Podcasts about theresienstadt

Prova Shopify ad 1 € - Vai su ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠shopify.it Una magnifica città-fortezza asburgica nel cuore dell'attuale Repubblica Ceca cela un segreto imbarazzante e terribile. Theresienstadt, questo il suo nome, dal 1941 al 1945 diviene campo di prigionia nazista per gli ebrei anziani, per gli artisti e per i bambini e, in seguito, campo di transito verso la morte nei campi di sterminio polacchi o nel complesso di Riga nell'Ostland. Ma all'esterno Theresienstadt viene presentata con la più grande menzogna storica mai vista, quella di un "ghetto-modello" in cui gli ebrei sarebbero liberi di vivere una vita persino agiata. Una bugia colossale che inganna gli ispettori della Croce Rossa Internazionale e che produce persino un documentario i cui attori verranno uccisi subito dopo le riprese.

"mais bon, c'es trop tard, hein ?"Après avoir survécu à l'horreur de Birkenau, Ginette Kolinka entame la dernière étape de son calvaire concentrationnaire.Dans ce troisième et dernier épisode, elle nous raconte son transfert vers le camp de Bergen-Belsen, puis son voyage glaçant vers Theresienstadt à bord de ce que l'on appellera « le train fantôme ».Ce volet final lève le voile sur une cicatrice intime : le regret lancinant de Ginette d'avoir été "trop abrupte" envers les siens au retour des camps.Un sentiment de culpabilité qui témoigne de la violence extrême du système nazi, lequel obligeait les déportés à éteindre leur propre humanité pour espérer survivre un jour de plus.Aujourd'hui âgée de 101 ans, celle qui a longtemps vécu dans une forme d'anesthésie des sentiments parcourt inlassablement les collèges et les lycées.Elle offre sa voix à ceux qui n'en ont plus, transformant ses souvenirs douloureux en une générosité débordante pour les générations futures.Découvrez le dernier volet du témoignage exceptionnel de Ginette Kolinka, 19 ans enfant de la Shoah

Après l'arrestation brutale du 13 mars 1944 et l'arrivée déchirante sur la rampe d'Auschwitz, le destin de Ginette Kolinka bascule définitivement.À 19 ans, choisie pour le travail forcé, elle entre dans un monde où l'humanité n'a plus sa place.Dans ce deuxième volet de son témoignage, Ginette nous raconte son quotidien à Birkenau.Elle décrit avec une précision glaçante la lutte de chaque instant contre le froid, la faim, les coups et l'épuisement.C'est le récit d'une survie impossible dans un camp devenu usine d'extermination.Alors que le front de l'Est s'effondre en novembre 1944 et que les troupes soviétiques approchent, Ginette est témoin des premières tentatives nazies pour effacer les preuves du génocide en dynamitant les chambres à gaz et les crématoires.Pourtant, l'Allemagne refuse de laisser partir ses déportés : considérée comme une "ressource" pour l'effort de guerre, elle est évacuée vers des camps situés plus à l'ouest pour servir de main-d'œuvre dans les usines du Reich.Voici la deuxième partie du témoignage de Ginette Kolinka, une voix essentielle pour ne jamais oublier.À venir : Dans le prochain et dernier épisode, Ginette nous racontera ses derniers mois à Bergen-Belsen, puis son départ dans le train de la mort pour Theresienstadt.La mémoire ne vit que si elle se transmet. Si ce récit vous touche, n'hésitez pas à le partager autour de vous, à vous abonner sur vos plateformes d'écoute et à laisser une note ou un commentaire pour soutenir ce travail de transmission.NE PERDONS PAS L'HISTOIRE, PARTAGEONS-LA…

Sie war eine geschätzte und vielfach ausgezeichnete Zeitzeugin, die in Schulklassen von ihrem Leben erzählte: Als Einzige ihrer jüdischen Familie hatte Margot Friedländer den Holocaust überlebt. Mehrfach war sie der Gestapo entkommen, dann wurde sie nach Theresienstadt deportiert. 1946 wanderte sie mit ihrem Mann in die USA aus. Doch nach über 60 Jahren kehrte Margot Friedländer aus New York in ihre Heimatstadt Berlin zurück, um hier zu leben, sich als Zeitzeugin zu engagieren und ihre Botschaft "Seid Menschen!" zu verkünden. Kurz nach ihrem Umzug hat Magdalena Kemper mit ihr über Mut, Trauer und den unbedingten Wunsch, leben zu wollen, gesprochen. Eine Wiederholung vom 31. Juli 2010, anlässlich des ersten Todestags von Margot Friedländer am 9. Mai 2026.

Ce mois-ci, dans Les Fabuleux Destins, nous mettons en lumière des femmes oubliées de l'histoire et, à l'occasion du Podcasthon, nous souhaitions vous parler de l'association Rêv'Elles. Depuis 2013, Rêv'Elles inspire, accompagne et encourage les jeunes femmes des quartiers populaires à s'épanouir, tant sur le plan personnel que professionnel. À travers ses différents programmes, l'association aide les jeunes femmes de 14 à 20 ans à gagner en confiance, à construire leur projet d'avenir et à développer leur pouvoir d'agir au sein d'une communauté solidaire, portée par les valeurs de sororité et de bienveillance. Pour en savoir plus et soutenir Rêv'Elles, retrouvez le lien en description. Bonne écoute ! La première rabbine de l'histoire  Berlin, 1935. Regina Jonas défie les traditions et demande son ordination en tant que rabbin. Malgré l'opposition, elle devient la première femme à porter ce titre. Mais l'Histoire bascule. Déportée à Theresienstadt, puis à Auschwitz, elle refuse de se taire, apportant espoir et enseignement jusqu'à son dernier souffle. Oubliée, puis redécouverte, son nom éclaire aujourd'hui la voie des femmes rabbins à travers le monde. Pour découvrir d'autres récits passionnants, cliquez ci-dessous : [Les oubliées de l'histoire] Valentina Terechkova, la première femme dans l'espace [Les oubliées de l'histoire] Madame de Staël, la femme qui défia Napoléon [Les oubliées de l'histoire] Sophie Scholl, l'héroïne de la Résistance allemande [Les oubliées de l'histoire] Joséphine Baker, du ghetto américain au Panthéon Un podcast Bababam Originals Ecriture : Clémence Setti  Production : Bababam Voix : Florian Bayoux En apprendre plus sur l'association : https://revelles.org/presentation/ Lien direct pour faire un don : https://revelles.org/nous-soutenir/#don Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest Karen Berman, Ph.D., Chaired the Department of Theatre and Dance at Georgia College and previously taught for 15 years at Georgetown University. She is Dean Emerita, College of Fellows of the American Theatre; Past President of the Association for Theatre in Higher Education; Director of 150 Holocaust and other theatre productions; and winner of the Georgia Governor's Award for the Arts and the Hillel Heroes Award. Karen is co-Artistic Director of Washington Women in Theatre. She is the co-author with Dr. Gail Humphries of the two-volume work, Stories of the Holocaust: Art for Healing and Renewal. Co-host Irene Stern Frielich was a guest on Episode 370: "Walking Where History Happened: A Daughter's Holocaust Journey." Irene is the daughter of a German Jewish Holocaust survivor—but for much of her life, the story remained unspoken. In 2017, after rediscovering her father's testimony, Irene set out to physically retrace his escape route from Nazi Germany through his survival in Holland. The result was a journey of reconciliation and healing. Her award-winning memoir, Shattered Stars, Healing Hearts, explores trauma, courage, and connection across generations. Summary In this episode, Jeff and co-host Irene Stern Frielich speak with Dr. Karen Berman about the role of the arts in Holocaust education and remembrance. Dr. Berman discusses her five-year project to co-edit two volumes featuring 33 contributors who explore how theater, music, visual art, and film illuminate the Holocaust and its aftermath. The books argue that the arts can foster empathy, healing, and social responsibility while inspiring people to become "upstanders" who actively oppose hate and injustice. The conversation explores how artistic expression functioned as both resistance and survival during the Holocaust. A powerful example is the performance of Verdi's Requiem in the Theresienstadt concentration camp, where imprisoned singers used music as a form of spiritual defiance against their captors. The discussion also examines how Holocaust education is evolving. Scholars and educators are increasingly shifting from purely historical instruction toward approaches that engage students emotionally and morally through storytelling, performance, and immersive technologies such as virtual reality and holographic survivor testimony. Ultimately, the episode emphasizes that art has the power to humanize history, deepen empathy, and transform audiences into witnesses. By connecting personal stories with creative expression, educators and artists can ensure that Holocaust memory remains meaningful—and that the lessons of history inspire moral action today. The Essential Point The episode emphasizes that art has the power to humanize history, deepen empathy, and transform audiences into witnesses. By connecting personal stories with creative expression, educators and artists can ensure that Holocaust memory remains meaningful—and that the lessons of history inspire moral action today. Social Media Website: Stories of the Holocaust: Art for Healing and Renewal: www.storiesoftheholocaust.com Georgia Governor's Award for the Arts: https://share.google/7ZF1jsonbwuBfMeDr Hillel Heroes Award: https://share.google/AVs09ck8I9RpdVIDb Kirkus ReviewsStories of the Holocaust: Art for Healing and Renewal. Volume I https://www.kirkusreviews.com/book-reviews/karen-berman/stories-of-the-holocaust/ Stories of the Holocaust: Art for Healing and Renewal. Volume II https://www.kirkusreviews.com/book-reviews/karen-berman/stories-of-the-holocaust-2/ Substack LinkedIn Referenced Defiant Requiem: Verdi at Terezín Virtual reality video of a Holocaust survivor revisiting the Majdanek concentration camp: Pilgrim in the Metaverse

„Verbrechen ohne Namen“: Neue Dauerausstellung in Theresienstadt zu Genoziden im 20. Jahrhundert, Tschechisch gesagt: Tausend, Schnecken statt Schnitzel: Ist Tschechien eine unterschätzte Weichtiergroßmacht?

„Verbrechen ohne Namen“: Neue Dauerausstellung in Theresienstadt zu Genoziden im 20. Jahrhundert, Tschechisch gesagt: Tausend, Schnecken statt Schnitzel: Ist Tschechien eine unterschätzte Weichtiergroßmacht?

Hier ist die 211. Ausgabe von welle1953, der Sendung über die SGD, die ihr natürlich auch als Podcast abonnieren könnt. Shownotes: - Kurze Anmerkungen zur aktuellen Situation: neue U21-Liga ab nächster Saison, Kollektivstrafen (again?!); - Rückblicke auf die Spiele gegen Hannover 96 und den SV Darmstadt 98 (wirklich schlechte Verlierer!); - SGD-Universum: Crowdfunding des FSV Zwickau und des Zwickauer Fussballgeschichten e.V.: "Die Halde muss wieder beben!" - Ausstellung, Filme und Sanierung des Wesa (Westsachsenstadion), wo der FSV seine größten internationalen Erfolge feierte (und heute der Nachwuchs trainiert); - Interview: Tom Kaiser & Erik Guth vom Fanprojekt zur Bildungsflanke 2026, die die U16 von Dynamo & Borea nach Theresienstadt führte; - Ausblick auf die Partien gegen den Karlsruher SC und Preußen Münster. Die nächste Ausgabe von welle1953 gibt es am 19. März!

Katie talks to former Army ranger Greg Stoker who is in Minneapolis about the protests; Palestinian analyst Mouin Rabbani about Gaza; Mahmoud Khalil's lawyer about his case; and Holocaust survivor Stephen Kapos and historian Haim Bresheeth Zabner about Holocaust Memorial Day and how the Holocaust is being used to justify the genocide in Gaza. Watch the full interview on Patreon: https://www.patreon.com/posts/patreon-full-149337782 Stephen Kapos is an 87-year-old Holocaust survivor from Budapest who has been protesting against Israel's war on Gaza, which he describes as not only genocide but a holocaust. Stephen is a member of Holocaust Survivors Against Genocide. Stephen lost 15 members of his extended family in the Holocaust and his father was interned in Belsen & Theresienstadt. He settled in London but when he visited Israel was “shocked” by the racism exhibited by Israelis, including his relatives who had also survived the Holocaust. Stephen joined The Labour Party in 1997, becoming an activist and office-holder at various local levels. Stephen resigned from the Labour party, after penning a widely circulated letter, after the Labour party warned him they would “investigate” him if he spoke at a leftist organization on Holocaust Memorial Day. He is a member of Camden branch of PSC (Palestine Solidarity Campaign), Camden & Islington Momentum (affiliate of the Labour Party) and lately of the small network ‘Holocaust Survivors and Descendants Against Genocide.' Haim Bresheeth Zabnner was Professor of Media and Cultural Studies at University of East London and then a Professorial Research Associate at the School of Oriental and African Studies (SOAS).He is Filmmaker, photographer, film studies scholar, and historian. His films include “A State of Danger,” a documentary on the first Palestinian Intifada. His books include "An Army Like No Other: How the Israel Defense Force Made a Nation." Haim is the son of two Holocaust survivors and was raised in Israel. He is a member of Holocaust survivors and Descendents Against the Genocide and a founding member of Jewish Network for Palestine. On November 4, Haim was arrested over a speech he gave at a pro Palestine demonstration outside the residence of Israeli ambassador Tzipi Hotovely in north London. Greg Stoker is a former United States Army Ranger. He has a background in special operations and human intelligence collection. He conducted 4 combat deployments to Afghanistan during the unfortunately named “Global War On Terror” and is now an anti-war activist, host of the Colonial Outcasts Podcast, and analyst at MintPress News. Mouin Rabbani is a researcher, analyst & commentator specializing in Palestinian affairs, the Arab-Israeli conflict & the contemporary Middle East. He has among other positions previously served as Principal Political Affairs Officer with the Office of the UN Special Envoy for Syria, Head of Middle East w/the Martti Ahtisaari Peace Foundation, Senior Middle East Analyst & Special Advisor on Israel-Palestine w/the Int'l Crisis Group. Rabbani is Co-Editor of Jadaliyya & a Contributing Editor of Middle East Report. Amy Greer is one of Mahmoud Khalil's lawyers. ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: https://x.com/kthalps Follow Katie on Instagram: https://www.instagram.com/kthalps Follow Katie on TikTok: https://tiktok.com/@kthalps

Förintelseminnet är varken spikrakt eller fredat. Hynek Pallas funderar genom sin egen släkthistoria över hågkomster som förvittrar och förvanskas. Lyssna på alla avsnitt i Sveriges Radios app. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.På den Nya judiska begravningsplatsen i Prag står min släktgrav. När stenen restes och vem som beställde den, det vet ingen längre. Men ett namn på stenen är iögonfallande – eftersom hon aldrig har funnits.Min farmor Josefas familj levde under 1900-talets första decennier vid Gamla stans torg i Prag. Till grannarna hörde Franz Kafka. Det var ett för tiden typiskt judiskt hushåll. De sex syskonen drog åt olika håll. Någon var småreligiös, någon annan höll liv i jiddischen trots att språket betraktades som dammig gettokultur. Mest blev de, som så många av Prags judar, alltmer assimilerade.Farmor Josefa cyklade till Paris. Tog jobb på Philips. Lärde sig franska, cyklade hem.Syskonskaran skingrades.De skulle förenas igen av en katastrof.I många decennier talade ingen om det som hade hänt. Själv växte jag upp med en tystnad som aldrig fick form. Jag tänkte att det var exilen. Att det var så det var att växa upp som invandrare. Det finns ju en mur till landet man lämnar och inte får återvända till.Men något stämde inte. Mammas släkt fanns ju där i fotografier och i berättelser. Från pappa var det tyst. En tystnad som fortsatte när vi på 1990-talet kunde återvända till det som hade varit Tjeckoslovakien.Långsamt fick tystnaden konturer. Som under en resa till gettot Theresienstadt med min gymnasieklass 1995. Jag mådde fysiskt dåligt, men visste inte varför.I Sverige blev Förintelseminnet alltmer centralt och den 27 januari 2001 blev det nationell minnesdag. Men fraserna kändes så allmänna och svepande och tycktes inte gälla det jag såg i Tjeckien.”Om detta må ni berätta”, sades det.Men i Tjeckien hade ingen berättat. Och det fortsatte att vara så tyst.Några år senare dök en amerikansk släkting upp i Prag. Paula Brunner var redan en äldre dam, men också min pappas kusin. Min farmors systerdotter. En kväll i ett översvämningsdrabbat Prag öppnade hon för några timmar historien, och stack hål på tystnaden.Det skulle dröja ytterligare ett decennium innan den krossades. Av en slump fann jag tre arkivlådor som Paula före sin död hade deponerat på Washingtons Förintelsemuseum. Brevväxlingar och dagböcker från när hennes familj flydde nazisterna 1938.I breven till släkten i Prag fick farmors syskon äntligen namn och konturer.Zofie. Alois. Lotte. Eugenia. Hedwig.Breven gick till 1941. Då fick judar inte skriva mer.Sen blev det tyst.Paula återupptog brevväxlingen med min farmor efter kriget.Försiktiga brev.I det ”antisionistiska” samhällsklimat med antisemitiska undertoner som fostrades i kommunistregimerna efter 1948 fick minnet av folkmordet som riktat mot just judar vårdas tyst. Det märks på Josefas brev. Den som inte vet vad som drabbat hennes familj kan inte utläsa det.Med namnen kunde jag bege mig till arkiven och se hur historien om Förintelsen skrevs om framför mina ögon. Fördjupades. Hur mina släktingar, precis som Prags övriga judar under noggrann planering fråntogs sin status som människor. Bestals på allt. Till och med husdjur och strykjärn. Juden skulle ses som mindre värd av sina grannar. Föraktas.När farmor, hennes syskon, deras familjer och Böhmens övriga judar till sist internerades i gettot Theresienstadt sex mil från Prag var berövandet av deras sista rättigheter en formalitet.Gettot innebar svält, sjukdom och dödlighet av samma slag som i koncentrationslägren.Det räckte inte för nazisterna. Lillasyster Lotte och hennes make Robert mördades i dödslägret Malý Trostinec i Belarus. Antingen i de gasbilar som befolkningen viskande kallade för själadräpare, eller med nackskott.Liksom hennes bror Aloiš som troligtvis mördades i Lettland, kastades de i massgravar redan innan det fanns gaskammare installerade i Auschwitz. Innan det fanns något ”industriellt massmord”. Den ”Förintelse med kulor” som drabbade Alois och Lotte och en miljon andra judar i Belarus, Ukraina och Baltikum hör till Förintelsens hemskaste inslag.I dag är den mindre känd. Ändå finns här ett rått mördande av människor ansikte mot ansikte som gör att vi inte enbart kan betrakta Förintelsen som industriell. Som någon ”modernitetens baksida”.På Östfronten kunde nazisterna och deras hantlangare avrätta tiotusentals judar på några dygn. Det fåtal vittnen som överlevde berättade hur judar tvingades gräva upp och bränna kropparna.Inte ett spår skulle finnas kvar av den utrotade rasen. Ett gigantiskt brott mitt i det pågående folkmordet.Som ingen dömdes för i efterkrigstidens rättegångar.Efter kriget ville de få judar som återvände till Prag minnas de mördade.Inte 27 januari, utan den 8 mars.Hösten 1943 fördes 17 517 tjeckiska judar från Theresienstadt till Auschwitz. I stället för att genomgå urval placerades de i ett familjeläger.Levnadsförhållandena var vidriga, men det fanns barnbaracker där de vuxnaundervisade. Barnen dekorerade väggarna och satte upp ”Snövit och de sju dvärgarna”som musikal. Disneyfilmen hade haft premiär 1938 och förtrollat en generation ungar.Kvällen den 8 mars 1944 leddes barnen i sjungande kolumner till gaskammaren. Under natten följde det största enskilda mordet på tjecker i historien.Min tioåriga faster Anna låg samtidigt gömd på ett sjukhus i Prag.Hon hade sett ”Snövit” fem gånger innan nazisterna förbjöd judar att gå på bio.Familjelägret skapades med samma baktanke som när nazisterna putsade uppTheresienstadt inför besök från Röda korset: En Potemkinkuliss för att vilseledaomvärlden.Det behövdes inte. Omvärlden var ointresserad.De tjeckiska judarna fick inte hållas länge med sin minnesdag. Kommunistländernas antisionistiska hållning gick så långt att Förintelsen skylldes på judarna själva. Transportlistorna hemligstämplades eftersom forskning påstods vara ursäkt för ”sionister som ville dölja sitt samarbete med nazisterna”. I Theresienstadt skulle det öppnas ett ”museum över Israels koncentrationsläger”.Min farfar dog i sviterna av lägren. Farmor blev blind. Deras barn växte upp på barnhem.Det blev tyst.Det är viktigt att minnas att Förintelseminnet inte är spikrakt och fredat. Att antisemitismen redan har rubbat och påverkat minnet av folkmordet.I det stora och i det lilla. När jag till sist hittade stenen på Prags Nya judiska begravningsplats stod den bland välta och överväxta stenar. Vittrande monument över kapade släktträd. De mördade saknade dödsdatum. Alla utom min farmors mamma. Hon tog livet av sig 1941 när hon insåg vad som var på väg att hända.Jag tittade närmare. Där var de allesammans. Lotte, Alois… Sen hajade jag till.Zofie, mellansystern som slets ur sin makes famn på perrongen i Auschwitz 1944, saknades. Zofie dödförklarades först 1958. Sen dog hennes man. Sen glömdes hon bort.På hennes plats hade man skrivit namnet på en person som aldrig har existerat i min släkt. Kanske trodde man att det var så hon hade hetat.Så snabbt kan hågkomsten av de mördade förvridas och förtvina.När Förintelsens sista vittnen är borta, vem värnar om deras minne?Hynek Pallasförfattare och kulturskribent

1943 wird die 12-jährige Zuzana mit ihrer Familie nach Theresienstadt verschleppt. Die Nazis inszenieren das Lager als „Muster-Ghetto“ mit kulturellem Leben. Die Wahrheit hinter der Fassade: Hunger, Krankheit, ständige Furcht vor Deportationen. Doch inmitten der Dunkelheit erklingt Brundibár. Die Kinderoper wird für Zuzana und viele andere zu einem flüchtigen Moment der Hoffnung und des Aufatmens im alltäglichen Überlebenskampf.

HEADLINE: Remembering Resilience and a WWII Hero: The Children's Tree and the Legacy of Edward Shames GUEST NAMES: John Batchelor (Host), Thaddeus McCotter of American Greatness, and Malcolm Hoenlein 200-WORD SUMMARY: The program discussed the dedication of the Children's Tree in Battery Park, a powerful symbol of resilience and hope grown from cuttings of a tree secretly nurtured by Jewish children at Terezín (Theresienstadt) concentration camp during the Holocaust. In 1943, teacher Irma Lauscher courageously smuggled the original sapling into the camp so that children could celebrate Arbor Day and maintain a connection to life and normalcy amid unimaginable circumstances. The children sacrificed their precious water rations to care for the tree, demonstrating extraordinary determination and spirit. The 15-foot tree now standing in Battery Park will be cared for by children at the Battery Park School, ensuring that this legacy of hope continues for future generations. The segment also paid tribute to the late Edward Shames, the last surviving member of the legendary Band of Brothers (Easy Company, 506th Parachute Infantry Regiment), who died at age 99. Shames participated in D-Day (Operation Overlord) and was among the first members of the 101st Airborne Division to enter Dachau concentration camp upon its liberation, witnessing firsthand the horrors of the Holocaust. In a remarkable footnote to history, he later acquired Hitler's private cognac from the Eagle's Nest, a personal memento from the fall of the Third Reich. 1698 JERUSALEM The segment also paid tribute to the late Edward Shames, the last surviving member of the legendary Band of Brothers (Easy Company, 506th Parachute Infantry Regiment), who died at age 99. Shames participated in D-Day (Operation Overlord) and was among the first members of the 101st Airborne Division to enter Dachau concentration camp upon its liberation, witnessing firsthand the horrors of the Holocaust. In a remarkable footnote to history, he later acquired Hitler's private cognac from the Eagle's Nest, a personal memento from the fall of the Third Reich.

Margot Friedländer, una judía nacida en Berlín en 1921, sufrió el horror del régimen nazi. Tras vivir muchas décadas en Estados Unidos, regresó a su ciudad natal en 2010, ya muy anciana, y desde entonces lucha para que la historia no se olvide. Margot Friedländer, nacida como Margot Bendheim en Berlín, cumplió 100 años en noviembre de 2021 y es ciudadana de honor de la capital alemana. De joven sufrió los horrores de la dictadura nazi y, tras 60 años de exilio en EE. UU., regresó a Alemania. Desde entonces trabaja por mantener viva la memoria de la Shoá, para lo que organiza lecturas de su autobiografía y ofrece charlas sobre sus vivencias en escuelas. Dando a conocer su historia personal, intenta que no se olvide lo sucedido para que jamás se repita. Tras la deportación de su madre y su hermano a Auschwitz, Margot Bendheim pasó quince meses escondida, hasta que fue descubierta y enviada a Theresienstadt. Allí se reencontró con Adolf Friedländer, a quien conocía de antes. Ambos sobrevivieron al infierno del campo de concentración, se casaron y emigraron a Nueva York en 1946. Tras la muerte de su marido en diciembre de 1997, Margot Friedländer visitó Berlín varias veces. En 2010, con el coraje que demostró tener toda su vida, decidió regresar definitivamente a Alemania, al país que, al igual que su esposo, se había negado a volver a pisar. El cineasta Thomas Halaczinsky ha dedicado años de trabajo a la vida de Margot Friedländer.

In addition to Shoah (1985), the Criterion release contains three of the five additional films Claude Lanzmann has made from the footage he shot for his landmark documentary. A Visitor from the Living (1997) is an interview with Maurice Rossel in which Lanzmann swings hard at Rossel's report for the Red Cross on conditions in the "potemkin ghetto" of Theresienstadt. In Sobibor, October 14, 1943, 4 p.m. (2001) Lanzmann speaks with Yehuda Lerner about his participation in the Sobibor revolt. While Jan Karski is interviewed in a significant portion of Shoah, The Karski Report (2010) is day two of that interview, wherein Karski recounts his heroic efforts to inform Allied officials, including FDR, about the Nazis' extermination of the Jewish people of Europe, hoping to force the Allies to act to save them. As Karski said in a later interview with Hannah Rosen in 1995: "The Allies considered it impossible and too costly to rescue the Jews, because they didn't do it." Ending genocidal authoritarianism seems impossible until we act. And we must act, from Cop City to Gaza City we must act.

Jahrgang 1924, Jazzmusiker & Profigitarrist (verstorben am 28. Januar 2018) Mit 13 entdeckt der Berliner Heinz Jakob "Coco" Schumann den Jazz für sich, kurz darauf schwappt die Swingwelle ins Land, ausgerechnet als der Krieg schon in vollem Gange und Swing Tanzen streng verboten war. Mit 16 spielt er das erstmal öffentlich. Ein riskantes Unterfangen. Er spielt nachts heimlich in den Clubs mit Bully Buhlan und Helmut Zacharias um die Wette. 1943 wird er denunziert und kommt in Gefangenschaft. Deportation nach Theresienstadt, dann nach Auschwitz und nach Dachau. Coco Schumann musiziert selbst in den Lagern, wird so zum "Ghetto-Swinger" und rettet sich so das Leben. 1945 kehrt er nach Berlin zurück, heiratet und bespielt mit seiner Jazzgitarre und neuer Band sämtliche Tanzschuppen rund um den Kurfürstendamm. Trotzdem wandert er 4 Jahre nach Ausstralien aus. Endgültig zurück im Wirtschaftswunder Berlin, jammt er mit Ella Fitzgerald, Dizzy Gillespie und Louis Armstrong. Kurz - er wurde der deutsche Grandmaster of Swing. 40 Jahre hat Coco Schumann über seine Erlebnisse während des Nationalsozialmus geschwiegen. In seinen Memoiren "Der Ghetto Swinger - erzählt der 80jährige Jazzmusiker, wie er Auschwitz und seine Peiniger überlebte und gab uns in der Hörbar ein paar Einblicke in sein spannendes Leben. Coco Schumann wurde 93 Jahre alt. Playlist: Coco Schumann Quartett - Georgia on my Mind (Live) Coco Schumann - Exotique 1963 Louis Armstrong - I've got the World on a String Coco Schumann & Toots Thielemans - Caravan Helmut Zacharias - Swing 48 Coco Schumann y su combo - Senorita de la Mambo Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

Jahrgang 1924, Jazzmusiker & Profigitarrist (verstorben am 28. Januar 2018) Mit 13 entdeckt der Berliner Heinz Jakob "Coco" Schumann den Jazz für sich, kurz darauf schwappt die Swingwelle ins Land, ausgerechnet als der Krieg schon in vollem Gange und Swing Tanzen streng verboten war. Mit 16 spielt er das erstmal öffentlich. Ein riskantes Unterfangen. Er spielt nachts heimlich in den Clubs mit Bully Buhlan und Helmut Zacharias um die Wette. 1943 wird er denunziert und kommt in Gefangenschaft. Deportation nach Theresienstadt, dann nach Auschwitz und nach Dachau. Coco Schumann musiziert selbst in den Lagern, wird so zum "Ghetto-Swinger" und rettet sich so das Leben. 1945 kehrt er nach Berlin zurück, heiratet und bespielt mit seiner Jazzgitarre und neuer Band sämtliche Tanzschuppen rund um den Kurfürstendamm. Trotzdem wandert er 4 Jahre nach Ausstralien aus. Endgültig zurück im Wirtschaftswunder Berlin, jammt er mit Ella Fitzgerald, Dizzy Gillespie und Louis Armstrong. Kurz - er wurde der deutsche Grandmaster of Swing. 40 Jahre hat Coco Schumann über seine Erlebnisse während des Nationalsozialmus geschwiegen. In seinen Memoiren "Der Ghetto Swinger - erzählt der 80jährige Jazzmusiker, wie er Auschwitz und seine Peiniger überlebte und gab uns in der Hörbar ein paar Einblicke in sein spannendes Leben. Coco Schumann wurde 93 Jahre alt. Playlist: Coco Schumann Quartett - Georgia on my Mind (Live) Coco Schumann - Exotique 1963 Louis Armstrong - I've got the World on a String Coco Schumann & Toots Thielemans - Caravan Helmut Zacharias - Swing 48 Coco Schumann y su combo - Senorita de la Mambo Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

Le 24 octobre 1942, le jeune Hanus Hachenburg, né à Prague, est déporté, à une cinquantaine de kilomètres, dans ville-forteresse de Terezin, transformée en ghetto et en camp de transit et de concentration nazi. Conçue pour 6 000 habitants, elle abrite, à cette époque, plus de 50 000 Juifs. Hanus intègre la chambrée n° 1, en compagnie d'une quarantaine d'autres enfants. C'est là que naît la « République de ŠKID », une sorte de régime autogéré par ces enfants-adolescents. Une République doté d'un gouvernement, d'une Constitution et de comités. Le cœur de cette « création » est un journal dans lequel les contributeurs peuvent exprimer leur ressenti. Ils débattent, ils dessinent, ils se moquent dans tous les styles littéraires. Hanus y fait paraître ses poèmes mais aussi des essais philosophiques, des chroniques décrivant la vie quotidienne du ghetto. Et aussi une pièce de théâtre pour marionnettes. Le 18 décembre 1943, l'adolescent est transféré au camp d'Auschwitz-Birkenau. Deux jours après son anniversaire, le 12 juillet, Hanus Hachenburg est assassiné. Il venait d'avoir quinze ans. Souvenons-nous de ce jeune poète… Avec nous : Baptiste Cogitore. « L'Enfant comète - Hanus Hachenburg - Prague, 1929 - Birkenau, 1944 » ; Plon/Rodéo d'âme. + documentaire « Le fantôme de Theresienstadt ». Sujet traités : Hanus Hachenburg, juif, poète, Prague, Terezin, République, Auschwitz-Birkenau, camp Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Named a Best Book of the Year by Kirkus Reviews and a Notable Translated Book of the Year by World Literature Today Winner of the August Prize, the story of the complicated long-distance relationship between a Jewish child and his forlorn Viennese parents after he was sent to Sweden in 1939, and the unexpected friendship the boy developed with the future founder of IKEA, a Nazi activist. And in the Vienna Woods the Trees Remain: The Heartbreaking True Story of a Family Torn Apart by War⁠ (Other Press, 2020). Otto Ullmann, a Jewish boy, was sent from Austria to Sweden right before the outbreak of World War II. Despite the huge Swedish resistance to Jewish refugees, thirteen-year-old Otto was granted permission to enter the country—all in accordance with the Swedish archbishop's secret plan to save Jews on condition that they convert to Christianity. Otto found work at the Kamprad family's farm in the province of Småland and there became close friends with Ingvar Kamprad, who would grow up to be the founder of IKEA. At the same time, however, Ingvar was actively engaged in Nazi organizations and a great supporter of the fascist Per Engdahl. Meanwhile, Otto's parents remained trapped in Vienna, and the last letters he received were sent from Theresienstadt.With thorough research, including personal files initiated by the predecessor to today's Swedish Security Service (SÄPO) and more than 500 letters, Elisabeth Åsbrink illustrates how Swedish society was infused with anti-Semitism, and how families are shattered by war and asylum politics.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Named a Best Book of the Year by Kirkus Reviews and a Notable Translated Book of the Year by World Literature Today Winner of the August Prize, the story of the complicated long-distance relationship between a Jewish child and his forlorn Viennese parents after he was sent to Sweden in 1939, and the unexpected friendship the boy developed with the future founder of IKEA, a Nazi activist. And in the Vienna Woods the Trees Remain: The Heartbreaking True Story of a Family Torn Apart by War⁠ (Other Press, 2020). Otto Ullmann, a Jewish boy, was sent from Austria to Sweden right before the outbreak of World War II. Despite the huge Swedish resistance to Jewish refugees, thirteen-year-old Otto was granted permission to enter the country—all in accordance with the Swedish archbishop's secret plan to save Jews on condition that they convert to Christianity. Otto found work at the Kamprad family's farm in the province of Småland and there became close friends with Ingvar Kamprad, who would grow up to be the founder of IKEA. At the same time, however, Ingvar was actively engaged in Nazi organizations and a great supporter of the fascist Per Engdahl. Meanwhile, Otto's parents remained trapped in Vienna, and the last letters he received were sent from Theresienstadt.With thorough research, including personal files initiated by the predecessor to today's Swedish Security Service (SÄPO) and more than 500 letters, Elisabeth Åsbrink illustrates how Swedish society was infused with anti-Semitism, and how families are shattered by war and asylum politics.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Named a Best Book of the Year by Kirkus Reviews and a Notable Translated Book of the Year by World Literature Today Winner of the August Prize, the story of the complicated long-distance relationship between a Jewish child and his forlorn Viennese parents after he was sent to Sweden in 1939, and the unexpected friendship the boy developed with the future founder of IKEA, a Nazi activist. And in the Vienna Woods the Trees Remain: The Heartbreaking True Story of a Family Torn Apart by War⁠ (Other Press, 2020). Otto Ullmann, a Jewish boy, was sent from Austria to Sweden right before the outbreak of World War II. Despite the huge Swedish resistance to Jewish refugees, thirteen-year-old Otto was granted permission to enter the country—all in accordance with the Swedish archbishop's secret plan to save Jews on condition that they convert to Christianity. Otto found work at the Kamprad family's farm in the province of Småland and there became close friends with Ingvar Kamprad, who would grow up to be the founder of IKEA. At the same time, however, Ingvar was actively engaged in Nazi organizations and a great supporter of the fascist Per Engdahl. Meanwhile, Otto's parents remained trapped in Vienna, and the last letters he received were sent from Theresienstadt.With thorough research, including personal files initiated by the predecessor to today's Swedish Security Service (SÄPO) and more than 500 letters, Elisabeth Åsbrink illustrates how Swedish society was infused with anti-Semitism, and how families are shattered by war and asylum politics.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

15.05.2025 – Langsam Gesprochene Nachrichten – Trainiere dein Hörverstehen mit den Nachrichten der DW von – als Text und als verständlich gesprochene Audio-Datei.

Margot Friedländer – ein Jahrhundertleben – Als junge Frau überlebte sie den Holocaust, viel später kehrte sie nach Deutschland zurück. Bis ins hohe Alter kämpfte die Zeitzeugin gegen das Vergessen. Mit 103 Jahren ist Margot Friedländer nun gestorben.

“If people were paid according to how hard they work, the richest people on earth would be the ones digging ditches with a shovel in the hot summertime.”That's what my mother told me when I was a boy. When she saw the puzzled look on my face, she continued.“People who make a lot of money are paid according to the weight of the responsibility they carry and the quality of the decisions they make.”Second only to grief, the weight of responsibility is the heaviest burden that a person can carry. Compared to those, a shovel full of dirt feels as light as feathers on a windy day.When forced to choose between two evils, it brings a good person no joy to choose the lesser evil. Fewer people will be hurt, but the pain those people feel will be real.A person who is not wounded by the pain they cause others is a sociopath.Authority is power, and power is attractive. Tear away the tinsel. Scrape away the glitter and you will see that authority is just a fancy costume. You wear it when you are about to cause someone pain.Every good person in authority has scars on their heart, memories of the pain they know they have caused others.Sociopaths don't care about the pain of others. They crave authority because they are weak, and the fancy costume lets them pretend they are strong.Things get ugly when a sociopath has power.“In the alchemy of man's soul almost all noble attributes – courage, honor, love, hope, faith, duty, loyalty, etc. – can be transmuted into ruthlessness. Compassion alone stands apart from the continuous traffic between good and evil proceeding within us. Compassion is the antitoxin of the soul: where there is compassion even the most poisonous impulses remain relatively harmless.”– Eric Hoffer, “Reflections on the Human Condition” (1973)A person in authority who lacks compassion is a very small person wearing a badge.As a young man, I admired cleverness. But I have lived enough years and cried enough tears that now I see the world differently. Today, I admire goodness. This shift in perspective helped me understand what Viktor Frankl wrote in his book, “Man's Search for Meaning.”“Freedom is only part of the story and half of the truth… In fact, freedom is in danger of degenerating into mere arbitrariness unless it is lived in terms of responsibleness. That is why I recommend that the Statue of Liberty on the East Coast be supplemented by a Statue of Responsibility on the West Coast.”Viktor Frankl was a medical doctor, a psychologist, and a survivor of the holocaust. He was imprisoned in four different concentration camps: Theresienstadt, Auschwitz where his mother was murdered, Dachau,and then Türkheim.Viktor Frankl believed in freedom, but he refused to see it as a license to do whatever you want. To him, freedom without responsibility was an idiotic idea.Isabella Bird was a well-educated woman who left Victorian England to explore the world in 1854.When she arrived in the United States in 1873, she bought a horse and rode alone more than 800 miles to Colorado. In her book, “A Lady's Life in the Rocky Mountains,” (1879), Isabella wrote,“In America the almighty dollar is the true divinity, and its worship is universal. ‘Smartness' is the quality thought most of. The boy who ‘gets on' by cheating at his lessons is praised for being a ‘smart boy,' and his satisfied parents foretell that he will make a ‘great man.'”“A man who overreaches his neighbor, but who does it so cleverly that the law cannot take hold of him, wins an envied reputation as a ‘smart man,' and stories of this species of ‘smartness' are told admiringly...

Berlin in den 40ern: Margot ist auf dem Weg zur Wohnung ihrer Familie in Kreuzberg, als sie im Hausflur merkt, dass etwas nicht stimmt. Die GESTAPO hat Bruder und Mutter verschleppt – weil die Familie jüdisch ist. Margot wird beide nie wieder sehen. Eine Nachbarin überreicht ihr die letzte Nachricht ihrer Mutter: "Versuche, dein Leben zu machen". Also versteckt sich Margot, färbt sich die Haare, lässt ihre Nase operieren und taucht unter, permanent auf der Hut vor den Nazis. Bis sie 1944 doch noch auffliegt. Wie sie trotz all dem den Alltag bestritten hat, wie sie das Lager Theresienstadt überlebte, dort die Liebe fand, nach New York auswanderte und schlussendlich doch wieder nach Berlin zurückkehrte – und was sie heute macht, erzählt uns die damals 99-jährige in dieser Folge. Margot liest in dieser Folge an manchen Stellen aus ihrem Buch "Versuche, dein Leben zu machen" vor (Schwerdtfeger/Friedländer, Rohwolt). Es ist auch als Hörbuch erschienen, eingelesen von Margot persönlich. Eine ausdrückliche Empfehlung der Redaktion! In Gedenken an Margot Friedländer Fühlt euch gut betreut Leon & Atze Die Folge stammt von Podimo - Mehr von Podimo findet ihr hier: https://podimo.com/de VVK Münster 2025: https://betreutes-fuehlen.ticket.io/ Instagram: https://www.instagram.com/leonwindscheid/ https://www.instagram.com/atzeschroeder_offiziell/ Der Instagram Account für Betreutes Fühlen: https://www.instagram.com/betreutesfuehlen/ Mehr zu unseren Werbepartnern findet ihr hier: https://linktr.ee/betreutesfuehlen Tickets: Atze: https://www.atzeschroeder.de/#termine Leon: https://leonwindscheid.de/tour/

A Tale of Resistance... Based on a Real Story  Hannah longs for the days when she used to be free, but now, she is a Jewish prisoner at Theresienstadt, a model ghetto where the Nazis plan to make a propaganda film to convince the world that the Jewish people are living well in the camps. But Hannah will do anything to show the world the truth. Along with other young resistance members, they vow to disrupt the filming and derail the increasingly frequent deportations to death camps in the east. From the author of Cradles of the Reich comes a poignant and inspiring tale about resistance, friendship, and the dangers of propaganda, based on the real story of the Nazi "show camp" Theresienstadt. Jennifer Coburn is a celebrated historical fiction author. Her latest book, The Girls of the Glimmer Factory, is an illuminating tale of resistance and the dangers of propaganda. Her other novel, Cradles of the Reich, is a historical novel about three very different women living at a Nazi Lebensborn at the start of World War ll. She has also published a mother-daughter travel memoir, We'll Always Have Paris, as well as six contemporary women's novels. She has also contributed to five literary anthologies, including A Paris All Your Own. Jennifer lives in San Diego. When Jennifer is not going down historical research rabbit holes, she volunteers with So Say We All, a live storytelling organization, where she is a performer, producer, and performance coach. She is also an active volunteer with Reality Changers, a nonprofit that supports low-income high school students in becoming the first in their families to attend college. Interviewer Jane R. Wood is the author of six award-winning juvenile fiction books where she weaves history and science into stories filled with mystery, adventure, and humor for young readers ages 8-14. She has also written a nonfiction How-To book for authors called Schools: A Niche Market for Authors. (All of her books are available at Jacksonville Public Library.) Wood is a former teacher, newspaper reporter, and television producer, who often speaks at book festivals, conferences for writers and publishers, podcasts, webinars, and at education conferences. Wood has a BA from the University of Florida and an M.Ed from the University of North Florida. She is the past-president of the Florida Authors and Publishers Association and lives in Jacksonville. Her website is www.janewoodbooks.com. Read her books Check out Jennifer's books from the Library! For more books about the Holocaust, read our blog. Did you know that all of our Lit Chat authors' books count toward your Jax Stacks Reading Challenge completion? Find out what authors we're hosting this month and join in on the fun! --- Never miss an event! Sign up for email newsletters at https://bit.ly/JaxLibraryUpdates  Jacksonville Public LibraryWebsite: https://jaxpubliclibrary.org/ Twitter: https://twitter.com/jaxlibrary Facebook: https://www.facebook.com/JaxLibrary/ Instagram: https://www.instagram.com/jaxlibrary/ YouTube: https://www.youtube.com/user/jaxpubliclibraryfl Contact Us: jplpromotions@coj.net 

Als Elfjährige wurde Eva Erben nach Theresienstadt und später nach Auschwitz deportiert. Sie hat überlebt, weil sie von Wachleuten übersehen wurde. In ihrem Buch "Mich hat man vergessen" hat sie ihre Erinnerungen aufgeschrieben.

Charismatic German Jewish athlete Fredy Hirsch dedicated himself to inspiring and protecting children imprisoned by the Nazis. In this episode, survivors of Theresienstadt and Auschwitz whose lives were made tolerable, sometimes even joyful, thanks to his selfless efforts share their memories. Visit our episode webpage for additional resources, archival photos, and a transcript of the episode. For exclusive Making Gay History bonus content, join our Patreon community. ——— -The following interview segments are from the archive of the USC Shoah Foundation – The Institute for Visual History and Education:  Dina Gottliebova-Babbitt, © 1998 USC Shoah Foundation  Michael Honey, © 1997 USC Shoah Foundation  Peter Mahrer, © 1998 USC Shoah Foundation  Helga Ederer, © 1997 USC Shoah Foundation  Yehudah Bakon, © 1996 USC Shoah Foundation  Melitta Stein, © 1996 USC Shoah Foundation  Eva Gross, © 1996 USC Shoah Foundation  Chava Ben-Amos, © 1997 USC Shoah Foundation   For more information about the USC Shoah Foundation, go here. -The following interview segments are from the United States Holocaust Memorial Museum Collection, Washington, D.C., courtesy of the Jeff and Toby Herr Foundation: RG-50.030.0488, oral history interview with Ursula Pawel RG-50.477.0497, oral history interview with John Steiner, gift of Jewish Family and Children's Services of San Francisco, the Peninsula, Marin and Sonoma Counties RG-50.106.0061, oral history interview with Rene Edgar Tressler For more information about the United States Holocaust Memorial Museum, go here. -The Rudolf Vrba audio was drawn from footage created by Claude Lanzmann during the filming of Shoah. Used by permission of the United States Holocaust Memorial Museum and Yad Vashem, the Holocaust Martyrs and Heroes' Remembrance Authority, Jerusalem. ——— To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Charismatic German Jewish athlete Fredy Hirsch dedicated himself to inspiring and protecting children imprisoned by the Nazis. In this episode, survivors of Theresienstadt and Auschwitz whose lives were made tolerable, sometimes even joyful, thanks to his selfless efforts share their memories. Visit our episode webpage for additional resources, archival photos, and a transcript of the episode. For exclusive Making Gay History bonus content, join our Patreon community. ——— -The following interview segments are from the archive of the USC Shoah Foundation – The Institute for Visual History and Education:  Dina Gottliebova-Babbitt, © 1998 USC Shoah Foundation  Michael Honey, © 1997 USC Shoah Foundation  Peter Mahrer, © 1998 USC Shoah Foundation  Helga Ederer, © 1997 USC Shoah Foundation  Yehudah Bakon, © 1996 USC Shoah Foundation  Melitta Stein, © 1996 USC Shoah Foundation  Eva Gross, © 1996 USC Shoah Foundation  Chava Ben-Amos, © 1997 USC Shoah Foundation   For more information about the USC Shoah Foundation, go here. -The following interview segments are from the United States Holocaust Memorial Museum Collection, Washington, D.C., courtesy of the Jeff and Toby Herr Foundation: RG-50.030.0488, oral history interview with Ursula Pawel RG-50.477.0497, oral history interview with John Steiner, gift of Jewish Family and Children's Services of San Francisco, the Peninsula, Marin and Sonoma Counties RG-50.106.0061, oral history interview with Rene Edgar Tressler For more information about the United States Holocaust Memorial Museum, go here. -The Rudolf Vrba audio was drawn from footage created by Claude Lanzmann during the filming of Shoah. Used by permission of the United States Holocaust Memorial Museum and Yad Vashem, the Holocaust Martyrs and Heroes' Remembrance Authority, Jerusalem. ——— To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Inge Auerbacher is a notable Holocaust survivor whose story has been featured in several podcasts and interviews. Born in 1934 in Kippenheim, Germany, Inge was only a young child when the horrors of the Holocaust unfolded. Her story is particularly powerful because it shows the experience of the Holocaust through the eyes of a child. In 1942, at the age of 7, Inge and her family were deported to the **Terezin concentration camp** (Theresienstadt) in Czechoslovakia. Terezin was presented by the Nazis as a "model" ghetto, meant to deceive the international community about the true conditions of concentration camps, but in reality, it was a place of starvation, disease, and death. Over 33,000 people died there, and tens of thousands were transported to death camps like Auschwitz. Inge and her parents were fortunate to survive their three years in Terezin, despite the horrific conditions. Inge was one of the few children who made it through. Out of the approximately 15,000 children imprisoned in Terezin, only about 100 survived. After the war, Inge immigrated to the United States with her parents. Despite the trauma of her childhood, she pursued a career in chemistry and became an author and public speaker, sharing her story to educate others about the Holocaust. She has written books, including her memoir **"I Am a Star: Child of the Holocaust,"** which recounts her experience as one of the few surviving children from Terezin. In podcasts, Inge often reflects on her memories of Terezin, the importance of resilience, and the duty to remember the past so that history does not repeat itself. Her voice serves as a living testament to the strength of the human spirit in the face of overwhelming adversity. You may find episodes with Inge Auerbacher on various Holocaust remembrance podcasts, where she recounts her experiences and her message of peace and hope.

Ce mois-ci, dans Les Fabuleux Destins, nous mettons en lumière des femmes oubliées de l'histoire et, à l'occasion du Podcasthon, nous souhaitions vous parler de l'association Rêv'Elles. Depuis 2013, Rêv'Elles inspire, accompagne et encourage les jeunes femmes des quartiers populaires à s'épanouir, tant sur le plan personnel que professionnel. À travers ses différents programmes, l'association aide les jeunes femmes de 14 à 20 ans à gagner en confiance, à construire leur projet d'avenir et à développer leur pouvoir d'agir au sein d'une communauté solidaire, portée par les valeurs de sororité et de bienveillance. Pour en savoir plus et soutenir Rêv'Elles, retrouvez le lien en description. Bonne écoute ! La première rabbine de l'histoire  Berlin, 1935. Regina Jonas défie les traditions et demande son ordination en tant que rabbin. Malgré l'opposition, elle devient la première femme à porter ce titre. Mais l'Histoire bascule. Déportée à Theresienstadt, puis à Auschwitz, elle refuse de se taire, apportant espoir et enseignement jusqu'à son dernier souffle. Oubliée, puis redécouverte, son nom éclaire aujourd'hui la voie des femmes rabbins à travers le monde. Pour découvrir d'autres récits passionnants, cliquez ci-dessous : [Les oubliées de l'histoire] Valentina Terechkova, la première femme dans l'espace [Les oubliées de l'histoire] Madame de Staël, la femme qui défia Napoléon [Les oubliées de l'histoire] Sophie Scholl, l'héroïne de la Résistance allemande [Les oubliées de l'histoire] Joséphine Baker, du ghetto américain au Panthéon Un podcast Bababam Originals Ecriture : Clémence Setti  Production : Bababam Voix : Florian Bayoux En apprendre plus sur l'association : https://revelles.org/presentation/ Lien direct pour faire un don : https://revelles.org/nous-soutenir/#don Learn more about your ad choices. Visit megaphone.fm/adchoices

(00:00) In der Stadt Luzern steht das Luzerner Theater vor einer ungewissen Zukunft. Die Stimmberechtigten haben gestern einen Sonderkredit von knapp 14 Millionen Franken deutlich abgelehnt. Mit diesem Geld hätte ein neues Theater gebaut werden sollen. Daraus wird nun nichts. (04:41) Bunt, glitzernd und voller Leidenschaft: Barrie Kosky zeigt am Opernhaus Zürich Puccinis «Manon Lescaut» - unser Kritiker ist begeistert. (10:21) Was war zuerst. Huhn oder Ei? Ein Forscher der Uni Genf will das Rätsel gelöst haben. (14:35) Architektur als Experiment: Das Zentrum Paul Klee in Bern würdigt Le Corbusier und beleuchtet auch kritische Aspekte seines Schaffens. (19:00) Rettungsaktion aus dem Ghetto in Theresienstadt – wie vor 80 Jahren 1200 jüdische Häftlinge in die Schweiz kamen. (23:40) 1200 Jahre alt und Millionen wert: Das Museée jurassien d'art et d'histoire in Delémont zeigt die kostbare Bibel von Moutier-Grandval, die zwischenzeitlich auf einem Dachboden schlummerte.

Roberto Cazzola"Luce"Una corrispondenzaEdizioni Seb27www.seb27.itNelle sue lettere Nino scrive di tutto a Luce, le racconta di come Kafka consola una bambina che ha perso la bambola nel parco o di un libro al cui protagonista è consentito scrivere solo lettere non d'amore, lei risponde rievocando l'infanzia felice con la nonna in Romania, gli parla del teatro in cui impersona Pentesilea o della sua mostra fotografica sul volto assente, gli chiede appoggio nel suo sradicamento. Centrale nel carteggio è il rifiuto opposto al mondo da Luce adolescente, uno sciopero della fame seguito da una distruttiva foga bulimica. Che parlino dell'arto fantasma, di psicologi felloni o di un istituto per disabili i cui ospiti siedono davanti a un televisore muto, che rievochino la deportazione della famiglia Susman a Theresienstadt o raccontino di una bambina palestinese, queste lettere sono intrise di dolcezza. Attraverso la parola un sentimento disincarnato lega i due corrispondenti. Romanzo del Novecento e di due vite, Luce ci lascia con un dubbio: nella ricerca di una corrispondenza con il proprio lato femminile, Nino sta forse scrivendo a se stesso?Roberto Cazzola. Nato a Torino nel 1953, ha lavorato per Einaudi dal 1974 al 1995 e per Adelphi dal 1995 al 2018. Presso entrambi gli editori è stato responsabile della letteratura tedesca. Dal 1983 al 1985 ha insegnato presso l'Università di Vienna. Collabora con il seminario Giustizia e Letteratura dell'Università Cattolica di Milano e con l'Associazione per la ricerca in psicologia analitica (Arpa). All'Università di Tubinga ha partecipato al seminario Wertewelten e ad Ascona ai convegni della Fondazione Eranos. Ha pubblicato il volume di racconti La fedeltà da Marcos y Marcos, i romanzi Lavati le mani, Elmar e La delazione (Premio Mondello 2010) da Casagrande, il saggio Un quarto di pera di Giulio Einaudi. E altre memorie editoriali da Edizioni Seb27 e, con Gian Enrico Rusconi, ha curato per Einaudi Il «caso Austria». Dall'Anschluss all'èra Waldheim. Ha tradotto opere di Joseph Roth, Friedrich Dürrenmatt, Reiner Stach e Georges Haupt.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Composer of the Week marks 80 years since the liberation of Auschwitz with a series commemorating some of the musical voices that were silenced by the atrocities of the Second World War. This week, Donald Macleod focuses on the penultimate destination of these musicians, the Nazi concentration camp at Terezin, and the incredible story of creative resistance in the face of unthinkable adversity and persecution which unfolded there.Music Featured: Gideon Klein: Bachuri Le'an Tisa (my Boy, Where are you going?) Lullaby String Quartet, Op 2 (iii. Adagio) Divertimento for Winds (iii. Adagio and iv. Allegro) Folk Songs for Male Chorus: 'Už mně koně vyvádějí' (They have untethered my horses) Piano Sonata String TrioViktor Ullmann: Sha shtil Piano Sonata No 7 (1st mvt, Allegro) 6 Lieder, Op 17 (No 1, Am Himmelfahrt; No 5, Wie ist die Nacht) Piano Concerto, Op 25 (1st & 2nd mvt) String Quartet No 3, Op 46 Der Kaiser von Atlantis (excerpts)Hans Krása: Brundibár Suite (7th mvt) Tanec for String Trio Kammermusik for Harpsichord and 7 Instruments Theme and Variations for String Quartet Three Songs to texts of Arthur Rimbaud Brundibár, Act IIPavel Haas: Pripoved (Narrative) Quartet Op 2 “From the Monkey Mountains” (2nd mvt, Coach, Coachman and Horse) Overture for Radio, Op 11 Šarlatán Suite, Op 14 (excerpt) Study for Strings Four Songs on Chinese PoetryIlse Weber: Kleines Wiegenlied Karel Švenk: Rozloučení (from play The Last Cyclist) Karel Švenk: Pod destnikem (Under an umbrella); Vesechno jde! (Terezin Hymn) Ilse Weber: Ich wandre durch Theresienstadt; Wiegala František Domažlický: Song without Words František Domažlicky: Suite Danza Karel Berman: Piano Suite: Reminiscences (excerpts)Presented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Voices of Terezin https://www.bbc.co.uk/programmes/m002756y And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Jacob Jacobson dedicates his life to archiving the history of Jews in Germany. For years, nobody pays much attention—until the Nazis take power. Suddenly, Jacobson's meticulous research is being used to destroy the people whose history he wanted to preserve. Unwittingly, Jacobson has also become an invaluable asset to the Nazis. Can he protect himself without betraying his community?  One of the most extensive collections in the LBI Archives, the Jacob Jacobson collection includes former holdings of the Gesamtarchiv der Deutschen Juden – birth, death, and marriage records, mohel books, and administrative records from Jewish communities across Germany dating back to 1660. The remaining holdings of the Gesamtarchiv are now divided between the Central Archive of the Jewish People in Jerusalem and Centrum Judaicum in Berlin. Most of what we know about Jacobson's experiences at the Gesamtarchiv under the Gestapo and in Theresienstadt come from a fragmentary memoir in German and survivor testimony published in London in 1946, both in the LBI Archives. Learn more at lbi.org/jacobson. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It's narrated by Mandy Patinkin. This episode was written by Marijke Peters. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Manuel Mairhofer. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.

In the summer of 1939 there was a little girl living in Lodz, Poland who was looking forward to the first grade. It was while on the family summer vacation that Eva Unterman heard her family members quietly talking about Germany and war. They cut short their vacation and went home to Lodz and soon little Eva was looking at black, shiny boots. The German invasion of Poland was underway. Eva's family was forced into the Lodz Ghetto. After four years in the ghetto they were deported to Auschwitz, Stutthof and a labor camp in Dresden and then marched to Theresienstadt. This march is referred to as the Death March. It was May 1945 when Eva and her parents were liberated.The German Third Reich took the lives of three million Polish Jews in World War II. Only a small number survived or managed to escape. And today, survivor Eva Unterman, now an Oklahoman, tells her story to honor the millions of children whose lives were cut short by the Nazis, and to be sure the Holocaust shall never happen again!Eva's granddaughter Phoebe has written a children's book Through Eva's Eyes about her grandmother's early life in Poland.

Ich halte die Postkarten in der Hand, die mein Urgroßvater seiner Tochter Helga nach Theresienstadt geschrieben hat. Er war zu dieser Zeit in Italien interniert und wurde dann nach Auschwitz deportiert., erzählt Anna Goldenberg, Journalistin, Autorin und Enkelin von Holocaust-Überlebenden. Gestaltung: Alexandra Mantler – Eine Eigenproduktion des ORF, gesendet in Ö1 am 28.01. 2025

Près de deux millions de personnes ont visité les vestiges du plus grand centre de concentration et de mise à mort du régime nazi l'an dernier (2024). L'augmentation de la fréquentation des sites de la Shoah et le travail de mémoire peuvent-ils aider à éviter la répétition du pire ? Visiter Auschwitz-BirkenauAu cours de la Seconde Guerre mondiale, plus d'1.200.000 personnes dont 900.000 juifs ont été tuées sur le seul site d'Auschwitz. Le 27 janvier 1945, le centre de concentration et de mise à mort nazi était libéré par l'armée soviétique. Et Il y a 20 ans, l'ONU choisissait cette date pour marquer la journée internationale à la mémoire de toutes les victimes de la Shoah. Transmettre cette histoire alors que les survivants et les témoins directs ne sont plus que quelques-uns est un défi de société, et c'est ce qu'ont à cœur tous ceux qui accueillent les visiteurs. Reportage d'Adrien Sarlat.Avant d'arriver à Auschwitz, beaucoup de déportés sont passés par le ghetto de Theresienstadt (ou Terezin en tchèque). Ce lieu qui a servi de camp de transit est connu également parce que les nazis en avaient fait un objet de propagande pendant la guerre : en le présentant à la Croix rouge, et au monde, comme un camp modèle. Dans cette petite ville tchèque de Terezin, située à une cinquantaine de kilomètres au nord de Prague, les bâtiments qui portent cette histoire sont en train de s'effondrer, au grand dam des historiens et des survivants. Les précisions d'Alexis Rosenzweig. À lire aussiPologne: commémoration de la libération d'Auschwitz, la parole aux rescapés Alexandre Loukachenko va enchaîner un 7è mandat à la tête de la BiélorussieIl a été réélu président dimanche 26 janvier 2025 avec plus de 87% des voix à l'occasion de ce que la Commission européenne a qualifié de simulacre d'élection. Portrait de Romain Lemarsquier. À lire aussiAlexandre Loukachenko rempile pour cinq ans à la tête de la Biélorussie Le mécontentement des pêcheurs L'Union européenne veut restreindre de 79% les jours de pêche au chalut pour cette année 2025. En Espagne, pour contourner et éviter ces restrictions, les ministères concernés, au niveau national et dans les provinces viennent d'annoncer qu'ils financeraient de nouveaux filets, plus fins, pour préserver l'environnement et maintenir l'activité. Mais la solution fait débat, inquiète les pêcheurs et relance la question de la protection des fonds marins en Méditerranée. Reportage d'Elise Gazengel.Entre Bruxelles et le Royaume-Uni aussi la pêche est un sujet qui fâche. À Londres, le nouveau gouvernement travailliste a beau vouloir améliorer les relations post-Brexit avec l'UE, l'interdiction de la pêche au fond annoncée le printemps dernier (2024) est un casus belli sur lequel les Britanniques refusent de transiger. Les détails avec notre correspondante Marie Billon. À écouter aussiBrexit: les pêcheurs irlandais réclament de nouveaux quotas de pêche

Près de deux millions de personnes ont visité les vestiges du plus grand centre de concentration et de mise à mort du régime nazi l'an dernier (2024). L'augmentation de la fréquentation des sites de la Shoah et le travail de mémoire peuvent-ils aider à éviter la répétition du pire ? Visiter Auschwitz-BirkenauAu cours de la Seconde Guerre mondiale, plus d'1.200.000 personnes dont 900.000 juifs ont été tuées sur le seul site d'Auschwitz. Le 27 janvier 1945, le centre de concentration et de mise à mort nazi était libéré par l'armée soviétique. Et Il y a 20 ans, l'ONU choisissait cette date pour marquer la journée internationale à la mémoire de toutes les victimes de la Shoah. Transmettre cette histoire alors que les survivants et les témoins directs ne sont plus que quelques-uns est un défi de société, et c'est ce qu'ont à cœur tous ceux qui accueillent les visiteurs. Reportage d'Adrien Sarlat.Avant d'arriver à Auschwitz, beaucoup de déportés sont passés par le ghetto de Theresienstadt (ou Terezin en tchèque). Ce lieu qui a servi de camp de transit est connu également parce que les nazis en avaient fait un objet de propagande pendant la guerre : en le présentant à la Croix rouge, et au monde, comme un camp modèle. Dans cette petite ville tchèque de Terezin, située à une cinquantaine de kilomètres au nord de Prague, les bâtiments qui portent cette histoire sont en train de s'effondrer, au grand dam des historiens et des survivants. Les précisions d'Alexis Rosenzweig. À lire aussiPologne: commémoration de la libération d'Auschwitz, la parole aux rescapés Alexandre Loukachenko va enchaîner un 7è mandat à la tête de la BiélorussieIl a été réélu président dimanche 26 janvier 2025 avec plus de 87% des voix à l'occasion de ce que la Commission européenne a qualifié de simulacre d'élection. Portrait de Romain Lemarsquier. À lire aussiAlexandre Loukachenko rempile pour cinq ans à la tête de la Biélorussie Le mécontentement des pêcheurs L'Union européenne veut restreindre de 79% les jours de pêche au chalut pour cette année 2025. En Espagne, pour contourner et éviter ces restrictions, les ministères concernés, au niveau national et dans les provinces viennent d'annoncer qu'ils financeraient de nouveaux filets, plus fins, pour préserver l'environnement et maintenir l'activité. Mais la solution fait débat, inquiète les pêcheurs et relance la question de la protection des fonds marins en Méditerranée. Reportage d'Elise Gazengel.Entre Bruxelles et le Royaume-Uni aussi la pêche est un sujet qui fâche. À Londres, le nouveau gouvernement travailliste a beau vouloir améliorer les relations post-Brexit avec l'UE, l'interdiction de la pêche au fond annoncée le printemps dernier (2024) est un casus belli sur lequel les Britanniques refusent de transiger. Les détails avec notre correspondante Marie Billon. À écouter aussiBrexit: les pêcheurs irlandais réclament de nouveaux quotas de pêche

Vom Aspirin-Labor ins Ghetto: Der jüdische Chemiker Arthur Eichengrün ist im Kaiserreich ein bedeutender Erfinder. Doch das schützt ihn im Nationalsozialismus nicht. Er wird nach Theresienstadt deportiert.

Hans Krása ist auf dem besten Weg, einer der führenden Komponisten im 20. Jahrhundert zu werden. Die Nationalsozialisten beenden seine Karriere und nehmen ihm das Leben. Von Christoph Vratz.

Some twenty five years ago, in a small, nondescript building in downtown Tokyo, children gather to look at a suitcase displayed behind glass. They write poems and draw pictures about the suitcase because of the tragedy it represents. The suitcase came from Auschwitz. This suitcase belonged to Hana Brady, who was born in the Czech Republic, and whose life was brutally cut short by the Holocaust. She was first deported to the Theresienstadt concentration camp in 1942, and then to Auschwitz in 1944 where she died at the age of 13. A Holocaust education center in Tokyo acquired the suitcase with no further information about Hana. So, its director, Fumiko Ishioka, made it her mission to find out more of Hana's story.Her search brought her to Toronto and George Brady. He is Hana's older brother, the only member of their immediate family to survive. For him, the reappearance of the suitcase in Japan, 57 years after Hana's death, was absolutely astonishing.  Produced by Karen Levine/originally aired in 2001 on The Sunday Edition Storylines is part of the CBC Audio Doc Unit

I denne uges LYTTERBERETNINGER fejre Nanna og Calisa at det snart er Spooktober, og tid til SPOOKY FRIENDS igen

This is a free preview of a paid episode. To hear more, visit www.wethefifth.com* Illness fakers* Medium fakers* Ok, so let's warm up with some music stuff * Does any band have a perfect four-album run?* “I've read a lot of books on WWII!!”* On the Martyr Made controversy* Baby Irvings* The bad guys are the good guys, and they have no agency* “The Holocaust was basically a housing issue…”* The Theresienstadt “documentary”* The “terror” bombings* Incidenta…

Stephen Kapos is an 87-year-old Holocaust survivor from Budapest who has been protesting against Israel's war on Gaza, which he describes as not only genocide but a holocaust. Stephen is a member of Holocaust Survivors Against Genocide. Stephen lost 15 members of his extended family in the Holocaust and his father was interned in Belsen & Theresienstadt. He settled in London but when he visited Israel was “shocked” by the racism exhibited by Israelis, including his relatives who had also survived the Holocaust. Stephen joined The Labour Party in 1997, becoming an activist and office-holder at various local levels. Stephen resigned from the Labour party, after penning a widely circulated letter, after the Labour party warned him they would “investigate” him if he spoke at a leftist organization on Holocaust Memorial Day. He is a member of Camden branch of PSC ( Palestine Solidarity Campsign ),Camden & Islington Momentum ( affiliate of the Labour Party) and lately of the small network ‘Holocaust Survivors and Descendents Against Genocide.' ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: @kthalps

In 1943, 13-year-old Zuzana Justman and her family are sent to Theresienstadt, a transit camp and ghetto in occupied Czechoslovakia. While the Nazis claim Theresienstadt was a model ghetto with a thriving cultural life, Zuzana and her family face starvation, illness, and fear of the mysterious transports that take her loved ones away, never to return.  Learn more at www.lbi.org/justman. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It's narrated by Mandy Patinkin. This episode was produced by Rami Tzabar. Our executive Producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our associate producer is Emily Morantz. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Special thanks to the German Federal Archives, the Guardian, Will Coley, The International Festival of Slavic Music for the use of their 2018 performance of Hans Krasa's Brundibar, as well as Zuzana Justman for the use of her film, Voices of the Children. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.

Même les nazis étaient parfois obligés de ménager les apparences. Pour éviter de passer, aux yeux du monde, pour des tortionnaires sans pitié, il leur arrivait de maquiller la vérité. Notamment à propos de leur politique génocidaire et d'un des lieux où elle était appliquée, les camps de concentration.C'est ainsi qu'ils tentent de donner une image présentable de l'un de ces camps, Theresienstadt. Situé dans l'actuelle République tchèque, ce camp reçoit des déportés juifs venus de l'Europe entière.Après un bref séjour, beaucoup sont transférés vers d'autres camps, comme Auschwitz. Mais Theresienstadt est aussi un camp d'extermination, où des dizaines de milliers de détenus sont morts de mauvais traitements ou de privations.Les dirigeants nazis sont conscients de la nécessité de redorer le blason du IIIe Reich, souvent présenté comme un régime barbare. Ils rencontreront ainsi moins d'oppositions dans les pays qu'ils sont amenés à occuper.Aussi ne s'opposent-ils pas à une demande du Danemark, visant à faire visiter le camp de Theresienstadt par une équipe de la Croix-Rouge. Mais ils demandent un délai.Le temps de transformer cet enfer en un lieu accueillant. Un ancien acteur juif est chargé de recruter des figurants, bien nourris si possible. On construit une banque, un café et on prévoit même une scène de théâtre.Les façades sont ravalées et des fleurs donnent à ce lieu de mort un aspect presque pimpant. Aussi, quand les délégués de la Croix-Rouge visitent le camp, en juin 1944, ils sont impressionnés par ce qu'ils voient.Pari gagné pour les nazis qui décident, dans la foulée, de faire un documentaire sur ce "camp modèle". Connu sous le titre "le Führer offre une ville aux juifs", que lui donnent, par ironie, des rescapés du camp, le film montre les scènes tranquilles d'un lieu où il fait bon vivre.Les magasins regorgent de produits, un concert est donné dans la rue et, dans un hôpital bien équipé, les malades reçoivent tous les soins nécessaires. Cet étonnant documentaire est devenu depuis l'un des meilleurs exemples des mystifications nazies. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

You may have heard of the transit camp Theresienstadt as a place of hope and resilience throughout the Holocaust. But the music, art, and recipes found in the Czech ghetto  after the war only tell one part of the story. Today, historian Anna Hájková, author of The Last Ghetto: An Everyday History of Theresienstadt, joins Mark to discuss the complexities of life at Theresienstadt, including class structure, the barter system, and most importantly, food.    LBI Presents is a production of the Leo Baeck Institute, New York | Berlin and Antica Productions.    Hosted by Mark Oppenheimer. Executive Producers include Laura Regehr, Stuart Coxe, and Bernie Blum. Senior Producer is Debbie Pacheco. Associate Producer is Emily Morantz. Associate audio editor is Cameron McIver. Sound design and audio mix by Philip Wilson.