Podcast appearances and mentions of gideon klein

The history of classical music is littered with the stories of great composers who tragically died young. The composer I've been talking about for the last two episodes, Franz Schubert, died at 31. Mozart died at 36, Mendelssohn at 38, Bizet at 37, Gershwin at 38, Gideon Klein at 25, Purcell at 36. The composer I will tell you about today is part of this sad list. Lili Boulanger, one of the most talented and promising composers of her era, died at the age of just 24, and her entire life since the age of 2 was marked by illness and poor health. In her short life she wrote around 24 works, many of which show extraordinary prowess for such a young composer. Boulanger was the first woman to win the famous Prix de Rome, a French composition prize won by past luminairies such as Berlioz, Gounod, Debussy, Faure, Massenet, and many other greats of French composition. It was also won by Boulanger's father, a story we'll get to as we go through Boulanger's life. Her music was marked by the influences of impressionism, but also by the influence of her perhaps more well known sister, Nadia, who became a legendary composition teacher throughout the 20th century. Today I'll take you through some of the key moments in Boulanger's life, and we'll also take a look at 3 of her pieces: Les Sirenes, Faust Et Helene, the piece that won Boulanger the Prix de Rome, written when she was just 18, and we'll finish with an orchestral piece that might be the most frequent way you might encounter Boulanger's music in the concert hall these days entiled D'un Matin de Printemps. Boulanger, despite her short life, is one of hte most fascinating and underrated musical figures in classical music history, so if you aren't already familiar with her music, I can't wait to introduce you to her this week. Join us! A big thank you to Thomas Goss for his research on Lili Boulanger - his fantastic article on her is available here: https://orchestrationonline.com/lili-boulanger-in-her-own-right/ Performances: Les Sirenes: Chorus: Philharmonia Chor Stuttgart with Helene Schneiderman, mezzo-soprano and Émile Naoumoff, piano Faust Et Helene: Ann Murray (mezzo-soprano), Bonaventura Bottone (tenor), Jason Howard (baritone), BBC Philharmonic, Yan Pascal Tortelier, Conductor D'un Matin de Printemps: BBC Philharmonic, Yan Pascal Tortelier, Conductor

Mezzo-soprano Magdalena Kožená speaks to Gramophone Editor Martin Cullingford about her new album, ‘Czech Songs', which features composers Bohuslav Martinů, Antonín Dvořák, Hans Krása and Gideon Klein, and for which she's joined by the Czech Philharmonic and Sir Simon Rattle. ‘Czech Songs' is out now on Pentatone.

Rok české hudby se vztahuje především k velikánům jako Smetana či Dvořák, ArtCafé však přiblíží osudy skupiny tzv. terezínských skladatelů jako Gideon Klein, Hans Krása, Pavel Haas či Ilse Weberová a další. Mnoho z nich má totiž v roce 1944 smutné výročí úmrtí. Na jejich odkaz a dílo se ptá David Pomahač violoncellistky Marie Dorazilové, členky Krása Quartet a Petra Nouzovského, violoncellisty a dramaturga festivalu Věčná naděje.Všechny díly podcastu ArtCafé můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

This is a follow-up to the Viktor Ullman episode, recorded in August 2022(link at end). Again - I am fortunate to interview Mark Ludwig (Director of the Terezin Music Foundation) and learn about the women at Terezin and their role in the music and the arts at this concentration camp. Though Terezín's male composers — Gideon Klein, Viktor Ullmann, Hans Krása and others — are well known, many outstandingly talented women were at the epicenter of the camp's cultural community as well.  In this episdoe we will learn about the life and artistry of poet and composer Ilse Weber and about how she and women like Regina Jonas, who was the first ordained woman rabbi, and Bauhaus artist Friedl Dicker-Brandeis helped their fellow prisoners transcend the horrors of Terezín. There were also the singers, pianists, and educators who comforted and enriched life within the walls of this concentration camp. Two images of the artwork from the children in Terezin will be posted at the podcast website, in the Viktor Ullman page (link). Podcast website:- link - or www.peoplehiddeninhistory.comTwitter/X and Instagram:  @phihpodTerezin Music Foundation - LinkLinks to Vicktor Ullman podcast episode (Aug 2022):BuzzsproutApple

Super excited to announce new guest, Conrad Fisher, to The Story!Music industry Veteran Matt Lindsey (Mel Tillis, Hal Ketchum) was planning a quiet evening at home when he got a call from his friend, legendary music producer Jim Rooney (John Prine, Nanci Griffith).“He was very insistent that I come down to a show in town,” Lindsey recalls. “He told me he'd found someone he wanted me to hear. He told me he thought this guy had a big future ahead of him. Once again, Rooney was right.”That was the night Lindsey met Conrad Fisher, a young singer / songwriter from Lancaster County, Pennsylvania. Fisher had come to Nashville to sit in with Rooney and his Irregulars (a stew of acclaimed session guys like Dan Dugmore, Dave Pomeroy along with acclaimed artists like Tim O' Brien, Pat Alger, Shawn Camp and more).“I loved what he did,” says Lindsey. “His music is so natural. I wanted to work with him immediately.”Indeed, FIsher possesses an immediately likable vocal style, is a fine guitar player skills and brought great original songs to the table. Lindsey and his Ashbrook Recordings partner Jeff Gordon (Elizabeth Cook) wanted to get Fisher into the studio as soon as possible.The result is Fisher's new Trouble With A Hammer, a 7–song collection of 5 originals and 2 covers; Tom Petty's “Walls,” and Waylon Jennings' “You Asked Me To.” On his originals, Fisher draws from a deep well of influences like Buck Owens (on the title track), Don Williams (“Old Lonesome Feeling” and “Better Now”), and even The Monkees (“Baby I've Got You”).Fisher provided vocals, keyboard, guitars, harmonic, percussion and kazoo and recorded the project at the famed Nashville recording studio, The Sound Emporium. Other noted musicians joining in were Fred Eltringham (drums, percussion), Russ Pahl (steel guitar/electric guitar), Pete Wasner (piano, Hammond organ, Wurlitzer), Gideon Klein (bass, fiddle) and Beth Fisher (vocals).The Pennyslvania-born singer and songwriter grew up in a Mennonite household where his dad played Johnny Cash records and where the young Fisher learned to love the harmonies of the church he attended.In 2018 Fisher went to Nashville to seek out his songwriting heroes like Roger Cook (“I'd Like To Teach The World To Sing”), Dickey Lee (“She Thinks I Still Care”), Dallas Frazier (“Elvira”), and Bill Anderson (“Tip of my Fingers”), among others.Still based in Pennsylvania, Fisher is an accomplished carpenter and spends time in his workshop building things for his family and friends.You can find Conrad and his projects here:Website: http://conradfishermusic.comYoutube: http://www.youtube.com/conradfisherFacebook: https://www.facebook.com/ConradFisherMusic/Insta: https://www.instagram.com/conradfishermusicFind The Story Podcast here: coryrosenproductions.com/podcastsSupport this podcast at — https://redcircle.com/the-story/donations

Jak to możliwe, by w piekle, które naziści urządzili Żydom w niewielkim garnizonowym mieście Terezin, mogło zaistnieć życie kulturalne godne europejskich miast? „Modelowe getto”, jak je nazwali hitlerowcy, było miejscem kaźni i upodlenia: co najwyżej półtora metra kwadratowego przestrzeni na jednego człowieka. Brak wody, jedzenia, katastrofalne warunki sanitarne i śmierć na ulicach jako codzienny widok przecież nie mogły stanowić inspiracji dla kompozytorów czy kabareciarzy. A jednak – oto w Terezinie spotkała się śmietanka artystyczna pochodzenia żydowskiego z ówczesnej Europy: znakomici śpiewacy, pianiści, kompozytorzy, dyrygenci. Uprawianie muzyki stało się sposobem zapomnienia o koszmarze, jaki zgotowali im hitlerowcy. Było też rozpaczliwą próbą udowodnienia własnej przydatności i ostatnią deską ratunku przed transportem do jeszcze straszliwszego miejsca – Oświęcimia. W nowej trzyczęściowej serii odcinków cyklu „Muzyka czasu wojny” przyjrzymy się muzyce z Terezina – jednemu z największych fenomenów społecznych i artystycznych czasów II wojny światowej. W tym odcinku opowiadam o historii Theresienstadt, utworzeniu getta, panujących w nim warunkach oraz o tym, jak rodziło się życie kulturalne, a  także o jednym z najzdolniejszych czeskich pianistów, jacy zostali do getta deportowani: Gideonie Kleinie.   Muzyka w odcinku (fragmenty) Ilse Weber „Ich wandere durch Theresienstadt”, wyk. Anne Sofie von Otter, Bengt Forsberg, Bebe Risenfors, Deutsche Grammophon 4777147 (2007). Bedřich Smetana, „Sprzedana narzeczona ”, duet „Věrné milování”, wyk. soliści, Prague National Theatre Chorus, Prague National Theatre Orchestra, Otakar Ostrč Gideon Klein, „Sonata fortepianowa” cz. III Allegro vivace, wyk. Ivo Kahanek (2007). Gideon Klein, „Tri smyczkowe”, cz. I Lento. Wariacje na temat morawskiej ludowej pieśni, wyk. Jan Krejči, Ladislav Doluhý, Jan Širc, prod. Alexander Goldscheider, Romantic Robot (1991) Zrealizowano w ramach stypendium Ministerstwa Kultury i Dziedzictwa Narodowego.

Joshua Weilerstein ist Dirigent, leidenschaftlicher Musikvermittler und Podcaster. Diese Woche steht der 35-jährige US-Amerikaner am Pult des SWR Symphonieorchesters und dirigiert Werke von Ludwig van Beethoven und Gideon Klein. Im Gespräch erzählt er von der Probenarbeit und seiner Leidenschaft, auch Anfänger für klassische Musik zu begeistern.

‘Literatura del holocausto'. Un especial de Patricia del Río, en Letras en el tiempo, de una de las etapas más tristes y dolorosas de la historia de la humanidad en el siglo XX. Historias conmovedoras que nos trasladan al horror de la Segunda Guerra Mundial y que han quedado registradas en la literatura universal. Fred Stefan Reich reconstruye en su libro, ‘From Ashes to Naches', la historia de su familia en los campos de concentración nazi, y cómo unos cuántos pudieron sobrevivir para dar testimonio del holocausto que exterminó a casi todos sus parientes y a más de dos millones y medio de hombres, mujeres y niños judíos. Además del libro, Fred ha producido y realizado una película del mismo nombre donde relata la biografía de su abuelo Kurt Reich, que puede ser encontrado en la plataforma de Youtube (From Ashes to Naches (Kurt Reich"s Biography) - https://www.youtube.com/watch?v=Aujvlq4Q4WI El periodista Diego Pajares nos cuenta otro modo de conocer estas historias en las películas "Bastardos sin gloria", de Quentin Tarantino, y "El hombre en el castillo", serie de Philip K. Dick. Por su parte, Julio Zavala, crítico literario y gerente de la librería Escena libre, recomienda una variedad de libros imprescindibles de reciente publicación: "El rincón más oscuro del cielo", de Mayte Mujica; "Entre luces y tinieblas", de Jorge Juan Llerena, y "Antiguos y nuevos animales literarios", de Alonso Rabí do Carmo. Las canciones, cuyas historias y contenidos recrean el programa, son: ‘Lullaby, arreglos para viola y harpa', de Gideon Klein; ‘Nocturno No. 20 in C Major', de Chopin; ‘Zog nit keyn mol', de Maria Ka; ‘Presto in C Major', de Arnold Schoenberg; ‘Dance me to the end of love', por Jorge Drexler; y ‘Börgermoorlied', por la Orchestra Musica Concentrationaria. Conducción: Patricia del Río ||| Producción: Amelia Villanueva ||| Edición de audio: Andrés Rodríguez ||| Episodio 33 – Tercera temporada.

‘Literatura del holocausto'. Un especial de Patricia del Río, en Letras en el tiempo, de una de las etapas más tristes y dolorosas de la historia de la humanidad en el siglo XX. Historias conmovedoras que nos trasladan al horror de la Segunda Guerra Mundial y que han quedado registradas en la literatura universal. Fred Stefan Reich reconstruye en su libro, ‘From Ashes to Naches', la historia de su familia en los campos de concentración nazi, y cómo unos cuántos pudieron sobrevivir para dar testimonio del holocausto que exterminó a casi todos sus parientes y a más de dos millones y medio de hombres, mujeres y niños judíos. Además del libro, Fred ha producido y realizado una película del mismo nombre donde relata la biografía de su abuelo Kurt Reich, que puede ser encontrado en la plataforma de Youtube (From Ashes to Naches (Kurt Reich"s Biography) - https://www.youtube.com/watch?v=Aujvlq4Q4WI El periodista Diego Pajares nos cuenta otro modo de conocer estas historias en las películas "Bastardos sin gloria", de Quentin Tarantino, y "El hombre en el castillo", serie de Philip K. Dick. Por su parte, Julio Zavala, crítico literario y gerente de la librería Escena libre, recomienda una variedad de libros imprescindibles de reciente publicación: "El rincón más oscuro del cielo", de Mayte Mujica; "Entre luces y tinieblas", de Jorge Juan Llerena, y "Antiguos y nuevos animales literarios", de Alonso Rabí do Carmo. Las canciones, cuyas historias y contenidos recrean el programa, son: ‘Lullaby, arreglos para viola y harpa', de Gideon Klein; ‘Nocturno No. 20 in C Major', de Chopin; ‘Zog nit keyn mol', de Maria Ka; ‘Presto in C Major', de Arnold Schoenberg; ‘Dance me to the end of love', por Jorge Drexler; y ‘Börgermoorlied', por la Orchestra Musica Concentrationaria. Conducción: Patricia del Río ||| Producción: Amelia Villanueva ||| Edición de audio: Andrés Rodríguez ||| Episodio 33 – Tercera temporada.

Die tschechische Musik: Wer denkt da nicht an Dvořáks „Slawische Tänze“, an mährische Klänge oder lachische Volksweisen? Noch im 20. Jahrhundert fühlten sich viele tschechische Komponisten von der alten Volksmusik inspiriert – und wagten aus dieser Tradition heraus den Sprung in die Moderne. Das zeigen der Geiger Josef Špaček und der Cellist Tomáš Jamník auf ihrer neuen CD mit dem Titel „Paths“, die bei Supraphon erschienen ist. Sie folgen den verschlungenen Wegen, die Leoš Janáček, Erwin Schulhoff, Gideon Klein und Bohuslav Martinů mit ihrer Kammermusik eingeschlagen haben. Es gelingt ihnen, „die tschechischen Raritäten auf ihrer neuen CD so rüberzubringen, dass sie einen sofort packen – und mitten ins Herz treffen“, so die Meinung von Kritikerin Susanne Stähr.

La chronique musique de Bruno Fraitag

To learn more, please visit the websites of Terezín Music Foundation and its project Our Will to Live.SHOW NOTES:00:02:45 Foundation of Terezín Music Foundation00:06:30 Our Will To Live00:08:30 Ullmann as guide through Terezin's cultural community 00:09:35 Otto Weininger00:12:20 Ullmann's essays on Sigmund Schul included in Our Will To Live00:13:30 Ullmann's critiques of Carman and Verdi's Requiem00:14:45 Viktor Frankl00:18:40 Council of Elders member Karel Herman00:22:50 smuggling musical instruments00:24:55 Ullmann's critique of performance by Karel Švenk00:26:05 knowledge of environment and history of creators enriches understanding of their work00:26:10 George Horner00:29:15 Yo-Yo Ma's work with TMF00:30:45 Yo-Yo Ma and George Horner's performance at Boston's Symphony Hall00:32:45 Ludwig's performance of Klein's Lullabye for Dalai Lama at US Capital and in Sarajevo after seige00:33:20 Our Will To Live as a work of historical justice00:33:50 Primo Levy's The Drowned and The Saved00:35:00 How tracks for Our Will To Live were choosen00:35:40 Karel Berman's performance of “A Sleepless Night” from Four Songs on Chinese poetry00:36:00 cabaret works by Karel Svenk00:37:15 Tracks of the month by OWTL00:38:15 TMF's ‘Finding A Voice' program curriculum00:39:55 enabling individuals to find their voice 00:40:50 social justice and the voice of society00:41:20 voices of Ullmann, Hans Krása,  Gideon Klein00:42:05 Friedl Dicker-Brandeis 00:44:50 Pavel Haas' “A Sleepless Night” from Four Songs on Chinese Poetry00:46:20 Gideon Klein's String Trio, Second movement00:46:55 Ullmann's Third String Quartet00:47:40 Hans Krása's children's opera Brundibar 00:48:10 Krása's Passacaglia and Fugue for String Trio 00:48:50 Picasso's Guernica00:49:30 Ullmann's Don Quixote Overture 00:51:10 TMF's legacy00:55:40  Track 27 Viktor Ullmann, Third String Quartet [13:38] (Terezín, 1943)performed by Hawthorne String Quartet01:09:45 Track 11 Gideon Klein, String Trio, Movement II — Theme and Variations [07:17] (Terezín, 1944), performed by Ronan Lefkowitz, violin; Mark Ludwig, viola; Sato Knudsen, cello01:17:45 Track 12 Gideon Klein, String Trio, Movement III — Molto Vivace [03:04] (Terezín, 1944) performed by Ronan Lefkowitz, violin; Mark Ludwig, viola; Sato Knudsen, cello01:21:05 Track 16 Pavel Haas, Four Songs on Chinese Poetry (for Karel Berman) “A Sleepless Night” (Han Yu [14:11] (Terezín, 1944) performed by Karel Berman, baritone, and Přemsyl Charnát, piano, November 1991 Czech Radio broadcast of a concert featuring Terezín composers in the Jewish Town Hall, Prague.01:25:10 Track 29 Karel Švenk, “Why Does the Black Man Sit at the Back of the Car?” [01:16] (Terezín, 1943) Arrangement by David L. Post; performed by Thomas Martin, clarinet, and Hawthorne String QuartetTo view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2022]For more details about joining the monthly discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Hope to see you there!

It's been awhile since we've answered some questions (or let our hair down and had some fun)! Join us for Part 2 of answering some of your questions! We want you to know a little bit more about us whether it's our biggest pet peeves or what our family motto is. This is a great episode to get a sneak at many topics before listening to full episodes with a deeper dive.Follow us on Instagram: @thefamilyorderMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

It's been awhile since we've answered some questions (or let our hair down and had some fun)! Today, we're answering your questions! From what motivates us to work hard to our favorite books, we want you to know a little bit more about us. This is a great episode to get a sneak at many topics before listening to full episodes with a deeper dive.Follow us on Instagram: @thefamilyorderMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

Do you have friends that are a bad influence? It has been said many times that you will become a combination of the closest people around you. Today, we are going to dive into why this is so important and what action you can take. To make changes in your life, you have to change how you are spending your time. Call to Order:This week's call to order is to evaluate the people that you spend the most time with. Are they a positive influence? If you want to be healthier, be around people that are already doing it. If you want to be wealthier, be around people that are already there. Go to a conference or a networking event that is centered on something that you want to learn more about. Make connections and start making habits that will make you successful. Resources:https://kidshealth.org/en/parents/preteen.html Follow us on Instagram: @thefamilyorderMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

Have you ever had a question from your child that you weren't prepared for? We've said this before, but parenting is hard. What's the hardest age to parent? Infants get a bad wrap and so do teenagers. What about pre-teens? Life seems busier than ever, but we feel that parenting in these modern times is harder or at the very least, more complicated than ever. Call to Order:Today's call to order is to just be there for your kids and get involved. Make sure that you aren't offloading the parenting responsibilities to teachers, coaches or other family members. Be their parent and you will see the rewards later. Kids don't always appreciate what they have until they get older and you need to remember to do what's best for them in the long term and not what's easy for you in the short term. Make yourself proud and make them appreciate being a great parent. Being a good parent doesn't mean doing what's easy or popular. Resources:https://kidshealth.org/en/parents/preteen.html Follow us on Instagram: @thefamilyorderMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

We previously discussed what it takes to sell your house but what happens once you list it? There was a flurry of activity that most first-time sellers likely aren't expecting and we definitely didn't know what to expect. Nothing goes according to plan 100% and it's not as smooth as you may think. Today, we are going to cover 5 things that happened once we listed our house and some tips and extra info that popped up along our journey. Call To Order: Make a plan for potentially selling your home. If you were to take another job or have to make a sudden move, would you be ready? What if you were to put your home on the market and it doesn't sell as quickly as you would have hoped? Are you willing to put in more money for repairs or come down on your price? Do your research on the housing market, understand the language and how transactions are running now versus when you may have bought your home. Is it a seller's market or a buyer's market? Have a plan in mind and know where you're willing to compromise or stand your ground if needed.Follow us on Instagram: @thefamilyorderMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

We are getting ready to sell our house! Don't you wish it was as simple as planting a “For Sale” sign on the front lawn? Unfortunately, even in a HOT market...it's not. It's time to roll up our sleeves and get to work because there are tons of things to do before we even list our home. Listen to hear 5 things that we did before even making it official.This week's Call to Order is to take financial inventory! Whether you're a renter and looking to buy, homeowner looking to sell, or already settled and want to reduce your debt. Get your financial house in order because you never know when your circumstances will change.Follow us on Instagram: @thefamilyorderWebsite Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

Why do some marriages work, and others don't? Why do people think that marriage takes a lot of work? Why do so many married couples not seem to like each other anymore?We are going to be answering those questions today while we discuss marriage commitments. Marriage takes effort but it doesn't have to be difficult if two people are edifying each other and playing on the same team. Follow us on Instagram: @thefamilyorderWebsite Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

Marriage can be great, but it can be very challenging. Parenting is something that is also very rewarding, but it will test you like you never thought possible. We prepare so much for a new baby being added to our lives, but we don't prepare nearly enough for what comes after, especially for ourselves and our marriage. Sure, a newborn takes a lot of time, energy and focus but that's not your only priority. Today, we are going to be interviewing Catherine O'Brien, a marriage and family therapist and her husband and co-teacher Rick Heyer. Catherine's book, Happy with Baby covers many topics such as postpartum depression & mood disorders, intimacy, the importance of date night, self-care and much more. Tune in to gain some insights from our discussion with Catherine & Rick today. Resources:Buy the Book! https://www.amazon.com/dp/1735046604?tag=&linkCode=osi&th=1&psc=1Connect with Catherine!https://happywithbaby.com/https://www.facebook.com/HappyWithBaby/https://www.instagram.com/happywithbaby/Follow us on Instagram: @thefamilyorderWebsite Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

For more information, please visit the Defiant Requiem Foundation's website.3:30 Maestro Murry Sidlin's creation of the concert-drama Defiant Requiem: Verdi at Terezín while he was at the Oregon Symphony6:00 Stuart Eizenstat's contribution to help Holocaust survivors and to formation of Defiant Requiem foundation8:00 Rafael Schächter's background and work before being interned at Terezín10:40 Schächter's decision to pack the Czech opera, Bedrich Smetana's Bartered Bride11:50 Schächter's decision to pack Verdi's Requiem Mass 14:30 Terezín Commandants, including SS First Lieutenant Karl Rahm16:45 Terezín became a hotbed of arts and humanities19:00 Schächter taught Verdi's Requiem Mass to approximately 150 singers by rote20:20 Edgar Krasa's recollection of Schächter as “merciless” in rehearsals because they “could not afford for any minds to wander”21:15 Verdi's Requiem Mass was performed 16 times at Terezín21:45 Edith Steiner Kraus' recollection that the chorus led by Schächter in Terezín would make one proud “in any urban setting” and the singers were “so far inside the music that we'd returned to Verdi's desk”24:00 Edgar Krasa's recollection about  controversy between  Jewish Council and Schächter over performing Verdi's Requiem Mass31:15 Jewish Council's concern that Requiem Mass had Catholic origin36:50 Sidlin's one act “speculative history” drama  Mass Appeal 1943 based on Schächter's meeting with Jewish Council38:00 Schächter's use of Verdi's Requiem as an act of defiance and to uplift prisoners39:30 Jewish Council's censorship of Ullmann's Der Kaiser von Atlantis and Kael Švenk's The Last Cyclist44:00 Performance of Defiant Requiem at Terezín 48:30 composer Ilsa Weber at Terezín 49:55 Inspiration for Foundation's concert, Hours of Freedom: The Story of the Terezín Composer that includes work by composers such as Victor Ullmann, Pavel Haas, Gideon Klein, Hans Krasa, James Simon, Zikmund Schul, Rudolf Karel and others54:00 Pianist and Composer James Simon's background and work56:15 Simon's colleague Violinist Alma Rosé 59:00 Pavel Haas and Karel Ančerl1:00:20 Conductor Karel Ančerl 1:01:30 Phillip Silver's contribution to Hours of Freedom1:04:10 Hours of Freedom arranged by chapters that include Longing, Hope, etc.1:05:00 Composer, Conductor, Pianist, Singer Karel Berman created Terezín Suite that includes Auschwitz Corpse Factory 1:06:20 10-minute memorial by Martinů1:09:00 Maestro Sidlin's challenge to a description of Ullmann as ‘finding his voice' in Terezín and his thoughts on Ullmann's critical essay that described his experience at Terezín 1:13:45 cloud over many composers was their background training in the law1:16:10 misconception that Gideon Klein learned to compose at Terezín1:16:50 Richard Strauss' unsuccessful efforts to have his daughter-in-law's grandmother released from Terezín1:20:00 Maestro Sidlin's thoughts on how he sees his job as messenger:·      to give Verdi's Requiem an identity connected to Terezín and Schächter;·      to highlight Terezín's legacy as a place where the arts and humanities blossomed because of the artistic gifts of those who were imprisoned there; and ·      to encourage current and future generations to make room in their musical and artistic  consciousness for the composers interned at Terezín To view rewards for supporting the podcast, please visit 

When you ask kids what they want to be when they grow up, they don't typically say that they want to be married but they can easily recite what they want in terms of a career. What is the state of your marriage? Well, you may not have thought much about it but what you may not know is that your kids probably have a good idea. Children watch what we do and how we do it. We are passing on valuable lessons to them and today we are going to cover 5 things/skills or positive outcomes of modeling your marriage to your kids. One more question: does your marriage encourage your kids to want to get married?Resources:http://www.hitchedmag.com/article.php?id=697 https://www.thepragmaticparent.com/healthy-marriage-matters-to-children/ https://asmithblog.com/how-to-have-a-model-marriage/ Follow us on Facebook: https://www.facebook.com/thefamilyorderWebsite Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

By now, most of us have heard about helicopter parents. Today, we will discuss the possible reasons behind this parenting style and how it became so prevalent. We will share some of our own experiences, the effects of helicopter parenting and some research into why modern parents seem so much more overprotective of their children vs. how they were raised. Resources:https://www.artofmanliness.com/articles/origins-overprotective-parenting/ https://www.parents.com/parenting/better-parenting/what-is-helicopter-parenting/ Follow us on Facebook: https://www.facebook.com/thefamilyorderWebsite Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

Robert L. Backman states that: “‘Father' is the noblest title a man can be given. It's more than a biological role. It signifies a patriarch, a leader, an exemplar, a confidant, a teacher, a hero, a friend.”  What is a father? What does it mean to you? Fathers tend to be taken for granted at times but they are vital in kids flourishing in society as productive adults. Today, we are going to discuss 7 things that display how fathers can have a significant impact with their kids. Today is also the kick off of our 8 part summer series on parenting. Resources:https://www.artofmanliness.com/articles/18-tips-for-being-a-great-dad/ https://parentspluskids.com/blog/fatherhood-statistics-trends-and-analysis Follow us on Facebook: https://www.facebook.com/thefamilyorderWebsite Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

We did it! 7 States, 2,700 Miles, 50+ Hours! The Bilyeu's conquered an 8-day RV Roadtrip out West to Mount Rushmore and Yellowstone. We are going to cover why we wanted to go on this trip, the places that we visited, the hi's, the low's & what we learned from this experience. The hope is that this discussion will help others with their next big trip and why it's vital to make time for vacations or just new adventures.Resources: www.koa.com www.outdoorsy.com Jeremy & Stephanie Puglisi (2021). Where Should We Camp Next?. Source Books. Follow us on Facebook: https://www.facebook.com/thefamilyorderWebsite Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

Tune into this discussion as we do our first ever reaction episode. A few weeks ago, we posted an episode regarding femininity and we received a lot of feedback on social media. Today, we will discuss our reactions to those comments and how it relates to our podcast episode. What do we take away from all of this and how do we respond going forward?Follow us on Facebook: https://www.facebook.com/thefamilyorderWebsite Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

Today, we will be doing something a bit different. We will go “unscripted” or “unprepared” to discuss goals and how to get back on track. Have you set your goals? Have you made updates to your goals? How do you get back on track once you veer off course? We will touch on some of these questions today and be discussing some of our personal goal updates. Follow us on Facebook: https://www.facebook.com/thefamilyorderWebsite Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

FRIENDS, FAMILY, AND SUPPORTERS...We've hit 500 downloads! That is a huge accomplishment for us being at this for 6 months and we are so grateful for everyone that has tuned in. Our purpose is so much bigger because of all of you. To celebrate, we are answering a few questions from you!Follow us on Facebook: https://www.facebook.com/thefamilyorderWebsite Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

Life is full of ups and downs and when we get a bad break , we've all heard the cliché that it's all about how you deal with it. Today, we are going to talk about how we can do that with some simple tips because it can be easier said than done. These steps can apply to kids, work, marriage, our circle of friends and the current climate happening around us. Resources:https://www.omaritani.com/blog/learn-to-focus-on-what-is-within-your-control The Big Life JournalFollow us on Facebook: https://www.facebook.com/thefamilyorderWebsite Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

The 3rd pillar of The Family Order is health. We will focus on mental and physical health and the connection between the two. Also, we will discuss 5 simple tips that we have found to keep our physical & mental health balanced. With so much information available about health, why is it still such a problem?Resources:https://www.cdc.gov/obesity/data/adult.html https://www.obesityaction.org/community/article-library/obesity-and-mental-health-is-there-a-link/ Follow us on Facebook: https://www.facebook.com/thefamilyorderWebsite Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

The 2nd pillar that we have in The Family Order is... family! In this episode, we will discuss details about our family and why it's so important to us. We will also cover how this pillar ties into our vision, our mission and the other pillars in our foundation.Resources:https://ifstudies.org/blog/disentangling-the-effects-of-family-structure-on-boys-and-girls https://www.familyaxis.com/why-family-is-important-in-our-life/ https://www.heritage.org/marriage-and-family/report/the-necessity-marriage SWOT Analysis Template: Join our Facebook Community! www.facebook.com/groups/thefamilyorder/Follow us on Facebook: https://www.facebook.com/thefamilyorderWebsite Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

The first pillar in the vision for our family is marriage. We will discuss why this is our first pillar and how it relates to our family vision and values. Why is our marriage important to us? What is it that we want others to know about marriage?Resources: Gottman Magic Hours: https://www.gottman.com/blog/6-hours-a-week-to-a-better-relationship/SWOT Analysis Template: Join our Facebook Community! www.facebook.com/groups/thefamilyorder/Follow us on Facebook: https://www.facebook.com/thefamilyorderWebsite Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

Covering our overall vision for the podcast. The Who, What, Why, and How. Who are we? Who are we reaching? What is this podcast about? Why did we decide to do this? How are you going to come along with us?Follow us on Facebook: https://www.facebook.com/thefamilyorderJoin our Facebook Community: www.facebook.com/groups/thefamilyorder/Website Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

A young, married couple together for over 15 years who have developed their own style of traditional values combined with modern views. Each week focuses on an honest, thought-provoking conversation and relevant information that inspires growth in your marriage and family circle. Spend 20 minutes or less working towards a journey of self-improvement while you sit in the carpool pick-up lane at school, commute to work, squeeze in a workout, or get half-way through folding that laundry pile.Follow us on Facebook: https://www.facebook.com/thefamilyorderJoin our Facebook Community: www.facebook.com/groups/thefamilyorder/Website Coming Soon! www.thefamilyorder.comMusic: Waves Instrumental by Taylor Smith, Gabe Klein, Gideon Klein

Episode 6, 2020: Dvořák’s Serenade for winds Wednesday 8 July 2020 Antonin Dvořák’s road to success was long and hard. But like many successful composers of his time, his perseverance enabled him to create masterpieces that endured time and space. In December 1877, he travelled to Vienna to meet Johannes Brahms, the first great composer to truly appreciate his work. It was on this trip that he was able to watch a performance of Mozart’s Gran Partita for twelve winds and double bass or contrabassoon. Inspired by what he heard, he began working on his own Serenade for winds the following month, completing it in two weeks. Of this composition, Brahms wrote to his friend, violinist Joseph Joachim, “Take a look at Dvořák's Serenade for wind instruments. I hope you will enjoy it as much as I do... It would be difficult to discover a finer, more refreshing impression of really abundant and charming creative talent. Have it played to you; I feel sure the players will enjoy doing it!" ANAM oboist Noah Rudd can relate to the way Dvořák was able to persevere through the inspiration and encouragement from other artists. Having moved from New Zealand to Australia to attend ANAM, and discovering different aesthetics and depth of sound, Noah is as inspired by being around his fellow ANAM musicians and playing alongside ANAM Artistic Director and internationally acclaimed oboist Nick Deutsch. In this episode of ANAM Radio, Noah chats with Phil Lambert about his experience in performing Dvořák’s Serenade for winds and the prominence of the second oboe in the lower registers of the composition. The performance featured in this episode is from the Homage to Gideon Klein concert at ANAM in 2019. Watch the full recording of the performance at https://www.youtube.com/watch?v=Cy77gUCLFck&feature=youtu.be

2019 marks 100 years since Czech composer Gideon Klein died in horrifying circumstances during World War II. However, his music - a distinctive mix of folk-infused melodies reminiscent of Leoš Janáček and the modernist sensibilities espoused by Arnold Schoenberg’s 12-tone school - lives on, and is only becoming more prolific with time. Hear ANAM Artistic Director Nick Deutsch, Royal Northern College of Music researcher Dr David Fligg, and ANAM pianist Maggie Pang talk about Gideon Klein’s life, music and legacy. Written and produced by Madi Chwasta. Music: Divertimento for Wind Octet - Gideon Klein, performed by ANAM musicians. Serenade in D minor - Antonín Dvořák, performed by ANAM musicians. Sonata for piano - Gideon Klein, performed by Maggie Pang.

Nieuwe CD's van het The Hague String Trio en het Duo Bottasso, maar ook een opname van November Music 2018 met werk van Oene van Geel. Met muziek van Mendelssohn, Gideon Klein, het Duo Bottasso, Oene van Geel en Brian Eno.

2018.11.27 Most concerts feature program notes, giving an audience some kind of “back story” about the works to be performed. The assumption is that somehow knowing "more" about a piece will have an effect on one's experience listening to it. This talk combines a lecture with a performance and discussion of Gideon Klein’s Trio for Strings (1944) in order to ask questions about a composition with a particularly fraught history and explores the key question: what is the relationship between music and the rest of the world? The performance of Gideon Klein’s Trio for Strings will feature violinist Klaudia Olborska-Szymańska, violist Crosby Delaney Barret, and cellist Benjamin Truchi. Speaker Michael Beckerman, Carroll and Milton Petrie Professor of Music, Collegiate Professor of Music, NYU; Leonard Bernstein Scholar in Residence, New York Philharmonic

The boys pull off a hell of a heist in this episode. Peter’s producing partner, Gideon Klein, comes on the podcast to discuss the criminally forgotten film Thief (1981), starring James Caan.

Gideon Klein (https://www.gideonkleinmusic.com)and Gabe Klein (https://www.gabenklein.com) are a production duo based in Nashville TN. trevorlarkin.com/tltl patreon.com/trevorlarkin

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 23/4/2018, vigésimocuarta de la 3.ª temporada, segunda y última de las dedicadas a Gideon Klein, compositor y pianista moravo que no pasó de ser joven, pues los nazis lo asesinaron a comienzos de 1945. Hablamos de su actividad en el Gueto de Terezín.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 23/4/2018, vigésimocuarta de la 3.ª temporada, segunda y última de las dedicadas a Gideon Klein, compositor y pianista moravo que no pasó de ser joven, pues los nazis lo asesinaron a comienzos de 1945. Hablamos de su actividad en el Gueto de Terezín.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 13/4/2018, vigésimotercera de la 3.ª temporada, dedicada a Gideon Klein, compositor y pianista moravo que no pasó de ser joven, pues los nazis lo asesinaron a comienzos de 1945. Fue el pianista de gran parte de las óperas que se realizaron en el campo de concentración de Terezín.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 13/4/2018, vigésimotercera de la 3.ª temporada, dedicada a Gideon Klein, compositor y pianista moravo que no pasó de ser joven, pues los nazis lo asesinaron a comienzos de 1945. Fue el pianista de gran parte de las óperas que se realizaron en el campo de concentración de Terezín.

For the past few decades music teacher and pianist Francesco Lotoro has been collecting music written in concentration camps from the Second World War. Francesco's life is entirely given over to recovering the creations of composers and performers, many of them Jewish, who died in the camps. A massive amount of music was written in camps. Classical music by established composers, but also songs, symphonies, sonatas, operas, lullabies, jazz riffs often scribbled on old sacks, toilet paper or scratched into mess tins. Francesco has discovered works by important composers as Hans Krasa, the Czech creator of the masterpiece 'Brundibar', as well as Viktor Ullmann and Gideon Klein - all killed by the Nazis in 1944, but writing music until the very end. Composer Adam Gorb is head of composition at the Royal Northern College of Music in Manchester. Working closely with the BBC Philharmonic, Adam travels to Italy to meet Francesco and together they pick through his 8000 piece archive, much of which has never been heard before. In this special documentary, which broadcasts in the days running up to Holocaust Memorial Day, Adam Gorb returns to Britain with a piece of unfinished music written by Viktor Ullman before his death. This piece will be performed by the Philharmonic for the first time. Producer: Caitlin Smith.