Podcast appearances and mentions of John Beal

Helen Walker's Hollywood career was short and marked by an offscreen tragedy, but she made memorable appearances in comedies and dramas opposite co-stars like Fred MacMurray and Tyrone Power. We'll hear her opposite John Beal in "Deadline at Dawn" - the final hour-long episode of Suspense (originally aired on CBS on May 15, 1948). Then she reprises her big screen role as The Old Gold Comedy Theatre presents Brewster's Millions (originally aired on NBC on March 25, 1945).

Subscribe to Paranormality Magazine at https://weirddarkness.com/magazine. IN THIS EPISODE:“What Happened to Kenny Veach” by Brandon Wills“New Research Suggests Time Travel May Be Possible Without Paradoxes” by John Beal“5 Telltale Signs Your House is Haunted” from Paranormality Magazine“Investigating Myths and Anomalies of a Hidden World” by Brandon Grimes“Loop Stations: Gateways To Parallel Worlds?” from Paranormality MagazineSOURCES AND ESSENTIAL WEB LINKS…All stories originally published in Paranormality Magazine or website at https://weirddarkness.com/magazineParanormality Magazine podcast theme by Alibi Music LibraryBackground music by Nicolas Gasparini at http://www.thedarkpiano.comNarration by Darren Marlar at https://DarrenMarlar.com and https://WeirdDarkness.com©Paranormality Magazine, 2024; ©Weird Darkness, 2024Subscribe to Paranormality Magazine at https://weirddarkness.com/magazine. Paranormality Magazine is a collaborative endeavor driven by a deep passion for the mysterious, unexplained, and paranormal. We are captivated by the enigmatic realms and the individuals who shape this extraordinary community. Our mission is to delve into all things Fortean, embracing topics ranging from apparitions to extraterrestrial encounters, and exploring the diverse array of cryptid creatures in between. With a global team dedicated to the pursuit of knowledge, we gather captivating stories, conduct insightful interviews, and provide up-to-date coverage on groundbreaking paranormal projects that are propelling our community forward. Curious to be a part of this extraordinary journey? Visit https://paranormalitymag.com/about-us/CUSTOM WEBPAGE: https://weirddarkness.com/anomalies-hinting-at-a-hollow-earth/

Box 13 - Insurance Fraud Scheme 1948 Alan Ladd, Lurene Tuttle, Alan Reed, Betty Lou Gerson, Luis Van Rooten, John Beal & Frank Lovejoy A doctor, dead for almost seven years, is suspected of still being alive...

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

Navigating through the aftermath of a family member’s recent car accident, Pastor James Chavez shares a profound realization. The ordeal of dealing with insurance companies and visits to the motor vehicle departments opened his eyes to an almost mundane yet significant aspect of life: self-perception and authenticity. The driver's license photo experience, often full of cringe and discomfort, reflected a deeper question: are we courageous enough to bare our true selves and confront the person in the mirror?   Building on this theme of authenticity, we delve into the riveting saga of John Beal, an ex-official at the Environmental Protection Agency who masterfully deceived his colleagues and lived a double life. His journey into falsehood, while seemingly far from our own lives, can serve as a mirror reflecting our own internal struggles. It's a tale about the lies we tell ourselves, how they can warp our sense of reality and obscure our true identity.   Lastly, we step into the enchanting and meticulously crafted world of Disney Parks. This well-oiled mask of magic has its own lessons to teach us about the pretenses we adopt in our lives. We also introduce you to the City Light Church Podcast, our vibrant community that fosters grace, love, and acceptance. Subscribe today, and be a part of our global family as we navigate the complexities of life together.

Family Theatre - The Legacy From-1949 Announcer-John Beal Stars-Rhonda Fleming, John Beal, Margaret Lindsay, John McGovern, Alan Mowbray & Herb Rawlinson. A woman who marries a professor for his money discovers that he has a young son.

"Adventure wanted -- will go anywhere, do anything -- Box 13." The premise of the program was that Dan Holiday was an author who wrote mystery novels. To get ideas for his novels he placed an advertisement in a newspaper saying "Adventure wanted, will go anywhere, do anything, Box 13." The ads always brought fun adventures of all kinds: from racketeer's victim to psychotic killer looking for fun. Most of the episodes were based on Dan Holiday replying to a letter he received at Box 13. He would generally solve a mystery in the process, and return to his office in time to enjoy a hearty laugh at the expense of Suzy, his amusingly stupid secretary. He would certainly not meet the strictest requirements for private eyes (not licensed, collected no fees from clients), but the definition should stretch to sneak him in under the rope. In total there were 52 episodes of this radio program created. It was heard over the Mutual Broadcasting System as well as being syndicated. The series was produced by Mayfair Productions. Box 13, starring Alan Ladd as Dan Holiday. Sylvia Picker played Suzy, Dan Holiday's secretary and Edmond MacDonald as Lt. Kling. Other stars in the series were Betty Lou Gerson, Lurene Tuttle, Alan Reed, Luis Van Rooten, John Beal and Frank Lovejoy. Music was by Rudy Schrager and the writer was Russell Hughes. Announcer/Director was Vern Carstensen. The series was produced by Richard Sanville with Alan Ladd as co-producer. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Favorite Story - Ben Hur From-1948 Host-Ronald Colman, Marvin Miller Star-Herb Butterfield, John Beal, Henry Blair & Janet Scott The famous story of Christ and the Roman Empire. Beh Hur is a great inspirational story, a historical tale of the Christ adapted for radio by Jerry Lawrence and Bob Leigh. Novel written by: General Lewis "Lew" Wallace.

Episode 42, Ben Hur, aired April 1, 1947 starring John Beal (born James Alexander Bliedung, August 13, 1909 – April 26, 1997) was an American actor. Ben-Hur: A Tale of the Christ is a novel by Lew Wallace, published by Harper and Brothers on November 12, 1880, and considered "the most influential Christian book of the nineteenth century".

During this 15-minute IT break, join our experts for a discussion about Ransomware Attack. Guest experts :Vivienne Suen, Cybersecurity Architect at IBM Security and John Beal, Security Channel Manager, Partner Sales at IBM Security

Favorite Story-Ben HurFrom 1948 Announcer-George Barkley, Narrator-True Boardman,John Beal, Henry Blair, Herb Butterfield, Ronald Colman, Marvin Miller and Janet Scott  The famous story of Christ and the Roman Empire.Ben Hur is a great inspirational story, a historical tale of the Christadapted for radio by Jerry Lawrence and Bob Leigh.

Actor John Beal (Trip to the Bountiful, 12 Angry Men) hosts this show starring Jack Smith (Known as "The Man wth A Smile in his Voice), and Janet Waldo, (The Woman of 1000 voices, including: Judy Jetson, Morticia Adams on the animated series, and many others). The show aired live on December 8, 1948. A special message on family comes at the conclusion of the show.

Charles Werner, your host, is pleased to welcome John Beal from the Law Enforcement Drone Association. John talks about his professional career and his immersion in the world of drones in the field of law enforcement. Listen to this episode to hear everything about the work the Law Enforcement Drone Association is doing and their promising plans for the near future.   Key Takeaways: [1:03] John shares his professional journey. [2:36] What led John to his interest in unmanned aircraft systems? [5:04] John talks about how they assessed the issue of privacy. [8:10] What did the general force think about the idea of introducing drones in their operations? [10:09] Has the perspective on drones changed today? [11:45] Drones have become a game-changer. [13:02] Charles talks about the three functions drones have: enhancing safety, improving operational effectiveness, and getting real-time situational awareness. [13:34] John talks about streaming. [14:11] John shares an example of a hostage situation. [15:50] John talks about indoor flights. [17:45] John expands on the process of using the Tactical Visual Line of Sight. [19:54] What drew John to develop The Law Enforcement Drone Association? [24:50] What about other public safety agencies that might have law enforcement duties, do they fit into the LEDA? [27:02] In their meetings does John address the issue of how to be able to provide several services beyond the LEDA discipline? [29:18] John shares his thoughts about the future of drones in law enforcement. [33:28] What does John want to see in the upcoming drone technology? [37:05] John talks about how LEDA memberships work.   Mentioned in this episode: Airborne International Response Team AIRT is the leading 501(c)(3) non-profit organization supporting Drones For Good and Public Safety UAS Become a member of Drone Responders for free. AIRT and DRONERESPONDERS 2020 Drones in Public Safety Survey Drone Responders Events   Law Enforcement Drone Association If you have any questions contact LEDA at info@ledauas.com   Get your agency on the map by sending an email to dashboard@droneresponders.org  

What /Who becomes a bass legend most?How to finish Season One on an ultimate “low” note? It was several of my guests who chimed in- “Ya gotta interview John. He's a New York legend, has great stories, and, well, you've worked with him tons, right?” So here he is- stories of recording with the hippest jazz artists of the late 50s-early 60s, auditioning for Leopold Stokowski for his (now 56th year!) principal bass chair gig with the American Symphony Orchestra, being a Sondheim “rock” on Broadway, and his endless TV and Film credits- including laying down tracks from Sinatra to John Lennon's “Imagine”. John's wry sense of humor has been relied upon to diffuse the tensest of rehearsals and recording sessions- merely a cool fringe benefit to his unbelievably solid and beautiful musicianship. I've had the honor of working with him for 15 years at City Center's “Encores!”, and always look forward to gaining some priceless wisdom during our ritual ramen noodle outings. AND, in lieu of creating the duets, we've opted instead to showcase some of those early swinging sessions that John walked all over- awesome sides with Gerry Mulligan, James Moody, Al Cohn, and more. It was an honor to wrap up my first season doing this special “off-the-menu” interview with one of the true greats of the bass violin.

He was the major owner of the production company, so why not star in the radio program that the company was producing? Alan Ladd did just that and the result was "Box 13." The intro to the program provides details about the series. This was a syndicated series so it ran in markets all over the United States at different times. Cast included: Sylvia Picker, Edmund MacDonald, Betty Lou Gerson, Frank Lovejoy, Lurene Tuttle, Alan Reed, Luis Van Rooten and John Beal. Richard Sanville was the announcer. Now I know most of you have never heard of these people, but I can assure you they were excellent vocal actors... and some transitioned very nicely into television and motion pictures as well. Alan Ladd was best known for his role in the western film "Shane"... This program will live in the Mystery/Detective/Crime Podcast.

Caleb Michalke and John Beal from Sugar Creek Malt Company in Indiana talk about using traditional techniques to create some innovative malts.

Going solo, Jim discusses a film he considers an underrated classic from 1957, "The Vampire," starring John Beal, Kenneth Tobey, Collen Gray, Lydia Reed, Dabs Greer and James Griffith. A small-town doctor mistakenly takes an experimental drug that turns him into a maniacal killer. A series of deaths in the small community seem to point in his direction. Find out more on this week's episode of "Monster Attack!"

Atlanta's own music & conversation live stream featuring local artists on the rise. Live stream number 22 featuring John Beal, Tres Gilbert, & Carey Durham Video & Audio by The Mosaic Group: https://cdmosaic.com Become a part of the Gio's Stream Shows community: https://www.patreon.com/gioshow

On a very Spooktacular episode of Blindspots, Jake and Kristy discuss not two, but four horror movies to celebrate the Halloween season! Join them as they cover 1981’s The Funhouse, 1988’s Lady in White, 1990’s The Exorcist III, and 1990’s The Witches. All this and more on a special, fright-filled episode! Music used in the episode includes "Did You Ever See a Dream Walking" performed in the film Lady in White and music from the opening of The Funhouse, composed by John Beal.

Role of Law Introduction 2008 by Reverend Paul Counce   The nominee for the annual Role of Law award is usually introduced only gradually, beginning with early glimpses in infancy and childhood, when none of us – including the awardee – knew that a canonical future was waiting to blossom. The hints then thrown out are crafted to keep the ultimate revelation of the honoree's identity a mystery until the last moment.   I am going to do this in similar manner, yet still a bit differently. It seems to me that we can begin instead with the honoree's mysterious present, and work backwards. At the present time, this year's recipient of the Role of Law award proudly represents an institution of higher learning in this country as the official Faculty Representative to the NCAA – the National Collegiate Athletic Association. This has helped our honoree to be unofficial “mascot” of the field hockey and women's basketball teams. I think you'd agree with me that this is unusual for a canonist!   Also unusual is the recipient's lifestyle: in a dormitory with almost three score undergraduates, as a faculty resident there. This seems a far cry from the quiet, placid environment one normally associates with canonical research among the dusty stacks of the library, doesn't it?   Yet our honoree this evening is scholar in the best sense of the word. The recipient of our award has done more than a lion's share of research while authoring over 50 major canonical articles and commentaries. The university setting has seen this professor supervise numerous dissertations and theses, too, as well as do editing work for journals and commentaries with which we are all familiar. Of course, the core of any professorial job is teaching, and some 2 undergraduate and 14 graduate courses in canon law taught have marked our awardee's academic career over the better part of the past two decades.   In these critical times as a result of the clergy sex abuse scandals, particular mention must be made of the four-weekend training courses our nominee offered to bishops already in 1995 – with others – on how to make use of the heretofore underused penal law of the Church in addressing situations of clerical misconduct and so remove those unsuitable from ministry. One of the university courses taught by our recipient was entitled Special Issues in Clergy Law, and dealt with dealing with and prosecuting abuse cases. These teaching moments have been supplemented by personal involvement in many a canonical process. In fact we can hardly call it an occasional sidelight, given the honoree's work in this area, and the voluminous advice offered to bishops, major superiors, diocesan officials, canonical colleagues, and accused clerics over the years.   As we continue to work backwards, we see that other involvement with the Church also has been a hallmark of our recipient's canonical service as well. A familiar face and voice at national CLSA and regional canonical meetings, our honoree served in Tribunal ministry and as assistant chancellor. In fact, in 1983, the advent of the revised Code of Canon Law had found our recipient already hard at work studying for the licentiate and then the doctorate in canon law at The Catholic University of America. Before embarking on a canonical career path, our honoree served as high school assistant principal and before that as a high school teacher.   Even earlier, this year's awardee returned to this country from graduate theological studies at The Catholic University of Louvain in Leuven, Belgium, to be ordained a priest for his home diocese in 1974. It's a safe conclusion to make that his college, high school, elementary school, and even kindergarten years prepared him well for all that was to come.   At the end of this reverse biography, then, we meet at birth the bouncing baby, destined one day to stand in our midst and to know of our esteem as one of our most distinguished colleagues in the craft of canon law. And he proudly has more hair today than he did at the beginning!   My friends, it is my pleasure and privilege to announce that the 2008 Role of Law award of the Canon Law Society of America is given to a priest of the Diocese of Erie and professor of canon law at The Catholic University of America in Washington, DC: the Reverend John P. Beal, III.

Role of Law Introduction 2008 by Reverend Paul Counce   The nominee for the annual Role of Law award is usually introduced only gradually, beginning with early glimpses in infancy and childhood, when none of us – including the awardee – knew that a canonical future was waiting to blossom. The hints then thrown out are crafted to keep the ultimate revelation of the honoree's identity a mystery until the last moment.   I am going to do this in similar manner, yet still a bit differently. It seems to me that we can begin instead with the honoree's mysterious present, and work backwards. At the present time, this year's recipient of the Role of Law award proudly represents an institution of higher learning in this country as the official Faculty Representative to the NCAA – the National Collegiate Athletic Association. This has helped our honoree to be unofficial “mascot” of the field hockey and women's basketball teams. I think you'd agree with me that this is unusual for a canonist!   Also unusual is the recipient's lifestyle: in a dormitory with almost three score undergraduates, as a faculty resident there. This seems a far cry from the quiet, placid environment one normally associates with canonical research among the dusty stacks of the library, doesn't it?   Yet our honoree this evening is scholar in the best sense of the word. The recipient of our award has done more than a lion's share of research while authoring over 50 major canonical articles and commentaries. The university setting has seen this professor supervise numerous dissertations and theses, too, as well as do editing work for journals and commentaries with which we are all familiar. Of course, the core of any professorial job is teaching, and some 2 undergraduate and 14 graduate courses in canon law taught have marked our awardee's academic career over the better part of the past two decades.   In these critical times as a result of the clergy sex abuse scandals, particular mention must be made of the four-weekend training courses our nominee offered to bishops already in 1995 – with others – on how to make use of the heretofore underused penal law of the Church in addressing situations of clerical misconduct and so remove those unsuitable from ministry. One of the university courses taught by our recipient was entitled Special Issues in Clergy Law, and dealt with dealing with and prosecuting abuse cases. These teaching moments have been supplemented by personal involvement in many a canonical process. In fact we can hardly call it an occasional sidelight, given the honoree's work in this area, and the voluminous advice offered to bishops, major superiors, diocesan officials, canonical colleagues, and accused clerics over the years.   As we continue to work backwards, we see that other involvement with the Church also has been a hallmark of our recipient's canonical service as well. A familiar face and voice at national CLSA and regional canonical meetings, our honoree served in Tribunal ministry and as assistant chancellor. In fact, in 1983, the advent of the revised Code of Canon Law had found our recipient already hard at work studying for the licentiate and then the doctorate in canon law at The Catholic University of America. Before embarking on a canonical career path, our honoree served as high school assistant principal and before that as a high school teacher.   Even earlier, this year's awardee returned to this country from graduate theological studies at The Catholic University of Louvain in Leuven, Belgium, to be ordained a priest for his home diocese in 1974. It's a safe conclusion to make that his college, high school, elementary school, and even kindergarten years prepared him well for all that was to come.   At the end of this reverse biography, then, we meet at birth the bouncing baby, destined one day to stand in our midst and to know of our esteem as one of our most distinguished colleagues in the craft of canon law. And he proudly has more hair today than he did at the beginning!   My friends, it is my pleasure and privilege to announce that the 2008 Role of Law award of the Canon Law Society of America is given to a priest of the Diocese of Erie and professor of canon law at The Catholic University of America in Washington, DC: the Reverend John P. Beal, III.

This tribute to mothers originally broadcast on Mother's Day 1948, and is hosted by the great Gene Kelly. That same year Kelly starred as D'Artagnan in "The Three Musketeers." The story also features, Virginia Bruce and John Beal. Venerable Father Patrick Peyton, C.S.C., produced this show which has been remastered and is presented her by Father David Guffey, C.S.C. and Family Theater Productions.

ICYMI: The Mo'Kelly Show Presents – An in-depth musical journey with Maestro John Beal; discussing his work as the Principle Conductor for the internationally recognized Hollywood Symphony Orchestra (HSO), and what it was like working on the inaugural “Rocketman” concert at the Greek Theatre alongside Elton John on KFI AM 640 – Live everywhere on the iHeartradio App

On today’s ALL NEW Nerdtastically Newsworthy episode of #NerdORama Mo’Kelly geeks out symphonically with Maestro John Beal as he discusses his work as the Principle Conductor for the internationally recognized Hollywood Symphony Orchestra (HSO), and what it was like working on live concert events for “Harry Potter”, “Jurassic Park,” countless Disney movies, “Ghostbusters” and “Rocketman Live”!!! concert at the Greek Theatre!!!

Episode # 8 Double Wedding / Follow the Fleet Hello movie lovers! - the latest episode of the States & Kingdoms Podcast! Home of the classic-est movies ever !!! This week we are reviewing a joyful non-dancing comedy & a joyful dancing comedy.Enjoy :) Double Wedding (1937)Directed by Richard ThorpeStarring William Powell, Myrna Loy, Florence Rice, John Beal, Jessie Ralph, Edgar KennedyWritten by Jo SwerlingStudio: MGM Follow the Fleet (1936)Directed by Mark SandrichStarring Fred Astaire, Ginger Rogers, Randolph Scott, Harriet Hilliard, and Astrid AllwynWritten by Allan Scott and Dwight TaylorMusic by Irving Berlin & Max SteinerStudio: RKOStates & Kingdoms theme music by Sean Newton Be sure to check out our nascent Instagram presence and follow us there- @statesandkingdomsPlease subscribe! Then leave us a 5 star review if you liked what you heard & share with your film-loving friends! Thanks for listening! Keep it classic movie people… xxSean & Jenna

The Harry Potter Film Concert Series returns to the Civic Center this weekend with Harry Potter and the Chamber of Secrets! AD sits down with Maestro John Beal to discuss the show and more.

If you knew that you only had four months to live, what would you do? After suffering three heart attacks, John Beal was told that he was going to die. He decided to use the rest of his life to clean up Hamm Creek, an offshoot of the Duwamish River so polluted the water was yellow. That decision changed the course of John's life and transformed Hamm Creek.

If you knew that you only had four months to live, what would you do? After suffering three heart attacks, John Beal was told that he was going to die. He decided to use the rest of his life to clean up Hamm Creek, an offshoot of the Duwamish River so polluted the water was yellow. That decision changed the course of John's life and transformed Hamm Creek.

Lee, Daniel, and Paul dare to face the challenge of The Funhouse (1981), directed by Tobe Hooper. Is this an over-looked classic, or is it just a bit too dull to be anything but just okay? The crew has a spirited discussion of the film, tv guide, and jacking off in a Frakenstein's Monster mask. Who in the cast looks like a Troll Doll? What Lee has watched as of late and a couple of listener comments are also covered. The Funhouse IMDB Check out Lee's guest spot on Just The Movies podcast, covering "Mandy". Featured Music: "Late Date" and "Main Title" by John Beal.

Episode 040 - The Funhouse (1981)   Intro Music: The Funhouse Main Title by John Beal Outro Music: Carnival Skyline by John Beal

Quinta (y última) entrega del especial dedicado a Gerry Mulligan en la entrega 236 de HDO del 11 de febrero de 2017. Las tres grabaciones protagonistas muestran los encuentros (de magnífico resultado) de Mulligan con el saxofonista Paul Desmond (que tomaron forma en Gerry Mulligan – Paul Desmond Quartet -1958-, y Two Of A Mind -1962), y con el también saxofonista Stan Getz (con el nada original título Gerry Mulligan Meets Stan Getz y de título alternativo Getz Meets Mulligan in Hi-Fi -1957). Acompañando a estos maestros aparecen Joe Benjamin, Dave Bailey, Wendell Marshall, Connie Kay, Mel Lewis, John Beal, Ray Brown, Stan Levey y Lou Levy. © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz. Toda la información de HDO 236 en http://www.tomajazz.com/web/?p=29238. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298

In this episode Trevor waffles on about the Shoptalk Live podcast featuring John Beal and Steve Gass Magazine Review - Wood November 2014 Check out http://trevorsworkshop.com for show notes and for more details on this podcast. You can contact Trevor at trevor@trevorsworkshop.com or visit him on facebook at http://facebook.com/trevsworkshop

The NBC University Theatre. August 6, 1948.  "A Farewell To Arms".  Albert Harris (composer, conductor), Andrew C. Love (director), Byron Kane, Donald Morrison, Ernest Hemingway (author), Ernest Kinoy (writer), Georgia Backus, Henry Russell (composer, conductor), Jack Edwards Jr., John Beal, John Lund, Joseph Vitale, Lurene Tuttle, Marion Richman, Paul Marion, Rolfe Sedan, Sidney Miller.oldtimeradiodvd.com  and iheartradio.com/talk

Family Theatre. December 8, 1948. Mutual net. "Herbert Has Ideas". Sustaining. A shmo at an advertising agency becomes "The Masked Tenor" after being fired. This leads to a partnership at the agency and marriage plans with his best gal. John Beal (host), Jack Smith, Janet Waldo, Erwin Lieberman (writer), David Young (director), Max Terr (music), Tony La Frano (announcer), John Dehner, Harry Bartell, Cy Kendall, Arthur Q. Bryan.

Box 13 - The premise of the program was that Dan Holiday was an author who wrote mystery novels. To get ideas for his novels he placed an advertisement in a newspaper saying "Adventure wanted, will go anywhere, do anything, Box 13." The ads always brought fun adventures of all kinds: from racketeer's victim to psychotic killer looking for fun. Most of the episodes were based on Dan Holiday replying to a letter he received at Box 13. He would generally solve a mystery in the process, and return to his office in time to enjoy a hearty laugh at the expense of Suzy, his amusingly stupid secretary. He would certainly not meet the strictest requirements for private eyes (not licensed, collected no fees from clients), but the definition should stretch to sneak him in under the rope. It was heard over the Mutual Broadcasting System as well as being syndicated. The series was produced by Mayfair Productions. Box 13, starring Alan Ladd as Dan Holiday. Sylvia Picker played Suzy, Dan Holiday's secretary and Edmond MacDonald as Lt. Kling. Other stars in the series were Betty Lou Gerson, Lurene Tuttle, Alan Reed, Luis Van Rooten, John Beal and Frank Lovejoy. Music was by Rudy Schrager and the writer was Russell Hughes. Announcer/Director was Vern Carstensen. The series was produced by Richard Sanville with Alan Ladd as co-producer. THIS EPISODE:March 13, 1949. Program #30. Mayfair syndication. "Death Is A Doll". Commercials added locally. A man is slowly dying of what appears to be witchcraft. The date is approximate. Alan Ladd, Sylvia Picker. 25 minutes.

Box 13The premise of the program was that Dan Holiday was an author who wrote mystery novels. To get ideas for his novels he placed an advertisement in a newspaper saying "Adventure wanted, will go anywhere, do anything, Box 13." The ads always brought fun adventures of all kinds: from racketeer's victim to psychotic killer looking for fun. Most of the episodes were based on Dan Holiday replying to a letter he received at Box 13. He would generally solve a mystery in the process, and return to his office in time to enjoy a hearty laugh at the expense of Suzy, his amusingly stupid secretary. He would certainly not meet the strictest requirements for private eyes (not licensed, collected no fees from clients), but the definition should stretch to sneak him in under the rope. It was heard over the Mutual Broadcasting System as well as being syndicated. The series was produced by Mayfair Productions. Box 13, starring Alan Ladd as Dan Holiday. Sylvia Picker played Suzy, Dan Holiday's secretary and Edmond MacDonald as Lt. Kling. Other stars in the series were Betty Lou Gerson, Lurene Tuttle, Alan Reed, Luis Van Rooten, John Beal and Frank Lovejoy. Music was by Rudy Schrager and the writer was Russell Hughes. Announcer/Director was Vern Carstensen. The series was produced by Richard Sanville with Alan Ladd as co-producer. TODAY'S SHOW: October 17, 1948. Program #9. Mayfair syndication. "Book Of Poems". Commercials added locally. Robert N. Chase sends Dan Holiday a book of poetry by Sir Walter Scott, but Chase has been dead for ten years. Or has he? Alan Ladd, Sylvia Picker, Russell Hughes (director), Rudy Schrager (composer, conductor), Frank Hertosig (writer). 27:39. October 31, 1948. Program #11. Mayfair syndication. "Suicide Or Murder". Commercials added locally. A woman asks Dan Holiday to look into the death of her son who was killed in a drunken brawl. What really happened to Arthur Daily? Russell Hughes (writer), Richard Sanville (director), Alan Ladd, Sylvia Picker, Edmond MacDonald, Rudy Schrager (composer, conductor). 26:51.

Crime Does Not Pay was an anthology radio crime drama series based on MGM's short film series. The films began in 1935 with Crime Does Not Pay: Buried Loot. For the most part, actors who appeared in B-films were featured, but occasionally, one of MGM's major stars would make an appearance. The radio series aired in New York on WMGM (October 10, 1949-October 10, 1951) and then moved to the Mutual network (January 7-December 22, 1952). Actors included Bela Lugosi, Everett Sloane, Ed Begley, John Loder and Lionel Stander. THIS EPISODE: February 20, 1950. Program #20. MGM syndication. "Death On The Doorstep". Commercials added locally. An out-of-town hit-man does his job with a smile on his face and a silencer on his rifle. John Beal, Jon Gart (composer, conductor), Marx B. Loeb (director), Burton B. Turkas (technical advisor), Bob Williams (announcer), Ira Marion (writer). 27:34.

Box 13The premise of the program was that Dan Holiday was an author who wrote mystery novels. To get ideas for his novels he placed an advertisement in a newspaper saying "Adventure wanted, will go anywhere, do anything, Box 13." The ads always brought fun adventures of all kinds: from racketeer's victim to psychotic killer looking for fun. Most of the episodes were based on Dan Holiday replying to a letter he received at Box 13. He would generally solve a mystery in the process, and return to his office in time to enjoy a hearty laugh at the expense of Suzy, his amusingly stupid secretary. He would certainly not meet the strictest requirements for private eyes (not licensed, collected no fees from clients), but the definition should stretch to sneak him in under the rope. It was heard over the Mutual Broadcasting System as well as being syndicated. The series was produced by Mayfair Productions. Box 13, starring Alan Ladd as Dan Holiday. Sylvia Picker played Suzy, Dan Holiday's secretary and Edmond MacDonald as Lt. Kling. Other stars in the series were Betty Lou Gerson, Lurene Tuttle, Alan Reed, Luis Van Rooten, John Beal and Frank Lovejoy. Music was by Rudy Schrager and the writer was Russell Hughes. Announcer/Director was Vern Carstensen. The series was produced by Richard Sanville with Alan Ladd as co-producer. THIS EPISODE: November 14, 1948. Program #13. Mayfair syndication. "Damsel In Distress". Commercials added locally. Constance McLain, a wealthy girl at a private school, asks Dan to protect her from a blackmailer. She then disappears! A loud crash is heard in the studio during the program, which is ignored by the cast. Alan Ladd, Edmond MacDonald, Richard Sanville (director), Rudy Schrager (composer, conductor), Russell Hughes (writer), Sylvia Picker, Vern Carstensen (production supervisor). 27:28.

Box 13 - The premise of the program was that Dan Holiday was an author who wrote mystery novels. To get ideas for his novels he placed an advertisement in a newspaper saying "Adventure wanted, will go anywhere, do anything, Box 13." The ads always brought fun adventures of all kinds: from racketeer's victim to psychotic killer looking for fun. Most of the episodes were based on Dan Holiday replying to a letter he received at Box 13. He would generally solve a mystery in the process, and return to his office in time to enjoy a hearty laugh at the expense of Suzy, his amusingly stupid secretary. He would certainly not meet the strictest requirements for private eyes (not licensed, collected no fees from clients), but the definition should stretch to sneak him in under the rope. It was heard over the Mutual Broadcasting System as well as being syndicated. The series was produced by Mayfair Productions. Box 13, starring Alan Ladd as Dan Holiday. Sylvia Picker played Suzy, Dan Holiday's secretary and Edmond MacDonald as Lt. Kling. Other stars in the series were Betty Lou Gerson, Lurene Tuttle, Alan Reed, Luis Van Rooten, John Beal and Frank Lovejoy. Music was by Rudy Schrager and the writer was Russell Hughes. Announcer/Director was Vern Carstensen. The series was produced by Richard Sanville with Alan Ladd as co-producer.

The CBS Radio Mystery Theater (or CBSRMT) was an ambitious and sustained attempt to revive the great drama of old-time radio in the 1970s. Created by Himan Brown (who had by then become a radio legend due to his work on Inner Sanctum Mysteries and other shows dating back to the 1930s), and aired on affiliate stations across the CBS Radio network, the series began its long run on January 6, 1974. The final episode ran on December 31, 1982.THIS EPISODE:The Meteorite - April 11, 1977. Program #631. CBS network. Sponsored by: G-E CB Radios, Buick, Allied Van Lines, Ballantine Books. E. G. Marshall (host), Roy Winsor (writer), John Beal, Marian Seldes, Joe Silver, Evie Juster, Russell Horton. 52 minutes.

Box 13, starring Alan Ladd as Dan Holiday. Sylvia Picker played Suzy, Dan Holiday's secretary and Edmond MacDonald as Lt. Kling. Other stars in the series were Betty Lou Gerson, Lurene Tuttle, Alan Reed, Luis Van Rooten, John Beal and Frank Lovejoy. Music was by Rudy Schrager and the writer was Russell Hughes. Announcer/Director was Vern Carstensen. The series was produced by Richard Sanville with Alan Ladd as co-producer. THIS EPISODE:Dan Holiday finds himself in possession of a little girl...with two mothers! A man with a gun and his henchman have some other ideas. Ted Hedager (writer, director), Rudy Schrager (composer, conductor). Note: This episode is also known as "Rendezvous In The Park At Night"

click here Visit the Radio America Store web site. Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month Box 13 was a syndicated radio series about the escapades of newspaperman-turned-mystery novelist Dan Holliday, played by film star Alan Ladd. Created by Ladd's company, Mayfair Productions, Box 13 premiered August 22, 1948, on Mutual's New York flagship, WOR, and aired in syndication on the East Coast from August 22, 1948, to August 14. 1949. On the West Coast, Box 13 was heard from March 15, 1948 to March 7, 1949. To seek out new ideas for his fiction, Holliday ran a classified ad in the Star-Times newspaper where he formerly worked. "Adventure wanted, will go anywhere, do anything -- Box 13." The stories followed Holliday's adventures when he responded to the letters sent to him by such people as a psycho killer and various victims. Sylvia Picker appeared as Holliday's scatterbrained secretary, Suzy, while Edmund MacDonald played police Lt. Kling. Supporting cast members included Betty Lou Gerson, Frank Lovejoy, Lurene Tuttle, Alan Reed, Luis Van Rooten and John Beal. Vern Carstensen, who directed Box 13 for producer Richard Sanville, was also the show's announcer. Among the 52 episodes in the series were such mystery adventures as "The Sad Night," "Hot Box," "Last Will And Nursery Rhyme," "Hare And Hounds," "Hunt And Peck," "Death Is A Doll," "Tempest In a Casserole" and "Mexican Maze." The dramas featured music by Rudy Schrager. Russell Hughes, who had previously hired Ladd as a radio actor in 1935 at a $19 weekly salary, wrote the scripts, sometimes in collaboration with Ladd. The partners in Mayfair Productions were Ladd and Bernie Joslin, who had previously run the chain of Mayfair Restaurants.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Box 13 was a syndicated radio series about the escapades of mystery novelist Dan Holiday (Alan Ladd), a former newsman. Created by Mayfair Productions, the series premiered August 22, 1948, on New York's WOR and aired in syndication on the East Coast from August 22, 1948, to August 14. 1949. On the West Coast, Box 13 was heard from March 15, 1948 to March 7, 1949. To seek out new ideas for his fiction, Holiday ran a classified ad in the Star-Times newspaper. "Adventure wanted, will go anywhere, do anything -- Box 13." The stories followed Holiday's adventures when he responded to the letters sent to him by such people as a psycho killer and various victims. Sylvia Picker appeared as Holiday's scatterbrained secretary Suzy. Supporting cast members included Betty Lou Gerson, Frank Lovejoy, Lurene Tuttle, Alan Reed, Luis Van Rooten and John Beal. Vern Carstensen, who directed Box 13 for producer Richard Sanville, was also the show's announcer. Among the 52 episodes in the series were such mystery adventures as "The Sad Night," "Hot Box," "Last Will And Nursery Rhyme," "Hare And Hounds," "Hunt And Peck," "Death Is A Doll," "Tempest In a Casserole" and "Mexican Maze." The dramas featured music by Rudy Schrager. Russell Hughes, who had previously hired Ladd as a radio actor in 1935 at a $19 weekly salary, wrote the scripts, sometimes in collaboration with Ladd. The partners in Mayfair Productions were Ladd and Bernie Joslin, who had previously run the chain of

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 creative commons license click here visit creative commons license Alan Ladd portrayed Dan Holiday, a newsman, who wrote mystery novels and sought new material through his Box 13 and an ad he ran in the Star-Times Newspaper. Heard over the MUTUAL network from 08/22/48 until 08/14/49. All 52 broadcasts of this Mayfair production are available here. Also heard in these programs are the voices of Sylvia Picker, Betty Lou Gerson, Lurene Tuttle, Alan Reed, Luis Van Rooten and John Beal.