Curtis:Is Too!French Curtis:Is Not!Curtis:Is Too!French Curtis:Is Not!Curtis:(Slow Motion) Is Too!French Curtis:(Slow Motion) Is Not!Curtis:Is Too!French Curtis:Is Not!Curtis:Is Too!French Curtis:Is Not!Curtis:Well That was Crazy! And We are Back and That was a Really Long Introduction.Now Ladies and Gentlemen, Boys and Girls, This May Come as a Surprise to You but I Have No Idea what I’m Going to be Speaking About Today! All I Know, is I Am Going to be Speaking about Anything, Everything, and Also Nothing!Yes That, Yes That, Yes That, Yes That, No Not That, Maybe That, Oh Yes, Yes, No, Yes, Maybe. You Know What, How about Everything! Isn’t this Just Fabulous!Welcome Back to the Show! This is Deja Vu all Over Again!Now This Episode is a Tiny bit Different to the Usual Episodes.Why you Ask?!Because Instead of it Only Being a Couple Minutes Long, This Episode will Only be Around 2 Minutes Long. So Keep that in Mind! Is it in Your Mind?! Is it in Your Mind?! Is it in Your Mind?! (Robot Voice) Insert it into Your Mind!That’s an Order Soldier! Answer Me!Is it in Your Mind?! Is it in Your Mind?! Is it in Your Mind?! Is it in Your Mind?! Please! Come on Say Something! (As if Someone is Giving Curtis Information) Wait! Oh, I See. Eh Never Mind.Now for the 3rd Time, Back to the Show!As I Said Earlier, Today I Will be Speaking about Anything, Everything, and Also Nothing! (Someone Give Curtis New Information) Wait, What that? Oh! Well Ladies and Gentlemen, Boys and Girls, Turns Out it’s Going to be About Nothing Cause We are Out of Time!So Thank You for Listening to Another Episode of Listen! Listen! Listen!Bubye to You! Bubye to You! Bubye to You, You, You, You, You Know What?! Bubye to All of You! Bubye I’m Outta Here!Let’s Go!(Sings a Random, Made-Up, Cuckoo Tune with Doo’s, Dah’s, Bada’s, and Bop’s)Oh Darnit! I Haven’t Moved a Muscle!

As the nineteenth century was turning to the twentieth century, Frederick Taylor grabbed a stopwatch. He stood next to a worker, and instructed that worker on exactly how to pick up a chunk of iron. Over and over, Taylor tweaked the prescribed movements. Grip the chunk of iron in this way, turn in this way, bend in this way. Once Taylor found the optimal combination of movements, he taught the process to other workers. Their productivity skyrocketed. “Taylorism,” as it came to be called, brought us leaps and bounds forward in productivity. Today, the remnants of Taylorism are ruining productivity. After Taylor’s intervention, the workers who were moving only twelve tons of iron a day were now moving forty-eight tons of iron a day. They quadrupled their productivity. Only a few decades before Taylorism, most people’s concept of time was more closely linked to the movement of the sun than it was to the stopwatch hand. The availability of daylight, the height of a stalk of corn, or the day of first frost that signaled the coming of winter, ruled the work of farmhands. Many of Taylor’s workers objected to having their movement so closely watched and timed, down to the second. Actually, more accurately than that -- Taylor’s stopwatch timed according to the hundredth-of-a-minute. But, “scientific management”, as it was called, swept through the industrial world. Companies couldn’t stay in business without adopting it. The goal of Taylorism was to produce the most work possible in the minimum amount of time. As Taylor watched the movements of the workers, he was trying to reduce waste. He wanted each motion to be as quick and efficient as possible. He wanted each hundredth of a minute to bring the job closer to being done. But, Taylor discovered there was a limit. Logically, there’s no point in a worker sitting idle. Logically, if the worker keeps moving iron, he’ll move more iron than the worker who stops for a smoke break. Intuitively, if you want to get the highest output possible out of the minimum amount of time, take your efficient movements, and fill all of the time with those movements. But, Taylor discovered, it didn’t work that way. The point of diminishing returns There’s a concept in economics called the point of diminishing returns. We can see the point of diminishing returns in action if we imagine Frederick Taylor filling the yard of Bethlehem Steel with workers. Imagine Frederick Taylor has one worker moving iron in the yard of Bethlehem Steel. Thanks to following Taylor’s prescribed movements, that worker is moving forty-eight tons of iron a day. Then, Taylor adds another worker. Now, the workers are moving ninety-six tons of iron a day. Taylor can keep adding workers, and the productivity in the yard will keep going up by forty-eight tons for each worker Taylor adds. Until... Until they start to run out of space. There’s just not as much room in the yard for the workers to pick up the iron, and move it from one place to another. They get in each other’s way, they run into each other, or one worker will have to wait for another worker to finish his job before that first worker can finish his job. At first, it’s not a huge problem. Taylor has merely reached the point of diminishing returns. The point of diminishing returns is the point at which each additional production unit -- in this case, the production unit is workers -- each worker doesn’t return as much benefit as the previous production units did. The return is diminishing. At some point, Taylor adds a worker, and doesn’t get an additional forty-eight tons of production. He gets only forty. Like I say, it’s not a huge deal. They’re still moving more iron than they were before they added that worker. Their margins are high enough on the labor costs that they’re still making more profit. Now, let’s apply this concept to a single worker. Only now the production unit isn’t the workers themselves. The production unit is time. As Taylor filled the available time with motion, the output of a worker rose. But at some point, Taylor hit the point of diminishing returns. As he filled the available time with efficient, optimized motion, at some point, the additional time filled didn’t bring the returns that the previous units of time did. Maybe he tried instructing the worker to move three chunks of iron in ten minutes, then had no problem adding a fourth chunk of iron within that ten minutes. He could string together these ten-minute units, one after another. He could fill up a day with those units, and get the output he expected. But then, at some point, moving an additional chunk of iron in that same unit of time didn’t bring Taylor the returns he expected. In this case, let’s say that number was five chunks of iron within ten minutes. Maybe the worker could keep it up for an hour, but soon the worker would get tired. Eventually, the worker couldn’t move that fifth chunk of iron within a ten-minute unit. The worker got too fatigued. Taylor had reached the point of diminishing returns. The point of negative returns Let’s go back to the steelyard, where Taylor is adding workers. At some point after the point of diminishing returns, Taylor isn’t getting forty-eight tons of output per additional worker, nor is he getting forty tons of output per additional worker. At one point, workers were waiting for one another or getting in each other’s way once in awhile. But now the yard of Bethlehem Steel is nearly gridlocked. The workers are constantly in each other’s way. They’re getting fatigued holding the chunks of iron. Injuries are skyrocketing. Productivity in the steel yard collapses. Taylor is way beyond the point of diminishing returns. Not only is he not getting the output he expected from adding an additional worker. That would be the point of diminishing returns. Taylor has now hit the point of negative returns. He’s now getting less output overall per additional worker. For each worker Taylor adds, he’ll get less output than he would have if that worker had just stayed home. Creative work is not industrial work Scientific management is simple enough when you’re moving chunks of iron. Simply experiment with the amount of iron moved in a given amount of time. Eventually, you’ll find the right formula. But creative work is different in a number of ways. There are three ways: One: Some ideas are more valuable than others. Two: It doesn’t take time to have an idea. Three: In creativity, actions don’t link to results. Some ideas are more valuable than others First, some ideas are more valuable than others. Imagine you write two 50,000-word novels, in parallel. Let’s say you work equally as hard on the first novel as you do on the second novel. You spend just as much time typing the first novel as the second. The first novel sells zero copies. The second one sells a million copies. They’re both free of misspellings. They’re both quality writing. Why does one sell a million copies, while the other sells zero? If the performance of the traditional publishing industry tells us anything, it’s that nobody has any idea why one novel falls flat and the other takes off. But, you can know this: Not all ideas have equal market value. In fact, the difference in market value, for the same amount of work, can be infinite. So, words typed, while a worthy unit of output to track if you’re trying to convince yourself you’re a writer, is not the only thing to optimize for. The quality of ideas matters. Ideas don’t take time The second thing that makes creative work different from moving chunks of iron is that moving chunks of iron takes time. Yes, all of the things leading up to having an idea take time -- we’ll talk about that next. But the act of having the idea takes no time at all. Neuroscientists can look at people’s brains and give them a creative problem. The people can go from being nowhere near solving the problem, to solving the problem, in an instant. Again, sitting yourself down and forcing yourself to come up with ideas is a worthy exercise. It will increase the output of ideas you have, it will build your skill in your craft, and it will increase the chances that one of those ideas is a hit. But you may be just as likely to have that idea while not working at all. Remember Helmholtz’s speech from episode 218, about the Four Stages of creativity? He said his ideas didn’t tend to come to him “at the writing table.” The moment of having an idea takes no time at all. Technically, you could have nearly unlimited ideas in a given “production unit” of time. Actions aren’t linked to immediate results in creative work Now, the third thing that makes creative work different from moving chunks of iron is that, in creative work, actions don’t link to results. By that I mean that if you grip a chunk of iron and pick it up off the ground, you have done work. You have moved that chunk of iron a little closer to its destination. Creative work doesn’t work that way. Say you have an idea for that novel that sells a million copies. Where did it come from? Think about Paul McCartney’s song, “Yesterday.” McCartney famously heard the melody for “Yesterday” in a dream. At first, he was convinced it was a melody he had heard before. He thought it was an old Jazz tune his father had played when he was a kid. https://www.youtube.com/watch?v=fCV9oqtwyVA “Yesterday” has stood the test of time as an original song. But musicologists have found numerous similarities to other songs. One such song is called “Answer Me, My Love.” https://www.youtube.com/watch?v=lhr94uOdElU “Yesterday”’s lyrics are as such: Yesterday, all my troubles seemed so far away, Now it looks as though they’re here to stay, “Answer Me, My Love”’s lyrics are as such: She was mine yesterday, I believed that love was here to stay. McCartney didn’t steal from “Answer Me, My Love.” But it’s almost certain that he heard the song before. In 1953, when McCartney was eleven years old, a version of “Answer Me, My Love,” by David Whitfield was the number one song on the UK charts. Then, it got knocked from the number-one spot -- by another version of “Answer Me, My Love,” this time, by Frankie Lane. It was the first time in UK pop chart history that a song was replaced by another version of itself. https://www.youtube.com/watch?v=00uPMWDEeZE Was McCartney inspired by this song? It’s impossible to know for sure, but it’s certainly plausible. So this idea you have for a novel that sells a million copies. Maybe you’re in the right state of mind to have this idea because you took a vacation last month. Maybe you’re more relaxed because you got a massage two days ago. Maybe you’re thinking more clearly because you went on a hike earlier that day. Yet it was the funny red hat worn by the woman who walked by the cafe that sparked the idea. Meanwhile, it could have been inspired by some book, buried deep in your unconscious, that your mom read to you when you were three. We’re done with time management Taylorism was the birth of “time management.” It was when we started to look at time as a “production unit.” When we look at time as a production unit, we assume that each additional unit of time we spend doing something will get us the same gain in output as the previous unit of time. But it doesn’t work that way. Even in work as simple as moving chunks of iron, Taylor learned that human energy doesn’t neatly pack together to fill all available time. We have our limits. Today, we’re still treating time as a production unit. Our calendars are filled up with boxes, sometimes overlapping. Jason Fried calls it “calendar Tetris.” We live according to that calendar. “There’s only twenty-four hours in a day,” you’ll hear people say. The conclusion we’re supposed to draw from that is that time is precious, so you better fill it all up. Filling up that time was a big leap forward, but now we need to draw a different conclusion. If there’s only twenty-four hours in a day, that tells you there’s a limit. That tells you that eventually, “time management” is squeezing blood from a stone. When it comes to creative work, that stone is a very fragile stone, indeed. Image: Dynamism of the Human Body, Umberto Boccioni My Weekly Newsletter: Love Mondays Start off each week with a dose of inspiration to help you make it as a creative. Sign up at: kadavy.net/mondays About Your Host, David Kadavy David Kadavy is the author of The Heart to Start and Design for Hackers. Through the Love Your Work podcast, his Love Mondays newsletter, and self-publishing coaching David helps you make it as a creative. Follow David on: Twitter Instagram Facebook YouTube Subscribe to Love Your Work Apple Podcasts Overcast Spotify Stitcher RSS Email Support the show on Patreon Put your money where your mind is. Patreon lets you support independent creators like me. Support now on Patreon »     Show notes: http://kadavy.net/blog/posts/end-time-management/

En este podcast revisaremos un setlist de 10 temas de la banda británica The Alan Parsons Project, agrupación cuyo género musical lo podemos clasificar entre rock progresivo y soft rock. Te proponemos en Pop Music Chile recordar sus éxitos: I Wouldn’t Want To Be Like You, Lucifer, Games People Play, The Turn Of a Friendly Card, Time, Sirius, Eye In The Sky, Old And Wise, Don´t Answer Me, Prime Time y Days and Numbers.

Starting a new series on Creationism. Did a series on the millennium so why not the opposite end? Going to be responding to Matt Walsh, a Roman Catholic, conservitive political podcaster and blogger. Was the earth and heavons created in 6 literal days? or millions or billions of years but used "day" to mean a long period of time? WELL???!?!?!? ANSWER ME!!!!!!!!!!!!!!!!

Today on The Mike Wagner Show...another special Christmas edition with Russian singer/songwriter Tamara Usatova talking about her amazing career (how she got started) plus working with Stevie Wonder, Kelly Clarkson, Ricky Martin and her new release "Christmastime with Tamara Usatova" plus her other works including "No Need to Explain" ,"Answer Me", "Believer' and more! Check out her website at tamarausatova.com and listen to her great music streaming worldwide! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/themikewagnershow/message Support this podcast: https://anchor.fm/themikewagnershow/support

Today on The Mike Wagner Show...another special Christmas edition with Russian singer/songwriter Tamara Usatova talking about her amazing career (how she got started) plus working with Stevie Wonder, Kelly Clarkson, Ricky Martin and her new release "Christmastime with Tamara Usatova" plus her other works including "No Need to Explain" ,"Answer Me", "Believer' and more! Check out her website at tamarausatova.com and listen to her great music streaming worldwide!

To give, click: https://pushpay.com/g/riverottawa Or, text message “Riverottawa” to: 77977 The River at Ottawa Church | Ottawa, Ontario CANADA | Pastors Brett & Stephanie Young @riverottawa https://www.riverottawa.ca/ https://www.facebook.com/RiverOttawa/ https://www.instagram.com/riverottawa/ https://twitter.com/riverottawa https://www.youtube.com/channel/UCozogAkQLqHS8uRouQzqETw Matthew 12:30 NKJV He who is not with Me is against Me, and he who does not gather with Me scatters abroad. 2 Timothy 3:16 NKJV All Scripture is given by inspiration of God, and is profitable for doctrine, for reproof, for correction, for instruction in righteousness Hebrews 10:23-25 NKJV 23 Let us hold fast the confession of our hope without wavering, for He who promised is faithful. 24 And let us consider one another in order to stir up love and good works, 25 not forsaking the assembling of ourselves together, as is the manner of some, but exhorting one another, and so much the more as you see the Day approaching. Mark 11:30-33 NKJV 30 "The baptism of John—was it from heaven or from men? Answer Me.” 31 And they reasoned among themselves, saying, “If we say, ‘From heaven,’ He will say, ‘Why then did you not believe him?’ 32 But if we say, ‘From men’ ”—they feared the people, for all counted John to have been a prophet indeed. 33 So they answered and said to Jesus, “We do not know.” And Jesus answered and said to them, “Neither will I tell you by what authority I do these things.” 1 John 4:1-3 NKJV 4 Beloved, do not believe every spirit, but test the spirits, whether they are of God; because many false prophets have gone out into the world. 2 By this you know the Spirit of God: Every spirit that confesses that Jesus Christ has come in the flesh is of God, 3 and every spirit that does not confess that Jesus Christ has come in the flesh is not of God. And this is the spirit of the Antichrist, which you have heard was coming, and is now already in the world.

Jim Goad (c. 1961) is an American author, publisher, social critic, country crooner, pioneering “wigger”, ex-convict, brain tumor survivor, iconoclast, and cultural provocateur. He is perhaps best known for *ANSWER Me!* magazine, which he co-authored, edited, and published with his late wife Debbie Goad between 1991 and 1994. Scandals surrounding the magazine included a line being quoted from the second issue by a man who shot at the White House in 1994, a triple suicide, a potential influence on the suicide of Kurt Cobain, and an obscenity trial over the fourth and final issue in Washington State (the state ultimately lost). Goad has authored nine books including The *Redneck Manifesto*. His latest, *The Bomb Inside My Brain*, features a collection of four dozen essays about “brain surgery, heartache, broken friendship, family alienation, drugs, religion, PTSD, and fatherhood.” He has also written two weekly columns for *Taki's Magazine* for the past nine years, and hosts a weekly podcast entitled *Jim Goad's Group Hug*. Goad has described himself as being “Misunderstood in ways you would never understand.” Join us for this episode of THE EXILE HOUR as we fraternally bond with our featured guest over our mutual indifference towards fraternal bonding, non-ironic reverence for Vanilla Ice, the discovery of our shared Chinese Zodiac animal (the "cock"), Philadelphia Tidewater (read: “tide-WOODer”) accents, and ultimately seek to discover if he might also be understood in ways that he would never understand.

Teleportation is a concept that has been around a long time. All the way from the Bible up to the modern day, stories exist of people who mysteriously vanished and reappeared far away. Hear the story of an unusual Spanish nun who managed to perform missionary work half a world away, of a prison inmate who could walk through walls, and of a college student whose disappearance has to be heard to be believed. Patreon: https://www.patreon.com/theconspiratorspodcast Notes: https://www.desertusa.com/desert-people/lady-in-blue.html https://mysteriousuniverse.org/2017/12/more-strange-cases-of-spontaneous-human-teleportation/ https://mysteriousuniverse.org/2017/01/truly-mysterious-cases-of-spontaneous-human-teleportation/ https://www.historicmysteries.com/gil-perez-and-his-spontaneous-teleportation/ https://mysteriousuniverse.org/2018/02/mysterious-cases-of-people-who-teleported-out-of-prison/ https://coolinterestingstuff.com/the-mysterious-disappearance-of-steven-kubacki-and-his-odd-reappearance-15-months-later Music: Dreams Become Real Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Dexter Britain, The Tea Party http://freemusicarchive.org/music/Dexter_Britain/ Kai Engel, When the Lights Came On, Fading Ray's Waltz, Twinkling Stars Won't Answer Me, Interlude: In Anxious Shadows, A Note is My Gift, I Am Climbing on Air, Smiles Throughout the Sky, Irsen's Tale, Laceration http://freemusicarchive.org/music/Kai_Engel/

In this episode, producer and writer Sean Williams discusses David Yazbek's use of genre and tropes in his score to The Band's Visit. We also talk about the song "Answer Me" from The Band's Visit.    

This week John opens up with a very porny episode of “Intervention” before going into the legacy of the early 90’s hate periodical, ANSWER ME! Magazine, which interviewed rap groups, KKK members, and NAMBLA officials, profiled suicide victims, and wrote endless essays attacking humanity before the hateful duo behind the writings succumbed to bitter ends! Learn more about your ad choices. Visit megaphone.fm/adchoices

Someone once said, “Wherever you go, there you are.” Isn’t this the truth?! IT’S AN INTERMISSION that begins with YOUR PERMISSION. Take a deep breath. Breathe. BE. Present. How are you? How are you feeling? What have you been thinking? Doing? Thanks for listening. So much is happening right now, so I simply wanted to have little chat with you. An EXTRA LITTLE SIP with you today. 1. We’ve come a long way, Baby! THANK YOU! We're on Day#25 of our Enough Is Enough Series and EPISODE 586 of Sipping On Life together. Thank you so much!! And please, thank. YOU. 2. I need your help. I cannot do this alone, nor do I desire to. If you’re getting any value from listening to this podcast, sipping on life, being a part of this movement, please please go to iTunes or Stitcher and give it your rating/review. AND please share it with someone who you believe can get value from it. A best girlfriend. A woman who needs to be reminded that she’s not alone. A dear soul that is where you once were. Or where you’d like to be. Pay it forward. 3. Please tell me how I can best support you. What is the #1 question that you’d like to ask me? ASK (Email me at drshannon@doctorshannon.com and put ANSWER ME in the subject line.) I’ll not only do my best to answer, but then we'll be able to ASK the deeper questions. 4. Come over to our Women Sipping On Life S.O.L. MOVEMENT Private FB Group. I plan to spend a little more time there so we can connect. 5. April 24 - 28 I’m leading a team of 12 sacred souls through an intense, 4-DAY S.O.L. ADVENTURE that will absolutely transform lives. I’d love YOU to be one of them. You can go to www.soldatecamp.com for more details and to APPLY for one of these SACRED SPOTS. Does this resonate with your heart? If so, do yourself a HUGE favor and consider coming to S.O.L.DATE C.A.M.P. It will be both evolutionary and revolutionary. I promise. If you have any specific questions, you can also email me. So, take another deep breath… Where are YOU right now? Ask yourself, “Where am I?” This is where I am right now.  HERE. WITH YOU. Dear Kim McMillan said, “When I loved myself enough I quit wishing my life looked some other way and began to see that as it is, my life serves my evolution.” BE. HERE. If you’re exactly where you need to be, then here’s how to get to where you desire to be…? BECOME. BECOME the one who will be able to fully engage and fully occupy the place where you’re going. The position you desire. The person you’d like to see. It starts with seeing YOU. Right here. Right now. As you are. Then going deeper and seeing who you’re becoming and willing to become. Get excited. YOU are the catalyst to launch this mission called YOUR LIFE. You must decide where you’d like to be. And who you need to become to BE THERE. Otherwise, you’ll stay exactly where you are. BUT... Be "there" (wherever there is for you.) HERE. First. Then BE. COME. And GO. There. Got it? (This is the continuation of our Enough Is Enough Series — based on the profound little book, When I Loved Myself Enough by Kim McMillen and Alison McMillen-Givnish. You can order a copy HERE.) Please grab your SACRED S.O.L. D.A.T.E. JOURNAL (Daily Action To Engage yourself.) TODAY’S SACRED S.O.L. STEP: Give yourself permission to be where you are today, while taking the steps before you…being HERE creating your “after.” I love and appreciate you so much!! Thanks for being here and being YOU. ________________________ ANNOUNCING OUR UPCOMING SPRING 2019 S.O.L.DATE C.A.M.P. — 4 FULL DAYS FOR A LIFE OF CERTAINTY + ABUNDANCE + MOVEMENT + PURPOSE will be held Wednesday (evening), April 24 - Sunday, April 28 (noon) in my "other city" and hometown of Minneapolis, MN. I'll be leading 12 sacred souls through a deep dive, full immersion into creating CERTAINTY + ABUNDANCE + MOVEMENT + PURPOSE in ALL areas of your life.  If you'd like to be considered for ONE OF THESE SACRED SPACES, APPLY by going to: www.soldatecamp.com or email me at drshannon@doctorshannon.com TODAY. If you’ve been feeling like you’re stuck, overwhelmed, or perhaps you still feel like you’re drowning in your life, please don’t hesitate to reach out. I’d be more than happy to schedule a Discovery Call with you to see if Healing Life Coaching is a good fit for you. Email me at drshannon@doctorshannon.com S.O.L.| NOT SOLO. If you haven't already joined the movement, you're personally invited to come over to the WOMEN SIPPING ON LIFE S.O.L. MOVEMENT Closed FB Group and Join the MOVEMENT: https://www.facebook.com/groups/WSOLMovement/ I can't wait to meet you there, and engage with you even more! FOLLOW ME ON INSTAGRAM @doctorshannon! See you there... To listen to the song I wrote, you can do so here: letsnottalkaboutex.com, and also cast your vote on your favorite version. Come over to the WOMEN SIPPING ON LIFE S.O.L. MOVEMENT Closed FB Group and Join the MOVEMENT: https://www.facebook.com/groups/WSOLMovement/ Visit WomenSippingOnLife.com for more free resources, including my CHECKLIST FOR CHANGE, Engagement Checklist + Evaluation Rating, Six Sacred S.O.L. DATE Secrets…and a FREE copy of my best-selling book, Date Yourself Well. You can also check out my Dr. Shannon Facebook Page for more daily S.O.L. TRAINING. I look forward to seeing you again tomorrow. Please invite your best girlfriends to come and join our S.O.L. PARTY. xo Dr. Shannon. Inspiring minds that want to grow and hearts that want to know, so you can love you, your life, and your life’s work well. ONE SIP AT A TIME. A special thanks to the following souls for helping me launch our WOMEN SIPPING ON LIFE podcast… Intro/Outro done by UNI V. SOL  Outro music by Jay Man: Mind Over Matter (www.ourmusicbox.com)  Podcast cover design and web site done by: Pablo Aguilar (www.webdesigncreator.com) Podcast cover photo by Kate Montague of KM Captured (www.kmcaptured.com)

On this episode, we hear all about Sphinxes! A hilarious improv group led by the female, trans and non-binary cast of Rapid Fire Theatre. They aim to challenge assumptions and explore the idea of femininity- and to make you laugh until you cry. Links: Get your tickets to see Sphinxes! Don't miss your chance to apply for these great Student Awards: * Belcourt Brosseau Métis Awards * Winspear Fund Scholarships for Advanced Classical Music * Ranald and Vera Shean Memorial Scholarships Due date for all three is March 31st. Community Shout Out to a brand new book from Minister Faust (AKA […]

What would you do with a billion dollars? Wouldn’t be of much use underwater, even though #Aquaman made that much in the box office. (Maybe that’s how much Black Manta was given by the Orm-Master Patrick Wilson? I mean, how is Manta gonna use that Atlantean gold on the surface?! ANSWER ME!) Host Kristian Harloff, Roxy Striar, Mark Reilly, Josh Macuga, Tom “Bob Finstock” Dagnino, Cobbster, Cody, and Alex are back for another week of nonsense. Now, what’s the over/under on how many creepy celeb photos Kristian took of people at the #CriticsChoiceAwards last night? 00:00 Schmoedown Awards recap (Finstock showed up to it?!) 15:40 full Critics Choice Awards recap (Finstock showed up to this too?!) 1:00:25 Lil Bobby and the Juice reactions 1:06:51 movie and TV news: Sopranos prequel cast, Chris Pratt engaged to Katherine Schwarzenegger, Masters of the Universe movie hires screen writers, Aquaman hits $1 billion dollars at the box office, Bad Boys For Lif3 starts filming, Uncharted director confirmed (1:19:20 RIP After Thoughts) 1:31:00 Macuga catches up with the crew, had tons of parties 1:38:15 Roxy messed up at The Comedy Store and made Ellis mad 1:43:25 Hot Sauce-gate 1:50:00 did you like Suspiria? #ColliderLive: You have no idea what might happen in this off the wall show that is a mix of the old Schmoes Know show with a dash of Collider, mixed with nonsense, shaken with comedy and served every Monday, Tuesday and Wednesday live from Collider Studios. Make sure you like and share the show so we can build it TOGETHER. Make sure you give it a like as well and subscribe to the Collider Podcast feed! Visit the Schmoedown website for the latest Schmoedown news and more: http://triviasd.com Follow Kristian: https://twitter.com/KristianHarloff Follow Roxy: https://twitter.com/roxystriar Follow Macuga:

Episode 24 of It's Mewsic! RIGHT MEOW! with Saydi & Aaron, our first Earworms & Kittycats edition! An episode of songs that got stuck in our head this month. Mixing it up! Saydi and Aaron share songs that have caught our attention or gave us a special moment we needed. Nothing but 12 songs that we are loving! Here they are in order: Playlist: https://open.spotify.com/user/1245933829/playlist/5CvXoOZMaSoGqrmdFgVMNR?si=VphrGPH3ToWCWS5j17-VmA "Oh, What A World" by Kacey Musgraves "H.D.L." by Lewis Del Mar "Typhoon - Cosmo Sheldrake Remix" by Mr. Jukes "Hold My Girl" by George Ezra "Answer Me, My Love" by Swamp Dogg "Coffee (feat. Sara Robinson)" by Mouse Powell "cherubim" by serpentwithfeet "Chisel" by Jared & The Mill "Element" by Deerhunter "Yeah You" by Freedom Fry "Don't Go" by Guster "Tara" by alt-J Our podcast on Spotify!! https://open.spotify.com/show/21OJVTGpO9aytFTLsg3vrs?si=vIWclssXTSC7hzA2HSma7w Or wherever you get your podcasts! Saydi: https://www.instagram.com/whstleofficial/ & https://www.instagram.com/saydimusic Aaron: http://www.instagram.com/tsurufoto Theme song: "pine" by fairy eyelashes https://songwhip.com/artist/fairy-eyelashes

2 Encounters that Publicly Humiliate the Sanhedrin (11:27-12:12) 1. A confrontation backfires on them (11:27-33) 2. A parable blasts them (12:1-12) 27They came again to Jerusalem. And as He was walking in the temple, the chief priests and the scribes and the elders came to Him, 28and began saying to Him, “By what authority are You doing these things, or who gave You this authority to do these things?” 29And Jesus said to them, “I will ask you one question, and you answer Me, and then I will tell you by what authority I do these things. 30“Was the baptism of John from heaven, or from men? Answer Me.” 31They began reasoning among themselves, saying, “If we say, ‘From heaven,’ He will say, ‘Then why did you not believe him?’ 32“But shall we say, ‘From men’?”—they were afraid of the people, for everyone considered John to have been a real prophet. 33Answering Jesus, they said, “We do not know.” And Jesus said to them, “Nor will I tell you by what authority I do these things.” 1And He began to speak to them in parables: “A man PLANTED A VINEYARD AND PUT A WALL AROUND IT, AND DUG A VAT UNDER THE WINE PRESS AND BUILT A TOWER, and rented it out to vine-growers and went on a journey. 2“At the harvest time he sent a slave to the vine-growers, in order to receive some of the produce of the vineyard from the vine-growers. 3“They took him, and beat him and sent him away empty-handed. 4“Again he sent them another slave, and they wounded him in the head, and treated him shamefully. 5“And he sent another, and that one they killed; and so with many others, beating some and killing others. 6“He had one more to send, a beloved son; he sent him last of all to them, saying, ‘They will respect my son.’ 7“But those vine-growers said to one another, ‘This is the heir; come, let us kill him, and the inheritance will be ours!’ 8“They took him, and killed him and threw him out of the vineyard. 9“What will the owner of the vineyard do? He will come and destroy the vine-growers, and will give the vineyard to others. 10“Have you not even read this Scripture: ‘THE STONE WHICH THE BUILDERS REJECTED, THIS BECAME THE CHIEF CORNER stone; 11THIS CAME ABOUT FROM THE LORD, AND IT IS MARVELOUS IN OUR EYES’?” 12And they were seeking to seize Him, and yet they feared the people, for they understood that He spoke the parable against them. And so they left Him and went away.

Sermon on Psalm 86 titled Answer Me. It was preached by RUF Campus Pastor Jon Dunning on August 12th 2018 at Manhattan Presbyterian Church (PCA) in Manhattan, Kansas. You can learn more at ManhattanPres.com

节目摘要 这期播客的上半部分聊了聊上个礼拜的纽约之行，下半部分聊了聊上个月读书会大家一起读的张北海的《侠隐》，完了介绍了一下这个月读的书。 节目备注 欢迎通过微博关注我们的节目@不丧Podcast和女主播@constancy好小气。 关于线上读书微信群：由于目前群人数超过100人，无法继续通过扫码入群。想要入群的朋友可以先加我的微信号（ID: hongming_qiao），然后再拉你入群。 我们播客的邮箱地址是：busangpodcast@gmail.com 这集播客中提到的相关作品的介绍和链接： 电影&电视 电影：《乐队来访》(2007) 音乐剧：《乐队来访》(The Band's Visit) 《坂本龙一：终曲》(Ryuichi Sakamoto: CODA)(2017) 《坂本龙一：异步》(Ryuichi Sakamoto: async)(2018) 书籍 马修·德斯蒙德，《扫地出门：美国城市的贫穷与暴利》，2018 Matthew Desmond, Evicted: Poverty and Profit in the American City, 2016 音乐 播客中的两首歌都来自音乐剧《乐队来访》的原声 "Omar Sharif" "Answer Me" 其他 现在正在纽约古根海姆博物馆举办的两个展览： 瑞士雕塑家阿尔贝托·贾科梅蒂(Alberto Giacometti)的回顾展 五位中国当代艺术家的主题展：单手拍掌(One Hand Clapping) 如何收听「不丧」 任何设备都可以通过访问「不丧」的网站在线收听 我们推荐使用泛用型播客客户端收听「不丧」 泛用型播客客户端直接通过播客上传者提供的RSS向用户提供播客内容和信息，不会有第三方的干涉；并且只要上传者更新了Feed，就能在客户端上收听到节目。 iOS平台上我们推荐使用Podcast（苹果预装播客客户端），Castro，Overcast和Pocket Casts。 Android平台上收听方式可以参照这里。 macOS和Windows平台可以通过iTunes收听。

节目摘要 这期播客的上半部分聊了聊上个礼拜的纽约之行，下半部分聊了聊上个月读书会大家一起读的张北海的《侠隐》，完了介绍了一下这个月读的书。 节目备注 欢迎通过微博关注我们的节目@不丧Podcast和女主播@constancy好小气。 关于线上读书微信群：由于目前群人数超过100人，无法继续通过扫码入群。想要入群的朋友可以先加我的微信号（ID: hongming_qiao），然后再拉你入群。 我们播客的邮箱地址是：busangpodcast@gmail.com 这集播客中提到的相关作品的介绍和链接： 电影&电视 电影：《乐队来访》(2007) 音乐剧：《乐队来访》(The Band's Visit) 《坂本龙一：终曲》(Ryuichi Sakamoto: CODA)(2017) 《坂本龙一：异步》(Ryuichi Sakamoto: async)(2018) 书籍 马修·德斯蒙德，《扫地出门：美国城市的贫穷与暴利》，2018 Matthew Desmond, Evicted: Poverty and Profit in the American City, 2016 音乐 播客中的两首歌都来自音乐剧《乐队来访》的原声 "Omar Sharif" "Answer Me" 其他 现在正在纽约古根海姆博物馆举办的两个展览： 瑞士雕塑家阿尔贝托·贾科梅蒂(Alberto Giacometti)的回顾展 五位中国当代艺术家的主题展：单手拍掌(One Hand Clapping) 如何收听「不丧」 任何设备都可以通过访问「不丧」的网站在线收听 我们推荐使用泛用型播客客户端收听「不丧」 泛用型播客客户端直接通过播客上传者提供的RSS向用户提供播客内容和信息，不会有第三方的干涉；并且只要上传者更新了Feed，就能在客户端上收听到节目。 iOS平台上我们推荐使用Podcast（苹果预装播客客户端），Castro，Overcast和Pocket Casts。 Android平台上收听方式可以参照这里。 macOS和Windows平台可以通过iTunes收听。

节目摘要 这期播客的上半部分聊了聊上个礼拜的纽约之行，下半部分聊了聊上个月读书会大家一起读的张北海的《侠隐》，完了介绍了一下这个月读的书。 节目备注 欢迎通过微博关注我们的节目@不丧Podcast和女主播@constancy好小气。 关于线上读书微信群：由于目前群人数超过100人，无法继续通过扫码入群。想要入群的朋友可以先加我的微信号（ID: hongming_qiao），然后再拉你入群。 我们播客的邮箱地址是：busangpodcast@gmail.com 这集播客中提到的相关作品的介绍和链接： 电影&电视 电影：《乐队来访》(2007) 音乐剧：《乐队来访》(The Band's Visit) 《坂本龙一：终曲》(Ryuichi Sakamoto: CODA)(2017) 《坂本龙一：异步》(Ryuichi Sakamoto: async)(2018) 书籍 马修·德斯蒙德，《扫地出门：美国城市的贫穷与暴利》，2018 Matthew Desmond, Evicted: Poverty and Profit in the American City, 2016 音乐 播客中的两首歌都来自音乐剧《乐队来访》的原声 "Omar Sharif" "Answer Me" 其他 现在正在纽约古根海姆博物馆举办的两个展览： 瑞士雕塑家阿尔贝托·贾科梅蒂(Alberto Giacometti)的回顾展 五位中国当代艺术家的主题展：单手拍掌(One Hand Clapping) 如何收听「不丧」 任何设备都可以通过访问「不丧」的网站在线收听 我们推荐使用泛用型播客客户端收听「不丧」 泛用型播客客户端直接通过播客上传者提供的RSS向用户提供播客内容和信息，不会有第三方的干涉；并且只要上传者更新了Feed，就能在客户端上收听到节目。 iOS平台上我们推荐使用Podcast（苹果预装播客客户端），Castro，Overcast和Pocket Casts。 Android平台上收听方式可以参照这里。 macOS和Windows平台可以通过iTunes收听。

Micah 6 God speaks to a disobedient people 1. In the courtroom of God God’s accusation against Israel The witness of creation God calls the mountains and hills to be witness in this conversation resembling a legal case. The mountains and hills were present (Mount Sinai) when God made His covenant with Israel in Exodus 20. Think about the timelessness and strength of the mountains, and of the covenant. Psalm 19:1-4 speaks of the ‘silent witness’ of creation. Answer Me. v. 3 “My people, what have I done to you, And how have I wearied you? Answer Me. God Blessed Israel Abundantly Parting the Red Sea & the Jordan River Providing for their physical needs Defending them from other kings and nations Raising up and choosing leaders … So ‘Why are you treating me this way?’ False obedience Verses 6 & 7 have a new voice representing Israel. The questions reveal that the heart is far from God. They treat God as if more religion, more works, and more material sacrifice will solve the problem of sin. True obedience is only possible with true repentance from sin. Psalm 24:1-4 speaks of God’s sovereignty and holiness He has told you, O man, what is good; And what does the Lord require of you But to do justice, to love kindness [mercy], And to walk humbly with your God?Three areas of life Three areas of life Do Justly External & visible. Obey the law. Be upright in your actions. Don’t lie, cheat, steal, murder, etc. 1 Peter 1:16 Love Mercy/Kindness External & internal. Love is an intentional and active choice. People notice when you treat them with kindness. 2 Cor. 1:4 Walk humbly with your God Internal & unseen. No one else can manage your spiritual life for you. Worshipping God in your heart is a decision. Psalm 19:12 Psalm 51:16-17 True obedience reaches all areas of life. Do Justice Love Mercy Walk Humbly 3. The concequences of Sin God’s judgement is here now and also coming soon The big problem: greed Crooked scales, deceptive weights… God’s people are supposed to use their wealth to take care of the poor. Instead the rich were oppressing (violence, v. 12) the poor. Two judgements Present v. 13-15 God takes away prosperity and the ability to enjoy life. Future v. 16 God gives Judah over to Babylon. Micah’s prophecy was well before the event. 750-686 B.C. Micah, Isaiah, Hosea, Jotham, Ahaz, Hezekiah 721 B.C. Samaria is conquered by the Assyrians 597-586 B.C. The Babylonians take over (4:10) Is prophecy relevant for today? Courtroom God is a holy judge over all mankind. If He spoke to the Church, what would He say? ‘How have I wearied you…’? Covenant The blood and witness of Christ greater than the blood of bulls and the witness of mountains/foundations. Calling As Christians we know the greatest calling on our lives is for the gospel and the work of Christ. Micah 6:8 Carelessness Spiritual backsliding usually doesn’t come from a single decision or all at once. Covetousness One of the most dangerous attitudes out there… be on guard against greed! Corruption Like rust on a car… once it’s in there, it’s hard to fix. It’s easier to prevent it. Returning from the path of sin is much harder than avoiding it.

This is the podcast of VICTORY! Or the victim of Stephanie’s good mood. We’re talking prep for Burn the Stage, we take a quiz to find out which BTS member would be our best friend, that new Japanese Kpop Group (come on, you know the one), and who is now going to KTMF! Oh, we may also brush upon Stephanie’s very real fear she may soon have to watch Answer Me 1988. To read the complete show notes, please visit the official website.

We're SO thrilled to welcome Adam Kantor back to the podcast! When we last chatted with Adam, he was mid-run as Motel in the 2015 Broadway revival of "Fiddler on the Roof." Adam is now back on Broadway as Telephone Guy in "The Band's Visit," one of the most critically acclaimed new musicals of the year. For the episode, we chat about how Adam won the roll, working with creative team (including one of our personal favorites, David Yazbeck) on creating the role, and perfecting his character's haunting and beautiful song "Answer Me."

August 31, 2017 What is a scientist? What do they look like? Answer: Me!  In this podcast, Anne Stevenson describes the curriculum "Be a Scientist! Materials in a Green, Clean World" that actively engages K-2nd grade children in learning about material properties, plastics, sustainability and the work of scientists and engineers. Listen to Anne describe the partnership that led to the development of this FREE curriculum and share examples of how children develop curiosity through the activities.   Podcast Transcript

For reasons that are obvious to anyone who knows his biography and his work, Jim Goad might be the most underappreciated social critic in America. He edited the notorious and influential zine Answer Me!, authored The Redneck Manifesto, and served more than two years in prison for a crime he writes about with breathtaking honesty. He currently … Continue reading Episode 28: Jim Goad →

O teledysku do utworu „Answer Me” rozmawialiśmy z reżyserką, Katarzyną Sawicką, oraz dziennikarzem muzycznym, Piotrem Metzem. Klip znalazł się wśród najlepszych teledysków 2016 roku. Został nominowany do nagrody w prestiżowym amerykańskim festiwalu SXSW obok utworów takich wykonawców, jak: Run The Jewels, Beyonce czy Tame Impala.… Czytaj dalej Artykuł Teledysk zespołu Bokka na festiwalu SXSW pochodzi z serwisu Audycje Kulturalne.

Shut up you, Punking baby! This week on the show, it’s David Cross! Join Damian as he sits down with one of his favourite comedians to discuss the connection of music and comedy, how punk served as a gateway to alternative culture and why the "American Authors" suck. Also touched on: David gives Damian some podcast tips A super boring itunes story Elvis Costello in Saturday Night Live Seeing coverage of the scary Sex Pistols Class Of 1984: and amazing piece of punxploitation Indie rock in 2016: kinda sucks a takedown of American Authors Mad and Cracked over superhero books Re/Search Film Threat Answer Me!: “If you are 40 and love Answer Me, you have some issues.” Fear on Saturday Night Live Thin Lizzy on TV subverts it all going to art school being bullied getting to be so close to Athens The need to validated by people in music Why music and comedies kinship The greatness of the diversity in Atlanta’s punk scene. Getting in to 688 Pylon Now Explosion Getting in REM Jason and Scorchers David’s public access show Loving Andy Kaufman Moving to Boston Mixing music and comedy The Cavedogs The Prime Movers Finding out about Rock, Rot and Rule David nearly dies from a bee sting Finding Tom, Jon and The Best Show AND MORE!!!!!!!

This episode we look at the Eisner Awards, looking at recent winners and asking: "Awards, huh? What are they good for?" Stick with us to find out. Sixty episodes! Where does the time go? I'm serious, where is it. ANSWER ME, PHYSICS.

What is success? Well in the Turned Out A Punk universe it is having the founder of the self-professed “punkzine" that became a multi-billion dollar media juggernaut, Vice Co-Founder Suroosh Alvi! Sit back as Damian talks to his friend about going from Husker Du shows, to Man’s Ruin Records distros to owning and running a major news outlet. Also touched on -Spaceshits -Matty Matheson -Cancer Bats -Husker Du -High School in Minneapolis -Replacements -Rifle Sport -Working at Big Money Records -Working side by side with Har Mar Superstar -A New Day Rising with nothing to do on Christmas Day -An older brother getting you into metal -Prince -The racism of 70’s Toronto -The Montreal hate of Toronto -The Vice romanticism of Montreal -Answer Me! and the other boarder line hate literature of the late 90s -Vice and punk -Going to a Run DMC show in Chicago in 1985 -Guitars and Rappers -The Ultra-Violent Booze Catastrophe -The Pre-Vice Records label: SSG Records -“Fuck All’ Y’all, we are out of here.” -Vice moves to New York. -Man’s Ruin -“We have to make this work!” -Getting the Misfits back together -And much more!

Outline: I. Hear Me (v1-6) II. Answer Me (v7-12) Big Idea: Severe trials will come. The Lord is our only hope! Psalm 139:4 Psalm 71:5 James1:2-4 Psalm 34:19 Psalm 56:3 Psalm 5:3 John 14:15-17, 25-26 Romans 6:6

Boy, oh, boy! Are you in for an episode of Turned Out A Punk today! This week Damian is joined by Mouth Congress vocalist and Kids In The Hall, comedy legend, Scott Thompson! Sit back as Scott talks about everything form the Viletones, to homophobia in entertainment, to coming full circle with Johnny Rotten. This is one for the ages! Also covered: -Damian’s opening monolog to Scott about the importance of Kid’s In The Hall. -Hearing the Ramones in the Philippines for the first time. -Music: Only on Sundays. -Books are the number. -Punk tapping into the rage. -Fear of admitting you wanted to be an actor. -Meeting Paul Bellini at York. -Gay men getting to live their teenage years in their 20’s. -The Plastic Gumby Bums: Scott’s Gumby informed punk bands. -Seeing a Teenage Head riot at York while wearing a garbage bags. -The Dishes and Diodes. -Just two brothers bonding of fighting at the Turning Point. -The Viletones. -Listening to punk and feeling included for the first time. -Going to see Anne Sprinkle performance. -Getting wasted with Lydia Lunch. -The influence of Cinema of Transgression and Answer Me! on Kids In The Hall. -Gluing cigarettes to your ears. -Throbbing Gristle is too scary. -Was that Skinny Puppy video real or a nightmare? -Starting a band to avoid sex. -“I do it cause I have to, cause I’m an artist.” -Liking to leave the stage bleeding. -Loving the Stooges. -Revenge against Straight Rock dudes. -How Mouth Congress came together. -Smoke Pot and Improvise. -Opening for the Kids In The Hall. -Choosing KITH over Mouth Congress. -Love at first sight with the KITH. -Going to school with Bruce La Bruce. -JD’s. -The masculinity of punk. -Getting banned from the Elmo -The homophobia of Toronto and punk. -Kids In The Hall: “The Gay Group” -Don Pyle and The Shadowy Men. -Shampoo -TONS of Braincandy talk. -One of the BEST John Lydon stories.EVER AND MORE!!!!!!

1. That Was Yesterday – Foreigner 2. Don’t Answer Me – The Alan Parsons Project 3. Tender Hands – Chris De Burgh 4. Have You Ever Seen The Rain? – Creedence Clearwater Revival 5. Serenade – Steve Miller Band 6. Land Of Confusion – Genesis 7. Smooth Criminal – Michael Jackson 8. Don’t You Want Me – The Human League 9. Borderline – Madonna 10. Alibis – Martika 11. You Came – Kim Wilde 12. Manic Monday – The Bangles 13. Only In My Dreams – Debbie Gibson 14. A Zillion Kisses – Tommy Page 15. Somebody’s Watching Me – Rockwell 16. Love Never Felt So Good – Michael Jackson 17. You Should Be Dancing – Bee Gees 18. Living On My Own – Freddie Mercury 19. Who Can It Be Now? – Men At Work 20. Owner Of A Lonely Heart – Yes 21. The Reflex – Duran Duran 22. Personal Jesus – Depeche Mode 23. Heart – Pet Shop Boys 24. Lies Are Nothing – Pseudo Echo 25. Lay All Your Love On Me – Information Society 26. Oh Susie – Secret Service 27. Holiday Night – Den Harrow 28. All Of Me – John Legend 29. Hotel California – Eagles 30. One Good Lover - Siren 31. Hit Me With You Best Shot – Pat Benatar 32. Leave A Light On – Belinda Carlisle 33. Rock You Like A Hurricane – Scorpions 34. You Give Love A Bad Name – Bon Jovi 35. The One I Love – R.E.M 36. Don’t Stop Believing - Journey 37. I Need Your Love – Ellie Goulding 38. Endless Summer Nights – Richard Marx

What makes you you? Is the self somewhere in the body or the brain? If you downloaded your brain into a new body, would it be you? ANSWER ME (whatever 'me' is) Hey! If you're enjoying the show, please take a moment to rate/review it on whatever service you use to listen. Here's the iTunes link:  http://bit.ly/wehaveconcerns Jeff on Twitter:  http://twitter.com/jeffcannata Anthony on Twitter:  http://twitter.com/acarboni Today's story was sent in on Twitter and I can't find the guy who sent it. Sorry:  http://waitbutwhy.com/2014/12/what-makes-you-you.html  To submit a story:  wehaveconcernsshow@gmail.com or  http://reddit.com/r/wehaveconcer

This episode's artist spotlight is VIXX! Jen and Linz also talk about: Daesung's “Old Diary” song was a cover; H.O.T.'s song “Warrior's Descendant”; To the Beautiful You; Answer Me 1997; and Zico dropping the f-bomb in “Tough Cookie.” --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/kpopandbeer/message Support this podcast: https://anchor.fm/kpopandbeer/support

On this week's Hallyujuku, we discuss YG's promise of a summer BigBang comeback, our lack of confident in that being a reality, new releases from B.A.P. and 2PM, and the important discussions sparked by Ga-In's latest music video. Ultimately, we spend the last segment of the show rambling about how much we love Reply 1997/Answer Me 1997. All that awaits you and more. Hit play already!

In The Quimby's Bookstore Podcast episode #8, we have two interviews. The first one is with Adam Parfrey, publisher of Feral House and Process Books, which comprise some of the books Quimby's carries that have to do with miscreants, mayhem, outer limits, conspiracy theory and the occult like Apocalypse Culture vols 1 and 2, American Hardcore: A Tribal History, Cult Rapture: Revelations of the Apocalyptic Mind and more. Specifically in this interview, Parfrey talks about Ritual America: Secret Brotherhoods and Their Influence on American Society: A Visual Guide, which he wrote with Craig Heimbichner. It's a beautiful, scrapbooky-ish title with hundreds of images regarding secret societies like the Freemasons and Oddfellows. There's ads for things like Masonic supply companies, cartoons lampooning Masonic "ritual" and more. We talked with Parfrey about he difference between cults and religions, the fine line between frat and subculture, the forces of sex and death how people just want to belong to something, and the burning question: "Shriners: philanthoropists or sadistic clowns?".Here's the Freemason symbol (yeah, yeah, we know you know what it is -- it's just that we referenced it in the interview and said we would post it):The second interview in this episode is with Peter Sotos. Feral House published the book Pure Filth, which Sotos edited. It's an annotated collection of transcripts culled and transcribed by Sotos, from the underground pornography films of the late Jamie Gillis (who whom Sotos was friends with). Gillis was a primary performer in pornography’s “Golden Age,” and is known for inventing the “gonzo” genre of porn, played out in the film Boogie Nights by Burt Reynolds’ character, who was based on Gillis. The work of extreme novelist Peter Sotos focuses on criminal psychology, sexual abjection, and the myriad aspects of pornography. He's the author of 11 published novels, including Index, Selfish, Little: The Annotated Lesley Ann Downey. His writing has appeared in ANSWER Me!, Apocalypse Culture II, Funeral Party, and Ritual Sex. Recently his books Tool and Mine were reprinted simultaneously by Nine-banded Books.Links relevant to this episode:Purchasing Ritual America at Quimby'sPurchasing Pure Flith at Quimby'sFeral House, publisher websiteFeral House Books available from quimbys.com (...and we have more at our brick and mortar store)Nine-banded Books available from quimbys.comNine-banded Books, publisher websitePeter Sotos Books available from quimbys.comThe Lodge Goat: Goat Rides, Butts and Goat Hairs. Gathered from the Lodge Rooms of Every Fraternal OrderMusic Used in this episode:"Freimaurer Kantata" by Mozart (He was a Freemason, duh)"The Snow" by COILWanna listen on your phone? Goof around with this: http://quimbys.podbean.com/mobile/

Ugh! I had to replace my "Black Legacy" playlist, originally meant for today's webcast (Sept. 3rd, 2011 2pm - 4pm @ www.killradio.org). Why? After the implosion of last week's CSC ("Beats, Breakbeats, Scratches and Bass"), I found the "Black Legacy" show to be as implosion-possible as the "BBSB" show was. Frakkin' heavy handed DJing if ya' ask me...and now I'm scared that I've lost my playlist-making powers. So fine, let's jump to my "Children's Show" with music that was a part of my youth as well as music made for children from the 40's - 70's. No way to misstep with kiddie music, right?!! Right?!! Answer ME!!! Many tracks played throughout today's show I was happy to find thanks to the magic of the Internet. Perfect examples are all the tracks by the Record Guild of America, Inc., that during the 1940's produced a number of children's music records on 45rpm. I was lucky enough to find them available in .mp3 format along with the original artwork. (Check out the link which proves I'm tellin' the truth). One of the tracks that I was practically raised on was "Frankenstein" by the Edgar Winter Group, as it was played (by my brother and I mostly) on my parents' jukebox growing up. Actually it was my Mom's jukebox, an anniversary present my Dad gave to her back in the early 70's. It looks just like the one linked and I just saw a similar one for sale at a vintage clothing store in Echo Park, although someone painted red paint all over what was originally silver metal and stained wood. Also Nikolai Rimsky-Korsakov's Sheherezade was another track that I have my Mom to thank for. I can remember "The Young Prince and the Young Princess" being played while my family and I did housework and yardwork on the weekends. For that reason, this show is very much dedicated, with much love and affection, to my Mom and all the great music that she exposed me to growing up. 1. Al "Jazzbo" Collins - Jack and the Beanstalk 2. The Record Guild of America, Inc. - Old Chisolm Trail 3. Ernest Tomlinson - Domestic Fun (a) 4. Sun Ra and the Blues Project - The Bat Cave 5. Fanny Brice - Kindness to Animals 6. Richard B. Sherman & Richard M. Sherman - The Enchanted Tiki Room 7. Claude Debussey - La Mer 8. The Record Guild of America, Inc. - Twinkle, Twinkle Little Star 9. Bob and Cathy Gibbons - Calliope Music 10. Helen Kane - That's My Weakness Now 11. Rosicrucian Record - Preparation for Sleep 12. Saint-Saëns - Aquarium 13. Gene Autry - Peter Cottontail 14. Albert Elms - Carnival 15. Van Phillips - Merry as a Grig 16. Disneyland - The Monorail Song 17. Cliff "Ukelele Ike" Edwards - When You Wish Upon A Star 18. Sid & Marty Krofft - The H.R. Pufnstuf Theme 19. The Edgar Winter Group - Frankenstein 20. Cliff Edwards - Stop, Look and Listen 21. The Beau Hunks - Your Piktur 22. The Record Guild of America - Pretty Polly 23. The Electric Moog Orchestra - Cantina Band 24. Marty Robbins - El Paso 25. Aaron Copland - Billy The Kid - Introduction, The Open Prarie 26. Gilbert Vinter - The Mists of Illusion 27. Nikolai Rimsky-Korsakov - Sheherazade - The Young Prince and the Young Princess 28. Al "Jazzbo" Collins - Snow White and the Seven Dwarfs 29. Circus - Entry of the Gladiators 30. Jack Beaver - Workaday World 31. Henry Hall - Hush Hush Hush Here Comes the Bogey Man 32. Giacomo Puccini - Turandot - Perche tarda la luna 33. Jumbo Military Band - The Whistler and His Dog 34. The Record Guild of America, Inc. - Alphabet Song 35. Pogo - Alice Thank you so much for listening live on Saturdays between 2pm and 4pm Pacfic Time on killradio.org and thank you for listening to the podcast. Lust, DJ Jean-Luc Turbo

Show #10: A review of Alan Moore's Watchmen, and a look at Fantastic Four/Spiderman crossovers, Glen O'Neill's Comics Fight Club, and much more