Podcasts about Lambeth

Solidarity 741, 23 April 2025. Articles: Their globalisation may be crashing, but ours must not 20,000 protest for trans rights! Israel pushes people to the coast in Gaza NEU conference votes to back Ukraine The Morning Star's Jewish problem What's happening with We Demand Change Make Unison act against benefit cuts! Having to travel for abortion Students back Sheffield University strike USA: has the pushback started? “No Kings”, 1775 and 2025 The realities of climate migration “Neither London nor Birmingham, but the bostin' Black Country!” How workers beat the Kapp putsch Li Dazhao, China's first communist The Bolsheviks and the syndicalists Vote for a fighting democratic union in PCS MHCLG striking from 22 April Wide support for hospital workers FM strikes pause for reballots G4S striker says: no two-tier system! How can he get away with it? Agnès Varda: a life in images Birmingham bin strikers reject new offer Nationalise steel! A workers' plan for green transition! Lambeth libraries to ballot from 30 April More online: https://www.workersliberty.org/index.php/publications/solidarity/solidarity-741-23-april-2025

Today's guest Michael Gray has transitioned from working behind the salon chair to building a successful career as an editorial and special occasion hair stylist. His talent and passion have led him from styling beautiful brides to perfecting the looks of A-list celebrities on the red carpet and creating looks for hair brand campaigns. Michael's impressive achievements include being a regional finalist in the South East London Heat at The 2017 Wedding Industry Awards and winning first place at The Welsh Open Hairdressing Championships. Now, he's a sought-after figure in the editorial and special occasion hairstyling world. In this episode, Michael shares insights into breaking into the editorial and red carpet niches. He discusses his candid experiences, career-defining moments, and the dedication needed to succeed in this exhilarating field. Whether you dream of styling for high-fashion editorials or creating memorable looks for special events, this episode offers valuable inspiration and practical advice. This interview is part of our new monthly Out and About series, where we record interviews in exciting locations. We're starting at The Travel Cafe in Lambeth, London—a cozy spot for an intimate and inspiring chat about all things hair. Whether you're an aspiring hairstylist looking to enter the editorial scene or passionate about red carpet glamour, this episode with Michael Gray provides tips on niching down, the importance of manifestation, and the dedication required to succeed in this glamorous yet challenging field. Please note we have now moved to our new site at howtocutit.com.  Here you will find the full show notes to todays episode at howtocutit.com/ep355

In episode 135 of the UK Travel Planning Podcast, join host Tracy and Doug as they delve into the fascinating world of World War II sites in London and its surroundings. With numerous inquiries from travellers, they share their insights into the most notable locations to include in your itinerary if you're a history enthusiast.The episode starts with a discussion on London's three major World War II sites: the Imperial War Museum, the Churchill War Rooms, and HMS Belfast. With his keen interest in World War II, Doug provides detailed insights into each site, highlighting their historical significance and visitor experiences. The Imperial War Museum, located in Lambeth, offers a comprehensive look at themed exhibitions. At the same time, the Churchill War Rooms provide a glimpse into the wartime operations and the life of Winston Churchill. HMS Belfast, a Town Class light cruiser, offers an engaging experience with its rich naval history.Tracy and Doug also share their private tour experience with LivTours, where they gained in-depth knowledge from an expert guide. The episode further explores sites outside of London, including Chartwell, Winston Churchill's former home, and Bletchley Park, home of the codebreakers, both accessible from London and offer unique insights into the war efforts.Doug highlights additional World War II sites across the UK for those willing to venture further, such as the Battle of Britain Bunker in Uxbridge, the Imperial War Museum Duxford in Cambridgeshire, and the Western Approaches Museum in Liverpool. Each site offers a distinct perspective on the war, making them worthwhile visits for history buffs.Whether you're a history aficionado or simply curious about the past, this episode offers a wealth of information and tips for exploring the UK's World War II heritage.

In the latest episode of Concilio's Better Places podcast. Account Director Siddo Dwyer sat down with Lambeth's Cllr Rezina Chowdhury – Deputy Leader of the Council (Sustainable Lambeth and Clean Air).  The episode focused on current challenges and policies that she has overseen not just in Lambeth but ones that have had a London wide effect. This included: How Cllr Chowdhury's upbringing and decade of experience in local government have shaped her policy outlook Her message to developers about helping shape the borough of Lambeth and it being open to sustainable development Lambeth's race to achieve Net Zero by 2030 Its groundbreaking Climate Action Plan The borough's transformative approach to the Kerbside Innovative policies addressing air quality and active travel The role of retrofitting in achieving Net-Zero goals We do hope you enjoy this insightful conversation, you can listen to the episode here.

What would you do if you got out of spending your life in prison? If it was me, I would walk the straight line. That is not the case of Thomas Cream. He kept killing. The autobiography from convicted serial killer Todd Kohlhepp titled A Devil Reflects is now available to read for free on Kindle Unlimited and for purchase on Amazon. Click the link below. https://a.co/d/gH2F94i

As we all know, doctors today are better than the doctors back in the 1800's. This one though was one of the worst. Listen to find out about this horrific doctor of death. The Autobiography by Todd Kohlhepp titled A Devil Reflects is now available to read for FREE on Kindle Unlimited and to purchase on Amazon. Click the link below. https://a.co/d/hMd68ip

The discussion of church zones continues with a focus on the altar. It's not just a place to stand, but it's a convergence of flow according to our guest. Listen to gain perspective how to operate in this sacred zone within the church.   #KingdomSpeak  #Podcast #Altar

This week on the People Property Place Podcast

Powerful church services don't just happen, they require intentionality and planning. Listen as an experienced missionary discusses his perceptions of how a church is divided into zones, and how they all interact with each other as a service progresses.   #KingdomSpeak  #Podcast #Church

Today we welcome a true wedding cake chameleon to the pod,  because she can DO IT ALL! Sugar flowers? Yes. Modern, colorful fondant cakes? Yes. Buttercream ruffles, petals, Lambeth? YEP. Baroque classical beauties? You know where I'm going with this. Jenna Jenkins is the face behind ButterSugarFlour, 2024 winner of Best Wedding Cakes at the American Cake Awards, AND the Executive Cake Designer at Philadelphia-based Cescaphe Events. Today we're talking about: Jenna's experience working in a high-volume cake design environment by day, and running her solo cake biz by night The importance of communication with your team, employees, and clients when working with tons of details Jenna's thoughts on how to be a lifelong learner and building long-term client relationships The excitement of working toward and finally WINNING Best Wedding Cakes at the American Cake Awards Jenna's tips on how to hack your workflow and how to find a cake design job that will improve your skills Support Jenna on Instagram and Facebook! Support the podcast on Instagram, or follow Blayre's biz on Instagram And be sure to tell your baker friends about the pod and leave us a 5-star review wherever you listen!

Prince William was put on the spot while helping out at a Christmas party for the homeless in London. In his new ITV documentary, Prince William: We Can End Homelessness, he is seen lending a hand at The Passage, a homeless shelter close to his heart. However, when he floated the idea of leaving the kitchen crew to mingle with guests, chef Claudette wasn't having it. With a playful, “Oh, you're trying to escape the work, I'm watching you!” Claudette reeled him back in, sparking laughter from the Prince. Clearly unfazed, William later took on the less glamorous job of clearing plates, showing he was game for whatever was needed.The documentary gives an inside look at the first year of William's Homewards initiative, which aims to tackle homelessness with a strategy to make it “rare, brief, and unrepeated.” This goal takes inspiration from William's childhood visits to shelters with Princess Diana and is focused on six regions, including Newport, Lambeth, and Aberdeen. The project brings together charities, local councils, and government departments, and in one scene, Big Issue founder Lord John Bird makes it clear that he'll hold William accountable: “We need the expertise of everybody.” William backs him up, agreeing that it's a “team game.”Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!Subscribe now for 'Palace Intrigue,' without interruptions and get bonus content from Deep Crown (our exclusive Palace Insider!) You'll also get 'Daily Comedy News,'  '5 Good News Stories' and the other podcasts on the network with no commercials! The bundle of over 20 podcasts is just $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!Subscribe to Deep Crown's free weekly editorial at: https://deepcrown.substack.com

In a significant interview on the Rest is Politics Podcast England's Archbishop of Canterbury Justin Welby, has denied the teaching of the bible, and the teaching of his church. It is Archbishop Welby's most public betrayal of his ordination and consecration vow to ‘banish error and to uphold and defend the truth taught in Scripture.'Archbishop Welby's comments came on the eve of an important House of Bishops meeting in the UK, which considered a request from a group called The Alliance, consisting of 2360 clergy whose churches represent 42% of the Church of England's Sunday attendance, and who hold to the Bible's teaching on sexuality.They are asking for a separate orthodox province to be created within the Church of England. Vaughan Roberts is the senior minister of St. Ebbe's in Oxford, and is one of the signatories of the request from The Alliance. Church Suite Taster Days in Sydney and BrisbaneCheck out the new church management software ChurchSuite. Gavin and Luke are hosting five taster days in Sydney and Brisbane in November. The Church Cohttp://www.thechurchco.com is an excellent website and app platform built specifically for churches. Support the show--Become a regular financial supporter of The Pastor's Heart via Patreon.

Get ready for a massive dose of feel good with the incredible Cynthia Green! The eagle eyed of you may recognise her from the hit shows Married At First Sight UK & Netflix's Love Is Blind. A Registrar & Wedding Celebrant for nearly three decades, Cynthia takes me on a heartfelt and humourous journey of how she got to where she is today! We start by chatting about how a random job advert in the job section of the paper catapulted her into the career that she adores so much to this day. Juggling a family, a job in a cake factory AND studying for a degree, Cynthia's determination, tenacity and authentic personality shone through in her interview, with the interviewer citing it as the best one they'd ever conducted! Born and raised in Bolton, Cynthia tells me her personal circumstances at the time prompted an epic move to London, to be closer to her twin sister and she continued her role in Lambeth. The beginning of an exciting new chapter for her, she hit the ground running and quickly got her first taste of the limelight being a part of the live wedding on the London Eye on GMTV! That wasn't to be the end of her TV experiences, in fact ONLY the beginning! What followed was Channel 4's Wedding House, where she married 46 couples over 26 days, Married at First Sight UK and Netflix's Love Is Blind! Often when we think of "celebrant" and "registrar" we immediately think of weddings and joy, as much as that is a big part of Cynthia's job, the reality is that the other pillars of the work are births and deaths, something which I myself hadn't considered until having the conversation with her. We chat about the pride she felt being able to conduct her own twins' wedding ceremony, to the bittersweet responsibility of registering her own parents' deaths. The eloquency in which Cynthia describes the honour that she felt being able to see her name on those certificates is so moving, and the emotions that must go along with this are huge, especially when it's your loved ones. We chat about the ways in which she navigates her life, filled with laughter and positivity with her fiancee Milo, citing him as one of her biggest sources of smiles and fun, especially in times when the nature of her role can be heavy. The importance of finding little gems of joy in every day is a big part of the way in which Cynthia combats the negativity in the world too. Such an interesting insight into the industry, not only the behind the scenes gossip (love this part!!) but the emotions that go along with it and the complexities in which the role is filled with. There are some hilarious moments in this episode! From a bride repeating her vows in a Bolton accent when English wasn't her first language, clown shoes and red noses, themed weddings, to the dreaded question "Does anyone believe there is a lawful impediment..." and the time when the answer was a YES, my jaw nearly hit the floor, I was on the edge of my seat! Being at the forefront of so many weddings over the past 27 years, Cynthia excitedly tells me about her very own upcoming wedding in Japan! Still under wraps in terms of the exact location, Cynthia and her husband to be share a mutual passion for everything Japanese and knew that it would be special for them to marry there. It's set to be a spectacular day (and a day off for her, I'm sure it will feel strange being at a wedding and not standing at the front!) Such an privilege to interview such an amazing woman, to get a glimpse into her world, and I would challenge ANYONE to have a conversation with her without coming away with a smile on their face! Radiating fun and a deep rooted passion for her work, Cynthia's essence is one of infectious happiness! Cannot wait to see what the future holds for you Cynthia, what a powerhouse of positivity you are! You can find out more about Cynthia here: www.cynthiagreen.co.uk YES SHE CAN!!!

These children's homes in England were a haven for pedophiles, where criminals could commit horrific crimes against children without any repercussions. This story involves multiple "suicides", corrupt government agencies, pedophile rings and so much more. LISTENER DISCRETION IS ADVISED.-SUBSCRIBE TO "THE CONSPIRACY FILES" on YOUTUBE!: https://www.youtube.com/@UCsYWvjBZc6nhVspRKh9BppQ-LISTEN TO "THE CONSPIRACY FILES" WHEREVER YOU GET YOUR PODCASTS!!!:-Spotify - https://open.spotify.com/show/5IY9nWD2MYDzlSYP48nRPl-Apple Podcasts - https://podcasts.apple.com/us/podcast/the-conspiracy-files/id1752719844-Amazon/Audible - https://music.amazon.com/podcasts/ab1ade99-740c-46ae-8028-b2cf41eabf58/the-conspiracy-files-Pandora - https://www.pandora.com/podcast/the-conspiracy-files/PC:1001089101-iHeart - https://iheart.com/podcast/186907423/-PocketCast - https://pca.st/dpdyrcca-CastBox - https://castbox.fm/channel/id6193084?country=us-"THE CONSPIRACY FILES" is the most DANGEROUS show on YouTube. Join host COLIN BROWEN (of "The Paranormal Files" and "Murder In America") as he dives deep into some of the world's most dangerous and disturbing conspiracy theories. From Epstein Island to the North Fox ring and the murder of Marilyn Monroe, NO STORY is off limits and NO DETAILS or INFORMATION will be left out. If you like conspiracies, mysteries and true crime, then THIS SHOW is for you. Get ready to have your mind blown.-Join this channel to get access to perks:https://www.youtube.com/channel/UCsSRxYAK0PiA7d0XUR6sPFA/join-SUBSCRIBE to "The Paranormal Files" (my ghost hunting channel!): https://www.youtube.com/theparanormalfilesofficialchannel?sub_confirmation=1-LISTEN TO MURDER IN AMERICA (my podcast)!SPOTIFY: https://open.spotify.com/episode/204fV6xstY3a5atxoHOhz8?si=H1einpJoR42jnfmEjqk5qwAPPLE PODCASTS: https://podcasts.apple.com/us/podcast/murder-in-america/id1547409175SOUNDCLOUD: https://soundcloud.app.goo.gl/tkz56KWDmYAyVNAZA-Connect with us on social media!

Jay Rayner and his panel of culinary experts are in South Lambeth, the home of London's 'Little Portugal'. Joining Jay to offer their best tips, tricks and recipes are chefs, cooks and food writers Melek Erdal, Jordan Bourke, Lerato Umah-Shaylor and Andi Oliver. The panellists share their best ideas for using a pressure cooker and the fool proof way to make homemade piri-piri seasoning, and offer their own twist on the beloved margarita cocktail. They also discuss some alternative uses for date syrup, and why we're constantly instructed in recipes to tear, not chop, basil. Alongside the panel's advice, Jay chats to local Portuguese chef Diogo Durães, from O Cantinho De Portugal, Stockwell who teaches us about the breadth and regionality of Portuguese cuisine. We also hear about the key ingredients in Portuguese cooking, and his best recipe for the garlicky bread-based soup, Açorda.Producer: Bethany Hocken Assistant Producer: Rahnee Prescod A Somethin' Else production for BBC Radio 4

Man, we just got so much to say in this episode!  Arthur, who has returned to school, takes us through his class schedule in a short but entertaining Arthur's corner and then we dig down into Doctor Thomas Neill Cream...who did not invent Cream Soda, sadly, but instead was a doctor trained in Canada and England who poisoned several women, mostly sex workers and women who wanted abortions.  He was married briefly but his wife died of consumption...or perhaps poison.  We cover his arrest, his incarceration, his parole and his arrival in England where he continued his poisoning ways in this guy really CAN'T be Jack the Ripper episode of the Family Plot Podcast!Become a supporter of this podcast: https://www.spreaker.com/podcast/family-plot--4670465/support.

Building Affordable Housing: Colm Lacey's Journey in Real EstateIn this episode, of Accelerating Careers in Real Estate, I get to sit down with Colm Lacey, Founder and Director of Soft Cities, Chair of London's CLT, and Group Director of Capital Projects for New City College. Colm discusses his impressive career in housing and regeneration, sharing insights from his time at Brick by Brick, Lambeth, Newham, and Croydon Council. Colm talks with honesty about periods of huge growth, and success but also how he handled a very public downfall of Brick by Brick. Colm also reflects on his educational background, the challenges of delivering affordable housing, and his passion for improving public sector processes. The conversation offers a detailed look at Colm's professional journey, his vision for urban development, and the lessons learned along the way.Come and join our LinkedIn community: https://www.linkedin.com/groups/9054319/Leave a review on the platform of choice if you've enjoyed this episode00:00 Introduction to the Guest: Colm Lacey01:00 Colm's Early Life and University Days02:02 First Steps in the Professional World03:14 Transition to Regeneration Projects04:32 Master's Degree and Career Realization07:57 Challenges and Successes in Brixton12:48 Strategic Role at Homes and Communities Agency18:11 Return to Newham and Olympic Legacy24:55 Transforming Croydon with Brick by Brick30:41 Career Challenges and Successes31:37 Brick by Brick: Context and Controversy33:41 Ambitions and Achievements36:25 Public Criticism and Reflection38:35 Political and Economic Challenges48:36 Transition to Soft Cities48:58 Quickfire Questions and Insights56:59 Future Plans and Final Thoughts Hosted on Acast. See acast.com/privacy for more information.

4 Lambeth Palace by Conventual Franciscan Friars

Join me as we embark on a fascinating journey with Anna Hodgkinson, a consultant pharmacist specialising in diabetes, as she shares her career progression from community pharmacy to becoming a consultant pharmacist.  Anna is a Consultant Pharmacist for Diabetes and works across primary care, intermediate care and secondary care. She joined the Lambeth diabetes team over 10 years ago and has been working in the Lambeth diabetes and renal community clinic for over 6 years. Anna is also part of the Guys and St Thomas' NHS Foundation Trust diabetes team and works in the multi-disciplinary diabetes complications clinic. She has a keen interest in cardiovascular renal and metabolic disease. In addition to her clinical role, Anna works in the NHS South East London (SEL) Integrated Medicines Optimisation Team and leads on the development of consistent diabetes and obesity prescribing guidance and pathways across SEL Integrated Care System. Anna has previously held roles in commissioning and service redesign and has worked on a number of diabetes transformation projects. Anna is currently the co-chair of the UK Clinical Pharmacy Association Diabetes and Endocrinology Committee.  Listen in as Anna recounts how her initial experiences in community pharmacy opened doors to clinical opportunities in primary care trusts and GP practices. Discover the various roles she undertook in medicines optimisation and service redesign, focusing on heart failure and long-term condition pathways. Encouraged by mentors, Anna decided to specialise in diabetes, pursue an MSc, and engage in numerous improvement projects, highlighting the significance of continuous education and professional development in her pathway to success. BEHIND THE MIC! Have you been thinking about starting your own podcast? We know that starting a podcast can feel daunting and overwhelming. But guess what? You're not alone.  We are on a mission to create a fantastic community of individuals just like you! Together, we'll break down the entire podcasting process—from ideation to recording, editing, technology, publishing, social media, marketing, branding, sponsorship and more. Sign up to our FREE community called Behind The Mic!  We are excited to engage with you and provide you with the support & guidance you need to get started.  Register here: https://behindthemic.circle.so/  SIGN UP to my NEWSLETTER below so you'll be the first to know when new episodes are being released. You'll also receive regular inspiration, tips, tools, and free content. https://pharmacistdiaries.ck.page/newsletter PARTNERSHIPS: The Naked Pharmacy is offering my podcast listeners a 20% discount on all their products. Use discount code PD20 at checkout to receive the offer. https://www.thenakedpharmacy.com/ CONNECT WITH ANNA: X: https://x.com/annamhodgkinson Follow me on⁠⁠⁠ My Website⁠⁠⁠,⁠⁠⁠ YouTube⁠⁠⁠,⁠⁠⁠ Instagram⁠⁠⁠,⁠⁠⁠ Facebook⁠⁠⁠,⁠⁠⁠ LinkedIn⁠⁠⁠, and/or⁠⁠⁠ Twitter⁠⁠⁠. Feel free to subscribe to the podcast on your favourite podcast platform so you can be notified when a new episode is released or leave a review on apple podcasts. If you have any suggestions for guests you want me to talk to or if you'd like to come on yourself, please feel free to contact me via social media, or email at info@pharmacistdiaries.com.

We're back to our usual programming after our election mini-series and this episode is all about social prescribing. So what is social prescribing? How does it fit with other health and care services and what does it aim to achieve? This episode explores the relationship between community and wellbeing, and how social prescribing can step in when traditional treatment isn't the answer. In this episode host Siva Anandaciva sits down with Heather Henry, Queen's Nurse, writer and managing director of BreathChamps CIC and Edward Rosen, Project Director Lambeth GP Food Co-op to learn more. Related content: What is social prescribing? (long read) How can social prescribing better support migrant women's health and wellbeing? (blog) Link workers for population health (blog)

Welcome to the Instant Trivia podcast episode 1257, where we ask the best trivia on the Internet. Round 1. Category: Silent Letter Words 1: If you're "in the red", you're in this, not where you want to be financially. debt. 2: It's just a pterm for a ptremendous pterosaur. pterodactyl. 3: Lambeth or Staten Island, for example. a borough. 4: Ships usually "drop" this when they want to stay in place. an anchor. 5: Beating "Shoplifters" and "Cold War", "Roma" won the 2018 award in this Oscar category. Foreign Film. Round 2. Category: Bright LightS. With Light in quotation marks 1: An Alexandrian might know the word minaret comes from an Arabic word meaning this structure. Lighthouse. 2: It burned up the Billboard charts as the Doors' first Top 40 hit. "Light My Fire". 3: The technical term for this phenomenon is the Aurora Borealis. Northern Lights. 4: It's another name for Hanukkah. Festival/Feast of Lights. 5: It's approximately 300,000 kilometers per second. Speed of light. Round 3. Category: Cosmetic Procedure 1: This euphemism for a lift inspired the name of a TV series on which plastic surgery fan Joan Rivers played herself. Nip/Tuck. 2: What, no Rogaine? Cleopatra made a concoction of honey, burnt mice and bear grease as a cure for this. baldness. 3: At Shizuka NY Day Spa, nightingdale droppings go into a trendy facial named for these lovely Japanese entertainers. geishas. 4: We don't mean to be "arch", but Damone Roberts is the king of these facial features, which he's famous for shaping. eyebrows. 5: USA Today once dubbed it the "little neurotoxin that could"; if its name makes you frown, we bet you don't use it. botox. Round 4. Category: Wil(L), Willem Or William 1: Playing Alex Trebek hosting "Celebrity Jeopardy!", he noted, "Mr. Reynolds has apparently changed his name to Turd Ferguson". Will Ferrell. 2: After landing in a cloaked Klingon ship in Golden Gate Park in "Star Trek IV", this actor says, "Everybody remember where we parked". William Shatner. 3: In 2018 Willem Dafoe was all wet as Vulko, the trident-wielding trainer of this title superhero. Aquaman. 4: In 2020 Wil Lutz scored the first points in an NFL regular season game in this city for the visiting Saints against the Raiders. Las Vegas. 5: We got a kick out of watching William Zabka return to the dojo in the role of Johnny Lawrence on this Netflix show. Cobra Kai. Round 5. Category: O And Os. With O" And "Os in quotes 1: Synonym for antonym. Opposite. 2: Dog school. obedience. 3: This Egyptian god's many burial places were considered sacred ground. Osiris. 4: In 451 these Teutonic tribesmen joined with Attila in his expedition against Gaul. Ostrogoths. 5: The two Greek letters that fit this category. Omega and Omicron. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

In the dim heart of Lambeth, a man who might once have served the finest households sits sipping his morning coffee, unaware that this ordinary moment is the prelude to an extraordinary tale. In a world where aristocrats chase elusive game, one nobleman embarks on a perilous adventure that tests his cunning and courage. Disguises, secret meetings, and high-stakes intrigue unfold as he navigates the shadowy depths of a criminal underworld. Welcome to "The Adventurous Exploit of the Cave of Ali Baba," where secrets lie behind every mask, and danger lurks in every corner. Our guest narrator for "The Adventurous Exploit of the Cave of Ali Baba" is the talented Matthew Jones. Known for his captivating voice and dynamic range, Matthew has a rich background in audiobook narration, bringing characters to life with his expressive storytelling. Formerly the creator of the popular YouTube channel 'MJam from London', Matthew has seamlessly transitioned to new platforms.  He now shares his engaging narrations and original content through his YouTube channels, UCAIykVoygG4Y7hj2oou3sgA and UCV_d51P8y35TqoT2N7FpMjA.  You can also explore his extensive archive and latest projects on his website, MJam from London. Matthew's expertise and passion promise to deliver an enthralling listening experience of this Dorothy L. Sayers classic. Learn more about your ad choices. Visit megaphone.fm/adchoices

词汇提示1.comrades 同志战友2.paramilitary 准军事的3.blatantly 公然的4.tabloids 通俗小报5.dissemination 传播原文Arthur Scargill: ' Criticism of Tory Policies' (3)Not satisfied however with the most vicious anti-union legislation in the world, the Tories are currently introducing new measures which are so draconian they have staggered and brought forth opposition even from some traditional enemies of the trade-union movement.The steps taken against British trade unionism can probably only be compared with those taken against our German comrades by Hitler in the 1930s.If this new Tory legislation is left unchallenged, then civil liberties and human rights in Britain are in danger of being wiped out...As life in Britain becomes harder, as frustrations and tensions rise, the State must bring into play all the elements of its machinery in order to suppress any attempts to throw off its power.The police are used increasingly in paramilitary fashion.The judiciary use greater ruthlessness against any trade union that attempts to stand by its rules and constitution as the experience of the National Union of Mine workers over the past four years proves.The courts have dealt just as savagely with the Lambeth and Liverpool councillors who refused to betray the commitments made to their communities.Meanwhile the media, now quite openly under the control of international capitalists such as Murdoch and Maxwell, become even more blatantly the mouthpiece of Toryphilosophy.The British capitalist press can make no claim to either objectivity or integrity, whether through the gutter journalism of the tabloids, or the more restrained style of the so-called 'quality' papers; they both play a key role in the daily dissemination of lies and misinformation to the public.This is but an outline of the situation which today faces the British Labour and trade - union movement.The terrible irony about it is that whilst throughout our movement there is general agreement on the ravages of the Tory attack and agreement that it should be stopped – we have not united in an effective force to combat those ravages and challenge the system which has forced them on to our class.On the contrary! Rather than uniting to fight our common enemy, our movement has been diverted time and time again by internal attacks: attacks aimed,disgracefully, at the very sections which have fought so bravely to carry out Labour Party and TUC policies by battling to save jobs, industries, communities and services.Margaret Thatcher has been absolutely clear in recognizing her enemy - it is socialism and she has openly declared her intention of wiping it off the British agenda.翻译阿瑟·斯卡吉尔:“对保守党政策的批评”(3)然而，托利党对世界上最恶毒的反工会立法并不满意，他们目前正在引入新的严厉措施，这些措施令人震惊，甚至引起了工会运动的一些传统敌人的反对。对付英国工会主义的措施，大概只能与希特勒在20世纪30年代对付我们德国同志的措施相比。如果保守党的这项新立法不受挑战，那么英国的公民自由和人权就有被消灭的危险。随着英国人的生活变得越来越艰难，随着挫折和紧张局势的加剧，国家必须调动其机器的所有要素，以镇压任何推翻其权力的企图。警察越来越多地用于准军事用途。司法部门对任何试图遵守其规则和宪法的工会都更加无情，正如全国矿工工会过去四年的经验所证明的那样。法院对拒绝违背对社区承诺的兰贝斯和利物浦议员也同样粗暴。与此同时，媒体现在完全公开地受到默多克和麦克斯韦尔等国际资本家的控制，它们甚至更加公然地成为保守党哲学的喉舌。英国资本主义新闻界无论是通过小报的下流新闻，还是通过所谓的“优质”报纸的更克制的风格，都不能声称客观性或完整性;他们都在日常向公众传播谎言和错误信息方面发挥着关键作用。这只是今天英国劳工和工会运动所面临的情况的一个概要。可怕的讽刺之处在于，尽管在我们的整个运动中，人们普遍认为保守党的攻击造成了破坏，并一致认为应该停止这种破坏，但我们没有团结起来，形成一支有效的力量来对抗这些破坏，挑战把这些破坏强加给我们阶级的制度。恰恰相反!我们的运动非但没有团结起来对抗我们共同的敌人，反而一次又一次地被内部攻击所转移:这些攻击可耻地瞄准了那些勇敢地为执行工党和职工大会的政策而斗争的部门，这些部门为挽救就业、工业、社区和服务而斗争。玛格丽特·撒切尔(Margaret Thatcher)已经非常清楚地认识到她的敌人是社会主义，并公开宣布她打算把社会主义从英国的议程上抹去。

We stand on the shoulders of giants. Missions around the world are thriving today, and it's directly attributed to the investments of the pioneers who started the work. One such pioneer was JB Lambeth, who built the Igreja Apostólica do Brasil from the ground up. Join us as his son, Cleve Lambeth, tells stories from the mission's past and present.   #KingdomSpeak  #Podcast #Missions

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden, CEO of Rubber Cheese.Fill in the Rubber Cheese 2024 Visitor Attraction Website Survey - the annual benchmark statistics for the attractions sector.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcast.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this podcast.Competition ends on 3rd July 2024. The winner will be contacted via Twitter. Show references:Lego House in BillundSutton Hoo (National Trust)Sutton Hoo at the British MuseumThe Dig on NetflixSutton Hoo mask on Lego IdeasThe Dig: Lego version of Sutton Hoo treasure 'amazing' (BBC News)Events at The Hold IpswitchAndrew Webb is a LEGO enthusiast who uses bricks in outreach programmes for teams and organisations as diverse at Arm, Pinset Mason, The National Trust, English Heritage, and the Scouts. During the UK's second Lockdown in early 2021, He made the 1500 year old Sutton Hoo Helmet out of LEGO bricks and submitted it to LEGO Ideas. The build achieved international media coverage, and has since been donated to the National Trust. Andrew continues to help attractions and institutions with LEGO programmes. By day, he works as a global head of content marketing for a B2B tech company. Find out more at http://teambuildingwithbricks.com Transcription:  Paul Marden: Welcome to Skip the Queue, a podcast for people working in and working with Mister attractions. I'm your host, Paul Marden. Today I'm talking to Andrew Webb. By day, Andrew is a content marketer for a tech firm, but in his spare time helps attractions to use Lego as a tool to attract and engage diverse audiences and enable them to interpret history and culture. We're going to talk about what it means to be an building, a model of anglo saxon helmet, and the 24 skills that are used when building with Lego. Paul Marden: So welcome to the podcast. Andrew Webb: Thank you. Paul Marden: On Skip the Queue, we always start with some icebreaker questions that you know nothing about. So let's launch into a couple of those. Book and a pool or museums and galleries for your city break. Andrew Webb: Museum and galleries.Paul Marden: Yeah. I'd expect nothing less given what we're about to talk about. This is one from one of my colleagues, actually, who is really good at icebreakers whenever we do a team building eventually. So he said, “Would you rather have it and lose it or never have it at all?”Andrew Webb: Oh, gosh, I'll have it and lose it for sure. Paul Marden: Yeah, gotta be. That one's from miles. Say thank you, Myles. That was a cracker. Andrew Webb: Do you remember the word there was a great one. Would you rather eat ten donuts or raw onion? Paul Marden: Oh, ten donuts, hand down. I could easily do that. Andrew Webb: I'd get onion. I'd get onion. Every time I would take an onion over ten donuts. I'd be sick after ten donuts. Paul Marden: Oh, no, I reckon I could take that. No problem. Andrew Webb: Okay. Paul Marden: Okay. So we're going to talk a little bit about your adventures in Lego over the last few years. So why don't we kick off and talk a little bit about your original interest in Lego? Because I know it goes back not a long way, because that would be rude. But it goes back to a few years ago, doesn't it? Andrew Webb: It does. I mean, like most people growing up in what we might loosely term the west, I had like, I was a kid, you know, I think most of us grew up with it like that. And then like, you know, growing up in that first age of plastics with Heman, Transformers, Lego, Star wars, all of that sort of stuff. Paul Marden: You're just describing my childhood. Andrew Webb: It's funny because that was. It was all sort of ephemeral, right? I mean, the idea was that the reason why that boom happened, just to dwell on why they're going plastic things. Before that, toys were made out of either tin or wood. So, you know, they were very labour intensive produce there's certainly injection moulding comes along and we could just have anything coupled with the tv shows and the films and all this sort of stuff. So we all grew up in this sort of first age of disposable plastic, and then it all just gets passed down as kids grow up. It gets given away, gets put in the loft and forgotten about. There's a moment when a return of the Jedi bedspread doesn't look cool anymore, right? You hit about 13, 14 and you're like, “Mom, I really want some regular stuff there.”Andrew Webb: So like everybody, you know, I gave it all away, sold it and whatever, but I kept onto my lego and then fast forward, you know, I become a parent and Lego starts to come back into my life. So I'm sort of at a stage where I'm working for a travel startup and I get a press release to go to the Lego House, which if no one has heard about it, where have you been? But also it is a fantastic home of the brick, which Lego built in, opened in 2016. And it is a phenomenal temple to Lego. Not in terms of like a Legoland style approach with rides and things like that, but it's all about the brick and activities that you can do in a brick. Andrew Webb: There is great pools and huge pits of Lego to play with there, as well as displays and all this sort of stuff. They've actually got a Lego duplo waterfall.Paul Marden: Really? Andrew Webb:  Oh, I mean, it's a fantastic attraction. And the way they've done it is just incredible. So they blend a lot of digital things. So if you make a small fish and insert it into this thing, it appears in the tank and swims around and this sort of stuff and the way you can imprint your designs on things. I should just quickly tell you about the cafeteria there as well, just really quickly. So the cafeteria at the Lego House, everyone gets a little bag of Lego and then whatever you build and insert into this sort of iPad sort of slots type thing, and that's what you're. Andrew Webb: So a pink brick might be salmon, a yellow brick might be chicken, whatever, and you put it all in and it recognises it all and then it comes down a giant conveyor belt in a Lego. Giant Lego box and is handed to you by robots. I mean, mind blowing stuff. This is not like with a tray at the National Trust place or somewhere like that for us to come. It is a technological marvel. Absolutely fascinating. So, of course, on the day went, it was a press preview, so there was no canteen workers, so there was no food in the box when me and my daughter, so went without that data, was a bit disappointed. Andrew Webb: But that started that whole reappreciation of Lego, both as a toy to play with my daughter, but also as a way of using Lego in different ways. And that manifests itself in lots of different things. So currently, now, you know, fast forward a little bit. I use Lego for team building exercises, for workshops, for problem solving with organisations, and also just for having fun with adult groups as well as kids. And I think one of the biggest things we've seen since this kind of started around 2000s with the sort of adults reading Harry Potter, do you remember that was like, why are you reading this children's book type of thing? Paul Marden: Yeah. Andrew Webb: And then all the prequel Star wars films came out and Lego made sets about both those two things. And it kind of. I mean, Bionicle saved the company, as only AFOL will know, but it started that whole merchandising thing and adding Lego into that firmament of IP. Right. And we fast forward now, and it's Marvel and Star wars and everything. Paul Marden: You just said AFOL. I know what an AFOL is, but many of our listeners may not know what AFOL is.Andrew Webb: Just to go for acronyms here. So an AFOL is an Adult Fan of Lego. And we've seen actually Lego in the past five years, even earlier. I mean, Lego always had an adult element to it. And one of the original founders used to use it for designing his own house. And there was a whole architectural system called Molodux. So it's always had that element to it. But just recently we've seen, you know, almost retro sets. So we see the Lego Atari 2600 video game system from 1976, which, yeah. Paul Marden: An original NES wasn't there. Andrew Webb: Exactly. NES that's come out. I've got a Lego Optimus prime back here for transformers, you know, all that kind of stuff. So with what's been really interesting is this kidault or whatever, however, call it. And I think that's really fascinating, because if we think about Lego as a toy, we are rapidly approaching the age where we might have three generations of people that have grown up with Lego. Lego first came around in the very late ‘60s, early '70s. And so it's not inconceivable that you might have three generations that had Lego as a child, especially if you grew up in Denmark. A little bit different when it would come to the rest of Europe as they expanded out. So I get to this point, and I'm getting into Lego and doing all this sort of stuff. Andrew Webb: And then, of course, COVID happens and then lockdown happens and we all think the world's going to end and no one knows. Everyone's looking for hobbies, aren't they? They say you were either hunk, drunk or chunk after lockdown. You either got fit, got fat or got alcoholic. So try to avoid those three things. And, you know, everyone's looking for stuff to do, so you have so much banana bread you can bake. And so I stupidly, with my daughter's help, decided to make the Lego Sutton Hoo helmet, the 1500 year old Sutton Hoo helmet found at Sutton Hoo in Suffolk, now in the British Museum. Out of Lego, as you do. Paul Marden: I mean, just exactly. Just as you do. So just a slight segue. I was at the National Attractions Marketing Conference yesterday and there were two people presenting who both talked about their experiences of wacky things that they did during lockdown. There was one person that opened a theatre in her back garden and had various different stars just randomly turn up in her backyard up in North Yorkshire. And you choose to build a Lego Sutton Hoo helmet.Andrew Webb: Lockdown, there will be a time, I think, as we look back, tragic though it was, and, you know, a lot of people died, but it was that moment when society sort of shuffled around a bit and people sort of thought, “Well, if I don't do it now, why not?” People were launching bakeries in their kitchens and serving their community and like. And that element of it. And so people have that. The good side of that, I suppose, is that people did find new outlets of creativity. And Joe Wick's yoga class is in their front row walking groups, you know, all this sort of stuff and beating beaten horsemans and learning to play the violin and dust and stuff. Suddenly we all had to find hobbies because we're all just in. Andrew Webb: No one was going to restaurants, no one's going to bars, no one's going to gigs, nightclubs, theatres. We like to make entertainment at home. It was like the middle ages. So I decided to build the Lego Sutton Hoo helmet, as you do. And so I start this in lockdown, and then, like, I get wind that Netflix is making a film called The Dig. And The Dig is all about, I think it's Lily James and Ray Fiennes in it, and it's all those other people. And it's all about when they found theSutton Hoo helmet. And the guy who found it was called Basil Brown, and he was asked by Edith Pretty, who owned the land, to excavate these humps in the ground that were on her estate. Paul Marden: Okay, so she owns this big estate, in Suffolk, right? And, so she can clearly see there's burial mounds in the back garden, but doesn't know what's in them. Doesn't have any clue that there's treasure locked up inside this. Andrew Webb: I'm not even sure she knew there were anglo saxon burial maps since it was. Paul Marden: They were just lumps of ground in the garden. Andrew Webb: Yeah. I mean, she may have had inkling and other stuff I've turned up over the years and whatever. And some of them were robbed sort of georgian times around then. So some people knew what they were and they were somewhere excavated and gold was taken to fund the polynomial wars and whatnot. But she asked Basil Branson, he was like an amateur archaeologist, right? And so he was just like this local guy would cycle over and do. And the film goes into all that, and the film kind of portrays it as working class. Basil Brown should know his place against the sort of British Museum who are sort of the baddies in this film who think they know what. And of course, this is all set against the backdrop of war. So they escalated it all, then they had to rebury it. Andrew Webb: And then it was used as a tank training ground, so lots of tanks rolled over it. So it's a miracle anything was ever found. But when he did find the Sutton Hoo, who told me and a bunch of other things, clasp brooches, shields, weapons and whatever, when he did find it, so people think it kind of popped out the ground as a helmet, but it didn't. And if you look at the photos, it came out the ground in hundreds of pieces. Paul Marden: Oh, really? So you look at this reconstructed mask that's now in the British Museum, and you think, “Oh, so they just found that in one piece,” lifted out as if it was a Lego hat, you know, for a minifig. In one piece? No, not at all. Andrew Webb: It was actually more like a big parlour Lego in the fact that it was just in hundreds of thousands of pieces. And so there was the first guy to have a go at it was an elderly architect at the British Museum who was, I think, blind in one eye. And he had a go at putting it all together. And he used an armature and clay and pins and whatever, put it all together and said, “Yes, I think it was this.” And then actually it wasn't. He got it all wrong. Lots of different pieces after some more research, and then it falls to this. Nigel Williams is another sub architect, and he was famous for. Andrew Webb: There was a famous Portland vase that was broken in a museum by someone pushing it over as a sort of what you might call, like a just stop oil type of protest now, I can't remember what the call was, but someone smashed an exhibit. And he had painstakingly pieced all this together. He was a total dapper dude. Three piece suit, Chelsea boots, proper swinging sixties, and he had to go and put it all together. His version is the one that's in the British Museum, but he was a massive jigsaw fan. And if you think about Lego, what it is a 3d jigsaw. You get a bunch of pieces and you have to make. Make it into a 3d sculpture. So that was one reason, the dig was the other reason. Andrew Webb: The third reason was that the relationship between East Anglia and essentially Denmark and Billand and Anglo Saxon and Jutland and all that area, I'm talking like Vikings and Anglo Saxons and invasions and all this kind of stuff against the native British, there is essentially a relationship between East Anglia, a trade relationship and a conquest relationship between them. So I built this thing and I frantically put it together and I'm late nights and just losing my marbles trying to get this thing to work. Because Lego is not designed to make, like, spherical shapes, necessarily. It's quite blocky. Right. Everyone knows this. It's the square. Paul Marden: Really easy to make a car, really easy to make a house. A spaceship. Andrew Webb: Houses. Brilliant. Yeah. Square stuff is fantastic. But baking, not only a sort of a semicircle, but a hemisphere, which is what essentially a helmet is. Is even harder because you have to get the Lego to bend in two directions. And so a lot of work went into that just to get the actual face piece came together quite easy. And there was once I had the scale of the pieces under the eyes that formed that sort of thing, and then I could build the nose and face. Ideally, it was going to be so that I could put it on my head. I've actually got a massive head. So in the end, I had to realign that and sort of make it into this sort of child sized head. Paul Marden: But it's a wearable thing, right? Andrew Webb: It is. It is wearable. I mean, at one point, it was probably more fragile than the one in the British Museum because it just kept dropping to pieces. So there's a lot of sub plates that are holding together the outer plate. So it's actually sort of. So just quick Lego terminology here. So bricks, obviously are bricks. The flat things with bubbles on are called plates and then the smoother ones are called tiles. Okay. And used a combination of these to create. There's also a technique called SNOT, which stands for Studs Not On Top. We love acronyms in the Lego community. Right? Paul Marden: Completely.Andrew Webb:  So if you say, “Oh, man, I'm an AFOL covered in SNOT,” people know what you want to know what you mean. So after a night in the tiles, I got covered. Yeah. Andrew Webb: Anyway, so I make the helmet, I make the thing, and then, you know, I get a lot of support from the National Trust, specifically East of England National Trust and Sutton, who site itself because it's there. It's their crown jewels. The British Museum, not so much, because they was like, we've got a billion exhibits here. No, it's just one of them. When you've got the Tippecar moon and the Rosetta stone, it kind of pales into significant. But actually, they were helpful. And one of the curators there, who was on Twitter, who sent me a link to some 3d photos, because if you. If you google it's all pictures at the front. That's fantastic. But what does the back look like? Paul Marden: Oh, right, okay. Andrew Webb: So actually, buried deep in the British Museum's website, in their research department, under a filing cabinet, in the back of a server somewhere, are some quite technical photographic images of it, turning every sort of 30 degrees so that. That it's documented as to what it looks. Because you got to remember that everything on the helmet is symbolic of various different things. There is symbols that mean there's a guy on a horse who's sort of fighting and all this sort of stuff. And it all has quite a lot of meaning. I can occur from different parts of history as well. So there's some sort of roman influencing things there and symbols. And so this whole thing is designed to be not only a battle helmet, but it is also because, remember, crowns haven't been invented yet. Crowns are a later mediaeval sort of invention. Andrew Webb: So this is both a symbol of authority, headwear, like a crown, but also a weapon or a piece of defensive armour and equipment. So it has several functions in its life. So it's quite a complex piece of equipment, that this symbol of authority. So I make all this and then I also submit it to a thing called Lego Ideas. So Lego Ideas is a fantastic programme where anybody in the world, members of the public, can submit Lego Ideas, right? And they go onto a website. There's certain criteria, they have to meet a certain checklist, but then the rest of the public can vote for them. So, I mean, if Taylor Swift just stuck together a load of blocks and said, “Vote for this,” she probably hit the 10,000 threshold instantly. Andrew Webb: But I'm not sure Lego would necessarily take that forward as a build. So there is a judging panel that. But actually, some of the most recent really fantastic sets have come out of Lego Ideas. Members of the public, and they're designing things that the Lego designers wouldn't have thought of themselves. So I think that's been kind of interesting. Sadly, Paul, we didn't make the 10,000 threshold. We did a lot of media coverage. By then, lockdown was over and were sort of getting back to our lives and all this sort of stuff. And my daughter was entering her dark ages. And so it sat in my studio for another sort of year and a half and I thought, “What am I going to do with this?” And so in the end, I thought, “Well, you know what? It's gathering dust here. I'm fed up with it, dustin it.”Andrew Webb: And so I actually approached Josh Ward at the National Trust at Sutton Hoo, who has been a fantastic advocate for Lego and for this particular project, and I have to thank him immensely for that. And they got some money and some funding to build a cabinet and also to house it. So I donated it to National Trust and it is now on display there as part of their firmament of interpretational trail. Paul Marden: That must feel pretty good fow you. Andrew Webb: Yeah, it is quite good looking in there and watching kids go, “Wow.” Because Lego is one of those things instantly recognisable for kids. But certain hill as a site is quite complex for children to contextualise because essentially it's several mounds in the ground. And the helmet itself is at the British Museum. Right. They've got a replica built by the royal armouries. There were several of those. They've got those. They have loads of dress up, they have great explainers and videos and they do a lot of work to show the size and shape and things as a cast iron sculpture, to represent the boat, to show just how big it was when it was pulled up from the sea, because he's buried in a boat. So do a lot of that work, sort of that sort of work as well. Andrew Webb: But having this extra funding in the. They opened up Edith's pretty's house now, and having this room where we've got some other things as well, like crayons and paper and other tools and drawings and colouring in and Lego and big chest of Lego just helps, particularly smaller children who, by the time they've walked from the car park around the site, and it has probably flagged it a little bit. And so just providing that little support for them, it's been a fantastic way to contextualise and another way to interpret that. And I think more and more venues could look into that. When you think, well, how else can we add stuff, particularly for children to help tell the story of this place? Paul Marden: Yeah, absolutely. Absolutely. We went to. It was half term last week and went to the City Museum in Winchester. So they've got some mediaeval, they've got some Roman finds there, and there was lots of fun, but they had. It was full of lots of ways for kids to engage, so there was trails to go around, there was colouring in, make your own mediaeval shield. And all of these things are ways that, you know, my ten year old could engage with it because there's only so many glass cabinets of stuff dug up from the ground that she actually wants to look at. Andrew Webb: I mean, I love. I love pit rivers, right, in Oxford, my favourite museum. Paul Marden: It's crazy, isn't it? I love it. Andrew Webb: But basically, he just went around the world nicking stuff. Right, but as a collection of objects, It's fantastic. Paul Marden: It's deeply unnerving. Andrew Webb: Sorry, sorry if any pit rivers curators are listening there, nick, and stuff about it, but, it is my favourite museum because it's just for kids. It's probably really kind of like, how do you tell that story? I also think there was an article in the garden recently that, you know, the cost of living crisis as well. Parents are looking for value solutions now and so I think it wasn't Peppa Pig World, it was Paddington World. And a family ticket is 170 pounds. That is a huge dent in the family finances for a 70 minutes experience. If you are watching the pennies, if you can afford that and save up for it, whatever. And I know these things are, you know, memory making and all that sort of stuff, and I've been to Harry Potter with my daughter. Andrew Webb: That is not cheap, but it's a fantastic day out because once you're in, you spend the whole day there. If you take a packed lunch, you can save a lot of money on that, on the thing. But I suppose what I'm saying is that, you know, our museums and galleries, particularly traditionally, the what you might call free spaces, public spaces, are facing unprecedented demand in terms of parents looking for cost effective value days out, as well as funding being cut from central government and that sort of. So they have to do a huge amount with less and less for a bigger audience. And that is a strain on any institution and things like that. Other examples of places that get this. Andrew Webb: So obviously with the Sutton Hoo helmet, the hold in Ipswich, which is Suffolk Council's kind of flagship museum in the county town of Ipswich, but instead of calling it, you know, the Museum of Suffolk, they've called it The Hold, which is a reference to the fact it's on, I think it's either because it's on the shore or it's doing sheep, I'm not sure anyway. But a fantastic space, contemporary modern space  had a Lego exhibition a few years ago, borrowed my helmet, had some Lego exhibition stuff to do. And the good thing about that is when these teams have to do quite a lot of comms marketing and, you know, that has a cost as well, but often you see different demographics than perhaps would normally go to a stones and bones museum, if you know what I mean. Right. Andrew Webb: You'll see that it makes it more accessible to the community and to different people who don't like going and looking at the Magna Carta or whatever. For some kids, a day at the British Library is fantastic. Look at all these old books for more, maybe more boisterous children. That's probably not a really great idea. So I think galleries can take a leaf out of this and think, or museums or any institution really can take a leap out of this and think, “How can we do more for less? And what tools can we have that perhaps we haven't considered before, like Lego, as a way to open up our interpretation and our offering?” So this could work in Museum of Docklands, for example. This could work in the royal armouries. Andrew Webb: There's lots of places where if you looking to improve your children's offering that some form of lego, I mean, it ends up all over the floor, it ends up being taken away. Sometimes you've got to watch out for things like that. But that's why I always recommend, like, just the basic blocks and plates, not minifigures and stuff like that, because, you know, they just end up in kids' pockets and trousers. But I do think it is a fantastic tool for developing that interpretation piece. Paul Marden: So I run a coding club using Lego. Okay. So I work with years four, five and six, typically. And we normally start off by the end of two terms, we will be building robotics, programming things, doing amazing things. But we start at the very beginning with just open up a box, and it is amazing what a bunch of seven, eight and nine year olds can do with a two by four red brick just given bricks. Yeah. And they will build amazing things. Yeah. And they will tell you amazing stories. And you also see real diversity in the behaviours of children, because some children, in that free play context, they do not have the skills to do that. And I had one girl recently who hasn't played with Lego, and free play just blew her mind, and she was in tears because she couldn't embrace the creativity of it.Paul Marden: But then the following week, when we were following instructions, she was great at building from a set of instructions, You can do that from a limited palette and give them a mission. Sutton Hoo, build a, I don't know, a sword, build a shield, build something to interpret what you have seen. You're in the transport museum. Build, build. How did you get to the museum this morning? Give them something to do and then let them go. And half an hour later, you will be amazed by what they will have built. Andrew Webb: I actually did something this at the National Archives down in Kew, where they had a kids exhibition. Well, an exhibition in the summer about wacky inventions, because obviously the National Archives holds the patents for all these things, and they've got things like Victorian top hats with umbrellas in, and, you know, all this kind of crazy Heath Robinson style stuff that, you know, forks with four sets of tines, so you can eat four times as much. It just bonkers. Really interesting things. The curators had gone through and found this wacky world, sort of. What's his name? The guy that illustrates Roald Dahl. They got illustrations and all that. Paul Marden: Quentin Blake. Andrew Webb: Yeah, Quentin Blake, yeah. So they had this Quentin Blake sort of stuff, and, like, there was activities. And I came down for some special stuff because they had the first Lego brick patent in the UK. When it was first launched in the UK, 1963, I think it was. That's when they filed the patent. Paul Marden: And I bet. So that patent would be exactly the same as a two by four brick, now, won't it? Andrew Webb: The patent was for a one by four brick. Isometrically dawn. Just three diets. Just three views with what? It was a construction toy. And then the page. Sorry. And the address was just Railway Station Billund.  There wasn't like, just all the mail just went to the railway station in Billund just addressed for attention of Lego. And it's only like. I mean, it's not even a sheet of A4, It's a piece like this. And after it is something like a lamp that won't blow out on a thing, and before it's like some special kind of horse comb, but it's kind of this bonkers catalogue of just these things. But again, it was about, “Right. We did some work. The curators and interpreters looked, you know, had kids analyse the painting to think, what could it be? And look at the dates and structure. Look at that.” Andrew Webb: And then I came out and, like, did some Lego. So we did things like, who can build the longest bridge? Who can build the tallest tower out of a single colour? Those sorts of exercises. But then also the free play was build your own wacky invention. And kids are building automatically dog washers, where the dog ran on a thing and it scrubbed its back. And one kid built something that was like a thing for removing getting pips out of apples. It was just like this sort of like this crazy little tool. They like some sort of problem that he had. Andrew Webb: And I think what this also speaks to is developing those stem skills in children and adults and building that engineering, because I've also ran Lego workshops with explorers who I used to, I thought were between Cubs and scouts, but are actually after scouts. So I did this in my local town, here in Saffron Walden, and was like, “Oh, my God, these kids are like, 15, 16. They're not going to want to play Lego. Some of them are in my daughter's year at school, so. Hello, Amy.” And it was really interesting because we did a series of challenges with them. So the egg drop challenge, can you protect an egg and drop it from the floor? And can you build this and work together? Another good one is looker, runner, builder. Andrew Webb: So you give everybody two sets of the same bricks, and one person is the looker, one person is the runner, one person is the builder. So the looker can't touch, but he can tell the runner. The runner can't look at the model, he can only tell the builder, and the builder can't speak back. And so this is a really useful exercise. And I've done this with teams where, because this is exactly what businesses see, engineering will build a product. Sales or their marketing are like, what the hell is, you know, or whatever it might be. Paul Marden: It's that. It's that classic cartoon of a Swing, yeah. Andrew Webb: Yeah. So it's that, you know, this is what the brief said. Engineering interpreter does this. Marketing saw it. So it's a great tool for things like that. Especially when you put people like the C Suite or CEO's or leaders at the end, because all they're getting is the information and it. It's there and it's how to build communications. Because in life, the fluctuations reverse. A CEO says, “Let's do this.” And by the time it's cascaded down to engineering, who don't get a say, it's not at all what he imagined so, or they imagined so, it's. It's an interesting case of using tools like that. So I did that with these kids and it was fascinating because they're 14, 15, 16.Andrew Webb: A group of three girls won two out of the three challenges and probably could have won a third one if I felt that I couldn't award it to them again because it would just look weird. And they were smashing the looker runner builder thing. They were working together as a team, they were concentrating, they were solving problems, they were being creative, they took some time to prototype, they refined and iterated their design. They were doing all this sort of work. And it's brilliant because 15 year old girls don't often take engineering related STEM subjects at GCSE. Certainly, probably don't take them at a level and more than enough. And I think that I once interviewed Eben Upton, who invented Raspberry Pi, and he said, “We think about the eighties as this sort of like golden age of computing, but actually it was terrible. It was terrible for diversity, it was terrible for inclusion.“Andrew Webb: And he said, “Like growing up, there was one other kid in his town that had a computer, you know, so there was no sort of way to sort of getting other people involved and make this accessible.” And part of the reason now computers have got smaller. Some of the work I did at Pytop was like trying to make technology more accessible and seeing it not just video games and things like that, but actually I can use this in a fashion show, or I can make music, or I can use this to power some lights to do a theatre production, and trying to bring the, I guess, the creative arts into technology. And that's when we start to see the interest application of technology. Andrew Webb: And Lego plays a part in that, in the fact that it is a tool, a rapid prototyping tool that everybody is familiar with. And it is also, you know, clean, safe. There's no, you don't need blow torches and saws and those sorts of things to kind of prototype anything. You don't even need a pair of scissors, you know, it's completely tool free, unless you're using that little mini separator to get your bricks apart. And so I think that just circle back on, like, how the Science Museum or what's the one down there? Isabel Kingdom Brunel Museum and things like that. I can see those guys could be and should be thinking about, “How could we have a Lego programme?“Andrew Webb: You don't have to have a permanent deployment like they've got at Sutton Hoo although that is great because they've got the mast there as the head piece of it. But certainly a programme of events or summer camps or summer events, because I did this with English Heritage at Kenilworth Castle as well. They were having, like, a big Lego build and the public were invited in 15-minute shifts into a big marquee and everyone got given a tile. And the idea was to build the gardens because the gardens at Kenilworth Castle were laid out to impress Elizabeth the first. And so everybody got there was like bunches of stuff and regular bricks, also flowers and this sort of stuff. And it was like, “Come on, we've got to build something to impress a queen.” Andrew Webb: He said to kids, like, “Yeah, you've got to impress. Bling it up, like, dial it to ten.” And were just getting these enormous, like, avatar sized trees with just incredible bits hanging off it. And like, “There she has a teapot because she might want a cup of tea.” And you're like, “Brilliant, excellent. Of course she does.”  And so I think that. And then they moved through. Some of the Legos were selected to be displayed and things like that. So there's different ways you can do it. You can either do it as like. And I'm a big fan of the drop in sessions because kids and parents can just naturally build it into their day rather than the pre built. My child was. We were rubbish at, like, organising things. Andrew Webb: People like, “Oh, great. Half term, it's a chocolate thing, sold out ". And you're like, yeah, because there's 30 spaces for three and a half thousand kids who want to do it. Whereas if it's like a walkthrough or a. In groups phase through and then the activity, small kids kind of conk out after about 20 minutes, half an hour anyway. You get much more people through and much more people get to enjoy the experience rather than the 30 organised people who got up early and booked. So that's my other top tip to any institution, because it's heavily weather dependent as well. Sun comes out, everyone piles pass into the nearest sort of stately home, national attraction. All of those places can definitely benefit English Heritage. Did a really big push this half term, just gone on Lego at several events. Andrew Webb: We had one here at Audley End, there was one at Kenilworth that I was at. There's been pairs of the ones all around the country, because again, you just need a marquee, which most venues have access to because they use them for other things or some sort of space in case it rains. And you just see someone like me and a whole massive tub of Lego and you're off to the races. Paul Marden: Exactly. So we were talking about this at the conference yesterday about ways in which. So for many attractions, people turning up is a literal flip of a coin. Is the weather good or is the weather bad? What can you do to adapt your attraction to be able to deal with when it's bad? And then what can you do to bring people when you have made that adaptation? So, you know, you've now got a marquee and you have a Lego exhibit that you can put into there. So it's just dumping a pile of Lego and a bunch of well trained volunteers or visitor experienced people who can facilitate that, police it, little Johnny sticking minifigs in his pocket. Paul Marden: And then you turn on your Google Adwords and show that you've got this, you know, bad weather reason to go to a stately home that my daughter would turn her nose up to all of a sudden, “Okay, we're going to go and do that. We're going to go and have afternoon tea and you're going to go and play with some Lego and see some animals, maybe.” Yeah, what can you do to attract that extra audience and adapt to the bad weather and service different sorts of people? Andrew Webb: I think that comes down to a bear in mind. I convert some of my Lego lens rather than a venue lens. But I think speaking as a parent and someone who does this is you need a reason to go back to somewhere that you already know. Okay, so you go to Stonehenge, you go and look at the stones, you go, “Wow.” You look at the visitor centre and then it's ticked off. I mean, you see busloads of tourists. Stonehenge is at Cambridge, maybe, or Oxford people, when people do England, Lambeth, Heathrow, London Crown Jewels, Tower Bridge, West End, day trip out on a coach to Stonehenge, maybe to Cambridge, and that's it, off to Paris. Right? So parents like British people like that too. Like why go to Stonehenge four times a year? Or why go to any venue when you're familiar with it? Andrew Webb: It's always about offering something new and something different. Audley End up near where I live, I think, is English Heritage. All through July, every Sunday, they're just doing music. So there's a string quartet or someone with a harp or maybe someone with a guitar or whatever. And you've got a book, but it's. It's not like there's 30 places and it's a bonfight. It's just like, “Oh, wow, they've done something different.” They do a really great thing. Like, they do victorian falconry, for example. So they get someone in who talks about how Victorians use falconry for hunting as a sport, but also for the kitchen table, and they're flying falcons around and doing the whole bit of meat on a string and all this sort of stuff. And everyone, like, “They do a world war two one.”Andrew Webb: I mean, the editorial calendar for any venue's got to look like, “Go and make Christmas food. January, we're closed to kind of dust and clean everything. Valentine's Day, chocolate make you put. It's daffodils”, it's whatever it might be. And then you just build that. Build that programme in and you need. This is why I think that venues now, again, I'll just come back to that. You talk about AdWords, but that, again, is more spend. It's like, how'd you build that mail list? How do you drop into the local Facebook groups and Mumsnet and all that kind of stuff? You know, that's where you can do it organically rather than. Because people don't sit in front of Google necessarily, or think, like, what should we do? Paul Marden: You sit on the sofa on a Thursday night trying to figure out what on earth are we going to do this weekend? Yeah, so you're completely right. The mum's net, the content marketing, is hugely important, isn't it? Andrew Webb: Which is my job. But also it's kind of like how can institutions become part of that? When I say community, if you think about most people travel a thin hour to go somewhere. I mean, people go further afield, you know, but. But basically it's like, what? My mom turns, like, a tea and a pee. So you've got to go somewhere. You've got to have a cup of tea, visit the loos. It's all about tea. It's all about canteens and loos, basically. You could have a World Heritage Site, UNESCO World Heritage site. And it's like, how good's the caf? And are the toilets clean? Yeah, that's what people remember. Gar went hens at dawn. I was awed by the majestic. But that Looney D cleaning, you know, it's not good. It's all that people come home with. Andrew Webb: So, you know, institutions go into place that they are trying to offer different things. Like late nights. We've talked about that. How can we use this space after hours? Because if you think about it, if your institution's open 10 till 6, most people are at work five days a week, you're gonna have students and pensioners who are gonna be not great spenders, either of those two groups. So, late nights, I went to a great one in the National Gallery when the James Bond film. I was kind of sitting royale or whatever. He's still on the top of the National Gallery overlooking Trafalgar Square, and they've got the national dining rooms there and they had Vesper Martini, everyone got a cocktail. Andrew Webb: And then went to look at the fighting Temeraire, which is the bit where he's standing with Q, the new Q, who voices Paddington, whose name escapes me and gives him, like, a gun and a radio, but they're like the fighting Temeraire by Turner is this little thing. And so, you know, you've got to make hay out of that, right? You've got to sort of, like, do a late night, various ones. And so all it was a few cocktails in the cafe next door and are taught by the curator and stuff like that. But 30 people just looking for an experience. And so if venues are clever, of course, the dark side of this is when you get Willy Wonka world up in Scotland. Andrew Webb: Or interestingly, some of the Lego events that have been happening at NEC have caused a massive online backslash in the community for just being exceptionally bad value for money. And so you read about these things that people have said, “Come and visit Santa's grotto, and it's just a muddy field with a tree in it,” so you've got to be careful. But I think those events, those sort of fly by night kind of institutions, don't really work. But how galleries can leverage the creativity of what they're doing? Whether they are come and paint in our, you know, our local gallery, come and have an art class, come and do that. People are looking for stuff to do that is value for money. That isn't always drink lead, you know, it's not always cocktail making or things like that. Andrew Webb: And that comes with a whole heap of other things and dietary requirements for cookery courses and just clean up and the mess and all that kind of stuff. So I think that, yeah, canning organisations, the ones that can really think about that, and I'm happy to help organisations who want to think about this, especially through the life of Lego. They will be the ones that will start to add and build out and develop their. What you might term this whole sector needs a name. The kind of extracurricular offering, we might say, above and beyond their collection and then their traditional interpretation and if they're. Paul Marden: Thinking of doing this. So there's a good why. Yeah, the why is you can reach diverse audiences, helps people with interpretation. Andrew Webb: Quite cheap. Paul Marden: Yeah, absolutely. It's a cheap way of extending your offering and diversifying what you do. You can bring in event elements to this, but how do they do it? Apart from engaging with somebody like you? And I'm going to guess there's not many people like you. So that's going to be a tricky thing for some people to do. But if they were starting from scratch, how would they go about doing this? You said earlier, “Don't go mad with buying the bricks and spending a fortune on.”Andrew Webb: There are people like me that can do all this as well as myself. I think that the first thing is plan it. Plan what you need to do. You can't throw this stuff together. You might be looking at. Already the hold have been contacting me for a late night they're doing in September. They contacted me April. Paul Marden: Okay. Andrew Webb: Because if you're a creator, you're planning exhibitions, you are thinking on that long term cycle. Paul Marden: Yeah, completely. Andrew Webb: And so what you need to do is bake this in as part of that curational process or part of the interpretation of things at the start, rather than like, “Right, we're doing exhibit on Peter Rabbit, let's chuck in a load of fluffy bunnies or whatever.” You know, it's got to be. You've got to think about it and have it contextualised. I think the best things are. What success looks like is, first of all, you need a space. Now you can hire a marquee that comes with a cost. If you're a venue and you've got your own or you've got a hall or a stables or interpretational room or something like that, often spaces, specifically bigger ones, will have classroom spaces for school groups anyway. So that's often that can be where you can host these sorts of events. Kids are very familiar. Andrew Webb: The chairs are all small wall colour, you know, etc. Industrial strength carpet in case stuff gets built. So locations like where you're going to stage this? Paul Marden: Yeah. Andrew Webb: Secondly, I think you need to think about, what do we want people to do? What is the experience? What is the narrative piece? Because you can't just say, here's a big part of Lego. Kids will just build cars and houses, right? You know, they need context. You know, if you give a kid a sheet of paper, you could draw anything. They're like, well, what? And so you need to give them a mission almost. They need a task, I think. Also think about, as I said before, keeping the tasks around 20 minutes, because actually adding the time running out jeopardy element is quite fun for kids because they'll go, “Well, I've only got five minutes left.” And often that's when it all falls apart and then they have to iterate the design. Andrew Webb: So think about that kind of moving people through in 15 to 20 minutes cycles. We had kids at Kenilworth, that would go out the exit and just walk back around and come in the front like that. Like four or five times. One boy came in, he was loving it. So think about that. Think about how you're going to move people through the space. Think about what you need to envisage it. So the Kenilworth, for example, there was me hosting it from dawn toward dusk. We had another builder there who was helping take break it all down and put them against the model that we built. There were two members of staff who were letting people through, so just monitoring it from an entry exit point of view, walkie talkies, in case people had issues and things like that. Andrew Webb: And think about when you're going to do it. Okay, so half term is a good one. It's a good thing to do. We saw a lot of this at Kenilworth, but I've seen other places as well, particularly half terms and things like that. You often see grandparents caring for grandchildren, right? Because parents are at work and grandparents can only walk around the site so much before they want to sit down. So sometimes have it, like, think about where they can. And when I was at Kenilworth, grandparents came in with their two grandkids, and the kids started playing and I was like, you could join in, too. Oh, no, I don't want it. You know, they were almost like, “I can't do this. It's like, come on, get in, get in. Come on, grandma. Come on. I'll show you how it works. “Andrew Webb: By the end of that session, they were memory making. I then took their photo with their phones, they'd have this sort of grandparent. But, you know, you always say it like, my grandfather taught me to fish. Like Sean Connery says in the hunt for red October. This sort of moment where sort of, it's a Hollywood trope that grandfather knowledge is sort of passed on type of thing. Right. And so you can see that where you could have this, almost either the reverse of that, of kids showing grandparents, but also they're all having this event outside of the parental unit. So it's a new type of experience. It adds value, it gets people to play with their grandkids. Paul Marden: Priceless. Andrew Webb: So I think that's kind of an interesting way. So think about when, think about where and think about what will be my three sort of tips for any institution looking to put this together. Paul Marden: You gave one the other day which I thought was priceless, which was, don't give them wheels. Andrew Webb: Oh, yes. Paul Marden: Don't include the wheels. Andrew Webb: Take the wheels out of any sets, unless you are the Transport Museum or the, you know, a car based museum, because kids will do wings as well. I'd probably suggest taking those out because kids have just built cars. Some kids have just built cars, you know, even if you give them a mission. Unless that is the mission. The other thing that I would think that venues could do as well as sort of all day events, because it's quite a time drain, you know, on staff and this sort of stuff, but it is a value. The other thing you can think about is one off evening events for adults. Yes, I've done this. I did this at my local add them shops. Bricks, beers and bubbles challenges supercompass teams. Think of it like a pub quiz with brick is the answer. Andrew Webb: So build me a thing that does that kind of thing. Teams all get together, you can race them, you can see who goes the furthest. You can do all this stuff. And the hold is what I'm doing at the hold in September. I did it at the hold a couple of years ago. And what was interesting was that we had quite diverse groups of adults. We had just couples who were clearly AFOLs and were like, “Yeah, I'm going to go to that.” We had a group of friends. One of them had just come back from years travelling and they didn't want to go sort of straight to the pub and just interrogate him about his travelling, whatever. Andrew Webb: They kind of like, “Well, we wanted something to do where we could have a beer and have a chat, but were doing something else whilst we're doing that.” And that's the joy of Lego. Your hands are doing the work and you're almost like the back of your brain is doing the work and you're like, “Oh, yeah, yeah. Before you kick them.” And the concentration levels are there and then you can kind of get into that state of flow. And so they were just having this lovely chat, had a beer, talking about stuff, but also memory making in terms of when he came back from his travelling. So I think that's really important. Andrew Webb: Did you know that this is your brain, right? And then your brain on Lego, there are 24 discrete skills that are happening in your brain. So Lego research this, things like fine motor skills, cognitive sort of thinking about things, future planning, my favourite emotional regulation that is not going, “Oh, my God, it's not working. And smashing all to pieces.” So I've seen this as well with children, is that when you give them a Lego, if you gave them jelly and a football, they'll all just. They're a high energy kind of things, right? And that's fine, great outdoors, kids want to burn off energy. Here's a load of balls. Go crazy, right? Or ball pits, trampolines, bouncy castles, those sorts of things. When you get on Lego, what actually happens is it's very hard to be anarchic, to use a wrong word, but a word. It's very hard to be anarchic with Lego because you can't really do it. Andrew Webb: And so you can get a group of kids together and they'll almost self invigilate. And at one point, I ran it at a local toy shop and the parents are all hanging about and like, “I've never seen them so quiet.” They were just in the state of flow. And so, I think, you know, again, back to the. Back to the explorers and the scouts, that was one of the best sessions that those kids had done as teenagers because the reason was they were given permission to play with Lego. They still had the muscle memory from when they were smaller children. They were solving. They weren't just being told to play with Lego, they were actually solving engineering challenges. How can you design a bridge that will take this weight? How can you protect an egg? How can you think about this? Andrew Webb: And so you need to think about the challenge and the what. You need to think about that, the where and you think about the when, as I said, and get those right. You can have a very exceptional visitor experience for not a huge amount of effort. It's not highly costly, it's not highly technical, it's just a bit of elbow grease and a bit of forward thinking in terms of what we might need. And I think that parents appreciate just that minute away where they can. It's almost like a 20 minute babysitter, right, where they can just go, “Don't touch that.” You know, you're walking around a stately home, “Don't sit there, don't touch. Mind the lady.” All that kind of no data that parents give out institutions, they can just take a breather and check their phones and whatever. Paul Marden: And the kids are just having an amazing time. Andrew Webb: Yeah. And the kids are happy. And at the end of the day, as a parent, we all do our best and you just want, you know, them to be playing with something screen free, getting along and learning something. And, you know, that is the win. That is the ultimate takeout. You can layer on your own institution in context and rev up the visitor experience, bring in new visitors, attract a more diverse group of people that perhaps wouldn't normally come to a Regency Rococo style villa or whatever it might be, then that's all to the better, because, you know, you can start to use this in your planning and you can do what Suntton Hoo did? And go, right, well, we've done this and it's really worked. Andrew Webb: And then I can apply for funding for it and I can expand and I can make it permanent and then I can sort of say, well, this now becomes a tool and a string and arbo for our educational. It doesn't have to be split between visitor attractions and development. It can, you know, you can split it between several parts of the institution and use it in different ways, use it for educational purposes as well as visitor experience. So the world's your oyster with a bit of thinking. Paul Marden: With a bit of Lego and a bit of thinking. Andrew Webb: Bit of Lego, yeah. A few bricks and a couple of tricks and you're off to the races. Paul Marden: Andrew, this has been brilliant. Thank you ever so much. Andrew Webb: You're welcome. Paul Marden: I've got one more question for you before we finish. Now, you bottled this earlier on when I said we always have a book recommendation from our guests. And in spite of having the fullest bookshelf I've seen in quite a long time, you've bottled it on a book. But you did offer me a favourite movie. And so what would be your movie recommendation of choice? Andrew Webb: My go to movie would probably be Withnail and I, Richard E. Grant's first film. Every line has came down from God on a tablet. I mean, it is just. Yeah. Richard Griffiths as Uncle Monty, Paul McGann. It's just one of my favourite films and, you know, cult classic that no one's really. Well, people have heard of it now, but again, they even make stuff out with Alan Eyright. So you can go and watch a screening of it at the farm at Crow Crag up in Penrith, you know, and everyone dresses up and everyone comes with Mister blathering sets tea and I come on holiday by mistake and Jessie says, Danny. Andrew Webb: And, you know, fortunately, for better or for worse, I know these are tough times, but people try and find the fun in things. They try and at the end of the day, everyone's looking for a good time, whether we're children or an adult. You want something to just have a laugh and take you away for a moment. And if films and culture but also experiences can do that, then that's all for the good. Paul Marden: Well, look, this is going to be a challenge, but listeners, if you would like a copy of Andrew's film recommendation, then when we release the show message on X, if you can retweet that and say, “Give me Andrew's movie”, then the first person that does that, somehow I will get the movie to you. It might be on VHS, it might be on DVD, but somehow we will get you a movie. Andrew Webb: I found a CD the other day from a bar I used to go to in Clapham in the noughties and late ‘90s. I said to my mate, look, I'm great, put it on. And I went, “I can't.” I haven't got a CD player anymore. I had to go dig through a box somewhere in the study to find a portable CD player that plugged into my computer that could. By the end of it, we're just laugh. Forget it. Paul Marden: Andrew, this has been wonderful. Thank you ever so much. Andrew Webb: You're welcome. Cheers. Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, SkiptheQueue.fm. The 2024 Visitor Attraction Website Survey is now LIVE! Help the entire sector:Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsFill in your data now (opens in new tab)

The fourth episode of ‘Tales from The Oval', presented by Tom Holland – host of The Rest is History - and Jon Surtees from Surrey CCC sees the hosts telling the story of the man they deem to be the Surrey GOAT (Greatest of All Time).After rifling through a few candidates, Tom and Jon quickly name their choice for the greatest Surrey player of all time and proceed to tell their story in inimitable fashion.Although you will need to listen to find out their choice, a small clue is that the podcast takes you from Parker's Piece in Cambridge to a sports stop on The Strand, stopping off in a great many fascinating places along the way.Future episodes will be released every Wednesday, with episode 5 – coming on Wednesday June 19th – telling the fascinating story of the history of everything that's taken place at The Oval - other than cricket!Twitter:@surreycricket@holland_tom@JonnySurteesProducer: Will LewisExecutive Producers: Matt Thacker + Jon Surtees

Noelle Blizzard is the cake artist/owner behind New June, a micro-bakery and cake studio in Philadelphia. She is known for her beautiful Victorian-style cakes that incorporate the Lambeth decorating technique of colorful garlands, ruffles, and more. This method became popular in the 1930s and has found new life on social media. Noelle joins host Jessie Sheehan to talk about her cake career and how she got into Lambeth decorating. She also shares her favorite tricks and tools for efficient piping and the best ways to fix a frosting mistake. Thank you to Plugrà Premium European Butter for supporting our show. Hosted by Jessie SheehanProduced by Kerry Diamond, Catherine Baker, and Elizabeth VogtEdited by Jenna SadhuContent Operations Manager Londyn CrenshawRecorded at CityVox StudiosShe's My Cherry Pie is a production of The Cherry Bombe Podcast Network. For past episodes and transcripts, click here. Subscribe to our newsletter here.More on Noelle: Instagram, New June bakery, websiteMore on Jessie: Instagram, Salty, Cheesy, Herby, Crispy Snackable BakesSubscribe to Cherry Bombe Magazine here

As summer weather arrives, David visits Cherry Townsend at Kilcoan Gardens in Islandmagee, where she has a brilliant collection of flowering plants that bridge the gap between spring and summer. Geums, Trollius, Aquilegia and Tellima are among the highlights in the borders. One of the biggest gardens in London is found across the river from Westminster behind the walls of Lambeth Palace. It's the home of the Archbishop of Canterbury but the 10 acre garden is opening for the National Garden Scheme later this month and head gardener Lindsay Schuman gives David a sneak peek. Gordon Finch joins David in studio to talk about his fascination with ferns and restarting the local group of the British Pteridological society. Robot mowers have been gaining in popularity – producer Nicola chats about her experience with one she has nicknamed ‘Mervyn'. And Oliver Shurmann reveals his perennial of the month. In studio, Anna Hudson will be chatting about her veg patch at Ballywalter and she'll take questions live in studio. Contact the programme gardenerscorner@bbc.co.uk

Currently the development director for Young Life International's youth ministry in the Middle East, including Israel and the Palestinian Territory, as well as North Africa. Hunter Lambeth first visited the Holy Land in 1993. For the past thirty years, he has repeatedly returned, including living for five years in Nazareth, Israel from 2012-2017. Currently he is the development director for Young Life International's youth ministry in the Middle East, including Israel and the Palestinian Territory, as well as North Africa. Hunter is married to Lauri and they have one daughter, Haley, a graduating high school senior. They live in the northern suburbs of Atlanta and travel several times a year to the Holy Land and greater Middle East region.    He is the author of Praus:A Parable for Winning the War Within (Praus), the forthcoming Chasing 70: The Quest to Live Life at the Pace of Christ ( https://www.chasing70.net/), and has written several recent articles about the current conflict between Israel and Gaza at: https://outofnazareth.blog/   If you are interested in supporting the work of Young Life in the Holy Land, specifically providing scholarship funds for teenagers to attend camp and hear the Gospel, you can do so at: https://giving.younglife.org/Camp2024      

Bishop Lambeth reminds us in this episode that we only have so much time, and so many marbles. As elders, it's vital that we use lessons learned to save someone some hurt. As youth, find a source of wisdom, and glean everything you can while you can.   #KingdomSpeak #Podcast  #Growth

Discover London's top investment neighborhoods in this comprehensive guide. In this video, I dive deep into why Sunningdale, Old South, Oakridge, Lambeth, and Byron are your best bets for maximizing returns in 2024. From market trends to community highlights, get everything you need to make informed decisions. Don't miss out on the opportunity to elevate your investment portfolio. Subscribe for more expert insights. 

How can you make a difference in life, alongside other people? That is a question long pondered by Dame Commander Heather Rabbatts, who has a quite remarkable CV despite underachieving at school. She was the first woman to be appointed a director of the FA and she was also chief executive of Millwall football club, she's also been a barrister, a BBC governor, the youngest ever chief executive of both Merton and Lambeth councils, Head of Education at Channel 4, a director of the Bank of England and much more besides. And this from a woman who underachieved at school. Heather shares so many insights, quotes and life lessons in this episode, including about how to get a promotion at work, so you might want to grab a pen.Champion Thinking: How To Find Success Without Losing Yourself - is now on general release. Drawing on some of my favourite interviews over the last five years, I want to share some of my favourite Life Lessons, including around burnout, psychological flexibility, flow and success evangelism.'This book captures the magic of being in flow . . . Highly recommend' RONNIE O'SULLIVAN'Entertaining and enlightening' MATTHEW SYED'Using high achieving individuals, teams and sporting stories Simon has looked into something we actually all know or at least once did - the ability to live life more in the now' JASON FOX'The intention behind this book is beautiful, and I highly recommend it' RUPERT SPIRA'The best guide we have to what it means to be human' AMOL RAJANOrder here: https://www.simonmundie.com/bookAmazon: https://www.amazon.co.uk/Champion-Thinking-Success-Without-Yourself/dp/1526626497/ Hosted on Acast. See acast.com/privacy for more information.

Today with us on the Incite Change Podcast, Coach Mauro sits down with Nigel Wragg of The Personal Training Room.  Nigel has decades of experience in the industry in the UK, New Zealand and now Canada. He is a Personal Trainer based in Lambeth, London Ontario where he has been since 2015. You can work with Nigel face-to-face at his private studio; The Personal Training Room, virtually or join his online classes. He has worked with many athletes over the years and continues to work with student-athletes as they transition to college sports. Having been a professional cycler, his coaching on strength training comes from both aspects of being a professional athlete and years of experience as a personal trainer. Like many of us, Nigel has had life experiences which he learned from. He uses his experience to be transparent with his clients and be the best coach he can be. Listen as he takes us through his fitness journey, life experiences and how he supports his clients.   Episode Timestamps ●        [01:23] Personal Trainer Nigel's day-to-day ●        [06:02] Nigel's Childhood Sports ●        [11:51] Continuous Learning is Important ●        [17.44] Something Big ●        [21:50] Turning a New Leaf ●        [31:30] How to Keep the Progress ●        [36:11] Transparency is Important ●        [45:03] New Clients ●        [52:06] Supporting Clients ●        [58:44] Find what Works for YOU   Resources Mentioned ●        Nigel's Personal Training Room ●        Instagram: @nigel_wragg ●        Facebook: Personal Training Room   Quotes [Nigel] “If you aren't learning, you're getting worse at what you're doing.”   [Nigel] “Be kind to yourself and take it easy”   [Nigel] “Trust the process” Thanks so much for tuning in. Join us again next week for another episode! Contact us! If you would like to get in touch, leave us a comment! Visit our website - www.healthyincite.com Follow us on Instagram - https://www.instagram.com/incitecoaching/?hl=en Like us on Facebook - https://www.facebook.com/incitecoaching/   

Welcome to our the first episode of our monthly series of the Dissidents Podcast on the legacies of black pioneers, brought to you by the Black Institute of Liberal Values (a joint project of Free Black Thought and the Institute for Liberal Values). In this inaugural episode, Winkfield Twyman, Jr & Jennifer Richmond, speak with Bill Paine and Tom Miller, two descendants of the first ordained black minister, Lemuel Haynes. Jen & Wink talk about what it means for people to come together across the color line in celebration of pioneering ancestors and in community as “Old Americans”. Lemuel Haynes Resources: Sketches of the Life and Character of the Rev. Lemuel Haynes, for Many Years Pastor of a Church in Rutland, and Late in Granville, New York.  Timothy Mather Cooley. Publisher: John S. Taylor, NY. 1839 Black Puritan, Black Republican The Life and Thought of Lemuel Haynes, 1753-1833. John Saillant. Oxford University Press, 2003 Lemuel Haynes, a bio-bibliography.  Richard Newman. Lambeth, Press, NY. 1984 Black preacher to white America : the collected writings of Lemuel Haynes, 1774-1833 / edited by Richard Newman; introduction by Helen MacLam ; preface by Mechal Sobel. Haynes, Lemuel, 1753-1833. Brooklyn, N.Y. : Carlson Pub., 1989 Liberty Further Extended-https://www.jstor.org/stable/1919529 John Saillant SEA Scholar of the Month June, 2023 https://www.societyofearlyamericanists.org/whats-new-announcements/sea-scholar-of-the-month-june-2023-john-saillant   https://www.jstor.org/stable/365942 "Not Only Extreme Poverty, but the Worst Kind of Orphanage": Lemuel Haynes and the Boundaries of Racial Tolerance on the Yankee Frontier, 1770-1820 Author(s): Richard D. Brown Source: The New England Quarterly , Dec., 1988, Vol. 61, No. 4 (Dec., 1988), pp. 502-518 Published by: The New England Quarterly, Inc. https://we-ha.com/memorial-to-lemuel-haynes-dedicated-in-west-hartford/ https://granbydrummer.com/2020/08/lemuel-haynes-an-eloquent-man-of-god/ https://granbydrummer.com/2020/09/lemuel-haynes-an-eloquent-man-of-god-2/ https://www.youtube.com/watch?v=0AaYsRYojDc  *The Lemuel Haynes part starts at 32:28 And another small segment from West Rutland a couple years ago https://vermonthistory.org/lemuel-haynes https://jwhamil.com/Hamil/Family.htm  (Family website)   Other related resources: Discovering Black Vermont, African American Farmers in Hinesburgh, 1790-1890. Elise A. Guyette. Vermont Historical Society. 2020 The Little Professor of Piney Woods, The Story of Professor Laurence Jones. Beth Day. Julian Messner, Inc. NY. 1956 Benjamin Banneker and Us, Eleven Generations of an American Family. Rachel Jamison Webster. Henry Holt and Company. NY. 2023 Vermont African American Heritage Trail: https://www.vermontvacation.com/~/media/files/pdfs/itineraries/vermont-african-american-heritage-trail-2015.ashx?la=en

Jamaica poet and artist, Linton Kwesi Johnson is the second living poet, and the only black one, to have his poems published in the Penguin Modern Classics Series in 2002. Born in Chapelton, a rural parish of Clarendon in Jamaica, Linton Kwesi Johnson migrated to Britain in 1963 with his parents as part of the Windrush generation that left Jamaica on the eve of independence. Johnson attended Tulse Hill School in Lambeth, where he joined the British Black Panther Movement, helping to organize poetry workshops within the movement, while developing his work with Rasta Love, a group of poets and drummers. Johnson studied sociology at Goldsmiths College in New Cross, London, graduating in 1973. He wrote for New Musical Express, Melody Maker, and Black Music in the 1970s, while working as the first paid library resources and education officer at the Keskidee Centre, where his poem "Voices of the Living and the Dead" was staged and produced by Jamaican novelist Lindsay Barrett. Johnson's poetry involves the recitation of his own verse in Jamaican patois, mixing it with dub-reggae, usually written in collaboration with reggae producer Dennis Bovell. In this episode, we present a poetry performance by Linton Kwesi Johnson at the Leeds West Indian Centre held to commemorate 50 years since the death of David Oluwale. This episode is part of the African History Series of the Africanist Press featuring voices, individuals, and institutions engaged in shaping the study of Africa's past and present developments.

At Yesterday's London Times, we are all about inquiry, questions and stories, particularly stories that are new to us or that we just want to know on a deeper level. We seek out people, places, and facets of history that are lesser known, quirkier, or even downright strange. We also like to shine a spotlight on those who really do - or have done - amazing things, but perhaps have been forgotten over time, or lost in the shuffle of a typical news cycle or history text. We especially love discovering stories about people who contribute to the collective good of humanity in some way. Early on in our  partnership, we (Jen and Mares) immediately recognized our common love and admiration for the London Underground, or Tube, for the Tube is something more than just the transportation system beneath our feet. It supplies life to the city of London, and with up to 5 million passenger journeys on any given day, it is the veins and arteries that allow all of the movement that keeps the city going and makes it such a special place.Join us throughout the following year as we randomly choose destinations across the city to “visit”. We will virtually hop on the Tube and bring the city to your ears as we search for adventures around the stations of the iconic Underground map.  We will ask ourselves:Who lives here now? Who has lived here in the past? What are the stories that live within the streets of this area? What do the people -  or perhaps the ghosts of former inhabitants - of this area want to teach us?What are some places to visit, what might I eat? What is quirky or unique about this part of London? What can I learn from this area? The journey begins today. Where do you think the Tube will take us today?As you listen, we invite you to follow along in our show notes to enhance your experience with us. 

Exmouth has become the fifth UK council to endorse the call for a global Plant Based Treaty to address food impacts on the climate emergency, joining climate leaders Edinburgh, Norwich, Lambeth and Haywards Heath. In a statement issued by Exmouth Town Council, they said, "Exmouth Town Council has declared its commitment to making Exmouth cleaner, greener and healthier by endorsing the call for the Plant Based Treaty. This endorsement was made as part of their Climate Action Plan, which aims to combat the climate crisis and make the town a thriving, zero-carbon community." Exmouth aims to reduce carbon footprint Exmouth resident and Town Councillor, Louise Venables, expressed her pride in the town's efforts to become a zero-carbon community and the importance of endorsing the Plant Based Treaty at a critical time, "Switching to an increasingly plant-based diet is the simplest and one of the most effective actions we can take to reduce our carbon emissions. Plant-based diets can also improve health, remedy biodiversity, improve animal welfare, and be financially beneficial. Andrew Garner, Plant Based Treaty UK campaigner, said, "2023 was the world's hottest year on record, and Exmouth has rightfully recognised the importance of plant-based food solutions and rewilding to address multiple planetary crises. Their climate leadership in calling for a Plant Based Treaty offers hope that we can address food emissions which account for a third of greenhouse gas emissions. In the Plant Based Treaty motion, which passed at a full council meeting in December, Exmouth committed to a number of plant-based food and rewilding policies: Promote plant-based foods. Include campaigns/activities to encourage a switch to plant-based foods in our Climate Action Plan Design public information campaigns to raise awareness about the climate and the environmental advantages and health benefits of plant-based food, nutrition and cooking Aim to reduce the public's consumption of animal-based food through education in schools, organisations and local businesses Transition to plant-based meal plans when catering for climate-related meetings, events etc. Help to restore key ecosystems and reforest the earth. Support reforestation projects and convene a tree forum to provide transparency and encourage collaboration between stakeholders in Exmouth Focus shift on nature-based solutions for climate change mitigation and adaptation (in ETC's consultative planning role) Cities: support initiatives to increase trees and wildflowers, increase green community projects, wildlife corridors, green rooftops, local growing schemes, work towards biodiversity increases (in our consultative planning role and in our environment policy) Enhance food justice by supporting projects that provide access to healthy food for all, especially low-income communities (support projects like Mushroom, a food community network in Exmouth) Background The Plant Based Treaty is modelled on the Fossil Fuel Non-Proliferation Treaty and inspired by treaties that have addressed the threats of ozone layer depletion and nuclear weapons. It has been endorsed by 24 municipalities worldwide, including Edinburgh, Norwich, Lambeth, Exmouth, Haywards Heath and Los Angeles. Since its launch in August 2021, the initiative has received support from 130,000 individual endorsers, 5 Nobel laureates, IPCC scientists, and more than 3000 groups and businesses, including Veganuary, Ecotricity, Linda McCartney Foods, Plant Based Health Professionals, UK Health Alliance on Climate Change, and chapters of Greenpeace and Friends of the Earth. The Plant Based Treaty has secured high-profile endorsements from celebrities, including Chris Packham and Paul, Mary and Stella McCartney, who issued a written statement calling for politicians to support the Plant-Based Treaty. They said: "We believe in justice for animals, the environment and people. That's why we support the Plant Based Treaty and urge individuals and gove...

Jiujitsu, military and life lessons while Bockin' it up with John “Happy” Lambeth. Get in touch with us:

A pilot public health scheme in south east London is prescribing fresh fruit & veg to people with chronic disease and mental health conditions. Sheila Dillon meets Dr Chi-Chi Ekhator, an NHS GP and lead at the A.T Beacon Project, to hear how the prescriptions are working, and how it's a part of their mission to bring healthcare out of GP surgeries and into the heart of Lambeth's most hard-to-reach communities. Presented by Sheila Dillon and produced by Sophie Anton for BBC Audio in Bristol

The Spiritual Sisters deep dive into Cardology in this week's episode with our special guest, Lambeth Long. Lambeth is an intuitive guide who specializes in Cardology who has over 6 years of experience with the system. Cardology is an ancient mystical science that combines the 52-card deck of playing cards with the elements of Astrology and Numerology. It reveals the energy patterns of our personalities, life events, and relationships with others. The sisters keep it informational as always and share their personal experiences using this system and the parallels they share since they are born on the same day.The episode also covers:What is needed to discover your personal CardologyThe history of Cardology How to use CardologyThe different types of cards and suits in the systemPlease share, rate, and review the podcast on Apple, Google, Spotify, or wherever you listen!Contact Lambeth here:Instagram: @lambethlongBook a session with Lambeth via her link here: https://lambethlong.as.me/schedule.phpPlease rate and review the podcast on Apple, Google, Spotify, or wherever you listen!See our faces on YouTube!https://youtube.com/@TheSpiritualSistersPodcastWe would love to hear from you! Please send us an email at thespiritualsisterspodcast@gmail.com Follow us on Instagram @thespirtualsisterspodcast https://instagram.com/thespiritualsisterspodcast?igshid=YmMyMTA2M2Y= Follow Gabrielle on Instagram @aguaastrology https://www.instagram.com/aguaastrology/?igshid=YmMyMTA2M2Y%3D(She will NEVER DM you for readings! Watch out for scammers!)Follow Nichole on Instagram @momwifeytherapisthttps://instagram.com/momwifeytherapist?igshid=YmMyMTA2M2Y=Want to book a reading with Gabrielle? Please visit her website www.aguaastrology.com Want to book a reading with Nichole? Please visit her linkhttps://calendly.com/nicholechristine/45mins?month=2023-10Subscribe to Gabrielle's YouTube Channel Agua Astrology...

Jesus is coming back. To get out of Babylon you need a desire - are you ready and willing to leave? Join us and our ‘big buck' guest, missionary John John Lambeth as we discuss making it all the way to Heaven.   #KingdomSpeak #Podcast  #Eternity

Books belonging to Henry VIII, Richard III, Mary I and Edward VI are among the treasures in the historic library of the Archbishops of Canterbury, one of the oldest public libraries in England. In this episode of Not Just the Tudors, Professor Suzannah Lipscomb takes a tour of just a few items from Lambeth Palace Library's priceless collection with the librarian archivist Giles Mandelbrote.There are pictures of all of the items featured in this podcast on Suzannah's social media accounts - @sixteenthCgirl - on Facebook, Twitter, Threads, and Instagram. This episode was produced by Rob Weinberg.Discover the past on History Hit with ad-free original podcasts and documentaries released weekly presented by world renowned historians including Dan Snow, Suzannah Lipscomb, Lucy Worsley, Matt Lewis, Tristan Hughes and more. Get 50% off your first 3 months with code TUDORS. Download the app on your smart TV or in the app store or sign up here >You can take part in our listener survey here >For more Not Just The Tudors content, subscribe to our Tudor Tuesday newsletter here > Hosted on Acast. See acast.com/privacy for more information.

Warfare has changed a lot over the centuries; but somethings remain constant. This episode looks in detail at the power and might of the fleets of England in the 11th Century, and how London became not just the centre of them, but the focus of the power of England. A crucial episode in the story of London; a rough script will be found on https://imgur.com/gallery/hajiHGM in the next few days.

In June 1042 a wedding feast take places in Lambeth; who got married at that wedding and what happened at that wedding, and the stories of those people, offer a unique insight into the power politics that led to the rise of King Edward the Confessor. Feasts, politics and sly insults from Monks abound… A full script with pictures of this episode will be available on https://imgur.com/gallery/hajiHGM soon.

London schools in areas such as Lambeth and Camden are having to close their doors as pupils leave. Why are numbers dropping so fast – and why does it matter so much?. Help support our independent journalism at theguardian.com/infocus

While he is one of the many on the list of Jack the Ripper suspects, he is quite low.  Elissa Kerrill  Serial Killing : A Podcast  P.O. Box 760  Bolivar, MO 65613   *Want to Support?* Patreon: https://www.patreon.com/serial_killing Instagram: https://instagram.com/serial_killing/ Anchor: https://anchor.fm/serial-killing Merch: https://teespring.com/stores/serial-k... --- Send in a voice message: https://podcasters.spotify.com/pod/show/serial-killing/message Support this podcast: https://podcasters.spotify.com/pod/show/serial-killing/support

Being exposed to the results of something can sometimes be more deadly than the source. Join us and our guest for a discussion on idols, and whether they are present in today's movement...or not.   #KingdomSpeak #Podcast  #Idolatry

In 1838 a violent murder took place in the Lambeth area of London that set a trend for the stories of the Victorian penny papers for decades to come. Inspiring Charles Dickens, who paid close interest to the case, supplying him with the details he would later adapt to in several of his murder scenes, it was a grim affair that made headlines for months whilst the murderer was blindly chased across London. But was it really an isolated crime or part of something much bigger? Murder, confession and conspiracy all manage to play a role in what would become known as The Grimwood Murder.   SOURCES   Somerville, Alexander (1841) Eliza Grimwood: A Domestic Legend of the Waterloo Road. B. D. Cousins, London, UK   Bondeson, Jan (2017) The Ripper of Waterloo Road. The History Press, Gloucestershire, UK.   Bracebridge, Hemyng (1851) Prostitution in London. Griffin, Bohn & Co. London, UK.   Mayhew, Henry. Et al. (2005) The London Underworld In The Victorian Period. Dover Publications, USA.   Ion, J.L. (1838) Post Mortem Appearances of Eliza Grimwood. The Lancet, Volume 30, Issue 772, P399-400, June 16, 1838. UK.   Kelly, Debra & Cornick, Martyn (2013) A history of the French in london. University of London School of Advanced Study Institute of Historical Research. London, UK.   The Morning Chronicle (1838) Murder and Suicide. The Morning Chronicle, Mon 28 May 1838, p.3. London, UK.   Aberdeen Press & Journal (1840) Murder fo Lord William Russel. Aberdeen Press & Journal, Wednesday 13 May 1840, p.4. Aberdeen, UK.   The Globe (1840) Re-Examination of The Valet Corvoisier at Bow Street. The Globe, 14 May 1840, p.3, London, UK.   London Evening Standard (1840) Murder of Lord William Russel. London Evening Standard, 11 May 1840, p.3. London, UK.   Edinburgh Witness (1840) Confession of Courvoisier. Edinburgh Witness, 1 July 1840, p.2. Edinburgh, UK.   ---------- For almost anything, head over to the podcasts hub at darkhistories.com Support the show by using our link when you sign up to Audible: http://audibletrial.com/darkhistories or visit our Patreon for bonus episodes and Early Access: https://www.patreon.com/darkhistories The Dark Histories books are available to buy here: http://author.to/darkhistories Dark Histories merch is available here: https://bit.ly/3GChjk9 Connect with us on Facebook: http://facebook.com/darkhistoriespodcast Or find us on Twitter: http://twitter.com/darkhistories & Instagram: https://www.instagram.com/dark_histories/ Or you can contact us directly via email at contact@darkhistories.com or join our Discord community: https://discord.gg/cmGcBFf The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.