Podcasts about De Stijl

The White Stripes áttu sinn þátt í að lækna heiminn af númetal-þynnkunni. Haukur er á því að De Stijl sé besta platan þeirra, en er eitthvað til í því?

When developing a business centered around Japanese prints, there are many factors to consider: the audience, the history, and how you want to be perceived by the public. The appeal of the Japanese aesthetic, along with your own personal aesthetic and brand identity, can also be just as important to your business. On this episode of The Unfinished Print, I speak with Malene Wagner, a gallerist, curator, writer, and art historian whose business operates under the name Tiger Tanuki. Malene shares her passion for collecting and selling Japanese prints, and we explore the European perspective on Japanese prints and printmaking. We also dive into Japanese aesthetics and how they are interpreted through a Western lens. Additionally, Malene discusses how these aesthetics influence her brand, Tiger Tanuki, the role history plays in shaping her business, and her upcoming book. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Malene Wagner & Tiger Tanuki - Instagram, website ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.  Uniqlo -  a Japanese clothing brand known for its affordable, minimalist, and high-quality everyday wear. It focuses on functional designs, using innovative fabrics like Heattech for warmth and AIRism for breathability. Uniqlo is popular worldwide for offering essential wardrobe staples and often collaborates with well-known designers and artists to create unique collections. Clear Day With A Southern Breeze (1831) is a print usually known as "Red Fuji." From the series Thirty Six Views of Mt. Fuji this print was actually pink, red was used in later impressions by publisher Nishimuraya Yohachi.  The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.  Yayoi Kusama -  is a pioneering Japanese artist known for her immersive installations and polka dot motifs that explore themes of infinity, identity, and mental health. Born in 1929 in Matsumoto, Japan, Kusama began her artistic journey through painting and avant-garde practices, eventually moving to New York in the late 1950s, where she became a key figure in the pop art and feminist movements. Her works, range from large-scale installations like the "Infinity Mirror Rooms" to her vibrant sculptures and paintings. Kusama's art is a deeply personal expression of her own experiences with mental illness, transforming her obsessions into stunning visual experiences that resonate globally. Today, she is celebrated as one of the most influential contemporary artists, with exhibitions and installations that captivate audiences worldwide. From "Life Is The Heart of A Rainbow", Installation (2017) MANGA - was an exhibition from May 23 - August 26, 2019 held at the British Museum in London, England.  shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  Tomoo Inagaki (1902-1980) - introduced to mokuhanga by Onchi Kōshirō and Un'cihi Hiratsuka in 1923. Beginning in 1924, Inagaki published his first prints in magazines such as Shi to hanga (issue 13), Hanga (issues 6, 9/10, 11, 14), and Kitsutsuki, and exhibited with the Nihon Sôsaku-Hanga Kyôkai (Japan Creative Print Association). He became a member of the Nihon Hanga Kyôkai (Japan Print Association) in 1932 and participated in various post-war international competitions, including the Paris, Tokyo, and Lugano biennales. His cat prints have been highly collectible. More info can be found at Viewing Japanese Prints, here. The Rival Cats - 18" x 24" (1960's - 1970's) Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in World War 2, having been stationed in Japan. After his time in the war Statler moved back to Japan where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as accommodation, and the 88 Temple Pilgrimage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.” Frances Blakemore (1906-1997) - was an American-born artist, writer, philanthropist and curator of modern Japanese mokuhanga. She lived in Japan for over fifty years and helped to support the burgeoning sōsaku hanga print movement of the 1950s. Blakemore worked in mokuhanga (collaborating with Watanabe Shōzaburō) and making self-printed and carved prints. She also worked in oils.  Japanese Bath (1937) - 11 7/8" x 9 5/8 " Yoshitomo Nara - is a renowned Japanese contemporary artist and is celebrated for his distinctive paintings and sculptures featuring figures with large heads and expressive eyes, often exploring themes of innocence, rebellion, and solitude.  Change The History (2007) acrylic on wood 74-7/16" × 55-1/2" × 3-1/8" Mingei - is a Japanese term that translates to "folk craft" or "people's art." It refers to a movement that emerged in the early 20th century, emphasizing the value and beauty of traditional, handmade crafts created by anonymous artisans. Mingei focuses on everyday objects, such as pottery, textiles, furniture, and utensils, that reflect the culture and daily life of the people who made them. Lawrin Smith - is the author of the book "The Prints of Yoshitoshi: A Complete Illustrated Catalog" (2009). This comprehensive catalog focuses on the works of Tsukioka Yoshitoshi. The book provides detailed descriptions and illustrations of Yoshitoshi's prints, showcasing his significant contributions to the ukiyo-e genre and his influence on modern printmaking. Wabi-sabi is a Japanese aesthetic philosophy that celebrates the beauty of imperfection, transience, and the natural cycle of life. It combines two concepts: "wabi," which refers to rustic simplicity and tranquility found in nature, and "sabi,"which denotes the beauty that comes with age and wear. Wabi-sabi values simplicity, asymmetry, and the unique characteristics of objects and experiences, encouraging appreciation for the impermanent and humble aspects of life. This philosophy is reflected in various forms of art, architecture, and design, emphasizing natural materials and handcrafted items, and fostering mindfulness and acceptance of the imperfections that make life beautiful. A-yo - is a renowned Japanese artist associated with the Gutai Art Association, an avant-garde group that emerged in post-war Japan. Known for his vibrant colors and distinctive style, Ay-O's work often incorporates elements of nature, light, and movement, reflecting themes of playfulness and spontaneity. He engages with materials in innovative ways and has explored performance art as part of his creative expression. With extensive exhibitions both in Japan and internationally, Ay-O has made significant contributions to contemporary art, emphasizing the joy of creation and the aesthetic experience. Marcel Duchamp (1887–1968) was a French-American artist and a key figure in modern art, known for his significant influence on the Dada movement and conceptual art. He initially trained as a painter but became renowned for challenging traditional notions of art through his controversial works, such as "Fountain"(1917), a readymade sculpture of a urinal that questioned the definition of art and the role of the artist. Duchamp's other notable pieces, including "The Large Glass" (1915–1923) and "Bicycle Wheel" (1913), explored themes of chance and perception. His innovative ideas about art as a conceptual experience rather than a purely visual one continue to resonate, solidifying his status as one of the most influential artists of the 20th century.   Fountain (1917) replica (1964)   Naoko Matsubara - is a contemporary Japanese printmaker known for her expertise in mokuhanga. Born in Osaka, she studied at Kyoto Seika University, where she specialized in printmaking and mastered the techniques of this ancient art form. Matsubara's work often blends traditional methods with contemporary themes, exploring the relationship between nature, culture, and identity. Her prints are characterized by intricate details, vibrant colors, and a deep appreciation for the materials and techniques involved in woodblock printing. She teaches and promotes mokuhanga both in Japan and abroad, exhibiting her work in galleries and museums worldwide and receiving numerous awards for her contributions to the field. Naoko's interview with The Unfinished Print can be found, here.    Gihachiro Okuyama (1907-1981) - was a prominent Japanese printmaker and painter associated with the sōsaku hanga (creative prints) movement. Born in Tokyo, he studied traditional Japanese painting and was influenced by Western art styles, leading to innovative woodblock prints characterized by bold colors and dynamic compositions that blend traditional aesthetics with modern elements. Throughout his career, Okuyama exhibited extensively in Japan and internationally, contributing significantly to contemporary printmaking while also playing a vital role in art education by sharing his expertise with future generations. His work reflects a deep engagement with the cultural exchanges between East and West during the post-war period.     Moonscape - 10" x 21"   Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.   Prince Rokuson Tsunemoto from Suikoden of Japanese Heroes (1843) 10" x 7"    Utagawa Kunisada III (1848–1920) - was a ukiyo-e print designer from the Utagawa school of mokuhanga. Kunisada III's print designs were designed during the transformation of the Edo Period (1603-1868) into the Meiji Period (1868-1912) of Japanese history, where his prints showed the technological, architectural and historical changes in Japan's history.    Kabuki Plays - Narukami and Princess Toki (ca. 1890's) triptych   Saitō Kiyoshi (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. HIs fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. My interview with Professor Paget can be found, here.    Dog, Daschund 2 10" x 15"   Edvard Munch (1863-1944) - was a Norweigan artist, who initially was a painter, but also ventured into printmaking making 850 images. His print medium was etching, lithography, and woodcut. More information can be found here, at Christie's.      Anxiety (1894)   Pieter Cornelius Mondrian (1872-1944) - a Dutch artist who's work helped found De Stijl in 1917, a group of Dutch painters who helped codify Mondrian's abstraction and industrial design. Mondrian has a wide spectrum of works and styles created throughout his career. More information can be found, here from the Guggenheim.   Mill in Sunlight (1908). Credit: Kunstmuseum Den Haag, The Hague, The Netherlands © 2021 Mondrian/Holtzman Trust   Shunga - meaning "spring pictures," is a genre of Japanese erotic art that flourished during the Edo period (1603–1868), characterized by woodblock prints, paintings, and illustrated books depicting explicit sexual scenes often combined with humor, romance, and social commentary. Notable for its vibrant colors and intricate details, shunga explores themes of intimacy and sexuality, serving both as entertainment and education in a culture where such topics were often taboo. The genre reflects societal attitudes toward love and relationships and has a rich history despite facing censorship at various times. Today, shunga is recognized as a significant part of Japanese art history, appreciated for its aesthetic qualities and cultural context. Paul Binnie - Candlelight (1994) kappazuri print 24" x 18"  Tosa Prefecture - historically known as Tosa Province, is located in the southern part of Shikoku, Japan, and corresponds to present-day Kochi Prefecture. Renowned for its natural beauty, including mountains, rivers, and coastal landscapes, Tosa has a rich cultural heritage that includes traditional crafts like Tosa washi (handmade paper) and Tosa pottery. The region is famous for its vibrant festivals, such as the Yosakoi Festival, which features lively dance performances, and is known for its agricultural products, particularly citrus fruits like yuzu and sudachi, along with seafood. Kochi City, the capital of Kochi Prefecture, serves as the cultural and economic center, showcasing local cuisine, historical sites, and museums. Tosa's unique blend of natural scenery, traditional crafts, and cultural events contributes to its significance within Japan. © Popular Wheat Productions opening and closing credit - I Am Pentagon by the band Make Up from their album Save Yourself (1999) released by K Records.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Soms is een landschap met een weg bijna een abstract schilderij, een oningelijst voorbeeld van De Stijl, een vlakverdeling vlak voor je ogen - stel je de kleuren egaal en glad voor en wat je ziet betekent ineens iets heel anders dan je misschien dacht. Check het artikel over Een Harp Onder De Riem > hier. Check het interview met Monica Germino, Gerard Bouwhuis en Heleen Hulst over Louis Andriessen > hier. 23.04 eigen opname Een Harp Onder De Riem Rianne Wilbers; Bianca Bongers: Circle Rianne Wilbers [stem]; Bianca Bongers [cello] 11'47” 23.22 CD Walking the path of life (Kuku Music / China Record Corporation GCD-5514 Gong Linna; Lao Luo; Ouyang Xiu: Tin yuan sheng shen Gong Linna 4'12” 23.28 CD De materie (Nonesuch Records 7559-79367-2) Louis Andriessen: De Materie pt 3: De Stijl Asko|Schönberg olv Leeuw, Reinbert de Gertrude Thoma [spreekstem] Nederlands Kamerkoor 25'52”

Piet Mondrian is considered an icon of modern art, but he didn't start off that way. While he always loved art, he got his degree in education. Mondrian's early paintings were somewhat traditional landscapes. He experimented with Impressionist and Post Impressionist styles, then moved on to some Cubist influence. His major breakthrough was with the De Stijl movement focusing on the basic elements of art using straight lines and primary colored rectangles. Mondrian was one of the most prominent theorists of the group as he developed a style he referred to as Neoplasticism. While I have covered Mondrian previously, I wanted to release this episode today to celebrate the publication of my first article for The Art of Education University. Check out my article in their magazine over at www.theartofeducation.edu Arts Madness 2024 links: The Brackets Spotify Playlist Prediction Form Vote in the Current Round Check out my other podcasts Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Can geometric shapes heal the world? That's what the artists of the De Stijl movement—which came of age in the Netherlands after World War I—believed. Piet Mondrian is one of the most famous members of this group, which forbade circles and embraced light, color, and geometry as a way to move past the chaos of the war. As AFAR contributing writer Chris Colin discovers on a trip to Utrecht, that's not quite as bizarre as it sounds. And as he bicycles through quaint streets, meditates along charming canals, and visits the De Stijl artifacts that still exist, Chris learns that, just maybe, De Stijl's philosophy is still applicable today. Don't miss these moments! 3:31: The beginning of Chris's Q&A. 7:55: What he appreciated most about the city. 9:47: Why De Stijl's art has endured. 14:25: Chris's Travel Tale. Meet this week's guest Chris Colin, AFAR contributing writer  Resources Read this episode's show notes, including a full transcript of the episode. Enjoy Chris's book Off, a picture book about an analog world. Visit Utrecht and explore De Stijl for yourself.  Listen to Chris's other Travel Tales about renting a friend in Tokyo and grappling with the mystery of train travel on the Coast Starlight. Follow him on Instagram. 

Welcome to our deep dive into "De Stijl," the second studio album by the iconic American rock duo, The White Stripes. Join us as we explore the artistry and significance of this album's songs in the context of the band's career and the broader world of music. In this video, we'll take you track by track through "De Stijl," discussing the unique blend of blues, garage rock, and raw energy that Jack and Meg White brought to the table. From the infectious guitar riffs of "You're Pretty Good Looking (For a Girl)" to the haunting simplicity of "I'm Bound to Pack It Up," we'll delve into the musical nuances that make each song on this album a masterpiece in its own right. 0:00 The White Stripes De Stijl Song Review 0:35 You're Pretty Good Looking (for a girl) 1:35 Hello Operator 3:55 Little Bird 4:50 Apple Blossom 7:10 I'm Bound to Pack It Up 8:30 Death Letter 11:05 Sister, Do You Know My Name? 13:10 Truth Doesn't Make a Noise 14:50 A Boy's Best Friend 15:55 Let's Build a Home 17:20 Jumble, Jumble 18:30 Why Can't You Be Nicer to Me? 19:45 Your Southern Can Is Mine 22:20 Dude's Scratch 23:00 Grimm's Scratch #thewhitestripes #musicreview #indiemusic

The recording of the album "De Stijl" by The White Stripes marked a pivotal moment in the band's career and the modern rock music landscape. Released in 2000, this sophomore effort showcased the raw and minimalist sound that would become their signature. Recorded on an 8-track analog tape machine in a small Detroit studio, the album captured the essence of garage rock revivalism with its stripped-down instrumentation and electrifying energy. Jack White's frenetic guitar riffs and primal vocals, combined with Meg White's primal and no-frills drumming, created a sound that was both timeless and innovative. "De Stijl" drew inspiration from various musical genres, from blues to punk, and showcased the band's lyrical and musical prowess. With tracks like "Hello Operator" and "Apple Blossom," the album offered a glimpse into the White Stripes' musical craftsmanship, setting the stage for their meteoric rise in the years to come. It remains a crucial piece of the band's discography and a testament to their enduring influence on the alternative rock scene. #jackwhite #thewhitestripes #indiemusic

Als je het hebt over de Nederlandse abstracte kunst, dan denk je misschien aan Gerrit Rietveld of Piet Mondriaan, maar eigenlijk moet dat Jan van Deene zijn. Samen met vrienden ontwikkelde hij aan het begin van de twintigste eeuw een absolute schilderstijl. En dat nog voor de kunstbeweging van De Stijl zijn intrede had gedaan. Janine Abbring spreekt erover met conservator beeldende kunst 20ste eeuw, Ludo van Halem.Wil je weten hoe dit schilderij eruitziet? Ga dan naar www.rijksmuseum.nl/podcastIn het Rijksmuseum is powered by ING.

Brecht van Hulten in gesprek met Lisette Pelsers, directeur van het Kröller-Müller Museum. 'Het futurisme & Europa. De esthetiek van een nieuwe wereld', de nieuwe tentoonstelling in het Kröller-Müller Museum,laat zien hoe de futuristen ruim honderd jaar geleden hun entree maken op het Europese toneel en een wisselwerking aangaan met andere avant-garde kunstenaars en stromingen zoals De Stijl en Bauhaus. Het futuristisch ideaal is het samengaan van kunst en leven. In de tentoonstelling zie je schilderijen en sculptuur, meubels, tapijten, keramiek, interieur- en toneelontwerpen, kleding, boeken en grafisch werk. Er zijn ook allerlei gebruiksvoorwerpen te zien, zoals het bekende Campari sodaflesje.

Já pensou se a arquitetura só pudesse usar amarelo, azul e vermelho? Dê o play para ouvir a história desse movimento de vanguarda que queria criar uma nova ordem harmônica nas artes. . . Imagem: Vista axonométrica de uma casa (não construída) elaborada por Theo van Doesburg e Cornelis van Eesteren em 1923. Fonte: MoMA. . . REFERÊNCIAS COHEN, Jean-Louis. The Future of Architecture Since 1889. A Worldwide History. Londres: Phaidon, 2011. CURTIS, William J. R. Arquitetura moderna desde 1900. Porto Alegre: Bookman, 2008. https://www.rietveldschroderhuis.nl/en?gclid=Cj0KCQiAq5meBhCyARIsAJrtdr7Et6VjZ2Awuxi1qFldZRbTlxZ5O5PlA78C-hXbk2J4aaB7-jevPF0aAmn1EALw_wcB https://www.khanacademy.org/humanities/art-1010/cubism-early-abstraction/de-stijl/a/de-stijl-part-iii-the-total-de-stijl-environment https://www.britannica.com/topic/De-Stijl-art

Theo van Doesburg (1883-1931) is niet weg te denken uit de kunstgeschiedenis, als boegbeeld van de Nederlandse kunstbeweging De Stijl. Toch bleef zijn leven lange tijd in mysterie gehuld. ‘Van Doesburg was voor de abstracte kunst en daar hoorde het persoonlijke niet bij', aldus Hans Renders. Samen met Sjoerd van Faassen ging hij in archieven wereldwijd op zoek naar sporen van de kunstenaar. Hoe kon een jongeman van eenvoudige komaf uitgroeien tot een spilfiguur van de internationale avant-garde?

I read from despotism to destiny.     2.5 fluid drams is equal to: 1.875 teaspoons 0.625 tablespoons 0.3125 ounces 9.24173 milliliters 0.563965 cubic inches 0.00244144 gallons     I guess this how to destain a microscope slide, but I don't know!  https://www.zytovision.com/downloads_support/zytofast/zytofast_pap_slides.pdf     What do you think of De Stijl art? https://en.wikipedia.org/wiki/De_Stijl     The word of the episode is "dessert". https://en.wikipedia.org/wiki/Dessert     Theme music from Tom Maslowski https://zestysol.com/     Merchandising! https://www.teepublic.com/user/spejampar     "The Dictionary - Letter A" on YouTube   "The Dictionary - Letter B" on YouTube   "The Dictionary - Letter C" on YouTube   "The Dictionary - Letter D" on YouTube     Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/     Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq     dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar https://www.tiktok.com/@spejampar 917-727-5757

Naarmate de jaren tachtig vorderen wordt Hiphop een belangrijke jongerencultuur. Lokale kids raken gehypnotiseerd door deze laagdrempelige stroming die via de media uit New York komt overwaaien. Ze beginnen met rappen, beatboxen, breakdance en graffiti. ‘Hiphop graffiti' wordt op de muren de meest dominante vorm en overschaduwt het werk van punk- en hooligan voorgangers. Graffiti wordt feller van kleur, het jargon wordt Amerikaans, de werken groter en groter. Onder invloed van inmiddels klassieke films en documentaires als Wild Style, Beat Street en Style Wars wordt de Amerikaanse stijl nagemaakt. Er is vrijheid, naïviteit en spontaniteit bij het maken van werk. De regels en procedures zijn nog niet duidelijk, veel staat nog niet vast en er moet van alles worden uitgevonden. Met MICKEY, PINOX82©, QUASK, SLONZ, Martinus Stollenga

Jim Scheller's vessel designs are informed by simplicity and abstraction. His work is inspired by Neoplasticism and the artists of that period, beginning with the De Stijl movement of the early 20th century. Always a scientist, he is fascinated with exploring the processes that use heat and gravity to bring his designs to life in glass. Initially introduced to glass kilnforming in a 2012 Bullseye workshop, Scheller shifted his professional focus following a long and enjoyable career as an engineer and technologist working with creatives worldwide in the athletic footwear and apparel industries. Experimenting and learning about art and glass as a medium quickly became his passion – a transformation he describes as being “taken hostage by kilnforming glass.” Scheller further developed his technical and artistic abilities in 2014 and 2015 at the Professional Kilnforming Residency at Pilchuck Glass School in Stanwood, Washington. Gracious mentoring from many of the best artists and friends – such as Steve Klein and Richard Parrish – further encouraged and refined Scheller's goals as a glass maker. Early vessel forms were exhibited in For the Love of Glass, at the Marietta Cobb Museum of Art, Atlanta, in 2017.  After two decades on the Chehalem Mountain outside Portland, Oregon, in 2018 Scheller moved his home studio to the Illinois prairie near his son Phillip, where they make decorative kiln formed glass art. Macoupin Prairie Glassworks is located in Staunton, Illinois, near the artist's childhood home of Mt. Olive, a small town on old Route 66 halfway between Springfield and St. Louis.  There, Scheller takes great pleasure in pushing kilnforming limits and developing new techniques. His works are composed with glass sheets, crushed glass (frit), and glass slabs (billets), then fired to over 1400 degrees F. Fired works are extensively cold worked to achieve the final finish. Number 11 of his series studying the art of the line in composition on the deep vessel shape was recognized in the Bullseye Challenge: Reactions, May 2021. https://bullseyeglass.submittable.com/gallery/99555feb-2f47-445f-8877-26ce12b4f6d2/19356258?fbclid=IwAR0O1XOqpXfRGNoBWRvj70p0HMCeSU7-Greq61nwNTPsHN_t0sKjVhhchow Click on Scheller's name for image of his honorable mention piece, https://bullseyeglass.submittable.com/gallery/99555feb-2f47-445f-8877-26ce12b4f6d2/20031801/ Scheller's current Ancient Ring series has attracted great interest both at his galleries and on his social networks. From April 28 through July 4, 2022, Quad City Arts' Art at the Airport presents glass art vessels by Scheller, acrylic sculptural paintings by Sally Havlis of Chicago, Illinois, and sumi-e paintings by Karen Kurka Jensen of North Liberty, Iowa. Vessels in this exhibition are inspired by the work of early 20th-century painters Mondrian, Gorin, Kandinsky, Klee, Tauber-Arp, and van Doesbur.  For more information: https://www.quadcityarts.com/art-at-the-airport.html Scheller's Ancient Rings 13 has been accepted into the St. Louis Artists' Guild “Constructed Visions IV” biennial, held July 1 to August 6, reception on July 1 from 5 – 7 p.m. https://www.stlouisartistsguild.org And Philabaum Glass Gallery in Tucson, Arizona, will exhibit Scheller's work beginning February 4, 2023.  https://www.philabaumglass.com Says Scheller: “The engineer, immersed in the process of making, joins glass, heat and gravity to create works inviting one to view the once molten glass in a dance of light and color.”  

This first episode explores the White Stripes debut albums, from the self titled album, through the bedroom-made sophomore album De Stijl, and the record that put them on the national stage, White Blood Cells, featuring Dead Leaves and The Dirty Ground and Fell In Love with a Girl.--Jack White rose to legendary musician status via his breakthrough band, The White Stripes. Coming out as a blues rock, punk aesthetic garage rock band with child-like drummer Meg White, The White Stripes paved the way for a lot of acts to come. As their success grew, Jack White branched out into other projects, including the classic rock inspired "super group" The Raconteurs, and Led Zeppelin-spirit revival, hard as nails "super group," The Dead Weather. As Jack gained momentum elsewhere, The White Stripes came to an end, leaving room for Jack White to explore a solo career. Throughout his solo career, he started honing his comfort material -- country, blues, and fuzz rock -- moving toward new grounds with experimental noise, high tech production, and unexpected plot twists.Tyler, being a conseur of pop and knower of all things music, and Greg, a Jack White super fan, have a lot to say on Jack White, including a plethora of insights and context into the creation of this music, the cultural impact of Jack White and his embedded philosophies, and the growth of self and artist.

We look at the effect of living in spaces at the cutting edge of design, from a De Stijl gem in Utrecht to mid-century residences in Perth.

The Dutch duo based in Berlin, Robin Koek and Nick Lapien, better known as Artefakt, are starting a new chapter in their De Stijl narrative; the record label they founded in 2019 with the goal to further explore their sound and host affiliated projects and collaborations with like-minded friends. The latter takes the first significant step and starts the new series 'Collaborations,' with the idea to capture extended studio improvisations and craft an EP based on live sessions. For the inaugural release in the series, Artefakt welcomes their close friend and fellow Berliner, Claudio PRC.  'Collaborations I' seems like a match made in heaven where Artefakt and Claudio bring their A-game and deliver a four-track release that explores depths of hypnotic, atmospheric techno, and ambient. The release has two faces. The A-side sees Artefakt and Claudio PRC channeling their inner atmospheric techno side with dance floor DNA all over it. Where on the B-side, things slow down and gradually dissolve into gauzy layers of a melancholic drone. The story unfolds with 'Gaia.' A mood piece with a rumbling groove and deep emotional undercurrents. A defining element of 'Gaia' is an unsettling piano that flourishes and warbles with atmospheric textures to create a complex take on melancholy. 'Dwelling' continues in a similar fashion and builds on the abstract sonic world with its long, lush cosmic pads and familiar deep techno sequence. 'Gaia' is the stand out of two, but 'Dwelling' sounds like a more versatile chameleon track that could find a place at various times during the night in DJ sets. The B-side kicks off with 'Sonic Rite,' our premiere for today. 'Sonic Rite' calms things down with a significant drop in pace but keeps the same hypnotic atmosphere with an ever-evolving bassline sequence and far-east-inspired flute-like melodies. An otherworldly female voice adds a nice transcendental touch that falls like a jigsaw into the place of this mesmerizing 'slow-burner.'  'Collaborations I' closes with 'Distant Light,' a dark drone ambient journey that sounds like a glacial majesty with peaceful oscillations. It's an ideal listening piece for moments of tranquility and self-reflection.  With 'Collaborations I,' the first chapter of the series that features Delsin affiliate Claudio PRC, Artefakt sets the bar high and gets us excited for what is to come. 'Collaborations I' will be available in record stores and streaming services on March 25th.  https://soundcloud.com/artefakt-official https://soundcloud.com/claudioprc Artefakt on Instagram: https://www.instagram.com/artefaktofficial/ Claudio PRC on Instagram: https://www.instagram.com/claudioprc/ www.itsdelayed.com www.instagram.com/_itsdelayed_ www.facebook.com/itsdelayed https://t.me/itsdelayed

Versione audio: In Europa, durante la Prima guerra mondiale, il centro della creatività artistica si spostò dalla Francia e dalla Germania ai paesi rimasti neutrali. A Leida, in Olanda, un gruppo di pittori, scultori, grafici e architetti, tra cui Théo Van Doesburg (1883-1931), Piet Mondrian (1872-1944), Pieter Oud, Gerrit Rietveld Gherrit Ritfeld e Cornelis Van […] L'articolo Mondrian, De Stijl e il Neoplasticismo proviene da Arte Svelata.

Il movimento artistico De Stijl, anche conosciuto con il nome di neoplasticismo, nacque nel 1917 nei Paesi Bassi dal manifesto scritto da Piet Mondrian e Theo van Doesburg. Lo stile è quello essenziale, fatto di linee ortogonali, uso esclusivo di quadrati e rettangoli e solo colori primari. Il movimento influenzò per molti decenni la pittura, l'architettura e il design.Ripercorriamo quegli anni insieme Domitilla Dardi , una delle curatrici della mostra dedicata interamente all'artista olandese al Mudec di Milano, e a Angela Rui , curatrice e ricercatrice per il design.

Dr. Rhiannon Paget is the curator of Asian Art at the John and Mable Ringling Museum of Art in Sarasota, Florida. Ms. Paget joins me on The Unfinished Print to discuss the life and times of mokuhanga printmaker Saitō Kiyoshi, war print production of the later 19th Century and early 20th Centuries and she speaks on kabuki prints through the years.  These topics are framed through the three shows which Dr. Paget was involved in, Saitō Kiyoshi: Graphic Awakening (March 14 -August 15, 2021 @ The Ringling), Conflicts of Interest: Art and War in Modern Japan (October 16, 2016 - January 8, 2017 @ the St. Louis Art Museum), and Kabuki Modern (November 13 -July 27, 2021 @ The Ringling) Please follow The Unfinished Print and my own print work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Dr. Rhiannon Paget PhD - curator of Asian art at the John and Mable Ringling Museum of Art own Sarasota, Florida. She was also a A.W Mellon Fellow for Japanese Art from 2015-2017, and wrote for The Japan Times.  The John and Mable Ringling Museum of Art - This museum is dedicated to the arts, Western and “non-Western”from all periods of human history, focusing on education, and conservation. More info, here.  Saitō Kiyoshi (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. HIs fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. Cleveland Museum of Art - founded in 1913 and opened in 1916. It has an online collection, and open access to its works in its collection. More info, here.  Honolulu Museum of Art - dedicated to art and education focusing on arts from around the world and Hawaiian culture itself. More info, here. Isamu Noguchi (1904-1988) - was a U.S born sculptor and designer who traveled the world to understand his own works. He collaborated with many artists from all over the world. More info, here.  Kiyoshi Nakashima -  an artist and designer who designed woodblock prints, in the 1980's. His most famous are his melancholy women prints. Some can be found, here.  Karl Bickle (1881-1972) - an ex newspaper man at the turn of the 20th Century Bickle who retired in Sarasota, Florida in 1935. He was influential in the opening of the Ringling Museum in 1945. More info, here. Onchi Kōshirō (1891-1955) - originally designing poetry and books Onchi became on of the most I important sōsaku hanga artists and promotor of the medium. His works are saught after today. More info, here. Paul Gauguin (1848 - 1903) - self taught artist, ex-stockbroker, travels to Brittany, France in 1886 where he sows the seeds of  his Symbolist Movement. He is famous for his works made in Tahiti, perhaps now seen as a bit naïve and privileged, these works, were expressed through painting, woodcuts and the written word. He also painted self portraits, and landscapes searching for the spiritual via colour and form. The National Gallery has a very good history of Gauguin here. François Auguste Rodin (1840-1917) - a sculptor of the human form, Auguste Rodin was a French artist who's work took off when he was commissioned by the French government in 1879. One of his most famous works is “The Gates of Hell” a commissioned work for the Musée des Arts Décoratifs, a museum which was never built. For more information about Rodin,  The National Gallery has a biography, here.  mokume - is a woodblock printing technique where, by using heavy pressure on wood which contains a heavy grain, the artist can reveal the grain in their work.  Kiyoshi Saitō Museum of Art - located in Yanaizu, Fukushima, Japan this museum is dedicated to the art and works of Kiyoshi  Saitō. Opened in 1997, the museum holds rotating shows connected to Saitō's works. Museum website can be found, here. Boston Museum of Fine Arts - a museum with a rich history with Japanese artwork, especially woodblock prints. It holds the largest collection of Japanese art outside of Japan. Many of their woodblock prints are held online, here. A video on YouTube found, here, describing the MFA's history, and its collections.  Fukushima Prefectural Museum of Art - opened in 1984 in Fukushima City, Fukushima, this museum contains works from Japan and all over the world. The website is in both Japanese and English, and can be found, here.  Ms. Paget uses the Japanese words for certain woods which mokuhanga printmakers can use. They are:  kiri - a paulownia wood keyaki - Japanese zelkova tree Steady Gaze - is a print which Saitō produced in 1952, with two cats staring in different directions with two different backgrounds, one red (Animal)  and one blue (Two Cats).  I found another Steady Gaze cat print from 1950 and sold as a scroll. It can be found, here.  Edward Munch (1863-1944) - was a painter from Norway who is collectively famous for his painting, The Scream, painted in 1893. More info can be found, here.  Pieter Cornelius Mondrian (1872-1944) - a Dutch artist who's work helped found De Stijl in 1917, a group of Dutch painters who helped codify Mondrian's abstraction and industrial design. Mondrian has a wide spectrum of works and styles created throughout his career. More information can be found, here from the Guggenheim. Aizu, Fukushima, Japan - is a geographical area located in West Fukushima Prefecture, , Japan. It has a long history and is one of the nicest areas in Japan that I have visited, Tourist information can be found, here.  Toyohara Kunichika (1835-1900) -  was a Japanese woodblock designer of the Utagawa School of artists. His work flourished in the Meiji Period (1868-1912) of Japanese history, a period of immense change politically, economically, and industrially. Some of Kunichika's works can be found, here.  Kobayashi Kiyochika (1847-1915) - was a woodblock print designer famous for his war prints on the First Sino-Japanese War (July 25, 1894- April 17, 1895). More info, here. Toshihide Migita (1863-1925) - a woodblock designer known for his own print designs of the First Sino-Japanese War, kabuki portraits, bijin-ga, and landscape. More info, here. Pearl Habor woodblock prints - are a series of woodblock prints produced in 1942. One such print, found here, was designed by Hasegawa Sadanobu III (1881-1963).  Russo-Japanese War (February 8, 1904 - September 5, 1905) - was a war between the Imperial Russian and Imperial Japanese military taking place in China. Information about its background can be found here at history.com, and here.  Andreas Marks - is a scholar and Mary Griggs Burke curator of Japanese and Korean Art and Director of the Clark Center for Japanese Art at the Minneapolis Institute of Art.  print panels - artworks, like woodblock prints, can come in various numbers of panels. Single panels is one print, diptychs are two panels, triptychs are three panels, quadriptych his four panels, pentaptych is five panels.  Kawase Hasui (1883-1957) - was a woodblock designer who began his art life as a painter.  He worked predominantly with Watanabe Shōzaburō (1885-1962) designing some of the most famous woodblock prints from the Watanabe atelier such as Winter Moon over Toyama Plain, here.  Ogata Gekko  (1859-1920) - was a woodblock print designer during the Meiji Period (1868-1912) of Japanese history. Famous for his war prints of the Sino-Japanese War (1894-1895.) more info, here. Yokoyama Taikan (1868-1958) - was a Nihon-ga painter who exhibited around the world. His work, such as Mount Fuji in Japan has been deemed to have been nationalistic and proto-fascist. A great book on the subject is, “The Politics of Painting: Fascism and Japanese Art during the Second World War (University of Hawai'i Press, 2019) Hitler Youth - was a  a youth organization formed in 1922 to indoctrinate children in Nazi propaganda, to be better prepared  to fight in the German military. More info, here.  Teiten - started in 1919 until 1934, Teikoku Bijutsu Tenrankai, was one of several  (Bunten, Shin Bunten, Nitten, and Shin Nitten) Japanese Fine Arts Exhibition's held yearly in Japan. Teiten was famous for creating a platform for creative woodblock printing. Minami-za - is a kabuki theatre located in. Kyōto, Japan. more, info here. Yamamura Kōka (1885-1942) - was a woodblock print designer and artist who helped design many prints for Watanabe as well as for his Publishing Committee for Yamamura Kōka's prints. more info here. Yotsuya Kaidan -  ghost play, predominantly performed in kabuki. Staged for the first time in 1825. It has been performed steadily in kabuki since its first performance. more info, here. Heron Maiden (Sagi Musume)- is a Japanese folk-tale which is a very famous kabuki dance expertly performed by Bandō Tamasaburō V.  Watch, here. Bromide photography - is a type of early Twentieth Century commercial photography found in Japan , usually photos of geisha, kabuki actors, and sports people. Junichiro Sekino (1914-1988) - was a woodblock printmaker and illustrator who studied with Onchi Koshiro (1891-1955).  More info, here. Yakusha-e - is a Japanese word for kabuki actor prints. More info, here. First Thursday Society - started by Onchi Kōshiro in 1939 to develop sōsaku hanga. more info from Ronin Gallery, here.   opening and closing credit music - Tom Petty & The Heartbreakers  - Anything That's Rock 'n' Roll (1976) Gone Gator Records © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***            

Friend of the show, Mandy Wilson Rosen is back to co-host with me this week! Welcome back, Mandy! At a recent artist meet up on Clubhouse, we learned that many many artists cite "The Spiritual in Art: Abstract Painting 1890-1985" ed. Maurice Tuchman/LACMA as their most prized book on their studio bookshelf. Neither of us had heard of the book before, so we set about to find out what all the fuss was about. The book is a TOME (heavy as a brick, dense as a neutron star and 430 pages) and out of print, but available used on Ebay and Amazon...and at other used book sellers. Mandy and I collected our thought forms, focused our internal eyes, and ascended to a higher plane ...and dove in. Artists mentioned in this episode were: Paul Gauguin, Paul Serusier, Paul Ranson, Émile Schuffenecker, Édouard Vuillard, The Nabis, Le Lotus Bleu (periodical), Odilon Redon, Hilma Af Klint, Edvard Munch, Wassily Kandinsky, Johannes Itten, Umberto Boccioni, Ralph Waldo Emerson (poet), Henry David Thoreau (poet), Walt Whitman (poet), William Blake, Arthur Dove, Georgia O'Keeffe, Marsden Hartley, Albert Pinkham Ryder, Jackson Pollock, Navajo Sand Painters, Hohokam pottery showing Kokopelli, Eskimo/Inuit shaman masks, Agnes Pelton, Raymond Johnson, Nikolei Roerich, Kazimir Malevich, The Suprematists, Mikhail Matyushin, Vladimir Tatlin, Vasilisk Gnedov (poet), Pavel Filonov, Piet Mondrian, Theo van Doesburg, De Stijl movement, Max Weber Also, have a look at the fascinating "Thought-Forms: A Record of Clairvoyant Investigation" by Annie Besant and C.W. Leadbeater free online at Project Gutenberg: https://www.gutenberg.org/files/16269/16269-h/16269-h.htm Also, also, see Mandy's new number series here: https://mandolynwilsonrosen.com/section/501297-painting-collage.html Please check out the @peptalksforartists instagram in a special "stories highlight" because this episode is chock-a-block with references to specific paintings that we'd love for you to see. I've made a special IG story collection for this episode because there were too many to fit in a post! Thanks! Support the Peps by making a Donation, reviewing us on Apple Podcasts or following us on Instagram to see more images illustrating this episode: @peptalksforartists. All licensed music is from Soundstripe. --- Send in a voice message: https://anchor.fm/peptalksforartistspod/message Support this podcast: https://anchor.fm/peptalksforartistspod/support

The Memory Palace is a proud member of Radiotopia from PRX. A note on notes: We'd much rather you just went into each episode of The Memory Palace cold. And just let the story take you where it well. So, we don't suggest looking into the show notes first. Music Feminist from Danny Bensi and Saunder Jurrian's score to Christine. Under Siege from the great Warren Ellis' score to Mustang Warm Canto from Mal Waldren M is for Man, Music, Mozart: the Eisenstein Song from Louis Andriessen's De Stijl album. The them to Le Doulo from Paul Misraki Manny Returns Home from Bernard Hermann's score to the Wrong Man

Today on the show, it's all about HOW parents talk to their kids. And it's got nothing to do with Bandit. But maybe, Tim Allen. Marty damn near loses his mind at the design deep-cuts of the Dalmatian household. And then Brendan goes on a Greek-inspired language rant. And Frank, well Frank just eats glue. Along the way we invent some new Bluey merch and make Brendan cry multiple times. So here's to you Chloe's Dad. Wait, does he have a name? We might need to phone a friend to find out the answer...

Remy Jungerman takes us through defining moments in his career, the ideas for his upcoming solo exhibition at the Stedelijk Museum Amsterdam, and when his work was first shown there in 1996. He elaborates on the layered references in his practice, like Winti religion, Surinamese Maroon culture, and De Stijl, but also how the visual language of modernism allowed him to reach a broad audience. Jungerman leads us through the Amstelpark where he often visits the monument ‘Rozenoord' by Ram Katzir. Concluding he tells us where he listens to live jazz, which artists to keep an eye on, and his favourite art space in the middle of the city.   For links to (almost) everything we talk about in this episode, visit www.artcityamsterdam.com

In this episode of the podcast, I'm exploring De Stijl and abstraction with Piet Mondrian! For images and sources: https://www.accessiblearthistory.com/post/podcast-episode-44-composition-ii-by-piet-mondrian --- Support this podcast: https://anchor.fm/accessiblearthistory/support

Luke Knapp, guitarist, and singer-songwriter of Big Softy, joins our host Mr. John Pagliassotti of Delta Dagger on the program to discuss De Stijl, the second album from legendary rock revivalist The White Stripes. There's no fat on this album, it harkens back to a simpler time of old Detroit blues and punk-inspired garage rock. There are tasty lo-fi guitar riffs and distorted harmonica parts that are sick af, plus occasional mellow organic vibes and simplistic songwriting at its best. Luke and John break down the history of Jack White and his many musical ventures, his relationship with Meg, the band's influences, and the artists that they in turn influenced. Plus plenty of beer consumption and shooting the shit about music, TV, movies, and other random pop culture. Grab a drink and play along, drink (responsibly) whenever Luke says a buzzword!

SUPPORT MUSIC IS NOT A GENRE ON PATREON WATCH MUSIC is not a GENRE VIDEOS and MORE Rock is like a slab of sidewalk. When it's hot, it expands. When it's not, it contracts. In the mid 1960s, rock was super hot. Thus you get complex expansions of the simple rock sound like chamber pop & concept albums. Same for the mid 1970s when prog rock reigned. In the late 1960s when the excesses of the previous eras were being picked apart, rock contracted into the simplicity of blues rock like Led Zeppelin & Let It Bleed era Stones. Same for the 1970s, when punk popped through prog rock's overinflated balloon. And again in the early 1990s, when grunge stripped away the glam of hair metal. Then there's the garage rock revival of the early 2000s. By the end of the 1990s, rock had become warmed over grunge, overbearing nu metal, and watered down emo. Another purging was needed, and garage rock came in to do that. The Strokes, the Hives, the Vines, and in a HUGE way, the White Stripes. It's no accident that the White Stripes called their second album De Stijl, after the Dutch art movement that prized simple geometry & primary colors (think Mondrian). Jack & Meg White restricted both their look and their sound to three colors. Black, white & red. Drums, guitar, vocals. It was a deliberate limitation – a way to explore ultimate freedom within the strictest form. I was slow to jump on the White Stripes train. My first response was that it was reductive in a deliberately artsy way. It was trying to prove a point that you don't need all this new-fangled stuff to make good music. As much as I love the neo-lo-fi analog rock of Lenny Kravitz & the Stripes & others, I'm not a fan of people who don't acknowledge the times they're living in. As they developed, I realized three things. First, I was right about all that, and it's actually a GOOD thing. That kind of strictured exploration forces ultra creativity. Second, they were writing and performing kick-ass songs, so who cares how or why. Third, they WERE acknowledging the times by very deliberately going against them – by showing that no amount of hype can make a bad song good, and a great song will shine through the most sparing production. I don't pick sides. I like crazy blown up rock like prog & chamber pop. And I like stripped down sound like the Hives (my fave of that era), early Clash and early Led Zeppelin. As always, good music is good music no matter what it is or where it comes from. Since I pretty much like it all, when I make stripped down music I tend to throw in some more progressive elements too. You can hear that very clearly on these two songs, one from the White Stripes era and one just released: REC – “Some Things Happen” (from the album Parts and Labour) REC – “No Way Out for Me” (from the album Symphony for the Weird) One side note about this never-ending cycle of expansion & contraction: Pay close attention to NOW. We're coming out of a period when rock has not dominated the charts. But many young, new acts are re-embracing several different eras of rock. I predict in three years or less, rock will make a HUGE return to popularity. Were you a fan of the White Stripes? Do you prefer music with more layers? Have you ever believed it when the media or a critic or some artist trying to get attention says that “rock is dead”? Or do you see the cycle that all pop music goes through? Discuss dammit! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/nick-dematteo/support

En este episodio te platicamos sobre la corriente artística tomada como una religión, el neoplasticismo.

In today's episode Rosa Torr chats with Eduardo Terrazas about his 45 years of practise, his use of traditional mexican folk techniques, his architectural aims and about reconnecting with nature in the mexican countryside. Eduardo Terrazas's learned practice spans architecture, art, and design, achieving a lively mix of geometric study and handcraft. Using an approach that marries South American folk art and European avant-garde influences, Terrazas has produced more than 600 works over 45 years. He first became interested in folk art as a museographer, later collaborating with the Huichol, a native Indian ethnic group. His series “Constellations” (2013) involves traditional techniques of yarn painting on wood board and fine beadwork in beeswax, processes that render brightly colored or monochrome mathematical patterns with the formal rigor of De Stijl. His architectural training has led him to develop many projects in Mexican cities, while his design background informed his work as a collaborator on the design of the logo for the 1968 Summer Olympics. Eduardo has contributed artwork to the Art on a Postcard Winter Auction, which will take place 5th-19th of November 2020. To find out more go to www.artonapostcard.com Art on a Postcard raises money for The Hepatitis C Trust.

Escrito y narrado por Susana Benko Imagen: Composición No. III rojo, azul, amarillo y negro", 1929, óleo sobre tela, 50 x 50,2 cm. Colección privada. Fotografía: ©artnews / Wikimedia Commons

June 1995 and 2000 Anniversaries

This week we dissect the widely beloved White Stripes. While Alex has been a fan for years, this was Mike’s first deep dive on the band—and let’s just say he’s probably going to enrage some people with this episode. Despite how some might feel about this band, the White Stripes emerged during a time when pop culture was starving for hard rock, which alone solidifies their place among many of the greats. Chill out, Mike.Closing track: “Jolene” from Hello Operator single (2000)Check out our episode playlists on Spotify! https://open.spotify.com/user/motherpuncherincMike’s Picks:Elephant (2003) — Best AlbumIcky Thump (2007) — Personal FavoriteThe White Stripes (1999) — Worst AlbumAlex’s Picks:Elephant (2003) — Best AlbumThe White Stripes (1999) — Personal FavoriteGet Behind Me Satan (2005) — Worst AlbumAlbums we discussed this episode…The White Stripes (1999)De Stijl (2000)White Blood Cells (2001)Elephant (2003)Get Behind Me Satan (2005)Icky Thump (2007)Follow Mike on Instagram @popejesseventura for show updates and @pandermonkey for original musicFollow Alex on Instagram @motherpuncher

Two opposing elements form the framework of the White Stripes, it's what makes them unique, strange, and so interesting. Jack and Meg White shroud themselves with mystery in their personal lives and they embrace cheap gimmicks such as a colour code, but the music they play harkens back to old Mississippi Blues from the 1930's with a Iggy and The Stooges 70's garage rock twist. The White Stripes are that simple in their music, and that complicated and mysterious with everything else.  It’s easy to point to their 2003 release of Elephant as the White Stripes best work because it has their biggest hit, Seven Nation Army on it, but the album is much more than that. Elephant saw a maturity in the band and the songwriting, more than the minimalistic rock sound of White Blood Cells, and more than the polish pop twist to their blues rock sound on De Stijl and their debut self-titled album. Who knew blues-tinged rock & roll scaled back to its most essential elements — one guitar, a simple drum kit and sneering vocals, could top the charts in the early 2000's. But as Jack says, "The whole point of the White Stripes is the liberation of limiting yourself." The limitation of being a two piece rock band and analog recording in a pro-tools world was against the grain and off the beaten path. But Jack and Meg never took the easy route, and that’s why they and their works like Elephant will be in the rock pantheon with their heroes.

The White Stripes - De Stijl (2000) Get It On Vinyl -- https://bit.ly/2YcWic5 Old Guy Listens To Records digs into The White Stripes. Join the conversation LIVE as we play The White Stripes 2000 sophomore release, De Stijl. Remember the first time you heard White Stripes? Tell us about it!

From their very first jam sessions in the attic of 1203 Ferdinand, Jack and Meg White were intent on doing their own thing. You can see that through the early shows, the singles, the first album — and turning down some of the coolest indie labels around to maintain creative control. But the biggest example up to this point may be the making of "De Stijl," and album that got The White Stripes mentioned amongst heavyweight up-and-comers in the early '00s. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

For The White Stripes, 1999 might have been a bedrock year, but 2000 is when things got real. From winning over the greatest DJ of all time and being pursued by the coolest record labels, to wowing the hottest band of the moment and blowing minds around the world — season 2 of Striped follows The White Stripes as things begin to boil over. And if you want an even deeper look into the life of the band around 2000, head to thirdmanrecords.com and pick up their latest vault package: the accompaniment to "De Stijl," celebrating the 20th anniversary of The White Stripes' sophomore album.

Společnost mezi válkami: příměří, Německo - republika, reparace - nástup extrémních ideologií - fašismus, nacismus - 1933 Hitler k moci, komunismus - 1905 Krvavá neděle - křižník Potěmkin, prohra Rusko-japonské války, 1917 revoluce( dříve "Velká říjnová socialistická revoluce"), technologický pokrok - rozhlas, letecká doprava, architektura - De Stijl, Bauhaus, sovětský konstruktivismus - podobný fubkcionalismu, více dynamický - vertikalita, diagonály, Ludwig Mies Van Der Rohe - Vila Tugendhat, malířství - surrealismus - Joan Miró, Salvador Dalí, hudba - jazz - Pařížská šestka, Rapsodie v modrém - George Gerschwin, novoklasicismus - Dmitrij Šostakovič, Sergej Prokofjev, Carl Orff, Paul Hindemith, Igor Stravinskij, LITERATURA - NEOREALISMUS - kritický realismus, naturalismus + expresionismus - Ivan Bunin - Vesnice, Suchodol, Míťova láska, Michail Šolochov - Tichý Don, Rozrušená země, Osud člověka, expresionistické drama - psychologie postav, SOCIÁLNÍ TEMATIKA - společenskokritické romány - William Faulkner - Absalome, Absalome!, John Steinbeck - O myších a lidech, Nsa východ od ráje, Hrozny hněvu Maxim Gorkij - Bosácké povídky, Robinson Jeffers - Hřebec grošák, Francis Scott Fitzgerald - Na prahu ráje, Velký Gatsby, Něžná je noc, Poslední magnát, Luis Aragon - Basilejské zvony, sociální komedie George Bernard Shaw - Pygmalion EXPERIMENTÁLNÍ PRÓZA - James Joyce - Odysseus, Plačky nad Finneganem, Virginie Woolfová - K majáku, Paní Dallowayová, Marcel Proust - Hledání ztraceného času ( Svět Swanových, Ve stínu kvetoucích dívek, Svět Guermantových, Sodoma a Gomora, Zmizelá Albertina, Čas znovu nalezený), FILOZOFICKÉ, FANTASKNÍ, BIBLICKÉ MOTIVY - Thomas Mann - Josef a bratří jeho, Kouzelný vrch, Hermann Hesse - Hra se skleněnými perlami, Stepní vlk, Lion Feuchtwanger - Bláznova moudrost, John Steinbeck - Na východ od ráje, AVANTGARDNÍ SMĚRY - SURREALISMUS - André Breton - Spojité nádoby, Manifest surrealismu (3x), Luis Aragon - Radostný oheň, Věčný pohyb, RUSKÝ FUTURISMUS - Vladimir Majakovskij - Oblak v kalhotách, Marie Cvetajevová - Hora. THOMAS MANN - narozen v Lübecku - z pateicijské rodiny, žil v Mnichově - manželka židovského původu trpící tuberkulózou, 6 dětí, 2 slavné - Klaus Mann - spisovatel, Golo Mann - filozof, 1933 Apel na rozum - emigrace - setkání s Franzem Werfelem, na seznamu zakázaných knih (282 autorů) - Na seznamu i Stefan Zweig, Arnold Zweig, Karl Liebknecht (KS), Erich Maria Remarque, Bertolt Brecht, Marx, Engels, dcera se vrátila pro román Josef a bratří jeho (zachránila před nacisty) - z USA do Švýcarska, Dílo: BUDDENBROOKOVI - osudy čtyř generací - úpadek bohatého lutheránského rodu - příčina - senzitivita, citovost - brání v praktickém životě, odvádí k umělecké činnosti, za tento román Nobelova cena JOSEF A BRATŘÍ JEHO - románová tetralogie - genesis - Jákobův syn Josef dán bratry do otroctví - sám zachraňuje a odpouští bratrům, přiblížení čtenáři, psychologie postav, běžný život, humorná nadsázka, vezme "vítr z plachet" nacistům, kteří odmítají židovskou kulturu, DOKTOR FAUSTUS - legendární německá látka, složitá kompozice, dvojitý vypravěč, otázka zneužití hudby režimem, SMRT V BENÁTKÁCH - novela, senzitivní umělec v Benátkách potká výjimečně krásného mladého polského chlapce, rozhodne se v itálii zůstat, i když zde zavládne epidemie a hrozí úmrtí, KOUZELNÝ VRCH - pohádkové, 7 let, prostředí plicního sanatoria - manželka trpí tuberkulózou, všechny společenské vrstvy, otázka směřování Evropy (srov. T. S. Eliot - Wasteland - Pustina) HEINRICH MANN - Narozen v Lübecku, azyl i v Proseči v ČR, odmítl 1. světovou válku, PODDANÝ - román proti pruskému militarismu - zakázán ( ráje na seznamu zakázaných knih), PROFESOR NEŘÁD (německy Professor Unrat, unrat = špína) - společenskokritický román, gymnaziální profesor latiny, řečtiny - vynucuje tvrdý morální kodex, sám upadne, podlehne dámě od kabaretu, MLÁDÍ KRÁLE JINDŘICHA IV., ZRÁNÍ KRÁLE JINDŘICHA IV., GEORGE BERNARD SHAW- PYGMALION, JAMES JOYCE - ODYSSEUS

What starts as a discussion about "Untitled Goose Game" and shorter game experiences becomes a larger conversation. One about the joys in simple aspects of interacting with gameplay or narrative that can be combined to make the complete experience. Whether it's the exhilaration in jumping, or the payoff of honking at just the right moment.

In this episode we discuss International Tabletop Day and Free RPG Day. We review the games De Stijl, Pixel Tactics, Legacy of Dragonholt, Looney Quest, Guardians, Xenoshyft: Onslaught, Munchkin CCG, Dungeon Mayhem, Cottage Garden, Pathfinder Adventure Card Game Core Set, Imperial Assault Skirmish Mode, and Wingspan. We discuss the sports miniatures games Test Match and Guild Ball. We talk about the origins of cricket and baseball. We discuss the movies Pokemon: Detective Pikachu, X-Men: Dark Phoenix, and My Hero Academia: Two Heroes. We talk about the anime show RWBY. We discuss the books The Two Towers, The Adventures of Huckleberry Finn, and The Adventures of Charley Darwin. We end with a discussion on the neuroscience of play itself by discussing Jak Panksepp's work as described in his book Affective Neuroscience. Intro and Outro music is by melodysheep, licensed under creative commons share-alike license. Support his educational music and videos at www.symphonyofscience.com.

In aflevering 28 van Betrouwbare Bronnen:PG over de relatie tussen Nederland en Frankrijk.En een afscheidsgesprek met Eerste-Kamervoorzitter Ankie Broekers-Knol.***La douce France… Er is in ons land al eeuwen heel wat affectie voor Frankrijk, zijn keuken, wijnen, chansons, amoureuze traditie, kunst, letterkunde, actrices en mode. Oh la la! Maar politiek, economisch en als het gaat om macht, geld en vliegtuigen… Zut alors!PG Kroeger belicht vanuit de historie, kunsten en geopolitiek van eeuwen her tot aan het gedoe rond Air France/KLM nu, hoe dat toch komt. En ja, natuurlijk heeft het van alles te maken met de calvinistische cultuur van schraperigheid en morele superioriteit der Hollanders versus de katholieke hang naar grandeur en universele waarden der Fransen.En toch was en is de band tussen onze twee landen rijk en intens. De glansrollen voor Nederlandse kunstenaars in Frankrijk, van Jongkind en Van Gogh, tot De Stijl en Mondriaan, staan naast de invloed van de Hugenoten op ons land, het asiel dat de voorvader van Baudet kreeg eind 18e eeuw en de burgerlijke vrijheden die de Franse Revolutie aan de Republiek bracht. Ook bracht Frankrijk ons Koning Lodewijk Bonaparte aan wie wij veel danken: het Rijksmuseum, de KNAW, de KMA, kunstacademies en conservatoria en moderne wetten.PG analyseert waarom die bijzondere inspiratie en dat respect voor elkaar er toch maar steeds niet toe wil leiden, dat Frankrijk en Nederland elkaar ook echt leren begrijpen. En hoe dat ook bij de acties van Rutte III rond de KLM-aandelen weer allerlei rumoer en misverstanden opriep. De politieke cultuur bij ons is mercantiel, particularistisch en moralistisch. Die bij hen is universalistisch, centralistisch en étatistisch. Zelfs de koosnaam van de geliefde van Koning Louis XV voor haar beminde bewees dat! Bij hen is per definitie ‘le Jour de Gloire arrivé’, bij ons wordt ook na eeuwen ‘de Koning van Hispanje geëerd’. Net als de Franse staat en politiek is het bedrijfsleven daar een vorm van superieure administraties. De top van het land in alle sectoren komt ook uit dezelfde superieure opleidingscentra. In Parijs geen klasjes van Cliteur of een VU van de Donners en Balkenende. Het CV van de toppers van Air France/KLM laat fraai zien hoe Frankrijk wél in elkaar zit.En in de KLM-zaak bleek ook dat de Fransen bijvoorbeeld het gedoogbeleid inzake drugs in ons land allerminst vergeten zijn en hoe zij over die hypocriete Hollanders in dat verband denken. En toch blijkt uit interne signalen, dat de Fransen stiekem wel bewondering hebben voor de aanpak van de eigenwijze Wopke Hoekstra. Ook dat is vanuit de politieke zeden en gewoonten uit eeuwen van Bourbon-glorie, Bonapartisme en Gaullisme dan weer heel verklaarbaar. Vive la France! Vive la République!***Eerste-Kamervoorzitter Ankie Broekers-Knol waarschuwt de nieuwe kandidaten voor de Eerste Kamer dat het niet de bedoeling is, dat ze, eenmaal gekozen, ‘Tweede-Kamertje’ gaan spelen. Die waarschuwing geeft ze in de politieke podcast Betrouwbare Bronnen.‘Kandidaten van partijen die nu nog niet in de Eerste Kamer zitten en kandidaten die nieuw zijn, zitten op dit moment in debatten van: we zullen dat kabinet straks eens een poepie laten ruiken. Daar is de Eerste Kamer niet voor. Die is er om wetgeving op kwaliteit te controleren. Is het uitvoerbaar, is het handhaafbaar? Als je daar gaat zitten met het oogmerk: ik zal de boel in elkaar laten donderen, dan heb je de verkeerde instelling’, zegt Broekers.Ze verdenkt de voormalige Tweede-Kamerleden Mei Li Vos (PvdA), Paul Rosenmöller (GroenLinks) en het huidige Tweede-Kamerlid Selcuk Özturk (Denk) - met wie ze deze week aan tafel zat bij Pauw & Jinek - ervan dat ze in de Senaat de Tweede Kamer willen gaan dupliceren. 'Je moet er niet gaan zitten van: ik ben het er niet mee eens, want ik wil gewoon dat kabinet weg.’Lijsttrekker Henk Otten van forum voor Democratie heeft eerder gezegd: 'Ik hoef alleen maar even over te steken om te stemmen om het kabinet het zo moeilijk mogelijk te maken.’ Broekers kan het niet aanhoren: ‘U zult wel denken: dat mens komt uit een ouwe doos en zo is de wereld niet meer. Maar ik vind het belangrijk dat je als Eerste-Kamerlid een nieuwe wet grondig bestudeert. Ik mag hopen dat de nieuwe leden van de Eerste Kamer binnen de kortste keren ervan doordrongen zijn dat ze er daarvoor zitten. Als straks de mentaliteit is: hoe kan ik dit kabinet zo snel mogelijk laten struikelen, dan is dat echt verschrikkelijk.'Broekers huivert bij de gedachte dat Denk-lijstrekker Özturk naar de Eerste Kamer komt met een montageset om filmpjes te maken. 'Helaas ben ik dan geen voorzitter meer, maar daar zou ik rücksichtslos “nee” tegen zeggen. Dit gaat dus niet gebeuren!’ Broekers’ collega-voorzitter van de Tweede Kamer, Khadija Arib, heeft deze week nog geageerd tegen de filmpjes-makerij van Denk, waarin Kamerleden van andere partijen in een kwaad daglicht worden gezet.***Ankie Broekers-Knol zegt meer opmerkelijke dingen in Betrouwbare Bronnen.‘Joh, een minderheidskabinet is wat mij betreft ook heel prima. Het grote voordeel daarvan is, dat het kabinet dan veel harder zijn best moet doen om voorstellen te maken die op draagvlak kunnen rekenen. Ze moeten beter argumenteren. Ik vind dat op zich heel positief. Toen Rutte II maar 21 van de 75 zetels had in de Eerste Kamer, moesten ze beter hun best doen. Argumenteer nou eens een keer goed! En kijk of dat wetsvoorstel inderdaad de toets der kritiek kan doorstaan. Je moet veel beter je best doen. Maar dat zullen ze niet leuk vinden hoor, als ik dat zeg.'Ze adviseert de politieke partijen versnippering tegen te gaan door met elkaar te gaan samenwerken in nieuw te vormen partijen. Ze denkt daarbij aan de linkse partijen GroenLinks, PvdA en SP en aan haar eigen VVD en D66. Het CDA is volgens haar ‘een geslaagd voorbeeld’ van een samenwerkingspartij die vroeger niet voor mogelijk werd gehouden.De Senaatsvoorzitter vreest dat de renovatie van het Binnenhof langer gaat duren dan de beloofde vijfenhalf jaar: ‘Nou reken maar, dat worden er vast zes of zeven.’De staatscommissie-Remkes heeft voorgesteld, de Eerste Kamer ‘terugzendrecht’ te geven. 'Dat kan prima werken, maar het moet wat mij betreft altijd terug naar de Eerste Kamer.' Die moet het laatste woord houden, wat niet de bedoeling is van Remkes. 'In het begin zal de Tweede Kamer serieus naar de bezwaren uit de Eerste Kamer kijken, maar na een tijdje, als de Tweede Kamer het druk heeft met andere dingen dan dat gezanik van die lui daar aan de overkant, dan is het: hatsekidee we hebben besloten, de groeten d'r mee.'***Tijdlijn Betrouwbare Bronnen afl. 2800:00:00 - Intro met quotes Ankie Broekers-Knol00:06:21 - PG deel 100:43:48 - PG deel 201:25:23 - Ankie Broekers-Knol deel 102:13:55 - Ankie Broekers-Knol deel 202:45:43 - Uitro02:46:44 - Einde

Sanna Almajedi speaks with C. Spencer Yeh following his Satellite music series performance at Bar Laika.  C. Spencer Yeh is recognized for his interdisciplinary activities and collaborations as an artist, improviser, and composer, as well his music project Burning Star Core. Originally conceived in 1993 in Cincinnati, the project was known for its unique blend of musique concrète, ambient, drone, and psychedelic music. His recent solo albums Solo Voice I-X (2015) and The RCA Mark II (2018) were published by Primary Information. His video works are distributed by Electronic Arts Intermix. Recent exhibitions and presentations of his work include Shocking Asia at Empty Gallery, Hong Kong; Two Workaround Works Around Calder at the Whitney Museum, New York; Modern Mondays at MoMA, New York; and Tony Conrad Tribute at Atelier Nord/Ultima Festival, Oslo.    Satellite is a monthly experimental music series organized by Sanna Almajedi at Bar Laika by e-flux. Music clips in order heard: (1) C. Spencer Yeh, "SOLO VOICE LIVE," from a performance of the album, December 2015 in Chicago at the Option series, Experimental Sound Studios. (2) CS Yeh, "I Can Read Your Mind," from the album "Transitions" (on De Stijl label). (3) Burning Star Core, "Benjamin," from the album "The Very Heart of the World." Also mentioned:  Spectacle Theatre, a collectively run screening space in Williamsburg, Brooklyn. Museum of Chinese in America (MOCA)'s exhibition, The Moon Represents My Heart: Music, Memory and Belonging, is on view May 2–September 15, 2019 in New York.  

Dans ce troisième épisode, je vais parler propos de l'histoire du design, en commençant par la Renaissance, la Révolution Industrielle, les Arts and Crafts, l'Art Nouveau, le Deutscher Werkbund et De Stijl ! - Retranscription de l'écoute en texte sur mon site ainsi que les sources utilisées : https://massotmarion.wixsite.com/website/blog/culture-design-il-est-temps-de-casser-des-chaises-épisode-1 - Disponible sur Spotify, Deezer, iTunes Podcast, Youtube & l'application Podcast Addict - Logiciel de montage : Audacity Musique d'intro & d'outro : https://www.youtube.com/watch?v=MkNeIUgNPQ8 - Podcast créé & produit par Marion Massot, designer. Suivez-moi sur : Twitter : CultureDesign2  Facebook : Culture Design  Instagram : Culturedesign_bymarion  Twitter perso : Jedisigner  Page Facebook : Marion Massot, designer et bien plus encore  Site Web : https://massotmarion.wixsite.com/website/  - Vous pouvez me soutenir sur la plateforme de financement participatif Tipeee : https://fr.tipeee.com/culture-design

Wekelijks het beste van NOS Met het Oog op Morgen.

Wekelijks het beste van NOS Met het Oog op Morgen.

Everybody get your white pants and matching red and white tops ready, because for episode 10, we're tackling The White Stripes. Special guest Michelle Burton thinks their second album, De Stijl, is Flawless, but will Liam, George and Grant be on board? Flawless is hosted by Liam McGinniss, George Mannion and Grant Parkin, recorded at The Edge studios at the State Library of Queensland, and produced by Liam McGinniss. Follow us on: Facebook: https://www.facebook.com/flawlessamp/ Twitter: https://twitter.com/flawlessamp Instagram: https://www.instagram.com/flawlessamp/ All music samples are copyright Sympathy for the Record Industry.

Shelley and I head out west, hoping to avoid major difficulties in the dice drafting game Pioneer Days by Matthew Dunstan and Chris Marling from Tasty Minstrel and then get all abstract like Mondrian in De Stijl by Lucas Gerlach from Quick Simple Fun Games

Week 164 Intro Brandon Babbles 1:01 Carcassonne Amazonas The Mind Skull Coloretto Karuba The Card Game Who Did It? Zooloretto Super Secret Game That I Can’t Talk About Yet Medici Keltis Das Kartenspiel Kingdoms Targi Lost Cities To Go Azul Winners Circle Kerala Downforce Tiki Topple Manhattan The Thing With That Is witch Chad McCallum 15:01 Decrypto The Board Game Challeged with Denman Scofield 19:53 Retro Loonacy      Circle the Wagons      Limes      Avignon: A Clash of Popes      Bomb Squad      The Castles of Burgundy      Finished!      Fugitive Heaven & Ale      Herbalism      Pentaquark      At the Gates of Loyang      Bora Bora      Bruxelles 1893      Bus      Byzanz      Century: Spice Road      Council of Verona      Deception: Murder in Hong Kong      Exit: The Game – The Secret Lab      Kamisado      Kingsburg (Second Edition)      Lords of Scotland      PAX      Robinson Crusoe: Adventures on the Cursed Island      Russian Railroads      Saint Petersburg (second edition)      Santo Domingo      De Stijl      Tybor der Baumeister    Patrick Hillier, The Over the Hillier Gamer 39:34 Chicken Caesar Startups Medici Downforce Monikers Concordia Hang on Harvey! Meow Qwirkle Rock Me Archimedes The Fox in the Forest High Society BONK Alien Frontiers Glory to Rome - Original Talo Dice City Sagrada Flash Point: Fire Rescue 2nd story and Tragic Events Deck Seikatsu Castles of Mad King Ludwig Learning From and Through Board Games with Jamie Maltman 53:36 Through the Ages: A New Story of Civilization The Ladybug's Costume Party Sagrada Potlatch: A Game About Economics Problem Picnic: Attack of the Ants Codenames: Pictures Oh My Goods! Favelas Rhino Hero: Super Battle Game of Thrones: The Iron Throne Pandemic: Rising Tide Ginkgopolis Onirim Rolling America Alex's Mega Man Game: Mega Man 2 Snowdonia Kanban: Automotive Revolution Sylvion Nautilion Discoveries John Company Noxford Mega Man: The Board Game

It's an Easter Sunday special edition for Cosmic America! Alex and Galen continue their investigation of the career arc of The White Stripes. This episode sees the guys breaking down the band's second album, De Stijl, and diving further into both the sound of the band and the mythology surrounding it.If you have comments or questions, send 'em our way on Twitter – @doctorgc and @akmccarthy.

The day before recording this conversation Remy had given a presentation about his work which I thought was totally amazing. He introduced it by playing a short film made on the occasion of his exhibition ‘Crossing the Water’ at the Gemeentemuseum, Den Haag, and went on to explain in more detail how his works explore and connect Modernist art movements such as De Stijl with the aesthetics of the Maroons of Suriname from which he is descended. I had loads of questions and was eager to learn more about him, so was super made up he agreed to be a guest on the show the very next day.

We got a letter this morning, what do you reckon it read? It said hurry hurry and listen to the Third Men Podcast! This week our all-new album analysis and review of the White Stripes sophomore LP release, De Stijl, comes to its epic conclusion! In the spring of 2000 Jack and Meg White had a handful of singles, a debut LP, some local rock and roll stardom and a couple of day jobs under their belts on the chilly streets of Detroit – but all of that was about to change. The married duo that had baffled so many with their color schemes and brother/sister mythology found their real-life relationship at an end, and their musical path at a crossroads. This is the environment that would bring out one of the most colorful, hard-edged blues/pop records to grace the new millennium, and the last big step in the direction of the kind of fame there would be no turning back from for the White Stripes. In part two of our two-part coverage, we explore from Death Letter and beyond, going through track-by-track and uncovering some hidden meaning in this rock and roll manifesto. Plus, Third Man Wayne Kaminski stops by to fill everyone in on the brand new Beatles podcast Yesterday & Today Podcast that we're launching next month! So pull up your triple tremolo and let us explain ya the rest of De Stijl! See acast.com/privacy for privacy and opt-out information.

We're a pretty good listen (for a podcast), so build a home around our all-new album analysis and review of the White Stripes sophomore LP release: De Stijl! In the spring of 2000 Jack and Meg White had a handful of singles, a debut LP, some local rock and roll stardom and a couple of day jobs under their belts on the chilly streets of Detroit - but all of that was about to change. The married duo that had baffled so many with their color schemes and brother/sister mythology found their real-life relationship at an end, and their musical path at a crossroads. This is the environment that would bring out one of the most colorful, hard-edged blues/pop records to grace the new millennium, and the last big step in the direction of the kind of fame there would be no turning back from for the White Stripes. This episode we begin our discussion with a background of the album, it's title and cover, and insight into the opening salvo of blistering tracks that turned the rock world to black, white and red. Plus, as this is the first episode of the new year, we ring in 2018 with Third Woman Kali Durga who returns to fill us in on all the Third Man events she attended in 2017! So let us be your canaries, your birds to bring the message of De Stijl home! See acast.com/privacy for privacy and opt-out information.

Hoy noche de Halloween contamos con un programa especial en el que descubriremos cómo la muerte y el más allá han marcado el mundo del arte. Comenzamos descubriendo el movimiento artístico De Stijl o neoplasticismo, liderado por Piet Mondrian. La historia de la tradición de Halloween será desglosada por Kathleen Hennessy, cónsul general de EE.UU en España. Un tema muy del 1 de noviembre, las danzas de la muerte; obras pictóricas sobrecogedoras que llenan capillas e iglesias medievales. Miguel Ángel Ortiz, autor del libro "La danza de la muerte", nos habla de estas singulares representaciones. Acabamos con Agustín Mezcua, Jefe de Cementerios de Madrid nos habla de la historia de los camposantos.

Dutch modernist movement De Stijl is recast through idealist lens by then director of Centraal Museum Utrecht, Edwin Jacobs.

Deze week een speciale aflevering, waarin we een gast ontvangen: Ben van Urk. Als vaste BRUG luisteraar én fervent gamer, zowel digitaal als analoog, komt hij wat vertellen over een bijzondere computergame. We staan in deze podcast verder uitgebreid stil bij de Stijl. Een kunststroming die 100 jaar geleden begon. En we bespreken twee Netflix … Lees verder BRUG6: Sour Grapes, de Stijl, the Last Guardian en de Barkley Marathons Het bericht BRUG6: Sour Grapes, de Stijl, the Last Guardian en de Barkley Marathons verscheen eerst op Brug Podcast.

Remy Jungermann maakt abstract werk dat lijkt op het werk van De Stijl - maar dan met Surinaamse invloeden en materialen. Naar aanleiding van zijn tentoonstelling Crossing the Water in het Gemeentemuseum in Den Haag praten we over een alternatief voor de Westerse kunstgeschiedenis.

Remy Jungermann maakt abstract werk dat lijkt op het werk van De Stijl - maar dan met Surinaamse invloeden en materialen. Naar aanleiding van zijn tentoonstelling Crossing the Water in het Gemeentemuseum in Den Haag praten we over een alternatief voor de Westerse kunstgeschiedenis.

Despite its asymmetry, Piet Mondrian's painting emanates harmony and serenity. Find out more about why the Dutch artist decided to compose only with rectangles and black lines in his paintings. From the podcast series featuring highlights of the Kunstmuseum Bern Collection.

Das Gemälde von Piet Mondrian strahlt - trotz Asymmetrien - Harmonie und Ruhe aus. Erfahren Sie, wie der holländische Künstler dazu kam, sich in seinen Gemälden auf Rechtecke und schwarze Linien zu beschränken. Aus der Podcast-Serie zu Highlights aus der Sammlung des Kunstmuseums Bern.

La peinture de Piet Mondrian irradie, malgré ses asymétries, la quiétude et l'harmonie. Découvrez comment l'artiste hollandais en vint à réduire son vocabulaire plastique au rectangle et à la ligne noire. Série des podcasts sur les œuvres phares de la collection du Musée des Beaux-Arts de Berne.

Christen zijn in de stijl van Jezus; het praktisch maken (2/2) Diverse Bijbelgedeeltes

Christen zijn in de stijl van Jezus; het praktisch maken (1/2) Diverse  Bijbelgedeeltes

Christen zijn in de stijl van Jezus (5/5) Diverse Bijbelgedeeltes

Christen zijn in de stijl van Jezus (4/5) Diverse Bijbelgedeeltes

Christen zijn in de stijl van Jezus (3/5) Diverse Bijbelgedeeltes

Christen zijn in de stijl van Jezus (2/5) Diverse Bijbelgedeeltes

Christen zijn in de stijl van Jezus (1/5) Diverse Bijbelgedeeltes

Abrimos un día soleado de junio con un trío pop de Grenoble las Decibelles. Más en la línea desde Escocia con el nuevo trabajo de Camera Obscura. Un poema de James Oppenheim adaptado por los Ceramic Dogs de Marc Ribot. Rescatado del olvido por el sello De Stijl, el neozelandés Peter Jefferies. De nuevo en acción con un disco remarcable bajo el brazo The Oblivians. Canciones retorcidas y vocación poética a cargo del gallego Don the Tiger. El Despotismo Ilustrado presentará sus canciones en Madrid. Blues Control y sus sintetizadores de broma actuarán en breve. Un LP muy comentado, la vuelta de Boards of Canada. El lado oscuro de la electrónica se paseará por la capital, The Vatican Shadow.

Bart Lootsma über De Stijl, van Ersteren und van Loohuizen (Teil2).

Bart Lootsma über De Stijl, van Ersteren und van Loohuizen (Teil1).

A few weeks ago, NPR asked us to come up with a list of definitive Noise Pop (the genre) songs for their website, NPR.org. It was a tall order and a fascinating challenge for us, and of course, we eagerly accepted. With tunes from the early '70s to modern songs released just a few months ago on our radar, we studiously dove into the decades to find the top 100. We sorted them chronologically in order to to show the evolution of the sound. The full list will post on NPR later this month, but for now we've assembled a teaser podcast episode that chronicles the genre's migration over the past 4 decades. Enjoy this sampler platter and stay tuned for the announcement of the full list coming soon. Tracklist: 1. "Rock & Roll” – The Velvet Underground, Loaded (1970)2. "Radio Free Europe" – R.E.M, Murmur (1981)3. "Makes No Sense At All" – Husker Du, Flip Your Wig (1985)4. "Bastards of Young" – The Replacements, Tim (1985)5. "Freak Scene" – Dinosaur Jr., Bug (1988)6. "Gigantic" – Pixies, Surfer Rosa (1988)7. "Barnaby Hardly Working" – Yo La Tengo, Fakebook (1989)8. "Shine On Sweet Jesus" – The Flaming Lips, In A Priest Driven Ambulance (1990)9. "Only Shallow" – My Bloody Valentine, Loveless (1991)10. "Three Years Ago Today" – Built To Spill, Ultimate Alternative Wavers (1992)11. "Summer Babe (Winter Version)" – Pavement, Slanted & Enchanted (1992)12. "Web In Front" – Archers of Loaf, Icky Mettle (1993)13. "Natural One" – Folk Implosion, Kids OST (1994)14. "Seven" – Sunny Day Real Estate, Diary (1994)15 "Rebound" – Sebadoh, Bakesale (1995)16. "Heart Cooks Brain" – Modest Mouse, The Lonesome Crowded West (1997)17. "Holland, 1945" – Neutral Milk Hotel, Aeroplane Over The Sea (1998)18. "You're Pretty Good Looking (For A Girl)" – The White Stripes, De Stijl (2000)19. "Fever Dreaming" – No Age, Everything In Between (2004)20. "The Rat" – The Walkmen, Bows + Arrows (2004)21. "Queen of Hearts" – Fucked Up, David Comes To Life (2011)22. "Open Your Heart" – The Men, Open Your Heart (2012)

Bart Lootsma über Cornelis van Essteren und Theodoor van Loohuizen.

Piet Mondrian is the epitome of the abstract painter. He cherished the term,“ abstract,“ which to him was the fundamental and the universal quality of art untrammelled by detail that could give expression to the deepest, underlying structures.

Piet Mondrian ist der Inbegriff des abstrakten Malers. Er schätzte diesen Begriff “abstrakt”, der für ihn das Grundlegende und das Universelle an der Kunst bedeutete.

Bart Lootsma über De Stijl

Bart Lootsma über De Stijl

As expected, missed records from 2009 keep rolling in, with the Meercaz LP on Tic Tac Totally (reissue of Gulcher Records CD from early 2009) currently dominating the stereo. For those that are also late to the game on this one, Meercaz is based outta Portland, Oregon and even shares a member with one of my favorite bands from that city, Meth Teeth. Definitely one of those records that doesn't sound contemporary, but more like some long lost mid-70s proto-punk group hailing from some industrial city in middle America. Heavy riffage, tone deaf vocals and plenty o' weird analog synth bleeps and burps thrown in for serious left tiltage. Songs range from two-minute, fist pumping MC5-styled jams to seven-minute stormy industro-punk excursions. Highly recommended.Also late on the 2009 chopping block is the sprawling 2LP speaker shredder that is the new Shit & Shine. Over an hour of repetitive riffs that sound spewed through slashed amps and run over with a rusty lawnmower. 229-2299 Girls Against Shit also makes brief dalliances into dub, disco and, uhhm, race car humour(?). Yeah, anyways, fans of the early, damaged end of the Butthole Surfers and even the overkill fuzz-sludge of The Goslings are urged to pay attention.The painfully limited-run of the Siltbreeze 10 inch compilation Skulls Without Borders dropped in the mail slot last week, and it's an odd mix of folks trying to share the same airspace. Puffy Areolas make a nasty punk-splatter and give high hopes for their forthcoming Siltbreeze debut LP; Chickins, an FNU Ronnies off-shoot, put down a quirky number complete with raygun guitar shots; Dan Melchior plops down another grumpy blast of fuzz riffs and off-kilter guitar solos. The flipside, featuring Kurt Vile, Tommy Jay Band and Sic Alps, will be played next week...Heading back over to this side of continent, AFCGT (aka A Frames Climax Golden Twins), who have been given much love here on ETMS, drop their vinyl-only (!) release via Sub Pop next week, and I was lucky enough to be able to provide a sneak peek. Not much has changed from the Seattle juggernaut, hell, if anything, the 5 piece have beefed up their sound considerably on the more amped up tracks, and waded even deeper into their more experimental side. Not yr typical Sub Pop release, but we're pleased as all hell they've decided to put this one strictly to wax.Swimming up the coastline back to our city, Tassles sent over a few intriguing tracks of drifting bedroom electronic pleasantries. Tassles is better known in Vancouver as Sean Orr, who helms the shit detector on Beyond Robson's Morning Brew and fronts the recently reunited post-hardcore revisionists Taxes. Tassles sees Orr relaxing his jaw for a few and learning to relax a little bit. You probably won't see Tassles open for Taxes anytime soon. Either way, someone out there release fucking something from either of these...asap!Banana Head (aka Zully Adler, head of Goaty Tapes) also was kind enough to send some new jams my way. Brand new cassette of solo loner jams, absolutely perfect for these bland winter days. Goaty Tapes has come a long way since its inception a few years back; brand new tapes by HNY (awesome cassette on Not Not Fun reviewed here), Russian Tsarlag and Paradise Sisters, who have a forthcoming 12 inch due out soon on De Stijl. In the works are cassettes by El Jesus De Magico, Psychic Reality (split 12" with LA Vampires forthcoming for them on Not Not Fun) and Goaty will also head into LP territory with an Ancestral Diet full length. Get stoked, people.Hot off the heels of the much-loved seven inch, Brainbombs offshoot No Balls release a full length LP on Sweden's Release The Bats. And, of course, its in a disgustingly small pressing of 300 and sold out before it was even outta the pressing plant. Not far off the Brainbombs aesthetic of violent, hammering repetition, but, this time around with just drums and guitar, plus the occasional sax squlech and distance vocals, which may or may not be appallingly misogynistic. This meager pressing has annoyed me enough to share a ripped version with ya'll (courtesy of Soundeyet).Tassles "Brother Soft" unreleased mp3, 2010Indian Wars "Carol Anne" s/t 7" (Bachelor) 2009The Intelligence "Gettin' Classy" split w/ Unnatural Helpers 7" (Dirty Knobby) 2009Fair Ohs "Automatic" Obscene & Violent: A Tribute To GG Allin 7" (Italian Beach Babes) 2009Male Bonding "You Hate Me And I Hate You" Obscene & Violent: A Tribute To GG Allin 7" (Italian Beach Babes) 2009Chickins "Chickin Den" Skull Without Borders compilation 10" (Siltbreeze) 2009Dan Melchior "1000 Times" Skulls Without Borders compilation 10" (Siltbreeze) 2009Puffy Areolas "El Jita" Skulls Without Borders compilation 10" (Siltbreeze) 2009Meercaz "Unlust" s/t LP (Tic Tac Totally) 2009Shit & Shine "Have You Really Though About Your Presentation?" 229-2299 Girls Against Shit 2LP (Riot Season) 2009AFCGT "Black Mark" AFCGT LP (Sub Pop) 2010No Balls "Come Clean" Come Clean LP (Release The Bats) 2009Oneohtrix Point Never "Russian Mind" Russian Mind LP (No Fun Productions) 2009Afternoon Penis "...Jack Of Hearts" split w/ Eskimo King LP (Abandon Ship) 2009Banana Head "Take It Back" In The Tubs CS (Goaty Tapes) 2009Blue Sabbath Black Cheer & Nihilist Assault Group "untitled" Planned Obsolescence LP (Gnarled Forest) 2009

Achievements of the past made accessible so that one can develop the future. A portrait of the collectors Gertraud and Dieter Bogner.