Podcasts about Thatcherism

For decades nationalisation was the great taboo in British politics, while privatisation was deemed the great triumph of Thatcherism. Blair and Brown were opposed to any attempt to renationalise – but now there is cross party support for the nationalisation of British Steel, the railways are being renationalised and there is huge support for the government to take over water companies. What's happening… and why? Rock & Roll Politics is live at Kings Place on May 8th. Tickets available here. Subscribe to Patreon for live events, bonus podcasts and to get the regular podcast a day early and ad free.  Written and presented by Steve Richards. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In The Ideological Brain Leor Zmigrod studies the impact of political ideology on the makeup and shape of the brain. She found that those on the political extremes, as well as those with the most dogmatic beliefs, display more cognitive rigidity. The historian John Rees focuses on the small group of firebrand parliamentarians at the heart of the English Civil Wars. The Fiery Spirits describes how the radical republicans influenced more moderate MPs and led to the defeat, and execution, of Charles I.2025 is the centenary of the birth of Margaret Thatcher and fifty years since she became the first woman to lead a major political party in the UK. The political commentator and broadcaster Iain Dale publishes a biography of her later this year, and questions the role of ideology within Thatcherism. Producer: Katy Hickman

Donald Trump is looking pretty invincible right now, and it's easy to lose hope that Democrats will ever be able to regain power. But back in the '90s, liberals in Britain were in a similar predicament. Alastair Campbell, right hand man to former UK Prime Minister Tony Blair and co-host of the podcast "The Rest Is Politics," joins Tommy to discuss how the Labour Party vanquished the iron grip of Thatcherism, the importance of party rebranding, and how Democrats can reclaim populism in the age of Trump.For a closed-captioned version of this episode, click here. For a transcript of this episode, please email transcripts@crooked.com and include the name of the podcast.Get your copy of WOODWORKING: http://crooked.com/books

Is it really five years and 1,500 editions since we launched The Bunker? It is! For this special episode, Labour legend and former leader Neil Kinnock joins us to talk about the story Labour should be telling… what his battles against Thatcherism can teach Starmer about fighting the rising right wing… the dangers of a radicalised Conservative Party… and how to hit Reform UK where it hurts. With Andrew Harrison and Alex von Tunzelmann.  • Support us on Patreon for early episodes and more • We are sponsored by Indeed. Go to Indeed.com/bunker for £100 sponsored credit.  www.patreon.com/bunkercast Written and presented by Andrew Harrison. Audio production by Tom Taylor. Music by Kenny Dickinson. Managing Editor Jacob Jarvis. Group Editor Andrew Harrison. THE BUNKER is a Podmasters Production www.podmasters.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

Was Margaret Thatcher the greatest British Prime Minister in history, or was she the worst? In this UK politics debate, we dive deep into the legacy of the Iron Lady, exploring her economic policies, leadership style, and impact on Britain. From the Thatcher era of privatization to the controversial miners' strike, poll tax, and the Falklands War, we examine both sides of the argument.

Adam and Suzanne are in love, but a question about their sexual past leads to jealousy and mistrust, which they must somehow overcome if the relationship is to survive. However the specter of Thatcherism casts a long shadow across the decades, highlighting the class divide between the couple, as they both have to come to terms with their own expectations from life, and each other… Learn more about your ad choices. Visit megaphone.fm/adchoices

Adam and Suzanne are in love, but a question about their sexual past leads to jealousy and mistrust, which they must somehow overcome if the relationship is to survive. However the specter of Thatcherism casts a long shadow across the decades, highlighting the class divide between the couple, as they both have to come to terms with their own expectations from life, and each other… Learn more about your ad choices. Visit megaphone.fm/adchoices

The Institute of Economic Affairs is one of the most powerful and secretive think tanks in the UK, known for promoting free-market Thatcherism as a solution to all of our economic woes. Who's behind it? This week, Kristian Niemietz, a director at the IEA and a long-time Novara Media hater, sits down with Aaron for […]

Stance visits London to explore the Tate Gallery show The 80s: Photographing Britain with campaigner Marc Thompson. The exhibition examines how photographers used the camera to respond to the seismic social, political, and economic shifts of the era, including the rise of Thatcherism, race uprisings, and the AIDS epidemic. It highlights photography as a vital tool for social representation, cultural celebration, and artistic experimentation, spanning landscapes, self-portraiture, and social documentary during this pivotal and highly creative period. Marc Thompson, a Brixton-born cultural leader and prominent British campaigner with over three decades of experience in HIV activism and education, joins Chrystal for a tour of Tate Britain. Together, they engage with the works of photographers such as Ajamu X and Rotimi Fani-Kayode, discussing the legacy of Black queer voices in shaping modern Britain, the cultural significance of Brixton as a hub for activism, creativity and nightclubs, and the ongoing fight for healthcare equity faced by marginalized communities today. If you like what you heard, please write us a review and check out more of our work at stancepodcast.com and all podcasting apps @stancepodcast This podcast was produced by Etay Zwick. Referenced In This Podcast & Show Notes Mark Thompson Linktree Marc Thompson IG London HIV Prevention Resident Survey Black & Gay Back InBlack & Gay Back In The Day IGThe Day Black & Gay Back In The Day Podcast Lost Spaces Podcast - Queer Nation (with Marc Thompson)  PrEPster Love Tank Black Health Matters Do It London - HIV Prevention Interview with Marc Thompson in London Friend  Article about Marc Thompson in The Voice We Were Always Here Podcast hosted by Marc Thompson Tate Britian The 80s: Photographing Britain at the Tate Artists include: Online Gallery of Rotimi Fani-Kayode's Photography Black British Artists 1980s Archive Pogus Caesar  Martin Parr's Ajamu X's website Dave Lewis's website  Susanne Roden Anna Fox's website Derek Bishton's website Jason Evans website  Reflections of the Black Experience: Brixton Art Gallery, 1986. PV Card, Poster, Catalogue, Time Out, Echoes & LAM Reviews A Review of an exhibition of Rotimi Fani-Kayode's work  

Launching Season 3, Christian and co-presenter Mark Walker report from the Labour Party Conference in Liverpool on the keynote address by UK Secretary of State for Transport Louise Haigh MP [3:48]. Christian analyses a meeting discussing driverless cars addressed by Minister for the Future of Roads, Lilian Greenwood MP [13:50} and talks about his own presentation on transport challenges for the Labour Government given at the Public Transport Reception hosted by the Campaign for Better Transport and sponsored by Porterbrook [18:09]. Finally, Christian celebrates London Mayor Sadiq Khan's adoption of his own longstanding proposal for the pedestrianisation of Oxford Street [28:00].

In 1969, three kilometres under the North Sea, drillers found something that would change Britain completely. It would transform us into an oil-producing nation, fuel Thatcherism in the 1980s, feed resentment in Scotland — and yet all of it happened largely out of sight of most Britons. How did North Sea oil and gas change us? What's life like for the dwindling group of people who work in the industry? And can drilled-out fields actually help to combat global heating? “At peak production, the revenue from North Sea profits were taxed at 95 percent.” – Jon Gluyas, chair in geoenergy, carbon capture and storage at Durham University “People are not blind to what is happening in the industry… It's hard for older workers.” – photographer and oil worker Peter Iain Campbell “There's no doubt about the impact the burning of fossil fuels has had on our environment. We also have to acknowledge how it has utterly transformed our society over the last 50 years.” – Peter Iain Campbell  A selection of Peter Iain Campbell's photos of North Sea oil installations are on his website. JAM TOMORROW is written and presented by Ros Taylor. The producer is Jade Bailey. Voiceovers are by Seth Thevoz. Music is by Dubstar and artwork by James Parrett. The managing editor is Jacob Jarvis and the group editor is Andrew Harrision. JAM TOMORROW is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome back to another guest episode of Let's Talk Money and More Podcast!In this episode, I am joined by Chris Budd, owner of the financial planning company Ovation Finance Ltd. He is the author of six books, including the original book about financial wellbeing which he wrote in 2015, The Financial Wellbeing Book, and The Four Cornerstones of Financial Wellbeing.In this episode we delve into the fascinating concept of one's money story. Chris shares insightful anecdotes about growing up during Thatcherism and witnessing their father's bankruptcy, leading to a distinctive perspective on wealth and financial well-being. Chris and Lesley touch on the correlation between monetary success and happiness, the impact of social media comparisonitis, and the importance of purposeful actions and problem-solving in the workforce. Moreover, they emphasise the need for proper financial planning and considering life after selling a business. Join us for a thought-provoking discussion on finding meaning and purpose, making informed decisions, and seizing opportunities that align with personal values. Tune in to gain valuable insights that could reshape your approach to money and more.Key TakeawaysShifting the focus from financial rewards to purpose and belonging in the workforce, emphasising the importance of a meaningful vocation.The significance of connecting with your future self to make decisions that not only enhance your current well-being but also benefit you in the long run.The power of saying yes to opportunities that align with your values and stepping out of your comfort zone, as it often leads to unique, rewarding experiences.Connect with Chris BuddFinancial Wellbeing website www.financialwell-being.co.uk/For Advisers - The new Financial Wellbeing Pulse: www.financialwellbeingpulse.com/The Institute for Financial Wellbeing: www.instituteforfinancialwellbeing.com/To Buy the Books: www.amazon.co.uk/stores/Chris-Budd/author/B00FF6G094?ref=sr_ntt_srch_lnk_4&qid=1722241683&sr=8-4&isDramIntegrated=true&shoppingPortalEnabled=true Connect with Lesley ThomasBook a call with me www.calendly.com/lesley-themoneyconfidenceacademy/30minsFREE Resources www.themoneyconfidenceacademy.com/resources/My website www.themoneyconfidenceacademy.com/Join my Facebook Group www.facebook.com/groups/letstalkmoneyandmoreYoutube channel www.youtube.com/@themoneyconfidenceacademyFollow me on Instagram www.instagram.com/iamlesley_thomas/Connect with me on LinkedIn www.linkedin.com/in/lesley-thomas Hosted on Acast. See acast.com/privacy for more information.

Oasis in the UK are more than just rock royalty. They are the foul-mouthed, big riff, council estate kids with unibrows and bad attitudes that helped lift the UK out of it's 1980's/Thatcherism malaisse and into the Cool Britannia of the 1990s. Out was the doom and gloom of American grunge, in were melodic songs that kids could relate to. Anthems like Rock N Roll Star, Columbia and Cigarettes and Alcohol spoke directly to the young generation who were anxious to make their own mark on the world. Led by the songwriting and riff borrowing of Noel Gallagher and the sheer strength of the vocals of his younger brother Liam, Oasis debut Definitely Maybe became the fastest selling debut album in the UK at the time. However, in the US, though Oasis debut hit the charts and eventually went platinum, the band never took off to the heights they would enjoy in the UK and around the world. Maybe it was Creation Records lack of solid backing by the US record industry or maybe it was the brothers snarling and nasty attitudes (and those unibrows) that turned enough people off during the age of grunge that would soon give way to softer sounds like Hootie and the Blowfish. But Oasis were the spokesmen of their generation in the UK and knew who to borrow from (The Beatles, The Rolling Stones, T Rex, The Jam) to make a big, bright, loud sound that would have them headline Knebworth just 2 years after the release of this debut in front of 250,000 people over 2 nights. Oasis are also the masters of the b-side (a lost art in the US) and as CD singles with 4 tracks on them were all the rage, Oasis hit the playlists and sales from singles as well as anyone in the UK. So relive the big hits (Live Forever & Supersonic), enjoy the album tracks (Slide Away, Bring It On Down) and unearth some b-sides as we celebrate Definitely Maybe as it turns 30. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Oasis in the UK are more than just rock royalty. They are the foul-mouthed, big riff, council estate kids with unibrows and bad attitudes that helped lift the UK out of it's 1980's/Thatcherism malaisse and into the Cool Britannia of the 1990s. Out was the doom and gloom of American grunge, in were melodic songs that kids could relate to. Anthems like Rock N Roll Star, Columbia and Cigarettes and Alcohol spoke directly to the young generation who were anxious to make their own mark on the world. Led by the songwriting and riff borrowing of Noel Gallagher and the sheer strength of the vocals of his younger brother Liam, Oasis debut Definitely Maybe became the fastest selling debut album in the UK at the time. However, in the US, though Oasis debut hit the charts and eventually went platinum, the band never took off to the heights they would enjoy in the UK and around the world. Maybe it was Creation Records lack of solid backing by the US record industry or maybe it was the brothers snarling and nasty attitudes (and those unibrows) that turned enough people off during the age of grunge that would soon give way to softer sounds like Hootie and the Blowfish. But Oasis were the spokesmen of their generation in the UK and knew who to borrow from (The Beatles, The Rolling Stones, T Rex, The Jam) to make a big, bright, loud sound that would have them headline Knebworth just 2 years after the release of this debut in front of 250,000 people over 2 nights. Oasis are also the masters of the b-side (a lost art in the US) and as CD singles with 4 tracks on them were all the rage, Oasis hit the playlists and sales from singles as well as anyone in the UK. So relive the big hits (Live Forever & Supersonic), enjoy the album tracks (Slide Away, Bring It On Down) and unearth some b-sides as we celebrate Definitely Maybe as it turns 30. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Mokuhanga has the ability to take the artist or craftsperson anywhere they would like to be. From the subject matter in their studio to physical movement around the world, teaching, exploring, and discovering. Wonder and beauty is what makes mokuhanga so special.   In this episode of The Unfinished Print, I speak with printmaker Jacqueline Gribbin, who has spent years honing her craft in mokuhanga and other printmaking techniques across Japan, Southeast Asia, and Australia. We discuss her deep connection with Indigenous communities, collaborating with the late Ralph Kiggell, and exploring the nuances of water-based and oil-based mokuhanga. Jaqueline explains her experiences traveling to isolated communities, conducting workshops, and sharing her passion for printmaking. We'll explore her teaching methods, the importance of community in her work, and how she balances creating and selling her prints.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Jacqueline Gribbin - website  Shifting Tides (2022) Nagasawa Art Park (MI Lab) Awaji City - Nagasawa Art Park was an artist-in-residence program located in Awaji City, Hyōgo Prefecture, Japan. It was open for 12 years before evolving into MI Lab in 2012. More info, here.    Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing.   Toru Ueba - was a print instructor at Nagasawa Art Park, and was one of Yoonmi's instructors in 2004.   Ralph Kiggell (1960-2022) -  was one of the most important mokuhanga practitioners. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print can be found, here.     Orange Flower On Blue    Hiroki Satake - is a mokuhanga printmaker, and instructor based in Japan. He has taught at MI Lab, as well as given demonstrations regarding tool sharpening, around the world. Instagram   赤絵（アンドレ・マルティ「狼よ！」より) (2022) 34.7cm×28.4cm   registration - there are several registration methods in mokuhanga. The traditional method is called the kentō registration, where you carve two notches, straight another an "L." There is also a "floating kentō," which is where the notches are cut in a piece of "L" shaped wood and not on the wood where you are cutting your image, hence "floating." Lastly, there are removable "pins," such as ones made by Ternes Burton.    bokashi - is a mokuhanga technique, where the pigment fades from a heavy colour to a softer, broad colour. Made famous by prints designed by Hokusai and Hiroshige, this technique is, for me, the most popular technique utilized by  mokuhanga printmakers. There are various types: Ichimoji-bokashi or straight line graduation, used in the above mentioned Hiroshige and Hokusai prints. Ichimoji-mura-bokashi or straight line gradation with uneven edge. Ō-bokashi or wide gradation, Ate-nashi-bokashi or gradation without definition. Futa-iro-bokashi or two tone gradation, and ita-bokashi or softer-edge gradation, where the block is cut in a specific way to achieve this style of gradation. All of these styles of bokashi technique take practice and skill but are very much doable. Below is a fine example of bokashi by Paul Binnie:     The Torii Gate at Miyajima (2009) 37.5 x 26cm sizing paper - at times mokuhanga printmakers will size their paper. Size is made from water, animal glue (rabbit, horse), and alum. What the size does is keep the pigments the artist uses from “bleeding” into the outer edges of the paper. There are many recipes of size, here is one that artist Walter J. Phillips used.   intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.     serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper.    lithography: A printing process where images are transferred onto a surface using a flat plate or stone.   Yoshitaka Amano (b. 1952) - is a character designer for the Final Fantasy video game series. He uses ukiyo-e and Japanese woodblock prints as insirpation for some of his work.    Takashi Murakami (b. 1962) is a contemporary artist best known for his fine art works and contributions to the commercial market. His works are heavily influenced by manga and anime, characterized by their bright colors and distinctive style. Multicolour Superflat Flowers - archival pigment print, silkscreen, 45 cm x 17.7cm   Margaret Thatcher 1925-2013) -  was the Prime Minister of the United Kingdom from 1979 to 1990. She was the first woman to hold the office and remains one of the most influential figures in British political history. Leading the Conservative Party, Thatcher implemented a series of economic policies known as "Thatcherism," which emphasized deregulation, privatization of state-owned industries, and reducing the power and influence of trade unions. Her tenure was marked by significant economic transformation, as well as controversial measures that sparked widespread debate and protest.    Tamarind Institute - was originally founded in Los Angeles in 1960 by June Wayne, and is a world renowned center for fine art lithography. Established to revive and sustain the art of lithography, which was in decline in the United States, Tamarind quickly became a leader in the education and promotion of lithographic techniques. In 1970, the institute moved to the University of New Mexico in Albuquerque, where it continues to thrive as a key institution in the printmaking world. Dedicated to advancing the lithographic arts through rigorous education, collaborative projects, and the production of high-quality prints, the Tamarind Institute's influence extends globally, contributing significantly to the development and appreciation of lithography as a vibrant art form. More info, here.    STPI Creative Workshop & Gallery - which stands for Singapore Thailand Print Institute is an educational gallery and workshop, based in Singapore. More info, here.    International Mokuhanga Conference, 2011 - was the first international conference on mokuhanga which was separated in two parts, Kyoto and the Awaji Islands in Japan.    MI Lab - is a mokuhanga artists residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.    Hiroki Morinoue - is a mokuhanga printmaker and artist living in Holualoa, Big Island, Hawai'i. He is a co-founding member of the Holualoa Foundation For Arts & Culture, the establishment of the Donkey Mill Art Center and Studio 7 Fine Arts. Hiroki's interview with The Unfinished Print can be found, here.    Incoming Tide 30.5 x 30.5cm   Keiko Hara - is an artist and Professor of Art Emerita at Whitman College in Walla Walla, Washington. She is a painter, and printmaker in various relief mediums, such as mokuhanga. Keiko also leads the Mokuhanga Project Space based in Walla Walla, Washington. More info on Keiko's work can be found, here. More info regarding the Mokuhanga Project Space, here.   Verse Space M-1, lithography and stencil, 55.8 cm x 76.2 cm   Yamanashi Prefecture - (山梨県, Yamanashi-ken) is located in the Chūbu region of Honshu, Japan, and borders Saitama Prefecture to the northeast, Nagano Prefecture to the northwest, Shizuoka Prefecture to the southwest, Kanagawa Prefecture to the southeast, and Tokyo to the east. The capital and largest city is Kōfu. Yamanashi is one of only eight landlocked prefectures in Japan, with most of the population residing in the central Kōfu Basin, surrounded by the Akaishi Mountains. 27% of its land area is designated as Natural Parks, and it is home to many of Japan's highest mountains, including Mount Fuji, the country's tallest peak and a significant cultural icon, which is partially located on the border with Shizuoka Prefecture.   Tiwi Islands - which means "two islands," are part of the Northern Territory, Australia, located 80 km (50 mi) north of Darwin. They comprise Melville Island, Bathurst Island, and nine smaller uninhabited islands, with a combined area of 8,320 square kilometers (3,212 sq mi). The islands have been inhabited by the Tiwi, an Aboriginal Australian people, since before European settlement, with a population of 2,348 recorded in the 2021 census. The Tiwi Land Council, one of four land councils in the Northern Territory, serves as a representative body with statutory authority under the Aboriginal Land Rights (Northern Territory) Act 1976 and holds responsibilities under the Native Title Act 1993 and the Pastoral Land Act 1992.   Charles Darwin University - was established in 2003 in the Northern Territory of Australia, and resulted from the merger of Northern Territory University, Centralian College, and the Menzies School of Health Research. Named after naturalist Charles Darwin, CDU focuses on research and education tailored to the unique challenges of the region, with strong emphasis on Indigenous education and partnerships. The university offers a broad range of programs across disciplines like health, education, engineering, business, and environmental science, and is recognized for its research in desert knowledge, Indigenous systems, tropical health, and sustainable development. With campuses in Darwin, Alice Springs, Katherine, and Nhulunbuy, CDU plays a crucial role in the educational, economic, and social development of the Northern Territory. The More Than Human World: North Australian Ecologies was the exhibit which Jacqueline speaks on in her episode. The exhibit catalogue can be found, here.    Balgo - also known as Wirrimanu, is a remote Aboriginal community in the Kimberley region of Western Australia. Home to the Kukatja people and other desert groups like the Ngarti and Warlpiri, Balgo is renowned for its vibrant art scene, particularly through the Warlayirti Artists art center, which produces art reflecting the rich cultural heritage of the local people. The community, accessible mainly via local roads and air, provides essential services such as a health clinic, school and plays a vital role in preserving and promoting Indigenous culture and traditions. A description of Wirrimaru can be found, here via Deutscher and Hackett.    Printmaking Today - is a magazine published by Cello Press in England, and is published quarterly. The magazine focuses on printmaking themes and artists. More info, here.   Arnhem Land - is located in the northeastern Northern Territory of Australia, and is a vast and culturally rich region covering approximately 97,000 square kilometers. Bordered by the Arafura Sea, the Gulf of Carpentaria, and Kakadu National Park, it is one of the largest Aboriginal reserves in Australia, home to around 16,000 Indigenous people, primarily the Yolngu. Known for its stunning natural landscapes, including rugged coastlines, rainforests, and wetlands, Arnhem Land is also a cultural treasure, famous for Indigenous art, music, and traditions. Access is restricted to protect its heritage, and the region plays a crucial role in Indigenous land rights movements and the preservation of Aboriginal culture.   Foundry Vineyards - based in Walla Walla, Washington is a vineyard and art space. It has been hosting artists from all types of media such as painting and printmaking since 2010. It has exhibited The Mokuhanga Project Space, printmaker Mike Lyon,  and the International Mokuhanga Print Exhibit. More info about this space and the good it does for the art community at large can be found, here.    Ozu Washi - is a paper store located in the Nihonbashi district of Tokyo. website, Instagram   Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō.   uwa senka long - is a Thai kozo machine made paper which can be used for mokuhanga.    The Japanese Paper Place- is a Toronto based Japanese paper store servicing the Mokuhanga community for many years.  Interview with the Nancy Jacobi of the JPP can be found, here.   gouache: is a water-based paint known for its opaque and vibrant colours. Made from pigment, water, and gum arabic as a binder, it offers artists versatility in creating both translucent washes and opaque layers. Gouache can be reactivated with water and comes in a range of colors, making it a popular choice for various painting techniques.   The Adelaide River - is a significant waterway in the Northern Territory of Australia, extending approximately 180 km from its source in the Litchfield National Park to its mouth at the Timor Sea. The river flows through  lush wetlands, dense mangroves, and open floodplains, providing a rich habitat for diverse wildlife. It is particularly renowned for its large population of saltwater crocodiles.    © Popular Wheat Productions opening and closing credit - Stardust by Lester Young, Oscar Peterson Trio. (1956) © UMG Recordings logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                                

A memoir about growing up gay in Scotland under the shadow of Thatcherism, Maggie & Me was published to wide acclaim in 2013. Damian Barr joins to discuss how he as adapted it with James Ley for a new National Theatre of Scotland touring production.As Roberto Rossellini's classic 1945 film Rome, Open City (Roma città aperta) is re-released by the BFI, writer Thea Lenarduzzi and film historian Ian Christie reassess its role in launching Italian neorealism and compare it with There's Still Tomorrow (C'è ancora domani), a new film by Paula Cortellesi that borrows many of neorealism's visual and thematic hallmarks.With news last week that fake artworks by Renoir and Monet were being sold online, Samira is joined by art specialist and A.I. expert Dr. Carina Popovici and writer and art crime expert Riah Pyror to discuss the problem and how A.I. is being used to solve it.

Economist and commentator Chris Johns talks to Eamon about the decline of the Tory Party. Recorded on Wednesday 3rd April 2024. Become a member at https://plus.acast.com/s/the-stand-with-eamon-dunphy. Hosted on Acast. See acast.com/privacy for more information.

Coal: filthy, dangerous, and vital to Britain's economy — but not any more. What did coal mining really mean to people? And why is coal so key to the biggest issues in politics — from the founding of the NHS, to Thatcherism, and even the issue of who should take the blame for the climate emergency?    Ros Taylor talks to Joerg Arnold, a historian at the University of Nottingham, and Ian Winwood, whose family were coal miners in Yorkshire, about why you have to understand the black stuff to understand Britain.    • “It was just so brutal.” – Ian Winwood on the Miners' Strike.  • “The Thatcher government was taken by surprise that the miners weren't united, but they were quick to exploit that split.” – Joerg Arnold  • “Nobody openly acknowledged that we were going to phase out coal.” – Joerg Arnold  • “They talk about the Red Wall. In 2019 when much of the Red Wall went blue but Barnsley didn't. That's not going to happen.” – Ian Winwood    Written and presented by Ros Taylor. Produced by Jade Bailey. Original music by Dubstar. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production  Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week's News Roundtable episode, Chris Wright is joined by writer, journalist and broadcaster, Christina Patterson, Communications Officer at the Institute of Economic Affairs, Reem Ibrahim, UK and US political commentator Edward Hardy, and Chief Economic Adviser at the Centre for Economics and Business Research, Vicky Pryce.The conversation kicks off with an in-depth analysis of the Conservative Party's scheme to tear itself apart.  They turn to the economic legacy of Thatcher and discuss whether privatisation, such as of Water and the Railways, is the foundational cause for Britain's dire problems today. They also pick apart the housing crisis and the tendency of our politics to pit the young and old against each other.   They turn to the topic of the ageing population, the pension system and the kind of policies we need to bring real change. Each of the panellists offers their views on whether they are optimistic or pessimistic about the economic future of Britain.  Economist Vicky Pryce joins the conversation to offer her thoughts on this issue, what Labour will and can do should they come into power, and how geopolitics is affecting the economy. Finally, they turn to Donald Trump's newfound wealth and the potential world consequences of his ability to get away with everything - with expert analysis from Edward and Vicky.   Many thanks,WOTN Team'I Hit The Nail Right On The Head' by Billy Bremner. © Fridens liljor/Micke Finell.Rock around the clock productions AB.www.rockaroundtheclock.coThis episode was produced by Sound SapienSoundsapien.comThis podcast is published by New Thinking: www.newthinking.com Explore New Thinking podcasts via our website: www.newthinking.com/podcasts

https://www.patreon.com/owenjones84Support this show http://supporter.acast.com/the-owen-jones-podcast. Hosted on Acast. See acast.com/privacy for more information.

Celebrated journalist Lord Charles Moore joins Spencer to discuss his CRB essay on the history and prospects of Thatcherism and its implications for modern conservative movements on both sides of the pond. On the one hand, the forces arrayed against Thatcher's legacy have never been stronger. On the other hand, the attitudes she represented--including the "commonsense view that people would probably be better at running their own affairs than governments would"--just won't go away. In the age of Trump and Brexit, but also of globalist bureaucrats and Conservative ineptitude, what is Thatcherism's future?  

A morbid episode this week, as Jack and Yair pour one out for the dearly departed trinity of Henry Kissinger, Shane MacGowan and Alistair Darling. PLUS cuts to the BBC's Newsnight, the resumption of violence in Gaza, & Starmer saying the best thing about Thatcher was the Thatcherism.

In September of 1987 Pet Shop Boys released their Sophomore studio album. A loose critique on Thatcherism, the album was written in response to that harpy's perceived re-election. It has appeared on a number of “must listen” lists and deservedly so. Let's talk Pet Shop Boys, Actually!

The 2023 Annual Not A Diving Podcast Pledge Drive is here... for ONE FINAL WEEK!For the next week, support the show and receive special benefits...Option 1 - Patreon Musicality Tier (£8.50 per month)Pledge Drive Bonus = the 2024 Musicality t-shirt! Free of charge, postage and packing covered Option 2 - Patreon Solidarity Tier (£3.50 per month)Pledge Drive Bonus = a 50% off voucher to use on a basket containing any items at the Hotflush Bandcamp StoreOption 3 - a one-off donation of £8.50 or USD$10.00Pledge Drive Bonus = a 25% off voucher to use on a basket containing any items at the Hotflush Bandcamp StoreThanking you in advance for your support! What is culture anyway? This is a question which is delved into in depth on this week's episode, which a man whose work since the 1980s has covered many different areas. Trevor Jackson is a storied designer of album covers and sleeve art, a prolific producer and remixer, and the man behind Output Records who helped ease acts including LCD Soundsystem and Four Tet into the public consciousness. So there was lots to talk about, and in addition to the culture question, we tackled areas including the pre-Acid House London scene, Thatcherism, working in different art forms, counter-culture, UK Hip Hop, and a lot more...This was a great conversations, straight into the classic episodes list. You're gonna enjoy it! Join us in the Hotflush Discord Server.Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport

On this week's Pop Screen, Graham has a very important and special guest: Mark's dog! And, fine, yes, also Mark, with our favourite quizmaster and Film Stories writer coming back to talk about Russell T Davies's most personal drama. Set across the early years of the AIDS crisis, It's a Sin has a cast full of breakthrough young stars, memorable cameos from acting veterans, plus Olly Alexander, whose day job in Years and Years allows us to cover the show. Not that we need much of an excuse to talk about it, or indeed Davies's day job showrunning Doctor Who for its imminent 60th anniversary specials. There's also space for digressions on Prime Ministerial cameos, the real-life inspirations behind the central characters, an appreciation of Erasure and why Russell T Davies must be hopping mad at Stranger Things right now. The T stands for "Thatcherism has left a legacy of death and division", by the way. If you want to fund our dreams of leaving the Isle of Man and becoming an actor, you can donate to our Patreon where you'll get a monthly bonus episode of this show - currently it's one about Taylor Swift: The Eras Tour, as if you needed further incentive - plus our other podcasts Last Night... and From the Video Aisle. You'll also get weekly written reviews of Doctor Who, Red Dwarf and The X-Files, classic Asian genre cinema under the microscope in Fantastic Asia, and more. Follow us on Twitter, Instagram and Facebook for more information. --- Send in a voice message: https://podcasters.spotify.com/pod/show/pop-screen/message

Peter Tatchell is a distinguished human rights campaigner, celebrated for his unwavering dedication to advancing LGBTQI+ rights and his fervent commitment to social justice. With a career marked by courageous activism and principled advocacy, Tatchell has played an instrumental role in shaping the discourse on human rights and equality.Born in Australia, Tatchell's journey as a human rights defender took root in the United Kingdom, where he became a prominent figure in the LGBTQI+ social movements. His impact was first felt in the political arena when he was selected as the Labour Party's parliamentary candidate for Bermondsey in 1981. However, his firm support for extra-Parliamentary action against the Thatcher government led to a denouncement by party leader Michael Foot. This initial setback did not deter him; in fact, it propelled him to stand as the Labour candidate in the 1983 Bermondsey by-election. This move, though valiant, resulted in the loss of the seat to the Liberals, yet it highlighted Tatchell's resilience and determination.The 1990s marked a pivotal era in Tatchell's career, as he co-founded the direct action group OutRage! Through this platform, he spearheaded campaigns for LGBT rights that reverberated across society. One of the most notable campaigns was "Stop Murder Music," which targeted music lyrics inciting violence against the LGBTQI+ community. Tatchell's unyielding advocacy showcased his ability to harness the power of activism to effect tangible change.Tatchell's audacious spirit manifested in his attempts to hold oppressive regimes accountable for their actions. Notably, he made daring citizen's arrest attempts on Zimbabwean President Robert Mugabe in 1999 and again in 2001. These acts of courage underscored his commitment to justice, even in the face of adversity.In 2004, Tatchell extended his advocacy into the realm of politics by joining the Green Party of England and Wales. His political aspirations culminated in his selection as the prospective Parliamentary candidate for Oxford East in 2007. Unfortunately, a bus accident and injuries sustained during protests in 2009 compelled him to step down from the candidacy. Undeterred by personal challenges, Tatchell's passion for human rights endured.Since 2011, Tatchell has steered the course of the Peter Tatchell Foundation, an organization dedicated to advocating for a multitude of human rights causes. He has engaged in intellectual discourse through his participation in over 30 debates at the Oxford Union, tackling diverse topics such as patriotism, Thatcherism, and university safe spaces. Tatchell's eloquence and thought leadership have solidified his reputation as a multidimensional advocate.Peter Tatchell's legacy is one of unrelenting bravery and commitment to the fundamental principles of equality and justice. His journey from a determined candidate to a resolute activist and intellectual is a testament to the indomitable human spirit's capacity to drive positive change in society. Through his life's work, Tatchell continues to inspire and uplift countless individuals, leaving an indelible mark on the global human rights landscape. Hosted on Acast. See acast.com/privacy for more information.

We do like a history discussion on this show. And who better to discuss the history of DJing with than the co-author of the most authoritative book on the subject?'Last Night A DJ Saved My Life' was originally published in 1999, but there's a 2022 edition and I highly recommend getting hold of a copy. It's a genuinely important work and something every fan of the culture should be familiar with. Actually my conversation with Bill Brewster is probably more about him than DJing at a wider level. We talk about his journey into dance music in the 1980s, and his time exploring the 90s New York club scene while working for DMC. But we do touch of some really interesting angles to the history too, including the influence of a certain disgraced former BBC personality, the impact of Thatcherism on the developments in the UK (and therefore the wider culture), and the more recent forces of technology and commercialism which arguably define DJing and dance music today. This is a great episode, worth taking a holiday for! Here's Chuck Klosterman's book 'The 90s', which I reference in this week's episode. If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else. Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do! Listen to much of the music discussed on the show via the Not A Diving Podcast Spotify playlistFor more links and other info visit the official Scuba websiteFollow Scuba: twitter instagram bandcamp spotify apple music beatport

In this episode John Paul Kleiner (GDR Objectified blog) speaks with Attila the Stockbroker, an English poet, musician and songwriter with roots in the punk movement and socialist politics. During his forty year career as independent artist, Attila has produced numerous albums and books and performed more than 3,800 shows including many in the GDR and, after unification, eastern Germany. In this conversation, Attila vividly recalls his visits to the East, the people whom he met there and aspects of the Workers and Peasants State which were an inspiration and other which left him disgusted. Find Attila's active Facebook page by clicking here. Learn more about his books and albums on Bandcamp There's a great mini-doc of Attila done a few years back by filmmaker Farouq Suleiman that gives a great sense of his energy and art on YouTube here. You can hear poem and song “This is Free Europe” inspired by Attila's experiences at a 1992 gig in Hoyerswerda here. Glossary of terms Laibach: a Slovenian based music group / avant-garde art project which incorporates totalitarian aesthetics into a variety of musical styles to unsettling effect. A-Levels: university qualifying exams for British secondary school students John Peel was a DJ for the BBC between 1967 and 2004 during which time he helped popularize a number of musical genres including psychedelic and progressive rock as well as punk. New Town Neurotics are an English melodic punk band formed in 1979 and whose work took a decidedly political turn with the advent of Thatcherism in the U.K. It was through his connections to this group that Attila first made his way to the GDR. In the 1980s, the multiethnic London neighbourhood of Brixton was best known as a site of great social unrest due to widespread poverty and strained relations between residents and police. In more recent years, the area has undergone considerable gentrification, but echoes of Buna and Leuna: in the GDR-era, these two large-scale chemical combines were essential economic drivers and creators of truly appalling environmental degradation. Read more on the impact these facilities had on the East German environment in this post from the GDR Objectified blog. Bündnis 90 / Alternative Linke: Alliance '90 and Alternative Left were left-oriented political movements which emerged from the foment of anti-SED protests in the mid- to late-1980s in the GDR. Die Skeptiker (The Sceptics) are a German punk band originally formed in East Berlin in 1986. While critical of the realities of ‘real-existing socialism', the band were keen to carve out a place for themselves in the GDR music scene and used opportunities open to them within the system (incl. officially sanctioned live shows and appearances on GDR radio and new music compilation albums) to present their music to as wide an audience as possible. Our ability to bring you stories from behind the Berlin Wall is dependent on monthly donors like you. Visit us at https://www.eastgermanypodcast.com/p/support-the-podcast/ to contribute. For the price of a Berliner Pilsner, you can feel good you are contributing to preserve one of the most important pieces of Cold War history. If you feel more comfortable leaving us a review to help us get more listeners, we appreciate it very much and encourage you to do so wherever you get your podcasts or at https://www.eastgermanypodcast.com/reviews/new/. For discussions about podcast episodes and GDR history, please do join our Facebook discussion group. Just search Radio GDR in Facebook. Vielen dank for being a listener!

In this episode, we delve deep into the dynamic period in British history spanning 1945 to 1990. Our exploration is based on "The People's Peace" by esteemed historian Kenneth O. Morgan, who masterfully encapsulates the cultural, social, and political transformation of post-war Britain.We open with the euphoria of victory in 1945 and the advent of the welfare state under the Labour government. Drawing on Morgan's in-depth research, we trace the rise of collectivism, the spirit of cooperation, and the development of pivotal institutions like the National Health Service, a beacon of British society.The episode moves on to consider the societal and political challenges that arose in the face of post-war optimism, delving into the complex interplay of conflicts and consensus in this period. In the latter part of the episode, we navigate the turbulent '70s and '80s, looking at the rise of Thatcherism and the decline of collectivism. We discuss the social and economic transformations under Thatcher's government, the miners' strike, and the growing societal division.Throughout the episode, we take a closer look at the daily lives of the British people, highlighting the significant shifts in social norms, living standards, and cultural values. "Post-War British Society: Collectivism, Cooperation, Conflict 1945-1990" promises an engaging, comprehensive, and nuanced understanding of this transformative period in British history. Whether you're a history buff, student, or simply curious about the past, this episode offers a captivating insight into the decades that fundamentally reshaped Britain. Become a member at https://plus.acast.com/s/explaininghistory. Hosted on Acast. See acast.com/privacy for more information.

Episode Description:In the latest instalment of the Explaining History Podcast, join us as we delve into the multifaceted nature of Thatcherism, a political ideology that has left an indelible mark on British society. This episode, titled "Thatcherism's Contradictions, 1975-2023," explores the intricate relationship between social conservatism and economic liberalism, which have often found themselves in conflict during the era shaped by the Iron Lady.The show takes us on a captivating journey through the key events, policies, and ideologies that characterized the Thatcher years, spanning from 1975 all the way up to the present day. We uncover the profound contradictions that emerged within Thatcherism, dissecting the tension between the desire for a more socially traditional Britain and the push for a free-market economy.Exploring the writing of philosopher John Gray, the podcast navigates the complex interplay between these seemingly opposing forces within Thatcherism. On one hand, we witness the rise of social conservatism, which sought to reinvigorate traditional values and norms in response to societal shifts. From the contentious battle over Section 28 to the heightened focus on law and order, we explore the ideological motivations behind these policies and their impact on communities across the nation.Simultaneously, the episode examines the triumphs and pitfalls of economic liberalism under Thatcher's governance. We delve into the deregulation of industries, privatization of state-owned assets, and the transformation of the British economy. We analyze the ideological underpinnings of Thatcher's economic policies and the subsequent consequences for working-class communities, trade unions, and the wider social fabric of the country.The episode, skillfully weaves together expert insights and historical context to paint a comprehensive picture of Thatcherism's contradictions. By exploring the clash between social conservatism and economic liberalism, we gain a deeper understanding of the complexities and lasting legacies of this influential period in British political history.So tune in to the latest episode of the Explaining History Podcast and join us on a fascinating exploration of Thatcherism's Contradictions, 1975-2023. Discover how the tension between social conservatism and economic liberalism shaped the political landscape of Britain, leaving an indelible imprint on the nation's social, cultural, and economic fabric. Become a member at https://plus.acast.com/s/explaininghistory. Hosted on Acast. See acast.com/privacy for more information.

Nick Aikens and Elizabeth Robles discuss The Place Is Here (Sternberg Press, 2019) and the range of perspectives on black art in Thatcherite Britain offered by the collection of artworks, essays, and conversations found in the book. The Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the varying perspectives and approaches of a group of artists who challenged the dominance of white heterosexual men in the canon of contemporary art. The many artists discussed and displayed here do not make up a “movement” or a school or a chronological progression, but represent the diverse interests and activities of artists across a decade and beyond. They grapple with black nationalism, anti-colonialism and postcolonialism, anti-Thatcherism, black feminism, black queer subjectivity, psychoanalysis, forms of narrative and documentary image-making, in different ways and through different modes of representation across a range of media. The book, which grows out of a series of exhibitions that began in 2014, offers essays, close readings of selected works, panel discussions, and archival presentations, bringing together different voices and generational perspectives. Contributions come from the artists themselves, established scholars, and younger practitioners, critics, and art historians. They discuss the exhibitions, call for a reappraisal of dominant art historical approaches, and consider the use and role of the archive in artworks; look at works by Mona Hatoum, Martina Atille, Said Adrus, Chila Kumari Burman, and Pratibha Parmar; and present key documents and other material. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nick Aikens and Elizabeth Robles discuss The Place Is Here (Sternberg Press, 2019) and the range of perspectives on black art in Thatcherite Britain offered by the collection of artworks, essays, and conversations found in the book. The Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the varying perspectives and approaches of a group of artists who challenged the dominance of white heterosexual men in the canon of contemporary art. The many artists discussed and displayed here do not make up a “movement” or a school or a chronological progression, but represent the diverse interests and activities of artists across a decade and beyond. They grapple with black nationalism, anti-colonialism and postcolonialism, anti-Thatcherism, black feminism, black queer subjectivity, psychoanalysis, forms of narrative and documentary image-making, in different ways and through different modes of representation across a range of media. The book, which grows out of a series of exhibitions that began in 2014, offers essays, close readings of selected works, panel discussions, and archival presentations, bringing together different voices and generational perspectives. Contributions come from the artists themselves, established scholars, and younger practitioners, critics, and art historians. They discuss the exhibitions, call for a reappraisal of dominant art historical approaches, and consider the use and role of the archive in artworks; look at works by Mona Hatoum, Martina Atille, Said Adrus, Chila Kumari Burman, and Pratibha Parmar; and present key documents and other material. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Nick Aikens and Elizabeth Robles discuss The Place Is Here (Sternberg Press, 2019) and the range of perspectives on black art in Thatcherite Britain offered by the collection of artworks, essays, and conversations found in the book. The Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the varying perspectives and approaches of a group of artists who challenged the dominance of white heterosexual men in the canon of contemporary art. The many artists discussed and displayed here do not make up a “movement” or a school or a chronological progression, but represent the diverse interests and activities of artists across a decade and beyond. They grapple with black nationalism, anti-colonialism and postcolonialism, anti-Thatcherism, black feminism, black queer subjectivity, psychoanalysis, forms of narrative and documentary image-making, in different ways and through different modes of representation across a range of media. The book, which grows out of a series of exhibitions that began in 2014, offers essays, close readings of selected works, panel discussions, and archival presentations, bringing together different voices and generational perspectives. Contributions come from the artists themselves, established scholars, and younger practitioners, critics, and art historians. They discuss the exhibitions, call for a reappraisal of dominant art historical approaches, and consider the use and role of the archive in artworks; look at works by Mona Hatoum, Martina Atille, Said Adrus, Chila Kumari Burman, and Pratibha Parmar; and present key documents and other material. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Nick Aikens and Elizabeth Robles discuss The Place Is Here (Sternberg Press, 2019) and the range of perspectives on black art in Thatcherite Britain offered by the collection of artworks, essays, and conversations found in the book. The Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the varying perspectives and approaches of a group of artists who challenged the dominance of white heterosexual men in the canon of contemporary art. The many artists discussed and displayed here do not make up a “movement” or a school or a chronological progression, but represent the diverse interests and activities of artists across a decade and beyond. They grapple with black nationalism, anti-colonialism and postcolonialism, anti-Thatcherism, black feminism, black queer subjectivity, psychoanalysis, forms of narrative and documentary image-making, in different ways and through different modes of representation across a range of media. The book, which grows out of a series of exhibitions that began in 2014, offers essays, close readings of selected works, panel discussions, and archival presentations, bringing together different voices and generational perspectives. Contributions come from the artists themselves, established scholars, and younger practitioners, critics, and art historians. They discuss the exhibitions, call for a reappraisal of dominant art historical approaches, and consider the use and role of the archive in artworks; look at works by Mona Hatoum, Martina Atille, Said Adrus, Chila Kumari Burman, and Pratibha Parmar; and present key documents and other material. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

What's the point of comedy? Stand-ups were at the forefront of the cultural backlash against Thatcherism, but today's meme-driven lols are rarely in the service of left-wing politics. Meanwhile, the world's most powerful people seem intent on having a laugh, from podcasting politicians to presidential comedians. In this Trip, Jeremy Gilbert, Nadia Idle and Keir […]

What's the point of comedy? Stand-ups were at the forefront of the cultural backlash against Thatcherism, but today's meme-driven lols are rarely in the service of left-wing politics. Meanwhile, the world's most powerful people seem intent on having a laugh, from podcasting politicians to presidential comedians. In this Trip, Jeremy Gilbert, Nadia Idle and Keir […]

A Nation of Shopkeepers explores the unstoppable rise of the petite-bourgeoisie, one of the most powerful, but underexplored, classes in modern society.The petite-bourgeoisie — the insecure class between the working class and the bourgeoisie — is hugely significant within global politics. Yet it remains something of a mystery.Initially identified as a powerful political force by theorists like Marx and Poulantzas, the petit-bourgeoisie was expected to decline, as small businesses and small property were gradually swallowed up by monopoly capitalism. Yet, far from disappearing, structural changes to the global economy under neoliberalism have instead grown the petite-bourgeoisie, and the individualist values associated with it have been popularized by a society which fetishizes "aspiration", home ownership and entrepreneurship. So why has this happened?A Nation of Shopkeepers sheds a light on this mysterious class, exploring the class structure of contemporary Britain and the growth of the petite-bourgeoisie following Thatcherism. It shows how the rise of home ownership, small landlordism and radical changes to the world of work have increasingly inculcated values of petite-bourgeois individualism; how popular culture has promoted and reproduced values of aspiration and conspicuous consumption that militate against socialist organizing; and, most importantly, what the unstoppable rise of the petit-bourgeoisie means for the left.Dan's book: https://repeaterbooks.com/product/a-nation-of-shopkeepers/Acid HorizonPatreon: https://www.patreon.com/acidhorizonpodcastYouTube: https://www.youtube.com/c/acidhorizonMerch: crit-drip.comThe Philosopher's Tarot from Repeater Books: https://repeaterbooks.com/product/the-philosophers-tarot/The Horror VanguardApple Podcasts: https://podcasts.apple.com/us/podcast/horror-vanguard/id1445594437Patreon: https://www.patreon.com/horrorvanguardBuddies Without OrgansApple Podcasts: https://podcasts.apple.com/gb/podcast/buddies-without-organs/id1543289939Website: https://buddieswithout.org/Xenogothic: https://xenogothic.com/Wyrd Signal: https://soundcloud.com/wyrdsignalpodcast

Sam Delaney is a journalist and broadcaster.  I contacted him after I found his article in the Guardian saying that he is having more fun than ever now that he is sober – and he is 7 years sober just like me! Sam hosts two podcasts himself – one of which is called The Reset, a podcast in which he chats to guests about mental health, addiction and recovery He has just published a new book called: Sort Your Head Out -  Mental Health…without the Bollocks In this episode:-  Sam's drinking career got off to an early start when he would go to the park with his friends at the age of 12 – drinking cans of warm beer taken from parents houses He thought nothing of it – it was just what kids did – totally normalised We agreed that times have changed and that a lot of teenage drinking came from the fact that we had so much time on our hands in those days Time to drink, to smoke weed and getting into fights was a kind of hobby to pass the time! Of course these days kids spend much of their spare time online which has a positive side to it In real terms the stats tell us that the UK streets are safer than they were in the 1980's, in spite of constant headlines about knife crime Sam's drinking didn't become problematic until his late 30's when his lifestyle hit a perfect storm The combined pressures of his career, young family, hectic social life as well as maintaining his Jack the Lad identify left him exhausted Exhausted mentally physically and emotionally We talked about the “false narratives” that are common among drinkers and Sam's internal narrative was that he was doing this for the family The drink and drugs were acting as fuel to get him through the day and night – the fun was long gone Another false narrative was that it wasn't harming anyone – whereas in fact his wife was becoming increasingly worried If she expressed her concern he would become hostile and tell her not to try to control him We agreed that the term “rock bottom” was yet another false narrative and that the last thing we should do is wait for the rock bottom Far better to step off the slippery slope as soon as possible rather than think you are fine until you get to that place! We agreed that drinking feels like freedom at first but for some of us it becomes a prison and makes our life very small We lose the ability to enjoy everyday pleasures The example of not seeing the point of a walk in the country unless the destination was a pub says it all! Towards the end of his drinking Sam would wake up each morning feeling awful and resolving not to drink that day – but of course he always did.  He was trapped in the Groundhog Day prison of daily drinking He indulged in yet another false narrative – the one about if you're drinking expensive wine then you must be a connoisseur rather than someone with a problem Of course whether a bottle of wine costs £20 or £8 its still ethanol! One day he booked a session with a therapist at the Priory and that started his recovery I love the fact that he chose what he calls a “hybrid” approach – a bit of AA, a bit of therapy, a lot of reading and most importantly community support and sharing. The modern recovery movement offers a pathway for everybody – and there is no reason why we can't mix and match the various approaches We need to throw the book at our sobriety and do whatever it takes! With 7 years of sobriety Sam can look back on his journey and realises that he'd been white knuckling for the first couple of years It was only a work crisis that made him re-evaluate and realise that he had to go deeper He'd been isolating and realised that he had to “do the work” Part of that work has been connecting with people in recovery and having conversations for his podcast or his articles I've done pretty much the same and learned so much from my podcast guests One of his revelations during sobriety was that it wasn't a binary choice – he didn't have to choose between the Jack the Lad drinker lifestyle or the “sober serious hippie talking in psychobable” as he puts it He could still be Jack the Lad but it would be a sober Jack the Lad with a bit more self awareness and self compassion I loved what he said about how boring drinking becomes after a few decades – about how nothing different ever happens Whereas sobriety is a real adventure and most people have no idea of how awesome their alcohol free life will be before they embark on the journey! He made the very important point that when we ditch the booze we can examine our life and discover what we do that are legitimate sources of fun - what is still fun...even without the drink? Sam mentioned Christmas and Football as examples of alcohol free fun! Conversely what did we waste time on because they were only bearable because they were accompanied by alcohol?! Alcohol actually dumbs us down which can result in us spending time doing stuff or hanging out with people we don't really enjoy For Sam the realisation that he actually had much to enjoy in his everyday life only came with sobriety He's written his book “Sort Your Head Out – mental health without the bollocks” for people feeling anxious, depressed and not knowing how to cope The book title is a clear message that this is not the usual self help book – and is aimed at people who would probably never read a self help book Bearing in mind that suicide is the biggest killer of men under 45 in the UK I think this book will save lives It's the book Sam needed 10 years ago – when he was feeling that way If Sam had read this book he feels he could have avoided his 10 year descent into alcoholism I loved the book and it's worth buying for the brilliant subtitles alone One of the subtitles is “Glamorize Rest” – or to be more precise The Grind is Bullshit so lets Glamorize Rest! Since the Thatcherism of the 80's we've all been encouraged to keep our noses to the grindstone and its been a badge of honour to be “busy” This culture has led so many people to burnout It's time for a change – to change the competitive nature of busyness and start showing off about how many naps we had! Sam's favourite chapter – and mine is called “Thank You Alcohol” We were both driven to a point of crisis by alcohol – a crisis that opened us up to a new way of life Had we been normal drinkers we wouldn't have been so incentivised to do the work and to change our lives so radically I asked him for tips and he quoted his therapist who recommended “playing the movie forward” when hit by cravings His therapist also reminded him that nobody ever regrets having had a drink the previous evening! We both agreed on the importance of sharing – the huge relief we feel when we realise that there is nothing wrong with us – we just got addicted to an addictive substance like 20% of social drinkers do! If you're looking for a safe and supportive community where you can share your ups and downs please go to tribesober.com and hit join our tribe to read about the support we offer Do grab a copy of Sam's book – Sort Your Head Out - I loved it and the chances are that you know someone battling with depression who really needs to read it I read it on Kindle, its available on Amazon and any London based listeners can pop down to Barnes Bookshop and get a signed copy from Sam when he pops in for his daily visit Check out Sam's podcast – the Reset and you can also subscribe to his newsletter on Substack. He's on Twitter @DelaneyMan and Instagram at theresetsam  More Info Subscription membership – you can join up HERE. To access our website, click HERE. If you would like a free copy of our “Annual Tracker” or our e-book 66 Days to Sobriety, please email janet@tribesober.com. If you would like to come to our Saturday afternoon Zoom Cafe as a guest and meet our community, just email janet@tribesober.com. to join our mailing list click HERE    Episode Sponsor This episode is sponsored by the Tribe Sober Membership Program.  If you want to change your relationship with alcohol then sign up today Read more about our program and subscribe HERE   Help us to Spread the Word! We made this podcast so that we can reach more people who need our help.  Please subscribe and share. If you enjoyed the podcast, then please leave us a 5-star review on Apple podcasts. Take a screenshot of your review, and DM it to Tribe Sober's Instagram page – see PS below for instructions. We'll send you something special to say thank you! We release a podcast episode every Saturday morning. You can follow Tribe Sober on Facebook, Twitter, TikTok and Instagram. 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This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comJohn Gray is a political philosopher. He retired from academia in 2007 as Professor of European Thought at the London School of Economics, and is now a regular contributor and lead reviewer at the New Statesman. His forthcoming book is The New Leviathans: Thoughts After Liberalism. I regard him as one of the great minds of our time, and this is one of my favorite pods ever. For two clips of our convo — how smug liberalism led to Trump and Brexit, and why we shouldn't treat religion as intellectual error — pop over to our YouTube page. Other topics: the Judeo-Christian roots of liberalism; why Catholics never supported eugenics; the genius and licentious life of Michael Oakeshott; how Thatcherism and Reaganism turned into “inverted Marxism”; John's loathing of the “indifference to economic casualties” (e.g. Hillary's “deplorables”); his opposition to Fukuyama; Blair and the Iraq War; the liberal case for border control; the dangers of producing too many elites; Silicon Valley's obsession with eternal life; anti-wokeness in France; how Trump predicted Germany's bind over Russian energy; the disintegrating support for the war in Ukraine; reporting on the Holodomor; Fox News and Dominion; and how the gains of Western civilization could ultimately be saved by non-Westerners.Next week is Cathy Young to discuss Ukraine and what do to about CRT in public schools. Browse the Dishcast archives for an episode you might enjoy (the first 102 episodes are free in their entirety). If you missed last week's transcript with Glenn Loury, it's here for the reading.

To celebrate new Zer0 Classics edition of Mark Fisher's Capitalist Realism, Adam and Will spoke to Alex Niven about his new introduction. Alex joins us in reflecting upon the historical context of the book in the midst of New Labour's Thatcherism, the student riots, and the global financial crisis, as well as exploring the key concepts of the book such as Market Stalinism, Depressive Hedonia, and the spectre of the Marxist Supernanny of postcapitalist desire. As Austerity and neoliberalism try to find a second wind in the midst of global crisis, we ask, how do we envision the emancipated future?Support Zer0 Books on Patreon: https://www.patreon.com/zerobooksSubscribe: http://bit.ly/SubZeroBooksFacebook: https://www.facebook.com/ZeroBooks/Twitter: https://twitter.com/zer0books-----Other links:Check out the projects of some of the new contributors to Zer0 Books:Acid HorizonPatreon: https://www.patreon.com/acidhorizonpodcastYouTube: https://www.youtube.com/c/acidhorizonMerch: crit-drip.comThe Philosopher's Tarot from Repeater Books: https://repeaterbooks.com/product/the-philosophers-tarot/The Horror VanguardApple Podcasts: https://podcasts.apple.com/us/podcast/horror-vanguard/id1445594437Patreon: https://www.patreon.com/horrorvanguardBuddies Without OrgansApple Podcasts: https://podcasts.apple.com/gb/podcast/buddies-without-organs/id1543289939Website: https://buddieswithout.org/Xenogothic: https://xenogothic.com/Support Daniel Tutt's work by visiting the Torsion Groups Patreon account: https://patreon.com/torsiongroupsSupport the show

Episode 2240: Liz Truss Steps Down As The Sharks Already Start To Circle; Thatcherism and Reaganism Has Died Today

Sean and Andy talk about our various malaises: personal, political, and economic. Why does everything feel like shit in the present moment? Is it just us or... Listen to the full 2 hour episode by supporting the show at https://www.patreon.com/posts/ep-194-gilt-trip-72890666 Topics covered include the ideological seduction of 'the left wing of the possible', the near collapse of pension funds in the UK from zombie Thatcherism, what its like working inside a secure state facility behind unscalable fences, the economic outlook for workers in the United States, and the Amazon/Netflix-theory of the contemporary spectacle.

Events in the UK, under their new Prime Minister, Liz Truss, caused us to look again to those folks across the pond and her new economic plan.So we in this MM, we look back at Margaret Thatcher, the Iron Lady as she was known at the height of her popularity, and her greatness at Prime Minister from 1979--1990 with Claire Berlinkski in her magnificent book, There is No Alternative:  Why Margaret Thatcher Matters Key Points from the Episode:Liz Truss's bold economic plan of Supply side growth to get the UK moving againCould this be Thatcherism 2.0?  We hope Ms. Truss adopts the Iron Lady modicum to not go “wobbly”Thatcher smashed British socialism during our reign and that insidious political philosophy hasn't come back in the British realm Other resources:More goodnessGet our top book recommendations listWant to leave a review? Click here, and if we earned a five-star review from you **high five and knuckle bumps**, we appreciate it greatly, thank you so much!Because we care what you think about what we think and our website, please email David@teammojoacademy.com, or if you want to leave us a quick FREE, painless voicemail, we would appreciate that as well.Be sure to check out our very affordable Academy Review membership program at http:www.teammojoacademy.com/support

*He is widely recognised as one of the best comic book writers in the English language with works like From Hell, Watchmen, V for Vendetta, Killing Joke, The League of Extraordinary Gentlemen and Swamp Thing. He's the author of modern literary classics, including Jerusalem, a 1,266-page experimental epic novel, that have led to his legendary status and critical acclaim. *He is also an occultist, a ceremonial magician and an anarchist.   *ALAN MOORE beamed into the Bureau for an afternoon  conversation about counterculture - in his own life and work and in the past, the present and in the future.   *We also dig deep into the 60s, the 70s, Thatcherism, Britpop, the power of The Arts Lab, why he doesn't watch the adaptions of his work, the power of limitations to foster creativity and much much more.   *Alan's storytelling course on BBC Maestro:  https://www.bbcmaestro.com LONDON MONTH OF THE DEAD http://www.londonmonthofthedead.com THE REAL TUESDAY WELD http://www.tuesdayweld.com Join us and support our wild endeavours https://www.bureauoflostculture.com #alanmoore #michaelmoorcock #counterculture #artslab #london #malcolmmclaren 

Last week, in the aftermath of both Party and Pinchergate – not to speak of sky-high inflation and higher taxes - Boris Johnson resigned as Prime Minister of the United Kingdom. For many, the writing has been on the wall for months: small ethical problems snowballing because of mismanagement and lies; large economic problems fostered by increasingly leftist policies. In light of these challenges, Johnson's great Brexit achievement's luster began to fade. The coming days and weeks promise an unseemly scramble for leadership of Britain's Conservatives. Where will the Tories go? A rebirth of Thatcherism to face Britain's crises? Or more drift to the squashy left? More importantly still, are there lessons for the United States in the BoJo debacle? These questions and more in today's episode with Alan Mendoza. Mendoza is the Co-Founder and Executive Director of The Henry Jackson Society, a leading UK think tank. Download the transcript https://www.aei.org/wp-content/uploads/2022/07/Mendoza-Final-Transcript.docx (here).

Forty years ago the writer Paul Theroux hoisted his knapsack on his back and set off on a journey on foot around the coast of the United Kingdom; the effects of Thatcherism were being felt in earnest and the Falklands War was in progress. The Kingdom by the Sea, Theroux's grumpy, funny account of this journey, was published the following year (1983) and caused outrage in many of the seaside towns the author had passed through and seemingly written off. In this episode the Backlisted team - Andy, John, Nicky and Tess - revisit the book, and a few books like it, to discuss whatever happened to travel writing; how Britain has changed since 1982; and what Theroux got right - and wrong - about his adopted country. In addition, John enjoys a more recent travelogue, Felicity Cloake's new book Red Sauce Brown Sauce: A British Breakfast Odyssey (Mudlark); while Andy reads two poems from Fiona Benson's stunning new collection Ephemeron (Cape Poetry). For more information visit https://www.backlisted.fm Please support us and unlock bonus material at https://www.patreon.com/backlisted

In the 90s, Oasis took over popular culture and rock music in the UK. As the country moved out of Thatcherism and into a new era of Cool Britainnia, the Gallagher Brothers, Noel & Liam, led the way with their Beatles-esque string of hit singles and albums. However, in the US they never quite got the traction they assumed was inevitable to rule North America as well as England. Why is that? Was it the Gallaghers' constant fighting? Their unabashed cockiness? Their untamed unibrows? The Wolf has struggled for years to get more of his US friends to understand the greatness of Oasis and their melodies so we explore the UK phenomenon of Oasis with Paul Stephenson from Vintage Rock Pod & This Day Rocks to understand what it was like to grow up in the UK during those heady times. As the Liam and Noel are set to start their own tours of the UK, which of the Gallaghers are you most likely to see live? A Proud Member of the Pantheon Podcast Network https://cms.megaphone.fm/channel/werewolf @ugly_werewolf @actionjax72 https://www.vintagerockpod.com/ @vintagerockpod Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 90s, Oasis took over popular culture and rock music in the UK. As the country moved out of Thatcherism and into a new era of Cool Britainnia, the Gallagher Brothers, Noel & Liam, led the way with their Beatles-esque string of hit singles and albums. However, in the US they never quite got the traction they assumed was inevitable to rule North America as well as England. Why is that? Was it the Gallaghers' constant fighting? Their unabashed cockiness? Their untamed unibrows? The Wolf has struggled for years to get more of his US friends to understand the greatness of Oasis and their melodies so we explore the UK phenomenon of Oasis with Paul Stephenson from Vintage Rock Pod & This Day Rocks to understand what it was like to grow up in the UK during those heady times. As the Liam and Noel are set to start their own tours of the UK, which of the Gallaghers are you most likely to see live?A Proud Member of the Pantheon Podcast Networkhttps://cms.megaphone.fm/channel/werewolf@ugly_werewolf@actionjax72https://www.vintagerockpod.com/@vintagerockpod

Civil servants' "trade union seems to want them to be in Tuscany to call into work" The Cabinet Office Minister on the Baxdendale Report, returns to Thatcherism and why he was right to say Partygate is "disproportionate fluff".

This week on “The Learning Curve,” co-hosts Cara Candal and Gerard Robinson talk with Charles Moore, a columnist for The Daily Telegraph and The Spectator, and the authorized, three-volume biographer of Lady Margaret Thatcher. Lord Moore explains why Lady Thatcher is considered the most important female political figure of the 20th century, and reviews the challenges she faced at home and abroad, from trade […]