Podcasts about mable ringling museum

What's the role of wonder in experience design? What can the circus teach us to make our exhibitions better? (Spoiler alert: a lot.) Could being “with it and for it” be the secret to success for museum projects? How much technology is too much? Can we really design for all five senses? Can an exhibition be a high-wire act — literally? Jennifer Lemmer Posey (Tibbals Curator of Circus at The John and Mable Ringling Museum of Art) joins host Jonathan Alger (Managing Partner, C&G Partners) to teach some inspirational “Circus Lessons for Museum Professionals”. Along the way: popcorn, a wall of clowns, and that special smell of elephants.Talking Points:1. Build a team that is “with it and for it”2. Engage all of the senses3. Technology shouldn't steal the center ring4. Wonder is in the details5. Create opportunities for shared experiences6. Design a space that can be ever-changing, never-changing How to Listen:Apple Podcastshttps://podcasts.apple.com/us/podcast/making-the-museum/id1674901311  Spotifyhttps://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G  Everywherehttps://makingthemuseum.transistor.fm/  Guest Bio:As the Tibbals Curator of Circus at The John and Mable Ringling Museum of Art, Jennifer Lemmer Posey oversees the interpretation and care of objects and ephemera related to the history of circus. With more than twenty years of experience, Jennifer serves as a liaison to the international circus community and facilitates academic study of circus arts. A leading scholar in American circus history, her work has been included in numerous books, catalogs, and journals. Jennifer served as editor for Bandwagon: The Journal of the Circus Historical Society and was an Advisory Scholar in Circus Arts for the Smithsonian Folklife Festival in 2017.About MtM:Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. This podcast is a project of C&G Partners | Design for Culture. Learn about the firm's creative work at: https://www.cgpartnersllc.com Show Links:About Jennifer:https://www.linkedin.com/in/jenniferlemmerposey/ https://www.instagram.com/wonderfilled_curator/ About the Ringling:https://www.linkedin.com/company/theringling https://www.instagram.com/theringling/ https://www.facebook.com/TheRingling From Point 1 - Building a team that is “with it and for it”:Behind the scenes of the Howard Bros. Circus model - museum staff programhttps://www.youtube.com/watch?v=Wxntny_wC_M Wagon Wheel installationhttps://www.youtube.com/watch?v=pgF8__NDnJQ From Point 2 - Engage all of the senses:The Ringlinghttps://www.ringling.org Wonder Symposiumhttps://www.ringling.org/wonder-symposium/ From Point 3 - Technology shouldn't steal the center ring:The Greatest Show On Earth Gallery at The Ringlinghttps://www.ringling.org/event/the-greatest-show-on-earth-gallery/ Manage This Podcast – My Project is a Three Ring Circushttps://www.velociteach.com/manage-this-podcast/my-project-is-a-three-ring-circus/ From Point 4 - Wonder is in the details:Howard Tibbals & the Howard Bros. Circus Modelhttps://www.pbs.org/video/wedu-arts-plus-311-howard-tibbals/ Smithsonian Folklife Festival – Wonder Is  by Albert Tong and Hae-Yang Changhttps://festival.si.edu/blog/wonder-is-circus-arts Circus Museum Collection Highlightshttps://emuseum.ringling.org/collections/5163/circus-highlights/objects From Point 5 - Create opportunities for shared experiences:The Ringling's Collecting Recollections series features fascinating people with fascinating stories to tell about their lives, the Museum, the Circus, Sarasota – and more. I recommend Dolly Jacobs, Kenneth Feld, Jackie LeClaire, Peggy Williamshttps://www.youtube.com/playlist?list=PLctJhityCmSnHNtgDWP6uWK3Nf0l7Pkr1 From Point 6 - Design a space that can be ever-changing, never-changing:The Circus Museum at The Ringlinghttps://www.ringling.org/visit/venues/circus-museum/ To learn more about circuses:Federation Mondiale du Cirquehttp://www.circusfederation.org Circus Historical Societyhttps://circushistory.org Circus Sarasotahttps://circusarts.org Ringling Bros. and Barnum & Baileyhttps://www.ringling.com MtM Show Contact:https://www.makingthemuseum.com/contact  https://www.linkedin.com/in/jonathanalger alger@cgpartnersllc.com  https://www.cgpartnersllc.com  Newsletter:Liked the show? Try the newsletter. Making the Museum is also a one-minute email on exhibition planning and design for museum leaders, exhibition teams and visitor experience professionals. Subscribe here: https://www.makingthemuseum.com 

The podcast by project managers for project managers. Sometimes a project can feel like a three-ringed circus! You are managing the schedule, the budget, and the requirements, and at the same time, you've got to consider the stakeholders, team members, and the organization. We are taking a look at the early 20th century traveling circus to see how they kept the circus performing as a “well-oiled machine.” Table of Contents 02:36 … Meet Jennifer03:42 … The Golden Age of the Traveling Circus05:04 … The Impact of the Railroad06:16 … The Project Manager of the Circus08:27 … The Daily Schedule12:13 … Logistical Magic14:07 … Maximize Impact and Profit Margin15:07 … Leveraging the Business Model16:43 … Strategic Planning18:45 … Planning Routes21:56 … Thinking Holistically24:36 … Kevin and Kyle25:42 … Procurement and Inventory Control28:22 … Managing Resources29:31 … Network of Support31:02 … Communicating Lessons Learned34:00 … Planning for Risk Episodes37:07 … Company Culture39:49 … The Satisfaction of a Common Purpose41:02 … Clarity of Roles Builds Trust43:38 … Find Out More45:24 … Closing JENNIFER LEMMER POSEY: ...if you are in this project with me, if you are trying to make this outcome the best that it can be, just like I am, then we're together, and everything else doesn't matter.  This is about what we're trying to accomplish.  I love that attitude.  I think it's one that we all could learn from.  Put aside your personal differences and get this thing done. WENDY GROUNDS:  Welcome to Manage This, the podcast by project managers for project managers.  I'm Wendy Grounds, and in the studio with me is Bill Yates and Danny Brewer.  We're excited to talk to you today about the circus.  Our guest is Jennifer Lemmer Posey.  She is the Tibbals Curator of Circus at the John and Mable Ringling Museum of Art in Sarasota, Florida.  And she's been working with circus collections and the international circus community for 20 years.  Jennifer's also served as editor for Bandwagon, the Journal of the Circus Historical Society, and was an advisory scholar for the Smithsonian Folklife Festival celebrating the circus arts in 2017. You may be wondering why are we talking about a circus when we are a project management podcast.  If we listen carefully to the story of the circus, we tie in so many lessons for project management, from building community, to planning and coordination, for being resourceful. BILL YATES:  Some of you may be thinking, “My project is a lot like a circus.” WENDY GROUNDS:  That's what we were thinking. BILL YATES:  You know, Wendy, the traveling circus back in the early 1900s resembled a small city.  It's like a traveling city.   It entirely packs up and moves to another city every day or every few days.  The performance and movement of the circus must have required great discipline and carefully executed planning.  But it was so impressive that the U.S. Army sent a number of officers to study Barnum & Bailey Circus for a week.  The report the officers sent back praised the complex logistical operation of this massive project.  Here's a quote:  “It is a kingdom on wheels, a city that folds itself up like an umbrella.  Quietly and swiftly every night it does the work of Aladdin's lamp, picking up in its magician's arms theater, hotel, schoolroom, barracks, home, whisking them all miles away and setting them down before sunrise in a new place.”  It is magical what they did with the circus.  And there are so many tiebacks, so many points that we can connect with the projects that we run. WENDY GROUNDS:  Hi, Jennifer, welcome to Manage This.  Thank you so much for being our guest. JENNIFER LEMMER POSEY:  Hi, I'm delighted to be here. Meet Jennifer WENDY GROUNDS:  So we want to dig in and find out more about the circus.  But you have a very interesting job.  What was your career path?  How did you become the Curator of the Circus at the John and Mable Ringling Museum of Art?

In this episode of Profiles with Maggie LePique, we discuss a new Art Exhibit  that is happening now through July 2023 : Jean-Michel Basquiat: King PleasureOpening in Downtown LA Friday March 31st at the Grand LA. Jean-Michel Basquiat's contributions to the history of art and his explorations of multifaceted cultural phenomena––including music, the Black experience, pop culture, Black American sports figures, literature, and other sources––will be showcased through immersive environments providing unique insight into the late artist's creative life and his singular voice that propelled a social and cultural narrative that continues to this day. Organized and curated by the family of Jean-Michel Basquiat, this exhibition of over 200 never-before-seen and rarely shown paintings, drawings, multimedia presentations, ephemera, and artifacts tell the story of Jean-Michel from an intimate perspective, intertwining his artistic endeavors with his personal life, influences, and the times in which he lived. My guest is Ileen Sheppard Gallagher has been helping organizations tell their stories for thirty years. She began as a young curator at the De Young Museum in San Francisco before going on to assume top curatorial posts at the Queens Museum of Art in New York, the Library of Congress in Washington DC, and the John and Mable Ringling Museum of Art in Sarasota. For five years before establishing her own company, she served as Director of Exhibitions for the Rock and Roll Hall of Fame and Museum in Cleveland. There she guided all aspects of the inaugural galleries leading up to and following the public opening. Ileen taught exhibition planning and design for over 20 years at New York University in the graduate Museum Studies Program. Today, she heads ISG Productions.Source: http://sheppardgallagher.comSource: https://kingpleasure.basquiat.comSource: https://www.thegrandla.comHost Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the show

When looking for inspiration, when looking for someone you can look up to in your craft, I look to Paul Binnie. Paul is an artist who has carved a living from their craft, and has been a large part of the greater mokuhanga community. His work has touched on so many themes, concepts and ideas. His mokuhanga takes the past and brings it firmly into the future.  On this episode of The Unfinished Print, I speak with mokuhanga printmaker Paul Binnie. Paul speaks about his life and career, how he uses pigments, paper, and wood for his work. We discuss the fantasy and reality of an historical past. We look at shin-hanga, and sōsaku hanga, observing kabuki, as well as taking a look at his other work such as oil painting and his drawings.  This interview was recorded during Paul Binnie's solo show at Scholten Japanese Art in June, 2022. There may be some background noise during the interview. I apologize for any inconvenience.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Paul Binnie - while Paul doesn't have a singular website he does have his Instagram. There is the "Binnie Catalogue," which is produced by a third party which digitally collects his work, past and present. This can be found, here.  Protest March - from the Flowers of a Hundred Years Series (2016) New Year Card - called nengajo (年賀状) in Japanese, these cards have been traditionally passed from person to person since the Heian Period (794-1185). Mokuhanga practitioners make them as well, creating a new one every year focusing on the zodiac sign of the year as a theme. Scholten Japanese Art - is a mokuhanga focused art gallery located in midtown Manhattan. It was founded by René Scholten, an avid collector of the Japanese print. More info can be found, here. intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.  Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier, that made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.  Yoshida Tōshi (1911-1995) - eldest son of Hiroshi Yoshida. Having been affected by polio, and the pressure of continuing his fathers legacy, Tōshi Yoshida made prints and paintings which gradually became expressive, avant garde and abstract. Later in life he focused on birds and mammals. Seki Kenji - is a woodblock printmaker based in Tokyo. He was head printer, and produced prints, for Doi Hangaten as well as making his own pieces.  Late Fall (ca 1990's) Western Representational realism - is an attempt to represent the subject in art in the most realistic way possible. Interchangeable with naturalism in European art of the 19th Century.  kabuki - is a traditional form of Japanese theatre which started in Kyoto on the banks of the Kamo River in the 17th Century. Today it is a multi million dollar business and is almost exclusively run, professionally, by The Shochiku Company. Kabuki, the word, is separated into three different sounds; ka - meaning to sing, bu - meaning to dance, and ki- meaning skill. There are various families in kabuki which generate actors, passing down tradition throughout the lineage. For more information please read this fine article from Nippon.com. There are many books written on the subject of kabuki, but in my opinion, to begin, one needs to read Leonard Pronko's work Theatre East & West, Kawatake Toshio's Kabuki, and Earl Ernst's The Kabuki Theatre. Online, please visit Kabuki21.com, who's site is unparalleled. On YouTube there is the new(ish) Kabuki In-Depth which is updated regularly on kabuki information and history, and is very well done.  Hiroo/Roppongi -  is an upscale area of Tōkyō, Japan. It has a thriving international community, museums, galleries and the like. More info can be found, here.  Nakamura Utaemon VI (1917-2001) - was a kabuki actor who focused primarliy on female roles, or onnagata. He is considered one of the best actors in this kind of role, and was designated a Living National Treasure in Japan, in 1968.  From, A Great Mirror of the Actors of the Heisei Period: Nakamura Utaemon as Agemaki in Sukeroku by Paul Binnie (1997) Agemaki - is a character from the celebrated story Sukeroku, a story about love and revenge. It was first staged in kabuki in 1713. Agemaki is a famous courtesan who is in love with Sukeroku.  Edo Wonderland Nikko Mura - is an Edo stylized theme park based on the architecture of Edo Period (1603-1868) Japan, and is located in Tochigi Prefecture. There are other areas in Japan which contain Edo Period architecture and events, such as the Dutch Trading Post located on Dejima Island in Nagasaki. More info regarding Edo Wonderland, here.  More info on the Dejima, Dutch Trading Post, here.  nō - is a traditional Japanese theatre based on ghost and mythological stories. It, like kabuki, uses dance, music, and drama to tell its story. It is older than kabuki and was patronized by the aristocratic class in Japan. Kabuki was the oppoosite, where the everyperson could enjoy kabuki, the aristrocrats enjoyed nō. Like kabuki, the stage is set in a traditional way, and the roles are played by men. For a more detailed descriptor of nō, you can find it at Japan-Guide.com, here. Takarazuka -  is an all female musical theatre troupe, based in Hyōgo Prefecture, and founded in 1914. The revue has become a popular Kansai tourist attraction. For a detailed description of the Takarazuka, their website in English can be found, here. A Crib's Notes descriptor can be found, here.  kappazuri-e - is the method of stencil printing, usually atributed to the sōsaku hanga artists of the 1950's and 1960's. Artists such as Yoshitoshi Mori (1898-1992), used stencil's to make elaborate prints. It can be quite an interesting and complicated process. More information can be found, here, from Viewing Japanese Prints.    Yoshitoshi Mori : Street Vendors (1970)    German Expressionism - focused on emotional expression rather than realistic expression. German Expressionists  explored their works with colour and shape searching for a “primitive aesthetic” through experimentation. More info can be found, here, on Artsy.net    Max Pechstein - Angler am Lebastrom (1936) watercolour on paper   Edvard Munch (1863-1944) - was a Norweigan artist, who initially was a painter, but also ventured into printmaking making 850 images. His print medium was etching, lithography, and woodcut. More information can be found here, at Christie's.      The Girls on The Bridge (1918) woodcut printed in blue with lithograph and pale green on wove paper.    Ralph Kiggell (1960-2022) -  was one of the most important mokuhanga practitioners. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print can be found, here.     Jackfruit (2018)   Tama Art University - is an arts university located in various campuses in Tōkyō. It has various departments such as Architecture, Product and Textile Design, and Art Studies.    Ban Hua: Chinese woodblock prints - the history of Chinese woodblock goes back centuries, longer than the Japanese method. Modern Chinese printmaking began after Mao's Cultural Revolution, strongly connected  by the writings and work of philosopher, academic, and artist Lu Xun (1881-1936) who established the Modern Woodcut Movement. There is a lot of information regarding Chinese woodblock printing. To begin, check out the Muban Educational Trust based in England and their work. More info can be found, here.  And here at artelino, For the history of Lu Xun, this can be found, here.    powdered pigments - are an option when producing your mokuhanga. They are pigments which are made of powder, and when mixed with certain binders can be used as gouache, or water colours.    nihonga - was a Japanese artistic movement based on going back to a “traditional” form of Japanese aesthetic in painting, away form the new Western influences which were coming into Japan during the later 19th Century. More info can be found, here.      Tetsu Katsuda (1896-1980) - Evening (1934)   Uemura Shōen (1875-1949) -  was the pseudonym of Uemura Tsune, who was supported by her mother to pursue painting, at a time when female painters were rare. Her work focused on various themes such as nō, the four seasons, and nationalist paintings during World War 2.      Daughter Miyuki (1914) painting   kozo paper -  is paper made from mulberry bark and is commonly used in woodblock printmaking.   shina - is a type of Japanese plywood used in mokuhanga. Not all shina is made equally, buyer beware.    Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō. website.   Nihon no Hanga - is a mokuhanga museum located in Amsterdam, Netherlands. It focuses on many types of mokuhanga in history and publishes various catalogues of their exhibitions, which are top notch. More info, here.     The John and Mable Ringling Museum of Art - This museum is dedicated to the arts, Western and “non-Western”from all periods of human history, focusing on education, and conservation. More info, here.    Kabuki Earphone Guide -  is and was an audio guide in Japanese for Japanese, and English for English speaking tourists coming to watch kabuki. It hired English speaking academics to narrate the action as you watched. In 2015 the English version of the audio guide was replaced with the GMARK or GMARC captioning guide. GMARK stands for Graphic Multilingual Advanced Real-time Captioning system.    Kabuki-za - is the main theatre in Tōkyō which shows kabuki performances. It was opened in 1889 and has been rebuilt several times in its history.    Okubi-e -  are woodblock prints of close-up human heads, which came into prominence in the late 19th Century. For me, the best mokuhanga designer of okubi-e is Toyohara Kunichika (1835-1900). His okubi-e of kabuki actors is unparalleled, showing the actors in various positions with intricate backgrounds and poses.      Kawarazaki Gonjuro I as Sato Masakiyo (1869)     Ichikawa Ennosuke IV as Nikki Danjō (1996) by Paul Binnie   Vincent Van Gogh (1853-1890) - was a Dutch post-Impressionist painter. He began to collect Japanese woodblock prints around the winter of 1886-1887 from the art dealer Siegfried Bing. he used to collect and to sell for a profit, although he didn't sell very many. This collection would go on to influence much of his work.  Rebecca Salter - is the President of The Royal Academy of Arts, in London, England. She is also an artist who has written two books about Japanese woodblock printing, Japanese Woodblock Printing (2001), and Japanese Popular Prints (2006). She worked with the Satō Woodblock Print Workshop, documenting their process. Her interview with The Unfinished Print can be found, here.  into the light II (2011) Akira Kurosaki 黒崎彰 (1937-2019) - was one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. W- 396, Wandering Heart (2017) Wimbledon, England - is a district located in South West London. Considered an affluent neighbourhood, it is the home of the Wimbledon tennis tournament. More info can be found here, at Visit London.    Stockwell, London - located in the burough of Lambeth, in London, England. It is a diverse neighbourhood, close to Brixton, with shopping, and restaurants. It's a great area to stay and enjoy a different side of London.    International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here.       Hiroshi Yoshida - Fishes of Honolulu at The Honolulu Aquarium (1925)     Summer Canyon - Black's Beach: Sunrise   © Popular Wheat Productions opening and closing musical credit - Yazoo: Too Pieces. From their 1982 album Upstairs At Eric's logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***            

Dr. Rhiannon Paget is the curator of Asian Art at the John and Mable Ringling Museum of Art in Sarasota, Florida. Ms. Paget joins me on The Unfinished Print to discuss the life and times of mokuhanga printmaker Saitō Kiyoshi, war print production of the later 19th Century and early 20th Centuries and she speaks on kabuki prints through the years.  These topics are framed through the three shows which Dr. Paget was involved in, Saitō Kiyoshi: Graphic Awakening (March 14 -August 15, 2021 @ The Ringling), Conflicts of Interest: Art and War in Modern Japan (October 16, 2016 - January 8, 2017 @ the St. Louis Art Museum), and Kabuki Modern (November 13 -July 27, 2021 @ The Ringling) Please follow The Unfinished Print and my own print work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Dr. Rhiannon Paget PhD - curator of Asian art at the John and Mable Ringling Museum of Art own Sarasota, Florida. She was also a A.W Mellon Fellow for Japanese Art from 2015-2017, and wrote for The Japan Times.  The John and Mable Ringling Museum of Art - This museum is dedicated to the arts, Western and “non-Western”from all periods of human history, focusing on education, and conservation. More info, here.  Saitō Kiyoshi (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. HIs fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. Cleveland Museum of Art - founded in 1913 and opened in 1916. It has an online collection, and open access to its works in its collection. More info, here.  Honolulu Museum of Art - dedicated to art and education focusing on arts from around the world and Hawaiian culture itself. More info, here. Isamu Noguchi (1904-1988) - was a U.S born sculptor and designer who traveled the world to understand his own works. He collaborated with many artists from all over the world. More info, here.  Kiyoshi Nakashima -  an artist and designer who designed woodblock prints, in the 1980's. His most famous are his melancholy women prints. Some can be found, here.  Karl Bickle (1881-1972) - an ex newspaper man at the turn of the 20th Century Bickle who retired in Sarasota, Florida in 1935. He was influential in the opening of the Ringling Museum in 1945. More info, here. Onchi Kōshirō (1891-1955) - originally designing poetry and books Onchi became on of the most I important sōsaku hanga artists and promotor of the medium. His works are saught after today. More info, here. Paul Gauguin (1848 - 1903) - self taught artist, ex-stockbroker, travels to Brittany, France in 1886 where he sows the seeds of  his Symbolist Movement. He is famous for his works made in Tahiti, perhaps now seen as a bit naïve and privileged, these works, were expressed through painting, woodcuts and the written word. He also painted self portraits, and landscapes searching for the spiritual via colour and form. The National Gallery has a very good history of Gauguin here. François Auguste Rodin (1840-1917) - a sculptor of the human form, Auguste Rodin was a French artist who's work took off when he was commissioned by the French government in 1879. One of his most famous works is “The Gates of Hell” a commissioned work for the Musée des Arts Décoratifs, a museum which was never built. For more information about Rodin,  The National Gallery has a biography, here.  mokume - is a woodblock printing technique where, by using heavy pressure on wood which contains a heavy grain, the artist can reveal the grain in their work.  Kiyoshi Saitō Museum of Art - located in Yanaizu, Fukushima, Japan this museum is dedicated to the art and works of Kiyoshi  Saitō. Opened in 1997, the museum holds rotating shows connected to Saitō's works. Museum website can be found, here. Boston Museum of Fine Arts - a museum with a rich history with Japanese artwork, especially woodblock prints. It holds the largest collection of Japanese art outside of Japan. Many of their woodblock prints are held online, here. A video on YouTube found, here, describing the MFA's history, and its collections.  Fukushima Prefectural Museum of Art - opened in 1984 in Fukushima City, Fukushima, this museum contains works from Japan and all over the world. The website is in both Japanese and English, and can be found, here.  Ms. Paget uses the Japanese words for certain woods which mokuhanga printmakers can use. They are:  kiri - a paulownia wood keyaki - Japanese zelkova tree Steady Gaze - is a print which Saitō produced in 1952, with two cats staring in different directions with two different backgrounds, one red (Animal)  and one blue (Two Cats).  I found another Steady Gaze cat print from 1950 and sold as a scroll. It can be found, here.  Edward Munch (1863-1944) - was a painter from Norway who is collectively famous for his painting, The Scream, painted in 1893. More info can be found, here.  Pieter Cornelius Mondrian (1872-1944) - a Dutch artist who's work helped found De Stijl in 1917, a group of Dutch painters who helped codify Mondrian's abstraction and industrial design. Mondrian has a wide spectrum of works and styles created throughout his career. More information can be found, here from the Guggenheim. Aizu, Fukushima, Japan - is a geographical area located in West Fukushima Prefecture, , Japan. It has a long history and is one of the nicest areas in Japan that I have visited, Tourist information can be found, here.  Toyohara Kunichika (1835-1900) -  was a Japanese woodblock designer of the Utagawa School of artists. His work flourished in the Meiji Period (1868-1912) of Japanese history, a period of immense change politically, economically, and industrially. Some of Kunichika's works can be found, here.  Kobayashi Kiyochika (1847-1915) - was a woodblock print designer famous for his war prints on the First Sino-Japanese War (July 25, 1894- April 17, 1895). More info, here. Toshihide Migita (1863-1925) - a woodblock designer known for his own print designs of the First Sino-Japanese War, kabuki portraits, bijin-ga, and landscape. More info, here. Pearl Habor woodblock prints - are a series of woodblock prints produced in 1942. One such print, found here, was designed by Hasegawa Sadanobu III (1881-1963).  Russo-Japanese War (February 8, 1904 - September 5, 1905) - was a war between the Imperial Russian and Imperial Japanese military taking place in China. Information about its background can be found here at history.com, and here.  Andreas Marks - is a scholar and Mary Griggs Burke curator of Japanese and Korean Art and Director of the Clark Center for Japanese Art at the Minneapolis Institute of Art.  print panels - artworks, like woodblock prints, can come in various numbers of panels. Single panels is one print, diptychs are two panels, triptychs are three panels, quadriptych his four panels, pentaptych is five panels.  Kawase Hasui (1883-1957) - was a woodblock designer who began his art life as a painter.  He worked predominantly with Watanabe Shōzaburō (1885-1962) designing some of the most famous woodblock prints from the Watanabe atelier such as Winter Moon over Toyama Plain, here.  Ogata Gekko  (1859-1920) - was a woodblock print designer during the Meiji Period (1868-1912) of Japanese history. Famous for his war prints of the Sino-Japanese War (1894-1895.) more info, here. Yokoyama Taikan (1868-1958) - was a Nihon-ga painter who exhibited around the world. His work, such as Mount Fuji in Japan has been deemed to have been nationalistic and proto-fascist. A great book on the subject is, “The Politics of Painting: Fascism and Japanese Art during the Second World War (University of Hawai'i Press, 2019) Hitler Youth - was a  a youth organization formed in 1922 to indoctrinate children in Nazi propaganda, to be better prepared  to fight in the German military. More info, here.  Teiten - started in 1919 until 1934, Teikoku Bijutsu Tenrankai, was one of several  (Bunten, Shin Bunten, Nitten, and Shin Nitten) Japanese Fine Arts Exhibition's held yearly in Japan. Teiten was famous for creating a platform for creative woodblock printing. Minami-za - is a kabuki theatre located in. Kyōto, Japan. more, info here. Yamamura Kōka (1885-1942) - was a woodblock print designer and artist who helped design many prints for Watanabe as well as for his Publishing Committee for Yamamura Kōka's prints. more info here. Yotsuya Kaidan -  ghost play, predominantly performed in kabuki. Staged for the first time in 1825. It has been performed steadily in kabuki since its first performance. more info, here. Heron Maiden (Sagi Musume)- is a Japanese folk-tale which is a very famous kabuki dance expertly performed by Bandō Tamasaburō V.  Watch, here. Bromide photography - is a type of early Twentieth Century commercial photography found in Japan , usually photos of geisha, kabuki actors, and sports people. Junichiro Sekino (1914-1988) - was a woodblock printmaker and illustrator who studied with Onchi Koshiro (1891-1955).  More info, here. Yakusha-e - is a Japanese word for kabuki actor prints. More info, here. First Thursday Society - started by Onchi Kōshiro in 1939 to develop sōsaku hanga. more info from Ronin Gallery, here.   opening and closing credit music - Tom Petty & The Heartbreakers  - Anything That's Rock 'n' Roll (1976) Gone Gator Records © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***            

What the fuck is up, dudes? We start this episode with info fairly quickly, so you don't really even need to skip ahead much at all! What a treat for the final episode of season 1! Neysa brings us the deets about The John and Mable Ringling Museum of Art, located in Sarasota, FL and Jocelyn brings us some tantalizing Art Scams ("Take The Money and Run" Jens Haaning, MSCHF's Andy Warhol 'Fairies' forgeries) from recent months! Jocelyn might have said 100 at one point but really meant 1,000 - she's just bad at reading numbers. Also SPOILER Neysa's buying a house! Hot damn! I also want to acknowledge that I was very insensitive with my comments about homeless people and I had originally cut it but in an effort to be transparent, I left it in. I also took the time to check out some resources for helping the homeless and want to share one that I thought was fairly accessible HERE - I usually donate my stuff to charity when I can, but not salvation army because they're anti LGBT+ -- As always, check out the 'gram for some of the art we reference: @IMinoredInArtHistoryPod Music Creds: intro is edited Regina Spektor, outro is original audio by Nic Hamersly Audio mixed with Auphonic --- Support this podcast: https://podcasters.spotify.com/pod/show/iminoredinarthistorypod/support

When you got engaged one of the 1st things you did was start looking for a venue.  Chances Your venue also gave you a list of vendors they love or VENDORS LIMITED TO THOSE WHO ARE PAYING THEM.  But, don't tell anyone I told you that.  Just kidding, we encourage you to ask your venue how they vet their lists, most are transparent about it.Anyway, just as you found your venue on your own, you can also find your vendors and creative partners on your own via online research, recommendations from friends and referrals from vendors you have booked.  There can be risk in this and there can also be reward and that is exactly why Jordan and I covered this hot and spicy topic of wedding planning.Jordan Oliveira-Heller is the owner of Suncoast Wedding & Event Leaders, otherwise known as SWEL. SWEL is a professional association increasing the networking and education opportunities for wedding and event professionals in the region, with the goal of building a stronger community that directly benefits the client. CLICK HERE to learn all about the fantastic SWEL members you could put on your radar.  Jordan created SWEL after many years in the industry as both a caterer and in wedding venue sales. Before starting SWEL, his most recent post in the wedding industry was at The John and Mable Ringling Museum of Art, a world class museum and wedding venue. 175 questions to know you are prepared for your wedding day.  A workbook to ensure every detail has been planned & finalized. On sale now!Places to go - People to see:Kelly's Site: http://www.kellymcwilliams.comKelly's Blog: https://www.kellymcwilliams.com/blogInstagram: @kellyamcwilliams @thisvsthatweddingpodcastLance's Website: https://www.mydfwdj.com/Lance's Instagram: https://www.instagram.com/mydfwdj/Listen to all the previous episodes: https://thisvsthatweddingpodcast.buzzsprout.com/About Kelly:A vet of the wedding industry, Kelly knows how incredible a wedding can be. She creates  from scratch and believes every moment counts and every decision plays a part in what makes your event magnificent. She believes in making events beautiful AND fun.  Published & recognized locally, nationally and globally including Martha Stewart Top Wedding Planner, Brides magazine and WeddingWire's best podcast. Home is in SWFL with husband Kelly J , mom to Maddy & Emily and dogs Reau & Olive.Thanks to my rockstar editor: Lance PantonWith his professional start as a DJ at 17, Lance has possessed a love of music since birth. is the owner and sole DJ for MY DFW DJ - Weddings & Events. A personalized DJ service focused on telling a couple's love story in music. No genre is too challenging to meet this goal. Lance is also the editor for the podcasts "This Week In Weddings". He also serves as the co-director of membership for The Dallas/Fort Worth chapter of The National Association of Catering & Events. When Lance is not behind the booth, he's in the kitchen fulfilling his passion for the culinary arts, creating meals for his wife.

Additional resources:Skyway 20/21: A Contemporary CollaborationUSF Contemporary Art MuseumMuseum of Fine Arts St. PetersburgThe John and Mable Ringling Museum of ArtTampa Museum of Art

How does one fulfill the will of the world's most famous circus leader and art collector, John Ringling? Just ask Steven High, Executive Director of the John and Mable Ringling Museum Art, he can tell you how exact and precise that will states the art collection must be preserved and shared. At the Ringling, every day is different, every piece of art tells a story, and every Monday is free. Listen to Steven's story and experience the passion he has for the Ringling Museum of Art (and his secret place on campus to enjoy a sunset!).Come along and join the club!• The Ringling Museum of Art Website & Facebook & Instagram & Twitter • The Gallery at SCF Facebook & Instagram• Katherine Bzura Facebook & Instagram • State College of Florida Website & Facebook & Instagram & YouTube• State College of Florida Music Program Website & Instagram• State College of Florida Theatre Program Website & Facebook & Instagram• State College of Florida Foundation Website and Facebook and Instagram and LinkedInSupport the show (https://scf-foundation.org/suncoastcultureclub/)

Jennifer Lemmer Posey is Tibbals Curator of Circus at the John and Mable Ringling Museum of Art. With research interests focused on the relationship of the circus arts, mass media, and popular culture, she has contributed to many publications and journals. She has also served as Editor for Bandwagon, the Journal of the Circus Historical Society & was an Advisory Scholar for the Smithsonian Folklife Festival in 2017.

Jennifer Lemmer Posey is Tibbals Curator of Circus at the John and Mable Ringling Museum of Art. With research interests focused on the relationship of the circus arts, mass media, and popular culture, she has contributed to many publications and journals. She has also served as Editor for Bandwagon, the Journal of the Circus Historical Society & was an Advisory Scholar for the Smithsonian Folklife Festival in 2017.

Over the past thirteen years, Rob Tarbell has developed and drawn from two unique processes – “Smokes”, smoke based work and the “Struggles”, porcelain sculptural ceramics.In 2006, a failed portrait attempt using cigarettes and liquor collided with a lingering what – if : What if I burned my credits cards and used the smoke to make marks?The first attempt at burning credit cards yielded a deep black with seductive wispy grays no brush could deliver. Tarbell’s penchant for embracing unorthodox methods and materials was then fully focused on the potential of capturing and creating with smoke. He continues to pioneer and push his smoke technique through rigorous trial and error and with the adaptation of tools and the creation of equipment to suit each new discovery and advance of the smoke process. To create the smoke, credit cards, gift cards, and, now, 35mm slides of his artwork are burned - removing their growing presence in daily life - an ironic nod to a self-help technique of burning sentimental things to remove their emotional burden or historical connection. The smoke process involves directly permitting or preventing its accumulation, or by indirectly encouraging or discouraging the flow of smoke on the surface. The Struggles are sculptural ceramic figures created by infusing fabrics and faux fur with porcelain slip, forming, then firing. Each figure embodies the acts of loss, transformation, and preservation in subject, concept, and material. Animals appear whole, or in part, and impersonate through guises or by employing disguises. Rabbits embody a vast array of symbols and possess the ability to pass between the real and imaginary while still remaining true to their chosen character.In 2017, the Tampa Museum of Art featured his smoke and porcelain work in Skyway Selections: Curator’s Choice. His work has been shown in more than twenty solo exhibitions and seventy-five group exhibitions throughout the United States, Korea, China, and England. Rob’s work is currently represented by Claire Oliver Gallery in New York.Tarbell’s work has been featured in more than 50 articles in publications worldwide, including New American Paintings, the Huffington Post UK, Daily Mail UK, and the Kultura Zabaikalya in Transbaikalia, Siberia. BioBorn in Findlay, Ohio, Rob Tarbell earned a Bachelor of Fine Arts degree in Painting and Graphic Design from Auburn University. He attended graduate school at the University of Tennessee where he earned a Master of Fine Arts degree and Master of Science degree in Art Education. For nearly two decades, he has balanced his studio practice with teaching at institutions such as Virginia Commonwealth University and James Madison University. Moving to Sarasota, Florida, in 2013, he continued to hone his techniques in his home studio, while he worked at the John and Mable Ringling Museum of Art and taught at the New College of Florida and the Ringling College of Art and Design. Tarbell and his family work and reside in Richmond, Virginia.

Virginia Shearer, the Eleanor McDonald Storza Director of Education at the High Museum of Art, has more than 20 years of experience in museum education. Ms. Shearer oversees all areas of the High's Department of Education, where she focuses on creating a platform for engagement and connectivity that extends the museum's reach and deepens the High's relationships with the Atlanta community through experimental, collaborative, and research-based practice. Since joining the High in 2005, she has initiated, led, and participated in cross-institutional initiatives that are key to the museum's future, including such innovative projects as the High's summer piazza activation commission series, the newly designed Greene Family Learning Gallery, and a series of popular exhibitions focused on children's picture book art. From 2005 to 2012, Ms. Shearer served as the High's Associate Director of Education, leading the Museum's public programs team during a period of significant growth that included opening the Greene Family Education Center as a part of the Renzo Piano–designed expansion project, the Louvre Atlanta partnership, and the development of successful young audience initiatives, including the inaugural Teen Team program. She previously served as the Deputy Director for Education and Public Programs at the Tampa Museum of Art and as the Director of Education at the John and Mable Ringling Museum of Art. Early in her career, Ms. Shearer coordinated the ImaginAsia family program for the Freer Gallery of Art and the Arthur M. Sackler Gallery of the Smithsonian Institution. Ms. Shearer served as the Southeastern Regional Director for the Museum Education Division of the National Art Education Association from 2004 through 2006. In 2012, Ms. Shearer was selected as one of 25 museum professionals from around the world to participate in the prestigious Getty Leadership Institute program Museum Leaders: The Next Generation. She also participated in the Getty Leadership Institute's Executive Education Program for Museum Leaders in 2014 and returned to the program as a mentor in 2016. Ms. Shearer holds a B.A. (1992) in Humanities from Florida State University and a M.A.T. (1997) in Museum Education from The George Washington University. This week we talk about the intersection between art and health and the program called "Musing Together". "Musing Together" is a High Museum of Art program in partnership with the Alzheimer's Association, Georgia Chapter, that lets those in early stage Alzheimer's disease or other dementias and their care partners enjoy a free visit to the High, discuss and experience art in its fullness, and connect with their family and friends. Virginia talks about how the program was created, the principles it is based on, and shares the wonderful stories of the participants whose lives were deeply impacted and enriched through these efforts. Tune in to learn more! High Museum of Art: https://high.org Musing Together: https://www.high.org/Program/musing-together/ Credit: CatMax Photography, LLC.

SEGMENTS | The John and Mable Ringling Museum of Art in Sarasota | 1914 Confederate Reunion in Jacksonville | The History of the Green Book

How do you design a space that will resonate to a wide-variety of international guests and folks of all background? Alana Taylor and Ryan Sheplak, Project Managers and Designers at Architects Lewis + Whitlock, use architecture to unite nature, culture and people. These skills were put to the test when both Alana and Ryan were chosen to be Knight Creative Communities Institute Community Catalysts. In this episode, they discuss the design process and thinking behind their various projects, such as The John and Mable Ringling Museum of Art and The Jim Moran Institute. Architects Lewis + Whitlock: http://www.think3d.net/ KCCI 2017 #iHeartTally Catalyst Project: https://kccitallahassee.com/project/ihearttally/ KCCI 2016 See Tallahassee Catalyst Project: https://kccitallahassee.com/project/encompass-tallahassee/ Tallahassee's Top 50 List: https://bit.ly/2zmAldP

Writer, producer and director Sharon Grimberg joins Tim to discuss her latest production for American Experience on PBS called “The Circus.” Sharon talks about how the circus played a unique role in introducing Americans throughout the country to the world beyond, and in the process, helping to define American culture, and feed a growing nation’s imagination. For many decades before mass media, the circus brought to your town sights, sounds, smells, a complete sensory experience you might only get one day a year, if not once in a lifetime. https://traffic.libsyn.com/shapingopinion/The_Circus_-_Episode_33_auphonic.mp3 Sharon Grimberg served as a writer, producer and director on the American Experience production of “The Circus,” which premieres on October 8th on PBS stations. The two-part series takes us inside America’s most dominant form of entertainment from its roots, to its glory days with the greatest showman, P.T. Barnum, James Bailey and the Ringling Brothers, all five of them. A Uniquely American Form of Entertainment “The Circus,” a four-hour, two-part documentary, explores the colorful history of this popular, influential and distinctly American form of entertainment, from the first one-ring show at the end of the 18th century to 1956, when the Ringling Bros. and Barnum & Bailey big top was pulled down for the last time. A transformative place for reinvention, where young women could become lion tamers and young men traveled the world as roustabouts, the circus allowed people to be liberated from the roles assigned by society and find an accepting community that had eluded them elsewhere. Drawing upon a vast and richly visual archive, and featuring a host of performers, historians and aficionados, “The Circus” brings to life an era when Circus Day would shut down a town, its stars were among the most famous people in the country, and multitudes gathered to see the improbable and the impossible, the exotic and the spectacular. Through the intertwined stories of several of the most innovative and influential impresarios of the late 19th century, including P.T. Barnum, James Bailey and the five Ringling Brothers, Sharon talks about how the series reveals the circus as a phenomenon created by a rapidly expanding and increasingly industrialized nation. It explores how its “dangerous” and “exotic” attractions revealed the country’s notions about race and Western dominance, and shows how the circus subverted prevailing standards of “respectability” with its unconventional, titillating and “freakish” entertainments. Part One (1793-1891) Credit: Courtesy of Collection of The John and Mable Ringling Museum of Art. the State Art Museum of Florida, Florida State University For more than a century, Circus Day was as anticipated as Christmas and the Fourth of July. It would crash into everyday life, colorful and brash, and then disappear, leaving many dreaming of another life. As the country grew, so did the circus, evolving into a gargantuan entertainment that would unite a far-flung nation of disconnected communities and dazzle not only Americans, but the world. The first circus in the U.S. was established in Philadelphia in 1793, but it wasn’t until the introduction of the tent in 1825 that the circus became a truly roving art form that could reach the tiniest hamlets. Almost everywhere, the circus met the disapproval of the religious and puritanical. In a society that valued sobriety and hard work, a wide-eyed day peering at half-naked aerialists amid shifty circus workers was frowned upon. Soon, circuses began to add elaborate menageries of exotic animals including lions, hippos and elephants, and “human oddities” from across the globe — rebranding themselves as “educational” experiences to concerned communities. The arrival of infamous showman and huckster P. T. Barnum transformed the trade. In 1871, Barnum and his partners created the largest touring show in existence.

2017 AASLH Annual Meeting Session Recording Recorded in Austin, TX September 7, 2017 The State of Inclusion Chair: Marian Carpenter, John and Mable Ringling Museum of Art, Sarasota, FL