Podcasts about March Hare

In Episode 4, our literary legends find themselves in Wonderland battling against the Mad Hatter who wields the legendary sword, Excalibur! Alongside the March Hare, the Dormouse, and a flurry of terrible jokes, this battle is not what the players or their characters expected! Check it out! The Public Domains is a 6-episode mini series that combines D&D and all those literary figures and characters we know and love from the Public Domain. But we add our own twist to them! So follow along to see Zorro, Alice from Wonderland, Vanessa Helsing, Winnie the Pooh, and Dr. John Watson explore the Public Domains and fulfill their destinies! The Cast: Kala as Alice: https://linktr.ee/potionsandpotpourri Daniel as Zorro: https://linktr.ee/danielkhargrove Jenn as Vanessa: https://www.tiktok.com/@cancermooncleric?lang=en Alex as Pooh: https://linktr.ee/piscesmoonpaladin Taylor as Watson: https://linktr.ee/soyouwannabeadm And remember to give us 5 Stars ⭐️⭐️⭐️⭐️⭐️ AND a positive review! This helps us so much! Tell your friends!  --------------------------- We also have an email for questions, comments, and topic ideas Reach out to us at Soyouwannabeadm@gmail.com And CLICK HERE to support our Patreon, join our Discord, follow us on TikTok and Instagram, and see what we're up to! We Have a Twitch NOW!

Send me a text message. Suggestions? Subjects for future podcasts? Let me know--thanks!(From - Alice in Wonderland by Lewis Carroll: beginning of Chapter 7.)There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. “Very uncomfortable for the Dormouse,” thought Alice; “only, as it's asleep, I suppose it doesn't mind.”The table was a large one, but the three were all crowded together at one corner of it: 1- “No room! No room!” they cried out when they saw Alice coming. “There's plenty of room!” said Alice indignantly, and she sat down in a large arm-chair at one end of the table.2- “Have some wine,” the March Hare said in an encouraging tone.Alice looked all round the table, but there was nothing on it but tea. “I don't see any wine,” she remarked.3- “There isn't any,” said the March Hare.“Then it wasn't very civil of you to offer it,” said Alice angrily.“It wasn't very civil of you to sit down without being invited,” said the March Hare.4- “I didn't know it was your table,” said Alice; “it's laid for a great many more than three.”“Your hair wants cutting,” said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech.“You should learn not to make personal remarks,” Alice said with some severity; “it's very rude.”5- The Hatter opened his eyes very wide on hearing this; but all he said was, “Why is a raven like a writing-desk?”“Come, we shall have some fun now!” thought Alice. “I'm glad they've begun asking riddles.—I believe I can guess that,” she added aloud.6- “Do you mean that you think you can find out the answer to it?” said the March Hare.“Exactly so,” said Alice.“Then you should say what you mean,” the March Hare went on.7- “I do,” Alice hastily replied; “at least—at least I mean what I say—that's the same thing, you know.”“Not the same thing a bit!” said the Hatter. “You might just as well say that ‘I see what I eat' is the same thing as ‘I eat what I see'!”8- “You might just as well say,” added the March Hare, “that ‘I like what I get' is the same thing as ‘I get what I like'!”9- “You might just as well say,” added the Dormouse, who seemed to be talking in his sleep, “that ‘I breathe when I sleep' is the same thing as ‘I sleep when I breathe'!”10- “It is the same thing with you,” said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much.Intro & Outro Music: La Pompe Du Trompe by Shane Ivers - https://www.silvermansound.com Support the showEmail me: swift.water3883@fastmail.comYou can now support my podcasts and classes:Help Barry pay for podcast expenses--thank you!

Grandpa Bill today goes down the Rabbit Hole a bit! The Cheshire Cat makes several appearances throughout Alice's Adventures in Wonderland, but there are no direct references to its name. Lewis Carroll uses descriptive terms to introduce the creature. Here's a breakdown of its key appearances: First Encounter (Chapter 6): Alice encounters a "grin without a cat" sitting on a branch of a tree. It fades away slowly, leaving only the grin behind. Second Encounter (Chapter 6): Alice sees the Cheshire Cat again, this time perched on another branch. They engage in a philosophical conversation about directions and madness. The Cat fades away entirely this time. Third Encounter (Chapter 7): The Cheshire Cat reappears leading a Mad Hatter's tea party guest, a baby who keeps turning into a pig. This time, only the Cat's head appears, floating in mid-air. Fourth Encounter (Chapter 9): The Cheshire Cat appears briefly, advising Alice to ask the Mad Hatter or March Hare about the Queen of Hearts. Only the Cat's grin remains after Alice leaves. While never directly called the "Cheshire Cat," its distinctive grin and ability to vanish and reappear make its presence unmistakable throughout the story. Holistic Health Secrets and Life-Sales Strategies with Grandpa Bill Nourish Your Soul, Boost Your Business: The BH Sales Kennel Kelp Holistic Healing Hour Experience Website: https://www.7kmetals.com/grandpabill YouTube: Bill Holt@billholt8792 Social Media: https://www.facebook.com/bill.sales.524 Social Media:https://www.instagram.com/bradybrodyboy12/ Voicemail Message Board: https://podcasters.spotify.com/pod/show/bhsales BH Sales Kennel Kelp Holistic Healing Hour Retired holistic health enthusiast, Grandpa Bill, shares his wisdom and experiences in the realms of health, wealth, and well-being. Join Grandpa Bill on his journey of holistic health and personal growth. With over 45 years of experience in the industry, he has a wealth of knowledge to share on topics ranging from nutrition and supplements, to meditation and spirituality. In his retirement, Grandpa Bill is dedicated to sharing his insights and helping others to achieve their full potential. He is an intuitive thinker, humorist, star seed, poetry fan, with a passion for history and coins. Hosted by Grandpa Bill, 45 year career now retired Disclaimer:This podcast site content is provided for informational purposes only, and does not intend to substitute professional medical advice, diagnosis, or treatment. BH Sales Kennel Kelp Holistic Virtual Mall JOIN US EVERY TUESDAY AT 6PM. EST.  Seth Leaf Pruzansky Freedom Snap-⁠https://freedomsnap.org/Seth/⁠ https://www.imawakenowwhat.com/ BH Sales Kennel Kelp Holistic Virtual Mall Patriot Supply Link:  ⁠⁠⁠https://mypatriotsupply.com/?rfsn=5615494.137cb6⁠⁠⁠ Health Ranger Link: ⁠⁠⁠https://www.healthrangerstore.com/?⁠⁠rfsn=301296.96452b2&utm_source=HR_Affiliate&utm_campaign=14708&utm_affiliate=301296⁠⁠⁠ ⁠⁠⁠⁠Healer.com⁠⁠⁠⁠: ⁠⁠⁠⁠⁠https://www.HealerCBD.com/?ref=11⁠⁠ Tim Doyle Path to Oneness-https://thepathtooneness.com/  Byron Athene -https://byronathene.com/ Isabella Thor,NLP-https://isabellathor.com/ Seth Leaf Pruzansky Freedom Snap-⁠https://freedomsnap.org/Seth/⁠ https://www.imawakenowwhat.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/bhsales/message

Alice finds the Hatter and the March Hare having a very strange tea-party.

The long grass rustled at her feet as the White Rabbit hurried by—the frightened Mouse splashed his way through the neighbouring pool—she could hear the rattle of the teacups as the March Hare and his friends shared their never-ending meal, and the shrill voice of the Queen ordering off her unfortunate guests to execution—once more the pig-baby was sneezing on the Duchess's knee, while plates and dishes crashed around it—once more the shriek of the Gryphon, the squeaking of the Lizard's slate-pencil, and the choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of the miserable Mock Turtle. So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality—the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds—the rattling teacups would change to tinkling sheep-bells, and the Queen's shrill cries to the voice of the shepherd boy—and the sneeze of the baby, the shriek of the Gryphon, and all the other queer noises, would change (she knew) to the confused clamour of the busy farm-yard—while the lowing of the cattle in the distance would take the place of the Mock Turtle's heavy sobs. Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days. from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ Narrator: David Goldfarb Alice: Miss Avarice Alice's Sister: Diana Majlinger https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 배경음악은 드보르자크 "유모레스크 G장조 op. 101-7" 및 슈만 "트로이메라이- 어린이 정경 op. 15-7", 미샤 엘만 (바이올린), 요제프 자이거 (피아노)의 1959년 뉴욕 녹음입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

In this week's episode of The Cycling Podcast, Daniel Friebe is joined by former Classics stalwart Mitch Docker and the journalist Richard Abraham, as we look back at last weekend's pre-Ronde van Vlaanderen appetisers, the E3 Saxo Classic and Gent-Wevelgem. Friday saw the latest masterclass from Mathieu van der Poel in E3, which  underlined his status as the outstanding favourite for De Ronde. Forty-eight hours later, though, Mads Pedersen's victory over Van der Poel in Gent-Wevelgem led some to wonder whether Lidl-Trek had happened upon the perfect blueprint for defeating the Dutchman - not that the strategy will be easy to implement on Sunday.  In the final part of the podcast, we hear from a rider for whom just being on the startline on Sunday will represent a personal triumph - the Dane Michael Valgren, whose career was almost ended by a horror crash in the 2022 Route Occitanie.  Babbel Learn a language the fun, easy way with intuitive 15-minute lessons you can do when you want. Choose from 14 languages including Spanish, French, Italian and German. Get six months free with the purchase of a six-month subscription at Babbel.com/play with the promo code CYCLE24. Follow us on social media: Twitter @cycling_podcast Instagram @thecyclingpodcast The 11.01 Cappuccino Our regular email newsletter is now on Substack. Subscribe here for frothy, full-fat updates to enjoy any time (as long as it's after 11am). MAAP The Cycling Podcast x MAAP collection is available now. Go to maap.cc to see the full MAAP range. Friends of the Podcast Sign up as a Friend of the Podcast at thecyclingpodcast.com to listen to more than 100 exclusive episodes. Our latest, four-part KM0 special, ‘Classicissima: Springtime in Sanremo' is available on the Kilometre 0 for Friends of The Cycling Podcast feed now.  The Cycling Podcast is on Strava The Cycling Podcast was founded in 2013 by Richard Moore, Daniel Friebe and Lionel Birnie.

Subscriber-only episodeE214:

A meditation on Spring fertility - featured samples courtesy of La Qrquesta y Coro del Grupo Talia, Tina Malia, Nycole Robbins & Armagan Citak. Please visit gaba.life on the web to show your appreciation of this episode with a donation of your choosing

Melvyn Bragg and guests discuss Lewis Carroll's book which first appeared in print in 1865 with illustrations by John Tenniel. It has since become one of the best known works in English, captivating readers who follow young Alice as she chases a white rabbit, pink eyed, in a waistcoat with pocket watch, down a rabbit hole that becomes a well and into wonderland. There she meets the Cheshire Cat, the Hatter, the March Hare, the Mock Turtle and more, all the while growing smaller and larger, finally outgrowing everyone at the trial of Who Stole the Tarts from the Queen of Hearts and exclaiming 'Who cares for you? You're nothing but a pack of cards!'WithFranziska Kohlt Leverhulme Research Fellow in the History of Science at the University of Leeds and the Inaugural Carrollian Fellow of the University of Southern CaliforniaKiera Vaclavik Professor of Children's Literature and Childhood Culture at Queen Mary, University of LondonAndRobert Douglas-Fairhurst Professor of English Literature at Magdalen College, University of OxfordProducer: Simon TillotsonReading list:Kate Bailey and Simon Sladen (eds), Alice: Curiouser and Curiouser (V&A Publishing, 2021)Gillian Beer, Alice in Space: The Sideways Victorian World of Lewis Carroll (University of Chicago Press, 2016)Will Brooker, Alice's Adventures: Lewis Carroll and Alice in Popular Culture (Continuum, 2004)Humphrey Carpenter, Secret Gardens: A Study of the Golden Age of Children's Literature (first published 1985; Faber and Faber, 2009)Lewis Carroll (introduced by Martin Gardner), The Annotated Alice: The Definitive Edition, (W. W. Norton & Company, 2000)Gavin Delahunty and Christoph Benjamin Schulz (eds), Alice in Wonderland Through the Visual Arts (Tate Publishing, 2011)Robert Douglas-Fairhurst, The Story of Alice: Lewis Carroll and the Secret History of Wonderland (Harvill Secker, 2015)Colleen Hill, Fairy Tale Fashion (Yale University Press, 2016)Franziska Kohlt, Alice through the Wonderglass: The Surprising Histories of a Children's Classic (Reaktion, forthcoming 2025) Franziska Kohlt and Justine Houyaux (eds.), Alice: Through the Looking-Glass: A Companion (Peter Lang, forthcoming 2024)Charlie Lovett, Lewis Carroll: Formed by Faith (University of Virginia Press, 2022)Elizabeth Sewell, The Field of Nonsense (first published 1952; Dalkey Archive Press, 2016)Kiera Vaclavik, 'Listening to the Alice books' (Journal of Victorian Culture, Volume 26, Issue 1, January 2021)Diane Waggoner, Lewis Carroll's Photography and Modern Childhood (Princeton University Press 2020)Edward Wakeling, The Man and his Circle (IB Tauris, 2014)Edward Wakeling, The Photographs of Lewis Carroll: A Catalogue Raisonné (University of Texas Press, 2015)

Melvyn Bragg and guests discuss Lewis Carroll's book which first appeared in print in 1865 with illustrations by John Tenniel. It has since become one of the best known works in English, captivating readers who follow young Alice as she chases a white rabbit, pink eyed, in a waistcoat with pocket watch, down a rabbit hole that becomes a well and into wonderland. There she meets the Cheshire Cat, the Hatter, the March Hare, the Mock Turtle and more, all the while growing smaller and larger, finally outgrowing everyone at the trial of Who Stole the Tarts from the Queen of Hearts and exclaiming 'Who cares for you? You're nothing but a pack of cards!'WithFranziska Kohlt Leverhulme Research Fellow in the History of Science at the University of Leeds and the Inaugural Carrollian Fellow of the University of Southern CaliforniaKiera Vaclavik Professor of Children's Literature and Childhood Culture at Queen Mary, University of LondonAndRobert Douglas-Fairhurst Professor of English Literature at Magdalen College, University of OxfordProducer: Simon TillotsonReading list:Kate Bailey and Simon Sladen (eds), Alice: Curiouser and Curiouser (V&A Publishing, 2021)Gillian Beer, Alice in Space: The Sideways Victorian World of Lewis Carroll (University of Chicago Press, 2016)Will Brooker, Alice's Adventures: Lewis Carroll and Alice in Popular Culture (Continuum, 2004)Humphrey Carpenter, Secret Gardens: A Study of the Golden Age of Children's Literature (first published 1985; Faber and Faber, 2009)Lewis Carroll (introduced by Martin Gardner), The Annotated Alice: The Definitive Edition, (W. W. Norton & Company, 2000)Gavin Delahunty and Christoph Benjamin Schulz (eds), Alice in Wonderland Through the Visual Arts (Tate Publishing, 2011)Robert Douglas-Fairhurst, The Story of Alice: Lewis Carroll and the Secret History of Wonderland (Harvill Secker, 2015)Colleen Hill, Fairy Tale Fashion (Yale University Press, 2016)Franziska Kohlt, Alice through the Wonderglass: The Surprising Histories of a Children's Classic (Reaktion, forthcoming 2025) Franziska Kohlt and Justine Houyaux (eds.), Alice: Through the Looking-Glass: A Companion (Peter Lang, forthcoming 2024)Charlie Lovett, Lewis Carroll: Formed by Faith (University of Virginia Press, 2022)Elizabeth Sewell, The Field of Nonsense (first published 1952; Dalkey Archive Press, 2016)Kiera Vaclavik, 'Listening to the Alice books' (Journal of Victorian Culture, Volume 26, Issue 1, January 2021)Diane Waggoner, Lewis Carroll's Photography and Modern Childhood (Princeton University Press 2020)Edward Wakeling, The Man and his Circle (IB Tauris, 2014)Edward Wakeling, The Photographs of Lewis Carroll: A Catalogue Raisonné (University of Texas Press, 2015)

The Nice Guys - a good-ass movie with a not great name. Honestly why not just call it "The March Hare" or "All I wanted in the last 90's were some Healys". Both of those are puns from the main characters of this movie you probably haven't seen, which is an absolute shame - because 2 out of 3 critics agree: It's darling. The 3rd critic was Kate.Listen out for:Aaron trying to say a joke from the movie but just laughing instead (x3)Kate not trying to rain on the guys' paradeA geometric interpretation of the Pythagorean TheoremHarkonnen language. Hosted on Acast. See acast.com/privacy for more information.

Ballet Help Desk sat down with Vanessa Léonard, Director of the Royal Winnipeg Ballet's Anna McCowan-Johnson Aspirant Program. She covered not only how the program is structured, but how dancers work with the main company, where dancers get jobs and also how students can audition to join the program. Ms. Léonard also covers the unique challenges that dancers face when trying to dance in a country that isn't their own, especially when it comes to visa issues. Tune in to hear more about this unique Canadian company! Interested in auditioning for Royal Winnipeg Ballet School? Video auditions being accepted through June 1, 2024: https://www.rwb.org/school/professional-division/audition/video-auditions/   Royal Winnipeg Aspirant Program Ballet Help Desk Submit Year-Round Reviews Support Ballet Help Desk Instagram: @BalletHelpDesk Vanessa Léonard Bio Originally from Edmonton, Alberta, Vanessa Léonard has been gracing the studios and stages of the Canada's Royal Winnipeg Ballet since 1994 as a student, principal dancer, and ballet master. In 2021, Ms. Léonard was honoured to be appointed as Director of the RWB's Anna McCowan-Johnson Aspirant Program. She received her early training from the Edmonton School of Ballet and the RWB School Professional Division before being hired into the RWB Company in 1997. During a fifteen-year career, Ms. Léonard portrayed the lead female role in many well-known works; the first of such roles was in David Nixon's Butterfly when Nixon picked her from the corps de ballet to perform the lead. In the 2001/02 season she worked with Sir Peter Wright to dance the dramatic and technical role of Giselle. Other roles that Ms. Léonard enjoyed dancing include Odette/Odile in Galina Yardonova's staging of Swan Lake, Princess Aurora in The Sleeping Beauty, Lucy in Mark Godden's Dracula, Pamina in Mark Godden's The Magic Flute, the tender Cours D'Amour in Mauricio Wainrot's Carmina Burana and the lead role of Nancy in Val Caniparoli's A Cinderella Story. Ms. Léonard is known for roles that have been created on her including Tinker Bell in Jorden Morris' Peter Pan; Destiny in Mauricio Wainrot's Carmen, The Passion; March Hare in Shawn Hounsell's Wonderland; and Natalie in Jorden Morris's Moulin Rouge® – The Ballet. In 2009 Ms. Léonard danced the role of Juliet in Rudi van Dantzig's Romeo & Juliet for which she was called “simply stunning” by the Winnipeg Free Press. Ms. Léonard has appeared as a guest artist internationally, performing in galas with the Compania Nacional de Danza in Mexico City, the Benios De La Danse in Moscow, the 10th and 13th International Ballet Festivals of Miami, and the Encore International Dance Festival in Quebec. She has also been invited to dance with various companies and schools in full-length productions of Nutcracker, Swan Lake and The Sleeping Beauty in Canada, the USA and Spain. In 2009, Peter Quanz selected Ms. Léonard to perform a new piece called In Tandem at the Guggenheim Museum in New York City and at the 2010 Canada Dance Festival in Ottawa. As part of the Cultural Olympiad for the 2010 Vancouver Winter Olympic Games she performed the lead in Iztik Galili's Hikarizatto. Since retiring from dance in 2013, Ms. Léonard has staged and coached many ballets for the RWB Company, Professional Division and Aspirant program. She has also staged full length ballets for Orlando Ballet, Louisville Ballet and the National Ballet of Cuba and has enjoyed guest teaching for schools and companies around the world.

“They were learning to draw,” the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; “and they drew all manner of things—everything that begins with an M—” “Why with an M?” said Alice. “Why not?” said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: “—that begins with an M, such as mouse-traps, and the moon, and memory, and muchness—you know you say things are “much of a muchness”—did you ever see such a thing as a drawing of a muchness?” --- 생략된 이야기: 자리를 옮긴 후, 앨리스와 모자 장수가 '그리다'라는 뜻의 'draw'라는 단어를 '끌어당기다'의 뜻으로 사용하여 대화가 엉망이 됐습니다. "얘들은 그림을 배우고 있었어." 겨울잠 쥐가 이야기를 계속하며 하품을 하고 눈을 비볐다. 졸렸기 때문이다. "얘들은 온갖 것을 다 그렸어. M으로 시작하는 모든 걸." "왜 M으로 시작하는 걸 그려요?" 앨리스가 말했다. "왜 그러면 안 되는데?" 삼월 토끼가 말했다. 앨리스는 침묵했다. 이때 겨울잠 쥐는 눈을 감고 꾸벅꾸벅 졸고 있었다. 하지만 모자 장수한테 꼬집히자 작은 비명을 지르며 다시 깨어나 이야기를 계속했다. "M으로 시작하는 거... 쥐덫(mouse-trap), 달(moon), 기억(memory), 많음(muchness)... '그게 그거다'(much of a muchness)라는 말 하잖아. '많음'(muchness)을 그린다는 거 본 적 있어? from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Narrator: David Goldfarb Alice: Miss Avarice March Hare: Denny Sayers Hatter: Arielle Lipshaw Dormouse: Ruth Golding https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

“It was a treacle-well.” “There's no such thing!” Alice was beginning very angrily, but the Hatter and the March Hare went “Sh! sh!” and the Dormouse sulkily remarked, “If you can't be civil, you'd better finish the story for yourself.” “No, please go on!” Alice said very humbly; “I won't interrupt again. I dare say there may be one.” “One, indeed!” said the Dormouse indignantly. However, he consented to go on. “And so these three little sisters—they were learning to draw, you know—” “What did they draw?” said Alice, quite forgetting her promise. “Treacle,” said the Dormouse, without considering at all this time. “I want a clean cup,” interrupted the Hatter: “let's all move one place on.” --- 생략된 이야기: 앨리스는 모자 장수와 약간 신경전을 벌인 다음, 다시 겨울잠 쥐에게, 이야기 속 세 자매가 왜 우물 바닥에서 살았냐고 물었습니다. --- "그게 당밀 우물이었거든." "그런 게 어디 있어요!" 앨리스는 매우 화를 내며 말을 시작했지만, 모자 장수와 삼월 토끼가 '쉬, 쉬'하는 소리를 냈다. 겨울잠 쥐는 부루퉁하게 말했다. "너 예의를 차리지 않으면, 니가 이야기를 끝내는 편이 나을 거야." "아니에요, 계속하세요!" 앨리스가 송구스럽게 말했다. "다시는 안 껴들게요. 그런 게 있겠죠, 뭐." "있다고!" 겨울잠 쥐는 분개하며 말했다. 그러나 이야기를 계속하는 데 동의했다. "그래서 이 세 자매는 그림을 배우고 있었어." "뭘 그렸는데요?" 앨리스가 약속을 잊고 말했다. "당밀." 겨울잠 쥐가 이번에는 조금도 고민하지 않고 말했다. "나는 깨끗한 컵을 원해." 모자 장수가 껴들었다. "모두 한 자리씩 옮기자." from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ Narrator: David Goldfarb Alice: Miss Avarice March Hare: Denny Sayers Hatter: Arielle Lipshaw Dormouse: Ruth Golding https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

“They lived on treacle,” said the Dormouse, after thinking a minute or two. “They couldn't have done that, you know,” Alice gently remarked; “they'd have been ill.” “So they were,” said the Dormouse; “very ill.” Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: “But why did they live at the bottom of a well?” “Take some more tea,” the March Hare said to Alice, very earnestly. “I've had nothing yet,” Alice replied in an offended tone, “so I can't take more.” “You mean you can't take less,” said the Hatter: “it's very easy to take more than nothing.” --- 지난 이야기: 겨울잠 쥐가 이야기를 시작하자, 앨리스는 이야기 속의 세 자매가 무얼 먹고 살았냐고 물었습니다. "얘들은 당밀을 먹고 살았어." 겨울잠 쥐가 1~2분 생각한 후에 말했다. "그랬을 리가 없잖아요." 앨리스가 부드럽게 말했다. "그랬다면 병이 났을 텐데." "그래서 병이 났어." 겨울잠 쥐가 말했다. 앨리스는 그런 특이한 생활 방식이 어떤지 상상하려고 해 보았지만, 너무나 혼란스러워서 말을 계속했다. "그런데 왜 우물 바닥에서 살았어요?" "차를 좀 더 마셔." 삼월 토끼가 매우 진지하게 말했다. "아직 조금도 안 마셨어요." 앨리스가 불쾌한 어조로 대답했다. "그러니까 더 마실 수가 없어요." "덜 마실 수가 없겠지." 모자 장수가 말했다. "조금도 안 마신 상태에서 더 마시는 건 굉장히 쉽잖아." from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Narrator: David Goldfarb Alice: Miss Avarice March Hare: Denny Sayers Hatter: Arielle Lipshaw Dormouse: Ruth Golding https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

The Dormouse slowly opened his eyes. “I wasn't asleep,” he said in a hoarse, feeble voice: “I heard every word you fellows were saying.” “Tell us a story!” said the March Hare. “Yes, please do!” pleaded Alice. “And be quick about it,” added the Hatter, “or you'll be asleep again before it's done.” “Once upon a time there were three little sisters,” the Dormouse began in a great hurry; “and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well—” “What did they live on?” said Alice, who always took a great interest in questions of eating and drinking. --- 지난 이야기: 모자 장수와 삼월 토끼는 겨울잠 쥐를 깨우며 이야기를 해달라고 했습니다. 겨울잠 쥐는 천천히 눈을 떴다. "나 안 잤어." 겨울잠 쥐는 약하고 쉰 목소리로 말했다. "니들이 하는 얘기 다 들었어." "우리한테 이야기 해줘!" 삼월 토끼가 말했다. "네, 해 줘요!" 앨리스가 부탁했다. "그리고 빨리 해." 모자 장수가 덧붙였다. "안 그러면 이야기가 끝나기 전에 네가 다시 잠들 테니까." "옛날에 세 자매가 살았어." 겨울잠 쥐는 서둘러 이야기를 시작했다. "이름은 엘시, 래이시, 틸리였어. 얘들은 우물 바닥에 살았어." "뭘 먹고 살았어요?" 언제나 먹고 마시는 문제에 큰 관심을 가졌던 앨리스가 말했다. from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ Narrator: David Goldfarb Alice: Miss Avarice March Hare: Denny Sayers Hatter: Arielle Lipshaw Dormouse: Ruth Golding https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

“Then you keep moving round, I suppose?” said Alice. “Exactly so,” said the Hatter: “as the things get used up.” “But what happens when you come to the beginning again?” Alice ventured to ask. “Suppose we change the subject,” the March Hare interrupted, yawning. “I'm getting tired of this. I vote the young lady tells us a story.” “I'm afraid I don't know one,” said Alice, rather alarmed at the proposal. “Then the Dormouse shall!” they both cried. “Wake up, Dormouse!” And they pinched it on both sides at once. --- 지난 이야기: 모자 장수는 시간과 다툰 후, 언제나 티타임이 계속되어 설거지할 시간도 없다고 말했습니다. "그러면 계속 자리를 옮겨 다니는 거예요?" 앨리스가 말했다. "그렇지." 모자 장수가 말했다. "한 자리에 있던 걸 다 쓸 때마다." "다시 처음으로 돌아오면 어떻게 돼요?" 앨리스가 대담하게 물었다. "주제를 바꾸는 게 어떨까?" 삼월 토끼가 하품을 하며 껴들었다. "난 이 얘기가 지루해지고 있어. 꼬마 아가씨가 우리한테 이야기를 하나 해 주는 데 한 표." "전 아는 이야기가 없어요." 앨리스가 그 제안에 상당히 놀라며 말했다. "그럼 겨울잠 쥐가 하기!" 그 둘이 외쳤다. "일어나, 겨울잠 쥐야!" 둘은 겨울잠 쥐를 양쪽에서 동시에 꼬집었다. from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Narrator: David Goldfarb Alice: Miss Avarice March Hare: Denny Sayers Hatter: Arielle Lipshaw https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

(“I only wish it was,” the March Hare said to itself in a whisper.) “That would be grand, certainly,” said Alice thoughtfully: “but then—I shouldn't be hungry for it, you know.” “Not at first, perhaps,” said the Hatter: “but you could keep it to half-past one as long as you liked.” “Is that the way you manage?” Alice asked. The Hatter shook his head mournfully. “Not I!” he replied. “We quarrelled last March—just before he went mad, you know—” (pointing with his tea spoon at the March Hare,) --- 지난 이야기: 모자 장수는 시간과 친해지면, 점심 시간을 앞당길 수 있어 좋다고 말했습니다. --- ("식사 시간이면 좋겠다." 삼월 토끼가 속삭이듯 중얼거렸다.) "물론 그러면 멋지긴 한데요." 앨리스가 분별 있게 말했다. "하지만 그러면... 배는 고프지 않을 것 같아요." "처음엔 그렇겠지." 모자 장수가 말했다. "대신 원하는 만큼 오랫동안, 한 시 반에 시간을 고정시켜 놓을 수 있을 거야." "평소에 그런 식으로 하시는 거예요?" 앨리스가 물었다. 모자 장수는 슬퍼하며 고개를 저었다. "난 안 그래!" 모자 장수가 대답했다. "우리는 지난 삼월에 싸웠어. 저 친구가 미쳐버리기 직전에 말야." (티스푼으로 삼월 토끼를 가리키며) from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ Narrator: David Goldfarb Alice: Miss Avarice March Hare: Denny Sayers Hatter: Arielle Lipshaw https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

“Have you guessed the riddle yet?” the Hatter said, turning to Alice again. “No, I give it up,” Alice replied: “what's the answer?” “I haven't the slightest idea,” said the Hatter. “Nor I,” said the March Hare. Alice sighed wearily. “I think you might do something better with the time,” she said, “than waste it in asking riddles that have no answers.” --- 생략된 이야기: 모자 장수의 궤변에, 앨리스는 최대한 정중하게 그 말을 이해할 수 없다고 말했습니다. --- "그 수수께끼는 풀었니?" 모자 장수가 다시 앨리스를 돌아보며 말했다. "아뇨, 포기할래요." 앨리스가 대답했다. "답이 뭐예요?" "난 조금도 모르겠어." 모자 장수가 말했다. "나도." 삼월 토끼가 말했다. 앨리스는 피곤하다는 듯 한숨을 쉬었다. "시간을 좀 더 잘 썼으면 좋겠네요. 답이 없는 수수께끼를 내는 데 낭비하지 말고요." from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Narrator: David Goldfarb Alice: Miss Avarice March Hare: Denny Sayers Hatter: Arielle Lipshaw https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

The Hatter was the first to break the silence. “What day of the month is it?” he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said “The fourth.” “Two days wrong!” sighed the Hatter. “I told you butter wouldn't suit the works!” he added looking angrily at the March Hare. “It was the best butter,” the March Hare meekly replied. “Yes, but some crumbs must have got in as well,” the Hatter grumbled: “you shouldn't have put it in with the bread-knife.” --- 지난 이야기: 잠시 침묵이 흘렀고, 앨리스는 까마귀와 책상의 수수께끼를 풀려고 노력했지만 잘 되지 않았습니다. --- 모자 장수가 먼저 침묵을 깼다. "오늘 며칠이지?" 모자 장수는 앨리스를 돌아보며 말했다. 주머니에서 시계를 꺼내, 걱정스레 쳐다보고, 한번씩 흔들어 보고, 귀에 대어 보고 있었다. 앨리스는 잠시 생각하고는 말했다. "4일요." "이틀이나 틀려!" 모자 장수가 한숨을 쉬었다. "버터로는 작동을 안 할 거라고 내가 그랬잖아!" 모자 장수는 화난 얼굴로 삼월 토끼를 쳐다보며 덧붙였다. "최상급 버터였어." 삼월 토끼가 온순하게 대답했다. "그래, 하지만 빵가루도 좀 들어갔어야 했다고." 모자 장수가 투덜거렸다. "그걸 빵 나이프랑 같이 넣으면 안 되는 거였어." from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Narrator: David Goldfarb Alice: Miss Avarice March Hare: Denny Sayers Hatter: Arielle Lipshaw https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

“Then you should say what you mean,” the March Hare went on. “I do,” Alice hastily replied; “at least—at least I mean what I say—that's the same thing, you know.” “Not the same thing a bit!” said the Hatter. “You might just as well say that ‘I see what I eat' is the same thing as ‘I eat what I see'!” “You might just as well say,” added the March Hare, “that ‘I like what I get' is the same thing as ‘I get what I like'!” “You might just as well say,” added the Dormouse, who seemed to be talking in his sleep, “that ‘I breathe when I sleep' is the same thing as ‘I sleep when I breathe'!” “It is the same thing with you,” said the Hatter --- 지난 이야기: 앨리스가 수수께끼 답을 맞히겠다고 하니, 삼월 토끼가 마음속의 뜻을 말해보라고 합니다. "그럼 네 뜻을 말해 봐." "난 원래 그렇게 해요. 내 말이 곧 내 뜻이니까요. 그건 같은 거예요." "조금도 같은 게 아냐!" 모자 장수가 말했다. "그럴 거면 '내가 먹는 것을 본다'와 '내가 보는 것을 먹는다'도 같다고 해도 되겠네!" "그럴 거면 말이야." 삼월 토끼가 덧붙였다. "'내가 가진 것을 좋아한다'와 '내가 좋아하는 것을 가진다'도 같다고 해도 되겠네!" "그럴 거면 말이야." 겨울잠 쥐가 덧붙였다. 잠꼬대를 하는 것처럼 보였다. "'나는 잠을 잘 때 숨 쉬어'와 '나는 숨 쉴 때 잠을 자'도 같다고 해도 되겠네!" "네 경우에는 그게 똑같아." 모자 장수가 말했다. from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ Narrator: David Goldfarb Alice: Miss Avarice March Hare: Denny Sayers Hatter: Arielle Lipshaw Dormouse: Ruth Golding https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

“Why is a raven like a writing-desk?” “Come, we shall have some fun now!” thought Alice. “I'm glad they've begun asking riddles.—I believe I can guess that,” she added aloud. “Do you mean that you think you can find out the answer to it?” said the March Hare. “Exactly so,” said Alice. “Then you should say what you mean,” the March Hare went on. --- 생략된 이야기: 모자 장수가 앨리스에게 머리를 깎아야겠다고 하자, 앨리스는 무례하다고 말했습니다. 그러자 모자 장수는 수수께끼를 냅니다. --- "왜 까마귀는 책상과 비슷할까?" '좋아, 이제 좀 재미있겠다!' 앨리스는 생각했다. '수수께끼를 시작해 주니 반갑네.' "내가 맞힐 수 있을 것 같아요." 앨리스는 크게 말했다. "네가 그 답을 알아낼 수 있을 것 같다는 뜻이야?" 삼월 토끼가 말했다. "그럼요." "그럼 네 뜻을 말해 봐." 삼월 토끼가 말을 이었다. from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Narrator: David Goldfarb Alice: Miss Avarice March Hare: Denny Sayers Hatter: Arielle Lipshaw https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

“Have some wine,” the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. “I don't see any wine,” she remarked. “There isn't any,” said the March Hare. “Then it wasn't very civil of you to offer it,” said Alice angrily. “It wasn't very civil of you to sit down without being invited,” said the March Hare. “I didn't know it was your table,” said Alice; “it's laid for a great many more than three.” --- 지난 이야기: 삼월 토끼와 모자 장수는 자리가 없다고 했지만, 앨리스는 테이블 끝 안락의자에 앉았습니다. --- "와인 좀 마셔." 삼월 토끼가 밝은 목소리로 권했다. 앨리스는 테이블을 둘러보았지만, 차 외에는 아무것도 없었다. "와인은 안 보이는데요." 앨리스가 말했다. "와인은 없어." 삼월 토끼가 말했다. "없는 걸 권하다니 예의가 없으시네요." 앨리스가 화를 냈다. "초대받지도 않고 자리에 앉다니 너도 예의가 없네." 삼월 토끼가 말했다. "토끼 님 테이블인 줄 몰랐어요. 세 명보다 훨씬 더 많이 앉을 수 있게 되어 있잖아요." from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ Narrator: David Goldfarb Alice: Miss Avarice March Hare: Denny Sayers Hatter: Arielle Lipshaw https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. “Very uncomfortable for the Dormouse,” thought Alice; “only, as it's asleep, I suppose it doesn't mind.” The table was a large one, but the three were all crowded together at one corner of it: “No room! No room!” they cried out when they saw Alice coming. “There's plenty of room!” said Alice indignantly, and she sat down in a large arm-chair at one end of the table. --- 생략된 이야기: 앨리스는 삼월 토끼가 사는 곳으로 걸어가서, 버섯을 먹고 키를 60센티미터로 키웠습니다. --- 집 앞 나무 아래 테이블에서 삼월 토끼와 모자 장수가 차를 마시고 있었다. 둘 사이에 곤히 잠들어 있는 겨울잠 쥐를 쿠션처럼 쓰면서, 이야기를 나누고 있었다. '겨울잠 쥐는 굉장히 불편하겠는데?' 앨리스는 생각했다. '근데 잠들어 있어서 신경을 안 쓰나 보다.' 테이블은 컸지만 셋은 한쪽 구석에 몰려 있었다. "자리 없어! 자리 없어!" 그들은 앨리스를 보고 외쳤다. "자리 많잖아!" 앨리스는 성질을 내며 말한 후, 테이블 끝에 있는 커다란 안락의자에 앉았다. from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Narrator: David Goldfarb Alice: Miss Avarice March Hare: Denny Sayers Hatter: Arielle Lipshaw https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

“What sort of people live about here?” “In that direction,” the Cat said, waving its right paw round, “lives a Hatter: and in that direction,” waving the other paw, “lives a March Hare. Visit either you like: they're both mad.” “But I don't want to go among mad people,” Alice remarked. “Oh, you can't help that,” said the Cat: “we're all mad here. I'm mad. You're mad.” “How do you know I'm mad?” said Alice. “You must be,” said the Cat, “or you wouldn't have come here.” --- 지난 이야기: 앨리스는 숲에서 체셔 고양이를 만났습니다. 체셔 고양이는 오래 걷기만 하면 어딘가에 도달할 거라고 말했습니다. --- "이 부근에는 어떤 사람들이 살아요?" "저쪽에는..." 체셔 고양이가 오른쪽 발을 빙그르 흔들면서 말했다. "모자 장수가 살아. 그리고 저쪽에는..." 이번에는 다른 발을 흔들었다. "삼월 토끼가 살고. 가고 싶은 대로 가 봐. 근데 둘 다 미쳤어." "미친 사람들한테는 가고 싶지 않아요." 앨리스가 말했다. "그건 어쩔 수 없어." 체셔 고양이가 말했다. "여기선 우리 모두가 미쳤으니까. 나도 미쳤고, 너도 미쳤어." "제가 미쳤는지 어떻게 알아요?" 앨리스가 말했다. "그건 확실하지." 체셔 고양이가 말했다. "안 미쳤다면 여기에 안 왔을 테니까." from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Narrator: David Goldfarb Alice: Miss Avarice Duchess: Heather Phillips https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ Peter Yearsley https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-3/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

This week on an all-new episode of Drunk Distory presents ‘The Dark Ride', We're heading west to crawl into a caterpillar and take a ride through the looking glass. This is one of the weirder dark rides to ever grace the dis universe. That's right, get your peace pipe ready and prepare to answer life's biggest question "whoooooo arrreeeeeee youuuuuuuu? ". Today we ride Disneyland's Alice and Wonderland. Pack your Flamingos and croquet hamsters, gather all walruses and carpenters, and rejoice, as the double-decker darkride takes us on a wild trip. So, will this black light trip to the other side have us reimagining lost nights in dorm rooms or will this shorty with a book report story have us yelling off with her head? There's only one way to find out! Drunk Distory, The Dark Ride, Funny, Comedy, Comedians, Adult Disney Podcast, Adult Universal Podcast, Adult Themepark Podcast, walk-through attraction, Alice in wonderland, queen, Cheshire Cat, Mad Hatter,, March Hare, White Rabbit, Rides, History, booze, Theme Park Podcast, Anaheim, Disneyland, Orlando, Amusement Park, Drinking Game Podcast

The Mad Hatter, the March Hare, and the Dormouse begin celebrating every day besides their own birthday. Alice wanders by and joins the silly party.

This week, lets give a big welcome to the month of March! It seems to be the month everybody loves to hate! Everybody wants Spring to finally come, but there is still so many more weeks to wait! So, let's give March some due consideration. We'll see if I can maybe help you get a different perspective on this time of the year. We'll be talking about the folklore of the March Hare. Plus, I have an Irish Story of Magick which I'll be reading called "The Boy and the Hare". And, of course we would be remiss for not mentioning March 17th - which we will do! We'll talk about St. Patrick and the PAGAN "snakes". Be well. Do good. Enjoy the show!

This 2017 album not only features a hare on its album art, but… it is available on Bandcamp! How often do things align so neatly like that? It is that time again, friends: the first Friday of the month is Bandcamp Friday, when musicians can keep more of your online purchase dollar than they can […]

This chapter describes a chaotic tea party between Alice, the March Hare, the Hatter and the Dormouse. When Alice arrives at the table, she is met with the unexpected offer of wine from the March Hare, despite the fact that there is no wine to be seen on the table. The Hatter, who has been observing Alice with great curiosity, decides to make a rude comment about her hair, causing Alice to scold him for his lack of manners.As the conversation continues, the guests begin to ask each other riddles and engage in a game of wordplay. The Hatter asks the famous riddle, "Why is a raven like a writing-desk?" to which Alice confidently replies that she can guess the answer. However, the March Hare and the Hatter challenge her with a series of nonsensical comparisons, leaving Alice feeling flustered.The conversation takes a curious turn when the Hatter asks Alice what day of the month it is, revealing that his watch only tells the date and not the time. This leads to a lively argument between the Hatter and the March Hare about the reliability of the watch and the quality of the butter that was used to lubricate it. Alice, who has been observing the antics of the Hatter and the March Hare, comments on the strange design of the watch, causing the Hatter to question why it should tell the time at all.The chapter ends with the guests sitting in silence as Alice thinks about ravens and writing-desks, and the Hatter and the March Hare continue to bicker over the accuracy of the watch. The scene is full of playful banter and absurdity, making it a delightful and entertaining part of Alice's journey down the rabbit hole.

The Hatter and the March Hare give the strangest of tea parties.

First-time spelunker Alice Spelunker leaves her sister behind to venture down a hole after a talking rabbit and finds herself in a land of wonder where animals talk, drinking changes her size, and tyranny will soon be met by a vicious slaughter at the hands of an oppressed band of tea-party goers.  They find their way back to the great hall to use Alice's key to enter the Queen of Heart's queendom and execute their long-awaited plan, while Alice plays croquet in the meantime.  Written by Ean Smith (@marcusdayhooray).      Cast:   Dylan Carey (@_groovebox_) - Narrator Fee Basanavicius (@fbasanavicius) - Alice Travis Marsala (@travismarsala) - Egret, Blue Caterpillar, Sergei, Gryphon, Knave of Diamonds, Hedgehog, Guard One, Unpacked Card Alex Campbell (@likethesoup92) - Man Shitting, Mad Hatter, Knave of Hearts, Ace Card, Badger, Unpacked Card Jeremy DeAntonio (@jeremydeantonio5) - March Hare, Mock Turtle, Five, Snake, Guard Two, Playing Card Arch, Unpacked Card Matt Storino (@StorinoMp) – White Rabbit, Yosemite Sam, Swedish Chef, Knave of Clubs, Seven, Unpacked Card Eli Wyand – Sister, Mary Ann, Queen of Hearts, Flamingo Susan Day – Dormouse, Two 

Alice and her co-conspirators find their way back to the great hall to use Alice's key to enter the Queen of Heart's queendom and execute their long-awaited plan, while Alice plays croquet in the meantime.  Written by Ean Smith (@marcusdayhooray).      Cast:   Dylan Carey (@_groovebox_) - Narrator Fee Basanavicius (@fbasanavicius) - Alice Travis Marsala (@travismarsala) - Gryphon, Knave of Diamonds, Hedgehog, Guard One, Unpacked Card Alex Campbell (@likethesoup92) - Mad Hatter, Knave of Hearts, Ace Card, Badger, Unpacked Card Jeremy DeAntonio (@jeremydeantonio5) - March Hare, Mock Turtle, Five, Snake, Guard Two, Playing Card Arch, Unpacked Card Matt Storino (@StorinoMp) – White Rabbit, Knave of Clubs, Seven, Unpacked Card Eli Wyand – Queen of Hearts, Sister, Flamingo Susan Day – Dormouse, Two 

After the ApocalypseA pandemic survival storySeason three, Episode three – “Rabbit” ...Bill stood guard over a cowering bundle of misery. The man had greasy, shoulder-length hair that hid his face in dangling matts like a dinghy washed up on the shore by storms, buried in seaweed, forlorn and abandoned. He wore dirty and frayed workpants that looked like they had not been changed since the apocalypse began.  Out of these pants jutted scuffed boots with worn heels. A loose, tattered winter jacket capped off his sartorial splendor. It fit like a trash bag and hung open to reveal a stained black sweatshirt with a picture of a cartoon rabbit that might have been the March Hare from Alice in Wonderland....Subscribe page on Acast -> https://plus.acast.com/s/after-the-apocalypsePodcast on Acast -> https://shows.acast.com/after-the-apocalypseFacebook group -> https://www.facebook.com/groups/oldmanapocalypsePatreon to support the show -> https://www.patreon.com/AftertheApocalypseKindle Vella Story -> https://www.amazon.com/kindle-vella/story/B09LTRC8RHMerch Store -> https://www.teepublic.com/stores/after-the-apocalypse Twitter -> cyktrussell@twitter.comEmail List -> https://acast.us14.list-manage.com/subscribe?u=a02fed2a783fcc887760255a9&id=e15419e7be Become a member at https://plus.acast.com/s/after-the-apocalypse. Hosted on Acast. See acast.com/privacy for more information.

Zeitgeist Summer burns on as we cover even more Zeitgeist-era goodies. Today on the 'kast we discuss the tracks "F.O.L", "Superchrist", "G.L.O.W.", "Strength In Numbers", "I Don't Mind", "As Rome Burns" and "The March Hare", posing the questions: What exactly is selling out these days? Is "Superchrist" Christian Rock that actually rocks? Do some of these tracks hint at the heavy-psych-jam Pumpkins album that never was? Does it make a difference to have an outside producer? Is "The March Hare" the other side of the "Suffer" LSD trip? Do you need a safeword to listen to "As Rome Burns"? And, IS there such a thing as "Toxic Positivity?” One thing is certain, BC/JC keep the band's rock muscles toned and tanned with this little island of misfit tracks.  Come on and feel our love... for these songs! How to support the 'kast: MERCH Our PATREON buymeacoffee.com/Pumpkast Please rate and review us! Follow us on the socials: Twitter: @PumpkinsPodcast Instagram: @smashingpumpkast TikTok: @smashingpumpkast

The guest of today's episode (the very first episode in English!) is Nathan Fleming - writer, educator and founder of KELT (Kazakhstan English Language Theater)! In this conversation, we discussed: • our first meeting and how Nathan saw Juliet in March Hare • following the guidance and doing what are called to do • How Ganesh mantra helped us during the call • The story of the Mysterious Old Man • The power of community • Acting is reacting, living is responding • NaNoWriMo (National Novel Writing Month) and Nathan's role in Karina's writing journey • Choosing to be an ambassador of our art • Nathan's book Thimblerig's Ark • Dealing (and healing through it) with negativity towards our art • Divine synchronicities and why everyone has their superpowers • Moving through resistance • Nathan shares his experience of living abroad At the end of the episode, Nathan answers Yenlik's question and shares his journal prompt with the audience. Nathan's book Thimblerig's Ark on Amazon KELT Almaty on Instagram Nathan on Twitter

CHAPTER XII. Alice's Evidence “Here!” cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. “Oh, I beg your pardon!” she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. “The trial cannot proceed,” said the King in a very grave voice, “until all the jurymen are back in their proper places—all,” he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; “not that it signifies much,” she said to herself; “I should think it would be quite as much use in the trial one way up as the other.” As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. “What do you know about this business?” the King said to Alice. “Nothing,” said Alice. “Nothing whatever?” persisted the King. “Nothing whatever,” said Alice. “That's very important,” the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: “Unimportant, your Majesty means, of course,” he said in a very respectful tone, but frowning and making faces at him as he spoke. “Unimportant, of course, I meant,” the King hastily said, and went on to himself in an undertone, “important—unimportant—unimportant—important—” as if he were trying which word sounded best. Some of the jury wrote it down “important,” and some “unimportant.” Alice could see this, as she was near enough to look over their slates; “but it doesn't matter a bit,” she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out “Silence!” and read out from his book, “Rule Forty-two. All persons more than a mile high to leave the court.” Everybody looked at Alice. “I'm not a mile high,” said Alice. “You are,” said the King. “Nearly two miles high,” added the Queen. “Well, I shan't go, at any rate,” said Alice: “besides, that's not a regular rule: you invented it just now.” “It's the oldest rule in the book,” said the King. “Then it ought to be Number One,” said Alice. The King turned pale, and shut his note-book hastily. “Consider your verdict,” he said to the jury, in a low, trembling voice. “There's more evidence to come yet, please your Majesty,” said the White Rabbit, jumping up in a great hurry; “this paper has just been picked up.” “What's in it?” said the Queen. “I haven't opened it yet,” said the White Rabbit, “but it seems to be a letter, written by the prisoner to—to somebody.” “It must have been that,” said the King, “unless it was written to nobody, which isn't usual, you know.” “Who is it directed to?” said one of the jurymen. “It isn't directed at all,” said the White Rabbit; “in fact, there's nothing written on the outside.” He unfolded the paper as he spoke, and added “It isn't a letter, after all: it's a set of verses.” “Are they in the prisoner's handwriting?” asked another of the jurymen. “No, they're not,” said the White Rabbit, “and that's the queerest thing about it.” (The jury all looked puzzled.) “He must have imitated somebody else's hand,” said the King. (The jury all brightened up again.) “Please your Majesty,” said the Knave, “I didn't write it, and they can't prove I did: there's no name signed at the end.” “If you didn't sign it,” said the King, “that only makes the matter worse. You must have meant some mischief, or else you'd have signed your name like an honest man.” There was a general clapping of hands at this: it was the first really clever thing the King had said that day. “That proves his guilt,” said the Queen. “It proves nothing of the sort!” said Alice. “Why, you don't even know what they're about!” “Read them,” said the King. The White Rabbit put on his spectacles. “Where shall I begin, please your Majesty?” he asked. “Begin at the beginning,” the King said gravely, “and go on till you come to the end: then stop.” These were the verses the White Rabbit read:— “They told me you had been to her,     And mentioned me to him: She gave me a good character,     But said I could not swim. He sent them word I had not gone     (We know it to be true): If she should push the matter on,     What would become of you? I gave her one, they gave him two,     You gave us three or more; They all returned from him to you,     Though they were mine before. If I or she should chance to be     Involved in this affair, He trusts to you to set them free,     Exactly as we were. My notion was that you had been     (Before she had this fit) An obstacle that came between     Him, and ourselves, and it. Don't let him know she liked them best,     For this must ever be A secret, kept from all the rest,     Between yourself and me.” “That's the most important piece of evidence we've heard yet,” said the King, rubbing his hands; “so now let the jury—” “If any one of them can explain it,” said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) “I'll give him sixpence. I don't believe there's an atom of meaning in it.” The jury all wrote down on their slates, “She doesn't believe there's an atom of meaning in it,” but none of them attempted to explain the paper. “If there's no meaning in it,” said the King, “that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know,” he went on, spreading out the verses on his knee, and looking at them with one eye; “I seem to see some meaning in them, after all. “—said I could not swim—” you can't swim, can you?” he added, turning to the Knave. The Knave shook his head sadly. “Do I look like it?” he said. (Which he certainly did not, being made entirely of cardboard.) “All right, so far,” said the King, and he went on muttering over the verses to himself: “‘We know it to be true—' that's the jury, of course—‘I gave her one, they gave him two—' why, that must be what he did with the tarts, you know—” “But, it goes on ‘they all returned from him to you,'” said Alice. “Why, there they are!” said the King triumphantly, pointing to the tarts on the table. “Nothing can be clearer than that. Then again—‘before she had this fit—' you never had fits, my dear, I think?” he said to the Queen. “Never!” said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) “Then the words don't fit you,” said the King, looking round the court with a smile. There was a dead silence. “It's a pun!” the King added in an offended tone, and everybody laughed, “Let the jury consider their verdict,” the King said, for about the twentieth time that day. “No, no!” said the Queen. “Sentence first—verdict afterwards.” “Stuff and nonsense!” said Alice loudly. “The idea of having the sentence first!” “Hold your tongue!” said the Queen, turning purple. “I won't!” said Alice. “Off with her head!” the Queen shouted at the top of her voice. Nobody moved. “Who cares for you?” said Alice, (she had grown to her full size by this time.) “You're nothing but a pack of cards!” At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face. “Wake up, Alice dear!” said her sister; “Why, what a long sleep you've had!” “Oh, I've had such a curious dream!” said Alice, and she told her sister, as well as she could remember them, all these strange Adventures of hers that you have just been reading about; and when she had finished, her sister kissed her, and said, “It was a curious dream, dear, certainly: but now run in to your tea; it's getting late.” So Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been. But her sister sat still just as she left her, leaning her head on her hand, watching the setting sun, and thinking of little Alice and all her wonderful Adventures, till she too began dreaming after a fashion, and this was her dream:— First, she dreamed of little Alice herself, and once again the tiny hands were clasped upon her knee, and the bright eager eyes were looking up into hers—she could hear the very tones of her voice, and see that queer little toss of her head to keep back the wandering hair that would always get into her eyes—and still as she listened, or seemed to listen, the whole place around her became alive with the strange creatures of her little sister's dream. The long grass rustled at her feet as the White Rabbit hurried by—the frightened Mouse splashed his way through the neighbouring pool—she could hear the rattle of the teacups as the March Hare and his friends shared their never-ending meal, and the shrill voice of the Queen ordering off her unfortunate guests to execution—once more the pig-baby was sneezing on the Duchess's knee, while plates and dishes crashed around it—once more the shriek of the Gryphon, the squeaking of the Lizard's slate-pencil, and the choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of the miserable Mock Turtle. So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality—the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds—the rattling teacups would change to tinkling sheep-bells, and the Queen's shrill cries to the voice of the shepherd boy—and the sneeze of the baby, the shriek of the Gryphon, and all the other queer noises, would change (she knew) to the confused clamour of the busy farm-yard—while the lowing of the cattle in the distance would take the place of the Mock Turtle's heavy sobs. Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days. THE END

CHAPTER XI. Who Stole the Tarts? The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them—all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand, and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry to look at them—“I wish they'd get the trial done,” she thought, “and hand round the refreshments!” But there seemed to be no chance of this, so she began looking at everything about her, to pass away the time. Alice had never been in a court of justice before, but she had read about them in books, and she was quite pleased to find that she knew the name of nearly everything there. “That's the judge,” she said to herself, “because of his great wig.” The judge, by the way, was the King; and as he wore his crown over the wig, (look at the frontispiece if you want to see how he did it,) he did not look at all comfortable, and it was certainly not becoming. “And that's the jury-box,” thought Alice, “and those twelve creatures,” (she was obliged to say “creatures,” you see, because some of them were animals, and some were birds,) “I suppose they are the jurors.” She said this last word two or three times over to herself, being rather proud of it: for she thought, and rightly too, that very few little girls of her age knew the meaning of it at all. However, “jury-men” would have done just as well. The twelve jurors were all writing very busily on slates. “What are they doing?” Alice whispered to the Gryphon. “They can't have anything to put down yet, before the trial's begun.” “They're putting down their names,” the Gryphon whispered in reply, “for fear they should forget them before the end of the trial.” “Stupid things!” Alice began in a loud, indignant voice, but she stopped hastily, for the White Rabbit cried out, “Silence in the court!” and the King put on his spectacles and looked anxiously round, to make out who was talking. Alice could see, as well as if she were looking over their shoulders, that all the jurors were writing down “stupid things!” on their slates, and she could even make out that one of them didn't know how to spell “stupid,” and that he had to ask his neighbour to tell him. “A nice muddle their slates'll be in before the trial's over!” thought Alice. One of the jurors had a pencil that squeaked. This of course, Alice could not stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. “Herald, read the accusation!” said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:— “The Queen of Hearts, she made some tarts,     All on a summer day: The Knave of Hearts, he stole those tarts,     And took them quite away!” “Consider your verdict,” the King said to the jury. “Not yet, not yet!” the Rabbit hastily interrupted. “There's a great deal to come before that!” “Call the first witness,” said the King; and the White Rabbit blew three blasts on the trumpet, and called out, “First witness!” The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. “I beg pardon, your Majesty,” he began, “for bringing these in: but I hadn't quite finished my tea when I was sent for.” “You ought to have finished,” said the King. “When did you begin?” The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. “Fourteenth of March, I think it was,” he said. “Fifteenth,” said the March Hare. “Sixteenth,” added the Dormouse. “Write that down,” the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. “Take off your hat,” the King said to the Hatter. “It isn't mine,” said the Hatter. “Stolen!” the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. “I keep them to sell,” the Hatter added as an explanation; “I've none of my own. I'm a hatter.” Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. “Give your evidence,” said the King; “and don't be nervous, or I'll have you executed on the spot.” This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. “I wish you wouldn't squeeze so.” said the Dormouse, who was sitting next to her. “I can hardly breathe.” “I can't help it,” said Alice very meekly: “I'm growing.” “You've no right to grow here,” said the Dormouse. “Don't talk nonsense,” said Alice more boldly: “you know you're growing too.” “Yes, but I grow at a reasonable pace,” said the Dormouse: “not in that ridiculous fashion.” And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, “Bring me the list of the singers in the last concert!” on which the wretched Hatter trembled so, that he shook both his shoes off. “Give your evidence,” the King repeated angrily, “or I'll have you executed, whether you're nervous or not.” “I'm a poor man, your Majesty,” the Hatter began, in a trembling voice, “—and I hadn't begun my tea—not above a week or so—and what with the bread-and-butter getting so thin—and the twinkling of the tea—” “The twinkling of the what?” said the King. “It began with the tea,” the Hatter replied. “Of course twinkling begins with a T!” said the King sharply. “Do you take me for a dunce? Go on!” “I'm a poor man,” the Hatter went on, “and most things twinkled after that—only the March Hare said—” “I didn't!” the March Hare interrupted in a great hurry. “You did!” said the Hatter. “I deny it!” said the March Hare. “He denies it,” said the King: “leave out that part.” “Well, at any rate, the Dormouse said—” the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. “After that,” continued the Hatter, “I cut some more bread-and-butter—” “But what did the Dormouse say?” one of the jury asked. “That I can't remember,” said the Hatter. “You must remember,” remarked the King, “or I'll have you executed.” The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. “I'm a poor man, your Majesty,” he began. “You're a very poor speaker,” said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) “I'm glad I've seen that done,” thought Alice. “I've so often read in the newspapers, at the end of trials, “There was some attempts at applause, which was immediately suppressed by the officers of the court,” and I never understood what it meant till now.” “If that's all you know about it, you may stand down,” continued the King. “I can't go no lower,” said the Hatter: “I'm on the floor, as it is.” “Then you may sit down,” the King replied. Here the other guinea-pig cheered, and was suppressed. “Come, that finished the guinea-pigs!” thought Alice. “Now we shall get on better.” “I'd rather finish my tea,” said the Hatter, with an anxious look at the Queen, who was reading the list of singers. “You may go,” said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. “—and just take his head off outside,” the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. “Call the next witness!” said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. “Give your evidence,” said the King. “Shan't,” said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, “Your Majesty must cross-examine this witness.” “Well, if I must, I must,” the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, “What are tarts made of?” “Pepper, mostly,” said the cook. “Treacle,” said a sleepy voice behind her. “Collar that Dormouse,” the Queen shrieked out. “Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!” For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. “Never mind!” said the King, with an air of great relief. “Call the next witness.” And he added in an undertone to the Queen, “Really, my dear, you must cross-examine the next witness. It quite makes my forehead ache!” Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, “—for they haven't got much evidence yet,” she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name “Alice!”

This week we're bypassing the randomizer for yet another Guest's Choice episode, in which our good friend Alessandra Dreyer "makes" us watch a Disney Animated Canon classic from 1951, a heartwarming tale about a little girl who enters an incredible fantasy world and spends roughly an hour and change getting harassed, bullied, trolled, gaslit, demonized, psychologically tortured, nearly burned alive and nearly decapitated by a seemingly endless string of demented sociopathic weirdos. Y'know, good clean wholesome Disney magic! Join Tony Goldmark, Alessandra Dreyer, David Ganssle and Erika Haynes as they go ask ALICE IN WONDERLAND (1951)! Check out my guests' stuff! ALESSANDRA DREYER Twitter: https://twitter.com/badfolklorist Instagram: https://www.instagram.com/badfolklorist DAVID GANSSLE Twitter: https://twitter.com/doggans YouTube: https://www.youtube.com/user/doggans ERIKA HAYNES Twitter: https://twitter.com/RealityOnMute  And check out this show on social media! Twitter: https://twitter.com/efvdpodcast Host's Twitter: https://twitter.com/tonygoldmark Facebook Group: https://www.facebook.com/groups/972385353152531 YouTube: https://www.youtube.com/tonygoldmark Hear new episodes a day early by supporting this show on Patreon: https://www.patreon.com/tonygoldmark

Tune in to this episode of the Unchecked Baggage podcast, a podcast all about relationship advice with hosts Lena and Rob. They chat about emotional baggage, blended families, love, sex, relationships, and life. Life is too short to be weighed down by unchecked baggage Links: Visit our website Check us out on Facebook Follow us on Twitter  Email us at uncheckedaf@gmail.com   Some article links referenced in this episode: Just kidding! No research was done for this episode. 

This week on Standby we revisit a classic with Alice Gerstenberg's adaptation of Lewis Carrol's story about a girl that travels through a looking glass and what she finds on the other side.Directed and sound designed by Jackie Vetter with sound editing by Graydon Gund. Featuring Karlee Jane as Alice, Taylor James Hopkins as Lewis Caroll and the White Rabbit, Gabi van Horn as Cheshire Cat and Humpty Dumpty, Megan Murphy as March Hare, Gryphon, and Two of Spades, William Burns as Mad Hatter, Mock Turtle and Five of Spades, Margie Zarcone as Door Mouse, Seven of Spades, and Duchess, Isma'il Q. Bronson, as Caterpiller and King of Hearts, Dana Watkins as Tweedle Dee and Red Queen, Devon Yates as Tweedle Dum and White Queen, Alexandra Kopko as Queen of Hearts, and David Coleman II as Knave of Hearts and Frog Footman.

Fifty Years in the making | CAN YOU FEEL IT | Jacksons | Band of Gold | Freda Payne | Satellites (US Mix) | September | Chasing Pavements (Almighty 12” Anthem Mix) | Belle Lawrence | We're All Alone | Newton | If You Leave Me Now | Not Chicago | Break The Chain | Motiv8 | Whatever  | Not Oasia | Everyone's A Winner | Loser | Babe We're Gonna Love Tonight (91 Almighty Mix) | Lime | Out of Touch | Uniting Nations | Ride Like the Wind | Chris Cross | Against All Odds | Deja Vu feat. Tasmin | Angel Eyes | Abbacadabra | Touch Me | Smash Cast | Fired Up | Funky Green Dogs | Stand Up  | Love Tribe | LIVE TO TELL | Madonna  | Outlaw | Olive | Body | Funky Green Dogs | Wouldn't it be Good | Bandido | VICTIM | Candi Staton | Exodus | Sunscreem | Santa Maria | Tatjana | A Red Letter Day | Pet Shop Boys | Perfect Day | Indigo | Running Up That Hill | LEVY 9 | Looking at You Jimmy Gomez 6 A.M. Dub | Sunscreem

Lets give a big warm welcome to the month of March! It seems to be the month everybody loves to hate! Everybody wants Spring to finally come, but there is still so many more weeks to wait! So, let's give March some due consideration. We'll see if I can maybe help you get a different perspective on this time of the year. We'll be talking about the folklore of the March Hare. Plus, I have an Irish Story of Magick which I'll be reading called "The Boy and the Hare". And, of course we would be remiss for not mentioning March 17th - which we will do! We'll talk about St. Patrick and the PAGAN "snakes". Be well. Do good. Enjoy the show!

We talk about The Lego Batman Movie and the things you missed if you don't read the comics. Hear about Joker, Riddler, Scarecrow, Bane, Two-Face, Catwoman, Clayface, Polka-Dot Man, Mime, Tarantula, Zebra-Man, The Condiment King, and more! Talk with us on Twitter and Reddit. Links from the discussion… Batman is a super old character. And he used to kill people. What makes Batman such a good character, and great for a movie like Lego Batman, is his villains. And there are a lot of them. A. Lot. March Harriet is absolutely a real villain from DC comics. She later became March Hare as part of the Wonderland Gang. Seriously. Condiment King is actually a real villain from DC comics that got his start in the DC Animated Universe. His weapons are ketchup, mustard, and hot sauce or relish depending on the situation. It can cause some nasty stains. Did you like the Batman vehicles? Because there are a lot of them, too. The Scuttler is the coolest Batman vehicle of all time since it can quickly transform into a Batwing in the movie. News you can abuse Tom Holland's new Spider-Man costume is amazing. All the Marvel Netflix shows are going to be on Disney+, even the Punisher, thanks to new parental controls for Disney+.

CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood—(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)—and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, “For the Duchess. An invitation from the Queen to play croquet.” The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, “From the Queen. An invitation for the Duchess to play croquet.” Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. “There's no sort of use in knocking,” said the Footman, “and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you.” And certainly there was a most extraordinary noise going on within—a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. “Please, then,” said Alice, “how am I to get in?” “There might be some sense in your knocking,” the Footman went on without attending to her, “if we had the door between us. For instance, if you were inside, you might knock, and I could let you out, you know.” He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. “But perhaps he can't help it,” she said to herself; “his eyes are so very nearly at the top of his head. But at any rate he might answer questions.—How am I to get in?” she repeated, aloud. “I shall sit here,” the Footman remarked, “till tomorrow—” At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. “—or next day, maybe,” the Footman continued in the same tone, exactly as if nothing had happened. “How am I to get in?” asked Alice again, in a louder tone. “Are you to get in at all?” said the Footman. “That's the first question, you know.” It was, no doubt: only Alice did not like to be told so. “It's really dreadful,” she muttered to herself, “the way all the creatures argue. It's enough to drive one crazy!” The Footman seemed to think this a good opportunity for repeating his remark, with variations. “I shall sit here,” he said, “on and off, for days and days.” “But what am I to do?” said Alice. “Anything you like,” said the Footman, and began whistling. “Oh, there's no use in talking to him,” said Alice desperately: “he's perfectly idiotic!” And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. “There's certainly too much pepper in that soup!” Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. “Please would you tell me,” said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, “why your cat grins like that?” “It's a Cheshire cat,” said the Duchess, “and that's why. Pig!” She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:— “I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats could grin.” “They all can,” said the Duchess; “and most of 'em do.” “I don't know of any that do,” Alice said very politely, feeling quite pleased to have got into a conversation. “You don't know much,” said the Duchess; “and that's a fact.” Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby—the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. “Oh, please mind what you're doing!” cried Alice, jumping up and down in an agony of terror. “Oh, there goes his precious nose!” as an unusually large saucepan flew close by it, and very nearly carried it off. “If everybody minded their own business,” the Duchess said in a hoarse growl, “the world would go round a deal faster than it does.” “Which would not be an advantage,” said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. “Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis—” “Talking of axes,” said the Duchess, “chop off her head!” Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: “Twenty-four hours, I think; or is it twelve? I—” “Oh, don't bother me,” said the Duchess; “I never could abide figures!” And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: “Speak roughly to your little boy,     And beat him when he sneezes: He only does it to annoy,     Because he knows it teases.” CHORUS. (In which the cook and the baby joined): “Wow! wow! wow!” While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:— “I speak severely to my boy,     I beat him when he sneezes; For he can thoroughly enjoy     The pepper when he pleases!” CHORUS. “Wow! wow! wow!” “Here! you may nurse it a bit, if you like!” the Duchess said to Alice, flinging the baby at her as she spoke. “I must go and get ready to play croquet with the Queen,” and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, “just like a star-fish,” thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. “If I don't take this child away with me,” thought Alice, “they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?” She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). “Don't grunt,” said Alice; “that's not at all a proper way of expressing yourself.” The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a very turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. “But perhaps it was only sobbing,” she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. “If you're going to turn into a pig, my dear,” said Alice, seriously, “I'll have nothing more to do with you. Mind now!” The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, “Now, what am I to do with this creature when I get it home?” when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be no mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. “If it had grown up,” she said to herself, “it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think.” And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, “if one only knew the right way to change them—” when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had very long claws and a great many teeth, so she felt that it ought to be treated with respect. “Cheshire Puss,” she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. “Come, it's pleased so far,” thought Alice, and she went on. “Would you tell me, please, which way I ought to go from here?” “That depends a good deal on where you want to get to,” said the Cat. “I don't much care where—” said Alice. “Then it doesn't matter which way you go,” said the Cat. “—so long as I get somewhere,” Alice added as an explanation. “Oh, you're sure to do that,” said the Cat, “if you only walk long enough.” Alice felt that this could not be denied, so she tried another question. “What sort of people live about here?” “In that direction,” the Cat said, waving its right paw round, “lives a Hatter: and in that direction,” waving the other paw, “lives a March Hare. Visit either you like: they're both mad.” “But I don't want to go among mad people,” Alice remarked. “Oh, you can't help that,” said the Cat: “we're all mad here. I'm mad. You're mad.” “How do you know I'm mad?” said Alice. “You must be,” said the Cat, “or you wouldn't have come here.” Alice didn't think that proved it at all; however, she went on “And how do you know that you're mad?” “To begin with,” said the Cat, “a dog's not mad. You grant that?” “I suppose so,” said Alice. “Well, then,” the Cat went on, “you see, a dog growls when it's angry, and wags its tail when it's pleased. Now I growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad.” “I call it purring, not growling,” said Alice. “Call it what you like,” said the Cat. “Do you play croquet with the Queen to-day?” “I should like it very much,” said Alice, “but I haven't been invited yet.” “You'll see me there,” said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. “By-the-bye, what became of the baby?” said the Cat. “I'd nearly forgotten to ask.” “It turned into a pig,” Alice quietly said, just as if it had come back in a natural way. “I thought it would,” said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. “I've seen hatters before,” she said to herself; “the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad—at least not so mad as it was in March.” As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. “Did you say pig, or fig?” said the Cat. “I said pig,” replied Alice; “and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy.” “All right,” said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. “Well! I've often seen a cat without a grin,” thought Alice; “but a grin without a cat! It's the most curious thing I ever saw in my life!” She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself “Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!”

Alice falls asleep on a warm, sunny day. She spots a white rabbit wearing a suit and a pocket watch and he appears to be in a hurry to get somewhere. Curious, Alice follows the white rabbit. He leads her down a rabbit hole and soon Alice's adventures begin. She meets a whole host of characters including the Cheshire Cat, Mad Hatter and March Hare. Will Alice make it home from Wonderland? Alice in Wonderland, the english read-aloud online book was brought to you by

Alice meets the March Hare, Mad Hatter, and Doormouse as they trade riddles and stories.Download free coloring pages on our website:https://windchimestorytime.wixsite.com/podcast/coloring-pagesRead along with the episode:https://windchimestorytime.wixsite.com/podcast/read-alongSupport us on Patreon:https://patreon.com/WindchimestorytimeWant to submit your story to be told on our podcast? Email us a copy at windchimestorytime@gmail.comSupport this podcast at — https://redcircle.com/windchime-storytime/donations

Before sunrise on Saturday March 13th at 2:23 AM [PDT] Earth has a New Moon and Sun in the sign of the Hare. This New Moon is doubly-dark and exalted with Venus and Neptune conjoined within a few degrees. How … Continue reading →

Alice enters a rowdy house and learns from the Cheshire Cat that everyone here is mad! Will she reach the March Hare's house, and will he be as mad as promised? Download free coloring pages on our website: https://windchimestorytime.wixsite.com/podcast/coloring-pagesRead along with the episode:https://windchimestorytime.wixsite.com/podcast/read-alongSupport us on Patreon:https://patreon.com/WindchimestorytimeWant to submit your story to be told on our podcast? Email us a copy at windchimestorytime@gmail.comSupport this podcast at — https://redcircle.com/windchime-storytime/donations

Ben and Travis talk about Trump's impeachment inquiry, Elizabeth Warren losing the support of Wall Street, and California's ruling against the detainment of migrant children.