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9 episodes with Jerry Dammers
2 episodes with Jerry Dammers
2 episodes with Jerry Dammers
2 episodes with Jerry Dammers
2 episodes with Jerry Dammers
2 episodes with Jerry Dammers
Today's fascinating episode features musician, artist and author, Horace Panter. Horace, known professionally as as Sir Horace Gentleman, was a member in of my all-time favourite groups, The Specials Panter met Jerry Dammers while a student at Lanchester Polytechnic and the two of them formed The Specials. The group enjoyed many hits including ‘Gangsters' ‘Rat Race' ‘Sterotype' and ‘Ghost Town' which stormed to the top of the charts back in June, 1981. As discussed in the interview, this seminal track truly reflected what was going on in Thatcher's Britain at the time, terrible unemployment, social unrest and riots. The song was hailed by the contemporary UK music press as a major piece of popular social commentary Horace talks about his current group The Dirt Road Band, his art and the exhibitions his put on, writing his book ‘Ska'd for Life' and his time in The Specials, who in my humble opinion are one of the most influential British bands ever.
In this week's episode of the MK3D show Mark Kermode talks about the Oscar wins of 2024, before welcoming his guests, in this Ska Special First on stage was cinematographer Joe Dunton, who talks about shooting the film DANCE CRAZE, which has recently been remastered in 4K by the BFI. DANCE CRAZE showcases the very best of the British Ska phenomenon, with exclusive live performances from THE SPECIALS, MADNESS, THE SELECTER, THE BEAT, BAD MANNERS and THE BODYSNATCHERS – brought to the screen particularly vividly through Dunton's revolutionary camera work.Joining Mark and Joe on stage are musicians Jerry Dammers (The Specials) and Pauline Black (The Selecter), who talk about the ska movement of the 1980s, and how controversial it still was at that time for people of different colours to take to the stage together.This episode of Kermode On Film is the first half of the MK3D show recorded live at the BFI Southbank on 13 March 2023.Thank you for listening!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#MarkKermode #MK3D #KermodeOnFilm #BFI #BFISouthbank #PaulineBlack #TheSelecter #JerryDammers #Ska #JoeDunton #Cinematographer #Madness #TheSpecials Films and TV series mentioned in this episode: Hosted on Acast. See acast.com/privacy for more information.
Ska Week concludes with author Daniel Rachel and our discussion on his fantastic new book, Too Much Too Young: The 2 Tone Records Story. This essential document tells the story of one of the most revolutionary record labels created to release some of the most revolutionary music ever made. Created by Jerry Dammers in the late 70s, 2 Tone was meant to be a safe place for interracial bands like the Specials and the Selecter to release the hottest ska music happening at the time. Eventually, the label launched other legends like Madness and the English Beat as well, but only lasted a few years. This discussion gets deep on the issues of race and class and how they play a part in the story. The book is as incredible as the movement and music itself. Enjoy! www.akashicbooks.com/catalog/too-much-too-young-the-2-tone-record-story/ www.patreon.com/c/thehustlepod
This week, we talk to DANIEL RACHEL, the author of TOO MUCH TOO YOUNG, THE 2 TONE RECORDS STORY, about the 1981 2 Tone concert film DANCE CRAZE. We discuss the film's volatile production, how the film's genesis started at a swimming pool in L.A., Jerry Dammers unwavering work ethic, seeing people skanking in the aisles at the movie screening, the short life span of The Selecter and The Body Snatchers, how the film sneaks in concert footage shot in New Jersey vs. the UK, the moment Daniel noticed that 2 Tone had swept the playground, the dimantleing of the scene by the British music press, the skinhead movement and the violence within the scene, the genius of Terry Hall and Pauline Black, the non-Ska bands that continued on the 2 tone label, how the ska bands had the best band logos, the fashion of the scene, seeing a multi-racial band on TV, tribal musical groups moving across the British musical landscape, The Mods, the short time span of pop music movements, stealing lyric sheets from a Virgin Megastore, how original director Joe Massot was kicked off the film and also screwed up his intitial shoot of Led Zeppelin's The Song Remains The Same movie, Garvick Losey's involvment with the film, how Jerry Dammers and Madness were initially wary of making the film, how the soundtrack contains recordings that were not from the movie (or even the same band lineup), the punk vs. ska astecthic,The Specials' tour with The Clash and how the band found their idenity on it, how the inventor of the Steadycam was one of the cmaera opperators for this film, how the bands would fake violence on stage to stop the violence in the audience, Rock Against Racism, The Stranglers, then negative response from the bands when the film was initially releaesd, what it was like figuring out the More Specials LP, Funboy Three & Special AKA, and Chris breaks Daniel by asking his final question.So lip up fatty and get into this week's episode of Revolutions Per Movie!DANIEL RACHEL:https://danielrachel.com/Book tour w/ Daniel Rachel:https://danielrachel.com/events/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.
JJ and Matt are joined by Daniel Rachel, the author of Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation out NOW from Akashik Books. In the book, Rachel gives us a comprehensive history of this era in ska, full of insights, trivia and controversy. Now he joins us to go even deeper into British youth cultures and how the unique vision of Jerry Dammers reinvented the ideal Rude Boy.
In 1979, 2 Tone Records (formed by Coventry, England art student and Specials keyboardist/songwriter Jerry Dammers) exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against right-wing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with punk attitude, to create an original hybrid. This week's Third Lad, Daniel Rachel, has penned the definitive story of the label that, for a brief, bright burning moment, shaped British, American, and world culture. Too Much Too Young: The 2 Tone Records Story is out now from White Rabbit (UK) and Akashic Books (US). Daniel Rachel is a Birmingham-born, best-selling author whose previous works include Isle of Noises: Conversations with Great British Songwriters; Walls Come Tumbling Down: The Music and Politics of Rock Against Racism, 2 Tone, and Red Wedge; Don't Look Back in Anger: The Rise and Fall of Cool Britannia; The Lost Album of the Beatles: What If the Beatles Hadn't Split Up?; One for the Road: The Life & Lyrics of Simon Fowler & Ocean Colour Scene; and Oasis: Knebworth: Two Nights That Will Live Forever. He is also co-author of Ranking Roger's autobiography, I Just Can't Stop It: My Life in the Beat. In 2021, Rachel was a guest curator of the "2 Tone Lives & Legacies" exhibition as part of Coventry Cultural City 2021, and he curated the anniversary edition of the Selecter's debut album, Too Much Pressure. Learn more about your ad choices. Visit megaphone.fm/adchoices
In 1979, 2 Tone Records (formed by Coventry, England art student and Specials keyboardist/songwriter Jerry Dammers) exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against right-wing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with punk attitude, to create an original hybrid. This week's Third Lad, Daniel Rachel, has penned the definitive story of the label that, for a brief, bright burning moment, shaped British, American, and world culture. Too Much Too Young: The 2 Tone Records Story is out now from White Rabbit (UK) and Akashic Books (US). Daniel Rachel is a Birmingham-born, best-selling author whose previous works include Isle of Noises: Conversations with Great British Songwriters; Walls Come Tumbling Down: The Music and Politics of Rock Against Racism, 2 Tone, and Red Wedge; Don't Look Back in Anger: The Rise and Fall of Cool Britannia; The Lost Album of the Beatles: What If the Beatles Hadn't Split Up?; One for the Road: The Life & Lyrics of Simon Fowler & Ocean Colour Scene; and Oasis: Knebworth: Two Nights That Will Live Forever. He is also co-author of Ranking Roger's autobiography, I Just Can't Stop It: My Life in the Beat. In 2021, Rachel was a guest curator of the "2 Tone Lives & Legacies" exhibition as part of Coventry Cultural City 2021, and he curated the anniversary edition of the Selecter's debut album, Too Much Pressure. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode we welcome John Doran and Luke Turner to downtown Hammersmith and invite them to talk about their much-loved and newly-revamped Quietus "webzine". (That's Noughties-speak, for all you kids out there.) The intrepid duo look back on the 2008 birth of their baby and reflect on its survival and evolution over the subsequent 16 years. Quotes from pieces they wrote about Kanye West (2008) and Britpop "fakestalgia" (2014) prompt thoughts on such much-missed Quietus writers – and RBP contributors – as S(teven)Wells, Dele Fadele and Neil Kulkarni. Mention of a recent Quietus piece about Yoko Ono leads us to clips from Mark Kemp's 1992 audio interview with the pioneering avant-gardist whose life and work are celebrated in an exhibition at London's Tate Modern (15 February to 1 September, 2024). Ardent fans of Ono's woefully-overlooked solo albums, John and Luke talk about the relentless racist/misogynist abuse she's suffered as "the woman who broke up the Beatles" [sic]. Staying in the demi-monde of downtown New York transgression, we pay tribute to departed jazz-punk No Waver James Chance, another Quietus anti-icon, before Mark winds up the episode with quotes from newly-added library pieces about the Beatles (1963), the Temptations (1970), Kurtis Blow (1981), Jerry Dammers (1990) and Glen Campbell (1999). Finally, Jasper rounds things off with remarks on Atlanta's overshadowed rappers Goodie Mob... Many thanks to special guests John Doran and Luke Turner. Read the Quietus at thequietus.com, and find their books, including Jolly Lad and Men at War in all good bookshops. Pieces discussed: Kanye West: Sensitive Soul, Modern Life Isn't Rubbish: The Trouble With Britpop Nostalgia, Yoko Ono audio, Q: Why Interview James Chance? A: Because He's There, Bow To The Devilish Prince: James Chance Interviewed, Downtown icon James Chance cuts loose, It's the Beatles! Part 5: How To Avoid The Stage Door Crowds... Enter Through The Roof, Temptations: no trouble pleasing their audience, Kurtis Blow: Rap-sody in Blow, Mandela's Day — The Journey To Freedom, Glen Campbell: "I could have gone the same way as Elvis" and Goodie Mob: World Party
Daniel Rachel's new book Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation (Akashic, 2024) presents the definitive history of 2 Tone Records. In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Daniel Rachel's new book Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation (Akashic, 2024) presents the definitive history of 2 Tone Records. In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Daniel Rachel's new book Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation (Akashic, 2024) presents the definitive history of 2 Tone Records. In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Daniel Rachel's new book Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation (Akashic, 2024) presents the definitive history of 2 Tone Records. In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture. Learn more about your ad choices. Visit megaphone.fm/adchoices
Daniel Rachel's new book Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation (Akashic, 2024) presents the definitive history of 2 Tone Records. In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Daniel Rachel's new book Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation (Akashic, 2024) presents the definitive history of 2 Tone Records. In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Elana Levin from Graphic Policy Radio returns to the show for a deep dive into the second wave of Ska music, a brief but influential era when black and white UK musicians fused Jamaican dance music of the sixties into punk and new wave music of the seventies to create a sound that would further revolutionize American popular music in the nineties. The modern ska genre gets made fun of a lot (mozzarella sticks, anyone?) but Elana will have you know that ska music is not a joke. In an 18-month period, 2 Tone Records, an indie label founded by the keyboardist from The Specials, Jerry Dammers, took over the UK pop charts with major distribution support from Chrysalis Records. In the wake of the election of Margaret Thatcher and the rise of white nationalists taking advantage of national economic malaise, a musical rebuke of these trends came from bands in the town of Coventry, offering alternative visions of racial harmony and anti-fascist songs you could dance to. The 1981 concert documentary Dance Craze, recently restored, captures the 2 Tone bands performing in their prime. We discuss the evolution of ska, pay tribute to some of the top groups of the Second Wave Ska era including The Selecter, Madness, Bad Manners and The Specials and bid farewell to their lead singer the late great Terry Hall, whose passing last year inspired this episode. Become a patron of the podcast to access to exclusive episodes every month. Over 30% of Junk Filter episodes are exclusively available to patrons. To support this show directly for only $5.00 a month (U.S.) please subscribe at https://www.patreon.com/junkfilter Follow Elana Levin on Twitter and check out their podcasts Graphic Policy Radio and Deep Space Dive! Elana's “2nd Wave Ska” Spotify playlist BBC Arena segment from 1980 on 2 Tone Records and the new ska scene coming out of Coventry. Madness-inspired Colgate advert from the UK, 1982 Re-release trailer for Dance Craze (Joe Massot, 1981) The Selecter - On My Radio, from BBC's Top of the Pops, 1979 The Beat - Stand Down Margaret, from ITV's O.T.T., 1982 The Specials music videos Gangsters (1979) Ghost Town (1981) Free Nelson Mandela (1984)
As if by some magical alignment of the planets, the Specials, Madness and the Beat were all listening to the same music and developing the same look at precisely the same time, though completely unaware of each other. And when they started releasing records, the 10 year-old Daniel Rachel was transfixed. What happen next is recorded in his hectic and engrossing book, Too Much Too Young: the 2-Tone Records Story, the huge characters, the daily dramas, “the dance sensation that's sweeping the nation”, a period whose white heat really only lasted 18 months but had a massive cultural impact at the time (indeed its crucible, Coventry, now has a 2-Tone Village!). And the movement's main architect, Jerry Dammers, was a middle-class, ex-hippie art student raised in the church. All sorts of points come up in this engaging pod, among them …… the pivotal meeting between Suggs and Dammers at the Hope & Anchor.… the significance of Walt Jabsco and the 2-Tone merchandise – “when the rag trade gets hold of you, you're made”.… the crossover between violence at gigs and football matches in the late ‘70s and the right-wing factions that attached themselves to Madness.… how the music press adored 2-Tone then brutally turned the tables.… Rico, Saxa and the revolutionary twin-generational line-ups of the Specials and the Beat..… why the Bodysnatchers only lasted 11 months.… why 2-Tone failed in America until the Dance Craze movie arrived.… how each member of the Specials thought they were in a different band.… why there were so many “2-Tone casualties”.… and the brief window between punk and electronic pop that helped 2-Tone take off.Order ‘Too Much Too Young: the 2-Tone Records' story here: https://www.amazon.co.uk/Too-Much-Young-Soundtrack-Generation/dp/1399607480Tickets for Word In Your Ear live at 21Soho on November 27th here: https://www.tickettext.co.uk/ZOthfatjxiSubscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
As if by some magical alignment of the planets, the Specials, Madness and the Beat were all listening to the same music and developing the same look at precisely the same time, though completely unaware of each other. And when they started releasing records, the 10 year-old Daniel Rachel was transfixed. What happen next is recorded in his hectic and engrossing book, Too Much Too Young: the 2-Tone Records Story, the huge characters, the daily dramas, “the dance sensation that's sweeping the nation”, a period whose white heat really only lasted 18 months but had a massive cultural impact at the time (indeed its crucible, Coventry, now has a 2-Tone Village!). And the movement's main architect, Jerry Dammers, was a middle-class, ex-hippie art student raised in the church. All sorts of points come up in this engaging pod, among them …… the pivotal meeting between Suggs and Dammers at the Hope & Anchor.… the significance of Walt Jabsco and the 2-Tone merchandise – “when the rag trade gets hold of you, you're made”.… the crossover between violence at gigs and football matches in the late ‘70s and the right-wing factions that attached themselves to Madness.… how the music press adored 2-Tone then brutally turned the tables.… Rico, Saxa and the revolutionary twin-generational line-ups of the Specials and the Beat..… why the Bodysnatchers only lasted 11 months.… why 2-Tone failed in America until the Dance Craze movie arrived.… how each member of the Specials thought they were in a different band.… why there were so many “2-Tone casualties”.… and the brief window between punk and electronic pop that helped 2-Tone take off.Order ‘Too Much Too Young: the 2-Tone Records' story here: https://www.amazon.co.uk/Too-Much-Young-Soundtrack-Generation/dp/1399607480Tickets for Word In Your Ear live at 21Soho on November 27th here: https://www.tickettext.co.uk/ZOthfatjxiSubscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
As if by some magical alignment of the planets, the Specials, Madness and the Beat were all listening to the same music and developing the same look at precisely the same time, though completely unaware of each other. And when they started releasing records, the 10 year-old Daniel Rachel was transfixed. What happen next is recorded in his hectic and engrossing book, Too Much Too Young: the 2-Tone Records Story, the huge characters, the daily dramas, “the dance sensation that's sweeping the nation”, a period whose white heat really only lasted 18 months but had a massive cultural impact at the time (indeed its crucible, Coventry, now has a 2-Tone Village!). And the movement's main architect, Jerry Dammers, was a middle-class, ex-hippie art student raised in the church. All sorts of points come up in this engaging pod, among them …… the pivotal meeting between Suggs and Dammers at the Hope & Anchor.… the significance of Walt Jabsco and the 2-Tone merchandise – “when the rag trade gets hold of you, you're made”.… the crossover between violence at gigs and football matches in the late ‘70s and the right-wing factions that attached themselves to Madness.… how the music press adored 2-Tone then brutally turned the tables.… Rico, Saxa and the revolutionary twin-generational line-ups of the Specials and the Beat..… why the Bodysnatchers only lasted 11 months.… why 2-Tone failed in America until the Dance Craze movie arrived.… how each member of the Specials thought they were in a different band.… why there were so many “2-Tone casualties”.… and the brief window between punk and electronic pop that helped 2-Tone take off.Order ‘Too Much Too Young: the 2-Tone Records' story here: https://www.amazon.co.uk/Too-Much-Young-Soundtrack-Generation/dp/1399607480Tickets for Word In Your Ear live at 21Soho on November 27th here: https://www.tickettext.co.uk/ZOthfatjxiSubscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
This week on Talking to Mod we are joined by Horace Panter, AKA Sir Horace Gentleman the bass player from British Ska Legends - The Specials. Horace is also a painter, who studied at Coventry Lanchester Polytechnic, where he achieved a degree in fine art, whilst studying at Coventry he met Jerry Dammers and together they formed The Specials.you can find Megan Wyn here - https://www.instagram.com/horacepanterIf you liked what you heard please follow, like and share.you can find us here https://linktr.ee/themagicmodCreditsBen Taylor - The Magic ModGuest - Horace PanterIntro Music | Da Magic Mod - G-MENProduction - Adam Payne(this was a live recording)Sponsored by The Coffee Mod - www.thecoffeemod.com MAGICMOD15
Harkening back to that golden-era of second-wave ska launched by The Specials, Jerry Dammers, and his 2-Tone label sparked off a short, but incredible run of what have now become classic ska tunes from bands like The Beat, Madness, Selector, and many more. PLAYLIST The Beat - Ranking Full Stop The Specials - Too Much Too Young The Selector - Too Much Pressure Madness - Night Boat To Cairo The Bodysnatchers - Let's Do Rock Steady Bad Manners - Lip Up Fatty The Akrylykz - Smart Boy The Specials - Why? Extended Version The Selector - The Selector The Beat - Whine & Grine / Stand Down Margaret Madness - One Step Beyond The Selector - On My Radio The Beat - Mirror In The Bathroom
Zoe Rahman: https://www.zoerahman.com/Zoe Rahman's style is deeply rooted in jazz yet it reflects her classical background, British/Bengali heritage and very broad musical taste. Known for her powerful technique, wide-ranging imagination and exuberant performance, she has become a highly sought-after musician on the international music scene, having worked with the likes of Courtney Pine, George Mraz, Jerry Dammers' Spatial AKA Orchestra and many other artists. A MOBO Award winner, Mercury Prize nominee and Ivor Novello Impact Award winner, Rahman is a unique presence in the British music industry.Support the show
A special show today as we skank it up with music from the legendary Jerry Dammers. His music, his bands and his collaborations with other artists such as Amy Winehouse. Plenty of music, plenty of chat, plenty of laughs & insights into insights! What else would you expect from Expanding Horizons?
Only a handful of bands made up the 2 Tone era of ska in late 70s England. Today, we bring on Rhoda Dakar, the singer of The Bodysnatchers, an all-female ska band that released 2 singles on the 2 Tone record label before breaking up. The band also recorded a few Peel Sessions and were featured on Dance Craze. Though short-lived, The Bodysnatchers were an important band and are still loved by many to this day. Rhoda also sang on the Specials' song "I Can't Stand It" (A really cool duet with Terry Hall), and was part of Jerry Dammers' Special AKA project. Their In The Studio record took 2 years to record. Rhoda tells us about "I Can't Stand It" and what it was like to work on In The Studio. (It was no fun!) We also talk about Rhoda's pre-Bodysnatchers years of being a punk kid and seeing Iggy Pop and Lou Reed, becoming friends with The Sex Pistols' Paul Cook and Steve Jones, and how she tried (and failed) to sneak into a Roxy Music concert in 1973. She tells us what it was like to work with The Interrupters on their most recent record, how she finally got to perform at the Brixton Academy Theater and the role that The Pogues' Shane MacGowan had in her joining The Bodysnatchers. She talks about writing "Ruder than You" with scenester Gaz Mayall (son of British blues legend John Mayall), playing on the Seaside Tour with The Specials and the Go Go's, and we talk about the legacy of her song The Boiler. Support the show
The London-born music photographer came up in the thick of the ’77 punk explosion, shooting bands like the Clash, the Specials, the Damned, and the Jam, and developing close friendships with the musicians along the way. A recent move to New Orleans and the opening of his Mostly Rock ’n’ Roll Gallery, which exhibited many pieces at the recent International Clash Day celebration, have accompanied a creative renaissance where Steve is capturing images of the city’s thriving music scene. The way things are going around here, this town can use all the rebirth it can get. Topics include a recovery, a recording session, a tribute show, Carnival season, the mayoral recall, Super Blow weekend, CTI, a rigorous pat-down, RIP Burt Bacharach, a last name, a first camera, a gambler, trunk gifts/stolen goods, early shows, Joe Strummer, the Hollywood Palladium shows, a Polaroid photo, “Taxi Driver” NYC, Jerry Dammers, “Free Nelson Mandela,” Terry Hall, Two Tone bands, “Ghost Town,” Coventry, Fun Boy 3, Robert Plant photos, a first job, KROQ, a Stray Cats gig, Brian Setzer, Jeff Beck, a marathon, the Pogues, Spider Stacey, Louie Michot, Poguetry in Motion, Ben Jaffe, the Preservation Hall Band, and much more. Intro music: "Just Keeps Raining" by Styler/Coman Break Music: "Ghost Town" by The Specials Outro Music: "Janie Jones" by The Clash Support the podcast: Paypal or Venmo Join the Patreon page here. Shop for Troubled Men’s T-shirts & tanks here. Subscribe, review, and rate (5 stars) on Apple Podcasts or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podcast Instagram Iguanas Tour Dates René Coman Facebook GR8 ESCAPE BAKING COMPANY Promo Code:TROUBLED15 Steve Rapport Homepage Steve Rapport Facebook Steve Rapport Photography Facebook
New music from WheelUP with Abacus and Victoria Port (Anushka). Broken Beat / Bruk from Close Counters plus Jonny Faith remixing SMTHNG SMTIME. A great track from OneDa produced by Mr Scruff. Gospel Beats from J Rocc. The original Jerry Dammers demo of the classic Ghost Town. Dub & Reggae influenced Grime from Jus Rival & Joe Fire. Deep Soul from The Degrees (on Goldie's label). Hip Hop from Ultramagnetic MCs and DJ Premier featuring Slick Rick. A Piano track from Ben Hauke. Plus plenty more music treats.
My guest on Episode 128 of The Paul Weller Fan Podcast is Terry Edwards. A musician who has largely been in the studio, on the radio or onstage somewhere in the world since the age of 20. Terry sings and plays an array of musical instruments - sax, trumpet, guitar, keyboards, flute - with a myriad of artists including PJ Harvey, Nick Cave, Billy Bragg, Jesus & Mary Chain, Madness, Franz Ferdinand, Jerry Dammers, Gallon Drunk, Ronnie Spector, Spiritualized and many more... When it comes to our podcast subject - Paul Weller - Terry was called upon to play on the 2010 solo album Wake Up The Nation.He's a founding member of The Higsons, the punk funk band who were signed to Jerry Dammers' label 2-Tone and has subsequently performed and released records as a solo artist (with and without his band The Scapegoats) and as a session musician. He is also a member of The Near Jazz Experience with Madness bassist Mark Bedford & former Higsons drummer Simon Charterton.Find out more in the show notes for this podcast on my website and if you want to support the podcast financially, you can buy me a virtual coffee at paulwellerfanpodcast.com/store Hosted on Acast. See acast.com/privacy for more information.
As the lead singer of the politically and socially conscious Specials, Hall achieved U.K. fame and cult status through songs such as “Ghost Town,” “Gangsters” and “Too Much Too Young.” With Fun Boy Three he enjoyed chart success with the songs “Summertime” and the Bananarama featuring hits “‘Tain't What You Do (It's the Way That You Do It)” and “Really Saying Something.”Born Terrence Edward Hall on Mar. 19, 1959 in Coventry, England, his parents worked in the car industry. Hall was traumatized as a schoolboy after he was abducted by a paedophile ring at age 12 and taken to France where he was sexually abused and later abandoned. In interviews, Hall has said the incident left him scarred for life and caused life-long depression, forcing him to drop out of school at 14 after becoming addicted to Valium.The young Hall found work as a manual labourer, his only escape coming through music. He played with local punk bands, including the Squad, before being spotted by Jerry Dammers who asked him to become the frontman of his ska revival band, the Coventry Automatics who in early 1979 would change their name to the Specials. He featured on the Specials' first single, “Gangsters,” which garnered the band attention after radio play on the BBC.The Specials' eponymous debut record followed in October 1979. Produced by Elvis Costello, and released on Dammers' indie label 2 Tone Records, The Specials featured only one charting single, a cover of Dandy Livingstone's “A Message to You, Rudy” and initially had mixed reviews, but since its release has become a classic and socially significant record. Released at a time of high youth unemployment in the U.K. as well as race riots, strikes and callous Thatcherite economic reforms, the album tapped into the pervasive feeling of despair in the country and the barely concealed tensions within society. In 2013, NME ranked The Specials at number 260 on its list of the 500 Greatest Albums of All Time. Hosted on Acast. See acast.com/privacy for more information.
Derek talks to Dave about his time in Faithless, Sinead O'Connor, his trips to Palestine, politics in music, his group Slovo, the power of the collective and how the Jerry Dammers song 'Nelson Mandela' opened his eyes!
In this episode of Art on your sleeve, I speak with painter and former graphic designer, David Storey. David's career designing record sleeves began in the 1970s when he landed a job straight out of design school working for Elton John's Rocket Records. This position provided a crucial platform for him to build a career in the industry leading to his renowned work for the 2 Tone record label. 2 Tone spawned a raft of charting artists including Madness, The Specials, Bad Manners, The Selecter, The beat, The Bodysnatchers and so many more, all of whom received the design treatment of David, often under the creative direction of label boss (and member of The Specials), Jerry Dammers. I spent an hour with David at his painting studio in Hove, near Brighton on the south coast of England where we looked back at his incredible catalogue of design exploring the above and so much more. David is now an established painter, having moved away from the music industry in the 1990s. More recently, however, he has combined his love of fine art and painting with a return to record sleeve design with some beautiful works for ex-Housemartin/Beautiful Southerner, Paul Heaton with his more recent collaborations with Jacqui Abbott which brings the episode right up to date. This episode is an audio supplement to a five-page Pop Art feature in the July/August edition of Classic Pop magazine, issue 76, published in June 2022. The magazine is available in all good UK newsagents and online. Find out more about David Storey's work at: david-storey.co.uk Art on your sleeve has a growing Facebook group which you're welcome to join: https://www.facebook.com/groups/442664446671424
In October of 1979 The Specials released their debut album. Produced by Elvis Costello and released on keyboardist Jerry Dammers 2 tone record label, the album was an anti-racist shot across the bow for disaffected youth in England, just as the country's ugly right-wing turn and rise of Thatcher were taking hold. Let's talk The Specials, The Specials!
Welcome to 2 Tone Legacy a special 10-part audio documentary series of the Ska Boom podcast that focuses on the stories behind the songs that contribute to the enduring legacy of 2 Tone music and its ongoing impact on popular culture. In each episode, I'll be joined by Paul Williams, author of "You're Wondering Now: The Specials from Conception to Reunion" and lead singer of UK 2-Tone band The Skapones. Paul is a noted 2 Tone expert and he'll be sharing his memories and insights on all the songs covered in this series.Dexys Midnight Runners were not a ska band, nor were they ever on the 2 Tone label, but there were interesting connections between their sound, musical approach and philosophy that make them 2 Tone adjacent. Instead of looking to Jamaica for musical inspiration, they turned to American soul and RnB and to the indigenous sound of British soul. That said, the band were part of the very first 2 Tone tour featuring The Specials, The Selecter and Madness and label head Jerry Dammers tried very hard to sign the band but to no avail. Clearly Dammers saw something in the band as their second single "Geno" went to #1 on the UK pop charts.Ska Boom is hosted/produced by Marc Wasserman and co-produced/engineered by Rob George and appears on Pantheon Podcasts. Ska Boom is the audio companion to my book Ska Boom: An American Ska & Reggae Oral History available from DiWulf Publishing and Amazon. This episode of the Ska Boom podcast is sponsored by BetterHelp.com. For more information visit https://betterhelp.com/skaboomPlease note: The music clips included in this podcast fall under the “Fair Use Doctrine” as defined by Section 107 of the Copyright Act. The law allows for use of music clips for purposes of criticism, comment, and news reporting.
Welcome to 2 Tone Legacy a special 10-part audio documentary series of the Ska Boom podcast that focuses on the stories behind the songs that contribute to the enduring legacy of 2 Tone music and its ongoing impact on popular culture. In each episode, I'll be joined by Paul Williams, author of "You're Wondering Now: The Specials from Conception to Reunion" and lead singer of UK 2-Tone band The Skapones. Paul is a noted 2 Tone expert and he'll be sharing his memories and insights on all the songs covered in this series. Dexys Midnight Runners were not a ska band, nor were they ever on the 2 Tone label, but there were interesting connections between their sound, musical approach and philosophy that make them 2 Tone adjacent. Instead of looking to Jamaica for musical inspiration, they turned to American soul and RnB and to the indigenous sound of British soul. That said, the band were part of the very first 2 Tone tour featuring The Specials, The Selecter and Madness and label head Jerry Dammers tried very hard to sign the band but to no avail. Clearly Dammers saw something in the band as their second single "Geno" went to #1 on the UK pop charts. Ska Boom is hosted/produced by Marc Wasserman and co-produced/engineered by Rob George and appears on Pantheon Podcasts. Ska Boom is the audio companion to my book Ska Boom: An American Ska & Reggae Oral History available from DiWulf Publishing and Amazon. This episode of the Ska Boom podcast is sponsored by BetterHelp.com. For more information visit https://betterhelp.com/skaboom Please note: The music clips included in this podcast fall under the “Fair Use Doctrine” as defined by Section 107 of the Copyright Act. The law allows for use of music clips for purposes of criticism, comment, and news reporting. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to 2 Tone Legacy a special 10-part audio documentary series of the Ska Boom podcast that focuses on the stories behind the songs that contribute to the enduring legacy of 2 Tone music and its ongoing impact on popular culture. In each episode, I'll be joined by Paul Williams, author of "You're Wondering Now: The Specials from Conception to Reunion" and lead singer of UK 2-Tone band The Skapones. Paul is a noted 2 Tone expert and he'll be sharing his memories and insights on all the songs covered in this series. Dexys Midnight Runners were not a ska band, nor were they ever on the 2 Tone label, but there were interesting connections between their sound, musical approach and philosophy that make them 2 Tone adjacent. Instead of looking to Jamaica for musical inspiration, they turned to American soul and RnB and to the indigenous sound of British soul. That said, the band were part of the very first 2 Tone tour featuring The Specials, The Selecter and Madness and label head Jerry Dammers tried very hard to sign the band but to no avail. Clearly Dammers saw something in the band as their second single "Geno" went to #1 on the UK pop charts. Ska Boom is hosted/produced by Marc Wasserman and co-produced/engineered by Rob George and appears on Pantheon Podcasts. Ska Boom is the audio companion to my book Ska Boom: An American Ska & Reggae Oral History available from DiWulf Publishing and Amazon. This episode of the Ska Boom podcast is sponsored by BetterHelp.com. For more information visit https://betterhelp.com/skaboom Please note: The music clips included in this podcast fall under the “Fair Use Doctrine” as defined by Section 107 of the Copyright Act. The law allows for use of music clips for purposes of criticism, comment, and news reporting. Learn more about your ad choices. Visit megaphone.fm/adchoices
How can U just leave me standing? ...in search of Prince Rogers Nelson.
INTROWith pianist Greg Kane1min - "Prince is the teacher", and why the 1980s needs more respect. Funk as social commentary.3min - Covering Sign 'O' The Times, audiophiles, working with jazz musicians and having no fear.5mins30s - Seeing Prince after hours at the Garage in Glasgow.7mins - Near misses with Wendy and Lisa, Bobby McFerrin and Paisley Park.With vocalist Pat Kane10mins - Musical background, jazz heritage, hearing Prince for the first time and the ambition of 1999.13mins30s - the 80s as the era of 'half-punk, half synthesizer'. 15mins - the influence of 1986 album Parade on the band, and its 'majestic landscapes'.17mins - The Family album, Prince's side projects and Eric Leeds ('the best funk saxophonist ever').18mins45s - Sign O The Times: 'his sense of taste, and his choices are incredible'. Prince's phrasing and genius.23mins - Horn riffs and discord in Prince's music, Alphabet street and arrangements in jazz, pop and soul.26mins - the musical work and career of Clare Fischer and Rufusized by Chaka Khan.28mins30s - Prince's solo piano and microphone work, Pat's favourite eras of Prince and reflection on his late career. 32mins30s - Acoustic album The Truth and solo piano album One Nite Alone.33mins30s - Money Don't Matter 2Nite and Diamonds & Pearls (big band version on Bandzilla).35mins - Music as protest, social commentary and rebellion in Prince's music.36mins30s - Prince as the 'link' in African American roots music.37mins30s - Gett Off: "Jazz is the preacher, but funk is the teacher" and the Pharaoh Saunders mode.38mins - Funk like an elephants foot, George Clinton and musical theories.39mins - Creating a zone of freedom for black artists, and The Work.41mins30s - Creating tracks and new songs forming organically at jam sessions.43mins - Memories of musical celebrations at Paisley Park with Prince.45mins - Hoping to work with Quincy Jones at the height of their fame in the 1980s (and recording at Paisley Park).47mins - Jamming with Stevie Wonder and D'Angelo.49mins - Pat asks a Prince fan for thoughts on his untimely death.56mins - Funk revivals, snap bass and Pop Life.58mins - A Prince cover the band are ashamed of! And 80s nights at Butlins.60mins - What question would Pat ask Prince if he were still alive today?
This concert crystalizes a moment in time, representing a changing of the guards in the alternative music world, when The Beat—or The English Beat as they were called on this side of the pond—come to Alumni Hall in London, Ontario with a new, unknown American band called R.E.M. in tow as the opening act. The show took place as The Beat were in the last throes of their career but also peaking in popularity in North America. Meanwhile, R.E.M. released their classic debut LP, “Murmur,” during the week of this concert. Retrospectively, it marks the sundown of one era and the sunrise of the next. Returning Special Guest Phil Robinson has a lot of great memories from the night which he shares. Tune in next time for stage invasions, a cultural shift, and wondering what the hell I was thinking. We also discuss R.E.M. at Glastonbury and in Ottawa, why the Buzzcocks were the nicest guys in punk rock, hanging out with INXS, standing next to Jerry Dammers at the Blackheath festival, and seeing Pauline Black at Manchester Mardi Gras. See the original blog entry on mylifeinconcert.com here Next on Stage: Tune in next time for what was quite an, er, interesting evening, when San Francisco's sludge rock contrarian refuseniks Flipper come to town to decimate Fryfogle's and its audience, about 6 weeks after the Beat/R.E.M. show. An evening of debauchery and indulgence ensues for myself and crew of people on that night, one that involves missing persons, dangerous fire escapes, and a foggily-remembered aftershow party comprised of massed stimulant consumption and much silliness, with Flipper — both as persons and performers — interweaving with us at various points of our night (and lining up to see Return of the Jedi, too). (EP 25, no. 17) Fucked Up Once Again: Flipper, Fryfogle's, London, Ontario, Canada, Monday May 30, 1983 mylifeinconcert.com
Free Nelson Mandela might be the song that finally demonstrated the power of 2 Tone. The song was originally released as a single in March of 1984 by The Special AKA from their In The Studio album to protest the imprisonment of Mandela by the apartheid regime in South Africa. The song soon became the unofficial anthem for the international anti-apartheid movement that put pressure on the then white minority regime in South Africa. It took 27 years but Mandela was finally freed in 1990 and then elected President in 1994. While the song had a world changing impact in helping to draw attention to apartheid and Mandela's situation, the origins of the song – written by Jerry Dammers -- are fascinating and quite dramatic, not only because of the impact of the song, but also the strange and surreal circumstances under which it was recorded. The In The Studio album on which it appears took 2 years and cost half a million pounds to produce making it one of the most expensive albums ever made.Ska Boom is hosted/produced by Marc Wasserman and co-produced/engineered by Rob George and appears on Pantheon Podcasts. Ska Boom is the audio companion to my book Ska Boom: An American Ska & Reggae Oral History available from DiWulf Publishing and Amazon. This episode of the Ska Boom podcast is sponsored by BetterHelp.com. For more information visit https://betterhelp.com/skaboomPlease note: The music clips included in this podcast fall under the “Fair Use Doctrine” as defined by Section 107 of the Copyright Act. The law allows for use of music clips for purposes of criticism, comment, and news reporting.
Free Nelson Mandela might be the song that finally demonstrated the power of 2 Tone. The song was originally released as a single in March of 1984 by The Special AKA from their In The Studio album to protest the imprisonment of Mandela by the apartheid regime in South Africa. The song soon became the unofficial anthem for the international anti-apartheid movement that put pressure on the then white minority regime in South Africa. It took 27 years but Mandela was finally freed in 1990 and then elected President in 1994. While the song had a world changing impact in helping to draw attention to apartheid and Mandela's situation, the origins of the song – written by Jerry Dammers -- are fascinating and quite dramatic, not only because of the impact of the song, but also the strange and surreal circumstances under which it was recorded. The In The Studio album on which it appears took 2 years and cost half a million pounds to produce making it one of the most expensive albums ever made. Ska Boom is hosted/produced by Marc Wasserman and co-produced/engineered by Rob George and appears on Pantheon Podcasts. Ska Boom is the audio companion to my book Ska Boom: An American Ska & Reggae Oral History available from DiWulf Publishing and Amazon. This episode of the Ska Boom podcast is sponsored by BetterHelp.com. For more information visit https://betterhelp.com/skaboom Please note: The music clips included in this podcast fall under the “Fair Use Doctrine” as defined by Section 107 of the Copyright Act. The law allows for use of music clips for purposes of criticism, comment, and news reporting. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to 2 Tone Legacy a special 10-part audio documentary series of the Ska Boom podcast that focuses on the stories behind the songs that contribute to the enduring legacy of 2 Tone music and its ongoing impact on popular culture. In each episode, I'll be joined by Paul Williams, author of "You're Wondering Now: The Specials from Conception to Reunion" and lead singer of UK 2-Tone band The Skapones. Paul is a noted 2 Tone expert and he'll be sharing his memories and insights on all the songs covered in this series. Free Nelson Mandela might be the song that finally demonstrated the power of 2 Tone. The song was originally released as a single in March of 1984 by The Special AKA from their In The Studio album to protest the imprisonment of Mandela by the apartheid regime in South Africa. The song soon became the unofficial anthem for the international anti-apartheid movement that put pressure on the then white minority regime in South Africa. It took 27 years but Mandela was finally freed in 1990 and then elected President in 1994. While the song had a world changing impact in helping to draw attention to apartheid and Mandela's situation, the origins of the song – written by Jerry Dammers -- are fascinating and quite dramatic, not only because of the impact of the song, but also the strange and surreal circumstances under which it was recorded. The In The Studio album on which it appears took 2 years and cost half a million pounds to produce making it one of the most expensive albums ever made. Ska Boom is hosted/produced by Marc Wasserman and co-produced/engineered by Rob George and appears on Pantheon Podcasts. Ska Boom is the audio companion to my book Ska Boom: An American Ska & Reggae Oral History available from DiWulf Publishing and Amazon. This episode of the Ska Boom podcast is sponsored by BetterHelp.com. For more information visit https://betterhelp.com/skaboom Please note: The music clips included in this podcast fall under the “Fair Use Doctrine” as defined by Section 107 of the Copyright Act. The law allows for use of music clips for purposes of criticism, comment, and news reporting. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to 2 Tone Legacy a special 10-part audio documentary series of the Ska Boom podcast that focuses on the stories behind the songs that contribute to the enduring legacy of 2 Tone music and its ongoing impact on popular culture. In each episode, I'll be joined by Paul Williams, author of "You're Wondering Now: The Specials from Conception to Reunion" and lead singer of UK 2-Tone band The Skapones. Paul is a noted 2 Tone expert and he'll be sharing his memories and insights on all the songs covered in this series. Free Nelson Mandela might be the song that finally demonstrated the power of 2 Tone. The song was originally released as a single in March of 1984 by The Special AKA from their In The Studio album to protest the imprisonment of Mandela by the apartheid regime in South Africa. The song soon became the unofficial anthem for the international anti-apartheid movement that put pressure on the then white minority regime in South Africa. It took 27 years but Mandela was finally freed in 1990 and then elected President in 1994. While the song had a world changing impact in helping to draw attention to apartheid and Mandela's situation, the origins of the song – written by Jerry Dammers -- are fascinating and quite dramatic, not only because of the impact of the song, but also the strange and surreal circumstances under which it was recorded. The In The Studio album on which it appears took 2 years and cost half a million pounds to produce making it one of the most expensive albums ever made. Ska Boom is hosted/produced by Marc Wasserman and co-produced/engineered by Rob George and appears on the Pantheon Podcasts. Ska Boom is the audio companion to my book Ska Boom: An American Ska & Reggae Oral History now available from DiWulf Publishing and Amazon. This episode of the Ska Boom podcast is sponsored by BetterHelp.com. For more information visit https://betterhelp.com/skaboom Please note: The music clips included in this podcast fall under the “Fair Use Doctrine” as defined by Section 107 of the Copyright Act. The law allows for use of music clips for purposes of criticism, comment, and news reporting. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to 2 Tone Legacy a special 10-part audio documentary series of the Ska Boom podcast that focuses on the stories behind the songs that contribute to the enduring legacy of 2 Tone music and its ongoing impact on popular culture. In each episode, I'll be joined by Paul Williams, author of "You're Wondering Now: The Specials from Conception to Reunion" and lead singer of UK 2-Tone band The Skapones. Paul is a noted 2 Tone expert and he'll be sharing his memories and insights on all the songs covered in this series.Free Nelson Mandela might be the song that finally demonstrated the power of 2 Tone. The song was originally released as a single in March of 1984 by The Special AKA from their In The Studio album to protest the imprisonment of Mandela by the apartheid regime in South Africa. The song soon became the unofficial anthem for the international anti-apartheid movement that put pressure on the then white minority regime in South Africa. It took 27 years but Mandela was finally freed in 1990 and then elected President in 1994. While the song had a world changing impact in helping to draw attention to apartheid and Mandela's situation, the origins of the song – written by Jerry Dammers -- are fascinating and quite dramatic, not only because of the impact of the song, but also the strange and surreal circumstances under which it was recorded. The In The Studio album on which it appears took 2 years and cost half a million pounds to produce making it one of the most expensive albums ever made.Ska Boom is hosted/produced by Marc Wasserman and co-produced/engineered by Rob George and appears on the Pantheon Podcasts. Ska Boom is the audio companion to my book Ska Boom: An American Ska & Reggae Oral History now available from DiWulf Publishing and Amazon. This episode of the Ska Boom podcast is sponsored by BetterHelp.com. For more information visit https://betterhelp.com/skaboomPlease note: The music clips included in this podcast fall under the “Fair Use Doctrine” as defined by Section 107 of the Copyright Act. The law allows for use of music clips for purposes of criticism, comment, and news reporting.
In 1977 Horace Panter was recruited by fellow art student Jerry Dammers, at Coventry's Lanchester Polytechnic to join his band The Automatics. The band became The Specials. They led the British ska revival of the late 1970s and created the highly influential 2 Tone Record label. Their hybrid of old school Jamaican dance music, punk attitude, ant-racism stance and social awareness made them one of the most revered bands in the history of popular music. Horace Panter is still playing bass with The Specials who reformed in 2008 after the band acrimoniously imploded in 1981 when their classic single ‘Ghost Town' was top of the charts.
Two Tone Records. The brains behind the 2nd wave of Ska. A label and music that burned bright and faded quickly. But, the impact of Two Tone Records and the 2nd Wave of Ska is still felt today in Rock and Roll. Jerry Dammers was the brain behind the label and really the catalyst that brought the 2nd Wave of Ska to the forefront of the Punk/Post Punk/New Wave movement. Ray and Markus look at the history of this wonderful label and many of the of the bands who were part of the Two Tone family. The Specials/Coventry Automatics, The Beat(English Beat), Madness, Selecter, The Bodysnatchers, Bad Manners and more. The Movie Dance Craze(1981) is a great example of how live music thrived in the UK during the late 70's and early 80's.Listen to this cool episode, and then get caught up here!!!Thanks to our sponsor, Crooked Eye Brewery for their support of the podcast!This show is part of Pantheon Podcasts.
Two Tone Records. The brains behind the 2nd wave of Ska. A label and music that burned bright and faded quickly. But, the impact of Two Tone Records and the 2nd Wave of Ska is still felt today in Rock and Roll. Jerry Dammers was the brain behind the label and really the catalyst that brought the 2nd Wave of Ska to the forefront of the Punk/Post Punk/New Wave movement. Ray and Markus look at the history of this wonderful label and many of the of the bands who were part of the Two Tone family. The Specials/Coventry Automatics, The Beat(English Beat), Madness, Selecter, The Bodysnatchers, Bad Manners and more. The Movie Dance Craze(1981) is a great example of how live music thrived in the UK during the late 70's and early 80's.Listen to this cool episode, and then get caught up here!!!Thanks to our sponsor, Crooked Eye Brewery for their support of the podcast!This show is part of Pantheon Podcasts.
Two Tone Records. The brains behind the 2nd wave of Ska. A label and music that burned bright and faded quickly. But, the impact of Two Tone Records and the 2nd Wave of Ska is still felt today in Rock and Roll. Jerry Dammers was the brain behind the label and really the catalyst that brought the 2nd Wave of Ska to the forefront of the Punk/Post Punk/New Wave movement. Ray and Markus look at the history of this wonderful label and many of the of the bands who were part of the Two Tone family. The Specials/Coventry Automatics, The Beat(English Beat), Madness, Selecter, The Bodysnatchers, Bad Manners and more. The Movie Dance Craze(1981) is a great example of how live music thrived in the UK during the late 70's and early 80's. Listen to this cool episode, and then get caught up here!!! Thanks to our sponsor, Crooked Eye Brewery for their support of the podcast! This show is part of Pantheon Podcasts.
Two Tone Records. The brains behind the 2nd wave of Ska. A label and music that burned bright and faded quickly. But, the impact of Two Tone Records and the 2nd Wave of Ska is still felt today in Rock and Roll. Jerry Dammers was the brain behind the label and really the catalyst that brought the 2nd Wave of Ska to the forefront of the Punk/Post Punk/New Wave movement. Ray and Markus look at the history of this wonderful label and many of the of the bands who were part of the Two Tone family. The Specials/Coventry Automatics, The Beat(English Beat), Madness, Selecter, The Bodysnatchers, Bad Manners and more. The Movie Dance Craze(1981) is a great example of how live music thrived in the UK during the late 70's and early 80's. Listen to this cool episode, and then get caught up here!!! Thanks to our sponsor, Crooked Eye Brewery for their support of the podcast! This show is part of Pantheon Podcasts.
Horace Panter, aka Sir Horace Gentleman, co-founded The Specials with Jerry Dammers in 1977 in Coventry, England. For four years The Specials rose and ultimately flamed out, mirroring one of their iconic songs, “Too Much Too Young.” After a 29-year gap, the band reunited and is still going strong today. Horace traces the journey, which also included stints with General Public and Special Beat, and talks about his work in art both as a teacher and an artist.
Episode 37. Jumping back to the Two Tone era with The Specials of Terri Hall and Jerry Dammers. You might listen to "Too much too young" and "Nite Klub"**Puntata 37. Un salto all'indietro all'era dello ska revival e della Two Tone con gli Specials di terri Hall e Jerry Dammers. Si ascoltano "Too much too young" e "Nite Klub"
Don't even think about the number of guitars he's got these days. Charming, witty, and with vast musical knowledge, Horace Panter is brilliant company. I really can't remember first chatting with Horace Panter, but it might well have been in 1978, when the Specials played at Birmingham University. They were at that fantastic phase in a new band's career, when the band has gelled, strings of gigs have knocked them into shape, and the whole point of the exercise seems to be coming together in an exciting way. I asked them if they would do a session for the old BRMB Radio that night. If not then, it would have been at the now long-gone Outlaw Studios, when the band squeezed six songs out of that three hour session for BRMB. I went on air with those songs the next day. That probably makes me the first DJ to have played the Specials on radio, by the way. Jerry Dammers left the session in a grump once his vocals were down, but Horace was the soul of patience and courtesy. And it's been that way ever since. Talking music with Horace is completely engrossing and serious fun. It was really, really enjoyable. And, d'oh, I learned something about basslines for Time is Tight and Rescue Me. Marvellous for my age, me. We veered off my initial Lives In Music track, and wound up gossiping about all sorts of things, as you'll hear. Music Links Needles and Pins - The Searchers Fifth Dimension - The Byrds All or Nothing - Small Faces Judy in Disguise With Glasses -John Fred & his Playboy Band Rescue Me - Fontella Bass Time is Tight - Booker T and the MGs Nite Klub - The Specials Blank Expression - The Specials Whiter Shade Of Pale - Procol Harum Gangsters - The Specials Monkey Man - Toots and The Maytals Ghost Town - The Specials Okie From Musgokee - Merle Haggard The Night They Drove Old Dixie Down - The Band Willin' - Little Feat Six Days On The Road - Taj Mahal BHS - Sleaford Mods Wind Whispers - Pete Williams Band Links The Specials website and wikipedia pages Horace Panter on facebook Horace Panter Art on facebook and website Lives in Music The Lives in Music series celebrates people who have spent a lifetime in music. They may be famous; they may be people who have spent their lives working in the background for the love of it. They all have stories. Lives in Music is a Radio To Go production. The theme music for this series is by Big Q Fish. 'Boksburg Jive Toon' was written by Brian Neil, and recorded at the Jam House, Birmingham, in 2017. Subscribe! Subscribe to the Podcast through your podcast host to automatically download each episode to your chosen device. These will then land with you first, before everyone else hears about it. If you would prefer email updates each time a podcast episode (or blog post) is published, you can subscribe to the mailing list. Head here and scroll down to the signup form.
CW: Brief mentions of rape, child abuse, and filicide It’s Zed-Word Week on Pod Sematary! Chris & Kelsey tackle two comedy zombie flicks (combies? zomedies?) with varying results! The Classic Film: The Return of the Living Dead (1985) “When two bumbling employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to rise again as zombies” (IMDb.com). If you ever thought Chris and Kelsey were broken on the inside, their opinions on this cult classic that’s seemingly beloved by everyone probably won’t help. The Modern Film: Shaun of the Dead (2004) “A man's uneventful life is disrupted by the zombie apocalypse.” (IMDb.com). Do you ever think about what the Edgar Wright Ant-Man would have been like? Chris does. Kind of a lot. Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1160383764960337920 Audio Sources: "Adventures in Babysitting" produced by Touchstone Pictures & Silver Screen Partners III "Battles" (Spaced S01E04) produced by London Weekend Television & Paramount Comedy Channel "Clue" produced by Paramount Pictures, et al "Coming to America" produced by Paramount Pictures & Eddie Murphy Productions "Don't Stop Me Now" written by Freddie Mercury and performed by Queen "Figment" written and composed by Simon Park "Ghost Town" written by Jerry Dammers and performed by The Specials "The Gonk" written and composed by Herbert Chappell "Jurassic Park" produced by Universal Pictures & Amblin Entertainment "Men in Black" produced by Columbia Pictures, et al. "Night of the Living Dead" produced by Image Ten "Overture" written by Andrew Lloyd Webber and performed by the Original London Phantom of the Opera Orchestra "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "The Return of the Living Dead" produced by Hemdale & Fox Films "Reservoir Dogs" produced by Dog Eat Dog Productions Inc. and Live Entertainment "Rules of Attraction" produced by Kingsgate Films & Roger Avary Filmproduktion GmbH "Shaun of the Dead" produced by Rogue Pictures, et al. "Star Wars: Episode I - The Phantom Menace" produced by Lucasfilm "Star Wars: Episode VII - The Force Awakens" produced by Lucasfilm, et al. "This is the End" produced by Columbia Pictures, et al.
In 1980 musical currents were steeped in punk, post-punk, power pop, and new wave. The Specials were riding high off the success of their debut album, and founder Jerry Dammers pushed the band to immediately record a follow-up, More Specials. But rather than continue the DIY punked up ska and reggae they had mastered on their first LP Dammers pushed for doing something entirely different, something new and contrary to the popular sounds of the era. In an interview in mid-1980 Dammers said: "It's time for 2-Tone bands to begin getting experimental. Some of the home-grown ska has started to become a cliche. We've got to start all over again." So he drove The Specials in hard left turn creating an album of easy listening, exotica, lounge music. And young mods like yours truly ate it up. We didn't realize we were cutting our teeth on lounge music and that it was training us up for the coming cocktail revolution of the 1990s. There's no doubt that Jerry Dammers trained mods to like lounge, exotica, tiki and other incredibly strange music that we embraced decades later. So who are the people Jerry really trained? Who are the graduates of Jerry Dammers' Bootcamp? DJ Ken from The Shingles joins me in highlighting a few of Dammers contemporaries and his musical progeny. As always find a complete track list over on the modcast homepage at http://www.mistersuave.com/2019/07/modcast-431-jerry-dammers-bootcamp.html And keep up with me between modcasts: Twitter - @mistersuave Facebook - facebook.com/modmodworld Subscribe - iTunes Mr. Suave's Mod Mod World. Mod friendly music mixes since 2006.
Good grief, does this fine gentleman have a few stories to tell. Whether discussing Tony Hancock with David Bowie or royally pissing off Harvey Weinstein, British producer Stephen Woolley has been there, done that, and bought the (band) T-shirt. Stephen is perhaps best known for his work with Neil Jordan on films such as Interview With The Vampire, The Company Of Wolves, Michael Collins and the Oscar-winning Crying Game. He also directed the Brian Jones biopic Stoned and executive-produced Backbeat - which focused on fifth Beatle Stuart Sutcliffe. If you need any further evidence of his credentials for Soundtracking, he's variously secured the services of David Bowie, Jerry Dammers, Dusty Springfield, Boy George and the Pet Shop Boys for movies he's produced. You'll hear songs from all of these artists woven into the conversation - as well as extracts from Carl Davis' theme for Scandal, Anne Dudley's work on The Crying Game and Rachel Portman's score for Stephen's latest film, Their Finest. But our story begins in punk London - the city where Stephen's love of music and film germinated ...
Rhoda Dakar is one of the UK Ska scene’s feistiest characters, making her mark originally with the Bodysnatchers and then with Jerry Dammers in the Special AKA. Rhoda’s talent, intelligence, and heartfelt socialist ideals made her stand out from the pack. Like Dammers, she wanted 2-Tone to mean more than a good time…cue songs like The Boiler and Free Nelson Mandela that added real politics to the movement's in-built message of racial tolerance. Rhoda was a teenage glam rocker caught up in the rush of punk. She was working in a South London unemployment exchange when bassist Nicky Summers saw her skanking to The Selecter and asked her to join her band on the spot. The Bodysnatchers, 2-Tone's first all-woman combo, were signed up quickly and burnt out fast, notching up just one Top 30 hit, Let's Do Rocksteady. Their split was not amicable and a reunion will never be on the cards, but Rhoda recently released an album of Bodysnatchers songs funded by her fans via Pledge Music. Here Garry (who was the first to write about the band in Sounds 35 years ago) talks about old times... good times... Rhoda's future plans and her vision of how to improve Britain's Labour Party. >>>>>> Download the show as mp3 file Subscribe in iTunes
Rhoda Dakar is one of the UK Ska scene’s feistiest characters, making her mark originally with the Bodysnatchers and then with Jerry Dammers in the Special AKA. Rhoda’s talent, intelligence, and heartfelt socialist ideals made her stand out from the pack. Like Dammers, she wanted 2-Tone to mean more than a good time…cue songs like The Boiler and Free Nelson Mandela that added real politics to the movement's in-built message of racial tolerance. Rhoda was a teenage glam rocker caught up in the rush of punk. She was working in a South London unemployment exchange when bassist Nicky Summers saw her skanking to The Selecter and asked her to join her band on the spot. The Bodysnatchers, 2-Tone's first all-woman combo, were signed up quickly and burnt out fast, notching up just one Top 30 hit, Let's Do Rocksteady. Their split was not amicable and a reunion will never be on the cards, but Rhoda recently released an album of Bodysnatchers songs funded by her fans via Pledge Music. Here Garry (who was the first to write about the band in Sounds 35 years ago) talks about old times... good times... Rhoda's future plans and her vision of how to improve Britain's Labour Party. >>>>>> Download the show as mp3 file Subscribe in iTunes
David Hepworth, Andrew Harrison and Matt Hall on: why Jerry Dammers is not joining the Specials reunion and what you should watch after "The Wire". Plus Arwa Haider on learning about Britain through 70s sitcoms. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
David Hepworth, Andrew Harrison and Matt Hall on: why Jerry Dammers is not joining the Specials reunion and what you should watch after "The Wire". Plus Arwa Haider on learning about Britain through 70s sitcoms.
David Hepworth, Andrew Harrison and Matt Hall on: why Jerry Dammers is not joining the Specials reunion and what you should watch after "The Wire". Plus Arwa Haider on learning about Britain through 70s sitcoms. Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.
The Police exploded in the late 70s. By the early '80s they were one of the biggest bands in the world with countless hits like “Roxanne,” “Every Breath You Take,” and “Don't Stand So Close To Me.” They were classified as New Wave, but ska and reggae were prominent influences in their songs. Their popularity pre-dated the 2 Tone ska explosion. Nearly all of those bands—The Specials, The Selecter, Madness, The Beat, The Bodysnatchers, Bad Manners—opened up for The Police at some point. Today we bring on The Police's drummer, Stewart Copeland. His drumming was highly informed by ska/reggae. In fact, he was the first member of the group to fall in love with the music. We discuss The Police's career, 2 Tone ska, reggae drumming and also talk about his new book, Stewart Copeland's Police Diaries. We also talk about how The Police were “fake punks” during the UK British movement, Stewart's first time seeing The Specials at The Hammersmith Palais and talking to Madness' singer Suggs about the show. We talk about UB40's place in the 2 Tone scene, as well as the important role that Stewart's brothers Miles and Ian played in all of this music gaining a larger audience. We talk about Don Letts role in popularizing reggae among punks, British skinheads, how Stewart discovered reggae in Berkeley (and how he found similarities to the Baladi music he heard as a child growing up in Egypt and Beirut.) And we talk about his weird side project Klark Kent, who actually scored a hit single before The Police! Plus, Stewart gives us an impassioned rant about music that is aimed at The Specials leader Jerry Dammers. If you'd like to support us and listen to early access, ad-free episodes with bonus content, check out our Patreon! https://www.patreon.com/indefenseofska If you like our theme song, go download the EP Lives by Slow Gherkin. They wrote the opening and closing song for our podcast. You can get both tunes from this one EP. https://asianmanrecords.bandcamp.com/album/lives Support the In Defense host Aaron Carnes by purchasing a copy of his book, In Defense of Ska. The 2nd, expanded edition of In Defense of Ska releases in April 2024. https://www.clashbooks.com/new-products-2/aaron-carnes-in-defense-of-ska Co-host Adam Davis has a band called Omnigone. Their latest record, Against The Rest released on March 31, 2023. https://omnigone.bandcamp.com/album/against-the-rest The In Defense of Ska editor Chris Reeves runs a record label called Ska Punk International. They have new releases coming out all the time. https://www.skapunkinternational.com/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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