Podcasts about pentatone

Tenor Ian Bostridge and pianist Saskia Georgini join Gramophone Editor Martin Cullingford this week to talk about their new album of Schumann Songs, Twilight, released on the Pentatone label. 

Organist and pianist James McVinnie's new album 'Dreamcatcher' is a beautiful series of works by contemporary composers including Nico Muhly, John Adams, Giles Swayne, Gabriella Smith, Meredith Monk and others, all based around ideas of imagining – be that to do with memory, architecture, musical form or social justice. He joins Editor Martin Cullingford in this week's Podcast to talk through the programme, and about the sound world he's created for this captivating recording. 'Dreamcatcher' is available on the Pentatone label from next Friday, January 17. 

For this week's Podcast, Gramophone Editor Martin Cullingford is joined by Rafael Payare, Music Director of the Orchestre symphonique de Montréal to talk about the music of Schoenberg in the year that marks the composer's 150th anniversary. The focus is his beautiful new recording of Pelleas und Melisande and Verklärte Nacht, which is available today on the Pentatone label.

In this week's Gramophone Podcast, Editor Martin Cullingford is joined by the conductor Semyon Bychkov to talk about his new recording with the Czech Philharmonic for the Pentatone label of the music of Dvořák - the composer's last three symphonies, Nos 7, 8 and 9, along with three concert overtures, In Nature's Realm, Carnival and Othello. 

Mezzo-soprano Magdalena Kožená speaks to Gramophone Editor Martin Cullingford about her new album, ‘Czech Songs', which features composers Bohuslav Martinů, Antonín Dvořák, Hans Krása and Gideon Klein, and for which she's joined by the Czech Philharmonic and Sir Simon Rattle. ‘Czech Songs' is out now on Pentatone.

This podcast spotlights Israeli mandolinist Alon Sariel, who provides an entree into the engaging world of the mandolin, an instrument that perhaps enjoys a relatively low profile but commands a fascinating global reach. Alon Sariel's second album of transcriptions of works by J. S. Bach for mandolin blends technical precision with nuanced artistry and masterly adaptations. The presenter is Raymond Bisha.

Violinist James Ehnes talks about his new recording for Pentatone of Leonard Bernstein's Serenade and John Williams's Violin Concerto No 1.

El director de orquesta Rafael Payare nos hable acerca de su nueva grabación Pentatone dirigiendo a la Orquesta sinfónica de Montreal interpretando obras de Richard Strauss y Gustav Mahler.

Pianist Lara Downes joins Gramophone Editor Martin Cullingford this week to talk about her fascinating new recording of Gershwin's Rhapsody in Blue, as reimagined for today's world by composer Edmar Colón to mark the iconic work's centenary, and available from the Pentatone label.   

Youth is an EP of solo piano music by Edmund Finnis and performed by Clare Hammond, and described as 'a set of brief pieces recalling an image, sensation of place, significant encounter or a moment of vivid perception'. Editor Martin Cullingford invited both Finnis and Hammond into the Gramophone Podcast studio to talk about this beautiful new recording. 

Hollandi Raadio Filharmooniaorkestri ja dirigent Karina Canellakise album Béla Bartóki loomingust.

Jūsų dėmesiui Domanto Razausko geriausių praėjusių metų albumų apžvalga. Klasika, džiazas ir pasaulio muzika. Pirmoje dalyje - geriausi klasikos ir šiuolaikinės akademinės muzikos leidiniai!Albumų sąrašas:Ryuichi Sakamoto. Išleido „Milan“;Missy Mazzoli: Dark with Excessive Bright. Peter Herresthal (smuikas), Bergen Philharmonic Orchestra, James Gaffigan, Arctic Philharmonic, Tim Weiss. Išleido BIS;Dante. Thomas Adès. Išleido „Nonesuch“;Broken Branches. Karim Sulayman (tenoras), Sean Shibe (gitara). Išleido „Pentatone“.J. S. Bach: Goldberg Variations. Vikingur Ólafsson. Išleido „Deutsche Grammophon“;Monteverdi: Vespro della Beata Vergine. Pygmalion, Raphaël Pichon. Išleido „Harmonia Mundi“;Music By Henrik Ødegaard. Vox Clamantis. Išleido ECM;Polygon. Galya Bisengalieva. Išleido „One Little Independent“;Debussy: Études & Pour Le Piano. Steven Osborne. Išleido „Hyperion“;Songs for Our Times. Sphinx Virtuosi. Išleido „Deutsche Grammophon“;Ved. Domantas Razauskas

In this episode, we discuss recordings of “Paul Wranitzky: Three String Quartets Op. 32 No. 4; Op. 2 No. 2 & Op. 49” (CPO) by The Almaviva Quartett, “Profesión” (Pentatone) by Sean Shibe, “John Pickard: Mass in Troubled Times” (BIS) by Chloë Abbott, David Goode &BBC Singers / Martyn Brabbins, “Jazz Masters” (Jando Music / Via Veneto Jazz) by Fabio Zeppetella,  “Lost in Plain Sight” (Fresh Sound New Talent) by Andrew Pereira, and “Satie: A Time Remembered” (O-tone) by Caspar van Meel.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 144 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Paul Wranitzky: Three String Quartets Op. 32 No. 4; Op. 2 No. 2 & Op. 49” (CPO) Almaviva Quartett https://open.spotify.com/album/6LQqO1clfyU91xskDNXqng https://music.apple.com/us/album/wranitzky-3-string-quartets/1718936442   “Profesión” (Pentatone) Sean Shibe https://open.spotify.com/album/0dyXdhgy1xBPqk97JzFz8J https://music.apple.com/us/album/profesión-bonus-track-version/1706904762   “John Pickard: Mass in Troubled Times” (BIS) Chloë Abbott, David Goode, BBC Singers / Martyn Brabbins https://open.spotify.com/album/4d7Ns9P7oAkxTHQqyW7Xmz https://music.apple.com/us/album/john-pickard-mass-in-troubled-times/1704934146   “Jazz Masters” (Jando Music / Via Veneto Jazz)  Fabio Zeppetella https://open.spotify.com/album/2UWjZjBwm0ea4DqbcT41On https://music.apple.com/us/album/jazz-masters-feat-fabrizio-sferra-ares-tavolazzi-dado/1717465612   “Lost in Plain Sight” (Fresh Sound New Talent) Andrew Pereira https://open.spotify.com/album/0fsLQMI0JW2nwSEwNVBGZa https://music.apple.com/us/album/lost-in-plain-sight-feat-neta-raanan-simón-willson/1714305934   “Satie: A Time Remembered” (O-tone)  Caspar van Meel https://open.spotify.com/album/0t0LLIsqHbwPsoWNZRWHfW https://music.apple.com/us/album/satie-a-time-remembered/1711070530   Be sure to check out: "Same Difference: 2 Jazz Fans, 1 Jazz Standard" Johnny Valenzuela and Tony Habra look at several versions of the same Jazz standard each week, play snippets from each version, discuss the history of the original and the different versions.

Interpreten: Czech Philharmonic, Semyon Bychkov Label: Pentatone EAN: 8717306260435 Die lange ersehnte Fortsetzung des Mahler Symphonien Zyklus aus Prag. Semyon Bychkov und die Tschechische Philharmonie mit Gustav Mahlers erster Symphonie. Die Erwartungen werden auch hier nicht enttäuscht, wie wieder Michael Gmasz verrät. Nachdem in den vergangenen Jahren bereits höchst eindrucksvolle Aufnahmen der Zweiten Mahler mit Christiane Karg und Elisabeth Kulman, der vierten Symphonie mit Chen Reiss und der Fünften Mahler erschienen sind, war es an der Zeit, die Mahler Reihe der Tschechischen Philharmonie unter Semyon Bychkov bei Pentatone fortzusetzen. Aufgenommen auch diesmal wieder im Dvořák Saal des Rudolfinums in Prag. Der Titan, wie man die erste Symphonie gerne nennt, wobei der Titel von Mahler wieder zurückgezogen wurde, ist die neue Folge der über längere Zeit angelegten Mahler Gesamtaufnahme aus Prag und auch diese Aufnahme setzt an musikalischer Raffinesse und Qualität fort, was die bisherigen bereits geboten haben. Diese erste Symphonie von Gustav Mahler ist ein faszinierendes Werk. Naturverbunden, tänzerisch, mit traditionellen Elementen und ersten Klezmer-Anklängen. Mit ganz leisen aber doch auch feierlich lauten Tönen. Semyon Bychkov ist ein Freund der Kleinigkeiten, der feinen Nuancen, der Transparenz, trotz des großen Orchesterapparates. Das Besondere an dieser Aufnahme ist jedoch, dass Bychkov nie aufdringlich auf die speziellen Elemente in Mahlers Werk hinweist. Der Ländler im zweiten Satz ist tänzerisch, aber nicht übermäßig „gestrampft“, die Klezmerkapelle im Dritten fügt sich ins Geschehen ein, als wäre es das Normalste der Welt. Das ist die Spezialität von Semyon Bychkov und seiner Mahlerdeutung. Es wirkt alles absolut natürlich, nichts aufgesetzt oder übertrieben – und genau dafür gebührt ihm großer Dank und immer wieder eben auch die Anerkennung meinerseits zumindest als Wochenempfehlung auf radio klassik Stephansdom! (mg)

Cuban-American Lisette Oropesa is a highly acclaimed and in-demand operatic soprano known for her exceptional vocal skills and stage presence. She speaks 5 languages and excels in a wide range of operatic repertoire, from Baroque and Mozart to Bel Canto and French composers. Her outstanding performances have earned her enthusiastic global recognition, and she regularly stars in productions in the world's greatest opera houses, from New York's Metropolitan Opera to London's Royal Opera House, Vienna's State Opera, and Milan's Teatro alla Scala, among many others. In addition to her successful singing career, Lisette is also known for her dedication to health and fitness. She is an outdoor enthusiast and devoted runner who has completed several marathons, and been featured in major fitness publications such as Runner's World Magazine. She's followed a fully plant based diet for the past 12 years. Lisette is also a mentor and role model to young singers, giving masterclasses and lectures at universities and young artist programs around the world. She is active on social media, and she and her husband Steven personally curate her website and all her platforms. Her most recent solo album, “French Bel Canto,” released on the Pentatone label, has achieved major critical acclaim, and has been one of the top selling classical opera aria albums since its release.     Peter and Lisette talk about what it's like to perform opera on the world's greatest stages, industry biases, obesity vs. health & fitness, pros and cons of social media, taking a stance on politics and religion, vocal technique, role preparation, and much more. Please welcome Lisette Oropesa.

Today's guest is harpist Bridget Kibbey, who's been described as the Yo-Yo Ma of the harp. She has a new album out tomorrow on the wonderful label Pentatone called Crossing The Ocean. She commissioned contemporary composers who span the globe to write music specifically for her resulting in a mesmerizing kaleidoscope of sounds that meld the classical to folkloric traditions. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rafael Payare, or “Rafa,” as he's known more informally, is the energetic, electrifying and unmistakable conductor that is taking the classical world by storm. Payare currently serves as Music Director of both the Montreal and San Diego Symphonies. A graduate of Venezuela's famed El Sistema program, Payare first attracted attention as winner of Denmark's Malko International Conducting Competition in 2012. Since then, he's brought his exuberance and elegance to conduct preeminent orchestras across the globe, from London to New York, Munich to Boston, and Stockholm to Chicago. Rafael Payare speaks with Alec about the many important conductors he's learned from, how he approaches putting together a music program, and why finding the right chemistry with an orchestra is like falling in love.    The following compositions are featured in this episode: Gustav Mahler Symphony No. 5 with the Orchestre Symphonique de Montréal, conducted by Rafael Payare, provided courtesy of Pentatone. You can find the album here.  Shostakovich's Symphony No. 11 in G minor, Op. 103 “The Year 1905,” conducted by Rafael Payare, courtesy of the San Diego Symphony on Platoon. You can find the album here.See omnystudio.com/listener for privacy information.

On this week's Gramophone Podcast we talk to tenor Karim Sulayman and guitarist Sean Shibe about their album 'Broken Branches', released today on the Pentatone label. Featuring music by composers including Dowland, Britten, and Takemitsu, as well traditional songs from the Middle East, it's a fascinating and highly personal project for them both. A podcast produced in association with Wigmore Hall. 

The Venezuelan conductor Rafael Payare was appointed Music Director of the Orchestre symphonique de Montréal (Montreal SO) at the start of the 2022-23 season and one of their first projects together, Mahler's Fifth Symphony, has just been released by Pentatone. Rafael Payare was in London recently conducting a run of much-praised performances of Rossini's Il barbiere di Siviglia at Covent Garden, and Gramophone's James Jolly took the opportunity to catch up with him to talk about his work in Montreal and the new Mahler recording. Gramophone Podcasts are given in association with Wigmore Hall.

Javier Camarena, tenor mexicano

durée : 00:09:52 - Le Disque classique du jour du mardi 22 novembre 2022 - Sur son troisième album pour la label Pentatone, Anna Lucia Richter revient au lied allemand, faisant ses débuts en tant que mezzo-soprano avec un récital de chansons de Brahms, avec le pianiste Ammiel Bushakevitz.

durée : 01:30:37 - En pistes ! du mardi 22 novembre 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce mardi : le troisième album sous le label Pentatone de la chanteuse Anna Lucia Richter accompagnée par Ammiel Bushakevitz au piano. Mais aussi le dernier enregistrement d'Anne Queffélec ou encore l'hymne de l'indépendance du Brésil.

durée : 00:10:29 - Visions - Tamara Stefanovich, Pierre-Laurent Aimard - Visions propose le retour de Tamara Stefanovich et Pierre-Laurent Aimard au Pentatone, présentant un programme autour de l'enivrante Visions de l'amen pour deux pianos de Messiaen.

El tenor Javier Camarena nos habla acerca de su nuevo álbum Signor Gaetano grabado para el sello holandés Pentatone.

Kaks väljapaistvat New Yorgi heliloojat – Nico Muhly ja Philip Glass – põhjamaises valguses. Album on Norra Kammerorkestri ja nende uue kunstilise juhi viiuldaja Pekka Kuusisto esimene töövili.

As both a world-class performer and an advocate for her instrument, Sarah Willis is an inspiration to a generation of horn players, so I was somewhat star-struck to talk to her for this week's episode. Despite the unceasing travel difficulties and upheaval of the past two years, Sarah has been continuing to spend time in Cuba working with Cuban instrumentalists and composers. The fruits of this can be heard on her two *Mozart y Mambo* albums from July 2020 and September 2022, where she sets Mozart's magnificent horn concertos alongside traditional and contemporary Cuban dances. We dig into what makes this music tick, and how a cross-cultural collaboration can combine faithfulness to its ingredients with a knowing and sometimes irreverent angle on the canon.

Chris and Sridhar discuss their favorite Victor Borge bits, the ins and outs of concert attire, and the San Francisco Conservatory of Music's acquisition of the record label Pentatone. Join the discussion: Tweet us @shreggz and @chris_arkin Episode clips on Instagram @impolitemedia Useful links: Victor Borge documentary Victor Borge performs at the White House White House Steinway Victor Borge & Anton Contra play Monti's Czardas Victor Borge as Franz Liszt Victor Borge & Michala Petri play Czardas Victor Borge - Inflationary Language Victor Borge - Happy Birthdays Netflix to Stop Greenlighting Vanity Projects Criterion Channel First Woman Joins Vienna Philharmonic in 1997 Claudio Abbado's suit Joshua Bell & Jeremy Denk - NPR Tiny Desk Concert Joshua Bell & Yuja Wang play Beethoven Violin Sonata no. 9 Mischa Maisky plays Bruch's Kol Nidrei A New Model for a Music Conservatory by Ted Gioia The Honest Broker - Ted Gioia's substack Pentatone Music Reprise Records - wikipedia Samuel Lipman - The House of Music: Art in an Era of Institutions Natalia Osipova dances Giselle Erich Leinsdorf - The Composer's Advocate: A Radical Orthodoxy for Musicians

WQXR's Artist Propulsion Lab is the station's program to support emerging and mid-career artists by providing them with opportunities to perform and commission work, and to take advantage of the station's platforms, like this podcast. Starting today, and continuing every other Thursday, join this year's class of artists as they explore a topic important to them. In this episode, violinist and composer Layale Chaker is joined by composer and pianist Fabian Alamazan, and paleobotanist David Lentz, of the University of Cincinnati, for a conversation about music and environmental stewardship, moderated by New Sounds' John Schaefer.  Featured Recordings: "The Songs of the Forgotten" composed and performed by Fabian Almazan. Available at Bandcamp "Le Courlis cendré," from Catalogue d'oiseaux by Olivier Messaien, performed by Pierre-Laurent Aimard. Available at Pentatone "Tingo Maria," from Milagros by Gabriela Lena Frank, performed by the Willamette Valley Chamber Music Festival. Available from Bright Shiny Things

durée : 00:13:03 - Flow - Annelien van Wauwe, NDR Radiophilharmonie, Andrew Manze - La clarinettiste Annelien van Wauwe présente son deuxième enregistrement pour le label Pentatone. Un programme inspiré par le yoga qu'elle pratique beaucoup. On écoute !

The internationally-acclaimed Miró Quartet have finally released their entire cycle of Beethoven String Quartets (all 8 1/2 hours!) on the Pentatone record label. Fifteen years in the making, the new box set contains dynamic and thoughtful interpretations of these remarkable works - which not only trace the musical lifespan of Beethoven, but document the growth and development of the Miró Quartet itself. Cellist Joshua Gindele and violist John Largess join us to offer a preview.

durée : 00:14:35 - Beethoven : Cello Sonatas Nos. 1-5 - Alisa Weilerstein, Inon Barnatan - Le label Pentatone présente un nouveau disque consacré aux Sonates pour violoncelle de Ludwig van Beethoven, ici interprétées par Alisa Weilerstein et Inon Barnatan. C'est notre disque du jour !

The music of The (R)evolution of Steve Jobs is a fast-paced score of acoustic resonance and electronic sampling, featuring instruments not normally found in the opera pit like saxophone and guitar. How do all of these unorthodox elements blend to create a GRAMMY-winning musical experience? Listen in as conductor Michael Christie guides you through this riveting opera by composer Mason Bates and librettist Mark Campbell in this week's BlinkOpera! Blinks are built to give you an introduction to operas told from the artists who actually perform them and know them intimately. So, let's listen to the highlights, unpack the plot, and hear about performance anecdotes in a time-efficient and fun way! Recording: Bates: The (R)evolution of Steve Jobs; Santa Fe Opera Orchestra; Michael Christie; Pentatone

Steve Jobs was a revolutionary, a complex mastermind whose efforts to redefine technology have made an indelible impact on us all. Drama and intrigue define his story - a story tailor-made for opera. Join baritone John Moore as he discusses the opera's plot, collaboration with composer Mason Bates and librettist Mark Campbell, and his approach to encapsulating the polarizing pioneer on stage in this episode of BlinkOpera! Blinks are built to give you an introduction to operas told from the artists who actually perform them and know them intimately. So, let's listen to the highlights, unpack the plot, and hear about performance anecdotes in a time-efficient and fun way! Recording: Bates: The (R)evolution of Steve Jobs; Santa Fe Opera Orchestra; Michael Christie; Pentatone

Jimmy López Bellido, nos presenta Aurora y Ad Astra en una nueva grabación del sello Pentatone con la solista Leticia Moreno acompañada por la Houston Symphony bajo la dirección de Andrés Orozco-Estrada. 

TITLE: Silk Baroque TRACK: June Steenbrink: Silk Rondeau ARTIST: Wu Wei (sheng) with Holland Baroque PUBLISHER: 2019 PENTATONE

Scaling new heights with one of the most important artists of the last five years.

TITLE: Silk Baroque TRACK: June Steenbrink: Silk Rondeau ARTIST: Wu Wei (sheng) with Holland Baroque PUBLISHER: 2019 PENTATONE

In this bonus episode of The Culture Bar podcast, we are sharing something a little bit different with you; a compilation of responses to a special bonus question we asked some of our guests from previous episodes. We asked this post-interview question: ‘How will technology influence arts and culture?'. These informative, insightful ideas, predictions and thoughts have been edited together so you can hear how music and arts experts think digital and tech will impact the sector, and what this might look like.   You will hear opinions from: Professor Anatol Lieven of Georgetown University in Qatar, from our first episode ‘The Green New Deal and the Arts', thinking about technology in the context of architecture, sustainability and public spaces. Arts development and fundraising experts Diana Williams, Simon Fairclough from CBSO, and Charlotte Appleyard from Royal Academy of Arts appeared in our second episode ‘Sponsorship in a Pandemic', and talked about the need for a blended approach of live and digital. Guests Nadia Race Director of International Engagement at the British Museum, Roy Luxford Planning and Operations Director from Edinburgh International Festival and Rafi Gokay-Wol Director of Touring at HarrisonParrott talked in-depth about technology and culture in episode Number 3 'International Cultural Exchange', and gave us an international perspective on tech and the arts. Our fourth podcast ‘Tech, COVID and the Future' was exactly about this topic and explored in-depth by Till Janczukowicz from Idagio, Ben Hogwood from Naxos, and Silvia Pietrosanti from Pentatone, and provided insights into how tech gives greater access to new audiences and breaks down barriers. Choral experts Paul Evans, Canon of Ely Cathedral, Sofi Jeannin Chief Conductor BBC Singers and Music Director of the Maîtrise de Radio France, and Tido Visser Artistic Director of Netherlands Chamber Choir from episode Number 5 'How can sacred music be relevant in a secular society?' discussed how we need to increasingly think about music as a visual medium.  Finally, in episode Number 10 ‘Oil & Water: Can Art and Digital Mix?' mixed media artist Laura Hendricks and Assistant Art Gallery Curator Wells Fray-Smith from Whitechapel Gallery reflected on how technology can help communicate artworks to audiences.  The Culture Bar is a podcast series created by HarrisonParrott focussing on conversations in culture and the arts. Find us on Spotify, iTunes, Google Podcasts, YouTube, Podbean, Deezer, Stitcher, Pocket Casts and all good podcatcher sites. Use #theculturebar or follow us on Twitter @_TheCultureBar to keep up with our latest releases. A special thank you to Robert Cochrane as the composer of the theme tune music, and Merlyn Thomas our editor.

Sean Shibe has just released a new album, 'Camino', an exploration of the cross-fertilisation of French and Spanish music, and built around the gentle sound world of Federico Mompou. He talks to James Jolly about the stop-start music-making experience of the pandemic and how it focused his mind on exploring Spanish music for the first time on record. A passionate advocate for new music, Shibe also reveals what he's been up to on the contemporary music front. This Gramophone Podcast is given in association with Tomplay Sheet Music.

Cellist Johannes Moser chats to online editor Davina Shum about the emotional rollercoaster that is the Elgar Cello Concerto, as well as playing with quality projection and an Olympian setup ahead of his performance at the BBC Proms on 9 August. Check out thestrad.com for all the latest news and discussion on all things to do with string playing. Why not register and subscribe to access exclusive archival content from 2010 onwards? If you're a student, you can get 50% an online subscription! Check it out here: https://bit.ly/3eQ75AB  Find us on social media: Facebook.com/thestrad Twitter: @TheStradMag Instagram: @the_strad_ Excerpt of Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato used with permission from Johannes Moser and PENTATONE. Elgar and Tchaikovsky Artist: Johannes Moser Conductor: Andrew Manze Orchestra: L'Orchestre de la Suisse Romande  PTC 5186570 Photo credit: Manfred Esser-Haenssler Classic

On this episode, we chat with Tommaso Rocchi, a 2020 Master of Arts graduate of The Global Entertainment and Music Business program at Berklee College of Music in Valencia, Spain. As a former college radio Music Director at the University of Padua in northern Italy, Rocchi then moved on to Berklee to focus on copyright law, new business models, and data analytics.In September 2020, Rocchi penned a Chartmetric article entitled “How Data is Redefining the Role of A&R in the Music Industry Today,” based off of his research at Berklee. It focuses on where the field of A&R has gone in the digital era from its analog roots, and how data plays a significant role, but should never replace the human side of how professionals operate.Rocchi is currently a Project Manager for Data and Analytics at Netherlands-based classical music label PENTATONE.Connect with Tommaso: LinkedIn | Twitter | InstagramRead "How Data is Redefining the Role of A&R in the Music Industry Today" here.If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here.

Viiuldaja Julia Fischer tõlgendab Johannes Brahmsi viiulikontserti ja koos Daniel Müller-Schottiga avastab Brahmsi viiulile ja tšellole kirjutatud topeltkontserdi kõlamaailma.

TITLE: Nostalgia for Bach TRACK: Bach's Fugue for Organ, in E-Flat Major, BWV 552 "St. Anne" arranged for Busoni ARTIST: Francesco Piemontesi (piano) PUBLISHER:2020 PENTATONE

TITLE: Nostalgia for Bach TRACK: Bach’s Fugue for Organ, in E-Flat Major, BWV 552 "St. Anne" arranged for Busoni ARTIST: Francesco Piemontesi (piano) PUBLISHER:2020 PENTATONE

durée : 01:58:25 - Le Bach du dimanche du dimanche 11 avril 2021 - par : Corinne Schneider - Au programme de cette 160e émission : on fête les 60 ans du claveciniste français Christophe Rousset ; puis on feuillette le numéro spécial du magazine Classica « Tout sur Bach » (avril 2021) avec la découverte du premier album Bach du pianiste suisse Francesco Piemontesi (label Pentatone). - réalisé par : Emmanuel Benito

Anna Lucia Richter's second album for Pentatone, 'Il delirio della passione', is devoted to the music of Claudio Monteverdi, a programme she put together with Luca Pianca, who directs Ensemble Claudiana on the recording. James Jolly caught up with Anna Lucia by video call to talk about the project, but also hear about her decision to switch from singing soprano to mezzo-soprano. Making use of the 'down-time' afforded her by lockdown, she worked with Prof Tamar Rachum in Tel Aviv via Skype and phone to develop her 'new voice'.

Signum Quarteti uus album "Ins stille Land" on mõtteline järg kaks aastat tagasi ilmunud plaadile "Aus der Ferne". Ka uuel helikandjal jätkab mainekas kvartett Schuberti-teekonda.

Signum Quarteti uus album "Ins stille Land" on mõtteline järg kaks aastat tagasi ilmunud plaadile "Aus der Ferne". Ka uuel helikandjal jätkab mainekas kvartett Schuberti-teekonda.

Premium Fantasy: Live at Sonic Masala Fest, Greenslopes Bowls Club, 17 August 2019 Premium Fantasy are a Melbourne-based duo comprising Zü Hunting and James Payne, who both operate keyboards, drum machines and various pedals to make their music. The band's first recordings were made in Berlin in 2012. In more recent years they have become steady fixtures on the Melbourne live scene. Their debut EP "Active/Passive" was released in 2014 and debut album, "Premium Fantasy 2", came in 2019. Recorded by James Fearn-Wannan Mixed by Taine Josephson Special thanks to live engineer Lachlan Kidd Extra songs: Shugorei - "Pentatone" live at Oscillo Scape 15, 16 November 2019 Recorded by Marly Lüske & Jack Brock Mixed by Marly Lüske Originally broadcast in Live Delay ep. 305 Relay Tapes - "Jellyfish" live at The Bearded Lady, 16 November 2019 Recorded by Nell Forster & Scott Mercer Mixed by Jack Brock Originally broadcast in Live Delay ep. 301 Strange Seed - "Where Does It Take You" live at The Bearded Lady, 14 March 2020 Recorded by Nell Forster Mixed by Jack B-Jones Originally broadcast in Live Delay ep. 322 Show production, engineering and host: Scott Mercer Originally aired via Zed Digital, 7-8pm, Sunday 18 October, 2020

In podcast episode No.4 of The Culture Bar we are considering the future of music, where it's headed, trends, and of course the impact of COVID19. We are delighted to be joined by Ben Hogwood from Naxos, Silvia Pietrosanti from Pentatone, and Till Janczukowicz from Idagio. This episode is hosted by HarrisonParrott's Lorna Aizlewood and produced by Maja Wolniak. This lively debate talks about how we consume music and where we get our music fixes from, be it live or recorded, and what's happening in that world today. What changes are there, what are the trends, and COVID-19 and how that's changing where we get our music from.   Use #theculturebar or follow us on Twitter @_TheCultureBar to keep up with our latest releases

The French conductor Alexandre Bloch was appointed Music Director of the Orchestre National de Lille in 2016 and has made a huge impact on the musical making in the city. Two of his recordings with the orchestra – Bizet's Les Pêcheurs de perles (for Pentatone) and Chausson's Poème de l'amour et de la mer, with Véronique Gens, and the Symphony (Alpha Classics) – were shortlisted for the Gramophone Classical Music Awards. And such has been the acclaim of the Bloch/ONL partnership that the orchestra was also shortlisted for this year's Orchestra of the Year Award. The latest release from this dynamic partnership is Mahler's Seventh Symphony, just out from Alpha Classics. James Jolly met up with Alexandre Bloch earlier his year when the conductor was in London on a short UK tour with the Lille orchestra. They talked about Mahler and also about the Lille orchestra which is really beginning to attract major attention.

In this episode, I have the great pleasure of speaking about all things mindful practice with international cello soloist Alisa Weilerstein. Alisa has attracted widespread attention for her playing that combines natural virtuosity and technical precision with impassioned musicianship.  In this episode, Alisa shares insight on: How her parents nurtured a natural unfolding and healthy progression of her career Practicing: focusing efficient practice, intentional breaks and time off management (so important for long term sustainability + physical and mental health!) Her approach to learning a piece The importance of keeping musicality part of the technical work (as she said “Keeping everything married”) How practicing mindfully is the key for her to get rid of nerves and feel comfortable in performance How she plays mock performance for friends How to develop a natural rubato using the metronome … and much more!   It's an information and inspiration packed episode and I hope you enjoy and find value in our discussion!   MORE ABOUT ALISA WEILERSTEIN alisaweilerstein.com twitter.com/aweilerstein facebook.com/AlisaWeilerstein instagram.com/alisaweilerstein/   Alisa Weilerstein is one of the foremost cellists of our time. Known for her consummate artistry, emotional investment and rare interpretive depth, she was recognized with a MacArthur “genius grant” Fellowship in 2011. Today her career is truly global in scope, taking her to the most prestigious international venues for solo recitals, chamber concerts, and concerto collaborations with all the preeminent conductors and orchestras worldwide. “Weilerstein is a throwback to an earlier age of classical performers: not content merely to serve as a vessel for the composer's wishes, she inhabits a piece fully and turns it to her own ends,” marvels the New York Times. “Weilerstein's cello is her id. She doesn't give the impression that making music involves will at all. She and the cello seem simply to be one and the same,” agrees the Los Angeles Times. As the UK's Telegraph put it, “Weilerstein is truly a phenomenon.”   Bach's six suites for unaccompanied cello figure prominently in Weilerstein's current programming. Over the past two seasons, she has given rapturously received live accounts of the complete set on three continents, with recitals in New York, Washington DC, Boston, Los Angeles, Berkeley and San Diego; at Aspen and Caramoor; in Tokyo, Osaka, Guangzhou, Shenzhen, London, Manchester, Aldeburgh, Paris and Barcelona; and for a full-capacity audience at Hamburg's iconic new Elbphilharmonie. During the global pandemic, she has further cemented her status as one of the suites' leading exponents. Released in April 2020, her Pentatone recording of the complete set became a Billboard bestseller and was named “Album of the Week” by the UK's Sunday Times. As captured in Vox's YouTube series, her insights into Bach's first G-major prelude have been viewed almost 1.5 million times. During the first weeks of the lockdown, she chronicled her developing engagement with the suites on social media, fostering an even closer connection with her online audience by streaming a new movement each day in her innovative #36DaysOfBach project. As the New York Times observed in a dedicated feature, by presenting these more intimate accounts alongside her new studio recording, Weilerstein gave listeners the rare opportunity to learn whether “the pressures of a pandemic [can] change the very sound a musician makes, or help her see a beloved piece in a new way.”   Earlier in the 2019-20 season, as Artistic Partner of the Trondheim Soloists, Weilerstein joined the Norwegian orchestra in London, Munich and Bergen for performances including Haydn's two cello concertos, as featured on their acclaimed 2018 release, Transfigured Night. She also performed ten more concertos by Schumann, Saint-Saëns, Elgar, Strauss, Shostakovich, Britten, Barber, Bloch, Matthias Pintscher and Thomas Larcher, with the London Symphony Orchestra, Zurich's Tonhalle Orchestra, Frankfurt Radio Symphony, Gürzenich Orchestra Cologne, Tokyo's NHK Symphony, the New York Philharmonic, and the Houston, Detroit and San Diego symphonies. In recital, besides making solo Bach appearances, she reunited with her frequent duo partner, Inon Barnatan, for Brahms and Shostakovich at London's Wigmore Hall, Milan's Sala Verdi and Amsterdam's Concertgebouw. To celebrate Beethoven's 250th anniversary, she and the Israeli pianist performed the composer's five cello sonatas in Cincinnati and Scottsdale, and joined Guy Braunstein and the Dresden Philharmonic for Beethoven's Triple Concerto, as heard on the duo's 2019 Pentatone recording with Stefan Jackiw, Alan Gilbert and the Academy of St. Martin in the Fields.   Committed to expanding the cello repertoire, Weilerstein is an ardent champion of new music. She has premiered two important new concertos, giving Pascal Dusapin's Outscape “the kind of debut most composers can only dream of” (Chicago Tribune) with the co-commissioning Chicago Symphony in 2016 and proving herself “the perfect guide” (Boston Globe) to Matthias Pintscher's cello concerto un despertar with the co-commissioning Boston Symphony the following year. She has since reprised Dusapin's concerto with the Stuttgart and Paris Opera Orchestras and Pintscher's with the Gürzenich Orchestra Cologne and with the Danish Radio Symphony and Cincinnati Symphony, both under the composer's leadership. It was also under Pintscher's direction that she gave the New York premiere of his Reflections on Narcissus at the New York Philharmonic's inaugural 2014 Biennial, before reuniting with him to revisit the work at London's BBC Proms. She has worked extensively with Osvaldo Golijov, who rewrote Azul for cello and orchestra for her New York premiere performance at the opening of the 2007 Mostly Mozart Festival. Since then she has played the work with orchestras around the world, besides frequently programming his Omaramor for solo cello. Grammy nominee Joseph Hallman has written multiple compositions for her, including a cello concerto that she premiered with the St. Petersburg Philharmonic and a trio that she premiered on tour with Barnatan and clarinetist Anthony McGill. At the 2008 Caramoor festival, she premiered Lera Auerbach's 24 Preludes for Violoncello and Piano with the composer at the keyboard, and the two subsequently reprised the work at the Schleswig-Holstein Festival, Washington's Kennedy Center and for San Francisco Performances.   Weilerstein's recent Bach and Transfigured Night recordings expand her already celebrated discography. Earlier releases include the Elgar and Elliott Carter cello concertos with Daniel Barenboim and the Staatskapelle Berlin, named “Recording of the Year 2013” by BBC Music, which made her the face of its May 2014 issue. Her next album, on which she played Dvořák's Cello Concerto with the Czech Philharmonic, topped the U.S. classical chart, and her 2016 recording of Shostakovich's cello concertos with the Bavarian Radio Symphony and Pablo Heras-Casado proved “powerful and even mesmerizing” (San Francisco Chronicle). She and Barnatan made their duo album debut with sonatas by Chopin and Rachmaninoff in 2015, a year after she released Solo, a compilation of unaccompanied 20th-century cello music that was hailed as an “uncompromising and pertinent portrait of the cello repertoire of our time” (ResMusica, France). Solo's centerpiece is Kodály's Sonata for Solo Cello, a signature work that Weilerstein revisits on the soundtrack of If I Stay, a 2014 feature film starring Chloë Grace Moretz in which the cellist makes a cameo appearance as herself.   Weilerstein has appeared with all the major orchestras of the United States, Europe and Asia, collaborating with conductors including Marin Alsop, Daniel Barenboim, Jiří Bělohlávek, Semyon Bychkov, Thomas Dausgaard, Sir Andrew Davis, Gustavo Dudamel, Sir Mark Elder, Alan Gilbert, Giancarlo Guerrero, Bernard Haitink, Pablo Heras-Casado, Marek Janowski, Paavo Järvi, Lorin Maazel, Cristian Măcelaru, Zubin Mehta, Ludovic Morlot, Yannick Nézet-Séguin, Peter Oundjian, Rafael Payare, Donald Runnicles, Yuri Temirkanov, Michael Tilson Thomas, Osmo Vänskä, Joshua Weilerstein, Simone Young and David Zinman. In 2009, she was one of four artists invited by Michelle Obama to participate in a widely celebrated and high-profile classical music event at the White House, featuring student workshops hosted by the First Lady and performances in front of an audience that included President Obama and the First Family. A month later, Weilerstein toured Venezuela as soloist with the Simón Bolívar Symphony Orchestra under Dudamel, since when she has made numerous return visits to teach and perform with the orchestra as part of its famed El Sistema music education program.   Born in 1982, Alisa Weilerstein discovered her love for the cello at just two and a half, when she had chicken pox and her grandmother assembled a makeshift set of instruments from cereal boxes to entertain her. Although immediately drawn to the Rice Krispies box cello, Weilerstein soon grew frustrated that it didn't produce any sound. After persuading her parents to buy her a real cello at the age of four, she developed a natural affinity for the instrument and gave her first public performance six months later. At 13, in 1995, she made her professional concert debut, playing Tchaikovsky's “Rococo” Variations with the Cleveland Orchestra, and in March 1997 she made her first Carnegie Hall appearance with the New York Youth Symphony. A graduate of the Young Artist Program at the Cleveland Institute of Music, where she studied with Richard Weiss, Weilerstein also holds a degree in history from Columbia University. She was diagnosed with type 1 diabetes (T1D) at nine years old, and is a staunch advocate for the T1D community, serving as a consultant for the biotechnology company eGenesis and as a Celebrity Advocate for JDRF, the world leader in T1D research. Born into a musical family, she is the daughter of violinist Donald Weilerstein and pianist Vivian Hornik Weilerstein, and the sister of conductor Joshua Weilerstein. She is married to Venezuelan conductor Rafael Payare, with whom she has a young child.     Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to a super productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! Don't forget to visit the Mind Over Finger Resources' page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday!  Find it here: www.mindoverfinger.com/resources!   And don't forget to join the Mind Over Finger Tribe for additional resources on practice and performing! If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support!     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

durée : 01:58:37 - En pistes ! du jeudi 17 septembre 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour : découverte d'une Messe de Requiem à cinq voix composée en 1556 de Simone de Bonefont par Paul Van Nevel et le Huelgas Ensemble ; Marcin Fleszar mêle Rameau et Schumann ; Le Gewandhausorchester Leipzig et Blomstedt font leurs débuts sur le label Pentatone... - réalisé par : Gilles Blanchard

Missy Mazzoli made history in 2018 when the Metropolitan Opera commissioned her, alongside Jeanine Tesori, as the first ever women composers to write for the organization. As a trailblazing woman composer she’s a founding member of Luna Composition Lab, an organization dedicated to giving women and non-binary composers the professional development and mentorship opportunities they need for success in this highly competitive, and highly male-oriented, field. Mazzoli just released her opera Proving Up on Pentatone. https://www.kaufmanmusiccenter.org/ftm/luna-lab/ http://www.missymazzoli.com/ http://www.pentatonemusic.com/missy-mazzoli-vavrek-proving-up-opera-omaha-rountree-international-contemporary-ensemble? Learn more about your ad choices. Visit megaphone.fm/adchoices

Learn more about this fresh, fascinating, and wholly operatic new work, which will play on www.king.org on Saturday June 13 at 10 am PST. Seattle Opera Dramaturg Jonathan Dean introduces The (R)evolution of Steve Jobs, the opera with music by Mason Bates and libretto by Mark Campbell. Musical examples from the new recording of the opera made at Santa Fe Opera, summer 2017, and available from Pentatone records, with Edward Parks (Steve Jobs), Garrett Sorenson (Woz), Jessica E. Jones (Chrisann), Sasha Cooke (Laurene), and Wei Wu (Kōbun), conducted by Michael Christie.

durée : 00:26:39 - Arabella Steinbacher, violoniste (2/5) - La violoniste allemande Arabella Steinbacher nous accompagne toute cette semaine dans En Pistes. Retour sur la carrière de cette musicienne à travers ses plus grands enregistrements, notamment sous le label Pentatone.

durée : 00:28:40 - Arabella Steinbacher, violoniste (1/5) - C'est la violoniste allemande Arabella Steinbacher qui nous accompagne toute cette semaine dans En Pistes. Retour sur la carrière de cette musicienne à travers ses plus grands enregistrements, notamment sous le label Pentatone.

Joshua Gindele and John Largess, cellist and violist respectively of the Miro Quartet, chat with WQED-FM’s Jim Cunningham about what it’s like to spend 15 years recording the complete Beethoven string quartets. The full 8-CD boxset, recorded on the Pentatone label, is titled “Beethoven – Complete String Quartets.” A culmination of 15 years of work, the set has been released just in time for Beethoven’s 250th birthday and the 25th anniversary of the Miro Quartet itself. Joshua Gindele has a special relationship to Pittsburgh, having grown up here and played with the Youth Symphony Orchestra.

The internationally-acclaimed Miró Quartet have finally released their entire cycle of Beethoven String Quartets (all 8 1/2 hours!) on the Pentatone record label. Fifteen years in the making, the new box set contains dynamic and thoughtful interpretations of these remarkable works - which not only trace the musical lifespan of Beethoven, but document the growth and development of the Miró Quartet itself. Cellist Joshua Gindele and violist John Largess join us to offer a preview.

The internationally-acclaimed Miró Quartet have finally released their entire cycle of Beethoven String Quartets (all 8 1/2 hours!) on the Pentatone record label. Fifteen years in the making, the new box set contains dynamic and thoughtful interpretations of these remarkable works - which not only trace the musical lifespan of Beethoven, but document the growth and development of the Miró Quartet itself. Cellist Joshua Gindele and violist John Largess join us to offer a preview.

Heisman winner Joe Burrow, Mavs' Doncic injury, Suggs released by Cardinals/Ravens return? and more...

Annelien Van Wauwe's new album on Pentatone features music from the late 19th century Belle Epoque - the 'beautiful era' - and includes works by Debussy, Brahms, Widor and Pierne. In this podcast Annelien discusses her relationship with the music and her approach to playing, practicing and teaching.  

Michael Fabiano, recently in London to sing the title-role in Gounod's Faust at the Royal Opera House, Covent Garden, has recorded an album of arias by Donizetti and Verdi. He was joined for the Pentatone sessions by the London Philharmonic Orchestra - with whom he'd worked at Glyndebourne – and Enrique Mazzola. James Jolly caught up with Michal Fabiano during rehearsals at Covent Garden to talk about the programme of the recital, and his interest in the operatic music of this period.

Learn more about this fresh, fascinating, and wholly operatic new work, which audiences have been consuming like a new Apple product. Seattle Opera Dramaturg Jonathan Dean introduces The (R)evolution of Steve Jobs, the opera with music by Mason Bates and libretto by Mark Campbell. Musical examples from the new recording of the opera made at Santa Fe Opera, summer 2017, and available from Pentatone records, with Edward Parks (Steve Jobs), Garrett Sorenson (Woz), Jessica E. Jones (Chrisann), Sasha Cooke (Laurene), and Wei Wu (Kōbun), conducted by Michael Christie.

Elk weekend verrast Tom Klaassen ons met oude platen, nieuwe CD's, concerttips en muzikale ontdekkingen. Dit weekend tipt hij Pärt in Paradiso, en Miserere in het Muziekgebouw. cd: Hidden gems (Pentatone ptc5186696) Tu m'uccidi, o crudele - Carlo Gesualdo Calefax 2'24” cd: Hidden gems (Pentatone ptc5186696) Look for me - Nico Muhly Calefax 6'00" Gregorio Allegri: Miserere mei, Deus Tallis Scholars 13'24" Claude Debussy (arr. Jeremy Siskind): Danseuses de Delphe, uit ‘Preludes, boek 1' Jeremy Siskind (piano) + Andrew Rathbun (sopraansaxofoon) 5'46” Claude Debussy (arr. Jeremy Siskind): La fille aux cheveux de lin, uit ‘Preludes, boek 1' Jeremy Siskind (piano) + Andrew Rathbun (sopraansaxofoon) 3'55” Jonathan Dove: Into thy hands Gabrieli Consort 8'11" Maeve Gilchrist - Keltische harp eigen opname VPRO tijdens Vrije Geluiden Live

Fine Music Radio — Carnival of 1729. TRACK: Porpora’s “In braccio a mille furie”. ARTIST: Ann Hallenberg with Il Pomo d’oro. PUBLISHER: Carnevale 1729. Pentatone 2017.

I programmet diskuteras bl. a. Roths tolkning av Strauss Sinfonia Domestica, Nevermind spelar 1700-talsmusik och Gerald Finley sjunger Sibelius. Sofia har träffat Barbara Hannigan för ett samtal. I panelen Camilla Lundberg, Edward Klingspor och Ella Petersson som tillsammans med programledaren Johan Korssell betygsätter följande skivor: IN THE STREAM OF LIFE Sånger av Sibelius Gerald Finley, baryton Bergens filharmoniker Edward Gardner, dirigent Chandos CHSA 5178 Referensen Johan jämför med och refererar till en annan inspelning av Sibelius sånger och Demanten på marssnön, nämligen den med Katarina Karnéus ackompanjerad av Julius Drake på skivmärke Hyperion. CONVERSATIONS Musik av J-B Quentin o L-G Guillemain Nevermind Alpha Classics ALPHA 235 RICHARD STRAUSS Metamorfoser, Sinfonia Domestica Sydvästtyska radions symfoniorkester, Baden-Baden o Freiburg Francois-Xavier Roth, dirigent SWR Music SWR 19021CD MOZART RACHMANINOV Pianokonsert nr 23 A-dur Pianokonsert nr 3 d-moll Grigory Sokolov, piano Mahler Chamber Orchestra Trevor Pinnock, dirigent (Mozart) BBC filharmoniker Yan Pascal Tortelier, dirigent (Rachmaninov) DG 479 7015 CD/DVD Sofia möter Sofia Nyblom har träffat den kanadensiska koloratursopranen och dirigenten Barbara Hannigan för ett samtal då hon i mars gästade Berwaldhallen.  Hannigan sjöng och dirigerade Sveriges Radios symfoniorkester i musik av Sibelius, Bartók, Ligeti och Alban Berg.  Andra i programmet nämnda eller rekommenderade inspelningar: Rachmaninovs tredje pianokonsert med pianisten Martha Argerich tillsammans med Berlin-radions symfoniorkester ledda av Riccardo Chailly på skivmärket Philips; Mozarts tjugotredje pianokonsert med Ingrid Haebler och Pro Musica, Wien ledda av Paul Walter inspelad på Vox. Strauss Metamorfoser med Berlins filharmoniker ledd av Herbert von Karajan på DG. Strauss Sinfonia Domestica med Berlin-radions symfoniorkester ledd av Marek Janowski på Pentatone. Sibelius sånger med Anne Sofie von Otter ackompanjerad av Bengt Forsberg på Bis.  Inget svep denna vecka

Violinist Arabella Steinbacher joined Gramophone Editor and Publisher Martin Cullingford for a recent 'EFG Gramophone Conversation at Foyles' to discuss recording Mendelssohn and Tchaikovsky violin concertos for Pentatone