Podcast appearances and mentions of king sisters

CAM CLARKE ORIGINAL VOICE OF LEONARDO AND ROCKSTEADY FROM TEENAGE MUTANT NINJA TURTLES RELEASING COFFEE TABLE BOOK ‘NOW THEY'RE ALL HERE' THE KING FAMILY  ‘ONE HUNDRED YEARS OF ENTERTAINMENT' FEATURING AMAZING PHOTOGRAPHS EXCLUSIVE! Hello everyone and welcome to another edition of Interviewing the Legends I'm your host Ray Shasho. Cam Clarke began his career in short pants and knee socks in 1965 as a member of TV's “The King Family Show”. His mother is Alyce King of The King Sisters. His father is actor Robert Clarke, who starred in many of the science fiction films of the 1950s and '60s. Since the early eighties, Cam has been working in voice-overs, particularly in animation, Voicing such characters as Leonardo in the original “Teenage Mutant Ninja Turtles”. Cam has voiced many other characters as well including Der Fledermaus in “The Tick”, Mac on “Clifford the Big Red Dog”, He-Man in “He-Man: Masters of the Universe”, and Freddy the Ferret in “Back at the Barnyard”. He has also been the voice of Snoopy, Simba, and can currently be heard as Heath, Hoodude, and Professor Rotter in “Monster High”. He has supplied voices for numerous video games, most notably Kratos in “Tales of Symphonia”, Blood Elf in “World Of Warcraft”, and the voice of Liquid Snake for the popular “Metal Gear Solid” series wherein the sequel his character came back as an arm. Proving the old adage, “There are no small parts, just small, …um, …body parts.” PLEASE WELCOME American voice actor, known for his work in animation, video games and commercials. Among his notable roles are Leonardo and Rocksteady in the 1987 Teenage Mutant Ninja Turtles animated series Cam Clarke to Interviewing the Legends … PURCHASE ‘NOW THEY'RE ALL HERE' THE KING FAMILY OVER 100 YEARS OF ENTERTAINMENT FROM AMERICA'S FIRST FAMILY OF SONG BY CAM CLARKE Now They're All here – Over 100 years Of Entertainment From America's First Family of Song”. It's a coffee table book with amazing photographs (some I hadn't even seen!) and memories from the King Sisters, Alvino Rey, Buddy Cole, Tina Cole, Robert Clarke and many other members of the King Family. AVAILABLE February 25, 2025 At amazon.com   FOR MORE INFORMATION ABOUT CAM CLARKE VISIT https://camclarke.com/ Official Website https://www.facebook.com/CamClarkeVoices/ Facebook https://x.com/CamClarkeVoices?mx=2 Twitter https://www.instagram.com/camclarkevoices/ Instagram https://camclarkevoices.tumblr.com/ Tumblr https://www.imdb.com/name/nm0164682/ imdb   Support us on PayPal!

Songs include: Tuxedo Junction by the Andrews Sisters, Our Love Affair by Judy Garland, Looking At You by Lee Wiley, I'll Get By by the King Sisters, Starlit Hour by Ella Fitzgerald and Body and Soul by Billie Holiday. 

Features vintage recordings by Tex Beneke, The King Sisters and Sammy Kaye.  Ronnaldo celebrates Swing City Radio's Fifth Anniversary.  Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

note: the date on this episode is probably incorrect. Phil Harris substitutes again for Kaye kaiser, and is joined by the King Sisters. Transcribed with the Navy Fliers at Dodger…

Features vintage recordings by Charlie Barnet, The King Sisters and Shorty Sherock.  We also listen to a Soundie featuring Claude Thornhill and His Orchestra.  Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

Hello everyone and welcome to another edition of Interviewing the Legends I'm your host Ray Shasho. Tina Cole has been a performer since she was old enough to walk and talk. She was brought up in the limelight of her famous parents: musician, Buddy Cole and Yvonne King of the singing King Sisters. Tina made her mark on the television world staring on the series Hawaiian eye at the age of 19 and continued to perform on television with her famous family, The King Family on ABC. Tina became a national sensation when she joined the cast of My Three Sons as Katie Douglas, and fans of the show fell in love with her. She received more fan mail than any other actor on all Fedderson produced shows at the time. Tina recently released her memoir entitled ‘My Three Lives'. As Tina takes you through her life's journey of both success and struggles, readers will walk away falling in love with her all over again. PLEASE WELCOME AMERICAN ACTRESS, SINGER, AUTHOR, BEST-KNOWN AS KATIE DOUGLAS ON THE LEGENDARY SITCOM ‘MY THREE SONS' TINA COLE TO INTERVIEWING THE LEGENDS … PURCHASE TINA COLE'S MEMOIR MY THREE LIVES by Tina Cole (Author), Bob Mackie (Foreword) Tina Cole has been a performer since she was old enough to walk and talk. She was brought up in the limelight of her famous parents: musician, Buddy Cole and Yvonne King of the singing King Sisters.   Tina made her mark on the television world starring on the series Hawaiian Eye at the age of 19 and continued to perform on television with her famous family, The King Family on ABC. Tina became a national sensation when she joined the cast of “My Three Sons” as Katie Douglas and fans of the show fell In love with her. Available at amazon.com   FOR MORE INFORMATION ABOUT TINA COLE VISIT https://www.facebook.com/OfficialTinaCole/ FACEBOOK https://tinacolestore.wixsite.com/tinacole-store Tina Cole Store   Support us on PayPal!

Features vintage recordings by Boyd Raeburn, Will Bradley, The King Sisters and many more.  We also learn how to treat those annoying Cold Sores and Fever Blisters. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Reciban un cordial saludo. Desde Cali (Colombia), les habla Sergio Luis López, compartiéndoles un nuevo episodio de "Así la escuché yo..." Una de las escenas más representativas de la película “La Máscara” del año 1994, protagonizada por el actor canadiense Jim Carrey, es el baile que todos los policías empiezan a realizar tras el asalto a un banco, hipnotizados por los pasos y el canto del estrambótico personaje llamado “La Máscara”. La canción interpretada por Jim Carrey lleva por título “Cuban Pete” (Pedro, el cubano) y ya había sido grabada por la legendaria orquesta cubana La Sonora Matancera en 1960 para su álbum “La Sonora Matancera en México”. Así la escuché yo… “Cuban Pete” es una composición del británico Joseph Norman, la cual fue grabada originalmente por el músico italiano Paolo Mantovani con su Orquesta Típica en 1936. Al año siguiente el famoso trompetista estadounidense Louis Armstrong realizó su versión de 1937, bajo el título “Cuban Pete”. Pero, la primera versión exitosa de esta canción fue la que grabó el artista cubano Desi Arnaz con las King Sisters para la película homónima “Cuban Pete” de 1946. ¿Y tú, conocías el origen de esta canción? Autor: Joseph Norman (británico) Cuban Pete - Jim Carrey (1994) "The Mask" Movie Soundtrack álbum (1994) Jim Carrey (nombre real James Eugene Carrey, canadiense) Ritmo: Rumba Cuban Pete - Sonora Matancera (1960) "Sonora Matancera en México" álbum (1960) Ritmo: Rumba Cuban Pete - Mantovani and his Tipica Orchestra (1936) single "Cuban Pete/Havana heaven" (1936) Mantovani (nombre real Annunzio Paolo Mantovani, italiano) Ritmo: Rumba Cuban Pete - Louis Armstrong (1937) single "Cuban Pete/She's the daughter of a planter from Havana" (1937) Louis Armstrong (nombre real Louis Daniel Armstrong, estadounidense) Cuban Pete - Desi Arnaz and The King Sisters (1946) "Cuban Pete" Movie Soundtrack álbum (1946) Desi Arnaz (nombre real Desiderio Alberto Arnaz y de Acha III, cubano) ___________________ “Así la escuché yo…” Temporada: 7 Episodio: 33 Sergio Productions Cali – Colombia Sergio Luis López Mora

On Episode 63 of Season 4 of the Old Radio Comedy Podcast, we bring you the October 7, 1945 broadcast of The Adventures of Ozzie and Harriet - featuring the King Sisters. Thanks for listening! Contact Us: oldradiocomedypodcast@gmail.com

Features vintage recordings by Bunny Berigan, The King Sisters and Muggsy Spanier.  We also learn a little bit about small town doctors from an educational film called "The Doctor". Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Features vintage recordings by Bing Crosby, Kay Kyser and The King Sisters.  We listen to some great music featured on the old radio show "G.I. Journal" and learn a little about Una Mae Carlisle. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

This is the story of a song's evolution from ragtime composition to folk song, then from blues to bluegrass.We begin in 1900. Danish-born American violinist/composer Jens Bodewalt Lampe, inspired by Scott Joplin's hot new “Maple Leaf Rag,” composed his own syncopated piece, which he called “Creole Belles,” published in Detroit by Whitney-Warner.A child prodigy (he became the first chair violinist for the Minneapolis Symphony when he was just 16), Lampe was exploring this exciting new type of music. What later came to be called “ragtime” was at the time variously described as “cakewalk,” “march” or “two-step” music.Lampe's “Creole Belles” was a hit, performed widely by pianists, ragtime bands, brass bands and military bands. In 1902, when John Phillip Sousa championed this piece by recording it, Lampe became one of the country's best-known ragtime composers, second only to his hero, Joplin.The Evolution Begins with The FiddlersLampe's work had one of the most amazing cultural cross-pollinations in music history.The catchy melody of the second section or strain of “Creole Belles” first was picked up by fiddlers, who also adopted alternative names for their newly borrowed tune, including “Back Up and Push,” “Rubber Dolly” and “Rubber Dolly Rag.”Then came the string bands. The tune was so popular with them, in fact, that most Appalachian bands that were recording in the 1920s and ‘30s released some version of it. Under the title “Back Up and Push,” the song was recorded twice in mid-1929, just days apart. It was waxed in Richmond, Indiana, by a little-known group called The Augusta Trio, then in Atlanta by a fiddle band with the unlikely name of “The Georgia Organ Grinders.”Five years later, the better-known Gid Tanner and The Skillet Lickers did the song in San Antonio for Bluebird.Meanwhile, the earliest version in which the tune was called “Rubber Dolly Rag” was recorded by Uncle Bud Landress for Victor, also in Atlanta, in November 1929. The song broke out of the hillbilly genre with a 1931 Columbia Records release by Perry Bechtel and His Boys. (Bechtel, a virtuoso guitarist and tenor banjoist, called it “Little Rubber Dolly.”)Footnote: In 1926 banjoist Charlie Poole and his North Carolina Ramblers used the same melody for “Goodbye Booze,” itself based on a 1901 novelty vaudeville number by Jean Constant Havez.The Blues and FolkMeanwhile, the melody was ready for yet another evolutionary turn.Beloved blues guitarist and singer Mississippi John Hurt, who in the early 1920s often collaborated with fiddler Willie Narmour, brought Lampe's original title back to the forefront by adding lyrics, calling it “My Creole Belle” and giving it a smoother new rhythm. Hurt sang:My Creole Belle, I love her wellMy darling baby, my Creole BelleWhen the stars shine, I'll call her mineMy darling baby, my Creole Belle.Known for playing square dance and ragtime music during the same period that he was recording early blues for Okey Records, Hurt's interest in different musical styles meant the melody was heard by a much wider audience. (Incidentally, Hurt also used essentially the same tune for his “Richland Woman.”) Subsequently, Woody Guthrie and other folkies were to record it as “My Creole Belle.”Swing (Western and Otherwise)Soon Western swing bands and Texas-style fiddlers popularized four or five versions of the tune with characteristic dance rhythms.And in 1939, Ella Fitzgerald and The King Sisters each released "Wubba Dolly" with novelty vocals. Bluegrass and BeyondWhen bluegrass and early rock developed, each genre gave the song still more new treatments. For Bluebird, for instance, Bill Monroe recorded an instrumental version in 1940.Fiddler Tommy Jackson brought out his take in 1951, followed by The Stanley Brothers and then by …. well, by everybody.Finally, there were rock renditions. Curiously, for example, 10 years after Bill Black died, the Bill Black Combo still was touring, and the group charted as late as 1975 with “Back Up and Push” on its World's Greatest Honky Tonk Band album.Our Take on the TuneDanny Cox learned his version of the song from a recording by his hero Chet Atkins on the 1965 More of That Guitar Country album. This Flood track was recorded at a recent gig at Sal's Speakeasy in Ashland, Ky.Here you'll hear Dan and harmonicat Sam St. Clair trading choruses on the tune as we call folks back to the bandstand to begin our second set. By the way, The Flood will be back at Sal's next week. We're playing Saturday, April 22, from 6 to 9, and, as a special treat, our dear friend, Floodster Emerita Michelle Hoge, will be back as the evening's guest artist. Come on out and party with us! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Harvey Brownstone conducts an in-depth interview with Tina Cole, Singer, Actress & Author, “My Three Lives: A Memoir” About Harvey's guest: Today's special guest, Tina Cole, is a singer and actress who can truly be considered a member of show business royalty, for several reasons.   First of all, she's the daughter of Yvonne King of the legendary King Sisters, who were hugely popular big-band singers, and the 1st female vocal group to sing in 4 part harmony.  And her father was the iconic pianist, orchestra leader and musical director Buddy Cole, who worked with some of the greatest singers of all time and recorded the soundtracks of over 1,000 movies.   Secondly, she's a member of America's First Family of Song -  the legendary King Family, which entertained audiences throughout the 60s and 70s with their own TV series and 17 TV specials.    And thirdly, she will forever be remembered as the beautiful, sweet-natured Katie Douglas, in one of the greatest TV sitcoms of all time: “My Three Sons”.  When she joined the cast of that show in its 8th season as Robbie Douglas' fiancée, and then his wife, she became an international sensation, receiving more fan mail than any other actor in any of Don Fedderson's many TV productions.   And she won Photoplay Magazine's People's Choice Award for the Most Promising Actress.  And get this: the episode of “My Three Sons” where Katie Douglas gave birth to triplets, was the number one show in the Nielsen Ratings for that week.  Our guest has been entertaining audiences since she was a toddler.   In addition to performing on TV and on tour with The King Family, and as a member of the immensely popular “Four King Cousins”, and her iconic role on “My Three Sons”, she had a recurring role on “Hawaiian Eye” opposite Robert Conrad and Troy Donohue.   She guest starred in TV shows including “The Lucy Show”, “To Rome With Love”, “Adam-12” and many more.   And when you thought you were listening to Raquel Welch singing on her 1970 TV Special, you were actually hearing the voice of our guest!    She's appeared in a number of theatrical productions including “I Do, I Do”, “The Boyfriend”, “Trail of Dreams”, and “Chemical Imbalance”, and for 10 years she played Ethel Mertz in an “I Love Lucy” tribute show.  For her stellar performance in the 2014 movie, “See Me”, she won the Vanguard Award at the Sacramento Film Festival.   And in 2014, she received the Golden Halo Award for Lifetime Achievement in the Motion Picture and Television Industry.   AND NOW, she's released her long-awaited autobiography entitled, “My Three Lives: A Memoir”, which takes us on an engaging, nostalgic, heartfelt – and sometimes heartbreaking – but ALWAYS uplifting and inspirational, journey through her multi-faceted career, her personal relationships, and her enormously strong bond with her beautiful family. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Tina Cole, go to:https://www.facebook.com/OfficialTinaCole/  #OfficialTinaCole    #harveybrownstoneinterviews

Singers include: Frank Sinatra, Bing Crosby, The King Sisters, Dick Haymes, The Sportsmen Quartet, Perry Como and Dinah Shore.  Songs include: Coming In On a Wing And a Prayer, People Will Say We're In Love, The Trolley Song, Sunday, Monday Or Always, I'll Walk Alone and Wait For Me, Mary. 

Tina Cole has been a performer since she was old enough to walk and talk. She was brought up in the limelight of her famous parents: musician, Buddy Cole and Yvonne King of the singing King Sisters. Tina made her mark on the television world starring on the series Hawaiian Eye at the age of 19 and continued to perform on television with her famous family, The King Family on ABC. Tina became a national sensation when she joined the cast of My Three Sons as Katie Douglas and fans of the show fell In love with her. "Being in the film and TV industry, I've read a lot of biographies. The first thing I felt when reading Tina's book is how much she created the feeling that you were a fly on the wall of her storybook life .. .Tina shares so many life changing stories and experiences. Her book was an easy page turner... Get the popcorn out and enjoy the read!" - Victoria Burrows, 40+ years casting director: Lord of the Rings trilogy, Cast Away, Contact, The Polar Express, Walker Texas Ranger "Tina Cole's long awaited book is an engaging gem of heartfelt memoir. She exudes joy as she shares the story of her family life and stardom as an actress-singer. Her writing voice is vibrant and insightful as she tells of both fame and life's challenges. This book will resonate with baby boomers who grew up knowing and loving Tina Cole on television and live on stage." - William Anderson, author at Harper Collins, Publishers

Tina Cole has been a performer since she was old enough to walk and talk. She was brought up in the limelight of her famous parents: musician, Buddy Cole and Yvonne King of the singing King Sisters. Tina made her mark on the television world starring on the series Hawaiian Eye at the age of 19 and continued to perform on television with her famous family, The King Family on ABC. Tina became a national sensation when she joined the cast of My Three Sons as Katie Douglas and fans of the show fell In love with her. "Being in the film and TV industry, I've read a lot of biographies. The first thing I felt when reading Tina's book is how much she created the feeling that you were a fly on the wall of her storybook life .. .Tina shares so many life changing stories and experiences. Her book was an easy page turner... Get the popcorn out and enjoy the read!" - Victoria Burrows, 40+ years casting director: Lord of the Rings trilogy, Cast Away, Contact, The Polar Express, Walker Texas Ranger "Tina Cole's long awaited book is an engaging gem of heartfelt memoir. She exudes joy as she shares the story of her family life and stardom as an actress-singer. Her writing voice is vibrant and insightful as she tells of both fame and life's challenges. This book will resonate with baby boomers who grew up knowing and loving Tina Cole on television and live on stage." - William Anderson, author at Harper Collins, Publishers

Mail Call was an American radio program that entertained American soldiers from 1942 until 1945, during World War II. Lt. Col. Thomas A.H. Lewis (commander of the Armed Forces Radio Service) wrote in 1944, "The initial production of the Armed Forces Radio Service was 'Mail Call,' a morale-building half hour which brought famed performers to the microphone to sing and gag in the best American manner." The program featured popular entertainers of that day, such as Bob Hope, Bing Crosby, Judy Garland, and Dinah Shore, performing musical numbers and comedy skits to boost the morale of soldiers stationed far from their homes. Lewis added, "To a fellow who has spent months guarding an outpost in the South Seas, Iceland or Africa a cheery greeting from a favorite comedian, a song hit direct from Broadway, or the beating rhythm of a hot band, mean a tie with the home to which he hopes soon to return Listen to our radio station Old Time Radio https://link.radioking.com/otradio Listen to other Shows at My Classic Radio https://www.myclassicradio.net/ Remember that times have changed, and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

Silver Quinttete - "Sinner's Crossroads" [0:00:00] Harmonizing Four - "Nearer My God To Thee" - Nearer My God To Thee [0:05:50] Swanee Quintet - "Someone To Care" - Step By Step [0:06:44] Soul Stirrers - "I Have A Right To The Tree Of Life" - Soul Stirrers featuring R H Harris: Shine On Me [0:12:29] Detroiters - "I Trust in Jesus" - The Detroiters / The Golden Echoes [0:15:59] Golden Echoes - "I'm So Happy In The Service Of The Lord" - Detroiters/Golden Echoes: Old Time Religion [0:19:01] Soul Stirrers - "The Last Mile of the Way" - Sam Cooke With The Soul Stirrers [0:21:58] Fairfield Four - "I'll Tell The World" - Angels Watching Over Me [0:24:52] The Consolers - "Give Me My Flowers" - Give Me My Flowers [0:29:37] Gospel Seals - "I Don't Want The Lord Whipping On Me" [0:36:29] True Heavenly Spiritual Singers - "Strange Things" [0:40:08] Thomas Pie, Mobley - "What Are They Doing Up There Now" [0:44:08] Spiritual Four - "Waiting" [0:47:14] King Sisters and Brothers of New Orleans, LA - "I've Got His Word" [0:50:33] True Believers - "Doing The Master's Will" [0:54:01] Western Harmoneers - "Jesus Is A (WO)Man's Companion" [1:00:04] https://www.wfmu.org/playlists/shows/117251

Silver Quintette - "Sinner's Crossroads" [0:00:00] Ann Grizzard - "The Soul Of Mine" [0:03:38] Williams Brothers - "I Found The Lord" [0:07:28] Bells of Faith of Flynt, MI - "Call Jesus" [0:12:27] Trumpeteers of Joy of Bellamy - "Run This Race Alone" [0:15:32] King Sisters and Brothers of New Orleans, LA - "I'm On The Road To See My Lord" [0:17:54] Fred McGriff - "Long Time Ago" - Standing In The Need of Prayer [0:21:54] Terry Smith Singers - "My Story" [0:25:45] Goldenaires of Chapel Hill, NC - "Just Look To Jesus" [0:29:41] Gospel Consolators of Chicago - "I'm Going Through" [0:35:03] Rising Star Singers of Eastover, S.C. - "Save Me Lord" [0:38:03] Soulful Sunrising Kings - "Sit Down Around God's Heaven" - God Can Do Anything [0:41:59] Southern Trumpets of Columbia, SC - "Everything Is Going To Be Alright" [0:45:58] Mighty Knights - "What Time It Is" - He's Right On Time [0:48:53] Jordan Travelers - "God Will Answer" [0:52:13] Spiritual Doves - "Somewhere To Lay My Head" [0:57:32] https://www.wfmu.org/playlists/shows/116570

It's Volume 98 of Your Humble Host's Sounds Like Radio and today we see Harold Peary's stint as the Great Gildersleeve shortly about to go bye-bye. After today's show from May 31, 1950 it's just two more episodes to go for Peary. But Gildy's not worried about that, he's anticipating his girlfriend, Katherine to invite him to a Sadie Hawkins Dance! That's right it's Sadie Hawkins day and Gildy's waiting for an invite. So far, the phone hasn't rung not even one ting-aling. Now that's reason to worry. We'll find out what kind of advice we get for both Gildy and Katherine as we enjoy the lush sounds of Eddie Arnold, The King Sisters, a rare stereo ‘30's record from Bing Crosby, Ella Fitzgerald, Helen O'Connell, Al Jolson sings my Grandmother's favorite song, Madeleine Peyroux & Fred Astaire (who better to advise on dancing, anyway?). Enjoy.

The Adventures of Ozzie and Harriet radio showWhen Red Skelton was drafted in March 1944, Ozzie Nelson was prompted to create his own family situation comedy. The Adventures of Ozzie and Harriet launched October 8, 1944, on CBS, it moved to NBC in October 1948, then made a late season switch back to CBS in April 1949. The final years of the radio series were on ABC (the former NBC Blue Network) from October 14, 1949, to June 18, 1954. In total 402 radio episodes were produced. In an arrangement that exemplified the growing pains of American broadcasting, as radio "grew up" into television, the Nelsons' deal with ABC gave the network the option to move their program to television. The struggling network needed proven talent that was not about to defect to the more established and wealthier networks like CBS or NBC.The Nelsons' sons, David, and Ricky did not join the cast until the radio show's fifth year (initially appearing on the February 20, 1949, episode, at ages 12 and 8, respectively). The two boys were played by professional actors prior to their joining because both were too young to perform. The role of David was played by Joel Davis from 1944 until 1945 when he was replaced by Tommy Bernard. Henry Blair appeared as Ricky. Other cast members included John Brown as Syd "Thorny" Thornberry, Lurene Tuttle as Harriet's mother, Bea Benaderet as Gloria, Janet Waldo as Emmy Lou, and Francis "Dink" Trout as Roger. Vocalists included Harriet Nelson, The King Sisters, and Ozzie Nelson. The announcers were Jack Bailey and Verne Smith. The music was by Billy May and Ozzie Nelson. The producers were Dave Elton and Ozzie Nelson. The show's sponsors included International Silver Company (1944–49), H.J. Heinz Company (1949–52) and Lambert Pharmacal's Listerine (1952–54).

The Adventures of Ozzie and Harriet radio showWhen Red Skelton was drafted in March 1944, Ozzie Nelson was prompted to create his own family situation comedy. The Adventures of Ozzie and Harriet launched October 8, 1944, on CBS, it moved to NBC in October 1948, then made a late season switch back to CBS in April 1949. The final years of the radio series were on ABC (the former NBC Blue Network) from October 14, 1949, to June 18, 1954. In total 402 radio episodes were produced. In an arrangement that exemplified the growing pains of American broadcasting, as radio "grew up" into television, the Nelsons' deal with ABC gave the network the option to move their program to television. The struggling network needed proven talent that was not about to defect to the more established and wealthier networks like CBS or NBC.The Nelsons' sons, David, and Ricky did not join the cast until the radio show's fifth year (initially appearing on the February 20, 1949, episode, at ages 12 and 8, respectively). The two boys were played by professional actors prior to their joining because both were too young to perform. The role of David was played by Joel Davis from 1944 until 1945 when he was replaced by Tommy Bernard. Henry Blair appeared as Ricky. Other cast members included John Brown as Syd "Thorny" Thornberry, Lurene Tuttle as Harriet's mother, Bea Benaderet as Gloria, Janet Waldo as Emmy Lou, and Francis "Dink" Trout as Roger. Vocalists included Harriet Nelson, The King Sisters, and Ozzie Nelson. The announcers were Jack Bailey and Verne Smith. The music was by Billy May and Ozzie Nelson. The producers were Dave Elton and Ozzie Nelson. The show's sponsors included International Silver Company (1944–49), H.J. Heinz Company (1949–52) and Lambert Pharmacal's Listerine (1952–54).

Today on the Rarified Heir Podcast, we talk to Cam Clarke, an ace voice actor who also happens to be from “The First Family of Song”, the King Family. We talk to Cam about growing up in the family business – where literally almost everyone was in on the act. Sometimes numbering 30 or more performers, The King Family defined wholesome American family entertainment from the 1950s until around 1985 when they headlined the second inauguration of American President Ronald Reagan, which was the last time the King Sisters performed together. We talk to Cam about a number of things including performing on television at age 5, being utterly mortified the family didn't sell out The Hollywood Bowl when he was in third grade, his best and longest running character as the voice of Leonardo in Teenage Mutant Ninja Turtles, the surprising connection his fans have with him at events like Comic-Con, his one man show Stop Me If I've Told You This : Child Star, Superhero & Recovering Mormon and more. We hear about dinners at long-forgotten haunts like Tail of the Cock in in the San Fernando Valley, his father Robert Clarke's career in B-movies like The Hideous Sun Demon, guitarist extraordinaire & uncle,  Alvino Rey, two members of his family founding, alternative rock band the Arcade Fire, the soundtrack to his brother's Lex de Azevedo's LDS musical Saturday's Warriors and everything else in between. It's all Cam all the time on this episode of the Rarified Heir Podcast.

Speciaal voor onze podcastluisteraars kregen wij van King Sisters een privé performance. Geniet!

Te gast zijn Joske, Annelie en Marthe Koning, oftewel King Sisters! In een mistige Tolhuistuin gaan we in gesprek over makerschap, doelgroepdenken en collectiviteit.

Buddy Cole, 1916-1964 Name Artist Album Year Comments Sassy Brass Buddy Cole Modern Pipe Organ [Warner Bros. WS 1533] 1963 3-27 Wurlitzer-Morton, Buddy Cole Studio, North Hollywood (3-17 Wurlitzer Ex United Artists Theatre, Los Angeles & 3-9 Robert Morton from Capitol Theatre, Marshalltown, Iowa) You and the Night and the Music Buddy Cole Moonlight Moods [Capitol 10" LP] 1947 3-9 Robert Morton, original Buddy Cole Studio (1947-59), Farmdale Avenue, North Hollywood, CA; ex-Capitol Theatre, Marshalltown, IA; then UA Studios; then KMTR Radio, Los Angeles. I Get The Blues When It Rains Buddy Cole Pipes, Pedals and Fidelity [Columbia Tape] 1957 3-9 Robert Morton, original Buddy Cole Studio (1947-59), Farmdale Avenue, North Hollywood, CA; ex-Capitol Theatre, Marshalltown, IA; then UA Studios; then KMTR Radio, Los Angeles. Sugarfoot Rag Buddy Cole and Small Combo Transcriptions [Capitol B-498] Buddy Cole at the Novachord, Piano and Celeste; King Sisters, vocal As Long As I Live Buddy Cole Swingin' At The Hammond Organ - Four Stereo Albums [JASCD 185] 1959 Hammond - LP: Hot and Cole Cry Me A River Buddy Cole Modern Pipe Organ [Warner Bros. WS 1533] 1963 3-27 Wurlitzer-Morton, Buddy Cole Studio, North Hollywood (3-17 Wurlitzer Ex United Artists Theatre, Los Angeles & 3-9 Robert Morton from Capitol Theatre, Marshalltown, Iowa) They Can't Take That Away From Me Buddy Cole Buddy Cole Remembered [Doric DO 1421] 1980 3-27 Wurlitzer-Morton, Buddy Cole Studio, North Hollywood (3-17 Wurlitzer Ex United Artists Theatre, Los Angeles & 3-9 Robert Morton from Capitol Theatre, Marshalltown, Iowa) Laugh, Clown, Laugh Buddy Cole Transcriptions One O'Clock Jump Buddy Cole and The 1940 All-Stars Hits From The Golden Age Of Dance Bands [Alshire SAS 603] 1965 3-27 Wurlitzer/Robert Morton, Buddy Cole Studio, North Hollywood, CA

Theatercollectief King Sisters bestaat uit de zussen Joske, Annelie en Marthe Koning. 12&13 September staan ze met hun 'dreamlike performanceconcert' Talking Songs op het Amsterdam Fringe Festival Hun debuutvoorstelling won in 2018 al The Best Of Fringe, de prijs voor beste voorstelling van het festival. In deze aflevering: Hoe creëer je samen met familie zonder dat je elkaar de hersenen inslaat? Hoe versterk je elkaar en laat je ieders sterke kanten naar boven komen? En wat nemen ze mee van deze samenwerking in het werken als soloperformer? Dit en meer! Gasten: Joske, Annelie en Marthe Koning Talking Songs is 12 & 13 september te zien in de Openbare Bibliotheek Amsterdam. Kaarten: https://amsterdamfringefestival.nl/programma/talking-songs/ instagram: @kingsisterscollectief Datum van uitkomen: 3 september 2020 Presentatie en Creatie: @DideVonk Muziek: David Schwarz Beluister alle afleveringen ook op iTunes en Spotify en alle andere podcastkanalen. Voor meer info: zie http://www.demakerspodcast.com Over Dide: http://www.didevonk.nl Deze podcast is mede tot stand gekomen met steun van stichting Norma.

This week featuring great stories, reminiscences, and music featuring, the King Sisters, Bing Crosby, Jimmy Durante, Kate Smith, Frank Sinatra, Pearl Bailey, Count Basie,, Jack Teagarden, Billy Mills, Benny Carter, the Ink Spots and Ella Fitzgerald.​​

Welcome to "Between the Cracks" (or "the ones who got away"). Even though Community Keyboards has chatted with many organ and keyboard world celebrities, many more have avoided the probing questions of your host! With the kind permission of THE ESSEX ORGAN MUSEUM (http://www.essexorganmuseum.com/links-Interest.html) we present an A to Z of those who never made it, for whatever reason, to the programme. Edwin LeMar Cole, known as Buddy Cole was a jazz pianist and orchestra leader. Buddy Cole was born in Irving, Illinois, and started his musical career in the theater playing between movies. He moved to Hollywood and played with a couple of bands, including the Alvino Rey big band, before becoming a studio musician. He played piano for Bing Crosby and toured with Rosemary Clooney. Although primarily known as a pianist, he had an abiding love for the organ, both Hammond and theatre organ. He worked extensively with Henry Mancini, who used his distinctive Hammond organ sound for the sound track to the TV series "Mr. Lucky". He also recorded several albums for Warner Brothers records on piano, Hammond organ and theatre pipe organ. He married Yvonne King, member of the King Sisters, They had two daughters, actress Tina Cole and Cathy Cole Green. He later married Clare Cole. Buddy Cole plays SASSY BRASS on Wurlitzer organ from 1963 --- Send in a voice message: https://anchor.fm/communitykeyboards/message

Episode 11 features music from some of the best "Brothers" and "Sisters" of the Big Band Era. We will hear songs from The Dinning Sisters, The Mills Brothers, The King Sisters and The Andrews Sisters. We also listen to a historic recording from The Dorsey Brothers as well as a live radio performance from Bing and Bob Crosby. The Panoram 2000 makes it's podcast debut as we listen to the audio of a Soundie by The Stuart Sisters. ...and remember, if you want to listen to more Big Band and Swing Music check out SwingCityRadio.com to hear Your Big Band Favorites from the 1930's, 40's and Today! * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

This week on Big Band Bash I'll be taking a look at many of the vocal groups that sang with the big bands and on their own. There were several popular groups back then and we'll be hearing from The Andrews Sisters, The Ink Spots, The Mills Brothers, The King Sisters, and The Pied Pipers. In addition to recordings, I'll be giving a short history of each group many of which are quite interesting. I hope you enjoy the music on this addition of Big Band Bash. Please visit this podcast at http://bigbandbashfm.blogspot.com

Program 53 - Frank Bresee presents a variety of old-time radio clips. Hosted on Acast. See acast.com/privacy for more information.

Variety of old-time radio shows; first one features The King Sisters. Hosted on Acast. See acast.com/privacy for more information.

In these episodes, we interview Lex de Azevedo -- son of Alyce King of The King Sisters. He served as a musical director for The Sonny & Cher Show, Michael Jackson and the Jackson Five, and The Osmonds. He composed the scores for the films Where the Red Fern Grows and The Swan Princess. He is also credited as the co-writer of the Latter-day Saint production, Saturday's Warrior.

In these episodes, we interview Lex de Azevedo -- son of Alyce King of The King Sisters. He served as a musical director for The Sonny & Cher Show, Michael Jackson and the Jackson Five, and The Osmonds. He composed the scores for the films Where the Red Fern Grows and The Swan Princess. He is also credited as the co-writer of the Latter-day Saint production, Saturday's Warrior.

In these episodes, we interview Lex de Azevedo -- son of Alyce King of The King Sisters. He served as a musical director for The Sonny & Cher Show, Michael Jackson and the Jackson Five, and The Osmonds. He composed the scores for the films Where the Red Fern Grows and The Swan Princess. He is also credited as the co-writer of the Latter-day Saint production, Saturday's Warrior.

Sister singing groups from the 1920s through the 1950s. Groups include: the Brox Sisters, the Boswell Sisters, the Andrews Sisters, the Fontane Sisters, the King Sisters, the DeMarco Sisters and the De Castro Sisters. Songs include: Oh Johnny Oh, Please Don't Talk About Me, Teach Me Tonight, Red Hot Mama, Hop, Skip and Jump, My Happiness and Alexander's Ragtime Band.

Songs include: Malted Milk, Milkshake Stand, My Very Good Friend the Milkman, Milkcow Blues and Ole Buttermilk Sky. Performers include: Robert Johnson, Hoagy Carmichael, The King Sisters, Fats Waller, Elton Britt and Sleepy John Estes.

Join host, Robert Taylor, and singers galore including the King Sisters and Nelson Eddie. Spend a few comic moments with Lum and Abner as we salute the troops and all they do. Bonus Track: Abbott and Costello. 1944. A Horse Mudder withfFour Feet.PS: For more

In Celebration of Thanksgiving, Push Nevahda, The Gist of Freedom host is honored to Welcome, Minister Thelma Wells! Join us as she shares the impact of her, Play, Dream Girls for God, "The King Sisters"; Lifting Up Our Praise ~ Conference; and Book, "God Wants You to Win!" For additional info visit WWW.ThelmaWells.com when the true worshipers will worship the Father in spirit and truth, for the Father seeks such people to be his worshipers." - John 4:23

The Adventures of Ozzie and Harriet launched on CBS October 8, 1944, making a mid-season switch to NBC in 1949. The final years of the radio series were on ABC (the former NBC Blue Network) from October 14, 1949, to June 18, 1954.The Adventures of Ozzie and Harriet, an American radio and television series, was once the longest-running, live-action situation comedy on American television, having aired on ABC from 1952 to 1966 after a ten-year run on radio. Starring Ozzie Nelson and his wife, singer Harriet Hilliard (she dropped her maiden name after the couple ended their music career), the show's sober, gentle humor captured a large, sustaining audience, although it never rated in the top ten programs, and later critics tended to dismiss it as fostering a slightly unrealistic picture of post-World War II American family life. When Skelton was drafted, Ozzie Nelson was prompted to create his own family situation comedy. The Adventures of Ozzie and Harriet launched on CBS October 8, 1944, making a mid-season switch to NBC in 1949. The final years of the radio series were on ABC (the former NBC Blue Network) from October 14, 1949, to June 18, 1954. In an arrangement that amplified the growing pains of American broadcasting, as radio "grew up" into television (as George Burns once phrased it), the Nelsons' deal with ABC gave the network itself the right to move the show to television whenever it wanted to do it---they wanted, according to the Museum of Broadcast Communications, to have talent in the bullpen and ready to pitch, so to say, on their own network, rather than risk it defecting to CBS (where the Nelsons began) or NBC. Their sons, David and Ricky, did not join the cast until five years after the radio series began. The two boys felt frustrated at hearing themselves played by actors and continually requested they be allowed to portray themselves. Prior to April 1949, the role of David was played by Joel Davis (1944-45) and Tommy Bernard, and Henry Blair appeared as Ricky. Since Ricky was only nine years old when he began on the show, his enthusiasm outstripped his ability at script reading, and at least once he jumped a cue, prompting Harriet to say, "Not now, Ricky." Other cast members included John Brown as Syd "Thorny" Thornberry, Lurene Tuttle as Harriet's mother, Bea Benaderet as Gloria, Janet Waldo as Emmy Lou, and Dick Trout as Roger. Vocalists included Harriet Nelson, the King Sisters, and Ozzie Nelson. The announcers were Jack Bailey and Verne Smith. The music was by Billy May and Ozzie Nelson. The producers were Dave Elton and Ozzie Nelson.

Big Band Serenade presents Sister Groups and Their Music from 1940-1950   2 of 2 Included are the Andrews Sisters,DeCastro Sisters,King Sisters,Dinning Sisters,and The Demarco Sisters   *******Please Take Our Survey******

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month When Skelton was drafted, Ozzie Nelson was prompted to create his own family situation comedy. The Adventures of Ozzie and Harriet launched on CBS October 8, 1944, making a mid-season switch to NBC in 1949. The final years of the radio series were on ABC (the former NBC Blue Network) from October 14, 1949, to June 18, 1954. In an arrangement that amplified the growing pains of American broadcasting, as radio "grew up" into television (as George Burns once phrased it), the Nelsons' deal with ABC gave the network itself the right to move the show to television whenever it wanted to do it---they wanted, according to the Museum of Broadcast Communications, to have talent in the bullpen and ready to pitch, so to say, on their own network, rather than risk it defecting to CBS (where the Nelsons began) or NBC. Their sons, David and Ricky, did not join the cast until five years after the radio series began. The two boys felt frustrated at hearing themselves played by actors and continually requested they be allowed to portray themselves. Prior to April 1949, the role of David was played by Joel Davis (1944-45) and Tommy Bernard, and Henry Blair appeared as Ricky. Since Ricky was only nine years old when he began on the show, his enthusiasm outstripped his ability at script reading, and at least once he jumped a cue, prompting Harriet to say, "Not now, Ricky." Other cast members included John Brown as Syd "Thorny" Thornberry, Lurene Tuttle as Harriet's mother, Bea Benaderet as Gloria, Janet Waldo as Emmy Lou, and Dick Trout as Roger. Vocalists included Harriet Nelson, the King Sisters, and Ozzie Nelson. The announcers were Jack Bailey and Verne Smith. The music was by Billy May and Ozzie Nelson. The producers were Dave Elton and Ozzie Nelson. [1]