Podcasts about DTV

Um zwei ganz besondere Liebesgeschichten, lähmende Trauer und ein Sieg gegen die Filmindustrie geht es in diesem Talk mit Jaqueline Scheiber und Anika Decker.

Welcome to the PRmoment Podcast.This is our quarterly bonus podcast where we chat about Rajar's latest results. For those of you who aren't aware of Rajar - it was established in 1992 and operates the single audience measurement system for the radio industry in the United KingdomRaja publishes the listenership figures each quarter, which is good for insight for PR, curious about how the public engages with radio and how the market is performing.On the show today, we have James Dickman, newsroom producer at Markettiers, who will discuss the latest Rajar results for Q4 2025. Here's a summary of this quarter's Rajar results highlights:Radio stayed a mass-reach medium in Q4 2025, with 50.0m adults tuning in weekly (86% of the UK 15+ population) and 1.015bn hours listened per week.Digital listening now dominates delivery. 44m adults used a digital route each week (75% of adults), and digital accounted for 75% of all listening hours. Online listening made up 30% of total hours, reflecting continued growth in app/streaming and connected devices.Within digital, DAB remained the biggest platform. RAJAR reported 757m weekly digital hours in total, split mainly across DAB (427m), smart speakers (188m), and website/apps (115m), with DTV (28m) also contributing.Listening continues to be anchored in everyday settings. Weekly listening is strongest at home (60%) and in vehicles (58%), and by share of hours it's 62% in-home, 26% in-vehicle, and 12% at work/elsewhere—useful context for daypart and placement planning.Commercial radio led the market overall, with 55.2% share of listening versus 42.8% for BBC Radio in the quarter's top-line results.Smart speakers are now a mainstream listening route: 64% of smart-speaker users use them for radio, and 21% listen to radio on a smart speaker every day. RAJAR also noted broader audio habits, with 38% listening to podcasts monthly and 19% using catch-up radio monthly.

THIS WEEK: Hologram Man (1995), Last Man Standing (1995) and Rage (1995)Sure, you've heard of white guy karate legend Jalal Merhi, but did you know that there was a completely unrelated Merhi who was silently pumping out high-octane DTV films by the dozen throughout the 1990s? It's time our audience got to know the name Joseph Merhi.Donate to Palestinian Medical AidSupport Optimism Vaccine on Patreon

“It's a nice night to die.”On this episode we review a pivotal film in the career of Steven Seagal. HALF PAST DEAD (2002) was the aikido arm thrower's last theatrically released movie before he moved into the netherworld of DTV. But what do we make of the pony-tailed pugilist's last cinematic outing?From gigging with Michael Jackson, to unconvincing hair dye, to a controversial exploding helicopter scene, we discuss every element of this important film.Show notesHalf Past DeadDirector: Don Michael PaulStars: Steven Seagal, Ja Rule, Tony Plana, Morris Chestnut, Linda Thorson, Nia PeeplesPlot: FBI agent Sasha Petrosevitch goes undercover in the newly reopened Alcatraz prison to find out who killed his wife. While there he stumbles onto a plot involving a death-row inmate and his $200 million stash of gold.Follow Exploding HelicopterBluesky: @chopperfireball.bsky.socialWebsite: explodinghelicopter.comInstagram: explodinghelicopter

We recently realized, though it was never our specific intention, that we covered Thomas Jane movies the last two January's of this podcast. So, what the heck...let's lean in! Welcome to "Thomas JANEuary," a two-episode tribute to the rugged, prickly, shoe-hating star of The Punisher, The Mist, Mutant Chronicles, HBO's Hung, and so much more. First up, we're looking at 2010's Give 'Em Hell, Malone. A relic from the dying days of the DTV era, this indie neo-noir thriller seeks to pay tribute to the hardboiled PI stories and classic film noirs of old...whether or not it truly has the budget to do so. Can Thomas Jane effectively channel the spirit of Sam Spade, Philip Marlowe, Mike Hammer, and other classic hardboiled heroes? Can Highlander director Russell Mulcahy still conjure the same sort of visual dynamism with a much lower budget? And where does the line between loving genre pastiche and cynical genre parody truly begin, or end? We discuss all this and more, as we give 'em hell, Malone. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

We sit down with Steve Bucknam Jr, or most commonly known as Steve at DTV. We talk about his start in this sport and how he ended up being the most heard voice on Derby Nation. Hope you enjoy the listen!!

George A. Romero hat mit seinen Zombie-Filmen das Horrorgenre revolutioniert. Es begann mit dem Schwarz/Weiß-Film „Die Nacht der lebenden Toten“ („Night of the Living Dead“) im Jahr 1968, darauf folgte zehn Jahre später „Zombie – Dawn of the Dead“ (oder auch: „Zombies im Kaufhaus“), der jedoch rasch indiziert wurde. Verschiedene Fassungen kursierten, unter anderem eine 139-minütige, die als Director's Cut bezeichnet wird und sich für die ostentative Zurschaustellung der Konsumhölle mehr Zeit lässt. Nun ist der Klassiker endlich vom Index verschwunden und die Dario-Argento-Fassung, circa 118 Minuten lang, auch in Deutschland erhältlich. Was aber macht diesen #Romero-Film so bedeutsam? „Dawn of the Dead“ spielt vorwiegend in einem Einkaufzentrum: Eine Frau und drei Männer haben sich dort verschanzt, um vor der Zombie-Apokalypse sicher zu sein. Vorräte und sonstige Waren sind ausreichend vorhanden, jedoch trotten durch die Shopping-Mall zahlreiche Zombies, die sich gar nicht so sehr von üblichen Konsumenten zu unterscheiden sind. Gewiss, Romero liefert hier einen zynischen Kommentar zur #Konsumindustrie und ihre durch Werbung und andere Formen der Ideologie fremdgesteuerten Akteure, doch darüber hinaus konfrontiert der Film uns auch mit einer grundsätzlicheren Krise des #Kapitalismus. Mehr dazu von Wolfgang M. Schmitt im Video!Literatur:Karl Marx: Das Kapital, Bd. 2, MEW Bd. 24.Émile Zola: Das Paradies der Damen. Dtv.Die Filmanalyse +ABO gibt es bei Steady als Monats- und vergünstigtes Jahresabo. Der RSS-Feed ist automatisch mit Spotify verknüpft, kann aber auch in alle Podcatcher eingefügt werden:https://steady.page/de/die-filmanalyse-abo/aboutDie Filmanalyse +ABO gibt es bei Apple-Podcast als Monats- und vergünstigtes Jahresabo:https://podcasts.apple.com/de/podcast/die-filmanalyse/id1586115282Außerdem gibt es die Möglichkeit, ein Abo via Patreon abzuschließen, jedoch ist hier der RSS-Feed nicht mit Spotify verknüpft:https://www.patreon.com/c/wolfgangmschmitt/home  Sie können DIE FILMANALYSE finanziell unterstützen - vielen Dank!PayPal: http://www.paypal.me/filmanalyse Wolfgang M. SchmittSparkasse NeuwiedIBAN: DE29 5745 0120 0130 7858 43BIC: MALADE51NWD

Merry Christmas and Happy Holidays, everyone! This is our final episode of 2025 and we've managed to get not only Rich back on, alongside Mike, Steve and Amanda, but also Nathan Lunn, who had previously joined us for our 300th episode! Unfortunately, however, the DTV market tends to dry up during the month of December so instead we have turned our attention to two highly anticipated films on Netflix - as usual, click the link to see a trailer for each film! We kick off with WAKE UP DEAD MAN (Netflix), the third "Knives Out" film and probably one of THE most anticipated films of the year, in which Daniel Craig returns as Benoit Blanc to solve a locked room murder mystery! Next is TROLL 2 (Netflix), Roar Uthaug's sequel to the well-received Norse Kaiju movie! Our Short Shot is NIGHTFALL - click the link to see the whole short film, and you may wish to check out their previous dino-flick, THE HATCHLING! Instead of a Throwback this week, we end the show with a round-table looking at our favourite Top Five DTV titles of the year - take a listen and see if you agree! Follow the Short Shots  on X where you will find hundreds of links to awesome short films! Don't forget to also check out our main show, the DTV DIGEST on X and FACEBOOK! We are also now on Bluesky! Follow us here: @thedtvdigest.bsky.social and @dtvshortshots.bsky.social    

Livestreaming as always Friday at 2pm UK time (9am Eastern)! We have an update on the Netflix D&D TV show, new D&D releases including Lorwyn: First Light and Ed Greenwood's 4 upcoming Realms books, an auction for Tolkien's writing desk, and more! Shawn Levy Provides Update on Netflix D&D Show What's New with the Artificer in Eberron: Forge of the Artificer Lorwyn: First Light Released on D&D Beyond Ed Greenwood to Publish 4 New Forgotten Realms Sourcebooks in 2026 Storygoblin Tolkien's Writing Desk on Auction at Christie's October 2025 TTRPG Crowdfunding Retrospective First Episode of The Mighty Nein Available Now on YouTube Review of How To Dungeon Master Parenting

Ihr Humor ist unverwechselbar, ihre positive Haltung zum Leben ebenso: Cordula Stratmann. Bekannt ist sie als Komikerin genauso wie als Schauspielerin in Fernseh- und Kinoproduktionen. Auch als Buchautorin hat Cordula Stratmann sich mit Büchern wie "Ich schreibe, aber lesen müssen Sie selbst" oder "Danke für meine Aufmerksamkeit" einen Namen gemacht. In ihrem jüngsten Buch "Wo war ich stehen geblieben?" grübelt Cordula Stratmann über die großen Lebensfragen, seziert Politisches, Alltägliches und immer wieder Menschliches. Ihre Erfahrungen als konfliktgestählte Familientherapeutin, leidenschaftliche Mutter und originelle Komikerin schwingen dabei immer wieder mit. Über den Ernst des Lebens, die wunderlichen und bemerkenswerten Dinge unseres Daseins spricht Cordula Stratmann mit Annemarie Stoltenberg in NDR Kultur à la carte.

For Hallweenus we venture into the black hole of early-2000s DTV — where a melodramatic group of mid-thirtysomething “teens” are haunted by a pajama-wearing Headless Horseman who looks like a Phish tourhead. Everything is spared in this bizarre attempt to cash in on Tim Burton's hit… except their lives! Sharpen your Excalibur sword and zip up those Dave Matthews pants — class is in session at Sleepy Hollow High! Plus: listener feedback, a Halloween Battle of the Bands, and Heather unleashed!

Today we celebrate the great Michael Biehn - going far beyond his more mainstream work, we delve into his DTV career and beyond! We also recount our time meeting the celebrities at CT Horrorfest, including the now-infamous question we asked John Cusack. Also included: tips and tricks on how to win at Supermarket Sweep. Want to know what they are? Tune in just as soon as you can!

Victor Schefé ist als Schauspieler, Sänger, Filmemacher bekannt geworden, hat in über achtzig Film- und TV-Produktionen von "Tatort" bis "Bewegte Männer" und im James Bond Film "Spectre" gespielt. Mitte Oktober wird sein schriftstellerisches Debüt "Zwei, drei blaue Augen" erscheinen. Der Roman ist autobiografisch grundiert und erzählt die Geschichte eines jungen Mannes, der 1967 in Rostock geboren ist, in der DDR aufwächst und von der Stasi bespitzelt wird. Als 19-jähriger reist er 1986 in den Westen Deutschlands aus und baut seine Karriere als Schauspieler auf. Victor Schefé ist am 3. Oktober, am 35. Jahrestag der deutschen Wiedervereinigung, zu Gast in NDR Kultur à la carte. Mit Andrea Schwyzer spricht Schefé über seine Biografie, seine Vergangenheit in der DDR und darüber, was es für ihn heute heißt, den Tag der Deutschen Einheit zu begehen.

THIS WEEK: The Net (1995) and The Net 2.0 (2006)Lord knows why, but we've decided to discuss the very relevant tech anti-thriller, The Net. And its pitiful DTV sequel.Donate to Palestinian Medical Aid Support Optimism Vaccine on Patreon