Podcasts about Metropol

Alan Philps tells of Nadia, a translator at the Metropol Hotel who became a "secret dissident" after losing faith in Stalinism during the purges. She trusted Australian journalist Godfrey Blunden, believing him to be more reliable than "snobbish" British or career-driven American reporters. She shared her true, dangerous views with him and even took him to visit private Soviet homes, which was strictly forbidden. However, Blunden betrayed her by publishing a novel that thinly disguised her identity and the locations she had shown him. This led to Nadia's arrest in 1948 and an eight-year sentence in the Gulag, where she faced starvation. Her husband and daughter were also broken by the system. Nadia eventually survived, moving to Israel in the 1970s. Philps notes that her grandson is now a professor in Jerusalem, offering a rare "happy ending" amidst the broader tragedy of Soviet brutality. (3)1906

Alan Philps tells the story of Tanya, a 28-year-old woman who used her English skills to escape a life of poverty and suspicion in Moscow. Denied education due to her "bourgeois" background, she became a translator at the Metropol for correspondent Ronnie Matthews. Matthews, a heavy-drinking but devoted reporter, eventually begged her to marry him. The Soviets attempted to prevent her departure, but Matthews refused to leave the country without her, forcing the authorities to grant her an exit permit. In Cairo, Tanya's glamorous lifestyle and tennis matches with a British general sparked unfounded rumors that she was a Soviet "honey trap." Despite being under surveillance by both British and Soviet intelligence, she successfully built a new life in the West. Her story was later chronicled in a 1993 BBCdocumentary titled Going Back. (4)1914

Wed, 08 Jul 2026 03:45:00 +0000 https://jungeanleger.podigee.io/3220-borsepeople-im-podcast-s25-14-andrea-maier b7c3101dfdf6349eb8e6d654761213f3 Andrea Maier ist Country Medical Director bei Roche. Vor einem halben Jahr ist Andrea im Metropol als Sängerin aufgetreten und da hab ich sie danach angesprochen, weil ich gerade Stimmen für einen Weihnachtssong suchte. Wurde dann rasch umgesetzt und auch bei einem besonders emotionalen (Abschieds)Lied hat mir Andrea geholfen. Nun gibt es einen Börsepeople-Podcast mit der Pharma-Topanagerin und Ärztin, wir sprechen u.a. über Aufgaben bei AbbVie, Themis, GSK und vor allem Roche, aber auch über Sport, den Kilimandscharo, Nepal bzw, den Life Science Standort Österreich. Und über einen Hut. https://www.roche.at Songs mit Andrea: http://www.audio-cd.at/music Börsepeople Werner Lanthaler: https://audio-cd.at/page/podcast/7101 About: Die Serie Börsepeople des Podcasters Christian Drastil, der im Q4/24 in Frankfurt als "Finfluencer & Finanznetworker #1 Austria" ausgezeichnet wurde, findet im Rahmen von http://www.audio-cd.at und dem Podcast "Audio-CD.at Indie Podcasts" statt. Es handelt sich dabei um typische Personality- und Werdegang-Gespräche. Die Anniversary Season 25 wird nach davor 24 Seasons mit fixen Presentern und insgesamt 574 Folgen (seit 2022 jeden Montag, Mittwoch und Freitag) nun für eine Freestyle-Phase ohne fixe Sendetermine sorgen, die bis Ende Sommer dauert. Als Nebeneffekt soll die Logistik rund um Drastils Fanboy-Buch, vgl. http://www.christian-drastil.com , erleichtert werden. Welcher der meistgehörte Börsepeople Podcast ist, sieht man unter http://www.audio-cd.at/people. Der Zwischenstand des laufenden Rankings ist tagesaktuell um 12 Uhr aktualisiert. Bewertungen bei Apple (oder auch Spotify) machen mir Freude: http://www.audio-cd.at/spotify , http://www.audio-cd.at/apple . Du möchtest deine Werbung in diesem und vielen anderen Podcasts schalten? Kein Problem!Für deinen Zugang zu zielgerichteter Podcast-Werbung, klicke hier.Audiomarktplatz.de - Geschichten, die bleiben - überall und jederzeit! 3220 full no Christian Drastil Comm. (Agentur für Investor Relations und Podcasts) 1991

Anfang der 1930er Jahre ist der 1. FC Nürnberg einer der erfolgreichsten Fußball­vereine Deutschlands und steht für schichten­über­grei­fen­de Fußball­­be­geis­terung und Sportsgeist. Doch ausgerechnet der angesehene Trainer des „Clubs“, Jenő Konrád, wird 1932 zum Opfer einer antisemi­ti­schen Kampagne der lokalen National­sozia­listen. Nicht einmal ein Jahr später wird der Verein den Aus­schluss seiner jüdischen Vereins­mit­glieder be­schließen – und sich Stück für Stück in den Dienst der NS-Herr­schaft stellen. In der neuen Folge von „Zeitlupe“ zeich­nen wir mit dem Zeit­histo­ri­ker Dr. Matthias Braun die Geschichte des 1. FC Nürnberg im National­sozia­lismus nach und blicken auch darauf, wie der „Club“ nach 1945 mit diesem Erbe umging. Der Experte: Dr. Mathias Braun ist Wissenschaftlicher Mitarbeiter im Geschäfts­bereich Kultur der Stadt Nürnberg und ist dort in der Stabsstelle „Ehemaliges Reichs­partei­tags­gelände Zeppelin­tribüne/ Zeppelinfeld“ tätig. Der Historiker wurde mit einer Biographie des national­sozia­lis­tischen Bürger­meisters von Nürnberg, Willy Liebel, promoviert: Hitlers liebster Bürger­meister. Willy Liebel (1897-1945), Nürnberg 2012. Weiterführende Literatur: Braun, Matthias: Der 1. FC Nürnberg und die „Stadt der Reichs­partei­tage“ – Verein und national­sozia­lis­tische Kommu­nal­politik, in: Stadt­ar­chive in der Metropol­region Nürnberg (Blog), 14. März 2025, https://stadtarchive-metropolregion-nuernberg.de/der-1-fc-nuernberg-und-die-stadt-der-reichsparteitage-verein-und-nationalsozialistische-kommunalpolitik/. Siegler, Bernd: Heulen mit den Wölfen. Der 1. FC Nürnberg und der Ausschluss seiner jüdischen Mitglieder, Fürth 2022. Den Originalbeitrag und mehr finden Sie bitte hier: https://lisa.gerda-henkel-stiftung.de/zeitlupe_nuernberg_fussball_nationalsozialismus

CELÝ ZÁZNAM STUDIA N LIVE NAJDETE NA HEROHERO.CO/STUDION Jedna zpráva. Jeden tip. A najednou stojíte uprostřed příběhu, který může otřást byznysem, politikou nebo celou zemí. Co stálo na začátku kauz mocných lidí v Česku? Jak se hledají stopy, skládají důkazy a ověřují fakta v klíčových příbězích? A jakému zastrašování čelí investigativní novinářky a novináři? Podívejte se na záznam Studia N live v Olomouci se Zdislavou Pokornou a Lukášem Prchalem z investigativního oddělení Deníku N. O zákulisí práce mluvili s Filipem Titlbachem během festivalu Academia Film Olomouc v kině Metropol. Celý záznam najdete na

In genau 2 Monaten ist die "Metropol Con" in Berlin: eine bunte Phantastik-Mischung auch Kongress und Festival. Ob man überhaupt noch eine Phantastik-Convention braucht, habe ich diesmal mit dem Orga-Vorstand Dr. Claudia Rapp besprochen. Außerdem haben wir ein wenig in die Zukunft geschaut, denn in zwei Jahren könnte sogar die Worldcon nach Deutschland kommen.

Metropol insanı mikropla temasını kaybettikçe, bağışıklığını da kaybediyor. Şehir hayatı mikrobiyotayı beslemek yerine adeta aç bırakıyor. Uzmanlar insan vücudu için büyük öneme sahip olan mikrobiyatanın şehirde yaşayanlarda zamanla bozulduğuna dikkat çekiyor? Peki şehir hayatı mikrobiyatayı neden ve nasıl bozuyor? Genetik ve Mikrobiyoloji Uzmanı Prof. Dr. Recep Keşli'ye sorduk.

Mon, 27 Apr 2026 03:45:00 +0000 https://jungeanleger.podigee.io/3081-borsepeople-im-podcast-s24-19-manuela-wenger 7620eb7358b9e5e10284bbf0bfed7a8b Manuela Wenger ist Beraterin für wertschätzende Unternehmenskulturen und Buchautorin. Kennengelernt haben wir uns im Vorjahr bei einem Manager:innen-machen-Musik-Event im Metropol. Wir sprechen über eine frühe Prägung im elterlichen Betrieb, einen Chefsekretärinnen-Job, Marketing-Aufgaben bei Unilever und Linz AG, über Bud, Terence, den zweiten Bildungsweg und schliesslich die Selbstständigkeit mit "Die Wertschätzerin". Manuela unterstützt Organisationen (da können wir Big Brands als Kunden nennen) dabei, Unternehmenskultur analysierbar und steuerbar zu machen, damit aus gelebter Führung eine starke Employee Experience wird. Finally sprechen wir über Manuelas Buch "Wertschätzung to go" bzw. loben noch die Kassier:innen in den Supermärkten und überhaupt alle, die motiviert und freundlich sind. Homepage und Buch: https://diewertschaetzerin.at Song: https://open.spotify.com/intl-de/artist/7mTlgftgRLad9aLEU1XMGm Melanie`s Einspieler: Trees - https://trees-linz.at/ https://www.strabag-real-estate.com/de-DE/ https://www.mischek.at/de Kontakt: hallo@strabag-real-estate.com bzw,. Hotline +43 720 710 90 90. About: Die Serie Börsepeople des Podcasters Christian Drastil, der im Q4/24 in Frankfurt als "Finfluencer & Finanznetworker #1 Austria" ausgezeichnet wurde, findet im Rahmen von http://www.audio-cd.at und dem Podcast "Audio-CD.at Indie Podcasts" statt. Es handelt sich dabei um typische Personality- und Werdegang-Gespräche. Die Season 24 umfasst jahreszahlbezogen unter dem Motto „26 Börsepeople“ 26 Talks. Presenter der Season 24 ist Strabag Real Estate https://www.strabag-real-estate.com/de-AT/. Welcher der meistgehörte Börsepeople Podcast ist, sieht man unter http://www.audio-cd.at/people. Der Zwischenstand des laufenden Rankings ist tagesaktuell um 12 Uhr aktualisiert. Bewertungen bei Apple (oder auch Spotify) machen mir Freude: http://www.audio-cd.at/spotify , http://www.audio-cd.at/apple . Du möchtest deine Werbung in diesem und vielen anderen Podcasts schalten? Kein Problem!Für deinen Zugang zu zielgerichteter Podcast-Werbung, klicke hier.Audiomarktplatz.de - Geschichten, die bleiben - überall und jederzeit! 3081 full no Christian Drastil Comm. (Agentur für Investor Relations und Podcasts) 2000

An Olivier award-winning physical comedian who has worked in theatres, films, tv, festivals, circuses, cabarets, burlesque and variety shows in over 40 countries, and performed her material in 6 different languages. Forged from vaudeville stock, classical training, and an endless international tour circuit, Amy G is a deluxe weirdo extraordinaire.  Her credits include two of her own shows at Broadway's New Victory Theatre (Writer/Asst. Director/Lead in AntiGravity's Crash Test Dummies, and Daredevil Opera Company's Cirkus Inferno), Sydney Opera House, The Kennedy Center, Adelaide International Festival, Festival International de Teatro de Bogota, Montreal's TOHU, Macau Centre for the Arts, and Taipei, Hong Kong and Okinawan Arts Festivals.  As co-director and co-star of the Daredevil Opera Company, she created and toured original pyrotechnic physical comedy shows for 6 years, doing over 600 shows in 33 different countries. In NYC, Amy's many solo shows (Entershamement, Round She Goes, Loving Abroad, and On A Roll) have played at Joe's Pub, Dance Theatre Workshop, Symphony Space, The Deluxe at Spiegelworld, The Duplex, NY Intl Clown Theatre Festival and the Bard Spiegeltent. Internationally, she has performed solo shows in theatres around the UK including London's Hippodrome and Southbank Centre, Edinburgh and Brighton Fringe, Australia: Adelaide & Melbourne Cabaret Festivals, Ireland: Bosco Theatre, Germany: Dresden's Schaubudensommer, France: Versailles Festival de Rocquencourt, Antibes FestiFemme, Austria: Vienna's Metropol, Stadtsaal and Innsbruck's Festival of Dreams, Czech Republic: UFFO, and the Seychelles: Kempinski Resorts. She lives in Red Hook, NY with a husband but calls any place with keys and a bicycle (or Vespa, or rollerskates, for that matter) home.  

Když se řekne cirkus, mnozí si vybaví jen vůni cukrové vaty a záři reflektorů. Stačí však vstoupit do velkolepého prostoru barevného šapitó, které vyrostlo v Hradci Králové přímo pod ikonickými fotbalovými „lízátky", a rázem se ocitnete v úplně jiném světě.

7. Tanya, a glamorous Russian barred from education, becomes a translator for Ronnie Matthews. Through her determination, she secures a future within the Metropol. Ronnie eventually marries her and successfully negotiates her escape from the Soviet Union, leading to a new life in Cairo and London, despite suspicions of being a spy. (24)1942 MOSCOW

4. Philps recounts a chaotic press conference involving correspondent Ralph Parker and his secretary Valentina. Despite rumors of NKVD ties, Valentina died in poverty. The mystery of Parker's true loyalties—whether he was a British, American, or Soviet spy—remains unresolved, illustrating the pervasive atmosphere of suspicion and paranoia within the Metropol. (21)1942 BRITS IN NORTH AFRICA

1. Alan Philps introduces *The Red Hotel*, detailing Moscow's Metropol Hotel in 1941. Foreign correspondentsstruggled with Soviet censorship while relying on Russian secretaries for survival. British communist Charlotte Haldane arrives, idealistically seeking to report on the "heroic" Red Army while navigating the starvation and chaos of the early war years. (18)1942 MOSCOW

Kdysi v centru Bruselu fungovalo na pět desítek loutkových divadel určených hlavně pro dělnickou třídu, která si běžné divadlo nemohla dovolit. Dnes v belgické metropoli zbyla poslední tradiční loutková scéna – Královské divadlo Toone. V roce 1830 ho založil Antoine Genty přezdívaný Toon. Když dnes nedaleko náměstí Grand Place vkročíte do starobylé budovy s úzkými chodbičkami a dřevěnými krovy, jako byste se rázem vrátili v čase.Všechny díly podcastu Zápisník zahraničních zpravodajů můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Send us a textFrom the Fanachu archives - here is the eleventh ever episode of Fanachu, recorded and hosted by the Godfather and Founder of Fanachu - Manny Cruz way back in 2017. Fanachu was started by Manny Cruz through the Media Committee for Independent Guåhan and many of those early episodes were recorded either in classrooms in the Humanities and Social Sciences Building at the University of Guam.For this episode, Manny spoke to taotao Hågat and former Assistant Secretary to the Department of the Interior for Insular Affairs Tony Babauta. He talked about his experiences working in Guam politics and in D.C. on on issues related to the US territories and how we could gain some traction on issues like political status and decolonization. This episode was produced by Manny Cruz and premiered on Soundcloud on February 15, 2017. Look out for more episodes from the archives as migrate Fanachu content to new platforms. Support the show

Stát Pará na severu Brazílie dal název plodu, který v Česku známe jako para ořechy. Metropolí tohoto regionu je Belém, kterému se přezdívá „brána do Amazonie“ a někdy také „město mangovníků“. Ty v něm totiž lemují všechny hlavní bulváry a místní tak mají kdykoli po ruce šťavnatou svačinu. Někteří toho využívají i k poměrně snadnému přivýdělku.Všechny díly podcastu Zápisník zahraničních zpravodajů můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Christopher & Jobst im Gespräch mit WestBam. Wir sprechen über den Traum Mittelstürmer zu sein, sein 19-jähriges Ich an die Wand spielen, mit Traditionen brechen, leichter gewordenes DJing, täglich durch den Tiergarten gehen, hin- und hergerissen zu Johnny Rotten sein, ein Lied mit Iggy Pop machen ist wie das 7 zu 1 gegen Brasilien, als junger New Waver ins legendäre Metropol, eine laufende Soundwelle, die Geheimkunst des Mixens, seit Anfang der 90er gen DJ tanzen, auf einer Seite mit Genesis P. Orridge, das Manifest "Was ist Record Art?", musikalischer Spätzünder sein, drei Jahre lang "Oh Mandy" hören, ein späterer Mr. Universum, andere Hardrocker unterhielten sich über Punk-Gesang, ein gutes Hardrock-Album mit komischen Vocals drüber, Gewürze in Hengelo kaufen, Spiky Hair statt lange Haare, Sicherheitsnadel durchs Ohr stechen, Hassliebe auf die Engländer, musikalische Erziehung durch BFBS & John Peel, das Album "Ein Produkt der Deutsch-Amerikanischen Freundschaft", frühe Fad Gadget, "Holidays in Cambodia", in den frühern Achtzigern hatten Bands den technischen Fortschritt mit drin, sich gegen die antiautoritären Eltern widersetzen, Krautrock roch nach Moschus, ein Harlem Globetrotters-Flipper im Odeon, das Hundehalsband von Sally, alles Scheiße in der Provinz, selbstgemacht Batik-Shirts mit Kaninchenfellmänteln und Gummistiefeln, Feuerlegen und Isetta-Fahren, "Wir gegen die Spießer", Kinder sind konservativer als Eltern, ab 11 Kampfsport machen, eisenharte Disziplin, abgefahrene Bilder vom Acid-Freak-Erzieher Peter, rauchend ohne Sicherheitsgurt im Auto, der frühe Tod des Vaters, Kunststudent mit Uniformjacke, Annabelle von Bow Wow Wow lieben, bei Annette Benjamin pennen, Crazy Colors & Bondage-Hosen, der Stern der DJ-Ära, nie im Sounds gewesen sein, "Wir Kinder vom Bahnhof Zoo", Döner in Shibuya, die beiden großen Berlin Smells Döner & U-Bahn, in die Music Hall am Walther-Schreiber-Platz pilgern, "Der Mussolini" & "Papa´s got a brand new pigback", David Bowier: Der schönste Mann im Westen, auf Punk-Urlaub von den Eltern weg, die Groschen sind alle, im Zeichen der Fische geboren, die D-Punks, die Chaos-Tage in Hannover, verfolgt von englischen Soldaten, schnorren für n Kebab, Norbert von VD, Highlander der Jugendkultur sein, für das Recht auf Ungemütlichkeit kämpfen, schon immer erwachsen sein wollen, vom Bassisten vom Stranglers mit ins Konzert genommen, Salomé & Die geilen Tiere, nichts üben aber gleich alles können, die Disco Riot-Reihe auf Low Spirit, Punk war der letzte Versuch von Rock´n´Roll sich gesund zu schrumpfen, Ende der 80er-Jahre im Tempo über DJing schreiben, der Beginn einer neuen Ära, als junger Punk in West-Berlin verliebt sein, das Buch "Schulhorror", der Ober-Punk von Berlin DJ Fetish, Bestellungen fürs World´s End aufgeben, "Temptation" von Heaven 17, Killing Joke im Odeon, zum Dom-Radio aus Münster nicht Nein sagen, religiöse Tiefen im Punk nicht so ausleben können, die Hiltrup-Punks wollten einen knattern, immer alles ausprobieren wollen, William und die Anzüge aus dem Korrekt, mit der Legende DJ Chris überworfen haben, bester Berliner DJ im Tip, von 1 bis 9 Uhr auflegen, 130 BpM High Energy, das Label Trax Records, eine Sehnsucht nach Werken haben, NDW ist nicht an Fräulein Menke gestorben, der sogenannten Ausverkauf, das erste Rave-Erlebnis mit Wick Vaporup & Ectasy, die Macht der Nacht, mit den Stereo MCs in der Werner-Seelenbiner-Halle, nur weil es klein ist ist es auch nicht immer ein gutes Publikum, viele Leute haben ein Dünkel, WestBams eigene Kultur-Theorie, Björk ist Geschmacks-Mittelschicht, der Gönner aller Schnorrer sein, gern mal für 700 Euro essen gehen, westfälisch klug wirtschaften, TikTok-DJs mit 180BpM, süchtig nach YouTube Shorts, der Untergang der Welt, uvm.Zwei Songs für die Playlist1) Ein Lieblings-Punk-Song von Westbam: WIRE - 12XU2) Ein Lied, das den Spirit des frühen Techno am besten vermittelt: DEAD OR ALIVE - You Spin Me Round

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Arranca el Especial de Halloween en La Guarida del Sith con una doble sesión legendaria: Demons y Demons 2, las joyas del terror italiano que convirtieron los cines y los televisores en auténticos portales al infierno. De la mente delirante de Lamberto Bava y bajo la sombra maestra de Dario Argento, llegan criaturas salidas del mismísimo averno, litros de sangre, metal atronador y ese espíritu ochentero que sigue infectando nuestros sueños más turbios. Junto a Antonio Alcaide, David y El Mamado Lidel, abrimos el primer capítulo de una serie especial dedicada al terror, donde el miedo, la risa y la nostalgia se dan la mano con olor a pólvora y demonios. Prepárate para gritar, reír y disfrutar como si estuvieras en el viejo Metropol... Porque venimos de las estrellas… y amamos el terror. Click aqui para saber todo sobre La Guarida https://bio.link/laguaridadelsith

Christopher & Jobst im Gespräch mit Flo über seine Playlist. Wir sprechen über Expertentum für alles, Sugarcubes im Metropol, wiederentdeckt durch die Bloodstains-Sampler, Electric Deads auf "Welcome to 1984", neue Songs von Pauline Murray, der Gitarrist von Misantrophic Charity & Enola Gay, die erste L.U.L.L.-LP, Squandered Message im Ungdomshuset, wie es sich gehört in Landessprache singen, der offizielle norwegische Fußball-EM-Song von Racer, "Wir sind Bauern aus dem Norden", zwei norwegische Sprachen, "Ingenting For Norge", als wenn die Alpen direkt am Meer sind, 22 Stunden von Oslo nach Tromsø, Molde Punx Go Marching Out, Kawakami Forever, Happy Tom in der Hall of Fame, roher und schnörkelloser und geiler, Double-A-Records, Pjolterguys, die leider nicht so geilen Castro, eine Kurz-Tour mit Heresy, eine Tour mit Ignition, trotz Vordiploms-Prüfung bis 4 Uhr Bier trinken, Green Day als Vorband von So Much Hate, viel mit Fugazi spielen, das Bein des Widows-Gitarrsten, das pure Gold des "Russia Bombs Finnland"-Samplers, die "Punk Ja Yäk"-4CD-Sammlung, ziemlich viele Platten bei Govi klauen, die erste Riistetyt LP im Vinyl Boogie, Selbstgebranntes trinken ist überwiegend gut, mit Lederjacken und Brillen uncool im Schnee stehen, Hardcore-Punk sollte im besten Fall uncool sein, das Stoisch-Beharrliche der Finnen, Bastards & Malinheads in der TEK, Svart Framtid auf Interrail-Tour, eine 9-Song-EP, eine "Back To Berlin"-CD, Pusheads Gesang ist von Terveet Kädet beeinflusst, weiße Lederjacken-Krägen, "Dog is Better Police", Wiederveröffentlichungen auf Höhnie Records, honorable Mention von Kohu-63, die Holy Dolls, der Ebba Grön-Hit ist ein Cover, Peter Ahlqvist von Uproar & Burning Heart, Anti-Cimex live mit zwei Schlagzeugen, unprätentiose Automechaniker, der Name Arschschweiß das einzig Gute an der Band, ein Aufkleber mit blauem Elefant, die Spitzen-Band Nervous Assistant, uvm.ISLANDKUKL (1984) – DismemberedDÄNEMARKSods (1979) – Copenhagen City-X (1981) – Coverboy Electric Deads (1982) – Fish In A Pool Enola Gay (1984, Großraum Kopenhagen) – Enola Gay Kalashnikov (1984, Kopenhagen) – LæderhalseNORWEGENWannskrækk (Trondheim, 1981) - Så FromNorske Budeier (Bergen, 1981) – TopicHjertesvikt A/S (Bodø, 1982) – Tapte VisjonerBetong Hysteria (Oslo, 1982) – Snuten Kommer Fader War (Bergen, 1982) - Religios TerrorAkutt Innleggelse (Nesodden, außerhalb Oslos, 1984) – Jeg NekterSiste Dagers Helvete (Moss, 1983) - Blomster Av PlastikkSvart Framtid (Oslo, 1984) – DisiplinStengte Dörer (Oslo, 1985) – Generalenes FremmarsjBannlyst (Molde, 1985) – Medalje Aller DomAngor Wat (Trondheim, 1985) – PromisesBarn Av Regnbuen (Harstad, 1986) - Vi Vil Ikkje HaKafka Prosess (1986, Oslo) - Mentalt Ute Av BalanseSo Much Hate (Oslo, 1987) – SkyggesidenLife… But How To Live It? (Oslo, 1990) – Green FINNLANDWidows – I wanna be your friend (1980)013 (1980) - Neulat SuonissaRiistetyt (Tampere, 1982) – Protest & SurviveKaaos (Tampere, 1982) - Natsit Ja KommunistitAppendix (1982) – Ei Raha Oo Mun ValuuttaaBastards (Tampere, 1983) – Järjetön MaailmaTerveet Kädet (Tornio, 1984) – TrasvestiittiKansan Uutiset (Helsinki, 1983) - Koira On Parempi Poliisi Rattus (1984) – Reaganin JoululahjaSCHWEDENEbba Grön (1980, Raum Stockholm) - Staten och KapitaletSkitslickers, (Göteborg 1982) – Spräckta SnutskallarCrude SS (Fagersta, 1982) – Sprang Alla KomunhusHeadcleaners – No Sense (1983)Anti Cimex (Göteborg, 1983) – When the Innocent dieAvskum (1984) - Glöm Aldrig HiroshimaMob 47 (Stockholm, 1984) - Kärnvapen AttackSvart Parad (Hedemora, 1985) - Avskaffa Alla JobbSOD (1985, Mjölby) - Styrd VärldRövsvett (1985) - Jehovas VittnenAsta Kask (1985, Stockholm etc.) – Psykist Instabil Raped Teenagers (1986, Linköping) – KontrolleradPuke (1987, Skåne) - Blod Totalitär (1987) – Allas Var LivvvaktDie komplette Playlist auf YouTube.Eine partielle Playlist auf Spotify.

Vilka gjorde signaturmelodin till gamla radioprogrammet Metropol? Vilket är det bästa sångnumret i en svensk film? Hur firades fredsdagen 1945 i Knivsta? Dessa och många andra frågor kommer du att få svar på, samt en inträngande skildring av kulturlivet i grannkommunerna Hallsberg/Kumla. Och stöttar oss gör du genom patreon.com/fyrameterpuss och kramAnders och Fritte Hosted on Acast. See acast.com/privacy for more information.

Christopher & Jobst im Gespräch mit Kent. Wir sprechen über gute Reisepartner, Klappspaten an der Macht, das alte Dänemark vermissen, die ersten legalen Pornos, das Klischee von Hygge, die restriktive Einwanderungspolitik der dänischen SPD, "My Way" von Sid Vicious im TV, die Band Gasolin, absoluter Einzelgänger sein, das Facebook-Profil von God, die verschiedenen Wounded Knee, die 5 Punks von Odense, die Razor Blades aus Glamsbjerg, die Aarhus-Szene im Radio, das alte Ungdomshuset, Hochsensibilität, die verschiedenen Persönlichkeitstypen, Wochenend-Papa-Tum, Black Flag 1983 in Aarhus, die rein weibliche Band TV Pop, zwei Familien, der durchgestylte Kopenhagen-Scheiß, ein halbes Jahr auf der Strasse leben, Konzerte im Hochsicherheitsgefängnis, Prügeleien mit Bikern, Metallicas letztes Konzert mit Cliff Burton, ein fettes X auf dem Handrücken, ein Zeitungsartikel namens "Die Band meines Bruders", eine Ausbildung zum Suchtberater, "diese Straight Edge-Band aus Odense", ein Vertrag mit Starving Missile Records, das Juzi Göttingen, ein Konkurrenz zu Niedegger, das dänische Hoflieferanten-Siegel, Zeuge eines Mordes, das Vietnam Syndrom, Hausmeister in einer dänisch-deutschen Tagesstätte, fälschlicherweise denken es besser machen zu können als Armin, eine L.U.L.L.-Weihnachtsfeier, zu MySpace-Zeiten anfangen zu schreiben, die stalinistischen Betonköpfe der DKP, wir lieben alle Helge, Cow-Punk, echt viele Leute verschleißen, die englische Band The Pukes, "Society" von Eddie Vedder, die Mekons abgöttisch lieben, ein inneres Qualitätsding haben, es total scheiße finden älter zu werden, Muckibude & Yoga, Schlüsselsätze, das Kochbuch für faule Vegetarier, lieber Rebellion statt K-Town, ein Mexikaner um die Ecke vom Metropol, uvm.Drei Songs für die Playlist1) Ein Lied, das der 10-jährige Kent richtig gut fand: THE SWEET - Ballroom Blitz2) Einer der besten dänischen Punk-Songs ever: CITY-X - Langtidsledig3) Ein Song, der zu gut ist, um ihn auf Ukulele zu covern: MADNESS - It Must Be Love

00:00:00 - Hétvégi technikai problémák és zúgás00:02:42 - Elromló eszközök és a karma00:05:42 - Tragédiák az elmúlt napokban00:08:57 - “Pont velem történne?”00:11:01 - Érzéketlen és önző emberek00:16:00 - A Covid hatása napjainkra00:17:56 - Visszatekinteni történelmi dolgokra00:18:46 - Metropol botrány00:24:16 - Félreértések és az e heti tartalmak00:28:36 - WWDC 202500:33:07 - Negatív hozzáállás és “tech ingerküszöb”00:36:48 - Tech fejlesztések00:39:53 - Tech tartalmak00:40:55 - Visszajelzések a hétvégével kapcsolatban00:43:02 - Változások félreértése00:47:07 - Kapu Tibor űrmissziója00:51:50 - Befejezés

Visste du att Helsingfors en gång var en liten fiskeby innan den växte till Finlands pulserande huvudstad? I det här avsnittet djupdyker vi i stadens dramatiska historia – från svenska rötter och ryska erövringar till självständighet och innovation. Henrik Meinander, professor i historia vid Helsingfors universitet berättar om hur staden har formats av krig, handel och platsen vid havet.Programledare: Fritte FritzsonProducent: Ida WahlströmKlippning: Silverdrake förlagSignaturmelodi: Vacaciones - av Svantana i arrangemang av Daniel AldermarkGrafik: Jonas PikeFacebook: https://www.facebook.com/alltduvelatveta/Instagram: @alltduvelatveta / @frittefritzsonHar du förslag på avsnitt eller experter: Gå in på www.fritte.se och leta dig fram till kontakt!Podden produceras av Blandade Budskap AB och presenteras i samarbete med AcastOrganisationer som hjälper Ukrainahttps://blagulabilen.se/http://www.humanbridge.se/https://www.rodakorset.se/https://lakareutangranser.se/nyheter/oro-over-situationen-i-ukrainaUkrainska statens egen lista (militär och civil hjälp)https://war.ukraine.ua/donate/Några organisationer som hjälper Gazahttps://lakareutangranser.se/vad-vi-gor/har-arbetar-vi/palestinahttps://unicef.se/katastrofinsatser/hjalp-barnen-i-gazakrisenhttps://www.rodakorset.se/var-varld/har-arbetar-vi/palestina/gaza/gaza/ Become a member at https://plus.acast.com/s/alltduvelatveta. Hosted on Acast. See acast.com/privacy for more information.

Rejoining our main friends in Metropol, helping a guy start a restaurant!! For character art email art@everytenday.com Join Charlotte, Finley, Rue and their Dad (and Step-Dad) James as they play the second campaign of their Dungeons and Dragons game. Join our discord at http://discord.everytenday.com Every Tenday, Dungeons & Dragons for families and young adventurers. Come join us for our game. We want to hear what you like, what you don't like, and what you'd like to see more of. If you haven't started playing Dungeons and Dragons, we hope to inspire you to start playing, especially with your family and friends. If you're a parent, we want to help you get started playing the game with your kids. Welcome to Every Tenday! Due to the improvisational nature of Every Tenday and other content on our channel, some themes and situations that occur in-game may be difficult for some to handle. If certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode. The three of us here care about your health and well-being.

HOW STALIN'S NKVD MANAGED THE INFORMATION WAR, 1941-45: 1/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged.1945

HOW STALIN'S NKVD MANAGED THE INFORMATION WAR, 1941-45: 2/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged.1945

HOW STALIN'S NKVD MANAGED THE INFORMATION WAR, 1941-45: 3/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged 1945 POLISH ARMY

HOW STALIN'S NKVD MANAGED THE INFORMATION WAR, 1941-45: 4/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged.1914

HOW STALIN'S NKVD MANAGED THE INFORMATION WAR, 1941-45: 5/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged.1918 REVOLUTION

HOW STALIN'S NKVD MANAGED THE INFORMATION WAR, 1941-45: 6/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged.1911 BORODINO

HOW STALIN'S NKVD MANAGED THE INFORMATION WAR, 1941-45: 7/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged.1900 RUSSIA

HOW STALIN'S NKVD MANAGED THE INFORMATION WAR, 1941-45: 8/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged.1917 KREMLIN

MOSCOW IN WARTIME, THEN AND NOW: 4/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1914 WAR START

MOSCOW IN WARTIME, THEN AND NOW: 8/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1911 BORODINO

MOSCOW IN WARTIME, THEN AND NOW: 7/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1916 TSAR NICHOLAS II

MOSCOW IN WARTIME, THEN AND NOW: 6/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1855 RUSSIA

MOSCOW IN WARTIME, THEN AND NOW: 1/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1913 MOCSOW BY GORBATOV

MOSCOW IN WARTIME, THEN AND NOW: 5/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1916 TSAR NICHOLAS II AT THE FRONT

MOSCOW IN WARTIME, THEN AND NOW: 3/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1914 WAR START

MOSCOW IN WARTIME, THEN AND NOW: 2/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1852 TREBKOV

THE BEST FOOD, VODKA, ROMANCES AND BETRAYALS:  5/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author)  https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1941 BATTLE OF MOSCOW

THE BEST FOOD, VODKA, ROMANCES AND BETRAYALS:  7/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author)  https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1941 BATTLE OF MOSCOW

THE BEST FOOD, VODKA, ROMANCES AND BETRAYALS:  168: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author)  https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1941 BATTLE OF MOSCOW

THE BEST FOOD, VODKA, ROMANCES AND BETRAYALS:  8/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author)  https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1943 MOSCOW

THE BEST FOOD, VODKA, ROMANCES AND BETRAYALS:  4/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author)  https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1941 BATTLE OF MOSCOW

THE BEST FOOD, VODKA, ROMANCES AND BETRAYALS:  3/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author)  https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1941 BATTLE OF MOSCOW

THE BEST FOOD, VODKA, ROMANCES AND BETRAYALS:  2/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author)  https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1940 MOSCOW

THE BEST FOOD, VODKA, ROMANCES AND BETRAYALS:  1/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author)  https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era. 1881 HANGING THE PEOPLE'S WILL

EIGHTY YEARS LATER, THE KREMLIN AGAIN FEARS JOURNALISM: 4/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author)  https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era. 1941 MOSCOW