Podcasts about interchangeable

Today is Part 2 of the 3 part What In the Woo? Series—offering a fresh perspective on how to work with the term “Inner Child.”  The Inner Child is not your younger self—it's the wounded, emotional, shadowy part within, asking for healing. Your Inner Child isn't you when you were 8 years old. Inner Child is a really effectual term for the part of us that hasn't healed yet—the wounded self, the fragmented self. Interchangeable with the ego or shadow self.  The part of you that gets triggered, goes into fight, flight, freeze, or fawn? That's your Inner Child asking for attention and love. The gift of the Inner Child is that they're always pointing to what's unresolved within us.  Anxiety attacks before big events, losing your phone while hustling, getting sick when you're pushing too hard? Those aren't accidents—they're calls for compassion, not "tough love." True spiritual growth happens when we hold space for our Inner Child reactions—gently, lovingly, without judgment. Reparenting our unmet needs into creative power... and that's Inner Child work. In this episode: How the Inner Child represents your unconscious self Why Inner Child healing transforms emotional triggers How self-sabotage moments are really spiritual SOS signals The power of gentleness vs. tough love How to spiritually grow up through reparenting MENTIONED IN THIS EPISODE: What in the Woo? 3-part podcast series → Subscribe to WITH LOVE, DANIELLE. What The Sphinx Told Me: LISTEN | READ The Archives: Read on Substack Join the Inner Child class inside the Heart Centered Collective Catch up on Part 1 of the What In The Woo? Series: Are you ego'ing? What IS the ego? Do you DO it, or does it do you? Next week: A look at “following the money” for Mother's Day. Subscribe so you don't miss it. Take the free Stressed to Blessed Quiz

Join us as we recap and chat about Once Upon a Time Episode 3x17 The Jolly Roger Did you know actress JoAnna Garcia Swisher had never slapped someone on camera before so Colin O'Donoghue told her to just go for it? This then required JoAnna to slap him multiple times in each scene and one time she caught him on the neck instead of the cheek. Wiki page for the episode: https://onceuponatime.fandom.com/wiki/The_Jolly_Roger Links, articles, and videos mentioned in this episode: Charles Mesure IMDB Join our Book Club and get access to exclusive content on Patreon Follow us on Instagram Follow us on Tiktok

Happy second month of 2025. The robots have taken over and are doing a better job podcasting than we are. Totally not creepy. It’s also Eurovision season. We talk about first batch of songs. Eric get super excited about Luxembourg for some reason. Rachelle wants more manly men in the contest. Tip Tap Tip Episode […]

Big O talks Eagles

In Mexico there is no relief for the people who are caught up in the warzones of the cartels. As the powerful organized crime groups move in and take territory, the people are forced to work for this cartel or that cartel never knowing who could be in charge tomorrow. Sometimes, the military will come in and wipe out one criminal group, only for another one to move right into it's place continuing the cycle of violence and mayhem.(commercial at 17:25)to contact me:bobbycapucci@protonmail.comsource:https://www.nytimes.com/2022/05/04/world/americas/mexico-cartels-michoacan.html

In this episode, Anne provides some guidance for those who are attempting to shop for a knitter this holiday season and walks them through the whats and whys. These show notes will be the longest ever and will likely be chopped off by some podcast distribution apps. To get to all of the recommendation links, please visit the full show notes at IThoughtIKnewHow.com/episode-125-gifts-for-Knitters Links to Things Mentioned in the Show Blankets: Wool Throw Connecticut Blanket (scroll down for list of sellers)  Tea:  Art of Tea  Tea & Absinthe creates loose leaf tea blends based on fandoms (Perfect if your knitter is a nerd!)  Coffee Suggestions: Charleston Coffee Roasters Variety Sample Pack (Pre-ground)  City Boy Coffee (You can choose the type of coffee and what form it comes in.) Hot Chocolate options:  PopBar Hot Chocolate Sticks  Gourmet Du Village Hot Chocolate Based in Canada, come in packs of 6. Fun themed packaging and very tasty! They can be found in shops in the US as well.   Calendars: My Life with Sheep calendar by Jo Spencer on the Isle of Skye Lambies in Jammies and Goats in Coats Calendar  Digital Devices: Apple IPad Mini Apple IPad 10th Generation  Sumsung Galaxy Tab  Amazon Fire  The best knitting app on the planet: KnitCompanion  Headphones:  Budget option or stocking-stuffer: Panasonic Wired Earphones  I've been using these for years when I need a wired earphone. When something happens to them, I buy another pair of the same! For Apple users: The AirPods Pro2  have great sound and noise canceling, and they are built to work with Apple products, so they are quick and easy to set up and start using.  Over-ear style, wireless: Bose QuietComfort. In all honesty, I haven't used these as I prefer the in-ear style, but I asked around and these were recommended over and over. They have noise canceling and are great for spoken-word situations and music!  Lamps:  A floor lamp with directional lighting A table lamp with semi-directional lighting Ott-Lites (full spectrum light lamps for crafters) LumosLumos neck lamps (Use code ANNE30 at checkout before December 2 for 30% off!) Cushions:Samsonite Lumbar Cushion with heat A basic, 12” x 20” throw pillow cover, don't forget you will need a pillow form for it, too.    Lots of wool vendors and designers to be found at the LoveWovember.com marketplace! Kits US: Morehouse Farm UK: Uradale Yarns Canada: Urban Yarns Australia: The Skein Sisters EU: WoolDreamers You can also sign them up for kits to be delivered periodically! Hop over to Cratejoy and search for Knitting and see what subscription boxes are currently available!   Books The Journal of Scottish YarnsMemory Lane: Embellished Knits to Cherish Every Way With Granny Crochet Patty Lyon's Knitting Bag of Tricks and the accompanying Workbook Books of knitted animals  Blocking tools: “Official” blocking mats (They will need multiple sets for an adult sweater)  A less expensive mat solution (This is what I use) Blocking Pins (yes, these are a special type!) KnitBlockers are like multiple pins in one Blocking wires  Jumper Board from Paparwark Furniture  Other ToolsSwift Ball Winder (The type I have is no longer available, but this is a reputable company) Yarn Bowl  Needle Roll  Plain hanging storage for circular needles A decorative hanging storage for circular needles (also check etsy.com!)   Binder system for circular needles  Interchangeable needle kits:  Knitters Pride has many options at different price points. All are good choices. This Chiaogoo Set is ideal for lace knitters as the tips are very pointy. HiyaHiya are also a popular brand.  BE CAUTIOUS of interchangeable needle sets priced below $70. You get what you pay for, and you want quality when it comes to interchangeables.  Janette Budge (knitting belts and classes) Small gifts: Bulk scissors Bulk glass nail files Bulk measuring tapes Standard stitch markers Metal stitch markers in a tin 1500 bulb pin stitch markers Decorative stitchmarkers  (also check Etsy!) Barber Cord in a tin Rolls of Barber Cord  Knitting Jewelry Cute yarn earrings Silver “yarn” earrings Charms suitable for a pandora-style jewelry Bracelet from an old knitting needle Honestly, there are so many options. Go to etsy and search for knitting jewelry and see what pops up around you! Gift Certificates If you do not have a local yarn store, support a local yarn store in my community! Knit New Haven Or, choose a yarn store closer to your home: Canada: West Coast Wools The UK: Black Sheep Wools Germany: Pascuali New Zealand: Flock of Knitters  I will see you daily through December on the Purl Together YouTube Channel and will return in audio form in 2025!   

Nick welcomes food writer and horror fanatic Marnie Shure to the podcast to dive into her latest horror film reviews (including a Jamie Lee Curtis classic!) and discuss the upcoming Mortified event. They also chat about some fun food stories, like McDonald's secret menu Birthday Cakes and the fact that Mickey D's can now repair their own McFlurry machines. Plus, just in time for the holiday, they rank five Thanksgiving-flavored foods! Then, Esmeralda Leon joins Nick to chat about Pluto's 90's Movie Channel, her love of Jonny Lee Miller, the unfortunate sitcoms of Chuck Lorre, and the classic TV trope of "The Interchangeable White Guy." They also taste another delicious snack from Italy! [Ep299]

In this episode of the Celebrate Kids podcast, host Dr. Kathy explores the unique and vital roles that mothers and fathers play in children's development. Drawing on a recent study from the University of Leeds, the discussion highlights how a father's involvement positively influences educational outcomes while a mother's engagement enhances cognitive behavior and social skills. The episode addresses the implications of these findings in the context of diverse family structures, considering how to communicate with children about having friends with two moms or two dads. Tune in for valuable insights on the distinct contributions of both parents in fostering children's growth.

Episode: 1252 Forgotten invention of manufacturing with interchangeable parts.  Today, a brilliant invention is forgotten.

Michaël Elbaz discusses his paper, “Interchangeable Role of Motor Cortex and Reafference for the Stable Execution of an Orofacial Action,” published in Vol. 43, Issue 30 of JNeurosci in 2023, with Megan Sansevere from SfN's Journals' staff. Find the rest of the Spotlight collection here. With special guest: Michaël Elbaz Hosted by: Megan Sansevere On Neuro Current, we delve into the stories and conversations surrounding research published in the journals of the Society for Neuroscience. Through its publications, JNeurosci, eNeuro, and the History of Neuroscience in Autobiography, SfN promotes discussion, debate, and reflection on the nature of scientific discovery, to advance the understanding of the brain and the nervous system.  Find out more about SfN and connect with us on X, Instagram, and LinkedIn.

海外旅行(かいがいりょこう)をしたいけれど、時間(じかん)とお金(かね)がない。 | overseas trip | direct object marker | want to do | however | time | and | money | don't have I want to travel overseas but I don't have time and money.   View this episode here: https://thejapanesepage.com/jphrases-ep-184 View all episodes here: https://thejapanesepage.com/beginning-japanese-phrases-podcast-and-videos/  -- Become a Makoto+ member and get show notes with complete vocabulary and grammar breakdowns as well as sound files of just the Japanese to download.   www.MakotoPlus.com  

Hold on to your seats, Cardano enthusiasts! Blink Labs is working on a Go-based Cardano node that could turn the entire ecosystem on its head. This video delves deep into the shocking changes this new implementation brings and explores how it could disrupt the status quo.Catalyst Links: https://cardano.ideascale.com/c/idea/101352(00:00) Intro(02:01) Forming Pragma for Open Source Cardano Development(08:26) Go Cardano Node, gOuroboros(12:50) Interchangeable modules (15:55) External devs using the Cardano Go Libraries for Interoperability(22:12) Timelines 24:36 Collaborative efforts between Amaru & gOuroboros(27:21) Cohesive development between teams Don't miss out on this game-changing development! Hit the like button if you're excited about Cardano's future, and subscribe for more updates on the latest in blockchain technology. Share your thoughts in the comments below – do you think this new node could be the key to Cardano's success?

Start learning Italian today!1. Explore more simple Italian lessons: https://italianmatters.com/1372. Download the Italian Verb Conjugation Blueprint: ⁠⁠⁠https://bit.ly/freebieverbblueprint⁠⁠⁠3. Subscribe to the YouTube lessons: ⁠⁠⁠https://www.youtube.com/italianmatters⁠⁠⁠The goal of the Italian Matters Language and Culture School is to help English speakers build fluency and confidence to speak the Italian language through support, feedback, and accountability. The primary focus is on empowering Italian learners to speak clearly and sound natural so they can easily have conversations in Italian. Hosted on Acast. See acast.com/privacy for more information.

Dr. Bradley Block is an ENT physician (M.D.) who has a podcast to teach doctors "things they should have been learning while they were studying the Kreb's Cycle."  Dr. Block reached out to us to discuss what Osteopathic Medicine is and what the differences between "Allopathic" or M.D. degrees and "Osteopathic" or D.O. degrees were.  For those of you who are not already familiar with what the D.O. difference is. . . Dr. Block's interview with Dr. Storch's  will help answer many of your questions!

During his time in Los Angeles Kon had a very interesting chat with cinematographer Christopher Malcolm about recent Nikon acquisition of RED. Christopher who works in Hollywood and uses RED cameras as well as other cameras such as ARRI on his shoots. As an avid Nikon shooter he is happy to share some industry insights on what to expect from Nikon x RED alliance in the near future from Cinematographer's point of view as well as Photographer's. 0:00 Intro 1:18 Why RED cameras are used for movies? 2:20 Nikon x RED Cinematographer's view 4:55 Hollywood is a small place. Let RED be RED 6:22 When Z mount on RED cameras? 7:41 In Cinema AF is not important but will it come to RED? 9:40 RED RAW format 11:17 RED sensor technology 12:28 Mark Roberts Motion Control is part of the package 13:25 Economies of scale 14:43 Nikon RED Lenses 16:15 Nikon Cine Lenses? 18:45 Interchangeable mounts 19:25 Nikon RED consumer line 22:02 Red Studios 22:41 Part II LA to London 23:11 NAB show Nikon RED news 24:57 Corporate culture of Nikon & RED 27:15 First things to expect 27:44 RED will support Canon RF lenses 28:23 Nikon Z Video line of cameras 30:55 Box form factor or mirrorless 36:05 Blackmagic Pyxis 39:25 Still Photographers rejoice 43:23 Get in touch with Christopher Malcolm Instagram: Grays of Westminster: https://www.instagram.com/nikonatgrays/ Konstantin Kochkin: https://www.instagram.com/konstantinkochkin Thanks for listening! #nikon #nikonred #voigtlander --- Send in a voice message: https://podcasters.spotify.com/pod/show/grays-of-westminster/message

Guest: Taylor Francis, co-founder of WatershedOne day when he was 13, Taylor Francis walked out of the movie theater, and he was pissed off. He had just seen Al Gore's documentary An Inconvenient Truth and internalized a “generational call to arms, that my parents had screwed our generation” by causing the climate crisis, he says. 14 years later, he was working at Stripe and felt another call to arms: The 2020s would be a crucial decade for slashing carbon emissions and combating global warming. So, he and his co-founders Avi Itskovich and Christian Anderson all left Stripe to start Watershed, which helps companies measure and reduce their emissions.In this episode, Taylor and Joubin discuss Patrick Collison, Dan Miller-Smith, hiring challenges, Jonathan Neman, “golden age syndrome,” John Doerr and Mike Moritz, the Climate Reality Project, steady partnerships, DRI cultures, shared context, social distancing, information sprawl, and the founders' “woe is me” narrative.Chapters:(01:02) - Magnetic missions (06:40) - How enterprise sustainability works (08:40) - Watershed's first client, Sweetgreen (11:04) - Reflecting on the early days (16:36) - Al Gore and An Inconvenient Truth (18:53) - Mobilizing teenagers (22:16) - The origins of Watershed (27:04) - Leaving Stripe and raising money (31:41) - Interchangeable co-founders (33:33) - The ground truth (35:52) - The Dunbar Number (38:49) - Watershed's operating principles (42:23) - Intensity, priorities, and sacrifice (48:04) - Moving faster (50:53) - Sustainability is a part of business (52:48) - The topology of emissions (58:35) - Who Watershed is hiring Links:Connect with TaylorTwitterLinkedInConnect with JoubinTwitterLinkedInEmail: grit@kleinerperkins.com Learn more about Kleiner PerkinsThis episode was edited by Eric Johnson from LightningPod.fm

The Peddler & the Fairy: Part 8 Shopping adventures. In 10 parts, by Scholarly Mori. Listen to the Podcast at Explicit Novels. The trio made their way back to the bustling ring of the shopping district, stopping in front of a statue of what must have been some iconic blacksmith when Devin turned to the girls. "I have a shop I want to visit. I thought of a few presents I wanted to buy the two of you. Do you mind getting a head start and finding a seamstress? Oh, and Azalea, can I borrow the drawing you did of; my; er; me?" [[MORE]] Azalea gave him a quizzical look. "You mean the one of your penis? Sure." She dug around her bag, found her notebook, and handed it to him. Fluttering around his head excitedly, she demanded, "Does it have something to do with our presents? Does it? What is it? Tell me!" "Azalea, dear. Herd-mate probably wants to surprise us, or else he wouldn't be going alone," interrupted Reina. "Ahhh, okaaaay; fine, but in return, we'll surprise you with our new outfits!" "Won't you need formal attire too, herd-mate?" the female Whitehorn asked. "I have an outfit from when I attend guild banquets. I'll wear that." Devin handed Reina two pouches. "I know I said I wasn't going to spend the money from our potential client, but I don't know the current market price for formal attire, so if possible, try to haggle or negotiate a lower price." She put the pouches in her belt. "I'll try. Should we meet you here in three hours?" "That's a good idea. We can have a late lunch together and then go back to Jeni's to change," Devin suggested and then waved, disappearing into the crowd. "Shopping time with Reina! I want to wander around and window shop for a while," the fairy announced, flitting ahead of her fellow mate. "Alright." —---------- As a native, Devin knew most of the shortcuts between all the major city blocks. He was calculating the time he'd need to get to the workshops he had in mind when he had a sudden realization. Mavis said a carriage would be sent for them, but he had failed to mention where they were staying. He hustled back to the post office to inform the nonplussed secretary of the forwarding information for their inn. She informed him she'd take care of it personally, and he left, dashing back across town. Nearing the western gate of the city, he slowed his pace, taking a moment to lean against the corner of a building near an alley to catch his breath. "Lovely day for a walk!" said a rough, squeaky voice. He looked over his shoulder to spot a pint-sized individual with arrogant, ruby eyes leaning against the opposite wall. Not sure if they were talking to him or not, Devin ignored them. The mystery figure pushed back its mud-stained hood. Two substantial, rounded ears covered in gray fur with a soft pink interior twitched in expectation. One of the ears was missing a chunk. She brushed away her matted auburn hair. "Are your girls going to be ok with you not around?" He put a hand on his dagger. "Is there a reason I should be aware of why they wouldn't be ok?" She slunk back. "Hey now, let's not get hasty. It's not that I'm interested in them specifically. I'm more interested in what I can do for you or for them." She made a little bow, and the edges of her cloak fell open to expose her bare midriff. A thick belt covered her small chest. A narrower belt wrapped around her waist. On the lower belt was a run-down pouch with a broken button and a rusty dagger attached. Two thinner belts crisscrossed around her hips, meeting between her legs and leaving the rest of her undernourished frame uncovered. "I've been following you; sorry, no, that came out wrong. I noticed you enter the city and saw a curious sight: a rare Whitehorn, and an even rarer fairy, both together with a well-to-do merchant. I have an eye for opportunity and wondered if you might be in need of a guide." "I'm a native of this city." "Oh." She seemed a little taken aback. "Well, then; how about I guide your companions around; seeing as you seem to have other errands?" "I usually don't make it a habit of entrusting things I care about to those I haven't established trust with," Devin stated with little emotion. "Now, now! Don't be like that. I'm just a hungry ratgirl who's trying to make some coin. Trust needs to start somewhere, right? How bout my name?" She opened her arms placatingly. "The name's Chitchat. It's what most of my clients know me as. I'm sort of a rat-about-town. I take all kinds of jobs. Sometimes I'm an information trader, other times a guide. I'm pretty confident in my knowledge of most of the stores in town and where to find them." Seeing him ponder her request, she added, "You don't want your friends getting lost or taken advantage of while you're away, do ya?" The offer was tempting, but the person making it gave him pause. She looked trustworthy enough, but anyone could throw on some dirty rags and rub some dirt on their face. Her gaunt features were not so easy to fake, however. While violent and major crimes were fairly rare, there was no lack of theft, bribery, and petty crime in a city where merchandise, and often times cut-throat commerce were common trades. Merchants were no strangers to risk. What required skill was knowing how to manage it and, if possible, use it to your advantage. That didn't apply to his girls, though. As his treasure, he felt it unlikely to be too cautious with them. Yet, it seemed in bad taste to be so miserly with someone as down-and-out as this girl. "I won't be gone long. I'm sure they'll be fine." "Then how about I offer my help to you. Wherever you're going, I might be able to suggest a cheaper alternative." Chitchat worried he was taking too much time to decide and tried to press him. "Please, sir, it's been a long time since I've eaten." She tactically gripped his arm, pressing herself into it. Devin expected her to smell worse than she did. Something between sour wine, wet fur, and perhaps desperation? It was, at the very least, a sense of urgency. He wasn't averse to helping someone in need. He often tossed a few coins to the most needy-looking. She squeezed his arm. "Isn't it better to earn one's bread by being industrious instead of begging?" Devin decided to test her a bit. "I won't be gone long, and the girls should be fine." With a curt brusqueness, he dislodged her from his arm and walked away. Chitchat looked startled at the sudden shift in attitude. She was going to make another offer, but he was already several strides away. Devin ducked behind a corner and looked back toward the alley. Chitchat fell back against the brick wall and sank to the ground, pulling her knees up to her chest. 'Doesn't look like she has any accomplices, nor is she asking anyone else. In his experience, charlatans tended to immediately move to another target if their first victim didn't prove fruitful. Guess I'll take a chance.' He returned to the dejected ratgirl, but she didn't look up until he was right in front of her. "What are you doing back?" "I changed my mind." He showed her five vols. "Half up front and half when I return. Give this to them, so they know I hired you." Wrapping the coins into his handkerchief, he held it out to her. Warily, she held out her hand and took it. "But that is way too, " "I'll be back in three hours. They should be wandering around the clothing ward." Before she could say anything more, he left again, leaving her bewildered. Without further delay, Devin arrived at his destination in the southern half of the city, on the border of the old-town district. 'This can't be right. It's too small!' Devin stood in a vacant alley, nestled at the end of an empty street. He thought this was the address to the craftsman he was seeking. Rumors told of a woodworker who took unusual commissions, but he had never been to this part of town. All that stood before him was a marble wall with an elaborate limestone door deeply inlaid with runes. The runes he used to keep his goods cool or used in everyday life were from a branch language, a dialect of the original. The runes in front of him, while similar geometrically, were older. Devin had no idea what they meant, and few people probably did due to their baffling complexity. Aside from syntax, the timing could also change the meaning, depending on the time of day or even the season. Thankfully, he didn't have to worry about any of that. A frayed cord hung to the side of the door with a sign that read: Ring once: pickup Ring twice: order Ring thrice: delivery Ringing twice, he felt a slow rumble, a grinding of stone-on-stone, under his feet as a crease appeared down the left edge of the door frame. From the blackness, an unnaturally strong and rocky hand grabbed his shirt and yanked him inside. The entrance sealed shut, leaving them in darkness. He put out a foot to steady himself but felt only air. As he stumbled, the strong grip held him up while simultaneously pulling him down what he quickly realized was a stairway. "Uh, excuse me? Could you stop tugging on my clothes?" His escort remained silent but paused. He felt his shirt let go, and his wrist was grabbed instead to continue with their slow, lumbering footfalls. "Er; if it's not too much trouble, could you tell me if this is the workshop of Antoris the woodsmith?" Silence. The unusual reception had him a little on edge, but a Dwarven workshop being underground most certainly wasn't unheard of. Reaching out his left hand, he felt a stone railing. It felt curved, and by the way the faint gleam of light below them kept rotating without passing behind them, he guessed they were on a circular stairwell. The air, aside from being cool and dry, was surprisingly fresh. A faint draft issued from beneath them. He lost track of their descent after the fiftieth step, but they soon passed through an entrance in the floor. The room opening below them was the same as the one above, only this one was lit with purple and orange crystals sticking out of the rock walls. Calling them a wall would have been an injustice to the creator. Hewn from the rock were massive pillars shaped like leafless trees with expansive branches holding the stairway and the ceiling aloft. Between the pillars were murals -- illustrations of rocky figures planting trees and maybe flowers. He could now see his silent chaperone in the light. The most noticeable feature was her height. She towered over him. He guessed she was nearly nine or ten feet tall. Initially, he thought she was a gnome since they were known to be a quiet type of earth elemental. However, he dismissed that idea since her movements weren't quite fluid or natural. The smoothness of her skin and the massive, spherically cut rubies acting as joints were too unnatural. She was naked; naked as a white marble statue could be. She didn't possess any of the finer details one might find on a completed work, namely nipples or genitalia, and he wondered if maybe she was an unfinished or trial design. Whatever the case, the creator seemed to appreciate large breasts and long hair. He didn't expect an answer but attempted, "Are you a golem? Can you take me to your creator?" For the first time, she stopped and regarded him. A pair of rough-cut ruby eyes stared down at him, processing his request. Golems had varying levels of intelligence. Most had at least basic commands they accepted or understood even if they couldn't speak. She obliged, though not in the way he expected. Feeling himself go weightless, she scooped him up in her arms. He wasn't feeling very princess-like, despite being in the cliche carrying position, and he flailed a bit as she set off with a faster gait down the stairs. Devin calmed down and appreciated the faster speed even though he couldn't appreciate the wall murals at leisure. She looked down over her generous chest, squeezed him tight against it and jumped the rest of the way to the floor below. Neither the floor nor her legs were soft, so he felt a big jolt from the landing. She made a sharp turn upon landing and passed through one of four archway exits from the room. Plunged into darkness once more, they passed swiftly through another archway. As she slowed her pace, Devin's jaw dropped. They were in an extensive cavern with cerulean-colored pools separated into square, uniform sections. Inside each pool was a singular, tall, and narrow rock-like structure, each of a different color. "What is this place?" She pointed at herself, then at the pool. "This is how you were made?" Leaving his question unanswered, she passed through a wide door on the opposite side of the room and unceremoniously deposited him in the center of a brightly-lit room that smelled dry, dusty, and yet sweet. He stood up, brushing sawdust and woodchips off himself, and beheld the magnificent master carpenter's dream that lay about him. Planks of varying trees, cut and sanded, leaned neatly against three walls surrounding large workbenches. On the left and right tables were hand saws, chisels, planes, and adzes were neatly arranged around half-finished products. Through a hole next to the door frame he had entered, water flowed from the previous room. It wrapped around the edge of one wall and down through a hole in the floor. It likely powered the vertical saw that adorned a corner. At the center table, a red-bearded dwarf sat whittling on something Devin didn't recognize. Without looking up, the dwarf bellowed, "Ruby! Why in the name of the Great mountain did ya come through the pool room?" The golem, Ruby, made no attempt to answer and instead took her place by his left side. Without receiving a greeting or introduction, Devin stood awkwardly and said, "You must be Antoris the Dwarf!" "Is that what yer eyes be tellin' ya's, or do you just have a gift for compulsively stating the obvious?" "Sorry, I meant no disrespect. I was unsure if this was the right place, given the; um; abrupt greeting by your assistant and the location of your workshop." "Woodworking is my profession. Gems and golems are my hobbies. Expensive hobbies, I might add. I don't like going above ground -- too many people to deal with! Introductions, especially so. I'm also not overly fond of talking about most things or answering questions, so place your order and don't ramble." Devin handed him a slip of paper with Azalea's drawing. The dwarf looked at it for a moment, frowning. "Yer wants me to make; these?" He sighed and slumped on his stool. "My first customer in weeks and they turn out to be a pervert." "It's not for me. It's for a fairy friend." "I don't care who it's fer." I can make these tiny; toys, but I don't have any ravishwood big enough to make the big'un. You want the same wood for all of them?" "Does that mean you'll make it?" "Are ya daft on top of having poor eyes? I got a reputation for being reclusive but won't be havin' one for turnin' down a customer." Devin thought for a moment. "Cedar for the box, white oak for the knife-sheath, and ravishwood for the others. I've heard the last is a bit rare and hard to find, so I'll pay double the normal price." "Ya bet yer coin purse yer will. I hope you don't mean to stuff your fairy with this!" "The big one is for someone else." The dwarf showed no surprise. "Should take me about two-and-a-half hours. Ya can take a seat over there." He pointed a stubby finger to an overly-decorated stool in the corner. Turning to Ruby, he whispered something into her ear, and they both separated: She went into a back room while Antoris disappeared into a side room and then returned with several choice pieces of lumber. Devin watched him measure, mark, cut, and repeat until he grew bored. "Go ahead; ask yer questions." "Excuse me?" "Questions! Everyone has them." "But you said, " "My hobby is the small exception. Now, go ahead before it starts leaking out ya ears. Ya have the same look ever'one has when they see ma girls." "Oh, then; um; do they have names?" "The one er'brought a here, as you already heard, is Ruby. She's the third of four I've built. Sapphire and Emerald were the first and second rudimentary prototypes. They are out digging a new tunnel." "Who's the fourth?" "Diamond." Antoris rang a silver bell on the corner of the desk. From a different side room entered another golem. Earlier, Devin considered Ruby to look quite advanced, but she barely held a stalactite to her sister. Diamond was more normal in height and also naked, except for a craftsman's apron. Meticulous attention was given to her features. Her face was expressionless, fixed with either a neutral or gentle smile, depending on the angle. Her skin was glossy and smooth, with a glassy opaqueness overlaid to protect the milky white, tan and light-brown wood pattern underneath. Very fine veins of red-opal, and malachite-green just under her skin connected to the diamonds acting as her digits and joints. Her hair was chiseled to be long and wavy, a portion covering her left eye. She gracefully glided across the room on slender legs, her movements precise and willful. Assuming a demure position slightly behind and to the right of her creator, she faced Devin, bowed, and gave him a generous view of her cleavage. "I have an owlchemist friend who's working on her first golem," Devin commented. "What's 'er name?" "Jeni-feather, over in the manufacturing district." "Why does that name sound familiar? Oh, of course! Old man Nílo's assistant. I heard a rumor he took someone in. I thought it false since he's even more of a recluse than I am -- does all his business transactions via proxy. Maybe he felt he was getting too old for everything. How far along in her work is she?" "She's never showed me." "Poor friend who doesn't ask about their friend's hobbies -- especially those that involve pouring a large amount of their money, time, and life into it." "I can't argue with that," Devin lamented. "Diamond is my latest and first fully-complete construct," revealed the older dwarf proudly. "She's a masterful-looking piece of work," Devin agreed. "I'm especially proud of her eyes; multifaceted semi-precious gems." "They remind me of some insect demi-humans. Does she have, " The dwarf pulled Diamond's apron aside, revealing two pink nubs. "Rose quartz for her nips. Interchangeable cunt." "I like the amethyst clematis you have in her hair. My fairy friend has a dress of the same flower." "It's slow, delicate work carving flowers from gems but well worth it." "Is her body from stone or wood, and what are those veins?" "You saw those things in the other room, under the water? It's petrified wood -- more specifically, petrified dryad wood. Spotted a branch from an exotic merchant. Bought it for almost nothing since he thought it was just a pretty rock. It was a small piece, so I couldn't do much with it. I regrow and graft on bigger parts." "Why not just use regular stone or wood for all of them?" "because certain materials are more conductive to affinity. The grandfather of golemancy discovered a way to infuse one's own affinity, into inanimate objects. I ain't sure why it works, but things that were once alive conduct better, but other things can be used. My girl's core uses a chunk of amber," he explained while tapping a honey-colored teardrop embedded under her clavicle. A lot also comes down to what's available and what can be afforded." "Rarer materials; high cost. Makes sense." "And lastly, what the creator knows how to work with. Since I know a thing or two about mining, gems and rocks are easy enough for me to work with. All depends on the creator, but you can find a bit of a pattern depending where you go. There are very roughly three kinds. The middle kingdom's are generally made from clay, porcelain, and clockwork. Down in the desert lands, I've heard they use the flesh of their dead or some such morbid thing." "Feel free to pass any of this to your friend, though she probably knows most of it. Now let me get back to work." Devin took a seat. Not knowing what else to do, he decided to practice more with his glyph. —------------ Chitchat was usually more on her game when playing the poor, needy ratgirl, but it'd been a significant period since she'd eaten, and it was starting to affect her charisma. 'Thought I'd blown it with that clueless merchant. Can't believe he actually came back. Now, if I can just find those girls. Pretty sure I saw him give that Whitehorn some money. If I play my cards right, I can get paid and pick their pockets. That should feed me for maybe a few months!' Her nails gripped the cobblestone, expertly weaving and dodging through the forest of legs in the streets and alleys. Standing barely five feet on tiptoes, she decided to jump up on a barrel to search the many heads and ears for her quarry. —----------------------- "Reina! How do I look?" Azalea turned around to show off the hairpins holding together twin-tails. Before Reina could comment, "What's that smell? Roast corn! "Azalea dropped the hairpins in the bemused merchant's hands and zipped off toward a stall with a grill. "I wonder what spices they use! Trade secret? Understandable. So much delicious-looking food! Sweets I've never seen, fruits I've never tasted! Oh, what are those over there? They are what? Snowglobes? How do you get the snow in them? Are they edible? Speak up! I can't hear you!" Reina was feeling a bit overwhelmed. Aside from being in a new place, she was doomed to act as fairy herder for the day. 'How does such a small body have so much energy? She can't seem to focus on anything for more than thirty seconds.' She was happy to see her friend thoroughly enjoying herself but was afraid the endless distractions would delay them from their responsibilities. "Mmmphthigsgood!" "Azalea, swallow first, and where did you get that food?" "That nice man over there was selling some bread filled with jam. Said I was cute and gave me one. Try some!" Azalea bit off a generous portion with jam, pressed her petite lips to Reina's, and used her tongue to push the morsel in. Normally, Reina wouldn't have minded, but they were in public. She blushed as the few passersby failed to hide smiles. "You're so adorable when you're embarrassed," Azalea teased. Feeling a little indignant at her own awkwardness, she swallowed, scooped the hyperactive fae close, and licked some jam off her cheek. "Careful! I might end up eating you instead." Azalea face lit up. "Once, Life-mate put me in his mouth when I was covered in his cum, to clean me. I was pretty out of it when it happened. I wouldn't mind experiencing it again when I'm more lucid. Or maybe I should smear some jam in a very particular place that's more fun to lick," she whispered. "But for now, here, you can have the rest. I wanna go look at other food stall." She stuffed the rest of the pastry into Reina's mouth and flew off. Reina was about to follow when she felt something on her foreleg. "Finally found you!" squeaked a small girl gasping for breath. "Why are there so many more people than usual today?" "Is this an unusual amount? I'm new to this city." "I know. Where'd your fairy friend go?" "Um, she was looking at candles, but now where'd she go? Oh, there she is. Do we know you?" "Hey, it's you!" exclaimed a returning Azalea, nibbling on a piece of honeycomb. "You know her?" "No, but remember I mentioned someone watching us. Same eyes." "You were watching us?" "I, er, " the ratgirl stammered. "Did you need our help with something?" "Help? Help, yes; yes, I came to offer my services. Your friend hired me to guide you around till he got back." "Herd-mate did? He didn't mention that earlier." Reina glanced at Azalea. "He thought of it after he left. Here's proof!" She held out Devin's handkerchief. Reina took the handkerchief and sniffed it. "Smells like him." "Oh, I want to smell, too! I miss him already!" Azalea declared as she dived into the handkerchief in Reina's hand. "He's only been gone twenty minutes, Azalea, and try not to get it sticky." Turning back to the ratgirl, " We are glad to have your guidance, Miss, ?" "Chitchat." "That's an interesting name," commented Azalea as she licked her fingers clean. "It's my working name." "Nice to meetcha. This is Reina, and you already heard my name. We were just wandering around looking for a seamstress." "One of us was. The other was stuffing her face," Reina teased. "It's not good to shop on an empty stomach," Azalea shot back. "That only applies to grocery shopping!" Reina countered. Chitchat put a hand to her chin. "Seamstress, eh? I know one nearby." "Oh good! We are quite ready, aren't we?" urged Reina, cupping Azalea in her hands and hugging her to her chest so she wouldn't fly off again. Chitchat took the lead. "Then off we go!" "Have you lived in this city all your life, Miss Chitchat?" asked Reina. "Yep, all nineteen years of it. When my parents died, I spent the rest of my childhood in an orphanage. When I turned eighteen, I decided I had enough of being told what to do, so I left." Chitchat continued to rattle on about the city and her many observations about its inhabitants and peculiarities. Azalea was content to be held between Reina's soft breasts until she spotted a fenced-off street entrance. Wiggling out of her pillowy cocoon, she poked her head over Reina's shoulder. "Why's that street blocked off? And why is it pink?" Chitchat looked where Azalea pointed. A tall, wooden fence, engraved with a depiction of naked shoppers covered with strategically placed leaves, separated the two roads. "Have you noticed the edges of some streets have colored cobble?" "No, " "Probably because someone was too enamored with window shopping," Reina jested. "It's a decency indicator. Numerous demi-humans have different feelings toward modesty. As a compromise with the more prudish nature of humans, the city council implemented a color system to indicate which sections of the city you're allowed to expose which parts of your body. Green, you have to be fully clothed. Yellow is for topless regions, mostly centered around the milking quarters. Pink allows full nudity, and red areas allow public sex but are strictly regulated to the nightworker parts of the city. Independent businesses may have a separate set of rules, so they'll have an indication by the door." "Can we go take a look, Reina? Pleeeeaase!?! Then we can go straight to the seamstress." Chitchat didn't say anything. She didn't visit these adult areas unless she was in haste for a shortcut, and even then, she didn't linger. "You know it's tough to say no when you give such pleading puppy-dog-girl eyes." Reina opened the pedestrian gate and passed through. The landscape on the opposite side was exactly as the other, except the leaves were removed. "Where are all the people?" wondered Azalea "These neighborhoods tend to cater to very specific merchandise and customers. Also, it's winter. Not too many people are gonna take their clothes off when it's cold." "Well, there might be one, " Azalea shimmered out her dress and handed it to Reina. She floated a few feet forward, her breasts heaving with nervousness. "This is more embarrassing than I thought it'd be." Reina folded the dress away. "I never imagined I'd hear you say that, considering you fly around without undergarments." "Of course, I get embarrassed, but have you noticed I fly under eye level all the time when we are not alone? Sneak peeks are only for you and life-mate." "And me, I suppose," observed Chitchat, trying not to look too closely. Uncharacteristically for her, Azalea made an attempt to cover herself. "Sorry, Miss Chitchat. I've been a little brazen today. "Now look who's adorable when she's embarrassed!" chuckled Reina, offering her dress back. Azalea waved her hands to decline. "It's alright. I don't personally visit these kinds of places, but a job is a job. I have to wonder, though. Your dress doesn't look especially warm. Aren't you cold?" "A little," Azalea admitted and lowered her arms. "My nipples are most certainly stiff, but if I get too cold, I'll just hug my little Whitehorn for warmth." She winked. "I feel so, exposed. Is this what Jyora felt like?" "You seem to be getting a thrill out of it all the same." Azalea rubbed her thighs together to highlight her dripping. "Maybe it is a little exciting." Azalea, feeling bolder, picked up the pace, peering into different storefronts. She was about to move on from a brick-lined building when the door caught her eye. "Let me guess; you want to go in there?" discerned Chitchat. Azalea nodded. "This is definitely an interesting shop! Just look how amazing this handle is!" "I am looking. Any place with a door handle shaped like a centaur penis, paired with a centaur mare vulva lock; Public nudity aside, I have a hard time imagining it as a place you'd like to investigate," Chitchat stated with slight embarrassment. Azalea floated up to Chitchat and put a hand on her shoulder. "I cannot leave an establishment with such eclectic taste unexplored, can I? Surely, this is the work of a forward thinker! Besides, it's good to have a healthy curiosity." "I think you've gone well beyond sexual curiosity into connoisseur territory." Reina grasped the shaft, surprised at the feel of realism, and pulled. Out billowed the acrid smell of metal and coal. Azalea grabbed the hand of a surprised Chitchat and flew in. "Sorry for the smoke. I'll be done in a second," boomed voice from somewhere in the building. "Look at this place! It's, " "Organized chaos?" Reina suggested. "Amazing! I never dreamed that a big city sold these kinds of things!!!" Floor-to-ceiling shelves, stuffed with sex toys, lined the walls. Some toys were familiar, others incomprehensible. Azalea's eyes sparkled as she darted here and there, taking in all the merchandise. "Reina, there are so many dildos! Even more than at Grandpa Gylan's farm!" Azalea had swiped her dress back and put it back on. She was gleefully looking over the display table. "Centaur, wolfman, I think this is a bunny boy's, and this is a catboy's?" She pulled a screw-shaped dildo from a drawer. "This one reminds me of mom's husband's, very porcine shaped." She pushed it through her circled fingers. "Momma said the thickness is mediocre, but the way the tip pokes at her cervix really turns her on, especially when it pushes it in." "Oh! Look what we have here, Reina! Recognize this?" Azalea picked up a skinny black toy and held it up. "A Whitehorn! " She rubbed it against Reina's cheek. "I bet you'd like to try it." "You're sweet, dear, but I should probably tell you. Male whitehorns don't provide much stimulation. Mating is a very quick affair." "Ah, that's too bad," she said before returning the toy. "It is what it is. That's why herd-mate's fis; ministrations felt so good." Azalea held up some colored glass beads connected by a string, turning them over in her hands. "What are these for?" Chitchat peeked around Reina. "How do you not know what anal beads are?" "So you put them in your ass? I bet that feels interesting. Why are there whips and ropes here?" "Some people like being tied up and given a little pain." "Really? Huh; interesting." From somewhere in the back, beyond the haze of smoke, a sudden clink of metal, followed by a sharp sizzle, interrupted them. They could just make out the store's proprietor against the billowy flames of a forge. A light-green woman, with black hair haphazardly tied out of the way, squinted through a pair of magnifiers. Her strong arms vigorously polished a human shaped dildo. She got up from her work stool, leaving a glistening dildo where she had been sitting. Wearing only a front-facing smith's apron, she turned around, and a garnet-colored, heart-shaped assplug peeked out from between her ass cheeks. She stood on tiptoes and twisted a knob on the chimney, opening a flue to dissipate the smoke. Previously hidden within the haze, a bundle hanging from the ceiling was revealed. The goblin smith stepped over, rotated the bundle, and stuffed the dildo in one end, causing the bundle to moan. "How's that feel? I smoothed out the rough spots next to the vein." "Mphhfmmg!" "So it's good?" "Mhmmp." "Excellent! Another prototype finished. Now, let's see who our guests are." She pushed back an ear that had flopped over her shoulder, pulled the bandana off her head, and wiped her brow. "Looks like we got some rare customers! Welcome to Forging Pleasure. Sorry for da smoke. Sometimes the flue gets clogged. I'm de owner of dis here shop. Eitri Tehdä's ma name, and dis is ma toy tester and cousin, Avu." "Mmmppshh." The bundle called Avu had a gag stuffed into her mouth. She was suspended from the ceiling in a harness that held her torso. Her arms and legs were tied behind her back, cutouts allowed access between her legs, and her ample chest could hang freely. "What can I help you girls with? Let me guess; looking for something to spice up a threesome. I've been working on a three-sided dildo if ya feeling adventurous. No, wait, before you say anything, I forgot ma spiel." She cleared her throat. "Feeling a bit overwhelmed and in need of some de-stressing? Have an emptiness that needs satiating or a deep itch that needs scratching? Filling holes is our goal!" Azalea clapped her hands. "What a wonderful motto! My holes were definitely made to be filled! We are new, just arrived today, and were out shopping. I noticed your door and was intrigued." "Liked that, didja? Copied and replicated from a centaur couple who visited us last year. We pride ourselves on makin' 'em as realistic as possible. Well, as real as we can using metal or wood anyway." "You made a copy of them?" "Aye! Saves a lot of time, instead of craftin' by hand. Supposedly, there is a soft, springy substance hidden away in the southern country, that feels more like the real thing, but so far, we haven't been able to get our mits on any of the stuff." "They definitely felt life-like enough already. I noticed all the bumps and veins," commented Reina. "We always look for new and different for a wide variety of shapes and sizes. We pay 'em. They get one free copy, and the rest go on the shelves. Don't tell anyone, but I think they also secretly get a thrill out of imagining a stranger using 'em for personal time." Azalea pointed to the display table in the middle of the room. "So all these are from someone in town?" "Most of 'em. If you're secretly looking for someone in particular, we have many of the more notable folks." "Do you make girls, too?" "You mean vulvas? They are a lot trickier, so very rarely. Mostly decorative pieces." "I wish I could watch you make one," Azalea expressed. "Well, we should have a customer coming in any minute now. It's not as exciting as you might think. Takes about an hour." A small bell rang above Avu. "Punctual as usual. If you really want to watch, I just need to read you a disclaimer." She placed a parchment on the table, pointing to the first paragraph. "Do you consent to seeing real depictions of sexual imagery for the purpose of education and/or mercantile exchange? If you do, please sign here." "Most definitely!" Azalea signed her name with flare and an unnecessary winky face. "I'll sign, but I'm going to peruse the shelves some more." said Reina. "I guess I will. Just to expand my knowledge about such things, you understand, but; I don't know how to write," Chitchat mumbled. "I can help you! Just give me your hand, and we can do it together. C-h-i-t-c-h-a-t." She handed the scroll back to Eitri. "Everything looks in order. This way, please." Eitri led Chitchat and Azalea behind the front counter to the nook where Avu hung, pulling a curtain closed behind them. Azalea regarded the suspended goblin. "Miss Eitri, I was wondering why Avu is all tied up." "Cause it was her idea, as was toy testin'. Says it gets her creative juices flowin'. "Not just her creativity it looks like." Observed Chitchat, noticing a pile of damp straw beneath her. "Normally, she's tied up with ropes, but today she's demonstrating a new idea: The Shortstuff Carry-all! It's still a working name. We were thinking of manufacturing them for portability purposes." "Why would anyone want to carry a goblin around?" "It's not just for goblins. It can be used for any smaller demi-human race. Like most of her ideas, she gets 'em when she's horny. This time, it stemmed from her imagining being treated like a cock-warmer, ready for use, so she built it for herself, but then we started thinking of more practical consequences. Like, they can't just be used anywhere in the city because of the modesty laws. Though, I suppose it depends on how the user is dressed. Maybe during journeys, short legs can't walk or run as fast or as far as longer-legged people. At least, I can't. Or perhaps at certain festivals or gatherings." "I can somewhat understand that," asserted Azalea. "Fulfilling your partner's random bouts of horniness by being stuffed is the most fulfilling feeling for me! Or it will be when I can stretch wide enough." Eitri rapped on the wall near where four waist-high holes of differing sizes lined the wall. Out of the far-left one popped a penis. "A wolfman!" exclaimed Azalea. "That he is. He's a young man, very polite. Been a regular for a number of years. I asked if he wanted to be one of our models. The first attempt had a few errors, so today is a redo." "Why don't you make it with them in the same room?" "Some customers like to remain anonymous. Others get a bit shy if they see someone watch 'em. A few like the thrill of not knowing who's doing what to them." "I've never seen a canine demi-human up close. He sure is red." "His kind can be both difficult and easier to make a mold for. Their knot keeps them fixed in place nicely, but they usually start pre-cumming right away, which can make the plaster take longer to dry. Fortunately, we have a simple solution." Azalea cocked her head. "A metal tube?" "Aye! First, we put a little linseed oil on it and carefully insert it into the tip, not far, mind you, just long enough so we can get the casing around the glans. "Now we gotta swell 'em up. Normally, Avu does this part; tis why I 'ung her over 'ere, but I don't mind demonstrating today. I like working my way from the head toward the back." With stubby fingers, she encircled his glans. "Then we add a little more oil to get him all slick and start jerkin'." "How cute! He's humping your hand." "He's quite a horny boy. See his knot starting to swell?" "Can I touch it?" "I doubt he'd mind." Azalea wrapped her tiny hands around the small bulge. "Warm and squishy. I thought it'd be bigger and harder." "Oh, it will. Grab his shaft and push back on it. Keep up a constant pressure. Try to make it feel like he's prodding a tight cunt. Yes, like that. Do it a few times and then squish it through." Azalea squeezed and pushed back hard, popping it through her encircled hands. "Oh wow, he's swelling so fast! Here's the size I was expecting. It's as big as an apple!" "You can let go now. It'll be about thirty minutes before he deflates enough to pull out." A spurt of liquid splashed her hand. "Oh, is he coming already? Can I drink it?" Before Eitri could answer, Azalea's lips were already around the metal tube. Eitri raised an eyebrow. "Uh, well, ok, go ahead, I guess, and no, the first watery bit will be pre-cum. When you notice a thicker, coppery taste, then you'll know when he's cummin' proper. You also might get a bit more clear, watery fluid at the end." Eitri grabbed a flat metal tray. "While you handle that, I'll show you how we make the mold. We slide it into these grooves on the wall, so his penis is resting on it. Then we slide in the sides, creating a little box, and pour in some warm plaster roughly halfway up. Lastly, we lay this square wax paper frame around the edge, so we can easily split the two halves, fill in the rest to the top, and let it sit till it hardens." Chitchat sat down on a stool next to Avu, not finding the molding process as interesting as she had expected. Her libido was normally very low. The rare times she masturbated were usually to distract herself from being hungry or to help her fall asleep. Putting her chin in her hand, she disinterestedly watched Azalea sip her unexpected treat, wondering how she could do something so lewd so naturally. She peeked out the curtain at Reina."What do you think she's thinking about?" she said out loud to Avu, not expecting a response. "Think she's imagining how many dildos she could stuff into that huge body of hers?" "Mgpmh" Avu shrugged. She let the curtain fall back. "So uh; do you hang around here often?" Avu rolled her eyes. "That was pretty bad, wasn't it? I went for the; lowest hanging fruit," Chitchat giggled. Avu gave a low groan. "Alright, I'll stop." Typically, Chitchat was adept at small talk, hence her nickname. For some reason, though, she was really off her game today. It all started with meeting that merchant. "So, I'm guessing by the red ochre pattern painted on your body; you are from one of the marsh tribes?" Avu nodded. "And the whole tied-up thing; you're a masochist?" Avu nodded enthusiastically, her eyes lighting up. "I'm not really interested in this sorta stuff." Avu looked sad. "What? Oh, come on, don't look pleadingly at me. I already have been escorting someone who begs the same way. Ok, fine, but just a warning; I've never done anything you're probably hoping for." Avu smiled around the gag and tried to swing her body closer. "You're definitely a little horny, well-endowed goblin, aren't ya? Your belly and thighs were certainly blessed with ample pudginess." She cupped one of Avu's hanging breasts. "You have some curiously white nipple piercings." Avu let out a long moan as Chitchat rolled the tender flesh between her fingers. "I'm sorry! Did that hurt? Wait, maybe you'd actually like that?" Chitchat spun Avu around, stopping with her between Avu's legs. "Clean-shaven, I see. Makes sense if you are testing a lot of toys." She parted the fleshy lips. "Such a girthy dildo planted in ya! Sure does push your clit out." Chitchat flicked the fat little nub, instantly getting a whimper. "Interesting! You also have those little crystal bead piercings surrounding your clit and in a line down your cunt lips. Well, guess I'll just experiment and see whatcha like." Chitchat's actions got the attention of Eitri, who was leaning against the wall waiting for the plaster to harden. "If you're going to do that, could you aim her toward the straw, please?" Chitchat spun her again, aiming her ass toward the pile of previously damp straw. She experimented with rubbing the squirming goblin girl, trying to mimic the things she liked. With needy huffs and sharp cries, Avu's body jerked as a pearly stream of girl cum splashed over Chitchat's hand. "You came fast. Does that mean I did a good job?" "Mmmmpssh." Avu breathed heavily through the impediment in her mouth. "You're, uh, welcome, I guess. Hmm, I'm reminded of a little rumor I suddenly got curious to try." Avu tipped her head questioningly. Chitchat scooted very close and pulled her close till they were nose-to-nose. Smiling mischievously, she took hold of both of Avu's ears. Avu's eyes widened as Chitchat started to caress, massage, and stroke the floppy appendages. "Careful, you gonna make her get all melty-brained," laughed Eitri. Avu's eyelids sagged, and she started drooling profusely, making little gurgling sounds. "She's really getting spoiled today." "Is she?" Chitchat asked thoughtfully. "A goblin's ears are highly sensitive, sometimes even more than our sexy bits. It's like a direct connection straight to our brain. We become super relaxed and floaty-headed. Also, and I probably shouldn't say this, she becomes very impressionable. You could tell her to do just about anything, and she'd do it." "Is that so?" Reina pulled the curtain aside and poked her head in. "Sorry to interrupt your fun, but I was perusing your wares and was wondering what this curious device was." She held up a wooden object curled in the shape of a giant comma, carved from cedar and polished to a lovely sheen. Several taut strings stretched across it, anchored in place by brass knobs embedded into the surface. "Oh, I wondered where that went! Stroke your nail along the strings, and you'll see." Reina did as she was told. Raking her middle finger across the strings emitted a pleasant sound. Almost immediately, a throaty cry erupted from Avu. Surprised, Reina hesitantly stroked the strings again, leading to Avu straining and fighting against her restraints. Her cunt spraying cum again. "Am I doing that?" Reina buzzed in awe. "Indeed, you are! I named it the Sonorous Pleasure Acoustic Sex Machine, or S.P.A.S.M for short. Those studs in her nipples and cunt lips ya's was lookin' at, Miss Chitchat; each stud resonates to a particular cord. Depending on the tone and pitch, they vibrate softly or strongly. So, if you're musically inclined, you can literally make her feel the music." "Can I try?" begged Chitchat.Chitchat Reina handed her the device. Chitchat placed it on her lap and played a simple song she remembered growing up. Avu mewed and whined, jerking and twisting to the pleasure dancing through her nerves as the notes soared and dipped with the melody. Her body was the orchestra, and Chitchatt was the conductor. The song Chitchat chose was something you might hear at a tavern -- something with a quick tempo that caused Avu several body-clenching orgasms back to back. The song was only a minute long. With a flourish of her hands over the cords, she caused Avu to give one more short, erratic squirt before her body went limp, exhausted, and soaked with sweat. "Sorry, I kinda got carried away. Was that too much?" the ratgirl worriedly inquired. "Nah, she'll be fine. Though, maybe should have eased her into it first," snickered her cousin. "I should probably put a warning on it, for first-timers, about the intensity." "Dinner AND entertainment!" Azalea expressed, swallowing the last remnants. "He tasted pretty good." "Careful! Herd-mate might make you run laps around the back of the wagon if you get too heavy." Azalea stuck out her tongue playfully. "I think it should be hardened enough," Eitri pronounced while tapping the plaster lightly. She carefully lifted the top half. "Perfect separating! Look, you can see all his unique details." The girls looked at the impeccable inverted recreation. Its knot, shaft, and head all exhibited the minute veins accurately. Waving her hands around the mold, Eitri stated, "That pretty much sums up the process. I will make a clay copy later and recreate the mold out of brass, so it can be reused." "Thank you for showing us. That was fascinating!" Azalea cheered. "My pleasure." "And I know you can't hear me, Mr. Wolfman, but thank you for the snack," she praised, kissing the tip. "And thank you, Miss Chitchat, for playing with Avu. She gets bored when I'm working sometimes." "Mmmmpphfffmmph." "What's that? You want to give one to each girl? She wants to give each of you a present. Friendship assplugs." "Eh?" Reina and Chitchat replied in unison. "We'd be glad to accept them," beamed Azalea. "I don't know about this." fretted Reina. "Please, Rei-Rei. It's free and a present!" "Do we really need that level of friendship, though?" "Yes! It's a physical manifestation of our friendship!" Reina sighed. "Fine, " "Yay! Chitchat can go first." "Oh, no; you need not concern yourself with me. I doubt I'll even see you after tod, !" Azalea was already dragging her by the arm to a table where Eitri stood waiting with a multi-pronged measuring instrument. "We are totally gonna be friends from today onwards!" "I can't believe I'm doing this," Chitchat muttered. 'Calm down Chitchat. Just think of the money and all the food you can buy after you bleed these fools dry.' She separated the two belts that covered her intimates and lifted her cloak. Leaning low against the wall, she stuck her ass out. Azalea floated lower for a better view. "Look how cute and pink your anus is, Chitchat!" "That's not something I want to hear," she retorted with a red face. Eitri coated the pronged device with oil and carefully inserted it, making Chitchat clench her teeth, feeling herself opening before everyone's eyes. Eitri jotted down the measurement. "About average," she noted. "Next." Chitchat hurriedly covered herself as Azalea took her place. "Me!" Azalea sang, landing on the table and waving her rear at the bemused goblin. "Hmm, gonna need a super tiny one for you." Upon getting Azalea's measurements, she pointed out, "Color me surprised! You sure can stretch for someone so small." "Thank you! Training myself to be the best cock-sleeve I can!" Reina stepped forward. "I guess I'm last." "I'm dying to know how wide Reina is gonna be!" Azalea wondered. "Don't make me rethink this, Azalea." Eitri brought out a giant version of the probe. "Rarely get girls as big as you, so I don't use this one often. ready? I'm putting it in." Reina felt the three prongs enter her and start to expand. Eitra wrote down the numbers. "Despite being scaled up, yours is actually fairly average as well. Should take me about an hour for Reina's and Azalea's. Fortunately, I think I have one for Miss Chitchat's size already made up." Upon completion, she presented all three assplugs on a tray. Reina's dwarfed the other two. "Here you go. Three assplugs with a layer of silver over a brass core, and I embedded yellow citrine on the end to denote friendship between you all. Ready to try'em?" "Me first! Me first!" Azalea yelled with her usual excitement. She landed on her hands and knees on the work table. Spreading her cheeks, she stated, "Just stuff it in." Eitri applied some oil and pushed. Azalea hugged herself. "That's nice. Love that full feeling!" Chitchat had hers inserted next. "This feels; weird, " "Good weird or bad weird?" asked Azalea. "It doesn't hurt, but it definitely doesn't feel as good as you made it look." "You'll get used to it!'' The fae consoled as she rubbed the ratgirl's ass cheeks. "Reina's next. Can I put it in? Can I, Reina!?" "You're way too excited about all this." "Of course I am. My first time shopping for things with friends!" "Well, as long as your happy. Go ahead." Reina swung her tail aside and presented her ass. "Careful, it's heavy." Eitri handed it over, making sure Azalea had a good grip on it. "Let's put a generous amount of oil on." Azalea placed the tip against the Whitehorn's anus. "Ready? I'm pushing it in now." Bracing her shoulder against the base, she shoved, fluttering her wings vigorously. With some grunting and straining, she managed to push the widest part past Reina's tight muscle. Soon after, they both felt it slide in, firmly lodging in place. Azalea floated back to admire the accessory. "I can only imagine what that size must feel like." "Let's keep it that way. I don't care how much stretching you do. You're not fitting this in you." "I know, I know. How's it feel?" "I think I could grow to like it," Reina commented with closed eyes. "Glad you girls like 'em. Azalea, could you come over here for a second? I want to tell you something." Eitri whispered something into her ear, bringing a worrying smile to her lips. "We should be heading to the seamstress now, Azalea," reminded Reina. "Yes, off we go! Thank you, Eitri, Avu! I had so much fun!" Azalea raved. "Hope you see you girls back again sometime." Eitri walked the friends to the front door. To be continued in part 9, by Scholarly Mori for Literotica.

Bucky, J.P. and John take a look at the opportunity the Jaguars have to make their mark this season. The crew talks about the impact of new leaders coming into this locker room and playing up to the standards every day. Bucky shares his insights on the style of play the Jaguars may be shifting to and what that means for the 2024 Draft.See omnystudio.com/listener for privacy information.

Rapha, Leticia e Lucca discutem 7 armadilhas na doença do refluxo gastroesofageana (DRGE)! Referências: 1. Fass, Ronnie. “Gastroesophageal Reflux Disease.” The New England journal of medicine vol. 387,13 (2022): 1207-1216. 2. Parmar, Malvinder S. “Gastroesophageal Reflux Disease.” The New England journal of medicine vol. 388,9 (2023): 863. 3. Jenkins, Danny, and Ines Modolell. “Proton pump inhibitors.” BMJ (Clinical research ed.) vol. 383 e070752. 13 Nov. 2023. 4. Katzka, David A, and Peter J Kahrilas. “Advances in the diagnosis and management of gastroesophageal reflux disease.” BMJ (Clinical research ed.) vol. 371 m3786. 23 Nov. 2020, 5. Barr J, Gulrajani NB, Hurst A, Pappas TN. Bottoms Up: A History of Rectal Nutrition From 1870 to 1920. Ann Surg Open. 2021;2(1):e039. Published 2021 Feb 10. 6.Fass, R et al. “Clinical trial: the effects of the proton pump inhibitor dexlansoprazole MR on daytime and nighttime heartburn in patients with non-erosive reflux disease.” Alimentary pharmacology & therapeutics vol. 29,12 (2009): 1261-72. 7. Lee, R. D., et al. "Clinical trial: the effect and timing of food on the pharmacokinetics and pharmacodynamics of dexlansoprazole MR, a novel dual delayed release formulation of a proton pump inhibitor–evidence for dosing flexibility." Alimentary pharmacology & therapeutics 29.8 (2009): 824-833. 8.Metz, D C et al. “Clinical trial: dexlansoprazole MR, a proton pump inhibitor with dual delayed-release technology, effectively controls symptoms and prevents relapse in patients with healed erosive oesophagitis.” Alimentary pharmacology & therapeutics vol. 29,7 (2009): 742-54. 9. Ip, Stanley, et al. Comparative Effectiveness of Management Strategies For Gastroesophageal Reflux Disease. Agency for Healthcare Research and Quality (US), December 2005. 10. Zhuang, Qianjun, et al. "Comparative efficacy of P-CABs versus proton pump inhibitors for Grade C/D esophagitis: A systematic review and network meta-analysis." Official journal of the American College of Gastroenterology| ACG (2022): 10-14309. 11. https://www.accessdata.fda.gov/drugsatfda_docs/label/2022/020839s078lbl.pdf 12. Iwakiri, Katsuhiko, et al. "Evidence-based clinical practice guidelines for gastroesophageal reflux disease 2021." Journal of gastroenterology 57.4 (2022): 267-285. 13. Graham, David Y., and Aylin Tansel. "Interchangeable use of proton pump inhibitors based on relative potency." Clinical Gastroenterology and Hepatology 16.6 (2018): 800-808. 14. Hatlebakk, J G et al. “Nocturnal gastric acidity and acid breakthrough on different regimens of omeprazole 40 mg daily.” Alimentary pharmacology & therapeutics vol. 12,12 (1998): 1235-40. 15. Chen, Joan W., et al. "AGA clinical practice update on the diagnosis and management of extraesophageal gastroesophageal reflux disease: expert review." Clinical Gastroenterology and Hepatology (2023). 16. Gyawali, C. Prakash, et al. "Updates to the modern diagnosis of GERD: Lyon consensus 2.0." Gut 73.2 (2024): 361-371. 17. Katz, Philip O., et al. "ACG clinical guideline for the diagnosis and management of gastroesophageal reflux disease." Official journal of the American College of Gastroenterology| ACG 117.1 (2022): 27-56. 18. Hicks, Douglas M., et al. "The prevalence of hypopharynx findings associated with gastroesophageal reflux in normal volunteers." Journal of Voice 16.4 (2002): 564-579. 19. Blondeau, Kathleen, et al. "Improved diagnosis of gastro‐oesophageal reflux in patients with unexplained chronic cough." Alimentary pharmacology & therapeutics 25.6 (2007): 723-732.

If you're worried about how to protect valuable specimens in your institution, Spacesaver Corporation (800-255-8170) offers its 920 Series Preservation Cabinets, featuring interchangeable interior panels and a range of accessories to suit your unique storage needs. Visit https://www.spacesaver.com/products/museum-storage-cabinets/museum-collection-storage-cabinets for more details. Spacesaver Corporation City: Fort Atkinson Address: 1450 Janesville Avenue Website: https://www.spacesaver.com/ Phone: +1-800-255-8170 Email: info@spacesaver.com

Raven receives a cryptic DM on X and has no idea what the sender is talking about, and it instigates the most ill-advised conversation in show history; How men's taste in women change as they get older; Rich is looking for someone to install a sump pump, so if you're in his area and can help, hit him up; Working out the mechanics of hanging yourself from a doorknob; How to speak like a Hepcat; Fanmail, and of course, all the usual perversions. Follow the guys on X!Raven - @theRavenEffectRich - @RichBocchiniFeeney - @jffeeney3rdRaven has some action figures available for purchase at http://majorpodmerch.com so go buy them.Buy some of Raven's old comics and other goods. Check out the store by Ask Danna at https://www.ebay.com/str/askdannaHave Raven say things that you want him to say, either for yourself or for someone you want to talk big-game shit to by going to http://www.cameo.com/ravenprime1If you want all the uncensored goodness AND watch The Raven Effect, sign up for Patreon by going to http://www.patreon.com/TheRavenEffect it's only $5 a month!

Ken Carman and Anthony Lima open their Friday episode by still celebrating the fact that the Cleveland Browns will be in the playoffs. The two also discuss the NFL running back position being so interchangeable.

My friends! How long would it take you to successfully build a robot that can walk? 26 seconds? Great! So can this new AI. Join us as we enter a new era of computing. Also. Lots of naked Roman statues. We need to talk about their… Limbs. --- Love the show and wanna show some love? Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@wellthatsinterestingpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@wti_pod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Venmo Tip Jar: @WellThatsInteresting Oh, BTW. You're interesting. Email YOUR facts, stories, experiences... Nothing is too big or too small. I'll read it on the show: wellthatsinterestingpod@gmail.com WTI is a part of the Airwave Media podcast network! Visit AirwaveMedia.com to listen and subscribe to other incredible shows. Want to advertise your glorious product on WTI? Email me: wellthatsinterestingpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

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Steiny & Guru chat with Super Bowl Champ & 3x Pro-Bowler Seth Joyner about the stylistic comparisons between the Redskins championship teams from the 80s & 90s, and the 49ers under Kyle Shanahan. 

In this episode, I talk about consistency beats talent and wins championships, how repetition builds business and creates a life, having more time than you think you just don't know it, putting your health first above all else, making a daily schedule so the day doesn't run you, observing someone's priorities to better understand them, dealing with red flags immediately, reducing cognitive overload, always being both a teacher and a student, new ways to create wealth, your gut intuition and more!Follow me on Instagram @mattgottesmanJump on my weekly texts for the soul here 480-530-7352My writing mattgottesman.substack.com RESOURCES:1- FREE Reverse Engineer Your Life (Clarity Course): Time, Energy, Money, Creativity, Work, Rest & Play - https://mattgottesman.com/reverse-engineer-your-life2- BOOK LIST - Interesting Topics in Art, Spirituality, Happiness, Philosophy, Building Wealth, Entrepreneurship, Relationships & Other Memos I wish were mainstream - https://amzn.to/3Q5PZ3h OTHER RELATED EPISODES:You Don't Find Your Potential… You Become ItApple: https://apple.co/40u9g3gSpotify: https://spoti.fi/40ue60y

We are back for a second episode based on nutrition.Matt joins me to discuss meal timings, flexibility around your nutrition to suit your goals and plenty more topics that fall under the umbrella of nutrition.There are many opinions around what is 'optimal' when it comes to nutrition and you can often feel inundated with so much information that actually it can cause an overwhelm that leaves you feeling lost as to what direction to take. We hope to simplify nutrition for you through education and our experiences as coaches and bodybuilders.Discussions include:*Interchangeable nutrition based on your goals*Food enjoyment*Education around nutrition*Eating out and making memories*External pressure*Different diets and mythologies*Food variety and selection*Meal timing*Optimising nutrition*Social media*Considerations around natural and assisted bodybuilding*The different phases of bodybuildingFind Matt on Instagram @mattbeyondconditioncoachingWatch it here: https://youtu.be/G9SRhDgKfcUGet in touch and share this episode @sarahparker_bb

34 minutes - 130 to 140 BPM. Interchangeable with Week 6 Mix 3, if you want some variety this week! Donations, Merchandise, Newsletter, more: https://www.podrunner.com Steve Boyett - Groovelectric: Downloadable Soul https://www.groovelectric.com PLAYLIST 01. Christoph Sebastian Pabst - Palawan 02. Under Sanctions - Talk About It (Extended Mix) 03. Brady Stone - One by One (Extended Mix) 04. Perseverance (Original Mix) - Perseverance 05. Gelvetta - The Origins of the Earth 06. DMPV & Anveld - Cyclone (Chris Lyf Remix) 07. Talla 2XLC - Ragnaroek (Extended Zyrus 7 Remix) 08. North Sunset - My Way == Please support these artists == BPM CHART Warmup: 5 min. @ 130 BPM 25 min. @ 140 BPM Cooldown: 3-min. 30 sec. @ 130 BPM Podrunner is a registered trademark of Podrunner LLC. Music copyright © or CC the respective artists. All other material ©2006, 2023 by Podrunner LLC. For personal use only. Any unauthorized reproduction, editing, exhibition, sale, rental, exchange, public performance, or broadcast of this audio is prohibited.

34 minutes - 130 to 140 BPM. Interchangeable with Week 6 Mix 3, if you want some variety this week! Donations, Merchandise, Newsletter, more: https://www.podrunner.com Steve Boyett - Groovelectric: Downloadable Soul https://www.groovelectric.com PLAYLIST 01. Christoph Sebastian Pabst - Palawan 02. Under Sanctions - Talk About It (Extended Mix) 03. Brady Stone - One by One (Extended Mix) 04. Perseverance (Original Mix) - Perseverance 05. Gelvetta - The Origins of the Earth 06. DMPV & Anveld - Cyclone (Chris Lyf Remix) 07. Talla 2XLC - Ragnaroek (Extended Zyrus 7 Remix) 08. North Sunset - My Way == Please support these artists == BPM CHART Warmup: 5 min. @ 130 BPM 25 min. @ 140 BPM Cooldown: 3-min. 30 sec. @ 130 BPM Podrunner is a registered trademark of Podrunner LLC. Music copyright © or CC the respective artists. All other material ©2006, 2023 by Podrunner LLC. For personal use only. Any unauthorized reproduction, editing, exhibition, sale, rental, exchange, public performance, or broadcast of this audio is prohibited.

In this episode of the Celebrate Kids podcast, Dr. Kathy explores the topic of whether parents are interchangeable. She discusses a study from the University of Leeds that found fathers' involvement in childcare has a unique and important effect on children's educational outcomes, while mothers' involvement enhances cognitive behavior and reduces hyperactivity. Dr. Cook emphasizes the unique roles of mothers and fathers in children's development, particularly in education. The episode also touches on the importance of discussing diverse family structures with children.

On this episode of Our American Stories, when Apple founder Steve Jobs unveiled the first iPhone to the public in 2007, he used multiple iPhones. If one crashed or had another issue, he secretly swapped it for another one. He had to show off a specific set of functions in a certain order, called the “golden path.” But way back in 1801, another young inventor named Eli Whitney–already known for his invention of the cotton gin in 1794–seized an opportunity to try to make his fortune. Here to tell the story is Ashley Hlebinsky. Ashley is the former co-host of Discovery Channel's “Master of Arms,” the former curator in charge of the Cody Firearms Museum, and president of The Gun Code, LLC. Here's Ashley. Support the show (https://www.ouramericanstories.com/donate)See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

Brought to you by Braintrust—For when you needed talent, yesterday | AssemblyAI—Production-ready AI models to transcribe and understand speech | Miro—A collaborative visual platform where your best work comes to life—Jonathan Becker is the founder and president of Thrive Digital, where he and his team have deployed more than $3.5 billion in paid acquisition budgets for companies like Uber, Asana, Square, Tempur-Pedic, and MasterClass. He spent the first part of his career mastering SEO and is a world expert in DTC, lead generation, demand generation, and user acquisition. In today's episode, we discuss:• Signs that your company is a good fit for paid growth• Strategies for optimizing ad creatives• The merits of different marketing channels: paid vs. organic search, TikTok and short-form• Insights on attribution and how to approach it effectively• How market conditions and AI impact paid growth• The crazy story of how Jonathan won Uber as a client—Find the full transcript at: https://www.lennyspodcast.com/mastering-paid-growth-jonathan-becker-thrive-digital/#transcript—Where to find Jonathan Becker:• Twitter: https://twitter.com/jzbecker• LinkedIn: https://www.linkedin.com/in/jonathanbecker123/• Website: https://thrivedigital.com/—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• Twitter: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Jonathan's background(07:25) The crazy story of how Jonathan won Uber as a client(11:56) Interchangeable terms for “paid growth”(12:31) Why you shouldn't put all your eggs in one basket(16:48) What kind of companies should pursue paid growth(23:07) Is it possible to reach scale exclusively through paid growth?(27:07) The evolution of performance marketing(29:39) Advice for founders choosing between SEO and paid(32:18) Strategies for optimizing ad creatives(44:43) Paid vs. organic search, TikTok and short-form(49:56) Where to spend money in order to drive growth for B2B SaaS(55:06) Attribution in performance marketing (1:04:18) The impact of AI on paid growth(1:12:52) Advice for early-stage startups on hiring in-house vs. hiring an agency (1:17:09) Qualifications to look for in your hires(1:23:23) How Jonathan won Snapchat as a client(1:28:55) Lightning round—Referenced:• Andrew Wilkinson: https://www.linkedin.com/in/awilkinson/• Garrett Camp: https://www.forbes.com/profile/garrett-camp/• TikTok: https://www.tiktok.com/• Grammarly: https://app.grammarly.com/• Athletic Greens: https://athleticgreens.com/en• Supermetrics: https://supermetrics.com/• Recast: https://getrecast.com/• Midjourney: https://www.midjourney.com/• DALL-E: https://openai.com/product/dall-e-2• Storyworthy: https://www.amazon.com/Storyworthy-Engage-Persuade-through-Storytelling/dp/1608685489• Shoe Dog: A Memoir by the Creator of Nike: https://www.amazon.com/Shoe-Dog-Memoir-Creator-Nike-ebook/dp/B0176M1A44• American Kingpin: https://www.amazon.com/American-Kingpin-Criminal-Mastermind-Behind/dp/1591848148• The Big Short: https://www.imdb.com/title/tt1596363/• White Lotus on HBO: https://www.hbo.com/the-white-lotus—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.Lenny may be an investor in the companies discussed. Get full access to Lenny's Newsletter at www.lennysnewsletter.com/subscribe

In this episode we discuss how the Bible upholds the view that men and women have absolutely equal value and dignity, looking at how Jesus treated women and recognising the role that women played in his ministry and the growth of the early church. We also contrast Jesus' example of servant leadership with some of the power struggles in church and society today.We suggest how we can push back against gender stereotypes and promote body positivity to value the diverse experinces, interests and skills of both genders.We also discuss the genuine differences between women and men which mean that we aren't simply interchangeable, and look at how we can work in cooperation rather than competition with each other.Resources mentioned and relatedThe Plausibility Problem Ed ShawThe Plausibility Problem: A Review Steve WardWhat Should We Do With Gender Stereotypes?  Andrew BuntWhat Do ‘Man' and ‘Woman' Mean? Rebecca McLaughlinCrafts, Cream Teas and Chrysanthemums? How We Can Run Better Women's Events Anne WittonEmbodied Preston SprinkleEmbodied: A Review Andrew Bunt What God Has to Say About Our Bodies Sam AllberryWhat God Has to Say About Our Bodies: A Review Dan Reid Liberated Karen SooleA Brief Theology of Periods (Yes, Really) Rachel JonesA Brief Theology of Periods (Yes, Really): A Review Anne Witton The Case Against the Sexual Revolution Louise PerryThe Case Against the Sexual Revolution: A Review Ed ShawAre Women Human? Dorothy L. SayersMarriage as a TrailerWhat Is Sexuality for? Ed Shaw 

Special Guests: Lizzy Pollott  -  SVP Marketing, Communications & BrandNina Robinson - CEO & Founder Soundtruism Productions News:Podcasts from Higher Ground are to be sold and distributed by Acast. Shows were previously with Spotify.Happy Adopt-a-Listener Month! Spotify for Podcasters increased its share in March to 23.1% of all new episodesSpotify is claiming the company now has 5.3m podcastsSpotify is to shut down its Clubhouse-clone, Spotify Live on April 30, 2023 A new library called Transcriptator has been publishedMartin Mouritzen is also hinting at a new version of Podfriends coming out soonRSSBlue is looking to add Podping support Why support alternateEnclosures? Because if you do, podcast hosts, you could save up to 87.5% of your bandwidth billsCross-app comments are now available on the Podcast Index website. Support the showConnect With Us: Website: weekly.podnews.net Email: weekly@podnews.net Twitter: @jamescridland / @podnews and @samsethi / @samtalkstech Lightning/NOSTR: ⚡james@crid.land and ⚡sam@getalby.com Mastodon: @james@bne.social and @samsethi@podcastindex.social Support us: www.buzzsprout.com/1538779/support Podnews Business Journal: sign up for free here NEW: Podnews Live Events: (Tickets on sale now!) Podnews Live (Manchester) - 13/06 Podnews Live (London) - 27/09 Podnews Live (Barcelona) - 25/09 Podnews Live (Mexico City) - Nov

On this episode of Our American Stories, when Apple founder Steve Jobs unveiled the first iPhone to the public in 2007, he used multiple iPhones. If one crashed or had another issue, he secretly swapped it for another one. He had to show off a specific set of functions in a certain order, called the “golden path.” But way back in 1801, another young inventor named Eli Whitney–already known for his invention of the cotton gin in 1794–seized an opportunity to try to make his fortune.  Here to tell the story is Ashley Hlebinsky. Ashley is the former co-host of Discovery Channel's “Master of Arms,” the former curator in charge of the Cody Firearms Museum, and president of The Gun Code, LLC. Support the show (https://www.ouramericanstories.com/donate)See omnystudio.com/listener for privacy information.

Accountability is key to progress. Today, Leila (@LeilaHormozi) shares her experience as a CAO and provides insights on how to effectively hold people accountable in a business. She discusses the importance of tactical and developmental accountability and the mindset needed to be a Chief Accountability Officer.Welcome to Build where we talk about the lessons I have learned in scaling big businesses, gaining millions in sales, and helping our portfolio companies do the same. Buckle up, because we're creating an unshakeable business.Timestamps:(1:44) CAO protects business, employees, and clients(2:41) Interchangeable: accountability and responsibility(7:15) Two types of accountability: tactical and developmental; balance both(13:35) Overcome self-defeating thoughts for accountabilityFollow Leila Hormozi's Socials:LinkedIn | Instagram | YouTube | Twitter | Acquisition

Thomas Blevins, MD, an Endocrinologist from Texas Diabetes and Endocrinology in Austin, TX, joins The Huddle to talk about interchangeable biosimilar insulin. We discuss what interchangeability means and the evidence supporting it. You'll also hear about the options interchangeable biosimilar insulin presents for healthcare systems and people with diabetes.This episode is sponsored by ViatrisResourcesWebinar on Interchangeable Biosimilar Insulin (Free and non-CE):  The New Frontier of Interchangeable Biosimilar Insulins  - bit.ly/3vxUWZ1Tip Sheets on Interchangeable Biosimilar Insulin in English Viatris_Tip_Sheet_v3_04202022 (diabeteseducator.org) and Spanish Viatris_Tip_Sheet_v3_04202022_spa (diabeteseducator.org)Insulin delivery resources from ADCES: www.DiabetesEducator.org/InsulinBlevins, T. C., Barve, A., Raiter, Y., Aubonnet, P., Athalye, S., Sun, B., & Muniz, R. (2020). Efficacy and safety of MYL-1501D versus insulin glargine in people with type 1 diabetes mellitus: Results of the INSTRIDE 3 phase 3 switch study. Diabetes, obesity & metabolism, 22(3), 365–372. https://doi.org/10.1111/dom.13904Viatris website: http://www.viatris.com

When looking for inspiration, when looking for someone you can look up to in your craft, I look to Paul Binnie. Paul is an artist who has carved a living from their craft, and has been a large part of the greater mokuhanga community. His work has touched on so many themes, concepts and ideas. His mokuhanga takes the past and brings it firmly into the future.  On this episode of The Unfinished Print, I speak with mokuhanga printmaker Paul Binnie. Paul speaks about his life and career, how he uses pigments, paper, and wood for his work. We discuss the fantasy and reality of an historical past. We look at shin-hanga, and sōsaku hanga, observing kabuki, as well as taking a look at his other work such as oil painting and his drawings.  This interview was recorded during Paul Binnie's solo show at Scholten Japanese Art in June, 2022. There may be some background noise during the interview. I apologize for any inconvenience.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Paul Binnie - while Paul doesn't have a singular website he does have his Instagram. There is the "Binnie Catalogue," which is produced by a third party which digitally collects his work, past and present. This can be found, here.  Protest March - from the Flowers of a Hundred Years Series (2016) New Year Card - called nengajo (年賀状) in Japanese, these cards have been traditionally passed from person to person since the Heian Period (794-1185). Mokuhanga practitioners make them as well, creating a new one every year focusing on the zodiac sign of the year as a theme. Scholten Japanese Art - is a mokuhanga focused art gallery located in midtown Manhattan. It was founded by René Scholten, an avid collector of the Japanese print. More info can be found, here. intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.  Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier, that made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.  Yoshida Tōshi (1911-1995) - eldest son of Hiroshi Yoshida. Having been affected by polio, and the pressure of continuing his fathers legacy, Tōshi Yoshida made prints and paintings which gradually became expressive, avant garde and abstract. Later in life he focused on birds and mammals. Seki Kenji - is a woodblock printmaker based in Tokyo. He was head printer, and produced prints, for Doi Hangaten as well as making his own pieces.  Late Fall (ca 1990's) Western Representational realism - is an attempt to represent the subject in art in the most realistic way possible. Interchangeable with naturalism in European art of the 19th Century.  kabuki - is a traditional form of Japanese theatre which started in Kyoto on the banks of the Kamo River in the 17th Century. Today it is a multi million dollar business and is almost exclusively run, professionally, by The Shochiku Company. Kabuki, the word, is separated into three different sounds; ka - meaning to sing, bu - meaning to dance, and ki- meaning skill. There are various families in kabuki which generate actors, passing down tradition throughout the lineage. For more information please read this fine article from Nippon.com. There are many books written on the subject of kabuki, but in my opinion, to begin, one needs to read Leonard Pronko's work Theatre East & West, Kawatake Toshio's Kabuki, and Earl Ernst's The Kabuki Theatre. Online, please visit Kabuki21.com, who's site is unparalleled. On YouTube there is the new(ish) Kabuki In-Depth which is updated regularly on kabuki information and history, and is very well done.  Hiroo/Roppongi -  is an upscale area of Tōkyō, Japan. It has a thriving international community, museums, galleries and the like. More info can be found, here.  Nakamura Utaemon VI (1917-2001) - was a kabuki actor who focused primarliy on female roles, or onnagata. He is considered one of the best actors in this kind of role, and was designated a Living National Treasure in Japan, in 1968.  From, A Great Mirror of the Actors of the Heisei Period: Nakamura Utaemon as Agemaki in Sukeroku by Paul Binnie (1997) Agemaki - is a character from the celebrated story Sukeroku, a story about love and revenge. It was first staged in kabuki in 1713. Agemaki is a famous courtesan who is in love with Sukeroku.  Edo Wonderland Nikko Mura - is an Edo stylized theme park based on the architecture of Edo Period (1603-1868) Japan, and is located in Tochigi Prefecture. There are other areas in Japan which contain Edo Period architecture and events, such as the Dutch Trading Post located on Dejima Island in Nagasaki. More info regarding Edo Wonderland, here.  More info on the Dejima, Dutch Trading Post, here.  nō - is a traditional Japanese theatre based on ghost and mythological stories. It, like kabuki, uses dance, music, and drama to tell its story. It is older than kabuki and was patronized by the aristocratic class in Japan. Kabuki was the oppoosite, where the everyperson could enjoy kabuki, the aristrocrats enjoyed nō. Like kabuki, the stage is set in a traditional way, and the roles are played by men. For a more detailed descriptor of nō, you can find it at Japan-Guide.com, here. Takarazuka -  is an all female musical theatre troupe, based in Hyōgo Prefecture, and founded in 1914. The revue has become a popular Kansai tourist attraction. For a detailed description of the Takarazuka, their website in English can be found, here. A Crib's Notes descriptor can be found, here.  kappazuri-e - is the method of stencil printing, usually atributed to the sōsaku hanga artists of the 1950's and 1960's. Artists such as Yoshitoshi Mori (1898-1992), used stencil's to make elaborate prints. It can be quite an interesting and complicated process. More information can be found, here, from Viewing Japanese Prints.    Yoshitoshi Mori : Street Vendors (1970)    German Expressionism - focused on emotional expression rather than realistic expression. German Expressionists  explored their works with colour and shape searching for a “primitive aesthetic” through experimentation. More info can be found, here, on Artsy.net    Max Pechstein - Angler am Lebastrom (1936) watercolour on paper   Edvard Munch (1863-1944) - was a Norweigan artist, who initially was a painter, but also ventured into printmaking making 850 images. His print medium was etching, lithography, and woodcut. More information can be found here, at Christie's.      The Girls on The Bridge (1918) woodcut printed in blue with lithograph and pale green on wove paper.    Ralph Kiggell (1960-2022) -  was one of the most important mokuhanga practitioners. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print can be found, here.     Jackfruit (2018)   Tama Art University - is an arts university located in various campuses in Tōkyō. It has various departments such as Architecture, Product and Textile Design, and Art Studies.    Ban Hua: Chinese woodblock prints - the history of Chinese woodblock goes back centuries, longer than the Japanese method. Modern Chinese printmaking began after Mao's Cultural Revolution, strongly connected  by the writings and work of philosopher, academic, and artist Lu Xun (1881-1936) who established the Modern Woodcut Movement. There is a lot of information regarding Chinese woodblock printing. To begin, check out the Muban Educational Trust based in England and their work. More info can be found, here.  And here at artelino, For the history of Lu Xun, this can be found, here.    powdered pigments - are an option when producing your mokuhanga. They are pigments which are made of powder, and when mixed with certain binders can be used as gouache, or water colours.    nihonga - was a Japanese artistic movement based on going back to a “traditional” form of Japanese aesthetic in painting, away form the new Western influences which were coming into Japan during the later 19th Century. More info can be found, here.      Tetsu Katsuda (1896-1980) - Evening (1934)   Uemura Shōen (1875-1949) -  was the pseudonym of Uemura Tsune, who was supported by her mother to pursue painting, at a time when female painters were rare. Her work focused on various themes such as nō, the four seasons, and nationalist paintings during World War 2.      Daughter Miyuki (1914) painting   kozo paper -  is paper made from mulberry bark and is commonly used in woodblock printmaking.   shina - is a type of Japanese plywood used in mokuhanga. Not all shina is made equally, buyer beware.    Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō. website.   Nihon no Hanga - is a mokuhanga museum located in Amsterdam, Netherlands. It focuses on many types of mokuhanga in history and publishes various catalogues of their exhibitions, which are top notch. More info, here.     The John and Mable Ringling Museum of Art - This museum is dedicated to the arts, Western and “non-Western”from all periods of human history, focusing on education, and conservation. More info, here.    Kabuki Earphone Guide -  is and was an audio guide in Japanese for Japanese, and English for English speaking tourists coming to watch kabuki. It hired English speaking academics to narrate the action as you watched. In 2015 the English version of the audio guide was replaced with the GMARK or GMARC captioning guide. GMARK stands for Graphic Multilingual Advanced Real-time Captioning system.    Kabuki-za - is the main theatre in Tōkyō which shows kabuki performances. It was opened in 1889 and has been rebuilt several times in its history.    Okubi-e -  are woodblock prints of close-up human heads, which came into prominence in the late 19th Century. For me, the best mokuhanga designer of okubi-e is Toyohara Kunichika (1835-1900). His okubi-e of kabuki actors is unparalleled, showing the actors in various positions with intricate backgrounds and poses.      Kawarazaki Gonjuro I as Sato Masakiyo (1869)     Ichikawa Ennosuke IV as Nikki Danjō (1996) by Paul Binnie   Vincent Van Gogh (1853-1890) - was a Dutch post-Impressionist painter. He began to collect Japanese woodblock prints around the winter of 1886-1887 from the art dealer Siegfried Bing. he used to collect and to sell for a profit, although he didn't sell very many. This collection would go on to influence much of his work.  Rebecca Salter - is the President of The Royal Academy of Arts, in London, England. She is also an artist who has written two books about Japanese woodblock printing, Japanese Woodblock Printing (2001), and Japanese Popular Prints (2006). She worked with the Satō Woodblock Print Workshop, documenting their process. Her interview with The Unfinished Print can be found, here.  into the light II (2011) Akira Kurosaki 黒崎彰 (1937-2019) - was one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. W- 396, Wandering Heart (2017) Wimbledon, England - is a district located in South West London. Considered an affluent neighbourhood, it is the home of the Wimbledon tennis tournament. More info can be found here, at Visit London.    Stockwell, London - located in the burough of Lambeth, in London, England. It is a diverse neighbourhood, close to Brixton, with shopping, and restaurants. It's a great area to stay and enjoy a different side of London.    International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here.       Hiroshi Yoshida - Fishes of Honolulu at The Honolulu Aquarium (1925)     Summer Canyon - Black's Beach: Sunrise   © Popular Wheat Productions opening and closing musical credit - Yazoo: Too Pieces. From their 1982 album Upstairs At Eric's logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***            

Get early access to our latest psychology lectures: http://bit.ly/new-talks5 Let's talk about Attachment in Relationships, specifically patterns of Insecure Attachment. We will cover an introduction to history and also the categorization of Styles. We will consider how Insecure Attachment points towards common trauma symptoms of Hyper-Arousal, Intrusion, and Constriction. Interchangeable terminology for Attachment Injuries, Attachment Wounds, and Attachment Trauma will highlight the range and subjective continuum of behaviours that show up in our relationships. We will reflect on how to create quality bonds, the universality of emotional unavailability, and the dependency paradox. This lecture is for anyone who values self-reflection when it comes to creating quality relationships. --- Alan Robarge is a Licensed Professional Counselor and has been helping clients for 20 years. He is a Psychotherapist, focusing on healing attachment trauma and improving relationships. He takes a Contemplative, Body-Focused, Expressive Arts approach when working with clients. Alan manages an online Community Program and offers online courses, including The Four Attachment Distress Responses. You can learn more about his work at https://www.alanrobarge.com Links: - Get our latest psychology lectures emailed to your inbox: http://bit.ly/new-talks5 - Check out our next event: http://theweekenduniversity.com/events - Alan's website: https://www.alanrobarge.com - Alan's videos: https://bit.ly/Alan-videos --- Attachment Theory & Psychotherapy - Free Online Course (worth £99) In Exchange for Podcast Reviews. We're offering free access to our Attachment Theory and Psychotherapy Online Course - which normally costs £99 in exchange to those who leave a review on our podcast. The course is run by Professor Jeremy Holmes - one of the world's leading experts in how attachment theory can be applied to improve therapeutic practice. Just so you know I'm not making this up, Peter Fonagy has described Professor Holmes' latest book as “one of the most valuable contributions to the field in this century.” Normally this course costs £99. But you can get it for free simply by leaving a review of this podcast on the platform you use - whether that's iTunes, Stitcher or Spotify. Then, simply email us on support@theweekenduniversity.com and we'll grant you free access to the course. Reviews make a huge difference in helping us get the ideas shared by our speakers out to a wider audience, so not only will you be getting a £99 course free of charge, you'll also be helping a greater number of people improve their quality of life.

On this episode of Our American Stories, when Apple founder Steve Jobs unveiled the first iPhone to the public in 2007, he used multiple iPhones. If one crashed or had another issue, he secretly swapped it for another one. He had to show off a specific set of functions in a certain order, called the “golden path.” But way back in 1801, another young inventor named Eli Whitney–already known for his invention of the cotton gin in 1794–seized an opportunity to try to make his fortune. Support the show (https://www.ouramericanstories.com/donate)See omnystudio.com/listener for privacy information.

After a series of episodes about mass incarceration and duplicitous, corrupt sheriffs, today's episode is something different. We talked about Running with the Devil: the Wild World of John McAffee, a new Netflix documentary film...

Jim Rutledge and Matt Hamilton play Molly's Game, throw some stones, and wrap up a big day of reacting to the Packers victory!

This week STICK TO WRESTLING is joined by popular returning guest Thomas Bane as we discuss the Top Ten wrestlers of 1987! Discussed on this episode: –Wrestlemania 3 changed everything, so Andre The Giant is ranked really high for a guy who had two matches all year. –Like it or not, The Honkytonk Man had … Continue reading Episode 220: Four Through Seven Are Interchangeable → The post Episode 220: Four Through Seven Are Interchangeable appeared first on Stick To Wrestling with John McAdam.

Ep. 577 - Left side. Right side. Inside. Outside. The Cardinals want their wide receivers to know every position to help open up the playbook, and more importantly, be less predictable to defenses. Craig Grialou and Paul Calvisi like the sound of that, whether it's DeAndre Hopkins, Hollywood Brown or Rondale Moore who defenses may have to search for on the field. It would be a change from previous seasons. And, again, that would be good news. Also, the guys preview what to expect in Saturday's Red & White Practice.See omnystudio.com/listener for privacy information.

We've heard biosimilars have been coming for a while. Now hear the latest news from Julie Reed, Executive Director with the Biosimilars Forum who answers questions about what biosimilars can be used for psoriasis, the meaning of terms such as reference product and interchangeable, and how biosimilars are proven to be safe, effective and lower cost. 

Intro: Final Draft is conspiring against us, Beastie Boys' Adam Horowitz, Doris the dog loves the vet, Jim Croce, The Cure. Let Me Run This By You: storytelling, Risk Podcast, The MothInterview: We talk to the creator and producer of You're Being Ridiculous, Jeremy Owens, about offending people, porn, Samantha Irby, Roosevelt University, University of Arkansas, The URTAs, King Lear, Greg Vinkler, Barbara Gaines, Plautus' The Rope, P.F. Changs, Kyogen, Threepenny Opera, Steppenwolf, Brene Brown, Marianne Williamson.FULL TRANSCRIPT (unedited): 2 (10s):And I'm Gina Pulice.1 (11s):We went to theater school together. We survived it, but we didn't quite understand.3 (15s):At 20 years later, we're digging deep talking to our guests about their experiences and trying to make sense of it all.1 (21s):We survived theater school and you will too. Are we famous yet?2 (34s):Yeah.1 (35s):It was one of these things where it's like, final draft will not let you restart your computer. I'm like, fuck you. Final draft. What did you ever do for me? Final draft writer, duet. They're all, they're all plotting against me,2 (47s):But what is, what is, what does final draft have to do with your camera working on this?1 (53s):So in order to, to be okay, the bottom line is I need a new computer. Okay. Let's start there second. Okay. That's the first level of problems. It's like the deepest level. And then we, if we go up a little bit into the level of problems, it is that final draft that I might camera in order to use my camera. Sometimes I have to restart my computer because it's so old. Right. So I need to restart,2 (1m 19s):You know, I want to do any one thing in the morning I got, are really rev my engine.1 (1m 26s):So like, I'm like, okay, well, in order to restart the computer, it's like not letting me restart it because final draft is this because probably final draft is so advanced and my computer is so Jack.2 (1m 39s):Totally. And that's how they get you mad. I feel like they all conspired to be like, okay, well let's make it. So this will work on this version. So then,1 (1m 49s):So anyway, I see you, you look great. I look like shit. So it's probably better my camera's up.2 (1m 57s):So a couple of things I keep forgetting to ask you on here, about how, how did it come to be that you were chatting in the parking lot with Adam Horowitz about your dogs, Volvo.1 (2m 12s):We never talked about that.2 (2m 14s):We did not.1 (2m 15s):Okay. So I rule up, so my dog, Doris, who everyone knows that listens to the podcast and by everyone, I mean, whoever listens to the podcast, you know what I mean? So hopefully it's growing and growing, listen and rate the podcast. Anyway, the point is I roll up to the vet, which I do oh about every other week, because my dog is a very high maintenance. And so she's just so she of course had an ear infection. Cause she has these huge ears that collect all this bacteria. So I roll up and there's an eye and because it's COVID and everything, you have to park outside and wait, but because it's LA all the windows are down and everyone's car and there's this dude sitting in his Kia has electric Kia.1 (2m 59s):Well,2 (2m 59s):My key.1 (3m 0s):Yeah, I know. I know. I did not recognize this human being. He looked like my husband, like fifties gray, maybe had glasses on.2 (3m 13s):Why would you like all our knowledge of them is when they were so, so young. Right,1 (3m 18s):Right. So young. And I like didn't, you know, keep up with the beast. So it was like, I had other things to do, you know? So I was doing other things. So I'm, I'm like trying to corral Doris out of the car. She's crazy. She's trying to get out. She loves the vet. The backdrop is my dog2 (3m 35s):Loves the,1 (3m 36s):Oh my God. She races towards the vet with a fury that is unmatched, loves it. I2 (3m 43s):Never once heard of this in my entire life. So1 (3m 45s):She's really, really excited about the bet. So she's an extra crazy. And I get her out of the carrier to let her sniff around in the parking lot. And I see this gentleman who is the interesting thing about him is that his leg is out the window. Like he's like resting his leg. And I'm like, well, that's kind of weird for like an older dude, but whatever, it's, it's LA like, you know2 (4m 8s):That sound's going to say, I imagine that kind of thing happens in LA.1 (4m 11s):Yeah. And plus he's probably weighed been waiting and waiting for his dog forever. And so, cause you, you have to wait out there, like they don't want you to leave in case they need you and blah, blah, blah, blah, blah. Okay, fine. So I, and I say, and he says, oh, a cute dog. And I'm like, oh, she's a pain in the ass. And then he's like, what's her name? And I'm like, oh, her name is Doris. And he's like, oh, that was my mom's name. And I was like, oh, that's interesting. And then we talked about the origin of Doris, cause it's from a Jim Croce song. And Jim Croce is someone, my husband adores the singer. The folks there yeah. Died when he was 29. Looked like he was about 60. When he died.2 (4m 47s):He was 29.1 (4m 49s):Yes. You know, he looks like David Abbott, Holly, if you ever look at me2 (4m 56s):Like a hole, I see it.1 (4m 59s):But just bringing it back to the old theater school. So, so yeah. And so he's like, we talked about Jim Croce and he's like, Jim Croce is the first person I remember dying. I had that album. And I said, yeah. And he said, that's in a Jim Croce song. And I said, yes, Leroy brown, Friday about a week ago, Leroy shooting dice. And at the end of the bar sat a girl named Doris and who that girl looked nice. And that's why we named Doris Doris. He was like, I don't remember Doris being in that song. So we get into that. Right. Okay. And then he's like, I'm like, oh, is your dog okay? And he's like, well, she, she, she got a cut on her neck and I'm like, oh shit. And I'm like, is that2 (5m 38s):A knife fight in a bar?1 (5m 39s):I was like, how did that happen? And he goes, I don't know. But like, you know, since I'm not a doctor, I figured I'd take, bring her to the vet. I'm like good plan, my friend, good plan. So he's like, I'm waiting for him and waiting for her. And I'm like, oh, okay. And then he said, what's wrong with your dog? And I said, oh my God, what? Isn't wrong with my dog? And I said, my dog has a dermatitis of the vulva and an ear infection. And he's like, wait, what? And I'm like, yes, she just she's out. She's got a lot of allergies because she's a friend. She and I did this to myself by getting a friendship. But like, yeah, she's got, and he said that his dog was really licking her butthole and he had dermatitis of the bottle. And I was like, it's the same I heard of my friend, Morgan has a Frenchie who has dermatitis of the butthole because all Frenchie owners talk about these things.1 (6m 26s):And he's like, oh, well, my dog has dermatitis of the bottle. I'm like, well, mine's got dermatitis of the Volvo. They both have, they both have like private parts itching. Right. And so then we started talking and we talked about a lot of things. Cause you have to wait forever. And then right. And so we talk and talk and talk and no clue who this person is. And he's like,2 (6m 47s):Did you say cut? There's something about that voice?1 (6m 52s):No.2 (6m 52s):No. Okay.1 (6m 54s):'cause he was kinda mumbly and also just looked so natural.2 (6m 60s):Aiming, sabotage.1 (7m 1s):No, not screaming and also not jumping around with his other two cohort. And then I just, I felt like, anyway, it just didn't cross my mind. And his shoelaces were untied. I don't know. It was like a real casual situation.2 (7m 15s):Yeah. Honestly, I would never assume somebody in a key is famous. That's my snobbery, but I wouldn't.1 (7m 21s):Yeah. I mean, I, it was a very, very, very nice camp, but it still, it was a key I said to you like, oh, that was her talking about cars. I mean, we talked about kids, cars, Manhattan. Then he said, I'm from it. I said, oh, I'm from Chicago. And he said, I'm from Manhattan. And I said, oh, I said, oh my God. I launched into this thing about how I could never live in New York because I was like to own like the most unhip like fat and ugly human and like, not in a bad way, but just like, kind of like I'm. So I just feel like, I didn't know what the fuck was going on ever in New York. Like, I didn't know which way to go, who to talk to, where to turn I was lost. And he's like, yeah. Do you know what I like about LA is like, nothing ever happens here.1 (8m 2s):That's not2 (8m 2s):True.1 (8m 3s):No. But I was like, what do you mean? He's like, I need to just like New York, like you have like a million things are always happening at any given time. Right?2 (8m 11s):Sure. It's a lot too. Like you have to do a lot of processing living in New York, you're taking your, you know, you're just taking in so much information1 (8m 19s):And that does not happen in LA and LA you're like sometimes starved for like,2 (8m 25s):Right.1 (8m 26s):But we talked about that. And then, and then by like end of conversation almost. I was like, oh, I'm Jen. I'm so sorry. And he was like, oh, I'm Adam. And I was like, okay, still, no, I had no2 (8m 40s):Adam common name,1 (8m 41s):Common name, whatever. And mom named Doris, whatever. Like, okay. And then we started talking, he said, his wife, what did he say? Oh, he bought a house in south custody. Anyway, all this stuff. He has a kid. And at the end I say, he was talking about what we, what we do. And I'm like, oh, I'm a, I'm a writer. And I'm like trying to write TV, but I also consult, I just started this business, but I wasn't, you know, I was a therapist and for felons and like, and then he got really into that. And then I said, oh, what are you doing? And he's like, oh, I was, I think he said I was in the I'm in the music business. I said, oh, that's cool. I thought he was like a producer, like maybe a classical composer or something. I don't know. That's where my mind went. And I'm like, oh, like, what do you do?1 (9m 22s):And then he said, I was in and I said, oh, what kind of music? He's like, I was in a rap trio. And I was like, wait a minute, a rap tree endorsed by this. By this time it was like, biting me. You know, it's like a whole, I'm like, oh, a rap trio. And I couldn't the only rap trio I could think of was run DMC. And I'm like, oh, he's not in that. You know, he's a white dude. There's no way. And I'm like, oh crap trio. And I was like, house of pain, Cypress hill. Like I couldn't get it together. And then I was like, and then it dawned on me. And I said, oh, and he said something, like I said, I don't remember how it came up. And he's like, oh, I'm Adam Horwitz. And I was like, oh, I was like, of course.1 (10m 2s):I said, oh my God. And then I didn't know what to say. So I just said, cause he just moved. He actually, he moved to south Pasadena, wait before I moved to Pasadena. But I said welcome to Pasadena.2 (10m 16s):Right. Because the minute, you know, it's a celebrity. It's like, it changes the ions. Wait. Yes.1 (10m 21s):Thank you. You welcome to you too.2 (10m 24s):So what I think is so interesting and must be so well, I don't know. I don't know if it's annoying or whatever it is, celebrities. You, they must have to always be in a process of deciding with when they're interacting with people, they don't know what are we going to do with this fact, like, do you know who I am? Do you not know who I am? If you know who I am, just, what does that mean? Is that why you're talking to me? And then, but he opened one of the first things you said that he said was that his mom's name was, I mean, I guess that's not unusual, but I was thinking to myself when you said that I was thinking, oh, was he hoping That would confirm not that his dad is famous.2 (11m 10s):His dad is1 (11m 10s):Trail horo. Israel.2 (11m 12s):Yeah. He's a kind of a terrible guy though.1 (11m 16s):I heard is there. I think they're both dead. I mean, from what I got, I don't know. I know he has a sister. I don't know. But like he seemed like the kind, yes, you're right. Like it must be so weird. And also I literally was so into my own world. It's like, so Los Angeles, like I, when I found out that he was, I was super excited because I wanted to say, oh, I saw you at the Metro in Chicago and stuff like that. But then I was like, oh, I can't. And so I got excited, but I also, it was literally like talking to your husband or my husband in that they're old people. Like I wanted to be more excited about the, the youthful version.2 (11m 56s):Right? You want it to be 19 year old, you eating Israel, horrible1 (12m 2s):Adam Harz and being like, let's go on a date or something. But that is not what I, that was not my inclination this time. And also his he's married to this amazing punk hero, Kathleen Hanna from bikini kill who I adore. And I know that, but I didn't bring that up either. But anyway, the point is we exchanged information because we were like, let's walk our dogs. His dog is Terry. It really hairy dog, little girl, dog named Terry. And I said, well, what kind of dog is Terry? And he goes, I don't know, very hairy. And I was like, okay, well, okay. So we may go on a dog-walking adventure. I have no idea, but lovely human, but just like soup. We are super middle age.1 (12m 43s):This is what the moral of this thing was actually not the celebrity. Part of it was the, what hit me the most Gina was the middle age in this of it all. So the other thing is like, nobody gives a shit now about the things that we give a shit about. So the BC boys, I was talking to my niece, she didn't know who that was. And so I was like, oh right. Meaning I still care who they are, but2 (13m 16s):Right. Yeah.1 (13m 17s):Time moves on timeframe.2 (13m 20s):Yeah. Periodically we have kids periodically, they'll come up to you and they'll be like, have you ever heard of this bay? Or like, my son was listening to something and I'm like, and I go, he goes, oh, I've got to play this song for you. It's this band. This is like obscure band or something like that. It was the cure. I go, are you kidding me, dude? I put white face makeup on and wore black and tried to hang my two years in junior high. I knew the cure is okay. So that was one thing. And the other thing was last time.1 (13m 52s):It super nice though. I got to say, if anybody cares, he was not a Dick head.2 (13m 56s):I care. Yeah. That's nice. I'm happy to hear that. But just one last thing about that whole, like being a celebrity, you're damned if you do, and you're damned if you don't, because on the one hand you, you could have somebody say, oh, it's like pretentious to not say who you are. And on the other hand, people would say, you know, you can't win. You can't, you1 (14m 14s):Can't win. That is the bottom line. Yeah. Yeah.2 (14m 17s):So the other thing was last time we talked, you said, oh, I want to save it for the podcast, but about showcase. So you were talking about getting your kids ready for showcase.1 (14m 28s):Okay. So here's the deal with that. So I, because of this podcast, I'm like, okay, is there a way to make a showcase? Not the shit show that I feel it was now, there may not be, it might be inherent in the thing. Okay. But so I'm teaching fourth year. I like, basically don't even, I don't know what I'm teaching at this point, but not even teaching anymore. I'm done. And my, my, my, my co-teacher took over, but I started noticing as I always do that, that, that the students are like, you know, crazy nervous about the showcase and also crazy nervous about agents and managers and all the things.1 (15m 9s):Now, there is no showcase in LA. There was only a quote meet and greet. There is no showcase in New York. There was only quote, a meet and greet. Look, it gets weirder in Chicago. There was a live showcase and a meet and greet. Now, I don't know what went down, but the bottom line is the ball has been dropped so many times about this showcase and about graduation and about launching that at this point, the ball is just dead in a heap deflated. Okay. So I said, okay, well, what can I do to make this fucking situation better? Because I know what it's like to be there and be like, oh my God, I'm falling behind. What if so then I'm like, okay, everybody, here's what we're going to do.1 (15m 52s):I am going to email everyone I know in LA and everywhere and say, come to this showcase and watch your digital link. They have a virtual showcase. But the problem with that is nobody. If nobody gets sees it, it doesn't matter. And so it was made in a form beans where it looked like spam. So it went to everybody's spam. So no casting directors and no agents got the fucking link. And I realized that because I told a student of mine, I said, listen, you want to be repped by this one agency, let's create a letter to them. Let's pitch them. And so then I get a call from the agent saying, we loved this letter.1 (16m 33s):Also, thank you for including, we didn't think there was a showcase.4 (16m 37s):Oh my gosh.1 (16m 39s):And I said, what's,2 (16m 41s):This has to do with just the fact that like, there's been all this administrative,1 (16m 45s):I think it's, COVID meets the problem with conservatories, which is that they do not think that launching their students is an important part part of their job. Right? Right. So it falls to nobody. And so the person in charge bless her heart is one marketing person that knows nothing. I don't believe about acting or the entertainment industry at all. There is no Jane alderman. There, there is no, at least. So I stepped in to be like the proxy, Jane alderman with another adjunct. And we were like, okay, well, how do we do this? So I am happy to say that after literally making maybe 43 phone calls, everyone has the link.1 (17m 26s):People are coming to the showcases. Now my thing is to do the meet and greet in LA to try to get people there because these, these kiddos are coming to LA, there is no showcase. I'm like, well, we, what are we doing? Like we have to have something like, so, and I also just, you know, and I know these kids, like these are my students. So like, I want to meet them. And then, so now I'm getting everyone I know to come to the meet, greet in the business and2 (17m 51s):The money thing. Like, they're like, oh, well we have, we can do it online. And so we don't have to pay for, to rent the space for,1 (17m 59s):So they wouldn't even tell me, they wouldn't even tell me. They didn't even want to give me the invite to the LA thing. I had to like fight to get the, I don't understand what is going on. But I was like, listen, all right,2 (18m 11s):DePaul, I'm going to tell you something right now in DePaul. You want to be well-regarded you want to be number one. You want to always talk about your, your alum or even not your alum. People who, who went and got kicked out about their great successes. And you don't, but you don't want to do anything to get there. And that is not how it works, how it works is you put a lot of energy and I'm not saying at the expense of teachers or whatever, but you put a lot of energy and effort into not just hyping your students, but hyping your school.2 (18m 51s):Like it should be that your school is saying, have we got a crew for you? Yeah.1 (18m 56s):And which is what I then stepped in and had to do and be like, these kids are dope. Come see this, look at this link and then come to the thing. And so all the casting and agents in Chicago are now coming. Thank God, because guess who, there was one person RSVP2 (19m 14s):Girl, and you need a bonus1 (19m 16s):Stroke. Here's what we're doing. So then I said, okay, because I'm always thinking, I'm like, okay, well, here's what I'm doing. I'm developing a launching curriculum, which I think I told you about, like, I'm developing a day, one BFA for day one of the fourth year. Here's what we're going to do to launch you. And it's not just about the showcase. It's about mentorship. It's about how can we hook you up with somebody that's in what you want to do? How can we do that? And I'm going to pitch it. I'm going to say, here you pay me $120,000. And I will sell you this program and, and hook you up with teachers and people. I know that can step in and do this with me. Like you like people in the business, like people who are on different coasts, like duh, and then we will.1 (19m 58s):So, and if you don't want to buy it, DePaul theater school, we're selling it to Northwestern or NYU or any anyone.2 (20m 4s):Well, I was going to ask, do you know, if other conservatories are doing showcases and doing,1 (20m 9s):And they are, and they are doing it and they are, they are doing it. I, from what I can see, Gina, they're doing it better. I don't know if it's, you know, how good it is. But I do know that like other showcases released their digital showcase because of the pandemic on actors, accessing and town and casting networks, which DePaul did not do. Oh2 (20m 30s):My God.1 (20m 32s):So here's, so that is not okay with me because I went there and I, I do care about it because of this podcast. I also know that these kids having watched them at, you know, 21 year olds, 22 year olds, max, they're busting their ass, just like you. And I we're busting our ass. Like, look, they're busting their ass more than we were, but you and I busted her ass too. And I feel like we didn't get what we needed from the launch process. And what, what will happen is no one will people and people stopped going to theater school. Is that what you want? Or do you want to upgrade like level?1 (21m 13s):Let me run this by. There's a lot of people I hate.2 (21m 24s):Exactly, exactly. Okay. So the thing I wanted to run by you is about storytelling. I signed up for this workshop in my town. We have a little community theater and they sometimes have little workshops and I did improv there one time. And actually by the way, doing improv there, I I'm, I still am terrified of it. And I still don't feel like I'm I do well, but add it. But I reduced my fear somewhat by just aging within, and then we had a performance and my whole family came and yeah, it was, yeah.1 (22m 3s):Why don't we talk about what2 (22m 5s):She like two years ago or three years ago, actually. Yeah. Three or maybe even four years ago now. But anyway, on Sunday I went to, they ha they had a workshop led by a storyteller from the moth and she taught us, you know, how to, so there was only five of us there. One person, only one person absolutely knew when he came in. Exactly what story he wanted to tell. The rest of us were like, I have certain things that are coming to mind. Of course my thing. And I said, I was, I just owned it from the beginning was I've written essays. And I've, you know, written a lot about my life.2 (22m 46s):And yet I somehow feel like I don't have a story to tell. And she said, that's so common. She was telling this great story about somebody. Cause she does corporate stuff too. She was telling the story about somebody in a workshop, in a corporate workshop who just kept saying, I just, I don't have a story. I don't have a story. The day goes on. And he goes, well, I might have something, my family and I fled Vietnam right before this. And she goes, yeah, that's a story. That's a, that's a story you could tell. Anyway, point being, we're putting these stories together and we're going to perform them on Friday.2 (23m 34s):And the I'll say there is something about the process of working on it. That has been, it's not exactly healing, cause this is not a, for me at all. It's something I'm telling a story about when I lived in that apartment on Lil and Libby got me this job at the bakery and while we were, and she was very assiduous about being to work on time. And1 (24m 9s):I remember the, was it the red hen? Oh, we shouldn't say it out loud.2 (24m 12s):I actually, I really don't remember the name. I think it might have been called great Plains. I don't know. Okay. I don't think it's there anymore. And one of the things that was our task was to deal with the mice that inevitably came into the, in the flour sacks and stuff like that in the back. And, but I never she'd said to me, we have to deal with the mice, but I somehow, I hadn't really, really thought that through. And the way we were meant to deal with the mice was hit them over the head with a shovel.1 (24m 47s):Oh. So, so murder of the mice2 (24m 50s):Were into the mice. And so my story is about watching this five foot tall, gorgeous little, just, I mean, she looks like a bird, this girl, woman now, but she was a girl. Then I'm just swinging the shovel over her head and bringing it down. And then just very like with, with zero expression, taking paper towels and picking it up and throw it in the trash, washing her hands and making it back to the register in time for the next customer who came in. And my point of it, of the story is that's. That was one of my most important lessons about the difference between being poor and being broke because I was broke, you know, and always looking for jobs and always working through school.2 (25m 35s):But if it came to smashing a mouse over the head with a shovel, I'm just going to quit that job and go find another job, selling clothes at express. But Libby did not have such luxuries. She had to take the jobs that she could get. And she had to guard them with her life because as even, even with the amount of time she worked, there was a period of time where she would tell me, like, I'm going to bed hungry a lot of nights. And I couldn't help her, you know, because I was broke. I just, I didn't have we bought ramen. I mean, we right. Like six days a week.2 (26m 16s):And so it's about that. And so there's something about, but, but the fact that it's about this epoch in my life yeah. Which I haven't really written that much about, I've written about my childhood and I've written about things that are more contemporary, but you have a lot of experience with storytelling. And I'm curious to know what role that has played in sort of, you know, for one thing, the ability to string together, kind of the, of your life into a cohesive narrative. If, if1 (26m 47s):That's2 (26m 47s):Something that has been helpful or if maybe you have healed in some way, maybe from your one person show,1 (26m 53s):I am Gina. What comes to mind? Like what first came to mind when you were talking about your experience with this storytelling thing? Is it, what, what is the coolest thing to me about storytelling? Like this live lit as we like to call it in Chicago, just because I, storytelling people think it's like, we started calling it live live because people thought it was like, you know, Renaissance fair storytelling. Right. We had like a cheese ball, it's it doesn't matter. It's storytelling. So storytelling, bridges the gap for me. And maybe you have acting and writing. So it is both performance and writing, which I think is brilliant. I think acting is for the birds.1 (27m 35s):Like I just do. I think acting is really hard. I'm not very good at it. Not because I'm not a good person, but that's what I'm saying. I'm not very good at it because I don't like it as much as I like telling a story. That's my story. That also has a performance aspect to it. And it heals the acting thing for me. So you are acting, you are acting, you're not like you in your kitchen, just like when we do a podcast where there's a part of us, that's acting, it's not, you know, it just is what it is. So I think that that is extremely healing. And what, I wonder if it's extremely healing for you, because I feel like in terms of the acting thing, I know that post-graduation from an acting conservatory, you talk about just completely shutting down, completely not shutting down to the acting part of yourself.1 (28m 25s):And I think like through your son and then through this podcast and through writing television and now through storytelling and like your dip into improv, you're, you're healing, the actor part of yourself.2 (28m 37s):That's right. That's right. It1 (28m 38s):Wouldn't surprise me. If you went on to do acting like started acting in plays and stuff. Again,2 (28m 44s):I'm not going to lie. I'm really thinking about it at this point in time. I still feel like it's a bridge too far, just because I have nobody to spell me at home. You know, I can't ask my husband to leave his job so I can go to a play. But at some point, I mean, you know, they're not going to be this age forever. At some point I will be able to do that. And I do have designs on doing that actually.1 (29m 8s):Yeah. And I think, and I think you, I think this storytelling is brilliant because I think the cool thing about storytelling, as well as like you could go to New York city and do them off one night. It's not a, it's not a commitment like the play. In fact, you could do the risk thing that I did in New York. Like the rest of the podcast is live performances in New York. So all this to say that I think storytelling is a fantastic way to heal the part of ourselves that wants to be a performer, but definitely doesn't want, is not ready to take all the trappings and bullshit. That is a professional acting career, which is garbage. Like I got to say, like I just tell my students is to like the part of the business, which is why this is so fraught because it's garbage.1 (29m 55s):That's why you don't like it. But that doesn't mean it's not worth it to you. If you can find a way to make it worth it to you, the competition, the rejection, the then go for it. But what if that is bothersome? And like, you don't want to deal, like what about live lit? Like what about improv? What if there's so many other things? And so like, wouldn't it have been awesome. Gina. If someone had come to us fourth year and been like, Hey, you know what, maybe you get really nervous and that panic attacks when you have to audition. But what about like writing this thing and telling your story on, you know, on a stage somewhere where you get to hold the piece of paper2 (30m 34s):Today on the podcast, we are talking to Jeremy Owen. Jeremy is a storyteller and the creator of a storytelling show called George being ridiculous, which is premiering ask Stephanie, I think tomorrow or the next day, check it out. Please enjoy our conversation with Jeremy Owens. Wow. Congratulations. Jeremy Owens. You survive theater school. I want to hear this fabulous story. I missed the beat.1 (31m 11s):Yeah. So Gina, miss the beginning. So I was just basically saying that everyone's rusty and it's really good. We're talking about this because also Gina's performing storytelling this weekend and we were just talking about rusty. It was, everyone was after two years of not doing live lit stuff. And then Jeremy tells me that he did a show and of course we can, you don't have to use names and all that, but like did a show and it went south and by south, he's going to tell us what that means. It really went south. So7 (31m 41s):It really, when up it's like so complicated. Okay. So I was doing a fundraiser first off. I was like, I there's no way, like, who wants to watch me talk on zoom? Like we're doing that all the time. Like who even cares? How can this benefit anyone? But it's a fundraiser. My sister-in-law asked me amazing. I love it. Amen. Let's go. Let's do it. So we're doing it. And I, okay. I was not as cautious. And as careful as I should have been the show, I mean, you done the show, you did a show. I don't know if I can talk about your story, but you like got your tooth knocked out. That's1 (32m 22s):Oh, I believe me. I did. I gave a blow job and my back lower fell out. Yeah.7 (32m 28s):That's a story2 (32m 28s):Story. I7 (32m 31s):Share that story, but That's good. That's the, but that's like kind of the fuel it's like, you don't know what's going to happen. Some things are like, you know, super lovey Dubby. Sometimes somebody tells a story about a blow job and their tooth gets knocked out. It's like not a big deal. Like this is the world we live in. But I mean, if you're doing a corporate fundraiser for someone and I just, Alex, if you're listening, I love you. I just was not clued in. And that's my fault. That's not her fault. It's my fault. I accept responsibility for all those things. This is my disclaimer for my, for my sister-in-law. I accept all the responsibility for that. I just should have been more cautious.7 (33m 11s):Right. So if you're up for doing show or tea, fall out from low jobs, it's not that maybe not the best for like a board. Like those are the stories that people,1 (33m 20s):I7 (33m 20s):Didn't know1 (33m 21s):It is. If I'm on the fucking board, I'd probably not get,7 (33m 24s):I know, same for me. I mean, we went to theater school and I've decided like, as that has passed me by that we're not the same as like Bob down the street who is like wildly offended by anything, you know, sexual or1 (33m 42s):Anything2 (33m 42s):You ever get used to that, by the way, I, I I'm always like, oh really? We have to do this thing where I have to pretend like I'm talking to my grandma. Like you're a full grown adult standing in front of me. What's that?1 (33m 53s):What's your story about, please tell me something amazing. Gross, please.7 (33m 56s):I didn't even get to my story. That's the thing. Okay. So It wasn't even me. I wish it were me. It was like six or seven people. And I think we got like three or four in. And so as they're happening, I'm like, oh wow. That person said, fuck, oh no, this person's talking about porn. Oh, wow. Like things that like, just don't register for me. Right. Because I guess theater school. It's like, none of that registers for me. I'm not offended by anything other than like racist, white assholes.7 (34m 38s):Anything else? It doesn't register me. I don't. I know. I just don't care. I'm not bothered. So2 (34m 45s):Charity though. I mean,1 (34m 47s):It was like, there was it like the nuns of like a sister.7 (34m 50s):Oh, I don't want to say there. I don't want to say their name. I'll tell you1 (34m 54s):What Sater7 (34m 56s):Well, they're like1 (34m 58s):Healthcare, charity. He doesn't want7 (35m 1s):. Yes. I mean, it's a great charity. They do wonderful things. It's awesome. Right. But they weren't ready for1 (35m 12s):Me. So what happened? It just went blank.7 (35m 15s):Like we're just plopping along and I'm like so excited. Cause it's like July 20, 20. I have only been like talking to my dog and my husband. Right. So this is happening and I'm listening to stories. I'm having a great time. This is like amazing loving life porn who cares, you know, whatever. And then all of a sudden it stops working. Like I don't see anything. And I'm like, oh my God, this is my brother-in-law. I was like running the tech. I'm like, oh no,1 (35m 44s):He thought it was a tech thing. Of course.7 (35m 46s):I was like, well, this happened to me. I was taking this class online this weekend and the internet I had and I was like, oh shit. Like in the middle of class, I'm like, great. So now they think I'm an asshole. I just left class early. So I'm just like, this is dead. Right. Then they come, my sister-in-law calls me and tells me what's happening. And they're all furious. And they just, instead of like a conversation or something, or like this is coming or we're so disappointed, it was just like, this is over now. Like just totally dead. The bad part about that is that none of us knew. And there was no communication with me. Other if it hadn't been my sister-in-law, I don't know if I would, I would still be here on my computer.7 (36m 31s):Probably.1 (36m 32s):That's hilarious right there. Like, are you there yet?7 (36m 36s):Hello? Hi. Hi. They just didn't communicate at1 (36m 40s):All.2 (36m 43s):We're like, really? I'm getting irritated about this. Listen to the story is like, I don't know any of the players, but I feel like, I feel like we're the people we're pretending people are pretending that they don't watch porn or that they don't swear or, you know, like, why do I have to do this? Pretending I just love unless there was children in the audience and maybe there were,7 (37m 4s):I don't think so. Like, you know, it's like, I had like friends who1 (37m 8s):I curated it. Where you did you7 (37m 10s):Find, I mean, it's all, basically this entire thing is my fault. But like1 (37m 15s):You, you found everybody.7 (37m 17s):I found everybody, I got everybody. This was like a great in my mind was this is like a greatest hits. This is like, awesome.1 (37m 24s):It's the one time I'm so grateful. I was not asked to do anything. Like7 (37m 29s):It was just so weird. And there's like, I don't know it. Yeah, it was. But again,1 (37m 37s):I do the story for the ages. I love it. All of a sudden, it just goes blank.7 (37m 41s):I'm in the home. This is a story I'm going to, I just went blank. I didn't know what to do. Everything was gone. Just talking about those things. It doesn't, I don't find that if, when I say porn, I'm not like, this is the butthole. Like it wasn't like, you know what?2 (37m 59s):I7 (37m 59s):Watched porn. Right. That's not offensive to me.1 (38m 5s):I'm not sure. I'm not sure. Yeah. Like Gina was saying like we're okay. So that went south. Like if did you feel I'm really concerned? Like, cause I would have probably had to check in somewhere because I would have been like, I curated this motherfucker and now I caused this whole fucking7 (38m 23s):I'm still like T like we have a show coming up in like a week at Steppenwolf. And I had one of the storytellers from that show sent me a is doing the show at Steppenwolf. And I like had a moment because his story is like, because of that. And because I'm like wildly triggered, I was like, Hey, maybe you could do this story about tennis or whatever. And he's like, do you need a PG story? Like what's going on? And then I was like, and then I re-read a story. And I was like, I do not his stories about sex.7 (39m 5s):I do not find this offensive. This is okay. I'm person totally traumatized. And then I had to go back and be like, oh God, remember that thing that happened in 2020, I'm just totally melted from that. And your story is great and everything's fine. I'm just having a moment. I'm going to calm down2 (39m 24s):And see what happens to me though. When I hear w whenever my antenna go up, whenever I hear like, oh, that's offensive to me. That just automatically means you're doing behavior that you feel really ashamed of. And so you want to shame me instead of just own the truth of whatever it is you're doing. This is exactly what happens on the Handmaid's tale. You know, it's all about the Bible, but then they're just like holding people down and raping them. So I just think it's a little bit of a soft sign for you've got trouble. If adults are saying that referencing the fact that there is porn is7 (39m 58s):Troublesome. Yeah.1 (40m 2s):Oh my God. I can just, okay. I would have been so traumatized. So I hear you. And I also think that, like, it's interesting, I've had a similar thing where like, on this podcast, I've mentioned my husband's job. I have mentioned. And so Gina and I always talk about, well, we will not always, but we've had to talk about this of like, what is the, and it's like a bigger thing in our society right. In the world. Like, where do I draw the line of like, can I stand behind this? I guess that's what it is. It's like, can I stand? If I'm called to the carpet, whoever God, the board, whoever, and say, stand behind this show. These words can.1 (40m 43s):And that's when, if I can stand behind it and I am willing to answer for it. And I'm like, I'm all in. If I feel like I'm wishy washy, then I feel like it's going to go south. And then I it's weird. It's a weird thing. It's like when to cut, when to not cut, now, you didn't have the ability I'm fucking lives to do7 (41m 6s):That. What1 (41m 7s):Happens in live television, right? When someone who goes bonkers or has a stroke, God forbid, or it's like, you don't know what to do. So live is a different thing. Like it's different with a podcast. We can cut. We can, but like a live show, whether zoom or on stage, there is this moment. So when I did my solo show, Samantha Irby, Sam Irby opened for me. Right. Ramus. Now wasn't famous then. But it was always a Reverend and a bad-ass right. But data story at my show and my uncle were there about SAC,7 (41m 38s):Right.1 (41m 38s):Eight leakage and fluids. And I was like, oh. And then I thought, oh, I wanted to run on stage and be like, ah, this is too much. But then I thought you invited this person. This is their jam. This7 (41m 54s):We love. Right.1 (41m 58s):What, what, okay, sit, sit, and just deal with it. And if my uncle and my uncle was really offended and like, fuck that. Okay. So, but it's hard to do. I was squirming. So you must've been squirming when you, when your, when your person called you and was like, cause you, you found these people. But I think sometimes we squirm, right? Sometimes we squirm,7 (42m 21s):Oh my God, I was dying. Cause it's like, I don't, I don't want to disappoint any of, either of you, this computer, this desk. And I just want to make everyone so happy all the time. And I don't want anyone upset with me or like, I don't want to cause any problems, nothing. I want you all happy.1 (42m 42s):And sometimes despite our best people, pleasing efforts, like shit goes south. Like that is the story of shit going south. Despite Being a good person, having gone to college, go to it, shit still goes south. So7 (42m 55s):I vote like1 (42m 58s):You're very active, like socially.2 (43m 2s):So let's, let's talk about you and your experiences. Did you go to DePaul?7 (43m 7s):I wish I had gone to DePaul, but I, from listening to this podcast, I get that. I don't know. I went to Roosevelt university for grad school.2 (43m 17s):Cool. Tell us everything. Tell us, like, when you decided you wanted to be an actor and when you decided you wanted to go to theater school, tell us everything.7 (43m 25s):Well, for me, I grew up in Arkansas. So I went to the university of Arkansas and I started out as like a journalism and a political science major. But then they, the department, the journalism department had us take a speech class. Like how does speak in theater class, you know, to get rid of your accent basically. Cause we're all Arkansans. We sound like, you know, we're in God, but the wind or whatever. So we took this class and I had growing up and like my small town, I always loved theater. I'd done community theater and the whole thing. So when I took that class and like, everyone in there is like, you know, so alive and so like interesting and like, like real, I was like, well, this is going to be a problem.7 (44m 17s):So then I, like, I signed up for, you know, the second semester of the class. And then I was like, oh, I'm gonna audition for these one acts. And then so slowly I just migrated into the theater department and completely dropped journalism, political science, all of it. And disappointed my parents ruined their lives, you know, the whole thing. So I didn't really understand, like by the, by the end of my time in undergrad, I was like, I don't really, it's like, you're young. It's like, I don't understand grad school. I don't know. But that seems to be thing that I, there was a grad program that had just started there, like, like near the end of my time there.7 (44m 59s):And I was like, I guess that's what I'm supposed to do. And so everyone told me to go to Chicago. I hadn't ever been to Chicago. I knew nothing about it. Never even visited, but I was like, okay. They're like funny people should go to Chicago. And I'm like, oh, I'm funny. So I guess that's where I'll go.1 (45m 15s):You are funny. So it's good. You went there.7 (45m 17s):Thanks. So, so I auditioned at IRDAs and did that whole thing. And then I got a call back from them and I, it was like weird. Like I thought there was going to be like some like bigger process or something. Like, am I going to, I was like, ready, you know, with like my other, like, do you want 16 bars? Do you need other other monologues? Like, well, what's the deal? And it was just kind of like a done thing. So I was like, Yeah, it's like at the callback, there was like, it was an IRDAs. And it's like, you'd go to the person's hotel room, which now seems really creepy what, with a couple other people.7 (45m 57s):And it just seemed like I liked the person who did the interview and I was like, they're in Chicago. This seems great. I2 (46m 7s):Like to act in a hotel room. I've never7 (46m 9s):Done. Like, the audition was in, like, I don't even know where it was like the ballroom. It was like, there was like a black box sort of like made up situation. So you audition and then like the next day or a few hours later, you get like a sheet with a little list of the schools that want to like talk to you or whatever. And we have been like through the ringer with my undergrad teacher and she's like, okay, you need to have, like, you had like your folder with your monologues. And like, if someone wanted a song, like your whole thing, it's like bootcamp and you're ready. So I'm like prepared for somebody to ask me to do anything. And I don't know, I got called back to like a lot of places, which I was like, oh my God, none of them asked me for anything.7 (46m 54s):Which maybe looking back, maybe that was like, not a great situation. I don't know what that means.2 (46m 60s):They were just the, and the call back. They were just meeting you. Right. They were just wanting to know if you were like,7 (47m 4s):Yeah, I guess1 (47m 6s):You're acting probably wow. Like really? They probably would have if they were on the fence, but that probably wasn't that they probably wanted to do what, you know, they, they, a chemistry breed or whatever the fuck they call it. Right.7 (47m 18s):Yeah. I guess. But this meaning with the person at Roosevelt, it's like, she was nice. It was great. It felt good. So I was like, all right, maybe that's where I'm going. And I knew I wanted to get Chicago. So like, that was, that was the deal.2 (47m 36s):It's an undergrad. You were not thinking this at all. I'm guessing you don't come from a performing family or you, you weren't doing this in high school.7 (47m 44s):Oh my God. Well, there was like the junior play or whatever that like pays for the prom, you know, like that kind of a situation. But otherwise, like I did community theater and I'm from a town of like 10,000 people. So there wasn't like really a community theater. I did Annie and Mike, I don't know, 10th grade or something.1 (48m 3s):Amazing.7 (48m 4s):Really upset. I couldn't be Annie. I was like a Senator. And like the apple salesman. I was like that guy I'm like running around doing whatever anybody wanted me to do.1 (48m 20s):Funny. That's why he could do a lot funny.2 (48m 23s):Yeah. Interchangeable. Okay. So day one, you're at Roosevelt. Is this the education that you thought you were going to get7 (48m 32s):Funny? You should ask. So this, when I went, which was, this was 2000 yes. 2000. So it was their first year of their MFA program.1 (48m 44s):Oh shit.7 (48m 46s):Oh shit is right. They accepted 30 people take that in verse1 (48m 54s):307 (48m 55s):MFA. Oh yeah.1 (48m 57s):It's too many people that just like five.7 (49m 0s):Thank you. I think that if I'm being kind, I think they accepted a huge amount of people thinking that, you know, with everything going on that like maybe 10, which is still too many would accept. So there were 30 of us. So we're there on the first day. And I'm just like, this seems , I don't know anything about what this experience is supposed to be, but 30 people that's like, that's like an entire MFA program, you know, that's like three years of people or more So immediately.7 (49m 44s):I was just like,1 (49m 45s):Hmm,7 (49m 47s):This doesn't seem right. But you know, I was like 24. So I'm like so happy to be there. I'm living in my friend's base. My friend's mom's basement until I find an apartment just like, you know, desperate twenties times. So immediately. I was like, I, this is hi. All right.1 (50m 11s):I think I should get off this rollercoaster right now, but it's already going, right?7 (50m 16s):Yeah, totally. I just like was on. And because I didn't have like necessarily the support of my parents where this entire thing, I was like, fight or flight. Like I will do this. If I have to hang on to the side of the building and sleep like that, or like, whatever it is, I'm gonna do this. So I did it.2 (50m 49s):And is it a typical curriculum, voice and speech and movement and all that stuff?7 (50m 54s):Yeah. I was sort of surprised by all of it. The program that I did in undergrad, I felt, I don't know. I guess everyone in undergrad, if you're doing theater stuff there, you think that like, what you're doing is like enough and great. And that's how everything's going to go. So to spend like three hours a day in a movement class, suddenly when you're like, God damn it, let me do a monologue or a scene or sing a song. Like let me work. You know, I understand that that is also work and it's fundamental, but it was really shocking to me.1 (51m 37s):You know, what's interesting is like, and you're not the first person that I've, I felt this, that we've had on the show is like, what I would eat. Like you should have maybe gone right to second city and just done that call that five-year conservatives And gotten the fuck out, but it's not accredited. It's not like a real university that would probably make your parents even more like unhappy. And so, but like you needed like a professional program, like there's conservatory training for actors and then there's professional programs. And I wish I had done, so. Okay. But you're in this. How long was the Roosevelt MFA program?7 (52m 15s):Three years. Oh,1 (52m 16s):Fuck. Right.2 (52m 18s):And was it the thing where you can't perform the first year, but then you do and you're in the casting pool with VFS.7 (52m 26s):Yeah, I, we couldn't perform in the first year though, at the end of the first semester, they opened up an audition to be an intern at Chicago Shakespeare, which was like super exciting. So I auditioned and then I was doing the second semester, I got to be an intern and be on stage and do king Lear, Chicago, Shakespeare. I mean, I was like, you know, a dude, a homeless person running around. Oh, we got it. Yeah. So then I was like, oh no, this is great. I'm like with like these amazing people that I don't know who they are yet, but I will.7 (53m 9s):And there, those people are amazing2 (53m 12s):In that7 (53m 13s):Greg VIN CLER.1 (53m 15s):Oh yeah. was Barbara Gaines directing7 (53m 18s):Barbara Gaines director.1 (53m 20s):Yeah. She's amazing. She's she's famous for, for me, for my one audition I had there, she yawned during my whole model to be fair, but to be fair, it was really boring. Like, it was really boring. She was basically doing what I wish I could have done. It was boring. My shit was boring. She was like this. Can't see. But yeah, she was rude, but apropos I sucked anyway. Okay. So you were, you got to work at shakes and so you were like, okay, but did you make friends? What was the vibe like? BFA was the BFA program established at that time?7 (54m 2s):I think so. Oh, and that part. Okay. Like whatever I'll say about Roosevelt, which I don't have, I don't know necessarily great things to say about the program. It doesn't even exist anymore, PS, by the way. But the BFA program, the program for undergrads, I thought that was like, excellent. Like, I was like happy for those kids. Like that seemed like good. And they were having a good time, but for us it was just, I don't know. It just felt kind of sad and different.2 (54m 26s):So your parents were psyched about the idea of you being a journalist. That's what they thought you were going to.7 (54m 32s):I think the imaginary plan was that I would, or what I sold them at the time was I'm gonna get this journalism degree and then I'm gonna go to law school.1 (54m 43s):Oh,2 (54m 45s):Right. That's everybody's, catch-all hilarious.7 (54m 48s):So that's what I'm going to do. But then I was like, but these plays, these people, it's really the people that are purchased more fun.2 (54m 57s):I actually got dressed so many people in for exactly that reason. It's just something that's like tribal feeling that you don't know that you don't have it until you find it. And then you go, oh my God.7 (55m 8s):Yeah. It was really, it was really all encompassing. I was like, well, I can't not be with these people.2 (55m 15s):What kind of shows did you do there at Roosevelt?7 (55m 18s):I all right. So, so there was that first year experience. And then I don't know. I let's see, I did my last year.1 (55m 30s):Yeah. It just sticks out in your brain7 (55m 33s):Threepenny opera. And then there was this weird Asian adoptation of the rope by whatever old Greek guy,2 (55m 47s):Asian adaptation.7 (55m 48s):So here's one of the weird things about the program. So there were a couple of classes that made zero sense that we were taking as actors. One was, we all had to take a stage management management course. I don't know. Did you guys have to know1 (56m 5s):I7 (56m 5s):Was like1 (56m 5s):Crew, but I don't even know. No.7 (56m 8s):Well, yeah, like working on a cruise, like that's normal, but in an entire semester demo devoted to stage management just seems kind of rude.2 (56m 18s):It sounds like they needed stage managers for their shows1 (56m 22s):Teachers. Yeah.7 (56m 25s):And then there is a professor there who white lady who loved Asian theater. And so, yeah. Pause for that1 (56m 37s):PF chains of, she was trying to be the PF Chang's PF J7 (56m 44s):God lover. I mean, yes. I'm interested in Asian theater too, but everyone was required as part of the MFA program to take an Asian theater class. So, which is interesting. I'm not knocking like any of that, but the PA I don't know the possibility of me being in an Asian.2 (57m 7s):Yeah. Like what's the really,1 (57m 11s):It just sounds like she had a thing for her thing was Asian theater and she wanted everyone else's thing.7 (57m 16s):Total your thing. She had studied in, I don't know, Japan, I think, and had done this whole program and it was like her, she may even have like a PhD on it. I don't really know, but that was her thing and good for her. Awesome.1 (57m 31s):Why are you teaching? But it's7 (57m 33s):Not practical. Yeah. It just seems like weird. So the play I did, I did the, the rope, which is like a Greek play. Never2 (57m 42s):Heard of it.1 (57m 43s):I wish you had done the rain anyway.7 (57m 48s):So she translated the play into a Kyogen style thing, which is a very specific Asian theater style play. Not only that, not only that, but like, I have always been openly unapologetically sort of who I am, which means, hello, I'm a homosexual and it's clear and I'm not like afraid of that as an actor or a person. So I played the, yeah, get ready. I played the, I don't want to call it like the evil sister, but I played like the villain in the play, which was like an older, which type woman in the play.7 (58m 40s):And that was supposed to be hilarious.1 (58m 48s):That's really where we're headed in the arts. I'm also saying the arts in the logs shit went down. Not that7 (58m 56s):Some weird shipments out. Yeah. So it's like thinking about that now you would like wants to like light all of Chicago on fire. Right? Correct. But at the time, this I guess was like, cool, cool. And inventive to make the one gay guy that you were Sure was gay play a woman Asian drag. Oh my gosh. The whole thing is like Asian themed rides. and the whole thing I don't, I can't say for sure, but I don't think1 (59m 39s):So. What the fuck?7 (59m 42s):So just a bunch of white people running around and kimonos speaking in a very like, you know, meter to style Asian thing. And I'm a woman also.2 (59m 53s):I wish we had a video. I really want to watch this play. I mean, just like for a snippet, because you know, when you think of yourself and how seriously you took a role when you were young and you and you, and you just in your mind's eye, even if there's no video and you just imagine, like, what does this actually look like? And that's always looks funny, no matter what or sad. If it's a comedy, it looks sad. And if it's True. So that was one. Did you have any roles that you liked?7 (1h 0m 29s):I mean, kind of, well, there was like a, a directing project that one of my friends did. It was like a Steve Martin one act. And I was like, yeah, right. Like it was like a legit play that was like funny and good. And I had like the lead and I was like, it was like us, like a straight man that I was playing. And I like felt excited because it felt like I was like reaching. I'm not reaching, but you know what I mean? You're like, oh, this is a play. I'm like, yeah. I was like, do a thing. And I like am working for this goal to do. And I felt like I was successful in it and it felt good.7 (1h 1m 9s):But like, that was probably the one, even in my thesis role, which was like, I was like a random chorus person in Threepenny opera, literally it's my third year. I'm like, Hmm. I have to write 30 pages now on yeah. That's, it's like that.1 (1h 1m 27s):The thing like that, I just, and maybe you guys could chime in. And in terms of the curriculum, there doesn't seem to be an actual curriculum for these programs. Like now that I'm teaching, I'm like, wait, what, what is the7 (1h 1m 42s):Tactical?1 (1h 1m 43s):And what is the piece of paper that you can point to, to say, this is the mission of these three years for these MFA actors. There is no plan. What is the plan? That's what I feel about a lot of this is, and it's still to this day in, in conservatories, what is the fucking plan? Because there doesn't seem to be one and there's not a plan. We shouldn't be charging dollars to these people. I just, I, it should be, then it should be camp, a freak out where we go when we, I don't know. Anyway. So2 (1h 2m 15s):I mean, honestly, like it's, it needs to be treated a little bit more like a school and pass fail, right?7 (1h 2m 23s):Yeah. Like the goal it's like, if you're a journalist, like, can you do these things? Can you write a bituaries? Can you write a news story? Can you do the, you know what I mean? So it's like, when I leave this place, am I going to be able to get a job? And I know that like, everyone's like, theater's like, oh gosh, you're never going to work or whatever, but that, it's just not true. It's like, everything is the same. There are basic skills. Do you have them,1 (1h 2m 50s):There are milestones to meet along the way. And if you, I mean, anyway, I it's just, the more we interview folks, the more I'm like, oh, this whole higher ed situation, fine arts needs a whole overhaul. I don't know what it's going to take, but we'll probably be extinct on the planet before it happened. So I just feel like maybe that's the way it's going to go and okay. But like, okay, so you graduate, you then are like, okay, I have this MFA. Then what happens to you7 (1h 3m 21s):By the end of the program? I was really like, I don't know. I feel like it kind of, it kind of broke me because things like that were happening, which in a way is like, I mean, at the time we didn't have the language for like, you know, playing an Asian woman in a play, like it's offensive. And it's like, not furthering me. It's racist. It's not furthering me as an actor. I'm not going to leave here and like run around and Komodo and place for the rest of my life. It just kind of broke me. And a lot of the, I would say some of the teachers, the whole situation just didn't make me feel good.7 (1h 4m 4s):So at the end, I was like, you know what, maybe? Hm. I don't know. I need, I needed a break from that whole world. I mean, I did audition for awhile, but the shortest while1 (1h 4m 21s):How short,7 (1h 4m 26s):Maybe it was a couple years1 (1h 4m 28s):Because we have Gina's trajectory and mine, mine too. Like I stopped after I stopped after three.7 (1h 4m 35s):Yeah. I was probably three years. Like slowly, just petered out. I mean, I got to the point where I'm like going. So I went on a few theater auditions in the beginning and then I had an agent and I would go on these, like on camera calls. And I would just be like, oh my God, I'm in this giant room with a hundred people that are dressed and look just like me. This is the most pressing thing. Like, I just was like, I can't, this isn't, this doesn't feel good either.2 (1h 5m 6s):I want to hear how eventually, how we get to storytelling. But before we do, I just, I didn't want to leave the whole Roosevelt thing without, I don't think I've really asked anybody this before, but you're not the first person who basically says to us, like, I'm gay. They didn't know what to do with me in theater school. Right.7 (1h 5m 30s):So2 (1h 5m 32s):I don't know if this is a question or a comment or what, or like just a prompt for discussion, but what is the barrier there? I mean, it seems like what you're saying about this role that you got cast, it's like, you're gay. So you'd like to wear drag. Is that what the thinking was?7 (1h 5m 47s):I don't know. For me, it's two things. It's like, there's the gay thing for sure. But also I'm funny. So if you're in a serious theater program, please understand I'm doing some heavy air quotes because every theater program thinks they're a serious theater program. They really do not know what to do with people who are fitting into the definition of serious. And so I think yes, there is like me, the stereotypical gay person or whatever, if I am so there's that person, but that's usually a funny person.7 (1h 6m 28s):And so then they don't like it totally. This is serious. We're doing real serious work here. How can this work?1 (1h 6m 38s):It makes that, that makes me, it makes sense. And it also makes me so angry, just Raging, also like fucking pick different motherfucking material. You've that fits your mother fucking class. You dumb fucks. That is what we're supposed to be doing is picking material that highlight our students and help them grow in a way and not the pick different place.7 (1h 7m 3s):Well, that's really where in that and the whole situation, I feel like that's, that's what sort of killed me is that there wasn't a place for me. No one cared to create one and you are, I already felt like I don't fit here. I don't belong. And so it's just like that slowly, just really like sinks in. So you've got that going on. You've got your there with 30 actors and it was kind of, honestly, it was sort of like easy to just like hide, you know, unless I'm being called to play the Asian lady on the play. So it's just like a kind of just was like, eh,1 (1h 7m 43s):Yeah, you gave up. But they gave up on at first.7 (1h 7m 48s):It is honestly,1 (1h 7m 50s):We give up when people give up on us first, especially as young people.2 (1h 7m 53s):That's true. That's true. So you're in audition rooms after school. You're, you're feeling like this is depressing. There's 5,000 mess and we all look the same. How, how did, how did you evolve from that to what you're currently doing, which I'm going to go on a limb and say is fulfilling to you artistically fulfilling to you what you're doing?7 (1h 8m 13s):I would say yes. Okay. How did that happen? I mean, after, you know, just deciding I'm not going to go on these calls anymore. I just, like, I was like, okay, then I'll, I'm working in a restaurant. So that's what I'm, I'm gonna work in. I work in restaurants now. That's what I do. And I did that for a while. And then I was just like, okay, but wow, this can't be it. Like, even if you, as an actor, like whatever level you achieve as an actor, I think there's always that part of you. Who's like, yeah, but like, can I talk somewhere?7 (1h 8m 54s):And people just like to listen to me or just let me tell, you know, just get really enthusiastic with storytelling at a party. Or like, whatever. I, I didn't know about the moth or a storytelling or any of that stuff. I really was just like this theater experience, grad school was so bad for me. And I'm too afraid to go to second city to do improv because I had sat through, you know, the first year of friends doing that. And I was like, well, I'm not doing this terrifying. So I thought, Hey, what if I get some actors together?7 (1h 9m 37s):And we will write monologues, which is how I thought of it at the beginning, it'll be like loosely based on a theme and we'll do a monologue show. I think I had just seen Nora Ephron's play love loss and what I wore. And so there's all these women on stage telling this like, story. And I was like, oh my God, I'm not a playwright. I can never like, make this happen necessarily. But like, if there are people on a stage and then they're just like one by one, like telling a story based on a theme, like, oh my gosh, this is revolutionary. I've just invented this whole new thing. So that is sort of where I started.1 (1h 10m 14s):When was that? I

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Tim Kurkjian joins Buster to discuss the Braves' back-to-back walk off wins to take a 2-0 lead in the NLCS, the feeling of something special happening in Atlanta, the Dodgers missing Max Muncy, Dave Roberts bringing in Julio Urias in Game 2, Austin Riley continuing to look like the best player in the NL, MLB increasing housing support for minor-leaguers and the Yankees' managerial situation. Later, Dan Shulman stops by to talk about the ALCS, pitching injuries for the Astros, how Houston should handle its staff going forward, Tanner Houck and Nick Pivetta being difference-makers, and his free agency outlook for Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices