Podcast appearances and mentions of David Houston

Helen and Gavin chat about F1, M3gan 2.0, and Jurassic World Rebirth and it's Week 9 of the list of Grammy Record of the Year Winners from 1967, which will be picked from What Now My Love by Herb Alpert and the Tijuana Brass, Almost Persuaded by David Houston, Monday, Monday by The Mamas and the Papas, Winchester Cathedral by The New Vaudeville Band, and Strangers in the Night by Frank Sinatra.

Soul Pitt Media Health & Business Report Episode #101 | Interview with Donna Baxter Porcher, Debbie Norrell and David Houston, Soul Pitt Podcast TeamJoin Craig as he discusses with Donna, Debbie, and David:1) Donna, how does it feel to have something you thought up in college turn into a successful business?2) Debbie, your name is very well known in Pittsburgh for your career in Radio/Print/Fashion and Acting. What attracted you to want to be part of The Soul Pitt Podcast?3) David, our listeners may not know that you actually produce our show from Houston, Texas. Is technology something you always had an interest in growing up?Additionally, make sure you listen to our Community Calendar (brought to you by Pittsburgh Regional Transit, PRT) with Debbie Norrell at the end of each of our interviews so you can keep up with what's going on in our Pittsburgh region.Soul Pitt Media's Health & Business Report is sponsored by UPMC, Pittsburgh Regional Transit (PRT), Duquesne Light Co., Allegheny County Health Department, Pennsylvania's Children's Health Insurance Program (CHIP), and Central Outreach Wellness Center.

The latest edition of Blues is the Truth is packed with deep grooves, driving rhythms, and heartfelt playing from some of the best in the business. Hosted by Ian McHugh, the show features all the regular favourites, including the Blues Driver section, and delivers a fresh and fiery playlist that blends blues from across the spectrum. This week's episode kicks off with the powerhouse sound of The Altered Five Blues Band and rolls on through the soulful guitar of Tutu Jones and the unmistakable tone of Stevie Ray Vaughan. You'll also hear from Will Johns in collaboration with OYME, the New Orleans spirit of Dr John, and the emotive voice of David Houston. The UK scene is well represented by Neil Sadler Band, The Cinelli Brothers, Sister Suzie, and Thomas Heppell, while international highlights include Moe Joe, Cyril Neville, the ever-popular Bob Lanza Blues Band, and the gritty elegance of Henrik Freischlader. The show also features new and classic tracks from The Terraplanes Blues Band, Dave Kelly, Gracie Curran, 24 Pesos, The Hoax, Barbara Blue, and East, all capped off by the timeless groove of Booker T and the MGs. Whether you're a lifelong blues fan or just discovering the genre, this show offers a soulful ride through the heart of the blues. Don't forget to like, share, subscribe, and leave a review to keep the blues alive and heard!

Hello friends! Austin based, singer-songwriter, multi-instrumentalist, and multi-band guy, David Houston is my guest for episode 1464! You might know David from The Eggmen (Beatles tribute), Brass In Pocket (Pretenders tribute), Mock Lobster (B-52s tribute), Yacht Z (yacht rock tribute), and so many more. Yacht Z actually plays tomorrow, Saturday, March 1st at The Boat in Austin. Go to davidhoustonmusic.net for show dates, his Substack, music and much more. We have a great conversation about growing up in San Angelo, Texas with dreams of becoming a band director, moving to Austin for the music, Wings tribute, his time in The Eggmen, FAB! his new Beatles tribute band, his drum videos, 90's Austin, taking a hiatus from music, the Austin Tribute Band Community, and much more. I had a great time getting to know David. I'm sure you will too. Let's get down!   Get tickets for "Bang! It's David Starbuckle: The Movie" HERE   Follow us on Instagram, Facebook, Spotify, Apple Podcasts, or anywhere you pod.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

University of Wisconsin‑Madison Assistant Professor Christopher Saldaña interviews David Houston about the complex landscape of partisanship and polarization in education policy.

On this Episode... A guy that has been with the CobraCast Podcast from almost the beginning... Austin Musician, David Houston stopped by the CobraCast Studio for a much overdue episode to say the least... David is a major player in the Cover/Tribute Band scene in Austin and is out there spreading joy and having fun with all the bands that he is part of... It was good to sit down with him and catch up on things... For more info on David and all his projects, please go to https://davidhoustonmusic.net/ Much Love, Enjoy ;) Sponsored by the #1 Distillery in Austin, Texas Iron Wolf Ranch and Distillery  https://ironwolfranch.com/

Send me a message.In this episode of Talking D&T, I chat with David Houston, team leader for schools and colleges at the V&A South Kensington. David shares his passion for design education and the pivotal role museums play in inspiring young minds.We delve into the V&A's innovative programmes, including DesignLab Nation and V&A Innovate, which bring design thinking to schools across the UK. David's insights on creating 'eureka moments' for students and the importance of hands-on experiences with objects are particularly fascinating.Our conversation explores how museums can complement classroom learning, offering fresh perspectives and igniting creativity. David's anecdotes about students finding their voice in museum settings are inspiring.We discuss the challenges facing D&T education and how museums can support teachers in delivering rich, engaging content. The V&A's teacher twilight sessions and resources emerge as useful tools for professional development.This episode offers ideas for D&T teachers looking to enhance their practice. Consider how you might incorporate museum visits or object-based learning into your teaching. Could you collaborate with local museums to create similar opportunities for your students?As we reflect on the cultural, social, and democratic aspects of design education, I encourage you to think about how these ideas align with your own teaching philosophy. How might you foster those 'gasping for air' moments of learning in your classroom?Let's keep this important dialogue going! How can we, as D&T educators, build stronger bridges between schools and cultural institutions to enrich our students' learning experiences?Acknowledgement:Some of the supplementary content for this podcast episode was crafted with the assistance of Claude, an AI language model developed by Anthropic. While the core content is based on the actual conversation and my editorial direction, Claude helped in refining and structuring information to best serve listeners. This collaborative approach allows me to provide you with concise, informative, and engaging content to complement each episode.Support the Show.If you like the podcast, you can always buy me a coffee to say 'thanks!'Please offer your feedback about the show or ideas for future episodes and topics by connecting with me on Threads @hardy_alison or by emailing me.If you listen to the podcast on Apple Podcasts, please take a moment to rate and/or review the show. If you want to support me by becoming a Patron click here. If you are not able to support me financially, please consider leaving a review on Apple Podcasts or sharing a link to my work on social media. Thank you!

David Houston, an Assistant Professor at George Mason University, joins Paul E. Peterson to discuss Houston's latest research, which investgiates what happens to public opinion when prominent partisan officials intervene in education policy debates. Houston's working paper, "How the Engagement of High-Profile Partisan Officials Affects Education Politics, Public Opinion, and Polarization," co-written with Alyssa Barone, is available now. https://edworkingpapers.com/sites/default/files/ai24-919.pdf

On this week's Education Gadfly Show podcast, David Houston, an assistant professor at George Mason University, joins Mike and David to discuss how presidents polarize voters when they weigh in on education debates. Then, on the Research Minute, Amber examines a new study investigating whether performance incentives improve teacher skills and so the academic growth of their students.Recommended content: “Polling data: Presidents split the public on schools” —Kevin Mahnken, The 74“Let's talk about bad teachers” —Michael Petrilli, Fordham InstituteDavid Houston and Alyssa Barone, “How the engagement of high-profile partisan officials affects education politics, public opinion, and polarization,” Annenberg Institute at Brown University (March 2024).Eric Taylor, “Employee evaluation and skill investments: Evidence from public school teachers,” Annenberg Institute at Brown University (May 2024).Feedback Welcome: Have ideas for improving our podcast? Send them to Daniel Buck at dbuck@fordhaminstitute.org.

In today's episode of Building Texas Business, join us for a fascinating discussion with our guest David Fletcher, General Manager of Lone Star Sports and Entertainment. David gives us exclusive insights into the sports business industry, highlighting the economic impact of major sporting events on Houston. We learn about LSSE's role in the city's sports landscape and the excitement for the upcoming Tax Act Texas Bowl. David also enlightens us on why Houston is a major sports hub, touching on upcoming events like the college football championship and the 2026 FIFA World Cup. Tune in for a thrilling exploration of the fast-paced world of sports business. SHOW HIGHLIGHTS Chris talks with David Fletcher, the General Manager of Longstar Sports and Entertainment, about the intricacies and realities of the sports business world. David describes the significant economic impact of major sporting events on the business community, highlighting their ability to draw in substantial revenue and tourism. We discuss the role of LSSE in the Houston sports scene and its involvement in exciting upcoming events like the Tax Act Texas Bowl. David addresses some common misconceptions about the sports industry, revealing the hard work, long hours, and sacrifices behind the scenes. We delve into what it means to be a good teammate in the sports industry, focusing on traits such as being coachable, ready, and positive. David shares insights on why Houston has become a hotspot for sports business, citing its prime location, diverse population, and robust infrastructure. We discuss the upcoming national college football playoff championship and the anticipation it's generating in Houston. David gives a preview of the 2026 FIFA World Cup, expressing his enthusiasm for the global event to be hosted in Houston. I explore personal topics with David, such as his first job experience, his preference for Tex-Mex over barbecue, and his dream 30-day sabbatical destination. David shares his passion for skiing in Park City, Utah, expressing gratitude for the support and involvement of the Houston community in their work. LINKSShow Notes Previous Episodes About BoyarMiller GUESTS David Fletcher About David TRANSCRIPT (AI transcript provided as supporting material and may contain errors) Chris: In this episode you will meet David Fletcher, general manager of Longstar Sports and Entertainment. David shares his insights into the business of sports, as well as the economic impact major sporting events can have on the business community. David, I wanna welcome you to Building Texas Business. Thanks for coming today. David: It's great to be here, Chris. Appreciate the opportunity. Chris: So let everybody know, you're the general manager of what's called Longstar Sports and Entertainment here at Houston. Tell the audience a little bit about what that company is and kind of how it fits into the sports landscape here in Houston. David: Yeah, longstar Sports and Entertainment, or LSSE, as we try to call it with such a long name, is really the events production and management company at Houston, texans. So we are a primary outlet for event production, promotion and really a focus to our efforts to date around filling event dates at NRG Stadium. Most of what we do, chris, is in the sports space, although we have certainly done fair share of shows in the entertainment side, but college football, international soccer, rugby are all really big parts of what we do and inside of that we can do anything and everything that we need to do to make an event successful. We've promoted and negotiated and done our own events. We work with partners like ESPN or the Major League Soccer to host events at our building for them. We work with global brands like Manchester United, real Madrid or even Taylor Swift to bring events to our place in a variety of different ways. So really our focus is on bringing people together in Houston and we've done some other things over the years some investments and some events outside of NRG Stadium. But at our core we are a major part of making NRG Stadium one of the world class destinations for events and we're very proud of what we've been able to do over the last 21 years. Chris: That's what I love about kind of the focus at LSSC and the Texans for that matter is really a focus on doing things for the benefit and betterment of Houstonians. It seems to be kind of maybe a core focus. David: No question. I mean, look, at the end of the day, our organization is only focus on three things it's creating experiences, it's delivering incredible vowed partners and it's about doing great things for Houston. So, in that core capacity, major events, whether it be bringing Leon O Messi to play at NRG Stadium in an event like Copa America a few years ago I mentioned Taylor Swift we had a chance to host her in 2018, or Keddie Chesney or George Straits or Tim McGraw done shows with all of them over the years to the big time college football, like the Tax Act Texas Bowl that we host each and every year. Our focus is on really those three initiatives and I think they play into exactly what you said, which our organization has been all about, and the family the McNair family has been all about since day one. Chris: So, speaking of the Tax Act Texas Bowl, where we've got a match up right around the corner with Oklahoma State and Texas A&M excited about that and I would think that there is some excitement from those fan bases about being here at Houston. David: No question, our 18th year of hosting that college football postseason spectacular that happens each and every year at NRG Stadium. Last 10 years we've had the Big 12 in SEC and you mentioned it Texas A&M, who's obviously one of, if not, the biggest collegiate brand in this part of the world, going and taking on Oklahoma State, an old rival there from the Big 12 days and 20th ranked Oklahoma State Cowboys, I might add, who made it all the way to the Big 12 championship game this year and have the nation's best running back in Oli Gordon. A lot of things to be excited about on both fan bases. Texas A&M obviously a great brand, but had their struggles on the field relative to their expectations this year. A lot of transition, including bringing in a really exciting new coach and Mike Elko, and this is an opportunity for both of these teams, but particularly Texas A&M, to start their 2024 March to the championship this December 27th. Chris: Very good. So let's talk a little bit just about you and kind of how you got into the sports industry and you've been general manager now at LSE like 10 years. That's crazy because I can remember when you first took over the role. So 10 years goes by fast. David: It goes by real fast, chris. Look, for me sports has been an incredible part of my life, like many, since my early days of youth, I know as a kid. For me there wasn't a day that didn't go by literally a day that I didn't have to go to some practice or didn't get to go to some practice of some kind, played a lot of sports really important to my family growing up and ultimately developed a very strong passion for sport itself. As I got a little older I was in school at the University of Texas I realized that you could make a business out of it. You could create a life around the, not just playing on the field, and for me my playing days they definitely ended in high school, which is okay. I still get to this day, get to go out there and try and hack it with the best of them every once in a while, but I do it vicariously most of the time in working with my kids and coaching them and watching them grow. So for me, like I said, I knew sport was a big part of what I had a passion for when I graduated from UT. I had an opportunity to be to work for an NFL team in my hometown right here in Houston Texas. They didn't even have a name until a few weeks into my job, but that was the Houston Texans, and so coming out of UT and having the opportunity to be a part of building a professional team no less an NFL team from the ground up was something that I thought was really cool and I thought would be something that would help fuel that passion further, and it has. There's no question, of course, as a graduate coming out of college, many of us, myself included had bills to pay, and working as an intern at any sports team is not a great way to pay off those bills very quickly. But you know, I knew I had. I knew I had a goal in mind. I knew that I could make a business out of this if I really focused on making the most of the opportunities I had about keeping a positive attitude and really just taking every opportunity I could to grow, and I did that. I worked at the Texans during that first season, had an opportunity after that to get into a sales side where I did start making money working in media sales after leaving the team, spent a few years doing that for the University of Texas Athletics and then with the Houston Rockets, but I had a chance to return back to the team in 2010 and have been with the Texans in some way or shape or form ever since and that's been a lot of fun to really get to be in my hometown to work for the NFL team ups and downs included along the way, right, as we've had some great years and some not so great years. But going back to what I talked about earlier about being able to make an impact, particularly in my hometown, it's been an amazing opportunity for me and I still wake up every day and I know this is gonna sound really silly and I've grown a lot in my career, but we office at NRG Stadium and there are a lot of days where I walk in I'll hear the voice guy, david Brady, in my head going welcome to NRG Stadium. Chris: And it's just for me as I walk in the office. David: You know, it's a subtle reminder in my head that you know what. This is something pretty cool and this is something really special and been fortunate enough to be a part of a lot of things that have helped grow this community as a sports destination and then hopefully a lot more going forward. Chris: That's great. I mean it's a very unique position, unique opportunity. It relates to working for an NFL franchise. Right, there's only 32 franchises that you can work for, so let's talk again. So you work your way up and then you get this opportunity to move into leadership and I like to talk to guests, entrepreneurs, about leadership. So let's talk about that with you, kind of give us a little idea of your journey. Who were some of your mentors that you kind of molded your leadership style after? David: Well, I think mentors are so important, chris. They're so important to provide you you know reality, to provide you guidance, to provide you you know somebody who can ultimately be a resource, good and bad, in any situation. You know, for me it started with a good friend of ours and I still think about him all the time as Jamie Roots, you know, arguably one of the best in the business, president of the Texans for 20 plus years and spent spent really so much time, energy and effort in creating and ultimately growing the Texans brand, and so getting a chance to watch him and be a part of his team for almost a decade myself was something that you know, I've taken so much from. You know, the things that we focused on were about relationships, and that's really where it starts in any of these businesses is, you know, whether you're working with clients, teammates or employees and just trying to find ways to connect. You've got to be able to connect at all levels and build relationships with people, no matter what role they're playing in your business. So it's starting with relationships first. You know, I think, looking at how Lone Star has been approached I talked to Jamie about this a lot over the years Texans, so important and ingrained in the business of, or the fabric of, the Houston community. But what Lone Star has really helped do is expand the reach beyond just football and reach into what is already arguably the most diverse community in the country and bring them in to a place that they could celebrate, that the passions they have can create memories that last a lifetime and ultimately, yes, do business. You know, and so you know, lone Star helps us reach in. We've done, you know, 21 Mexican national team soccer events at our stadium. We've hosted Beyonce. We've had, you know, lsu take on Wisconsin or, you know, coming up, the national championship game for college football. Yes, there's some core elements that are consistent across every sport, every entertainment property, every football event that I just mentioned, but each of those tie people back to our business, they tie people into, or they bring people into, our community and they ultimately, you know, give us an opportunity to create even more momentum for the team and for Houston going forward. So, when I look at how we've approached that from a leadership perspective, you know it's really been thinking about how our business, my business, can impact people outside of what we do in the Texans. And with that, you know, like I said from the beginning, it starts with relationships. Chris: Hey, you hit the nail on the head because I think that's true. No matter what business you're in, if you're a one man shop or you're growing it to be bigger, it's all about relationships, like you said, with your external partners but more importantly with your internal teammates. So, talking on that subject a little bit, let's talk a little bit. I know you know you've built a team around you at LSSC to help put on and promote these events. What are some of the things you look for when you're going through that process? One maybe identify whether it's through the recruiting process or onboarding or, as they're there, in kind of the training to make sure you're making the best decision you can in building that team. And then maybe we'll talk about the other side is when you know maybe this wasn't the right fit, the harder decisions to make. David: Well, I think it starts. You know I mentioned it earlier, but to me there's really three core elements of being a good teammate, and I think these matter whether you're the intern or you're the leader of the organization. One be coachable right. Nobody that I have ever met, even the best in the business, know everything right, so be able to take advice, take criticism, learn from your mistakes, and that's something I think's really important. Two be ready, right. Be when opportunities exist, don't be afraid to raise your hand, don't be afraid to speak up, don't be afraid to go all in. You never know when an opportunity could be the best opportunity for you if you don't ask. So be coachable, be ready and then, from my perspective, just be positive, right. The attitude is the only thing that any of us can control, and my experience and my life has taught me that if you focus on the good, you have a lot better chance of getting there than if you focus on the bad. And that speaks to communication internally. That speaks to the way you approach how you position your business. It speaks to how you approach your competition right. Ultimately, at the end of the day, if you focus on the good, there's a better chance you're gonna get good. Chris: Like I couldn't agree more on that positive mindset, kind of staying positive, focus on the positive, learn from the bad and the negative maybe, but your primary focus has got to be on improvement in a positive way. Yeah, again, there's books written about it all over, but mindset makes a big difference. David: No question, no question. Ultimately, if you're a teammate for us and you've got those qualities, we feel like that's a great start to being a positive contributor to our group. Chris: Well, no just from being around the organization as much as I have. Y'all are known the Texans and LSSE. You're known within the sports industry of training people to be great and I guess that's a blessing and a curse. You get really good people but then people come and take them. David: Well, I've always had the mentality, chris. I know it's one that may fly in the face of common thought, but look, if anybody's being approached or anybody's being seen as having an opportunity coming from where we have brought them to, then we've done our jobs the other day and so we wanna keep as many of those on our team as we can, no question, but many times, for a variety of reasons, you have to accept that maybe reality, and so do the best of what you've got, be ready for the next opportunity, keep moving forward. Chris: So, working in the world of sports, what's one of the things you think is maybe the biggest misperception that most have about what you do? Cause it sounds pretty glamorous. David: Well, that's probably the biggest misperception. I think that, and that I have access to every ticket for every event all the time. My wife still sometimes even has that misperception, but I love her for it. No, look, I think the reality is that. I think that people do think that. Well, let me back up. I think there can be a perception that it is all glamorous all the time. Right, there's a lot of very visible and very talented people that are in the media all the time, that are compensated well, that are creating brands of their own. There certainly is an element to that, but I think that more often than not, it's a job that, if you don't have a passion for what you're doing, what you're doing, it's gonna be hard, because the hours are long, holidays are not really holidays. The players have negotiated a very significant salary, and that's not always the case for everybody else. And on the business side, and there are so many facets of what working in sports can be, and I think that's also, at the same time, an opportunity A lot of people look at. Well, you work for a team so that you're working in sports. Working in sports can be working for an agency that's working with a brand that is creating a partnership with a team. It could be working on the media side, bringing the events to life through social, digital and television content. It could be being a lawyer that negotiates contracts. It could be taking tickets and welcoming people to NRG Stadium, and so there's just so many different ways. There are over 7,000 people that work on a major event day at NRG Stadium. Just on the day, just on the day itself, right Between part-time staff, texans, employees, police fire, you name it. That's crazy. So it's such a big it becomes its own little city. So ultimately, there's a lot of different ways that sports can touch somebody. Most often, people just think of the players and what happens on the field. Chris: Well, it's nothing. You said when you started that, and I think it's true and it transcends all industries Passion To be really good at what you do, you have to have a passion for it, because it's long hours and putting in real hard time to learn and advance and grow your expertise at whatever it is, and so it has to start and stop a passion. David: No question, and if I look towards my life personally, it's been the fuel that's put me on the path to the successes that I've had. I mentioned it from the beginning. I mean, I started out as an intern with the Texans. I'm very proud of the fact that I'm the only intern or the only member of the executive team at Texans that actually started out as an intern with the team itself and that wasn't by accident. I mean, certainly there's a lot of good fortune along the way and I was able to produce results when needed. But I look at that as a testament to. Without the passion that I had, I wouldn't have been able to go through the 120 hour weeks as an intern, making minimum wage, I might add. You know working on, you know lifting heavy equipment or organizing, you know volunteer groups or you know putting together hours of copy that may not even be used, right. I mean, it's just those things that are just little steps along the way that, personally, I had to do, but I think they apply to anybody who has felt success in their business is that it starts with that passion. Chris: Yeah. So let's turn the conversation a little bit and talk about something that I don't think gets talked about enough, certainly at least here in Houston. We, when you step back and look at it, we, being Houston, which means you and others have done an amazing job of making Houston a true, like sports event destination. So we can talk about that a little bit, but what I want to do is connect that to how that the impact that has on the business community in Houston, because it's significant. David: It's massive, you know. So I'll start with a couple of things. One, you know, I think Houston's success as a destination for sport really points to. You can point to a lot of things that have been contributing factors, and they all have been geography center of the country, center of the continent, certainly a very, a very easy to get to market with all the infrastructure here from the great airports, obviously our traffic and our freeways. But the port you know, the infrastructure itself is fantastic, have served us well over the last 20 plus years with this latest renaissance, and we'll going forward. You've got a Some may need some tweaking, right? Chris: No question about it. David: I mean NRG is certainly, you know, a fantastic, world-class facility throughout its history. But that definition certainly has changed over the years and there's opportunities to continue to be the biggest and the best that we're working towards getting in the future. But the market seven plus million people in the DMA it's the most diverse market in the United States. All of that creates a lot of reasons why Houston has been a major destination. But I think the most important element is the leadership and the people and when I say people I mean the people at all levels that help contribute to the experience that's created when major events. Stakeholders are looking for a place to go and they come into Houston and they get to see it. We've got a number of groups that have worked together very successfully over the years the Texans and Lone Star, nrg Park, houston Livestock Show and Rodeo, all the major professional teams, harris County, houston Sports Authority, houston First Mayor's Office, city and Fire, the Texas Medical Center. All of those groups and many others have created a winning formula with how we approach the event experience, whether it's a festival, a conference or the Super Bowl. You throw in the hospitality community, which Houston First is certainly a driver of, but the thousands of unbelievable hotels, restaurants and entertainment options that are here in this community and how they collaborate and work together around these major events. And you see, no other market in the country can offer what we have as a collective package, and that's why you've seen Houston be awarded more major sporting events than any other market in the country over the last 15 years. That's impressive. Chris: I mean, people don't know that. They don't, it doesn't get talked about. David: They don't, they don't. There's certainly a lot of energy around. You get the first one right and then it just kind of dominos and we've been very aggressive as a community in pursuing those options. We've been very successful and when we get those options here to put our best foot forward, there are great resources at state level that certainly help with that and a spirit of collaboration with the governor's office to try and generate as many major events in the state of Texas as possible. So those are all winning points in the formula for success. But it really starts with the people and as we look at the future of the sporting event business, the major event business in Houston, there's a reason why we keep going after this and a big part of it is what you talked about the economic impact. Pick any number of these. These events Final four, college football, playoff, national championship game, fifa World Cup, super Bowl, taksac, texas Bowl, copa America I'm missing thousands of events that happen and are the Major League Baseball All-Star game, nba All-Star game, mls Cup. All these events that you see have really generated billions of dollars collectively for our community and economic impact. That's people coming to Houston and staying in our hotels. They're going and having a great time down in Galveston. They are eating at some of the world's best restaurants and that fuels our economy. We don't have the typical transient business that a vacation destination like a Miami or New Orleans may have, where entertainment in the community can spark a lot of travel. We are very much focused on conference events and entertainment opportunities and we do it better than just about anybody else out there. Chris: So let's kind of try to, you know, put some context around that. You mentioned, and obviously I'm well aware of the Texas Bowl, Taksac, Texas Bowl economic impact of that event to the greater Houston area. David: Annual basis over the last 10 years has been over $30 million on average. Every single year, we'll have anywhere between 25 and 30,000 people traveling in, staying in our hotels, restaurants, for three or four days ahead of the event. You've got people they're even driving in, too right, people that are coming in from the outer areas getting to celebrate that event. So that's meaningful, especially when that event specifically happens every year. It's right, it's a re-accuracy. End of the year, end of the year, when a lot of people are traveling for the holidays or maybe not doing as much, we've got an event that brings people into our community. That brings people here that may not be from a drivable distance. They may be coming from, you know, south Carolina, or Louisiana, or Florida, or Colorado Now that the Big 12 has expanded or Arizona, so you know, it really is something that fuels those businesses and gives our community as a whole an opportunity to celebrate around a major event, and we're proud of what that particular event has done, as well as, obviously, many others. Chris: Then we've got a couple of big events on the horizon. I want to talk about some of that. So let's talk about the first one, and that's the national title football college football playoff championship on January 8. It's a huge deal. It's the last one, I guess, of the 14 format, but you know what can we look forward to as Houstonians, with that game right around the corner? David: Well, it's a true celebration of college football, a week-long celebration. So you know, from a community perspective, you know the impact has already started. The Houston Love Teachers campaign that the Harris County, houston Sports Authority and the College Football Playoff local organizing committee has put together is has already generated millions of dollars in support for and recognition of teachers in our community, excuse me and that's an impact that will obviously pay dividends well beyond the game itself on January 8. When you look to event week itself, got four teams and four big brands that are hoping to descend upon Houston right after the New Year's. Chris: Yeah, yeah, so we've got what I mean. I think, any way you slice it, there's four or two teams that show up here are going to have big followings. David: Well, they are, and so you know what that means. It's not just about the 70,000 people that will fill up NRG Stadium. You know, again, the week long of activities, with free concerts every night during the weekend leading up fan fest down at Georgia Brown, which will have all kinds of interactive opportunities for fans to celebrate and enjoy the game of college football. You've got a number of initiatives around the industry itself that you know just further fuel Houston as a destination for business around the sport conferences and events and media opportunities, literally billions, if not trillions, of impressions showcasing our city. Chris: So you're gonna have the eyes of the world really on Houston for that kind of that weekend leading up and, I think, encourage the Houstonians right to get out and enjoy it yeah, no question, I mean it is. David: Houston is one of the best college football markets in the country the, the tax act, texas Bowl and many other events that we hosted. Our place and throughout the city. You've age rice, you know hcu tsu, prairie view. There's so much around college football that really Houston should be part of this destination, going forward on a consistent basis, and I think we'll show that as we bring everybody together here next month very good, yeah, david. Chris: So I think there's a lot to be excited about having the national title game be in our backyard, and I hope Houstonians will show up and take advantage of all the the events that are being planned yeah, it's gonna be an incredible week. David: We've earned the opportunity and I know, just like we did with Super Bowl a few years ago, with Final Four earlier this year, sonians love their sport. They will be out and enjoying another great celebration, and that's something that we should be excited about, and it's not the only one. You look down the road. We've got the world's biggest event coming just two years from now. Chris: As well, and that's the World Cup that's right. David: Yeah, fifa World Cup returns to Houston in 2020, or returns to Houston, comes to Houston in 2026. Houston, one of the venues in North America that was selected and you know just when you think about the opportunity to host five, six, seven, eight events in NRG Stadium with an average audience of a billion people and names like Messi and Neymar and Mbappe, who probably mean a lot to many people in this community but are treated as icons around the globe, and for Houston to have its name among the great markets of the world, at a truly global market which we know from a business perspective and from a from a population perspective. It is but to have that that verification on that type of stage is something that you know. As a community we also be very proud of and Chris Canetti in the World Cup office and Janice Burke and everybody over at NRG Park that ourselves included that helped to be part of making that a reality. We know we got a lot of work ahead to live up those expectations that's great. Chris: Well, david, I appreciate you, you know coming on and sharing some of these specifics. I want to ask you just a few more questions about you personally. What was your first job before days? You know the years before you were the intern of Houston Texas so I my first job I'm gonna go with. David: I've got a 1, 1a, all right. So my first job really was I worked at a Kroger in Kingwood as a checker or, sorry, as a bagger. But my my first quote real job I didn't have that one very long was I. I ended up being a server at Kingwood Country Club and the reason I say that was my first real job is that I worked in the service industry throughout my career. I mean, I still do today, obviously, but I worked in the service industry for 10 years, all the way through my time in Austin, going to school at UT, and I will tell you that nothing will teach you more about the world good and bad, than working in the service industry and I am so appreciative of the opportunities that I got to again. Start with something simple as that. But as a funny story, chris, I will say my crowning achievement as a server is I did serve as Don Johnson, the actor, don Johnson's waiter for the 10 cup rap party, because Tim Cup was hosting. That's right and so I do have that up by resume. Chris: So there you go see one of the benefits of living in Kingwood that's right. Yeah, one of the many I'll add okay, so since you work so much in, I guess, service hospitality, this will be easy for you. All right, you prefer Tex-Mex or barbecue? Tex-mex all day long all right, and this one's gonna be hard for you to answer okay maybe not. If you could do a 30-day sabbatical, where would you go? What? David: would you do? That is a great question. I don't think it's very. I don't think it's very hard for me at all. I am an avid skier and my family and I have been fortunate enough to spend a lot of time in Park City, utah, and I try and get the 30 days even now it's not possible to do in our work, but I love Park City probably more than any place else in this planet, and so I'd love to be able to go up my family for three days and just ski our behinds off got you. Chris: Well, that's great. That's a good one. David, thanks again for taking the time. Congratulations to you and the rest of the team back at Energy Park, the Texans LSSE, for all you do for Houston well. David: Thank you, chris, and we appreciate your support and involvement as well. Special Guest: David Fletcher.

7.7.23 - David Houston by Crosstown Conversations

Soul Pitt Media Health & Business Report Episode #52 | Interview with Debbie Norrell and David Houston Join Craig as he discusses with Debbie and Dave: Debbie, talk to our listeners about your Media Career? Debbie, can you talk to our listeners about your Community Calendar Show on the podcast? Dave you have an extensive and impressive resume. Can you talk to our listeners about your career? Additionally, make sure you listen to our Community Calendar (brought to you by Pittsburgh Regional Transit, PRT) with Debbie Norrell at the end of each of our interviews so you can keep up with what's going on in our Pittsburgh region. Soul Pitt Media's Health & Business Report is sponsored by UPMC, Pittsburgh Regional Transit (PRT), Duquesne Light Co., ThermoFisher Scientific, Pennsylvania's Children's Health Insurance Program (CHIP), and PA Unites Against COVID.

This week's guest is multi-instrumentalist and content creator David Houston.  Dave currently plays in 5 different groups (on 3 different instruments) in Austin, Texas.In this interview we talk about how he got started in music, how the clever idea isn't always the most successful idea, being an older creator on Tiktok, and the state of the Austin music scene.For more info about David, check out all of his links here: https://campsite.bio/dhvoice2023 Expense Tracker: https://www.coverbandconfidential.com/store/musician-finance-toolsBlank Contracts & Riders: https://www.coverbandconfidential.com/store/performance-contractsBacking Track Resources: https://www.coverbandconfidential.com/store/backing-track-resourcesThank you so much for tuning in!  If you want to help be sure to like, subscribe and share with your friends!  Linktree: linktr.ee/adampatrickjohnson                linktr.ee/coverbandconfidentialFollow us on Instagram!@coverbandconfidential@adampatrickjohnson@danraymusicianIf you have any questions please email at:Coverbandconfidential@gmail.comConsider supporting me on Patreon! www.patreon.com/coverbandconfidentialOr buy me a cup of coffee!paypal.me/cbconfidentialAnd for more info check out www.coverbandconfidential.comThis is a podcast about musicians playing live music in bands of all kinds.  If you are a guitar player, bass player, drummer, keyboardist, or singer looking for ways to make better money and book better gigs, this is the podcast for you. 

Austin multi-instrumentalist and tribute band aficionado David Houston discusses his musical career and the birth condition that may have shaped it.   More on David and his bands: https://campsite.bio/dhvoice   The Eggmen: https://eggmen.com/home   Mock Lobster: https://www.facebook.com/Mocklobsteratx?mibextid=LQQJ4d   Yacht Z: https://yachtzrock.com/   Cold War Camaro: https://coldwarcamaro.com/home   The Night Club: https://nightclubatx.com/about     Support Friends With Deficits: https://www.patreon.com/friendswithdeficits

The relationship between images and truth has a complicated history. In the Western tradition, the Kantian settlement on aesthetic judgment as detached from external interests gave rise to artistic production of images that were read with epistemic authority. But the advent of modernity has at once shaken this certainty and reinforced it. No sooner than we reckoned with the singular history painting and illustrated magazines, we have landed in a mass-media world where any possible image can and does exist. And the more we are surrounded by images, the greater claims they make. Photographs are not only routinely used to convey news, they are used to establish what is and isn't true. The crime scene photograph is now as likely to be used in a court of law as in a newspaper infographic explainer. The artifact is at once the evidentiary carrier of truth and a visualisation used to confirm it. It creates meaning and it argues for it Visual Culture and the Forensic: Culture, Memory, Ethics (Routledge, 2022) bridges practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example, in performance and installation art, or photography. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence. David Houston Jones speaks to Pierre d'Alancaisez about the evidentiary and forensic burden of art and photography, the artifice of crime imaging, the visual traces of data, and the ontology of data and objects. Angela Strassheim's Evidence Melanie Pullen's Crime Scenes, Hugo's Camera The death of Alan Kurdi and Ai WeiWei's restaging of the scene Kathryn Smith's Incident Room: Jacoba ‘Bubbles' Shroeder, 1949-2012 Luc Delahaye Horace Vernet Trevor Paglen's Autonomy Cube Laura Poitras' Citizenfour Julian Charrière's Blue Fossil Entropic Stories, 2013 Simon Norkfolk's When I am Laid in Earth Cory Arcangel's Data Diaries, 2003 Interview with Eyal Weizmann and Matthew Keenan on Forensic Aesthetics and the practice of Forensic Architecture Josef Mengele's bones used in forensic identification Forensic Architecture‘s investigations Interview with Toby Green and Thomas Fazi on The Covid Consensus. David Houston Jones is Professor of French and Visual Culture at the University of Exeter. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The relationship between images and truth has a complicated history. In the Western tradition, the Kantian settlement on aesthetic judgment as detached from external interests gave rise to artistic production of images that were read with epistemic authority. But the advent of modernity has at once shaken this certainty and reinforced it. No sooner than we reckoned with the singular history painting and illustrated magazines, we have landed in a mass-media world where any possible image can and does exist. And the more we are surrounded by images, the greater claims they make. Photographs are not only routinely used to convey news, they are used to establish what is and isn't true. The crime scene photograph is now as likely to be used in a court of law as in a newspaper infographic explainer. The artifact is at once the evidentiary carrier of truth and a visualisation used to confirm it. It creates meaning and it argues for it Visual Culture and the Forensic: Culture, Memory, Ethics (Routledge, 2022) bridges practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example, in performance and installation art, or photography. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence. David Houston Jones speaks to Pierre d'Alancaisez about the evidentiary and forensic burden of art and photography, the artifice of crime imaging, the visual traces of data, and the ontology of data and objects. Angela Strassheim's Evidence Melanie Pullen's Crime Scenes, Hugo's Camera The death of Alan Kurdi and Ai WeiWei's restaging of the scene Kathryn Smith's Incident Room: Jacoba ‘Bubbles' Shroeder, 1949-2012 Luc Delahaye Horace Vernet Trevor Paglen's Autonomy Cube Laura Poitras' Citizenfour Julian Charrière's Blue Fossil Entropic Stories, 2013 Simon Norkfolk's When I am Laid in Earth Cory Arcangel's Data Diaries, 2003 Interview with Eyal Weizmann and Matthew Keenan on Forensic Aesthetics and the practice of Forensic Architecture Josef Mengele's bones used in forensic identification Forensic Architecture‘s investigations Interview with Toby Green and Thomas Fazi on The Covid Consensus. David Houston Jones is Professor of French and Visual Culture at the University of Exeter. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The relationship between images and truth has a complicated history. In the Western tradition, the Kantian settlement on aesthetic judgment as detached from external interests gave rise to artistic production of images that were read with epistemic authority. But the advent of modernity has at once shaken this certainty and reinforced it. No sooner than we reckoned with the singular history painting and illustrated magazines, we have landed in a mass-media world where any possible image can and does exist. And the more we are surrounded by images, the greater claims they make. Photographs are not only routinely used to convey news, they are used to establish what is and isn't true. The crime scene photograph is now as likely to be used in a court of law as in a newspaper infographic explainer. The artifact is at once the evidentiary carrier of truth and a visualisation used to confirm it. It creates meaning and it argues for it Visual Culture and the Forensic: Culture, Memory, Ethics (Routledge, 2022) bridges practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example, in performance and installation art, or photography. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence. David Houston Jones speaks to Pierre d'Alancaisez about the evidentiary and forensic burden of art and photography, the artifice of crime imaging, the visual traces of data, and the ontology of data and objects. Angela Strassheim's Evidence Melanie Pullen's Crime Scenes, Hugo's Camera The death of Alan Kurdi and Ai WeiWei's restaging of the scene Kathryn Smith's Incident Room: Jacoba ‘Bubbles' Shroeder, 1949-2012 Luc Delahaye Horace Vernet Trevor Paglen's Autonomy Cube Laura Poitras' Citizenfour Julian Charrière's Blue Fossil Entropic Stories, 2013 Simon Norkfolk's When I am Laid in Earth Cory Arcangel's Data Diaries, 2003 Interview with Eyal Weizmann and Matthew Keenan on Forensic Aesthetics and the practice of Forensic Architecture Josef Mengele's bones used in forensic identification Forensic Architecture‘s investigations Interview with Toby Green and Thomas Fazi on The Covid Consensus. David Houston Jones is Professor of French and Visual Culture at the University of Exeter. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

The relationship between images and truth has a complicated history. In the Western tradition, the Kantian settlement on aesthetic judgment as detached from external interests gave rise to artistic production of images that were read with epistemic authority. But the advent of modernity has at once shaken this certainty and reinforced it. No sooner than we reckoned with the singular history painting and illustrated magazines, we have landed in a mass-media world where any possible image can and does exist. And the more we are surrounded by images, the greater claims they make. Photographs are not only routinely used to convey news, they are used to establish what is and isn't true. The crime scene photograph is now as likely to be used in a court of law as in a newspaper infographic explainer. The artifact is at once the evidentiary carrier of truth and a visualisation used to confirm it. It creates meaning and it argues for it Visual Culture and the Forensic: Culture, Memory, Ethics (Routledge, 2022) bridges practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example, in performance and installation art, or photography. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence. David Houston Jones speaks to Pierre d'Alancaisez about the evidentiary and forensic burden of art and photography, the artifice of crime imaging, the visual traces of data, and the ontology of data and objects. Angela Strassheim's Evidence Melanie Pullen's Crime Scenes, Hugo's Camera The death of Alan Kurdi and Ai WeiWei's restaging of the scene Kathryn Smith's Incident Room: Jacoba ‘Bubbles' Shroeder, 1949-2012 Luc Delahaye Horace Vernet Trevor Paglen's Autonomy Cube Laura Poitras' Citizenfour Julian Charrière's Blue Fossil Entropic Stories, 2013 Simon Norkfolk's When I am Laid in Earth Cory Arcangel's Data Diaries, 2003 Interview with Eyal Weizmann and Matthew Keenan on Forensic Aesthetics and the practice of Forensic Architecture Josef Mengele's bones used in forensic identification Forensic Architecture‘s investigations Interview with Toby Green and Thomas Fazi on The Covid Consensus. David Houston Jones is Professor of French and Visual Culture at the University of Exeter. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The relationship between images and truth has a complicated history. In the Western tradition, the Kantian settlement on aesthetic judgment as detached from external interests gave rise to artistic production of images that were read with epistemic authority. But the advent of modernity has at once shaken this certainty and reinforced it. No sooner than we reckoned with the singular history painting and illustrated magazines, we have landed in a mass-media world where any possible image can and does exist. And the more we are surrounded by images, the greater claims they make. Photographs are not only routinely used to convey news, they are used to establish what is and isn't true. The crime scene photograph is now as likely to be used in a court of law as in a newspaper infographic explainer. The artifact is at once the evidentiary carrier of truth and a visualisation used to confirm it. It creates meaning and it argues for it Visual Culture and the Forensic: Culture, Memory, Ethics (Routledge, 2022) bridges practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example, in performance and installation art, or photography. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence. David Houston Jones speaks to Pierre d'Alancaisez about the evidentiary and forensic burden of art and photography, the artifice of crime imaging, the visual traces of data, and the ontology of data and objects. Angela Strassheim's Evidence Melanie Pullen's Crime Scenes, Hugo's Camera The death of Alan Kurdi and Ai WeiWei's restaging of the scene Kathryn Smith's Incident Room: Jacoba ‘Bubbles' Shroeder, 1949-2012 Luc Delahaye Horace Vernet Trevor Paglen's Autonomy Cube Laura Poitras' Citizenfour Julian Charrière's Blue Fossil Entropic Stories, 2013 Simon Norkfolk's When I am Laid in Earth Cory Arcangel's Data Diaries, 2003 Interview with Eyal Weizmann and Matthew Keenan on Forensic Aesthetics and the practice of Forensic Architecture Josef Mengele's bones used in forensic identification Forensic Architecture‘s investigations Interview with Toby Green and Thomas Fazi on The Covid Consensus. David Houston Jones is Professor of French and Visual Culture at the University of Exeter. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The relationship between images and truth has a complicated history. In the Western tradition, the Kantian settlement on aesthetic judgment as detached from external interests gave rise to artistic production of images that were read with epistemic authority. But the advent of modernity has at once shaken this certainty and reinforced it. No sooner than we reckoned with the singular history painting and illustrated magazines, we have landed in a mass-media world where any possible image can and does exist. And the more we are surrounded by images, the greater claims they make. Photographs are not only routinely used to convey news, they are used to establish what is and isn't true. The crime scene photograph is now as likely to be used in a court of law as in a newspaper infographic explainer. The artifact is at once the evidentiary carrier of truth and a visualisation used to confirm it. It creates meaning and it argues for it Visual Culture and the Forensic: Culture, Memory, Ethics (Routledge, 2022) bridges practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example, in performance and installation art, or photography. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence. David Houston Jones speaks to Pierre d'Alancaisez about the evidentiary and forensic burden of art and photography, the artifice of crime imaging, the visual traces of data, and the ontology of data and objects. Angela Strassheim's Evidence Melanie Pullen's Crime Scenes, Hugo's Camera The death of Alan Kurdi and Ai WeiWei's restaging of the scene Kathryn Smith's Incident Room: Jacoba ‘Bubbles' Shroeder, 1949-2012 Luc Delahaye Horace Vernet Trevor Paglen's Autonomy Cube Laura Poitras' Citizenfour Julian Charrière's Blue Fossil Entropic Stories, 2013 Simon Norkfolk's When I am Laid in Earth Cory Arcangel's Data Diaries, 2003 Interview with Eyal Weizmann and Matthew Keenan on Forensic Aesthetics and the practice of Forensic Architecture Josef Mengele's bones used in forensic identification Forensic Architecture‘s investigations Interview with Toby Green and Thomas Fazi on The Covid Consensus. David Houston Jones is Professor of French and Visual Culture at the University of Exeter. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

The relationship between images and truth has a complicated history. In the Western tradition, the Kantian settlement on aesthetic judgment as detached from external interests gave rise to artistic production of images that were read with epistemic authority. But the advent of modernity has at once shaken this certainty and reinforced it. No sooner than we reckoned with the singular history painting and illustrated magazines, we have landed in a mass-media world where any possible image can and does exist. And the more we are surrounded by images, the greater claims they make. Photographs are not only routinely used to convey news, they are used to establish what is and isn't true. The crime scene photograph is now as likely to be used in a court of law as in a newspaper infographic explainer. The artifact is at once the evidentiary carrier of truth and a visualisation used to confirm it. It creates meaning and it argues for it Visual Culture and the Forensic: Culture, Memory, Ethics (Routledge, 2022) bridges practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example, in performance and installation art, or photography. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence. David Houston Jones speaks to Pierre d'Alancaisez about the evidentiary and forensic burden of art and photography, the artifice of crime imaging, the visual traces of data, and the ontology of data and objects. Angela Strassheim's Evidence Melanie Pullen's Crime Scenes, Hugo's Camera The death of Alan Kurdi and Ai WeiWei's restaging of the scene Kathryn Smith's Incident Room: Jacoba ‘Bubbles' Shroeder, 1949-2012 Luc Delahaye Horace Vernet Trevor Paglen's Autonomy Cube Laura Poitras' Citizenfour Julian Charrière's Blue Fossil Entropic Stories, 2013 Simon Norkfolk's When I am Laid in Earth Cory Arcangel's Data Diaries, 2003 Interview with Eyal Weizmann and Matthew Keenan on Forensic Aesthetics and the practice of Forensic Architecture Josef Mengele's bones used in forensic identification Forensic Architecture‘s investigations Interview with Toby Green and Thomas Fazi on The Covid Consensus. David Houston Jones is Professor of French and Visual Culture at the University of Exeter. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices

The relationship between images and truth has a complicated history. In the Western tradition, the Kantian settlement on aesthetic judgment as detached from external interests gave rise to artistic production of images that were read with epistemic authority. But the advent of modernity has at once shaken this certainty and reinforced it. No sooner than we reckoned with the singular history painting and illustrated magazines, we have landed in a mass-media world where any possible image can and does exist. And the more we are surrounded by images, the greater claims they make. Photographs are not only routinely used to convey news, they are used to establish what is and isn't true. The crime scene photograph is now as likely to be used in a court of law as in a newspaper infographic explainer. The artifact is at once the evidentiary carrier of truth and a visualisation used to confirm it. It creates meaning and it argues for it Visual Culture and the Forensic: Culture, Memory, Ethics (Routledge, 2022) bridges practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example, in performance and installation art, or photography. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence. David Houston Jones speaks to Pierre d'Alancaisez about the evidentiary and forensic burden of art and photography, the artifice of crime imaging, the visual traces of data, and the ontology of data and objects. Angela Strassheim's Evidence Melanie Pullen's Crime Scenes, Hugo's Camera The death of Alan Kurdi and Ai WeiWei's restaging of the scene Kathryn Smith's Incident Room: Jacoba ‘Bubbles' Shroeder, 1949-2012 Luc Delahaye Horace Vernet Trevor Paglen's Autonomy Cube Laura Poitras' Citizenfour Julian Charrière's Blue Fossil Entropic Stories, 2013 Simon Norkfolk's When I am Laid in Earth Cory Arcangel's Data Diaries, 2003 Interview with Eyal Weizmann and Matthew Keenan on Forensic Aesthetics and the practice of Forensic Architecture Josef Mengele's bones used in forensic identification Forensic Architecture‘s investigations Interview with Toby Green and Thomas Fazi on The Covid Consensus. David Houston Jones is Professor of French and Visual Culture at the University of Exeter. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

The relationship between images and truth has a complicated history. In the Western tradition, the Kantian settlement on aesthetic judgment as detached from external interests gave rise to artistic production of images that were read with epistemic authority. But the advent of modernity has at once shaken this certainty and reinforced it. No sooner than we reckoned with the singular history painting and illustrated magazines, we have landed in a mass-media world where any possible image can and does exist. And the more we are surrounded by images, the greater claims they make. Photographs are not only routinely used to convey news, they are used to establish what is and isn't true. The crime scene photograph is now as likely to be used in a court of law as in a newspaper infographic explainer. The artifact is at once the evidentiary carrier of truth and a visualisation used to confirm it. It creates meaning and it argues for it Visual Culture and the Forensic: Culture, Memory, Ethics (Routledge, 2022) bridges practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example, in performance and installation art, or photography. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence. David Houston Jones speaks to Pierre d'Alancaisez about the evidentiary and forensic burden of art and photography, the artifice of crime imaging, the visual traces of data, and the ontology of data and objects. Angela Strassheim's Evidence Melanie Pullen's Crime Scenes, Hugo's Camera The death of Alan Kurdi and Ai WeiWei's restaging of the scene Kathryn Smith's Incident Room: Jacoba ‘Bubbles' Shroeder, 1949-2012 Luc Delahaye Horace Vernet Trevor Paglen's Autonomy Cube Laura Poitras' Citizenfour Julian Charrière's Blue Fossil Entropic Stories, 2013 Simon Norkfolk's When I am Laid in Earth Cory Arcangel's Data Diaries, 2003 Interview with Eyal Weizmann and Matthew Keenan on Forensic Aesthetics and the practice of Forensic Architecture Josef Mengele's bones used in forensic identification Forensic Architecture‘s investigations Interview with Toby Green and Thomas Fazi on The Covid Consensus. David Houston Jones is Professor of French and Visual Culture at the University of Exeter. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities

Visual Culture and the Forensic bridges practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example, in performance and installation art, or photography. David Houston Jones speaks to Pierre d'Alancaisez about the evidentiary and forensic burden of art and photography, the artifice of crime imaging, the visual traces of data, and the ontology of data and objects. Angela Strassheim's Evidence Melanie Pullen's Crime Scenes, Hugo's Camera The death of Alan Kurdi and Ai WeiWei's restaging of the scene Kathryn Smith's Incident Room: Jacoba ‘Bubbles' Shroeder, 1949-2012 Luc Delahaye Horace Vernet Trevor Paglen's Autonomy Cube Laura Poitras' Citizenfour Julian Charrière's Blue Fossil Entropic Stories, 2013 Simon Norkfolk's When I am Laid in Earth Cory Arcangel's Data Diaries, 2003 My interview with Eyal Weizmann and Matthew Keenan on Forensic Aesthetics and the practice of Forensic Architecture Josef Mengele's bones used in forensic identification Forensic Architecture‘s investigations My interview with Toby Green and Thomas Fazi on The Covid Consensus. David Houston Jones is Professor of French and Visual Culture at the University of Exeter. Visual Culture and the Forensic: Culture, Memory, Ethics David Houston Jones 9780367420932 ************* Find many more interviews, projects, and my writing at https://petitpoi.net/ You can sign up for my newsletter at https://petitpoi.net/newsletter/ Support my work: https://petitpoi.net/support/

@Alovethapoet and @Deemobius speak with @SmassiusClay about visual art, inspirations, and blerd shit! When you got friends this great, your enemies cower in fear!Socials:David Houston@SmassiusClay Twitter, Insta,https://www.linkedin.com/in/david-houston-8aa9a380?original_referer=https%3A%2F%2Fwww.google.com%2FAaron F. Henderson: https://artcloud.com/artist/aaron-f-hendersonGood random links:https://www.gameandfishmag.com/magazine/current-issue/386467https://paintspot.ca/top-10-reasons-to-love-gouache-painting/#:~:text=Gouache%20is%20workable%20and%20reworkable,even%20after%20the%20paint%20dries.&text=It%20is%20important%20to%20note,reactivate%20previous%20layers%20of%20paint.https://www.youtube.com/watch?v=5Viy3Cu3DLk

On this week's Education Gadfly Show podcast, David Houston, assistant professor at George Mason University and survey director of the Education Next Poll, joins Mike Petrilli and David Griffith to discuss the relationship between political partisanship and public opinion on education issues. Then, on the Research Minute, Amber Northern reviews a study on the impact of the Broad Superintendents Academy, a program that trains non-educators to lead urban school systems. Recommended content: ·       David Houston's co-authored Education Next article with Paul E. Peterson and Martin R. West: “Partisan Rifts Widen, Perceptions of School Quality Decline” (August 2022) ·       The study that Amber reviewed on the Research Minute: Thomas S. Dee , Susanna Loeb, and Ying Shi., “Public-Sector Leadership and Philanthropy: The Case of Broad Superintendents,” Educational Evaluation and Policy Analysis, (August 2022)Feedback Welcome!·       Have ideas on our podcast? Send them to our podcast producers Nathaniel Grossman and Lilly Sibel at ngrossman@fordhaminstitute.org and lsibel@fordhaminstitue.org

An Assistant Professor at George Mason University, David Houston, joins Paul E. Peterson to discuss the 2022 Education Next Survey, on which both Houston and Peterson are co-authors. "Partisan Rifts Widen, Perceptions of School Quality Decline: Results of the 2022 Education Next Survey of Public Opinion," by David M. Houston, Paul E. Peterson, and Martin R. West, is available now. https://www.educationnext.org/partisan-rifts-widen-perceptions-school-quality-decline-results-2022-education-next-survey-public-opinion

In today's episode, we will be exploring the trope of antic disposition in William Shakespeare's Hamlet and asking the questions: does Hamlet actually go mad, or is he just pretending the whole time? What function did Hamlet's madness (pretend or otherwise) serve for Shakespeare's audience and what does it mean for audeinces today? Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast at patreon.com/shakespeareanyone Works referenced: McGee, Arthur. “Antic Disposition.” The Elizabethan Hamlet, Yale University Press, New Haven, CT, 1987, pp. 75–103. Neely, Carol Thomas. “Reading the Language of Distraction.” Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture, Cornell University Press, Ithaca, NY, 2004, pp. 46–68. Wood, David Houston, et al. “Antic Dispositions: Mental and Intellectual Disabilities in Early Modern Revenge Tragedy.” Recovering Disability in Early Modern England, Ohio State University Press, Columbus, OH, 2013, pp. 73–87.  

Today's slow drag is with “The Town Where Time Stood Still” from, well, a few places: “Imperial Bedroom,” “Goodbye Cruel World,” sans a verse or two, and ultimately released in 1995 on the Rykodisc reissue of “Punch the Clock.” The songwriting, and everything else except for drum loop, is credited to Elvis Costello.   Show Notes: ---------------------- Appreciation written, produced, and narrated by Remedy Robinson, MA/MFA Twitter: https://twitter.com/slowdragremedy Email: slowdragwithremedy@gmail.com Podcast music by https://www.fesliyanstudios.com Rate this Podcast: https://ratethispodcast.com/slowdrag ---------------------- References:   Elvis Costello Wiki Resource, “The Town Where Time Stood Still”: http://www.elviscostello.info/wiki/index.php/The_Town_Where_Time_Stood_Still   “The Town Where Time Stood Still”: https://www.youtube.com/watch?v=OI69GMlMNVU (demo version)   “Almost Persuaded” by David Houston: https://www.youtube.com/watch?v=cbN4r4y3AIY   Purchase “The Most Terrible Time in My Life…Ends Thursday” https://www.amazon.com/Most-Terrible-Time-Life-Thursday-ebook/dp/B07XLXS5PL/ref=sr_1_1?crid=Y4SGCT62WPEK&dchild=1&keywords=the+most+terrible+time+in+my+life+ends+thursday&qid=1608873405&sprefix=The+Most+Terrible+Time+in+%2Caps%2C195&sr=8-1   "The Town Where Time Stood Still" Lyrics: I made my selection from the lonely hit parade In the town where time stood still I was feeling very little pain Until some joker played "Almost Persuaded" Now every girl I see Looks so much prettier to me My faithfulness has faded   And their looks are sharp as daggers And the conversation heated Since the boys have all been laid off And are walking round defeated In the town where time stood still   Somebody in charge must have pretended That the future's been suspended And I say I don't want trouble But I find myself back in it In the town where time stood still I am the man of the minute   Teach me to say "I love you" They'll teach you to say "You will do" In the town where time stood still Or maybe I can find a little girl To wind me up with all the usual skills   There's nothing else to do but rearrange somebody's features (futures) And trap your figures in the till  The bar is full of girls just like the creature with the curse And the food is just like cabaret or vice versa In the town where time stood still   Just as my heart went down sinking I found the town was shrinking And suddenly I saw her through the smoke and empty beers In the town where time stood still She might have well have waited years   Now I suppose we did some things we used to do But no amount of darkness could ever turn her into you   And so I woke up in the town where time stood still With a headache and a heartache And a handful of pills A welcome mat, a scandal rag, and unpaid bills   With her head inside her handbag The sign says "please wait to be seated" I only want a cup of coffee I know you can't have your cake and eat it In the town where time stood still   Did you hear the news today? It's all bad, did I tell you how I left her so sad? With a headache and a heartache And an hour or two to kill I only wish we were together In the town where time stood still In the town where time stood still In the town where time stood still In the town where time stood still In the town where time stood still

From soap operas to Star Trek, hear the origin story of one of the most important sci-fi publications of the 20th century: Starlog! We welcome publisher Kerry O'Quinn to talk about the letter to Gene Roddenberry that kicked off a publishing empire. See the documents: facebook.com/thetrekfiles Visit the Trekland site for behind-the-scenes access and exclusive merchandise.

From soap operas to Star Trek, hear the origin story of one of the most important sci-fi publications of the 20th century: Starlog! We welcome publisher Kerry O'Quinn to talk about the letter to Gene Roddenberry that kicked off a publishing empire. See the documents: facebook.com/thetrekfiles Visit the Trekland site for behind-the-scenes access and exclusive merchandise.

From soap operas to Star Trek, hear the origin story of one of the most important sci-fi publications of the 20th century: Starlog! We welcome publisher Kerry O'Quinn to talk about the letter to Gene Roddenberry that kicked off a publishing empire. See the documents: facebook.com/thetrekfiles Visit the Trekland site for behind-the-scenes access and exclusive merchandise.

This episode is part one of a two part series where we will be looking at the representations of mental health and disability in Shakespeare's King Lear. First, in this week's episode, we will be discussing mental health and disability in Shakespeare's time, specifically early modern treatment of what we would now describe as mental illness, neurodiversity, and disability.   Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast at patreon.com/shakespeareanyone Works referenced: Neely, Carol Thomas. Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture. Cornell University Press, 2004.  Neely, Carol Thomas. “‘Documents in Madness': Reading Madness and Gender in Shakespeare's Tragedies and Early Modern Culture.” Shakespeare Quarterly, vol. 42, no. 3, [Folger Shakespeare Library, The Shakespeare Association of America, Inc., Johns Hopkins University Press, George Washington University], 1991, pp. 315–38, https://doi.org/10.2307/2870846. Wood, David Houston, and Allison P. Hobgood. Recovering Disability in Early Modern England. Ohio State University Press, 2013. 

Reminding you why the Mississippi Gulf Coast is such a great place to live, work, and play

Catch the boys and their conversation with former Boise State Fraternity President David Houston. Listen to his story growing up, coming to America, Boise State, some crazy conspiracy's, and more! You Never Know what you might hear!

It's an honour to be joined by writer, author and graffiti historian, David Houston for the 83rd episode of Beers, Beats & The Biz. After a lot of our recent episodes focusing on Melbourne history, it was a must that we sit down with David aka Pho RCF to celebrate the release of his book Wildfire and talk all things Adelaide graffiti. Available now on Puzlepress, we get into what is involved in completing and compiling the exhaustive documentation of Adelaide graff that Wildfire is, through to his own personal career and history - we talk all that talk. After a brief hiatus, we are stoked to be back and talking all kinds of Adelaide graffiti and history with one of the blokes that helped create it. Find us on Patreon and all social media. Beers, Beats & The Biz is live now on iTunes, Soundcloud and Spotify: Follow us on social media, download, rate, subscribe, share and don't forget to five star rate us.

An Assistant Professor at George Mason University, David Houston, joins Paul E. Peterson to discuss the 2021 Education Next Poll, on which both Houston and Peterson are co-authors.

Ahead of Sunday's Magic Millions Perth Winter Sales, the boys chat with MM WA Manager, David Houston.See omnystudio.com/listener for privacy information.

Reminding you why the Mississippi Gulf Coast is such a great place to live, work and play

The Editor-in-chief of Education Next, Marty West, joins Paul E. Peterson to discuss the findings from the 2020 Education Next Survey, including populism as a factor in people's views of education policy. “People who are suspicious of elites feel like the elites are in control of our educational system” is one way of interpreting the findings, Peterson says. "Amid Pandemic, Support Soars for Online Learning, Parent Poll Shows," by Michael B. Henderson, David Houston, Paul E. Peterson, M. Danish Shakeel and Martin R. West, is available now. https://www.educationnext.org/amid-pandemic-support-soars-online-learning-parent-poll-shows-2020-education-next-survey-public-opinion/

On Episode #150... David Houston from "Brass In Pocket", Jennifer Yoder from "Fire Women" and Matt Patterson from "Mock Lobster" stopped by the Studio to promote their show "First Wave Friday", at the Texas Mist on Friday, July 27th... Much Love and Enjoy ;)   

School shootings are tragic - but the solution is not arming police officers or teachers at schools - especially if they aren't trained in child or adolescent psychology. A recent case in point is the shooting of Logan Clark, a student at Hug High School in Nevada. Suffering from psychological problems - largely due to being bullied - Logan brought a knife to school to protect himself against these increasingly aggressive bullies. But, a trigger happy police officer shot first and asked questions later. Logan, who almost died, has a long road to recovery ahead - and his hopes of getting a scholarship to college based upon his athletic prowess are dashed. Today's guest, famed attorney David Houston, is taking Logan's case. He gives an update on the school's refusal to take responsibility, and what's really going on behind the scenes.

On this episode... David Houston, David Scally Jr., Sheila Spensley and Heath Allyn from Austin's own "Brass In Pocket"... A Tribute to The Pretenders, stopped by the studio to get everybody up to date on their brand new project and more... A great conversation all the way through, I hope you enjoy it as much as I did... Stay safe and Much Love ;)    

School shootings are tragic - but the solution is not arming police officers or teachers at schools - especially if they aren't trained in child or adolescent psychology. A recent case in point is the shooting of Logan Clark, a student at Hug High School in Nevada. Suffering from psychological problems - largely due to being bullied - Logan brought a knife to school to protect himself against these increasingly aggressive bullies. But, a trigger happy police officer shot first and asked questions later. Logan, who almost died, has a long road to recovery ahead - and his hopes of getting a scholarship to college based upon his athletic prowess are dashed. Today's guest, famed attorney David Houston, is taking Logan's case. He gives an update on the school's refusal to take responsibility, and what's really going on behind the scenes.

On this episode, David Houston, Andie Nelson and Heath Allyn from Austin's own "Scottish Thunder" stopped by the studio to talk movies, music and all things Scottish Thunder... If you're a super fan of "Star Wars" this will probably be your favorite episode ha.... Enjoy ;).... Recorded Live January 9, 2017 

Adam and Matt take your car questions and then our friend David Houston returns with a very clean 1974 Pantera GTS!

David Houston, executive producer of The Car Show and owner of the Barney's Beanery restaurants comes by with his 1967 Corvette 427 and 1988 Lamborghini Countach.

7 AM - New report says we are more obese; David Houston from California Citizens Against Lawsuit Abuse comes on to talk about SB 783 which will reform fraudulent ADA lawsuits against small businesses.

7 AM - More on Popcorn Brain; Jack tweets!; David Houston with the California Citizens Against Lawsuit Abuse talks to us about legislation aimed at stopping fraudulent ADA lawsuits.