Podcasts about Textile design

On this episode I'm joined by Rita Mawuena Benissan as we discuss her newly commissioned works presented for 16 edition of the Sharjah Biennial, elucidated through the curatorial theme, to carry. Asking questions such as what does it mean to carry a home, a history, a language, a legacy, and a lineage.Born in Abidjan, Cote D'Ivoire in 1995 to Ghanaian parents, Rita's journey led her to the United States as a baby, where she earned a Bachelor of Fine Arts degree in Apparel and Textile Design from Michigan State University in 2017, followed by a Master of Fine Arts in photography and an African Studies Program Certificate from the University of Wisconsin-Madison in 2021.Rita is a Ghanaian-American interdisciplinary artist, on a mission to reimagine the royal umbrella, transforming it from a mere protective object into a potent symbol of Ghanaian identity. With a profound passion for art and cultural history, Rita collaborates with traditional artisans to breathe life into archival photos, immortalizing individual figures and communal scenes while embodying the beauty and power of her people.In this episode, Rita discusses her newly commissioned work 'You Must Cross and Seek.' The installation features photography, installations, and well-known umbrella works. Rita explains how the title and the works reflect themes of ancestral calls, cultural legacy, and the fishing community in the Volta region where her family is from. She emphasizes the need for cultural preservation, especially through her foundation, Si Hene, which focuses on documenting and archiving Ghanaian chieftaincy and traditional culture. Rita also discusses the challenges of accessing cultural archives and the importance of creating spaces for contemporary African art, urging a collaborative approach between communities and institutions. -------------------------------------------------------------------- WHERE YOU CAN FOLLOW ME AND SUBSCRIBE Website - Sign up for my newsletter https://lightworkco.com/ Instagram - Follow me on Instagram https://www.instagram.com/sadeolo/https://www.instagram.com/lightworkcompany/ YouTube - Subscribe to my YouTube Channel www.youtube.com/@lightworkco

In this episode, I'm diving into a conversation that's been circling the design space for a while: Do you really need a niche to succeed—or is versatility the key?There's been a lot of noise out there: "niche is dead,” “you are your niche,” “be the one-stop-shop.” And while there's some truth in the intention behind those ideas, they can also create confusion. So, today I'm breaking it down.We talk about the role of experimentation, why staying scattered too long can hold you back, and how niching doesn't mean restriction—it means clarity. I also share my own journey from specialist to generalist and how that path helped me attract aligned clients, build authority, and avoid burnout.Here's what I want you to walk away with: → You can be versatile—but start with a foundation. → You can specialize—but still stay creatively expansive. → You can find your place—by choosing intentionally.We'll talk about:Why niching isn't the enemy—it's actually your anchor.How I evolved from working in Illustrator to directing design teams.The real reason many designers stay stuck (hint: it's not skill).What “you are your niche” really means—and how to not get boxed in.How to use your strengths as your starting point to attract the right work.If you're tired of feeling scattered and unsure about where to focus your time, this episode will help you clarify your next step.

In this podcast, Debbie McKeegan interviews Frank Maeder, president of NedGraphics and Optitex, discussing the evolution of textile design, the integration of technology, and the importance of sustainability.They explore how designers' roles have changed, the impact of digital tools like NedHub and their latest software release, plus the necessity of partnerships in the industry. The conversation also touches on the future of AI in design and the need for seamless workflows to enhance creativity and efficiency. Listen to learn more >>

In this podcast, Debbie McKeegan interviews Frank Maeder, president of NedGraphics and Optitex, discussing the evolution of textile design, the integration of technology, and the importance of sustainability.They explore how designers' roles have changed, the impact of digital tools like NedHub and their latest software release, plus the necessity of partnerships in the industry. The conversation also touches on the future of AI in design and the need for seamless workflows to enhance creativity and efficiency. Listen to learn more >>

Since earning her BFA from Parsons in Women's RTW and Textile Design, Kristin Bruce has forged a unique career at the intersection of luxury fashion, human rights advocacy, and ethical storytelling. From designing for artisan-empowering brands to leading communications for a global nonprofit, she brings a deep commitment to artistry and impact. Now, as the founder and Ethical Brand Story Architect of her own copywriting business, Kristin combines her expertise in sustainable fashion design, storytelling, and content marketing to help mission-driven brands stand out in a competitive market. Through soulful, transparent storytelling, she empowers brands to communicate their stories with conviction and build authentic connections with their audiences. In this episode, Nagela Dales speaks with Kristin, an Ethical Brand Story Architects. Kristin shares her transition from working in nonprofit human rights to founding her business, focusing on ethical storytelling for sustainable fashion brands. They delve into the importance of transparency, empowerment, and Kristin's unique ethics framework for creating compelling, mission-driven brand narratives.

Can a LinkedIn post really transform your freelance fashion design career?In today's episode, I talk with fashion designer Fernanda Martinelli about how one Linkedin post took off and helped land her a client!  We discuss the strategies for leveraging a popular post and how to turn new leads into dream clients.  Find out how she builds meaningful client relationships, leveraging tools like AI-generated images and detailed proposals.Whether you're new to freelancing or have been around for a while, these social media strategies can make a huge difference in your client-finding strategies!  Resources:Read Fernanda's LinkedIn post that led to three discovery calls with brands and an amazing client. Check out NewArc.ai. Please note that this is an affiliate link.About Fernanda:Fernanda, originally from Argentina, graduated with a Bachelor's in Fashion and Textile Design from the University of Buenos Aires. Now based in Canada, she has worked as a Fashion Designer and Product Developer since 2019, specializing in men's and women's apparel, including workwear and outerwear. A lifelong art enthusiast, Fernanda explores new trends and techniques, blending creativity with functionality in her designs. She also completed a certification in Fashion and Sustainability Management at the European Institute of Innovation for Sustainability, where she has served as a tutor.Connect with Fernanda:Visit her websiteEmail her at: fmmartinelli@gmail.comConnect on LinkedIn ✍️ Fill out the Survey: http://sewheidi.com/survey

In this revisited episode, Margo reintroduces her thought-provoking conversation with Australian artist and surface pattern designer Kirsten Katz, highlighting the enduring relevance of authenticity in creative work. Kirsten's journey from ballerina to surface designer showcases how following your passion can lead to a unique artistic style. Since this original conversation, Kirsten's work continues to evolve, and her insights into creating from a place of intuition and authenticity remain as important as ever. Kirsten shares how her background in Textile Design has shaped her bold, modern, and botanical-inspired creations, which continue to catch the eye in today's world of contemporary design. Margo and Kirsten explore: The importance of staying true to yourself and creating art that you love How to focus on your style and confidence as an artist Experimenting with mediums and techniques to stay inspired The role of intuition in honing color combinations Why commission work might not always align with your creative vision And so much more! This conversation is packed with timeless advice for creatives navigating their own artistic paths. Tune in for fresh takeaways on how to honor your authentic self as an artist, no matter the trends. Kirsten's work can be found on: apparel, home décor, fabric, stationery, giftware, and more.     Connect with Kirsten: Website: kirstenkatz.com.auInstagram: @kirstenkatzartFacebook: kirstenkatzartLinkedIn: Kirsten Katz Design   Connect with Margo: Website: windowsillchats.com Instagram: @windowsillchats Patreon: patreon.com/inthewindowsill

Anni Albers' pioneering journey in elevating textiles to fine art is discussed with guest Marian Bantjes, renowned for her intricate, ornamental designs that blend typography, art, and personal storytelling._______This show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay Sources:1968 Interview with Anni Albers — conducted 1968 July 5, by Sevim Fesci, for the Archives of American ArtBook — On Weaving by Anni Albers – A seminal work where Anni reflects on her life, her craft, and the philosophies behind her approach to weaving.Book — Anni and Josef Albers: Equal and Unequal by Nicholas Fox Weber – A comprehensive biography that delves deep into Albers' life and work, offering insights into her creative process and legacy.Book — Anni and Josef Albers: Art and Life by Julia Garimorth, Vincent Broqua, and Brenda DanilowitzVideo — "Bauhaus: The Face of the 20th Century" (1994) – A BBC documentary that covers the history of the Bauhaus, including interviews and insights into Anni Albers' role within the movement.Video — "Black Mountain College” Visionaries Episode – This documentary explores the experimental college where Anni and Josef Albers taught, emphasizing its influence on modern art and design.The Josef & Anni Albers Foundation – https://albersfoundation.org/ – The official website of the Albers Foundation, featuring extensive information on her life, work, and exhibitions.MoMA Learning: Anni Albers – https://www.moma.org/learn/moma_learning/anni-albers/  – A resource that provides an educational overview of Anni Albers' work within the context of modern art. About Anni AlbersAnni Albers is widely considered to be the foremost textile designer of the 20th century. She made major innovations in the field of functional materials and at the same time she expanded the possibilities of single weavings and individual artworks. She was also an adventurous graphic artist who took printmaking technique into previously uncharted territory.Not only was she a pioneering textile artist, and printmaker, but she was an educator whose work redefined the boundaries between craft and fine art. She may arguably be THE person responsible for helping the masses see textile as art, not just craft. She studied at the Bauhaus, taught at Black Mountain College in North Carolina, where she continued to push the limits of weaving, experimenting with unconventional materials and techniques. Her book On Weaving (1965) remains a seminal text in textile design. About Marian BantjesMarian's Books:I WonderPretty PicturesMarian Bantjes (b. 1963) @bantjes is a Canadian graphic artist who is known for her signature maximalist style. Her intricate ornamentation creates texture and illusion, and challenges the minimalist boundaries of traditional graphic design.Her clients include Pentagram, Saks Fifth Avenue, Print Magazine, Wallpaper* , WIRED, Creative Review, The Guardian (UK), The New York Times, AIGA, TypeCon, and more.Her career spans 3 stages: she started in the 80s as a book typesetter for a publishing company and then from there she became partner at a small design firm in Canada, working on brand identity and communication designs.In 2003 Marian decided to embark on the work that has brought her international recognition and fame as a world-class visual designerHer work has an underlying structure that frames its fluid nature and she has an impressive way of interweaving word and image.She says "throwing your individuality into a project is heresy" but she has built a career doing just that, as her signature style is unmistakable. In 2007 she released Restraint, a typeface that integrates her style of ornamentation to be used as shapes and borders.Marian has been honored with several awards over the years and her work is now part of the permanent collection at the Cooper-Hewitt National Design Museum. ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Our Australia trip continued through Geelong and Ashmore, stumbling across Ashmore Arts. We have 3 cracking podcasts to bring you from here. The second of those is Chela Edmunds who is the maker behind 'Takeawei' - hand crafted ceramic lighting, tableware and art objects for home. Chela studied textile design in Melbourne in the early 2000s and after graduation set her sights on working in New York. After much determination and many job interviews, she landed a Manhattan job and designed for big names like Vera Wang and DKNY for five years. After meeting a potter in Brooklyn, she fell in love with ceramics and soon after moved back to Melbourne and started Takeawei. Here we share her journey with you! WANT TO SUPPORT THIS PODCAST? Head over to https://www.wearemakers.shop and pick up a copy of our printed publication. Filled cover to cover with amazing makers from Around the world. We Are Makers Insta: @weare_makers Website: www.wearemakers.shop Chela Edmunds Insta: @takeawei Website: https://takeawei.com ____________________________________________________ Recorded on: Nomono Insta: @nomonosound Website: https://nomono.co/WAM

Annie Kantor earned her B.F.A. in Textile Design from the Rhode Island School of Design. She honed her craft working in the contract textile industry designing woven upholstery and panel fabrics, serving as Head of Custom Studio at Maharam. While tackling the renovation of a period home in Oakland, Annie became frustrated by the lack of enticing designs in metal. She saw an opportunity to apply her expertise in repeating-pattern design and developed a line of custom metalwork that blossomed into Modern Metal. In this episode, Nada sits down with Annie to talk about her experience building a niche business for a high-end market. When she couldn't buy what she needed, she endeavored to create her own product. Annie pinpoints the decision that set her on a different course toward growing her revenue by scaling back on one particular effort. Her joy is evident when she talks about the craftsman she feels lucky to work with and the importance of building a healthy culture. For Annie, the road to a sustainable business was long but liberating. Check out Annie's website and the books she's reading: The Covenant of Water and Cutting of Stone by Abraham Verghese and Manhattan Beach by Jennifer Egan. Follow on Instagram: @modernmetaldesignsPlease follow us at @thisislibertyroad on Instagram; we want to share and connect with you and hear your thoughts and comments. Please rate and review this podcast. It helps to know if these conversations inspire and equip you to consider your possibilities and lean into your future with intention. This episode is brought to you by our friends at NativePath. To begin your bone health journey, go to getnativepath.com/LIBERTY for a special 45% off discount for being a Liberty Road listener. Hosted on Acast. See acast.com/privacy for more information.

Uncover the incredible journey of Iris Apfel, whose design career spans textiles and fashion, from transforming the White House interiors to becoming a global style icon, joined by special guest designer Adam Vicarel._______Join the Patreon community for bonus features and video versions: patreon.com/womendesignersyoushouldknow Sources:The CEO Magazine “How Iris Apfel, 100, defies her age in the business world”South China Morning Post “Meet Iris Apfel”2014 Documentary “IRIS” by Albert Maysles About Iris Apfel:Iris Apfel, born on August 29, 1921, in Queens, New York, is a renowned American businesswoman, interior designer, and fashion icon. Alongside her husband Carl, she founded Old World Weavers in 1950, a textile firm celebrated for its reproduction of antique fabrics. Their work included notable projects like the restoration of the White House under nine presidents, enhancing its historical elegance.Iris's distinctive personal style, characterized by bold accessories and eclectic fashion choices, made her a fashion muse and a beloved figure in the industry. Her influence was further cemented by the 2005 Costume Institute exhibition at the Metropolitan Museum of Art titled "Rara Avis: The Irreverent Iris Apfel."In addition to her work in design, Iris has collaborated with brands like MAC Cosmetics and H&M, bringing her unique aesthetic to a broader audience. She continues to inspire with her memoir "Iris Apfel: Accidental Icon" and a modeling contract with IMG signed at age 97, showcasing her enduring appeal and influence.For more information, explore her memoir or the New York Times article.About Adam Vicarel:Adam Vicarel is a brand designer, lettering artist and mural painter who is obsessed with merging the worlds of fine art and strategic design. In his personal work Adam infuses his love for travel and the outdoors into his typography, illustration and storytelling to create visceral experiences for his audience. That's visceral, not Vicarel.His graph design studio, Vicarel Studios works on visual identity systems, packaging art installations, and more, and they've created for brands like NBC, Twitter, Lululemon, United Airlines and Sharpie. Their unique process of combining fine art with design allows them to craft provocative brands and artful experiences unbound by industry or medium. ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

In this episode I speak with Laura Walczak about graphic design and textile design, and accessibility. Sponsor: Feral Giant Theme song: Adeem The Artist

In episode 97, Patternier founder and designer Heather Rose Rauscher gives us a tour of the intricate layers of her innovative artwork and business. Working in the industry for over a decade, she's learned the rules of textile design. Now, with her own brand, she breaks them. Her luxury fashion and home pieces juxtapose vintage with new and minimal with maximal to create a deeply creative story. Patternier, the brainchild of Master Textile Designer, Heather Rose Rauscher, is a unique Art, Fashion, and Home company rooted in Textile Design. With a deep passion for vintage fabrics, which showcase design culture, Heather reimagines these pieces through her own lens. Using vintage quilts as the backdrop for her designs, she then hand-paints original patterns over the quilts to create a new textile design- and an original work of art. The new textile is then used to create unique home and fashion stylings. Pushing it one step further- all fashion pieces are created from vintage silhouettes which Heather sources herself. Using motifs that would not normally be put together, such as, a chinoiserie Jacobean on an Americana Patchwork, Heather somehow makes it work in a sophisticated and inventive way. Any item from Patternier is meant to stand alone as a work of art, not just a luxury good. Made 100% in New York- from the design and printing to the cut and sew, and quilting, keeping it local and sustainable is at the forefront of Patternier's mission. Heather's 10+ year's in the textile industry ensures that all fabrics of rich cotton, silk, and linen are of the finest quality to match the craftsmanship of the collections. In this episode, you'll learn: What Heather prioritizes in designing her fabrics, textile prints, and products Why it is important to work for other companies before starting your own brand How Heather knew it was the right time to start her own business The innovative technique Heather uses to create the Patternier prints How each print translates into fashion and home products How Heather found her seamstresses The drop schedule Patternier uses to maximize the newness of each print How Heather gets more eyes on the Patternier brand People and resources mentioned in this episode: Patternier website Patternier Instagram Heather's Instagram Has listening to How Fitting helped you create a better fit in your fashion business? Episode 100 of this podcast is coming up and I'm planning a special episode featuring the most notable moments from the 104 guests I've had on this podcast so far – plus your story! Click here to tell me about your favorite How Fitting episode and how it has impacted you or your business. Do you want fashion business tips and resources like this sent straight to your inbox? Sign up for the How Fitting newsletter to receive new podcast episodes plus daily content on creating fashion that fits your customer, lifestyle, and values.

This weeks guests are Cayley Balint and Sarah Sanders who join us from Kingston, Ontario. Cayley is the Head Chef and Sarah is the Head Bartender at The Frontenac Club in Kingston - a cocktail bar and gastropub located inside a historic 180 year old building which also functions as an upscale boutique hotel. Sarah and Cayley are responsible for serving up craft cocktails and a curated wine list along with preparing globally and locally inspired dishes. Cayley Balint started her cooking career in 2008 at Atomica, making gourmet pizzas whilst being apprenticed under the head chef next door at Le Chein Noir. Cayley attended culinary school at St. Lawrence, and used her summer co-op placement to travel to Banff, Alberta where she worked at Buffalo Mountain Lodge, part of Canadian Rocky Mountain resorts. This is where she obtained her love and inspirations for Canadian and global style cuisine. Upon arriving back in Ontario, Cayley got a job as a line cook at Aquaterra restaurant. Over the next decade she would work her way up to become the Catering and Banquet Chef of Aquaterra and the Delta hotel, which the restaurant resides within. Cayley joined The Frontenac Club team in August of 2020. Sarah Sanders has been in the service industry for twenty-one years and behind the bar for eleven. Sarah is originally from Kingston, Ontario, raised in the Thousand Islands and surrounding area. Sarah attended Sheridan College, where she studied several aspects of Art and Design. Sarah's majors were Fine Art and Textile Design. Sarah started working in restaurants in college, as a nights and weekend job, first in BOH. Years and a few restaurants later moved to FOH, then eventually bartending. And a big thank you to this weeks sponsors - Civil Pours and Elora Distilling Company. Civil Pours is a ready to pour, premium cocktail program that blends the highest quality, proprietary ingredients into shelf stable, top selling cocktails delivered to you in draft-ready kegs. All you do is pour, serve, and savour a seamless experience designed to captivate your customer and smooth your service. To get in touch contact sales@civilpours.com or check the website civilpours.com Elora Distilling Company produces handcrafted, premium products in a grain to grass distillery and the grains are sourced from local farms in Waterloo and Wellington counties. There are over 25 products on the Elora Distilling company's roster including gins, vodkas, rums, whiskeys, liquors and pre-mixed products. All products are available for wholesale to restaurants and bars. Follow them @eloradistillingco or check out EloraDistillingCompany.com Links: @chefcayleybalint @baronessvondilligaf @frontenacclub @thebank.gastrobar @sugarrunbar @babylonsistersbar @the_industry_podcast email us: info@theindustrypodcast.club Podcast Artwork by Zak Hannah zakhannah.co

If you're like me, you like to have fun while completing tasks to make them more enjoyable. For those who loathe the organizing process, stay tuned! In this episode, Naeemah chats with Nicole Gabai, Author and Illustrator of The Art of Organizing: An Artful Guide to an Organized Life, and she shares her artful approach to organization and how the organizing process can be colorful and fun. Nicole Gabai is a Certified Virtual Organizing Professional™ with over two decades of hands-on organizing experience. Using her art and design background, she helps people bridge the gap between beautiful and functional to maximize organizing capacity.  Growing up in a very disorganized home, she knows first-hand the challenges, frustrations, and impact these have on our lives. At the age of seven, she began creating organized spaces while attending a Montessori school in Paris, France. Later in life, organizing became her passion!   Working in the fast-paced world of TV production, she used her skills to create organizational systems. Later, when she became an actress and a model, she quickly realized that creating sustainable organizing systems was the key to success.  Being able to understand how freeing it is when your surroundings are organized, she has dedicated her life's work to creatively helping people gain the skills they need to have a well-organized workplace and home.  She is among fewer than 100 people worldwide to become a Certified Virtual  Organizing Professional™.  She founded B. Organized in 1999 and is a Golden Circle member of NAPO (National  Association of Productivity & Organizing Professionals), as well as past historian of the South Florida chapter. She is the author of the bestseller The Art of Organizing: An Artful  Guide to an Organized Life. This artful, engaging, and informative book reflects her extensive knowledge and gives readers valuable tips and techniques to bring a sense of order and balance into their lives. Her unique approach sets her apart from other organizing professionals, and her method was dubbed "ingenious" by The Kitchn.  Prior to founding B. Organized, Nicole served in various jobs in TV production at renowned networks like MTV, Nickelodeon, the Orlando Film Commission, and MacGuffin Films in New York City. She received a BFA in Textile Design from the  Fashion Institute of Technology, attended Parsons School of Design, and worked as a textile designer in New York City for several years.  Nicole has been featured in prestigious media outlets such as TODAY.com, Martha  Stewart, Southern Living, AARP, Real Simple, US News & World Report, Forbes,  Boston 25 News, and more. To learn more about Nicole and to purchase her book, visit her website www.b-organized.net To learn more about Naeemah, visit her ⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠naeemahfordgoldson.com⁠⁠⁠⁠⁠⁠ Follow us on Social Media! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/organizemeradio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/OrganizeMeRadio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/naeemah-ford-goldson/message

In this episode Amber Asay and Lisa Congdon talk about the legend that you may have not heard about, Gere Kavanaugh, who's work spans 1950's through 2020. She's another Cranbook Academy and multi-hyphenate designer, and has the most impressive repertoire of work. Sources:Architectural Digest Articles:A Look at the Life's Work of Multi-Hyphenate Designer Gere KavanaughThe Unlikely Story of One of General Motors's First Female DesignersLA Times: Gere Kavanaugh's color avalanche brightened midcentury California design2019 Book: A Colorful Life: Gere Kavanaugh, Designer (written by Louise Sandhaus, Kat Catmur)Metropolis: Gere Kavanaugh: Pioneer With a Penchant for ColorAIGA Medal ArticleAIGA Short Gere Kavanaugh, born in Memphis in 1929, is a legendary American designer known for her vibrant and innovative contributions across industrial design, textiles, and interiors. Educated at the Memphis Academy of Art and Cranbrook Academy of Art, she was influenced by greats like Charles Eames and Eero Saarinen.In the 1950s, Kavanaugh broke barriers at General Motors as one of the few female industrial designers. In 1960, she founded Gere Kavanaugh Designs in Los Angeles, known for bold colors and playful forms. Her work spans textiles, furniture, and interiors, always pushing the boundaries of traditional design.Kavanaugh's influence extends through her collaborations, mentorship, and numerous awards, including the AIGA Medal in 2010. Her legacy is marked by innovation, courage, and an unwavering dedication to making the world a more beautiful, functional place.––––Thank you to Lisa Congdon!https://lisacongdon.com/https://www.instagram.com/lisacongdonHer exhibit is up at St. Mary's until June 23, 2024: https://www.stmarys-ca.edu/museum-art/lisa-congdon-hold-it-lightlyLisa Congdon an internationally known fine artist, illustrator and writer. She makes art for clients around the globe, including The Library of Congress, Target, Wired Magazine, Amazon, Google, Schwinn, Warby Parker, Method, Comme des Garcons, REI and MoMa, among many others. She exhibits internationally, including solo shows at Saint Mary's College Museum of Art (California), Chefas Projects (Oregon) and Paradigm Gallery (Philadelphia), along with group shows at Hashimoto Contemporary in Los Angeles, Museum of Design Atlanta and The Contemporary Jewish Museum in San Francisco. She is the author of ten books, including Art Inc: The Essential Guide to Building Your Career as an Artist and Find your Artistic Voice: The Essential Guide to Working Your Creative Magic. Lisa is self-taught and didn't achieve momentum in her career until she was nearly 40 years old. Despite her untraditional path, Lisa has achieved recognition, not just as an artist, but as a leader in the industry for her work in social justice, mentoring and teaching. In March of 2021, she was named “One of the 50 Most Inspiring People and Companies According to Industry Creatives” published by AdWeek. When she's not making art, you can find her racing her bike around Oregon. She lives and works in Portland, Oregon.

Featured Artist: Kim Meuli Brown Kim Meuli Brown is an artist and graphic designer whose journey began with a Bachelor of Science in Textile Design from UC Davis. Inspired by nature, Kim's creations blend traditional textile techniques with contemporary innovation. Her canvas, often cotton, silk, or wool, becomes a testament to the beauty of local flora, adorned with natural dyes and botanical prints. Her current focus on fiber arts celebrates sustainability, weaving a narrative of harmony between humanity and the environment. Learn more about Silicon Valley Open Studios.  Silicon Valley Open Studios 2024 will take place the first three weekends of May and showcase the studios of over 200 Silicon Valley Artists. Weekend two, May 11-12, will be held in the Mid-Peninsula region, and Weekend three, May 18-19, will be hosted in the South Bay. Thirty-three artists at The Alameda Artworks in San José, including textile artist Kim Meuli Brown, will open their studios to guests on May 18 and 19. Follow Kim at: https://www.instagram.com/kimmeulibrown/ https://www.kimmeulibrown.com/ https://www.thealamedaartworks.org/kimbrown --- Support this podcast: https://podcasters.spotify.com/pod/show/content-magazine/support

On today's episode, we'll discuss the life and work of industrial designer, Evelyn Ackerman, who's work was prolific during the Mid-Century California Modernism era in the 50s and 60s But what makes this episode even more exciting is that we're joined by her daughter, Laura Ackerman-Shaw, who offers a unique perspective and personal insights on the incredible work of her mother.   Laura Ackerman-Shaw, is a Stanford University graduate with a bachelors and masters degree in English literature, boasts 35 years of experience in publishing and has been the Executive Director of Ackerman Modern since 2015. She passionately preserves and promotes her parents' design legacy through museum exhibitions, presentations, scholarships under their name, preserving their archive of work, writing articles, and licensing her parents products with brands like Design Within Reach and CB2. Based in the Bay Area, Laura, her husband Marc, and their son Aaron live in a vibrant mid-century modern Eichler home, embodying the artistic essence inherited from her renowned designer parents. Evelyn Ackerman, alongside her husband Jerome, was a leading figure in Mid-Century California Modernism. Her colorful and whimsical designs spanned ceramics, mosaics, tapestries, woodcarvings, and hardware, embodying the Bauhaus philosophy of blending art, craft, and industry for accessible quality goods. Her design style ranged from geometric minimalism to biomorphic abstraction to figurative stylization, highlighting her intuitive use of pattern, color, line, proportion, and composition. Evelyn and Jerome's pieces from the early 1950s through the early 1980s gained recognition nationally and internationally, noting the cultural nuances encountered in Evelyn's creative journey. Her and her husband's timeless creations adorned postwar modern interiors, fueling California's housing boom, have been seen in museums and even on sets in movies and television. Despite retiring from manufacturing in 1979, their legacy endures, captivating collectors today and resonating with a new generation drawn to their collaborative spirit and unwavering dedication to their artistic vision._________Here's where to follow the Ackerman Modern legacy to stay up to date on exhibits and future brand collaborations:https://ackermanmodern.com/https://www.instagram.com/ackermanmodern/CB2 Collection as part of their Design Legends series:https://www.cb2.com/collections/ackerman-modern/1IG Reel of her work: https://www.instagram.com/p/C6gk90qrpYl/

In today's episode, I'm joined by the incredible designer, Meryl Vedros, as we dive into the remarkable life Gunta Stölzl, a visionary force at the iconic Bauhaus in Germany. We uncover what it truly meant to be a woman navigating the male-dominated world of design during the early 20th century. From her groundbreaking textile designs to her influential role as the only female master at the Bauhaus, we'll explore the enduring legacy of Gunta Stölzl and how her innovative spirit continues to inspire designers around the globe. As the only female master of the Bauhaus, textile artist Gunta Stölzl is arguably the single most influential figure in the modern history of Western woven art. Under her leadership, the school's weaving workshop was transformed from a neglected department to one of its most successful facilities. During her tenure, she updated the focus from pictorial work to more industrial designs, introducing radical ideas from the world of modern art to weaving, and initiated experiments in materials and methods that helped shift weaving into the modern age. Sources2019 Book “Bauhaus Women: A global perspective”2022 Daily Art Magazine article1999 Bauhaus Book by Anja Baumhoff2012 Talk at The Barbican Centre in London by daughter Monika “Bauhaus: Art as Life”Diary entries from Gunta herself. Slit Tapestry Red/Greenhttps://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Wall-Hangings-and-Carpet/i-4h4SxCp Tapestry Paintings / Designshttps://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Carpets/i-6fRNWJHhttps://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Wall-Hangings/i-xJrzrhMhttps://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Wall-Hangings/i-tJbfVbHhttps://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Carpets/i-CqVr29m From Sketch to Finalhttps://www.guntastolzl.org/Works/Bauhaus-Weimar-1919-1925/Designs-for-Wall-Hanging/i-VxXtPrNhttps://www.guntastolzl.org/Works/Bauhaus-Weimar-1919-1925/Wall-Hangings-and-Carpet/i-3ZMsh3B Thank you Meryl Vedros! https://www.vedrosstudio.com https://www.instagram.com/vedrosstudio/

Margo is joined by founder of Lonesome Pictopia, Melanie Nead. Rooted in American tattooing, the wild spaces of the Pacific Northwest, and the belief that all work should be a force for good, Lonesome Pictopia is a woman-owned design collective creating magical worlds with original wallpapers, textiles, and murals. After fifteen years as a custom tattoo artist, Melanie turned her love of plants and pattern to creating one-of-a-kind, hand-painted murals, with an eye on releasing a house line in the spirit of historic wallcoverings. Their deeply designed wallpapers are traditionally printed in the UK by a sustainable manufacturer of some of the finest wallpapers in the world. Her work has appeared in Architectural Digest, Luxe Magazine, Casa Vogue Brazil, and the Business of Home podcast, among many others.   Margo and Melanie discuss: Her creative path and the transition from tattoo artist to surface pattern designer navigating the balance between tradition and innovation within her art How to manage project expectations, setting clear boundaries and communication with clients Infusing personal values and making a social impact into her work The difficulty that comes with shifting career paths Discovering a passion for design after tattooing The impact of design and creativity on mental health The magic that comes from authenticity and experimental drive Business systems for creative entrepreneurship and how platforms like Instagram can still be a powerhouse for business growth Balancing the need for creative mental space with the business demands of schedules and deadlines Maintaining and revitalizing historic crafts and artistic expressions Cinema as a design inspiration   Connect with Melanie: www.lonesomepictopia.com www.instagram.com/lonesomepictopia   Connect with Margo: www.windowsillchats.com www.instagram.com/windowsillchats www.patreon/inthewindowsill  

Welcome back to another episode that's going to sprinkle your day with creativity and inspire your journey, no matter what field you're in! Today, we're chatting with the incredibly talented Emilie Fosnocht, a food and prop stylist who's turning everyday meals into art. Emilie's journey from Philadelphia to the bustling streets of London and back has filled her with insights and experiences that she's here to share with us. So, buckle up as we dive into the world of food styling, prop designing, and the power of pursuing your passions. About Our Guest Meet Emilie Fosnocht, a dynamic food and prop stylist whose roots near Philadelphia's rich culture paved the way for her artistic journey. Her adventure took an exciting turn when she moved to London for college at Goldsmiths, significantly shaping her creative sensibilities. With a mission to transform the ordinary into the extraordinary, Emilie aims to inspire with her behind-the-scenes magic in food styling and prop designing, proving that creativity knows no bounds. Episode Highlights: The Influence of Philly Q: How did Philadelphia shape your aesthetic? A: The diversity and richness of Philly's food scene deeply influenced Emilie's creative outlook. The London Leap Q: What prompted your move to London for college? A: A desire for alignment with her creative spirit led Emilie to Goldsmiths, London. Textile Design to Food Styling Q: How did you transition from textile design to food and prop styling? A: Emilie's journey was fueled by her quest for a career that resonated with her creative soul, leading her to food styling. The Art of Food Styling Q: What misconceptions did you have about food styling? A: Emilie discusses the learning curve in food styling and the unique techniques involved. Key Takeaways: The importance of following your passion, even if it leads you across the globe. How diverse experiences enrich your creative skills. The underestimated art and technique behind food styling. Follow Emilie on Instagram at @EmilyFoz and dive into her visually stunning world of food and prop styling. If Emilie's journey inspired you, share this episode with a friend who's looking for a creative spark.   Today's chat with Emilie Fosnocht reminds us that the path to finding what we love is rarely straight but always worth it. Her journey from Philadelphia to London and into the realms of food styling shows us the beauty of embracing change and pursuing passion. Remember, creativity is not just in the art we make, but in the lives, we lead. Stay inspired, and until next time, keep creating, dreaming, and being uniquely you.   Savory Shot Shownote: https://austinfoodguide.com/2024/03/19/emilie-fosnocht Website: www.austinfoodguide.com/podcast Instagram: www.instragram.com/austinfoodguide Instagram: www.instagram.com/thesavoryshot Would you like to be a guest on the show? Fill out the guest form, and we'll be in touch soon.

Today Carina talks to Annette Lennerup who is a fashion and textile designer who now mentors other surface pattern designers. Learn more about her jounrey in today's episode.Learn more about Annette at www.lennerup.com and www.fashiondesigntribe.comAnnette also spoke at our Illustration and Art Conference. You can purchase the All Access pass at https://www.designsuitecourses.com/illustration2024allaccess_________Love to create, design and craft? Have you always wanted to know how to turn your passions into profit? Carina's new book – Design Profit & Prosper will lead you down the path of making your dreams a reality. Get your copy today! https://www.designsuitecourses.com/designprofitprosper__________About Carina Gardner:Carina Gardner is a fabric designer, paper designer, and design educator who is passionate about helping other designers fulfill their creative dreams by teaching them her strategies for making money as a designer. She has a Ph.D. in Design and taught design at the University of Minnesota before starting Carina Gardner, Inc.Carina Gardner, Inc design brand has been featured in dish ware, holiday decor, sewing patterns, and more. Her exclusive Design Suite Program helps creatives make money designing as they learn to design. Her programs include Illustrator and Photoshop training, surface pattern design, paper design, Silhouette & Cricut file design, and running a design business. She started the Make and Design Podcast so that she could share inspiration, stories, and experiences about design and life with crafters and designers.Find out more at https://www.carinagardner.comWatch this episode as a video at https://www.makeanddesign.com/My new book Make Art That Sells is out and I want you to get the Master Class for Free!Go to MakeArtBook.com and click on the Masterclass. Use the code CARINAPODCAST!I can't wait to see you there!

Today Carina talks to Annette Lennerup who is a fashion and textile designer who now mentors other surface pattern designers. Learn more about her jounrey in today's episode.Learn more about Annette at www.lennerup.com and www.fashiondresigntribe.comAnnette also spoke at our Illustration and Art Conference. You can purchase the All-Access pass at https://www.designsuitecourses.com/illustration2024allaccess_________Love to create, design and craft? Have you always wanted to know how to turn your passions into profit? Carina's new book – Design Profit & Prosper will lead you down the path of making your dreams a reality. Get your copy today! https://www.designsuitecourses.com/designprofitprosper__________About Carina Gardner:Carina Gardner is a fabric designer, paper designer, and design educator who is passionate about helping other designers fulfill their creative dreams by teaching them her strategies for making money as a designer. She has a Ph.D. in Design and taught design at the University of Minnesota before starting Carina Gardner, Inc.Carina Gardner, Inc design brand has been featured in dish ware, holiday decor, sewing patterns, and more. Her exclusive Design Suite Program helps creatives make money designing as they learn to design. Her programs include Illustrator and Photoshop training, surface pattern design, paper design, Silhouette & Cricut file design, and running a design business. She started the Make and Design Podcast so that she could share inspiration, stories, and experiences about design and life with crafters and designers.Find out more at https://www.carinagardner.comWatch this episode as a video at https://www.makeanddesign.com/My new book Make Art That Sells is out and I want you to get the Master Class for Free!Go to MakeArtBook.com and click on the Masterclass. Use the code CARINAPODCAST!I can't wait to see you there!

Today on our show, we bring you a story by Sumitra Mattai. Sumitra is a writer and textile designer based in New York City. She holds a BFA in Textile Design from the Rhode Island School of Design and an MFA in Creative Writing from The New School. Her essays on family, food and culture have been published widely. For more information, www.sumitramattai.com, Instagram @sumitramattai, or subscribe to her newsletter, "Clothbound," highlighting textiles in art, design and everyday life.Her story is a really interesting example of how to change-up structure. It's literally a list with soooooo many details that reveal so much about her. Through the list, we discover what the story is about, which is that despite insecurity, this narrator pushes on one day at a time.Writing Class Radio is hosted by Allison Langer and Andrea Askowitz. Audio production by Matt Cundill, Evan Surminski, Chloe Emond-Lane, and Aiden Glassey at the Sound Off Media Company. Theme music is by Justina Shandler.There's more writing class on our website including stories we study, editing resources, video classes, writing retreats, and live online classes. Join our writing community by following us on Patreon. If you want to write with us every week, you can join our First Draft weekly writers groups. You have the option to join Allison Langer on Tuesdays 12-1 ET and/or Thursdays with Eduardo Winck 8-9pm ET. You'll write to a prompt and share what you wrote. If you're a business owner, community activist, group that needs healing, entrepreneur and you want to help your team write better, check out all the classes we offer on our website, writingclassradio.com.Join the community that comes together for instruction, an excuse to write, and the support from other writers. To learn more, go to www.Patreon.com/writingclassradio. Or sign up HERE for First Draft for a FREE Zoom link.A new episode will drop every other WEDNESDAY. A Transcription of this episode is available here.There's no better way to understand ourselves and each other, than by writing and sharing our stories. Everyone has a story. What's yours?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As the landscape of design and textile print becomes ever more digital, we speak with Mike Scrutton, the Director of Print Technology and Strategy at Adobe. In conversation we discuss how AI is democratising design, the seamless workflow and the digital twin, collaborative technology and automation, colour management and the latest advances in manufacturing technologies.The latest developments and the implications of AI and Machine learning for the design and print community?Seamless Design – Production and the Digital Twin Meeting customer expectations and the print workflow (collaborative technologies – one language)What's next on radar for manufacturing technologies and the design community?

Einstein once said “If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales.” He also said, “Logic will get you from A to Z; imagination will get you everywhere.” Why I am talking about this? In today's episode, we'll documenting all about Play and Work. For this, we have Nitesh Mohanty and Sonal Choudhary with us on Audiogyan. Nitesh is a Educator, Photographer, Art Director, Writer, Curator. A JJ and Bombay boy, now in Goa. He did his post-gard from NID, Ahmedabad, specialising in Textile Design. Sonal is a Visual Communication Designer, Writer, Educator. We'll be discussing about their new venture, or should I call it “school of thought” - Plork. Well, lets find out in this case study. Questions NM & SC: Tell us a little bit about your background. Which school of thought are you coming from? NM & SC: What is Plork? Why are you doing this? Who is it for? SC: Paula Scher said, “Great design is serious, not solemn”. What is your take? NM: What makes you go so broad with poets, chefs and philosophers, while education these days is task / job oriented? NM: What is taste and how do you acquire taste during education? (aesthetic, intellectual) NM: You teach, “Ways of Seeing”. Tell us more about it? NM & SC: How do you define a ‘mature' designer? NM: What is the role of “play” in corporate structures? When there are clear objectives and deliverables, is play required or possible? SC: What are key big gaps in today's design or art education? NM: What do you think the future of design education in India? Reference Reading https://www.instagram.com/nimo_obscura/ https://www.linkedin.com/in/nitesh-mohanty-46562777/?originalSubdomain=in https://www.jioinstitute.edu.in/faculty/mr-nitesh-mohanty https://homegrown.co.in/homegrown-creators/nitesh-mohantys-nowhere-is-a-visual-story-of-resilience-amidst-tragedy-and-despair https://medium.com/@artwintent/the-art-of-visual-storytelling-4b1ad2e159b0 https://studioanugraha.com/Nowhere-Now-here https://www.instagram.com/sonalchoudhury/?hl=en https://www.behance.net/sonalchoudhury1 https://www.instagram.com/plorkschoolofthought/?hl=en

In the 1930s, a design collective of mostly women produced textiles and wallpaper using their own block printed methods. They called themselves the Folly Cove Designers and became a powerhouse in the Americana design movement. Their commitment to high quality craftsmanship was an antidote to highly mechanized, mass produced goods and their legacy is still alive today.  In this episode I interview the author of a new book about the history of the Folly Cove Designers, Elena Sarni.Show Notes: https://www.slowstylehome.com/episodes/elena-sarniTo learn all about this podcast and the Slow Style Framework, go to:www.slowstylehome.com The Style Matters podcast is now Slow Style Home! Click here for the latest episode.

Nicole Gabai is the author of the best-selling book The Art of Organizing: An Artful Guide to an Organized Life. She also founded ‘B. Organized' in 1999 and is a Golden Circle member of NAPO – National Association of Productivity & Organizing Professionals. Nicole's unique 6-step organizing system, The Gabai Principles, helps people move from feeling stuck, overwhelmed, or afraid of change to feeling happier and more productive so they can move on with their life! In 1989, Nicole received a BFA in Textile Design from the Fashion Institute of Technology, worked as a textile designer in NYC, and attended Parsons School of Design. Listen & Subscribe on: iTunes / Stitcher / Podbean / Overcast / Spotify Contact Info Website: www.B-Organized.net Book: The Art of Organizing: An Artful Guide to an Organized Life by Nicole Gabai Most Influential Person Pema Chodron (Buddhist teacher, author, nun and mother) Effect on Emotions Well, I've learned that thoughts create a feeling. So if I'm feeling this way, anxious, angry, sad, whichever, I look at my thoughts. Like, what am I thinking about? What's making my feelings this? And then I realize I am in charge. I can change the thought. And then I change my feeling. And that changes the emotion around it. So that is all from meditation that I've learned this. Thoughts on Breathing I've always known that breathing is important, but I had a brain tumor six years ago, and I needed to go in for surgery, and it just shattered my world. It was incredibly scary. And I had a friend who was studying mindfulness, and she said she'd come over three times a week for a couple of months before the surgery, and she was going to help me with breathing. And I was like, how are we going to do that many hours about breathing? Like you go in, you go out. And she said no, you're going to see. So she taught me a lot about breathing. And one of the exercises is called Sweet 16. I use it whenever I'm getting anxious, I just take that pause. So basically it's. You take a deep breath in and a deep breath out, and then you hold your breath for four seconds, or the count of four beats. Then you inhale for four beats, hold it for four beats, and then you let the air out for four beats, and hold it for four. So you hold for four, inhale for four, hold it for four, exhale for four. And you start again. And that was incredibly important. Even though I'm an artist, I do enjoy structure. So the breathing is what gives me the focus when I'm meditating so that when I do have a fleeting thought, I can be like, Oh, look, there was a thought, or if I have a feeling that comes up, Oh, look at that feeling; okay, let's keep breathing. Suggested Resources Book: When Things Fall Apart by Pema Chodron Book: The Artists Way by Julia Cameron Book: The Art of Organizing: An Artful Guide to an Organized Life by Nicole Gabai App: Insight Timer Bullying Story I am currently in a situation where I've been dealing with a lot of bullying. And in the beginning it was painful because  I took it personally and thought, Oh my gosh, what is wrong with me? And it definitely has shifted for me with my meditations because I'm learning in meditation that my thoughts do not define me. My feelings do not define me. Those are all passing things. And my being stays intact no matter what.  And that's where the non-judgment comes in. That's where the self-acceptance comes in. And then the bullying doesn't hurt so much anymore. It's not pleasant. But you know what? I have a distance from it now. I can put distance between myself and that person. And what I've learned is, The bullying that's happening is really about that person. It's how they feel about themselves. It's how they talk to themselves. That's really what it is. It's not about me. And that is through meditation. I've been able to learn that with experiencing when I'm in meditation, now I can bring it to my life and say, wow, that person really has a hard time because look at what they're saying and doing. Related Episodes Outer Order To Bring On Inner Calm; Gretchen Rubin Cultural Brilliance To Boost Organizational Excellence; Claudette Rowley The Mindset of Organization With Lisa Woodruff Are you experiencing anxiety & stress? I'm Bruce Langford, a practicing coach and hypnotist helping fast-track people just like you to shed their inner bully and move forward with confidence. Book a Free Coaching Session to get you on the road to a more satisfying life, feeling grounded and focused. Send me an email at bruce@mindfulnessmode.com with ‘The Time Is Right' in the subject line. We'll set up a call and talk about how you can move forward to a better life.

Art Style Academy:  https://www.laurenlesley.com/asa-sales-page-35-spots Guest Episode Application:  https://docs.google.com/forms/d/e/1FAIpQLSdIGrg1q59yw4c47VniYirOBpp2aoEYjA33N9o9a4eWgYR_tw/viewform?usp=pp_url   Transcript: Hey, how are you?  I basically disappeared from this podcast for the past 2 years and I owe you an explanation!   If this is your first time listening, hey, I'm Lauren of Lauren Lesley Studio.  I'm an artist and textile designer, and I started The Design Tribe podcast back in 2019 as a way to add some transparency to someone who was just getting started in surface pattern design and the whole licensing world.   In this episode, I'm going to spill the tea on what it's REALLY like being a full-time artist…. Full disclosure:  it's not exactly how I thought it would be.   But first, let me explain where I've been and what the plan is for the Design Tribe podcast moving forward!   Back in the Fall of 2021, I decided to go back to an in-house job and I found out I was pregnant all in the same month!    On top of that, my husband and I decided to move houses to have a more suitable neighborhood for our baby to grow up in.  The idea of moving after our daughter was born really stressed me out so we were on an intense timeline trying to find the right place.   The housing market was incredibly competitive when we were moving and it basically took up 150% of my time.   We literally closed on our old house one week before my daughter was born! Then, she came into the world and my full attention was on her.   So, I'm very sorry that I've been gone for so long.  That was never exactly the plan, but you know, sometimes life gets in the way of creative pursuits.   So, what is the plan for the Design Tribe podcast moving forward?   During this season of life, I have to be realistic about the fact that I just don't really have time to conduct a lot of interviews myself.   But, that doesn't mean I won't in the future.  I personally hate the idea of letting this podcast die just because of my own time constraints.   So, I started thinking outside the box and was wondering what WOULD be feasible for the podcast moving forward.   Sometimes, as artists and designers, we simply don't have time to create ALLLL of the content all by ourselves.  It's probably been a year since I've even created an Instagram post for my actual feed..  I am way more active in my Stories though!   But, the point is…. I started thinking what if The Design Tribe lived up to its name and became more of a collective effort?  Wouldn't it be great to be able to hear from different voices and different artists who have different experiences?   SO!  I'm opening up the podcast to publish more guest episodes.   That means, if you are an artist or designer who has conducted your own interviews… either in podcast format or on YouTube… and you'd like to repurpose your episodes for further reach, please get in touch with me!   Especially, if you find yourself unable to keep up with a demanding weekly interview schedule on your own podcast… I'd love to collaborate with you!    Wouldn't it be great to slow down and put our content efforts together… and get a bigger bang for your buck?   Imagine if you could relax the pace and schedule out one interview per month.  The Design Tribe is the perfect place to contribute those podcast episodes and reach more people.   If this sounds interesting to you, please look in the show notes for an application.       OKAY, so now let's get into the good stuff.   Why the heck did I return to an In-House job and what was it REALLY like being a Full-Time Artist?   So, I dreamed about being a full-time artist for as long as I can remember.  Back in college, I was an oil painter so back then I envisioned doing something more along the lines of Fine Art.   But upon graduating, I realized I needed a JOB and a stable income to pay the bills.   So, I got my first job in Graphic Design at a T-shirt company.  While I loved some of the people I worked with, I still longed for something more creative.   That's when I discovered Textile Design.  I ended up pivoting to a Textile Design job and have honestly really loved working as a Textile Designer.  It's 10X more fulfilling than Graphic Design ever was, for me.   However, at my first Textile Design job I worked with a lot of licensed artists.  This is where I first got an education about licensing.  And I started thinking, huh… how do I get onto the OTHER side of this licensing thing?   I saw that these artists had their own style, their own brand, and their own name on their designs.  They got to keep the copyright and license their work across multiple products.  And what was really cool is that they were totally independent business owners!   That sounded like something I really wanted to do.   Long story short, I went independent and started my own design business back in 2019.  I worked really hard to develop my own art style, I exhibited at Blueprint Trade Show, and I landed my first licensing deal.   Things were starting to happen!   But, the reality with licensing is that it takes a LONG TIME to get paid.  I kinda already knew this and thought, “Okay… if I get can multiple deals throughout the year then it will start to build up… and I can probably replace my old salary by the end of the year.” And friend, let me just tell you that is NOT what happened.   I quickly realized how difficult the licensing world is in terms of making a full-time income.  I even signed with an agent, but it didn't prove to be very fruitful.  I wasn't getting a lot of deals through my agent and I became really frustrated since I had no control over the process, and when I did get a deal, I had to split my income basically 50%.   I thought that the agent was going to get me enough deals to make their cut worth it, but that's not what actually happened.   Now, I realize that some artists are able to build 6, or even 7, figure businesses from licensing, but the truth is that licensing income can fluctuate A LOT!   I learned that most artists are supplementing their licensing income with multiple streams of income, and I can guarantee that the majority of those 6, or 7, figure art businesses are doing the same.   I made a lot of friends in the surface pattern world, and I'm so grateful for their transparency and kindness, and willingness to talk to me.   Most artists supplement their income either with freelance work, a YouTube channel, teaching, coaching, selling books, or some other means of reliable income.   This is just the reality of licensing for 99% of artists!   I basically tried all of the things, which took a LOT of time.  Sometimes, I felt like a chicken with its head cut off running around trying to make this independent artist thing work.   I always felt spread too thin, and maybe if I had concentrated on only 1or 2 alternate streams of income, I could have had more success earlier on.   But the truth is, without some experimentation you just don't really know what you enjoy doing or what's going to work for you.   I realized that I absolutely hated doing freelance work, but I really enjoyed making YouTube videos and teaching classes.   The funny thing is… I always thought I would love freelance work!  I fantasized about working from home, making my own schedule, being able to travel and take my laptop on the go, and choosing the clients I worked with.   And hey, some designers do really love working with their freelance clients!  I think if you can nail down really good clients who repeatedly come back to you with a reliable stream of work, it can be a lot better.   I had so many people contact me who gave me a design brief, said they wanted to hire me, and then… crickets.  They would ghost me completely.   For the freelance gigs I did have, I felt nickel and dime-d to the point where I dreaded working on their projects.   I know, I know.  Lauren, you need to charge more.   I really feel like I tried to charge an appropriate amount, but I felt resentful that so many people wasted so much of my time.  A lot of that time spent emailing and sending quotes and, of course, I never got paid for that time.   I understand that you need to charge more to account for this if you really want to make it as a freelance designer, but that just wasn't the reality I was experiencing.    I kept thinking that all I ever really wanted to do was license my artwork and see my name on my own art.  I wanted to see it exist out in the world.   Of course, I wanted to earn a living from it, but that could take a lot of years of build up and I didn't have that much time to spend on my portfolio alone.    I kept thinking that if I need to do THIS MUCH WORK to supplement my licensing, wouldn't it just be easier to supplement it with an in-house job?   You see, a lot of the ways artists supplement their income ALSO take a long time to create.  It can take at least a year to write a book or create a class.  With teaching online, there's all of the planning, writing, filming, editing, uploading, and designing the pages.  Then after that, there's all of the MARKETING you have to do to make sure people know about your class.   And yes, I enjoyed creating classes (and plan on doing more in the future!)… but I also felt like it was taking a lot of time away from actually creating art.  Which is WHY I wanted to be a full-time artist in the first place!   I spent so much time and energy trying to supplement my income that I was probably only spending about 10% of my time actually making art.   There were definitely a lot of things I enjoyed while being a full-time artist, but ultimately, I was really stressed out about not being able to replace my old salary from my Textile Design job.   So, lo and behold, a new position opened up at my old company for a Senior Designer.  I was extremely interested in the category and re-joined!  And in the same month, found out I was pregnant, haha.   So, needless to say, the past 2 years have been a whirlwind.   And, I don't say any of this to complain or kill your dreams.  I think it's important to discuss the reality around licensing, because it's easy to get the impression that it's going to be this amazing passive income stream that will make you rich.   All that being said, licensing is still my favorite thing to do!  It's a little odd, because the money isn't amazing, but it's so rewarding to see your own prints on products and to know that you keep the copyright.  At this point, it feels like a fun bonus every time I get a licensing check in the mail!   My in-house job is also rewarding!  Next year, I will see my textile designs on products in Target, Home Goods, and Walmart.  This is very exciting and extremely satisfying!  I will be able to walk through the stores and say, “Hey, I did that!”   I think sometimes the narrative out there is that working an in-house job means you are some kind of failure, but I want to reject that.  The fact that big box stores are buying my designs from my in-house job means I'm a pretty good designer!   And sure, I admit I wish my name was going to be on the products, but it won't be, and that's perfectly okay.  I have the internal satisfaction of knowing my designs are selling out in the world, and honestly, that's enough.   I also find that I can be more creative when I'm more relaxed and not so stressed about money.  Having a reliable paycheck every month and a 401K allows me to pay my bills and feel financially secure.  When I can be more relaxed about money, I can allow myself to play, experiment, and build up my portfolio without an insane amount of pressure.   I'm actually in a better place to work on my licensing portfolio, because I'm not scrambling for new freelance jobs, replying to art directors who are going to ghost me, or haggling my prices.   With a reliable income, I'm also able to take more courses and level up my business needs.   I also feel good about being able to provide for my daughter!    I know it shouldn't be about this, but when I worked independently I realized a lot of my self-worth was tied to the amount of income I was able to bring in.   Mental health was a real struggle, because I felt like if my art wasn't raking in the dollars then it was no good.  And that's simply not true!   I definitely felt like I grew a TON by having the experience of being an independent artist.  I certainly learned way faster about the surface pattern industry by being immersed in it than I would have otherwise.  I made a ton of friends and was bolder about reaching out to other designers… probably because I was spending most of my days alone.   I wouldn't trade the experience at all!    But, at least for now, I feel a lot more stable and relaxed by working an in-house job as a Senior Textile Designer.    I say all of this so that you don't feel bad if you are still working an in-house job as well.  Being a full-time artist isn't everything it's cracked up to be!   Unless you have a partner to support you, or about 5 years worth of savings, or some fantastic freelance contacts…   I would actually recommend keeping your side hustle as your side hustle!  At least until your side hustle is earning enough to support you and you feel really secure making that leap to going independent.     So, what are some of the side hustles you should work on in the meantime?   If you want to be independent one day, I'd first recommend working on developing your art style.  I teach an entire program on developing your Art Style, and it's the same process that worked for me when I exhibited at my first trade show.   I SO wish I'd been able to take a course like this before I made the jump to being a full-time artist.  I would have been able to hit the ground running.   The course is called Art Style Academy and it uses my Triad Method of 3 stages to fully develop your own art style.   Check out the link in the show notes if you're interested .. or you can always visit my website to find out more at LaurenLesley.com… and Lesley is spelled with an E-Y.     Thanks so much for listening!  I'll hopefully be back soon with some guest episodes.  Bye!                                            

Join us for a special episode of our podcast featuring Leslie Dowling, an equestrian, certified nutritionist & lifestyle practitioner. Leslie shares how equestrianism can teach us communication skills and team building. She gives tips on building a strong team, creating a safe workplace, and promoting diversity. Leslie also explores how healthy living can boost productivity and well-being. She discusses self-care, mindfulness, work-life balance, and sustainable living. Tune in for practical tips and insights from Leslie. Guest's Bio: Leslie grew up in a family business centered around wholesale/retail operations. She followed in her family's footsteps and attended university, earning a Bachelor of Science degree in Business Management/Marketing and minoring in Textile Design. She then transitioned into working for MASCO Corporation, representing Baldwin Brass Hardware Corporation at trade shows throughout the US. After several years of raising her three sons, Leslie decided to go back to school to receive her Board Certification as a Functional Nutrition and Lifestyle Practitioner. For the past five years, Leslie has been creating virtual health seminars, organizing public speaking events, and lecturing to companies. In her free time, she works on her podcasts and is also an avid equestrian. Her horse's name is Sweets, also known as "Keep It Sweets." Leslie's Website- https://eastwestfunctionaltraining.com/ Leslie's LinkedIn- https://www.linkedin.com/in/leslie-dowling-fnlp-cfnc-bsba-mm-3a699221a/ Leslie's Instagram- https://www.instagram.com/eastwestfunctionaltraining/ ***Whether you're interested in improving your communication skills, building a strong team, creating a safe space in the workplace, or boosting productivity, this episode is full of practical tips and insights from Leslie Dowling. Tune in to discover how equestrianism, healthy living, and workplace productivity intersect. RSVP Today to learn more & Hit that Notification

Eva Sonaike's African-inspired fabrics are made in her studio in London. A combination of bright colors and patterns add a splash of West African luxury to European living rooms.

It's The First Monday in Lent in the Church Calendar. February 27, 2023. This week we are following the Daily Office lectionary with an episode Monday through Friday. Praying today for Stella in Nigeria. Our general order and lectionary comes from the Book of Common Prayer Daily Office. We'll sing “Come Thou Fount” by John Wyeth and Robert Robinson. We'll read Psalms 41 and 52 followed by the Gloria Patri. Our Gospel reading is John 2:1-12 . We'll say the Apostles' Creed, the Lord's Prayer, and the Collect of the Day. We'll then have a time of prompted prayer. If you have a prayer request please submit it here. Sign up here for the email list. Visit Patreon to give and support Morning Prayer monthly. Go to PayPal to give a one-time gift. Art: Loïs Mailou Jones, Textile Design for Cretonne, 1928 Collect of the Day - First Sunday in Lent, Rite Two - Almighty God, whose blessed Son was led by the Spirit to be tempted by Satan: Come quickly to help us who are assaulted by many temptations; and, as you know the weaknesses of each of us, let each one find you mighty to save; through Jesus Christ your Son our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen. --- Send in a voice message: https://podcasters.spotify.com/pod/show/prayerandworship/message

It's The First Monday in Lent in the Church Calendar. February 27, 2023. This week we are following the Daily Office lectionary with an episode Monday through Friday. Praying today for Stella in Nigeria. Our general order and lectionary comes from the Book of Common Prayer Daily Office. We'll sing “Come Thou Fount” by John Wyeth and Robert Robinson. We'll read Psalms 41 and 52 followed by the Gloria Patri. Our Gospel reading is John 2:1-12 . We'll say the Apostles' Creed, the Lord's Prayer, and the Collect of the Day. We'll then have a time of prompted prayer. If you have a prayer request please submit it here. Sign up here for the email list. Visit Patreon to give and support Morning Prayer monthly. Go to PayPal to give a one-time gift. Art: Loïs Mailou Jones, Textile Design for Cretonne, 1928 Collect of the Day - First Sunday in Lent, Rite Two - Almighty God, whose blessed Son was led by the Spirit to be tempted by Satan: Come quickly to help us who are assaulted by many temptations; and, as you know the weaknesses of each of us, let each one find you mighty to save; through Jesus Christ your Son our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen.

Join me today to chat about two important ways you can increase sales and boost confidence in your design business.  For more on how to grow your surface pattern design business head over to https://lesliekenehan.com/ for details.

Join me today to chat about our role in sustainable fashion and how we can implement design practices that are in line with slow fashion. Let's work toward intuitive and market led design in 2023 so that we can work more efficiently freeing up time to sharped our skillset and becoming better designers. If you are a surface pattern or print designer who wants to learn more about how you can build a creative business doing what you love...head over to https://lesliekenehan.com/freetraining and let's work together!

When looking for inspiration, when looking for someone you can look up to in your craft, I look to Paul Binnie. Paul is an artist who has carved a living from their craft, and has been a large part of the greater mokuhanga community. His work has touched on so many themes, concepts and ideas. His mokuhanga takes the past and brings it firmly into the future.  On this episode of The Unfinished Print, I speak with mokuhanga printmaker Paul Binnie. Paul speaks about his life and career, how he uses pigments, paper, and wood for his work. We discuss the fantasy and reality of an historical past. We look at shin-hanga, and sōsaku hanga, observing kabuki, as well as taking a look at his other work such as oil painting and his drawings.  This interview was recorded during Paul Binnie's solo show at Scholten Japanese Art in June, 2022. There may be some background noise during the interview. I apologize for any inconvenience.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Paul Binnie - while Paul doesn't have a singular website he does have his Instagram. There is the "Binnie Catalogue," which is produced by a third party which digitally collects his work, past and present. This can be found, here.  Protest March - from the Flowers of a Hundred Years Series (2016) New Year Card - called nengajo (年賀状) in Japanese, these cards have been traditionally passed from person to person since the Heian Period (794-1185). Mokuhanga practitioners make them as well, creating a new one every year focusing on the zodiac sign of the year as a theme. Scholten Japanese Art - is a mokuhanga focused art gallery located in midtown Manhattan. It was founded by René Scholten, an avid collector of the Japanese print. More info can be found, here. intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.  Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier, that made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.  Yoshida Tōshi (1911-1995) - eldest son of Hiroshi Yoshida. Having been affected by polio, and the pressure of continuing his fathers legacy, Tōshi Yoshida made prints and paintings which gradually became expressive, avant garde and abstract. Later in life he focused on birds and mammals. Seki Kenji - is a woodblock printmaker based in Tokyo. He was head printer, and produced prints, for Doi Hangaten as well as making his own pieces.  Late Fall (ca 1990's) Western Representational realism - is an attempt to represent the subject in art in the most realistic way possible. Interchangeable with naturalism in European art of the 19th Century.  kabuki - is a traditional form of Japanese theatre which started in Kyoto on the banks of the Kamo River in the 17th Century. Today it is a multi million dollar business and is almost exclusively run, professionally, by The Shochiku Company. Kabuki, the word, is separated into three different sounds; ka - meaning to sing, bu - meaning to dance, and ki- meaning skill. There are various families in kabuki which generate actors, passing down tradition throughout the lineage. For more information please read this fine article from Nippon.com. There are many books written on the subject of kabuki, but in my opinion, to begin, one needs to read Leonard Pronko's work Theatre East & West, Kawatake Toshio's Kabuki, and Earl Ernst's The Kabuki Theatre. Online, please visit Kabuki21.com, who's site is unparalleled. On YouTube there is the new(ish) Kabuki In-Depth which is updated regularly on kabuki information and history, and is very well done.  Hiroo/Roppongi -  is an upscale area of Tōkyō, Japan. It has a thriving international community, museums, galleries and the like. More info can be found, here.  Nakamura Utaemon VI (1917-2001) - was a kabuki actor who focused primarliy on female roles, or onnagata. He is considered one of the best actors in this kind of role, and was designated a Living National Treasure in Japan, in 1968.  From, A Great Mirror of the Actors of the Heisei Period: Nakamura Utaemon as Agemaki in Sukeroku by Paul Binnie (1997) Agemaki - is a character from the celebrated story Sukeroku, a story about love and revenge. It was first staged in kabuki in 1713. Agemaki is a famous courtesan who is in love with Sukeroku.  Edo Wonderland Nikko Mura - is an Edo stylized theme park based on the architecture of Edo Period (1603-1868) Japan, and is located in Tochigi Prefecture. There are other areas in Japan which contain Edo Period architecture and events, such as the Dutch Trading Post located on Dejima Island in Nagasaki. More info regarding Edo Wonderland, here.  More info on the Dejima, Dutch Trading Post, here.  nō - is a traditional Japanese theatre based on ghost and mythological stories. It, like kabuki, uses dance, music, and drama to tell its story. It is older than kabuki and was patronized by the aristocratic class in Japan. Kabuki was the oppoosite, where the everyperson could enjoy kabuki, the aristrocrats enjoyed nō. Like kabuki, the stage is set in a traditional way, and the roles are played by men. For a more detailed descriptor of nō, you can find it at Japan-Guide.com, here. Takarazuka -  is an all female musical theatre troupe, based in Hyōgo Prefecture, and founded in 1914. The revue has become a popular Kansai tourist attraction. For a detailed description of the Takarazuka, their website in English can be found, here. A Crib's Notes descriptor can be found, here.  kappazuri-e - is the method of stencil printing, usually atributed to the sōsaku hanga artists of the 1950's and 1960's. Artists such as Yoshitoshi Mori (1898-1992), used stencil's to make elaborate prints. It can be quite an interesting and complicated process. More information can be found, here, from Viewing Japanese Prints.    Yoshitoshi Mori : Street Vendors (1970)    German Expressionism - focused on emotional expression rather than realistic expression. German Expressionists  explored their works with colour and shape searching for a “primitive aesthetic” through experimentation. More info can be found, here, on Artsy.net    Max Pechstein - Angler am Lebastrom (1936) watercolour on paper   Edvard Munch (1863-1944) - was a Norweigan artist, who initially was a painter, but also ventured into printmaking making 850 images. His print medium was etching, lithography, and woodcut. More information can be found here, at Christie's.      The Girls on The Bridge (1918) woodcut printed in blue with lithograph and pale green on wove paper.    Ralph Kiggell (1960-2022) -  was one of the most important mokuhanga practitioners. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print can be found, here.     Jackfruit (2018)   Tama Art University - is an arts university located in various campuses in Tōkyō. It has various departments such as Architecture, Product and Textile Design, and Art Studies.    Ban Hua: Chinese woodblock prints - the history of Chinese woodblock goes back centuries, longer than the Japanese method. Modern Chinese printmaking began after Mao's Cultural Revolution, strongly connected  by the writings and work of philosopher, academic, and artist Lu Xun (1881-1936) who established the Modern Woodcut Movement. There is a lot of information regarding Chinese woodblock printing. To begin, check out the Muban Educational Trust based in England and their work. More info can be found, here.  And here at artelino, For the history of Lu Xun, this can be found, here.    powdered pigments - are an option when producing your mokuhanga. They are pigments which are made of powder, and when mixed with certain binders can be used as gouache, or water colours.    nihonga - was a Japanese artistic movement based on going back to a “traditional” form of Japanese aesthetic in painting, away form the new Western influences which were coming into Japan during the later 19th Century. More info can be found, here.      Tetsu Katsuda (1896-1980) - Evening (1934)   Uemura Shōen (1875-1949) -  was the pseudonym of Uemura Tsune, who was supported by her mother to pursue painting, at a time when female painters were rare. Her work focused on various themes such as nō, the four seasons, and nationalist paintings during World War 2.      Daughter Miyuki (1914) painting   kozo paper -  is paper made from mulberry bark and is commonly used in woodblock printmaking.   shina - is a type of Japanese plywood used in mokuhanga. Not all shina is made equally, buyer beware.    Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō. website.   Nihon no Hanga - is a mokuhanga museum located in Amsterdam, Netherlands. It focuses on many types of mokuhanga in history and publishes various catalogues of their exhibitions, which are top notch. More info, here.     The John and Mable Ringling Museum of Art - This museum is dedicated to the arts, Western and “non-Western”from all periods of human history, focusing on education, and conservation. More info, here.    Kabuki Earphone Guide -  is and was an audio guide in Japanese for Japanese, and English for English speaking tourists coming to watch kabuki. It hired English speaking academics to narrate the action as you watched. In 2015 the English version of the audio guide was replaced with the GMARK or GMARC captioning guide. GMARK stands for Graphic Multilingual Advanced Real-time Captioning system.    Kabuki-za - is the main theatre in Tōkyō which shows kabuki performances. It was opened in 1889 and has been rebuilt several times in its history.    Okubi-e -  are woodblock prints of close-up human heads, which came into prominence in the late 19th Century. For me, the best mokuhanga designer of okubi-e is Toyohara Kunichika (1835-1900). His okubi-e of kabuki actors is unparalleled, showing the actors in various positions with intricate backgrounds and poses.      Kawarazaki Gonjuro I as Sato Masakiyo (1869)     Ichikawa Ennosuke IV as Nikki Danjō (1996) by Paul Binnie   Vincent Van Gogh (1853-1890) - was a Dutch post-Impressionist painter. He began to collect Japanese woodblock prints around the winter of 1886-1887 from the art dealer Siegfried Bing. he used to collect and to sell for a profit, although he didn't sell very many. This collection would go on to influence much of his work.  Rebecca Salter - is the President of The Royal Academy of Arts, in London, England. She is also an artist who has written two books about Japanese woodblock printing, Japanese Woodblock Printing (2001), and Japanese Popular Prints (2006). She worked with the Satō Woodblock Print Workshop, documenting their process. Her interview with The Unfinished Print can be found, here.  into the light II (2011) Akira Kurosaki 黒崎彰 (1937-2019) - was one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. W- 396, Wandering Heart (2017) Wimbledon, England - is a district located in South West London. Considered an affluent neighbourhood, it is the home of the Wimbledon tennis tournament. More info can be found here, at Visit London.    Stockwell, London - located in the burough of Lambeth, in London, England. It is a diverse neighbourhood, close to Brixton, with shopping, and restaurants. It's a great area to stay and enjoy a different side of London.    International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here.       Hiroshi Yoshida - Fishes of Honolulu at The Honolulu Aquarium (1925)     Summer Canyon - Black's Beach: Sunrise   © Popular Wheat Productions opening and closing musical credit - Yazoo: Too Pieces. From their 1982 album Upstairs At Eric's logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***            

Uberta Zambeletti"A stile libero"Punti di svista sulla moda e sulla vitaSonzogno Editorehttps://www.sonzognoeditori.it/Nascere bruttina e introversa, crescere solitaria e ignara del fuoco combattivo che si porta nell'animo, nutrito da una segreta voracità di bellezza e fantasia, poteva sfociare in un'implosione inconcludente e impersonale. Gli eventi della vita e una naturale vocazione all'armonia e alla curiosità regalano invece a Uberta l'opportunità di sbocciare in una persona forte e coraggiosa che, dopo una formazione in ambito creativo, diventa imprenditrice, nonostante il terreno apparentemente poco fertile.In questo libro, Uberta ci invita nel suo percorso, quello che le ha insegnato a riconoscere nelle sfide e nelle difficoltà nuove opportunità di apprendimento e, soprattutto, a trasmettere questo ottimismo indossando il proprio estro e trasformandolo in uno strumento migliorativo di espressione e di interazione con se stessi e con gli altri. Con la sua caratterizzante vivacità, ci rivela consigli e tecniche di stile e di vita, conditi da aneddoti personali e da un grande senso dell'ironia, e ci accompagna a scoprire la genesi del concept store ed e-shop Wait and See, spazio aperto anche a mostre di artisti e designer, che lei ama chiamare «veicolo di gioia».Conoscerete la vera matrice della sua interpretazione del significato di «wait and see», programmatica filosofia per imparare a lasciarsi sorprendere ogni giorno, e capirete perché il suo motto non poteva essere altro che «la vita è bella».Uberta Zambeletti, fashion designer, consulente di moda e design, direttore creativo, trendsetter e fondatrice del concept store ed e-shop Wait and See, nel centro storico di Milano. Ha una laurea in Textile Design e un master in Fashion Knitwear conseguiti a Londra. Poliglotta e cittadina del mondo grazie a una vita trascorsa tra Londra, dove è nata, Madrid, Parigi e Losanna, nel 1997 torna a Milano, città dalla quale provengono le sue radici familiari.https://www.waitandsee.it/eu/en/IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.it/

Peter Saville is a man of the moment—and has been, again and again, throughout the past five decades. Raised in Manchester, England, in the sixties—in tandem with the growing prominence of counterculture, the rise of anti-war sentiments, and the birth of pop—Saville developed early on a keen eye and ear for the zeitgeist, or what he terms “nowness.” In his adolescence, he took up a fervent interest in music and in record covers in particular, and went on to art school to study graphic design. In his final year, he was commissioned to design the very first posters for the punk music venue The Factory, which would soon morph into the legendary independent record label Factory Records. Across his prolific, nearly 50-year-long career in graphic design and art direction, Saville has created album covers for Joy Division and New Order (most iconically, the one for Joy Division's debut studio album, Unknown Pleasures); branding for clients including Ferragamo, Burberry, and Aston Martin; and more recently, even Kvadrat fabric designs—each drawing inspiration from the spirit of their times—that can be called nothing short of era-defining. Woven across all of his work are provocative dialogues between past, present, and future.On this episode, Saville speaks with Andrew about coming of age in the punk and post-punk worlds, the increasing impossibility of tracking “nowness,” and creating literal signs of the times.Special thanks to our Season 6 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes:Peter Saville[12:11] Kvadrat Technicolour[01:10:48] Power, Corruption & Lies album cover[42:21] Factory Records[50:15] FAC1 poster[50:15] Haçienda[53:13] FAC 2[29:23] Unknown Pleasures album cover[01:22:13] Closer album cover[01:24:43] “Blue Monday” cover[01:35:44] The Apartment[01:39:29] Show Studio

Queen's Freddy Mercury, Princess Diana and other royals and celebrities have been dressed by fashion and textile designer Zandra Rhodes. She herself wears her colorful creations and punkish styles.

Rachel has a designer's moxie. Her creativity and observation skills serve her in life and in her career in textiles. A college class field trip allowed her to imagine a professional path working with fabric and weaving, a craft she lovingly pursued as a child with her grandmother. She finds inspiration in the smallest places and sets her moxie sights always higher, one ladder rung at a time, building on what she has created for herself and her family. Rachel, the Design Director for Pollack, has textile design in her DNA. She created her first official textile pattern in third grade–splatter-painted curtains made from old sheets. Her high school graduation present—a new sewing machine—offers another clue to her early textile passions, as did the uniquely personal clothing it helped her create.She studied printmaking and painting and even taught batik workshops when she first entered college at Umass Amherst. In the Textile Design department at the Rhode Island School of Design, she realized the practical application of her beloved woven and printed textile techniques. Rachel first worked in the fashion industry, including designing printed silk scarves at Echo before joining the Pollack Studio in 2000. In 2007, she was appointed Vice President, Associate Design Director. She took the helm as Pollack's Design Director in 2012, overseeing the Studio and guiding the creative vision for each textile collection.In the Studio, she and her team always begin a pattern by first creating artwork by hand. The studio's designers are, first and foremost, weavers. They have degrees in textile design, having learned the architecture of cloth and how to build a fabric from the ground up. Rachel works with weavers worldwide to bring Pollack's designs to life.Rachel's designs for Pollack have been featured in national magazines, including Architectural Digest, Interior Design, and Elle Décor. She has been profiled on such sites as Apartment Therapy and House and Home TV. Two of her creations, “Mod” and “Curlycue,” are in the permanent collection of the Cooper-Hewitt National Design Museum.This episode of Main Street Moxie is sponsored by Elyse Harney Real Estate and North East Ford. For more information about Rachel, check out the episode's show notes on our website.

Hello! Today we welcome a very special guest, the incredible Sharnee Thorpe of Wandering Folk. We are sure you have all heard of the beautiful global brand Wandering Folk that is renowned for their distinctive bohemian picnic rugs. This is such a fun chat with Sharnee as she shares the ins and outs of her journey as a creative artist and the evolution of creating Wandering Folk. She talks us through her experience studying Textile Design at RMIT University in Melbourne, working in a large print studio in Sydney, freelancing from a small room in Sydney whilst creating Wandering Folk and returning home to the North Coast of NSW where she is surrounded by an incredible creative community in Byron. Sharnee shares how authentically the brand and marketing of Wandering Folk evolved from the adventure of travelling around the states, what her team looks like now, what she loves most about her work, how her style has evolved and some exciting new collaborations and products to look out for on the horizon. As well as the pending arrival of her second baby! We know you are going to love this as much as we did. Enjoy! wanderingfolk.com @wanderingfolk   _______ acreativelifepodcast @cassdellerdesign @reverlustdesign acreativelifepodcast.com

Corrie Sullivan is an artist and the founder of Corrie in Color. She lives in Los Angeles with her husband, Aaron, and three daughters, Sienna, Scarlett, and Indigo (yes, all color names). The two initially left Ireland to spend a year exploring LA and are still here 12 years later. Corrie has always been creating. Her childhood love of texture and art led her to a degree in Textile Design and Art History from the National College of Art and Design in Dublin. Corrie is fascinated by the powerful way in which art influences and moves people. She loves soaking up inspiration from creative cities, museums, fashion, and food. And if you ever have the pleasure of running into Corrie she is sure to be wearing one of her quintessential bright outfits. In this episode, Nada sits down with Corrie to discuss how her pursuit of creating spaces of joy led her into the art installation world. Whether for private events, corporate events, short-term installations, or permanent installations, Corrie has become the go-to designer for top brands. Corrie loves owning and running her own company and shares that she has even fallen in love with spreadsheets. She opens up about working with a team of freelancers and how to keep everyone working as a cohesive team.Be sure to read: Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness Book by Ingrid Fetell Lee, and I Know How She Does It: How Successful Women Make the Most of Their Time by Laura Vanderkam.Check out Corrie in Color's website. And follow on Instagram: @corrie.in.colorPlease follow us at @thisislibertyroad on Instagram--that's where we hang out the most. And please rate and review us —it helps to know if this podcast is inspiring and equipping you to launch and grow your ventures.

#129 Hear how Kelly Irvine went from being an in-house graphic designer to a freelance textile designer, creating exclusive prints for the fashion industry, and how she makes passive income with her designs in online stores at Spoonflower and Society6.

On this week's SciFiles, your hosts Chelsie and Daniel interview Maddy Eischer. As a student pursuing a dual degree in Apparel & Textile Design and Genomics & Molecular Genetics, Maddy has long felt the societal pressure to pick one of her passions in school and in a future career. Instead of choosing between these two dichotomous interests, Maddy has managed to use her research to highlight the interconnection between the arts and the sciences by investigating scientific advancements in textiles as well as by designing and creating a collection of five unconventional and fashionable lab coats. This research explores the struggle to pick a career path, the importance of fashion and textiles in all facets of life, and the concept of professionalism and individuality within medical and scientific spaces.If you're interested in talking about your MSU research on the radio or nominating a student, please email Chelsie and Danny at scifiles89fm@gmail.com. Check The Sci-Files out on Twitter, Facebook, Instagram, LinkedIn, and YouTube! 

Ralph Kiggell has been an important part of the international mokuhanga community for many years. Ralph takes many different elements of mokuhanga, the energy and exploration of an artist, to create some of the most dramatic and ambitious mokuhanga today. On this episode of The Unfinished Print I speak with mokuhanga printmaker Ralph Kiggel about his life in Thailand, using locally sourced materials for his mokuhanga from that country; we also speak on his artistic ambitions, his observations on the current state of the mokuhanga community, and what he would like to see as its future.  Please follow The Unfinished Print and my own print work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Ralph Kiggell - website, Instagram, interview with Evil. O Japan and the West - Japan as a country has had an uneasy relationship with the "West." In many cases this relationship has focused solely with the United States. For a fine early description of this particular relationship please read The Making of Modern Japan, by Marius B. Jansen, and Empreror of Japan: Meiji and His World, 1852-1912 by Donald Keene.  ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.  Rembrandt Harmenszoon van Rijn (1606-1669) - was a Dutch painter, considered to be a part of the Dutch Golden Age of painting. He was notable for his self-portraits, landscape painting, and empathic painting.  Serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper, etc.  Western Engagement with Mokuhanga -  the connection with woodblock prints and the West, predominantly with the United States and Britain, began when the elite of both countries started collecting ukiyo-e. Collecting ukiyo-e was the fashion for wealthier patrons of the arts who saw the beautiful images from Japan and their “Oriental” aesthetic as worth collecting. By the start of the twentieth century ukiyo-e production had began to wane. It wasn't until Watanabe Shōzaburō (1885-1962) who worked in the woodblock print business, and who exported prints to the West to a foreign market, saw the benefit of focusing his business for foreign buyers. He established his publishing house in Tōkyō for making woodblock prints with high end techniques (almost lost at that point) and used the traditional hanmoto system of print production to facilitate the demand. This began a fruitful business which created a new generation of woodblock production and Japanese aesthetic. The two important types of woodblock print styles from this period are shin-hanga (new prints), and sōsaku-hanga (creative prints). shin-hanga - or, new prints, is a style of woodblock print production connected to the early twentieth century in Japan. Attributed to Watanabe Shōzaburō, and were created via the ukiyo-e, hanmoto system. Prints are produced through a hierarchy. This hierarchy is as follows: publisher commissions artist who designs the prints, professional woodblock carvers carve the prints, and professional printers print the prints. This collaboration system helped make shin-hanga into the collectable works we find today. They help to codify a romanticized Japanese aesthetic, for a Western audience.  sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self made prints was a breakthrough for printmakers beginning to move away from where only a select group of carvers, printers and publishers created woodblock prints.  War prints & Japanese Imperialism - as Japan entered the Pacific Theatre of war (1941-1945) with the United States, the fascist military government had complete power in Japan at the time, and used woodblock prints, as well as other mediums such as lithography and photography, to propagandize their war effort. Printmakers such as Kawase Hasui (1883-1957) even got involved in producing prints that helped the war effort. He designed several war prints during this time period. Prints such as The Red Setting Sun, is a prime example of how the times and aesthetic show a relatively innocuous scene of figures (Japanese soldiers) riding on horses with a setting sun back drop. For more detailed information regarding war time prints I suggest, Conflicts of Interest: Art and War in Modern Japan, ed. Philip K. Hu w/ Rhiannon Paget, and The Politics of Painting by Asato Ikeda. My interview with Rhiannon Paget PhD can be found, here.  The American Occupation and Woodblock Prints - the occupation of Japan occurred after the end of the Pacific theatre (1941-1945) and World War 2 (1939-1945). The Occupation of Japan was from 1945-1952. During this period of nation rebuilding, the Japanese print market as a post-war souvenir was very popular. The rapid growth of the woodblock print in the immediate post-war is attributed to several factors. Robert O. Muller (1911-2003) was an American collector who helped establish print connections with Japan and the United States. From owning the Shima Art Co. of New York City, to working with Shōzaburō in Tōkyō after the war, Robert O. Muller's contribution can be considered unprecedented in woodblock print history.  Kōshirō Onchi (1891-1955) was another factor in the rise of woodblock prints during the Allied Occupation. His First Thursday Society, and with the help of his daughter who worked directly with the Supreme Commander of Allied Powers (SCAP), Onchi was able to spread the word on the creative prints project (sōsaku hanga) by making connections with important collectors in the American military government, as well as recruiting American artists, such as Ernst Hacker (1917-1987).  For more information regarding the American Occupation of Japan and woodblock prints please read, Japanese Prints during the Allied Occupation 1945-1952, and Troubled Times and Beyond: Japanese Prints 1931-1960, published by Nihon no Hanga, Amsterdam. My interview with Maureen de Vries, curator of Nihon no Hanga, can be found, here.  Evolving Techniques in Japanese Woodblock Prints - is a book published by Kodansha International in 1977. It was written by Canadian woodblock printer Gaston Petit, and Amadio Arboleda, who currently apprentices as a violin maker in Tōkyō.  Tama Art University - is an arts university located in various campuses in Tōkyō. It has various departments such as Architecture, Product and Textile Design, and Art Studies.  入門 - "nyuumon" in the title of the book Ralph speaks about in our interview, where we discuss what the following kanji means. There are a few meanings for this particular kanji, but in regards to the book I believe it to mean, "beginning training." 水生 - "suisei" is a Japanese word meaning, "water based." 刷物 - "surimono" is a Japanese word which means, literally, "printed thing." These were also privately commissioned prints made by wealthier clients for special occasions. These prints usually were extremely extravagant, using high-end techniques and pigments.  I could not in my research find whether or not "surimono" was used more colloquially, rather than "ukiyo-e." kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first.   Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō. website. Will Francis - is a British mokuhanga printmaker who works predominantly for American graphic designer Jed Henry, and Mokuhankan.  shina - is a type of Japanese plywood used in mokuhanga. jigsaw cutting - Ralph uses various methods when making his mokuhanga. One such method is jigsaw cutting, where the blocks are cut and those cuts are used to make prints. In this video, Ralph explains his process on making his prints. Akira Kurosaki 黒崎彰 (1937-2019) - one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. Munakata Shikō 志功棟方 (1903-1975) arguably one of the most famous modern printmakers, Shiko is famous for his prints of women, animals, the supernatural, and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work. flâneur - is a French word, meaning idler, walker of streets, a way to see a city, to understand it. The freedom to walk a city is a type of freedom that allows someone to truly understand where they are.  While almost always written in French literature [(Charles Baudelaire (1821-1867)], for men there has been a question about why women haven't been associated with the word. Lauren Elkin, an American writer in Paris, tries to understand why women aren't associated with the term. The CBC podcast, IDEAS, interviewed her and it was a great way to understand what makes a flâneur, or flâneuse. You can find it, here.  Alex Kerr and Lost Japan  - Alex Kerr is an American Japanologist who lives and works in Japan. He has written many books on Japan, but is famous for Lost Japan, published in 1993. It describes the modernity of Japan, and what is destroyed when searching for that modernity.  Meiji-jingu (明治神宮) - is a large parkland area near the Harajuku neighbouhood of Tōkyō. It is dedicated to Emperor Meiji (Prince Mutsuhito - [1867-1912]). It is open 365 days of the year and is especially busy during the New Years celebrations.  Black Ships - are associated with the American naval commodore, Matthew C. Perry (1794-1858). The United States wanted to open trading with Japan, who had been in self-imposed isolation with the West since 1635. Matthew C. Perry essentially bullied his way into the conversation of trade with Japan and these "Black Ships" he arrived on, became a symbol of this moment.  Frank Lloyd Wright and the Imperial Hotel - (1867-1959) FLW was an American architect who designed many different buildings in Japan since his first visit in 1905. The Imperial Hotel was located in Tōkyō in the Hibiya district. It was moved to, and reconstructed in 1968 at the Meiji-mura Museum Village in Aichi Prefecture. It was built in the Mayan Revival style. I got a chance to visit it in Aichi and it's pretty spectacular, and smaller than I thought it would be. The Imperial Hotel still exists today.  Kozo paper - is a long fibered mulberry paper used for mokuhanga and cloth making. It is produced in Japan, Thailand, and South America.  Lampang, Thailand -  located in Northern Thailand and is a trading city with tourism, and farming. Yoshida Family of Artists - The Yoshida's are one of the most famous family of artists from Japan. Begun with painter Yoshida Kasaburō (1861-1894), made famous by Yoshida Hiroshi (1876-1950) and his work with woodblock printing. The Yoshida family has helped shape many artists around the world. More info from the Mount Holyoke College Art Museum, here. Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier, that made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.  Yoshida Tōshi (1911-1995) - eldest son of Hiroshi Yoshida. Having been affected by polio, and the pressure of continuing his fathers legacy, Tōshi Yoshida made prints and paintings which gradually became expressive, avant garde and abstract. Later in life he focused on birds and mammals. Yoshida Hodaka (1926-1995) - the second son of Hiroshi Yoshida, Hodaka Yoshida seemed to be a bit of the black sheep of the Yoshida family. His desire to become an artist was against his fathers wishes, and his work was an extreme departure from what his father had produced as well as his older brother. Inspired by western artists such as Henri Matisse (1869-1954), and Pablo Picasso (1881-1973), Hodaka began to move away from painting to woodblock prints in the 1950's. Hodaka travelled (the Yoshida family were constant travellers) and was constantly inspired by the world. This was reflected in his woodblock prints and woodblock/photo etching prints.  Yoshida Tsukasa (b.1949) - is the son of Tōshi Yoshida. He is a woodblock printmaker focusing on themes of nature and especially the moon. Bangkok Art Biennale - is an art biennale located in Bangkok, Thailand. It was founded in 2018, and was created for visitors to immerse themselves in Thai culture through various arts installations and shows. The 2022/23 biennale will be from October 22, 2022 - February 23, 2023. (IG) Province of Manitoba, Canada - joined Confederation in 1870, and is known for its natural beauty and vast landscapes. The capital is Winnipeg.  Province of Saskatchewan, Canada - joined Confederation in 1905, and is known for its vast fields and flat land. Its capital is Regina.  April Vollmer - is an established artist who works predominantly in mokuhanga. Her book Japanese Woodblock Print Workshop is one of the authoritative books on the subject and has influenced many up and coming mokuhanga artists.  Natasha Norman - is an artist based in Johannesburg, South Africa. Here mediums are mokuhanga, mokulito, monotype, and paintings. My interview with Natasha Norman can be found, here.  MDF - Medium-density fibreboard is a board made of discarded wood fibres and bonded together by wax and resin, which makes it bad for you if you carve it.  opening and closing credit music - Spadina Sounds as told by the walkway which had a moving sidewalk.  Here are some of the sources used for the above notes: LIPSHULTZ, SANDRA LAWALL. A Japanese Legacy Four Generations of Yoshida Family Artists. Laura W. Allen, Kendall H. Brown, Eugene M. Skibbe, Matthew Welch, Yasunaga Koichi. Held at the Minneapolis Institute of Arts from FEBR. 2 to April 14, 2002. Chicago, Ill: Art Media Resources, 2002. MARTIN, KATHERINE. Highlights of Japanese Printmaking: Part Two - Shin Hanga. Scholten Japanese Art, 2006. DE VRIES, MAUREEN, Chris Uhlenbeck, and Elise Wessels. Troubled Times and Beyond: Japanese Prints 1931-1960. Nihon no Hanga, 2013.  © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

This is the first of two ‘three years on' episodes we're featuring this season, with American brands that featured on HandCut Radio in the podcast's infancy. Regular listeners will know that we've always admire Nicholas Ragosta and Agyesh Madan at Stòffa, and their work in building a luxury brand that's as responsible as it is beautifully curated. In this conversation, we deep dive into how they've evolved the business over the course of the pandemic; introducing an impressive made-to-order e-commerce proposition, new limited edition collaborative “editions” of special products, and we touch on some of their pioneering responsible textile research, too.---HandCut Radio is produced by Birch, the London based creative office of James Allen. Our theme music is by Joe Boyd.HandCut Radio is proud to be sponsored by Thomas Mason, an historic mill that's been supplying famous designers, shirtmakers and tailors with world class shirting fabrics since 1796.---Show Notes:Stòffa — Website | Instagram[29:57] 11.11[43:50] Edition 002[44:24] Edition 003 (with Landon Metz)[44:25] In Conversation: Landon Metz

In this episode of The Right Angle Podcast, Elle Liu interviews Rachel Doriss, Vice President and design director of Pollack. Rachel first studied printmaking and painting, and even taught batik workshops when she first entered college. But it was in the Textile Design department at the Rhode Island School of Design that she realized, for the first time, the practical application of her beloved woven and printed textile techniques. She graduated with a BFA from RISD in 1999, and designed printed silk scarves at Echo before joining the Pollack Studio in 2000. In 2007, Rachel was appointed Vice President, Associate Design Director. She took the helm as Pollack's Design Director in 2011, overseeing the Studio and guiding the creative vision for each textile collection. In the Studio, she and her team always begin a pattern by first creating artwork by hand. Rachel's designs for Pollack have been featured in national magazines, including Architectural Digest, Interior Design and Elle Décor, and she has been profiled on such sites as Apartment Therapy and House and Home TV. Two of her creations, “Mod” and “Curlycue,” are in the permanent collection of the Cooper-Hewitt National Design Museum. [Further Links] Rachel Doriss: Pollack: https://www.pollackassociates.com/ Music: Track: SkyHigh — Enine [Audio Library Release] Music provided by Audio Library Plus Watch: https://youtu.be/q-lf6x9cVXw Free Download / Stream: https://alplus.io/skyhigh Follow Us: Instagram @therightanglepodcast Personal Instagram @elleliudesign https://www.therightanglepodcast.com https://anchor.fm/therightanglepodcast

Dakota Mace (Diné) is an interdisciplinary artist whose work focuses on translating the language of Diné history and beliefs. Mace received her MA and MFA degrees in Photography and Textile Design at the University of Wisconsin-Madison and her BFA in Photography from the Institute of American Indian Arts. As a Diné (Navajo) artist, her work draws from the history of her Diné heritage, exploring the themes of family lineage, community, and identity. In addition, her work pushes the viewer's understanding of Diné culture through alternative photography techniques, weaving, beadwork, and papermaking. She has also worked with numerous institutions and programs to develop dialogue on the issues of cultural appropriation and the importance of Indigenous design work. She is currently a grad advisor in painting and drawing at the School of the Art Institute of Chicago and the photographer for the Helen Louise Allen Textile Center and the Center of Design and Material Culture. Her work as an artist and scholar has been exhibited nationally and internationally at various conferences, collectives, museums, and galleries, including: Textile Society of America, Weave a Real Peace, Indigenous Photograph, 400 Year Project, Wright Art Museum, Contemporary Arts Center, Kemper Museum of Art, and the Wallach Art Gallery. Website: https://www.dakotamace.com/ IG: https://www.instagram.com/dmaceart/

A new exhibition, Photographing Protest: Resistance through a feminist lens, features striking protest images by women and explores how images of resistance resonate across generations from 1968 to the present day. Maggie Murray, a prolific photographer of protest, whose images feature throughout the exhibition. As a founding member of Format photo agency, she documented ground-breaking protests of the 1980s and 1990s and tells Emma about her work. Currently based in Warsaw, Melinda Simmons has been the British Ambassador for the Ukraine since September 2019. She left Kyiv on 19 February 2022 and only finally left Ukraine on 7th March 2022 eleven days after the Russian invasion. She joins Emma to discuss Putin, Ukrainian refugees and the support role she and her team are now playing for Ukrainian citizens from Poland. We talk about the cost-of-living crisis and the ends some women are going to to make ends meet with Matthew Greenwood head of debt at the Centre for Social Justice. Would you wear the same dress for 100 days? Could you do it? Emma Beddington made it to 40 days wearing the same dress as a challenge. We speak to her and Sandy Black, Professor of Fashion and Textile Design and Technology, about the power, sustainability and history of wearing the same item over and over again. Are you struggling to get hold of your HRT? Menopausal women are reporting being forced to turn to the so-called black market as demand for prescriptions in England has doubled in the last five years. We speak to Tina Backhouse the General Manager of Theramex, one of the largest suppliers of HRT to the UK market about what is causing the current problems. Presenter: Emma Barnett Producer: Lisa Jenkinson Studio Manager: Tim Heffer Photo credit: Maggie Murray

Can't wait to share this chat with Suzanne Tick with you!   Today, Kelsey interviews Suzanne Tick. Suzanne Tick maintains a distinguished career as a CEO, textile designer, weaver and Vedic Meditation teacher in New York City. She is currently the Creative Director at Luum and Design Partner with Skyline Design. She is known for her intelligent and enthusiastic approach to design in evolving markets, as well as her conviction to provide innovative solutions with a nod towards sustainability and wellness. In 2021, Suzanne designed Grid State and Ecotone, the contract industry's first and second textiles made of 100% biodegradable, post-consumer recycled polyester for Luum Textiles, furthering her mission of being on the cutting edge of sustainability. Suzanne Tick Inc., an NYC-certified Women Owned Business, operates out of Tick Studio in the East Village where Suzanne works and lives. Tick Studio develops a range of products including glass, floor covering, upholstery, drapery, and wall covering.   The townhouse operates as a new approach in working and living well. Spanning multiple floors including a design studio, weaving workshop and Fifth Floor Meditation Center. The Center provides daily virtual meditation and knowledge talks (and will be held in per- son once safety measures are under control) and in-person advanced courses on Vedic meditation to engage one's individuality and creativity on a deeper level. In addition to her industry work, Suzanne maintains a hand weaving practice and creates fine art woven sculptures from repurposed materials on the two looms in the space that are collected and exhibited worldwide. Her work has been exhibited in MoMA, Cooper Hewitt, MAD and Art Basel, as well as collected by private and corporate clients. Suzanne's TedXNavesink Talk: “Weaving Trash into Treasure” presents her unique and personal approach to hand weaving. Suzanne's passions include a scholarly study and practice of Vedic meditation with Thom Knoles and The Soft Road, travel, gardening, cooking and being a mom to her beautiful adult son, Gabe and two cats Cupid and Psyche. Today on Studio.chats: ➕ Power of meditation & the benefits on the creative process ➕ Insights into listening to your intuition and building a successful career ➕ Life as a textile designer, CEO, entrepreneur and meditator   Connect with Suzanne: Instagram: @suzannetick @tickstudionyc Photographer @martincrook LinkedIn: Suzanne Tick   Connect with Kelsey: Instagram: @studio.chats hellostudio.chats@gmail.com   P U M P  U P  J A M Buddha at the Gas pump   D E S I G N  C R U S H Every museum show that's out there   Thank you for being here! Thank you for committing to your growth as a designer, architect and human