Podcasts about 1951

Hay 17 detenidos tras atropellamiento de policías en TlalpanINE definira legisladores vía plurinominal el 23 de agostoMayo ha sido el mes má caluroso en Cuba desde 1951Más información en nuestro podcast

Aisha Alfa, Chanel Ali, Joey Bragg, and Ellen Harrold join Brido on the panel.  They talk Curb Your Enthusiasm, series finales, Kurt Cobain, the coolest person alive, the women's NCAA tournament, Adam Sandler, and there's a song tournament from 1951. Video and extras are at www.patreon.com/brido

Operatenoren Jussi Björling har varit död sedan 1960 men han är alltid aktuell. Vi hör en intervju från 1951 om nymodigheten LP-skivan och så sjunger han Till havs på torget i Borlänge. Lyssna på alla avsnitt i Sveriges Radio Play. Per Lindfors intervjuar Jussi Björling nyss hemkommen från Amerika. Och så en upptagning från Jussi Björlings Torg i Borlänge där han står staty.

We are back for another exciting season! Join Tyler as he reviews and talks about a sentimental favorite and why the best pic nominees of 1951 are the most diverse set that the Oscars have had so far. A musical, a War film, hard hitting dramas and a historical Epic. 

Wir starten unseren Japanuary 2024 mit einem Gespräch, auf das ich mich sehr gefreut habe: Lucas Barwenczik diskutiert mit mir über Yasujiro Ozus Film WEIZENHERBST (Originaltitel Bakushu, auch bekannt als EARLY SUMMER). Tokio 1951, Ozu macht uns zum Beobachter des Alltags einer Familie. Im Mittelpunkt steht Noriko (Setsuko Hara), die schon längst hätte heiraten sollen – finden ihr Bruder (Chishu Ryu), ihre Schwägerin und die Eltern. Noriko arbeitet, trägt ihren Teil zum kleinen Wohlstand der Familie bei und fühlt sich in ihrer Unabhängigkeit wohl. Schließlich wird ihr ein Heiratskandidat vorgeschlagen, aber die „altmodische Emanzipierte“ Noriko lässt sich ihre Zukunft nicht vorschreiben.Im Podcast diskutieren Lucas und ich über die Veränderung der gesellschaftlichen Konventionen und über den Versuch, die Kontrolle über Frauen aufrechtzuerhalten. Auch über Ozus Form der fragmentarischen Erzählung, über sein Weglassen von erwarteten Handlungselementen (was die Aufmerksamkeit des Publikums auf die Charaktere und deren Motivationen richtet) und seine Technik, uns die Arbeit der Interpretation selbst machen zu lassen. Wir vergleichen Ozu mit Keisuke Kinoshita, mit Vermeer und Jazz und bewundern die Kamerakranfahrt – die einzige in Yasujiro Ozus erhaltenem Filmwerk. Auf Ozu sind wir für den Japanuary übrigens gestoßen, weil ARTE rechtzeitig zum 120. Geburtstag des hochgelobten Regisseurs einige Filme im TV und in der ARTE-Mediathek gezeigt hat.P.S. Der Titel „Weizenherbst“ bezieht sich darauf, dass der im Krieg verschollene Bruder von Noriko an der Front Ashihei Hinos Buch „Weizen und Soldaten“ über den chinesisch-japanischen Krieg gelesen hat – in der deutschen Literatur am ehesten vergleichbar mit „Im Westen nichts Neues“ von Erich Maria Remarque.

On this day in 1951, the Park-O-Mat driverless parking garage opened in Washington, D.C.See omnystudio.com/listener for privacy information.

“Stella! Hey, Stella!”Tennessee Williams' Pulitzer Prize-winning play A Streetcar Named Desire took Broadway by storm in 1947. Four years later, director Elia Kazan decided to adapt the play for the big screen, bringing together many members of the original Broadway cast like Marlon Brando, Kim Hunter, and Karl Malden. After a tumultuous pre-production filled with casting conflicts and clashes over censorship, Kazan was finally able to begin filming on location in New Orleans in 1950. The end result was a critical and commercial smash, earning 12 Oscar nominations. Join us – Pete Wright and Andy Nelson – as we continue the 1952 Academy Awards Best Cinematography • Black-and-White Nominees series with a conversation about Kazan's A Streetcar Named Desire.Here's a hint at what we talk about:In this episode, we dive deep into Marlon Brando's electrifying performance as Stanley Kowalski and how it paved the way for method acting in film. We also discuss how Elia Kazan's stage experience enabled him to open up the world of the play through evocative cinematography and set design. Additionally, we analyze Vivien Leigh's complex portrayal of Blanche DuBois and debate whether the film adaptation fully captures the darkness of Tennessee Williams' original story.Here are a few other points in our discussion: Our initial reactions to revisiting this classic film The jazzy, atmospheric score by Alex North Memorable scenes like Brando screaming "Stella!" and the final scene Differences between the film and Williams' original play The talented supporting cast like Kim Hunter and Karl Malden We have a great time unpacking this landmark dramatic film, so tune in to hear our thoughts. The Next Reel – when the movie ends, our conversation begins!Film Sundries Watch this on Apple or Amazon, or find other places at JustWatchor check out our new Watch page to get links for all the films we've discussed on our shows! Script Options Theatrical trailer Original Material Letterboxd Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you!Read more about the results of the WGA strike here.Learn more about the SAG-AFTRA strike here.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete  Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.

“Criss cross.”In 1951, Alfred Hitchcock was at a low point in his career after the disappointing critical reception of his previous two films, Under Capricorn and Stage Fright. Desperate for a hit, he wanted to adapt the 1950 Patricia Highsmith novel Strangers on a Train about a chance encounter that leads to a murder pact between two very different men. He bought the rights and enlisted screenwriter Raymond Chandler to adapt the book for the screen. Though Chandler delivered a script, Hitchcock ultimately rejected it in favor of a rewrite by Czenzi Ormonde and an uncredited Barbara Keon. With his leads locked in – Farley Granger as tennis pro Guy Haines and Robert Walker as the villainous Bruno Antony – Hitchcock began production on what would become another tension-filled thriller. Join us – Pete Wright and Andy Nelson – as we continue the 1952 Academy Awards Best Cinematography • Black-and-White Nominees series with a conversation about Strangers on a Train.Here's a hint at what we talk about:In this episode, we dive deep into the fantastic performances by Robert Walker as the creepy and charismatic Bruno and Farley Granger as the morally conflicted Guy. We also discuss the homoerotic undertones in the film and how Hitchcock used them to toy with ideas about sexuality and identity. Though we find a few plot holes, overall we both agree this is one of our favorite Hitchcock films thanks to its psychological tension, unique visual style, and fun fairground climax.One of the standout elements of Strangers on a Train is the striking black-and-white cinematography by Robert Burks. In his first collaboration with Hitchcock, Burks brought an experimental flair that heightens the psychological tension. The use of shadows, unique camera angles, stylized lighting, and innovative techniques like the curved lens shot of Miriam's murder create an atmosphere of dread and danger. Burks' innovative work garnered him an Oscar nomination and built the foundation for a longtime partnership with Hitchcock.Strangers on a Train is a taut, psychologically complex thriller brought to life by Hitchcock's masterful direction. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you!Read more about the results of the WGA strike here.Learn more about the SAG-AFTRA strike here.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete  Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE. Film Sundries Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd

“If you're an Eastman, you're not in the same boat with anyone.”Based on the 1925 novel An American Tragedy by Theodore Dreiser, A Place in the Sun tells the story of working-class George Eastman (Montgomery Clift), who moves in with his wealthy uncle's family and begins a romantic relationship with an affluent young woman named Angela Vickers (Elizabeth Taylor). However, he becomes entangled in a love triangle when his co-worker Alice Tripp (Shelley Winters) reveals she is pregnant with his child. This film adaptation was a critical and commercial success, earning six Academy Awards including Best Director for George Stevens. Join us – Pete Wright and Andy Nelson – as we continue the 1952 Academy Awards Best Cinematography • Black-and-White Nominees series with a conversation about A Place in the Sun.Here's a hint at what we talk about:We dive deep into the performances, especially praising Montgomery Clift for his nuanced and multilayered portrayal of the morally conflicted George Eastman. We also discuss how this story explores themes related to social class, the American dream, and ambition. Though we find the film compelling and expertly crafted overall, we do question some of the legal specifics of the ending.Here are a few other points in our discussion: The cinematography and lighting choices that enhance the film's mood and drama Elizabeth Taylor's breakout dramatic performance at age 17 Similarities to the real-life murder case that inspired the source novel Whether this story could lend itself well to modern remakes A Place in the Sun is a riveting and thought-provoking film with fantastic lead performances. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Poster artwork Flickchart Letterboxd Read more about the results of the WGA strike here.Learn more about the SAG-AFTRA strike here.Visit our WATCH PAGE to rent or purchase movies we've talked about on the show. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. All of the movies from our current season are in there, and we're continuing to add more from our back catalog. Enjoy!Want to upgrade your Letterboxd account? Use our promo code to get a discount and help us out in the process!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete  Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.

“Of all the strange breeds that mighta come along, it was their bad luck to get me.”In the years during and after World War II, the exploits of US Navy frogmen captured the American imagination. Seeking to showcase them on the silver screen, Hollywood producers worked closely with the Navy starting in 1950 to develop the film The Frogmen. The Navy provided extensive support, training actors using real frogmen drills and equipping them with state-of-the-art gear. Filming underwater presented huge challenges with the bulky cameras of the time. Join us – Pete Wright and Andy Nelson – as we continue our 1952 Academy Award Best Cinematography Black-and-White Nominees series with a conversation about Lloyd Bacon's 1951 film The Frogmen.Released in 1951, The Frogmen gave audiences an unprecedented look into the adventures of these elite naval commandos – the Underwater Demolitions Team, or UDT. A major part of our conversation was about the underwater filming used extensively throughout the movie. We were impressed by how they shot underwater action, since this was brand new and innovative in 1951. While the pacing seems slow now, those scenes must have been thrilling for audiences when it first came out. We speculated that the underwater cinematography is probably why it got the Oscar nomination.We also talked a lot about the dynamic between Richard Widmark as the new commander and Dana Andrews as the chief who questions his leadership. Their contentious relationship drives much of the conflict and drama as they gradually gain mutual respect.Some key scenes stand out that represent the film's strengths to us. Disarming the live torpedo ratchets up the tension and shows Widmark's courage. The rope transfer between ships demonstrates the Navy's technical input. Planting the prank sign highlights real rivalries between units. And even though the final underwater fight pushes the action beyond historical truth, it's clear that it's designed for drama and emphasizes what the UDT was actually doing when the film was released.Overall, we found The Frogmen to be enjoyable but not that memorable. The underwater footage remains the main appeal today, though perhaps military fans would be more inclined to revisit it. The film could use a restoration. But Widmark's performance and the naval insight still make it worth watching. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Theatrical trailer Poster artwork Flickchart Letterboxd Read more about the results of the WGA strike here.Learn more about the SAG-AFTRA strike here.Visit our WATCH PAGE to rent or purchase movies we've talked about on the show. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. All of the movies from our current season are in there, and we're continuing to add more from our back catalog. Enjoy!Want to upgrade your Letterboxd account? Use our promo code to get a discount and help us out in the process!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete  Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.

“Why are you so hateful to one another?”Kicking Off Our Next Series With a Conversation About László Benedek's 1951 Film Death of a SalesmanIt had only been a few years since Arthur Miller's play made its successful debut, and the story was exactly the sort producer Stanley Kramer sought out. He brought László Benedek on to direct and Stanley Roberts on to adapt it for the screen. Unfortunately, the film was a box office flop, whether due to the studio's concerns about its anti-American themes or audiences seeking lighter entertainment after World War II. Still, Benedek and Kramer assembled a strong adaptation of Miller's story, even if Miller himself wasn't a fan. Join us – Pete Wright and Andy Nelson – as we kick off our series looking at the 1952 Academy Award nominees for Best Cinematography • Black-and-White. We'll be discussing Benedek's 1951 film Death of a Salesman.Here's a hint at what we talk about.We closely analyze the strained father-son relationships that drive the narrative. Salesman Willy Loman (Frederic March) and his older son Biff (Kevin McCarthy) have a fractured bond ever since Biff discovered Willy's affair years before. This broken trust continues to shape their tense interactions, as Biff struggles to meet Willy's high expectations.We also examine the symbolic role of Willy's wealthy brother Ben, who appears in visions. Ben represents Willy's glorified notions of the American Dream and success. While Willy finds inspiration in Ben's purported business ventures abroad, he never pursues such risks himself. This critique of capitalism's empty promises factors heavily in the story.Much of our discussion also focuses on Franz Planer's evocative cinematography. We analyze Planer's striking lighting, camerawork and framing as part of our ongoing series on the 1952 Best Cinematography nominees. Despite a poor quality print, we note innovative techniques like scenes reflected in shadows. The transitions between reality and memory are especially inventive, showcasing advantages of adapting the stage play cinematically.Additional topics include: Mildred Dunnock's strong performance as the supportive yet insightful Linda Loman Benedek's clever transitions between the past and present Why the play still resonates through countless reinterpretations Whether you know Miller's famous play or are discovering it for the first time, don't miss our engaging discussion of this impactful American tragedy. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership. Script Options Poster artwork Flickchart Letterboxd Read more about the results of the WGA strike here.Learn more about the SAG-AFTRA strike here.Visit our WATCH PAGE to rent or purchase movies we've talked about on the show. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. All of the movies from our current season are in there, and we're continuing to add more from our back catalog. Enjoy!Want to upgrade your Letterboxd account? Use our promo code to get a discount and help us out in the process!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete  Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.

This time, the guys welcome back Dr. Phil Nichols to talk about the recent adaptation of H.G. Wells’s “The Crystal Egg” by the Planet Zoom Players, as well as briefly touching on the Tales of Tomorrow adaptation from 1951. Rankings: Colin: PZP adaptation, story, Tales of Tomorrow James: PZP adaptation, story Seth: PZP adaptation, story, Tales of … Continue reading The Crystal Egg, by H.G. Wells (feat. Phil Nichols) →

This time, the guys welcome back Dr. Phil Nichols to talk about the recent adaptation of H.G. Wells’s “The Crystal Egg” by the Planet Zoom Players, as well as briefly touching on the Tales of Tomorrow adaptation from 1951. Rankings: Colin: PZP adaptation, story, Tales of Tomorrow James: PZP adaptation, story Seth: PZP adaptation, story, Tales of … Continue reading The Crystal Egg, by H.G. Wells (feat. Phil Nichols) →

EPISODE #392-- Folks, we got ourselves an old-fashioned five bagger. That's right we have the Howard Hawks' produced THE THING FROM ANOTHER WORLD from 1951 starring James Arness. .  . and others! It's a classic for a reason! We also talk about the adaptation of SILO (2023) on Apple+, CHE: PART II (2008) from Steve Soderbergh, STAR TREK: STRANGE NEW WORLDS on Paramount+, Wes Anderson's THE GRAND BUDAPEST HOTEL (2014), and THE LEGEND OF ZELDA: THE TEARS OF THE KINGDOM on the Nintendo Switch. It's a full week, folks. Cinema. It's what's for dinner. Donate to the cause at Patreon.com/Quality. Follow the show on Twitter @AQualityInterruption, and James on Twitter @kislingtwits, on Bluesky at kislingconnection.bsky, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, please leave us a review on iTunes or whatever podcatcher you listened to us on!

durée : 02:14:55 - "Le Prince de Hombourg" de Heinrich von Kleist, mise en scène de Jean Vilar au Festival d'Avignon en 1951 - Nous sommes en Avignon dans la Cour d'Honneur du Palais des Papes le 23 juillet 1951, Jeanne Moreau, Gérard Philipe, Jean Vilar, et tous les autres comédiens du "Prince de Hombourg" s'apprêtent à monter sur scène. Il y a dans l'histoire du Festival d'Avignon des spectacles qui ont fait date, des mises en scène que l'on qualifie aujourd'hui de mythiques. La création en 1951 dans la Cour d'Honneur du Palais des Papes du Prince de Hombourg, mis en scène par Jean Vilar, fut l'un de ces moments qui ont marqué les mémoires. Un spectacle qui était déjà un événement avant même la première de ses représentations, puisqu'avec lui se concrétisait l'arrivée dans la troupe du TNP de l'immense vedette de cinéma qu'était à cette époque Gérard Philipe. D'autant que durant ce même Festival 51, l'acteur était aussi Don Rodrigue dans Le Cid que Vilar mettait également en scène. Un moment important pour Avignon, pour le théâtre, et pour Jean Vilar, comme le rappelait en 2007 Agnès Varda, photographe du Festival d'Avignon et du TNP au début des années 50. "Pour moi Jean Vilar, ce n'était pas seulement un type remarquable, mais le meilleur acteur de sa troupe - disait-elle. Sa diction, sa précision, et l'intelligence de son jeu en font un très grand acteur, meilleur même que Gérard Philipe, qui, lui, était le diamant du TNP. Quand il est arrivé à Avignon en 1951, puis au TNP, vedette de cinéma acceptant les règles démocratiques de la troupe, il a donné une dimension supplémentaire, un éclat et une reconnaissance médiatique du travail de Vilar". Les archives radiophoniques ont ceci de bon : elles peuvent nous transporter en des temps et dans des lieux où nous ne pouvions pas être. Fermons les yeux. nous sommes en Avignon dans la Cour d'Honneur du Palais des Papes le 23 juillet 1951. Jeanne Moreau, Gérard Philipe, Jean Vilar, et tous les autres comédiens du Prince de Hombourg s'apprêtent à monter sur scène. Les micros de la RTF enregistrent. "Le Prince de Hombourg" de Heinrich von Kleist, mise en scène de Jean Vilar au Festival d'Avignon en 1951 (1ère diffusion : 29/07/1951 Chaîne Nationale) Présentation Max Joly  Traduction Jean Curtis Mise en scène Jean Vilar Musique de scène Maurice Jarre Interprètes : André Schlesser (serviteur de scène), Gérard Philipe (Prince Frédéric Arthur de Hombourg), Jean Negroni (comte de Hohenzollern), Jean Vilar (Frédéric Guillaume), Lucienne Le Marchand (princesse électrice), Jeanne Moreau (Nathalie), René Belloc (un heiduque), Pierre Asso (feld-maréchal Dörfling), Lucien Arnaud (Hennings), Pierre Lautrec (Guelder), Jean Bolo (Capitaine Von der Goltz), Jean-Paul Moulinot (colonel Kottwitz), Jean Martin (1er officier), Abel Jores (2e officier), Charles Denner (Siegfried von Mörner), Monique Chaumette (une dame de la Cour), René Dupuy (maréchal des logis), Jean Leuvrais (comte Reuss, comte Sparren), Maurice Coussonneau (Stranz) et Françoise Spira (2ème dame de la Cour) Archive Ina / Radio France

durée : 01:30:22 - Les Nuits de France Culture - par : Albane Penaranda - En 1951, culture et politique se mélangent dans une riche actualité : Angleterre, France, Russie, Iran, Egypte, le deuxième volet de la série sur "le troisième quart du siècle" nous embarque pour un périple polyphonique.

durée : 00:07:00 - Les Nuits de France Culture - par : Albane Penaranda - Dans "Les Belles histoires de Raphaël Geminiani", le coureur cycliste raconte avec verve les grands moments de sa propre carrière dans le Tour de France. Dans l'épisode 7, il est question du Tour 1951 et de ses conséquences : en 1952, il devient coéquipier de Fausto Coppi sur le Tour d'Italie. En 1951, le coureur cycliste Raphaël Geminiani termine 2ème du Tour de France remporté par le Suisse Hugo Koblet. En 2005, dans la série "Les Belles histoires de Raphaël Geminiani, le Grand Fusil" il rassemble les souvenirs de ses douze Tours de France. Dans le 7ème épisode, il raconte comment, après s'être illustré dans la Grande Boucle de 1951, il est invité par le campionissimo italien Fausto Coppi à rejoindre son équipe l'année suivante pour l'aider à contrer Gino Bartali sur le Tour d'Italie. Par Jean-Marc Millanvoye Réalisation : Mehdi El Hadj Les Belles histoires de Raphaël Geminiani, le Grand Fusil 7/15 : Tour de France 1951, le choix de Coppi (1ère diffusion : 12/07/2005) Edition web : Documentation Sonore de Radio France Archive Ina-Radio France

durée : 00:07:00 - Les Nuits de France Culture - par : Albane Penaranda - Dans la série "Les Belles histoires de Raphaël Geminiani", le grand coureur cycliste racontait en 2005 ses différents Tours de France. Disputés pour la plupart durant la décennie des années 50, il évoquait dans le 6ème épisode le Tour 1951 et sa relation avec Louison Bobet. Quel meilleur conteur que Raphaël Geminiani pour évoquer le Tour de France ? En 2005 l'ancien champion se prêtait à l'exercice pour raconter les grands moments de sa propre carrière dans le Tour. Dans cette série en quinze épisodes, où son accent clermontois et son langage fleuri font merveille, il fait le récit des grands, des bons et des moins bons jours qu'il a connus sur les douze Tours de France auxquels il a participé. Le sixième épisode la série Les Belles histoires de Raphaël Geminiani, le Grand Fusil s'intitule : La première cohabitation. La cohabitation dont il s'agit met en scène Louison Bobet et Geminiani lui-même en 1951. Le Tour de 1951 était disputé par formations nationales et "Le Grand Fusil" avait intégré en leader l'équipe de France aux côtés de Louison Bobet qui ne voyait pas l'arrivée de ce potentiel rival d'un très bon oil. Il la voyait même d'un très mauvais oil, comme on va l'entendre, au soir de la neuvième étape de ce Tour qui arrivait chez Geminiani, à Clermont-Ferrand. Par Jean-Marc Millanvoye Réalisation : Mehdi El Hadj Les Belles histoires de Raphaël Geminiani, le Grand Fusil 6/15 : La première cohabitation (1ère diffusion : 11/07/2005) Edition web : Documentation Sonore de Radio France Archive Ina-Radio France

George Steven's 1951 American dark-drama, A Place In The Sun, is our feature presentation this week. We talk the talent and tragedy of Montgomery Clift and the ghostly urban legends surrounding him. We also get into Elizabeth Taylor and Shelley Winters in the film, and the dark turn the film takes that completely caught us off guard. And as usual, we have our SILVER SCREEN 7 where this week we pick our Top 7 movies from the 1950s. Stop by and check us out!

Ernst Deubelbeiss und Kurt Schürmann ermorden am 04. Dezember 1951 den Bankier Armin Bannwart nach dem missglückten Versuch, in Zürich eine Bank auszurauben. In der Nacht vom 24. auf den 25. Januar 1952 versuchen sie, die Post im aargauischen Dorf Reinach zu leeren. Als auch dies missglückt, feuern sie sich den Weg mit Maschinenpistolen frei, und es kommt zur größten Schießerei der Schweizer Kriminalgeschichte.

Tutto Nel Mondo è Burla stasera all'Opera - Renata Tebaldi a San Paolo 30 ottobre 1951

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Seth is joined by Rick Childs to discuss the winner of the 2001 Retro Hugo for Best Novel (for 1951), Robert A. Heinlein’s Farmer in the Sky. Start – 6:15 Intro through “Why this book?” 6:16 – 20:43 Non-Spoiler discussion 20:44 – end Spoiler discussion Notes & Mentions: Rick’s links: https://twitter.com/SmartassSciFihttps://twitter.com/bank_doc

Es ist viel los in FIREWORKS OVER THE SEA (UMI NO HANABI): Mehr als 30 handelnde Figuren und eine Menge Handlungsstränge sorgen dafür, dass keine Langeweile aufkommt - aber auch dafür, dass viele spannende Themen nur angerissen werden: In diesem Film steckte Material für eine ganze Serie. Der Film spielt in Yobuka, an der Südküste Japans. Die Brüder Tarobei (Ryu Chishu) und Jinkichi schicken ihre Schiffe zum Fischfang hinaus, aber korrupte Kapitäne und die Fischereiverwaltung machen ihnen das Leben schwer. Neue Kapitäne und eine arrangierte Heirat sollen das Unternehmen retten. Und vor allem muss die Fischereiverwaltung überzeugt werden, dem Unternehmen eine zweite Chance zu geben ... Im Podcast versuchen wir etwas Ordnung in diesen überfüllten Film zu bekommen, sprechen über die Liebesverwicklungen, das dramatische Duell zweier Frauen im Zug, über die pausenlos eingesetzte Filmmusik, die katholische Kirche und den sehr attraktiven Kapitän. Bestimmt nicht der überzeugendste Film von Kinoshita, aber dennoch sehenswert. FIREWORKS OVER THE SEA aus dem Jahr 1951 ist der neunzehnte Film von Keisuke Kinoshita. Der Film kann bei Criterion angeschaut werden.Die nächste Folge erscheint am 1. Januar 2023 und beschäftigt sich mit A JAPANESE TRAGEDY von Kinoshita aus dem Jahr 1953.Eine lesenswerte Besprechung von Hayley Scanlon auf Windows on Worlds.Eine Filmkritik von Stephen O. Murray auf Japanese Culture Reflections Blog.Michaels sehr empfehlenswerten Blog Schneeland findet Ihr hier. Den Filmpodcast SchönerDenken findet Ihr hier.Vielen Dank an Michael Meier von Kompendium des Unbehagens für die Unterstützung beim Jingle. Grüße nach Osaka!

BOYHOOD spielt im Krieg. Eine Familie wird aus Tokio evakuiert, der 16-jährige Sohn Ichiro (Akira Ishihama) wird als Feigling schikaniert - auch weil sein liberaler Vater (Chishu Ryu) den Krieg ablehnt und seine Stelle als Professor verliert. Fortan sorgt die Mutter (Akiko Tamura) alleine für das Überleben der Familie, während der Vater sich auf das Bücherstudium beschränkt und seinem Sohn verbietet, auf eine Militärschule zu gehen. Kinoshitas Film beruht auf einem Roman von Isoko Hatano und übernimmt auch dessen Struktur, was Thomas kritisiert. Intensiv diskutiert wird in dieser Podcastepisode die Rolle des Vaters: Lässt er seine Familie im Stich oder ist er ein Vorbild? Micha hat auf jeden Fall recht, wenn er sagt, dass der Film nicht alle Antworten gibt, aber sehr gute Fragen stellt. Und vielleicht ist das die besondere Qualität dieses Films.BOYHOOD aus dem Jahr 1951 ist der achtzehnte Film von Keisuke Kinoshita. Der Film kann bei Criterion angeschaut werden.Mit dem nächsten Film kehren wir wieder in die chronologische Reihenfolge zurück. Die nächste Folge erscheint am 18. Dezember 2022 und beschäftigt sich mit FIREWORKS OVER THE SEA von Kinoshita aus dem Jahr 1951.Eine lesenswerte Besprechung von Hayley Scanlon auf Windows on Worlds.Michaels sehr empfehlenswerten Blog Schneeland findet Ihr hier. Den Filmpodcast SchönerDenken findet Ihr hier.Vielen Dank an Michael Meier von Kompendium des Unbehagens für die Unterstützung beim Jingle. Grüße nach Osaka!

Erich von Halacz verübt 1951 zwei vollendete und einen versuchten Sprengstoffanschlag in Eystrup und Bremen. Hierbei kommen zwei Menschen ums Leben und zehn weitere werden zum Teil schwer verletzt. Lange Zeit tappt die Polizei im Dunkeln. Doch mit Hilfe einiger Zeugen und eines Phantombildes, kommen sie dem „Tangojüngling“ auf die Spur. Erstmalig in der deutschen Kriminalgeschichte arbeiten Polizei und Presse Hand in Hand, um den Täter zu finden.

CARMEN COMES HOME ist der erste bunte Spielfilm Japans, eine farbenfrohe Komödie über Carmen (Hideko Takamine), die mit ihrer Freundin ihr Heimatdorf besucht - mittlerweile hat sie in Tokio Karriere gemacht als Tänzerin. Sandra, Micha und Thomas sprechen über Heimat und Idylle, über die sympathischen und naiven Tänzerinnen, über kriegsblinde Musiker und gieriger Unternehmer, über liebende Väter und spektakuläre Showauftritte, die viel enthüllen und diskutieren dabei die kritischen und ernsten Töne, die in diesem heiteren Film mitschwingen.CARMEN COMES HOME aus dem Jahr 1951 ist der siebzehnte Film von Keisuke Kinoshita. Der Film kann bei Criterion angeschaut werden und ist auch im Handel auf DVD erhältlich.Die nächste Folge erscheint am 20. November 2022 und beschäftigt sich CARMENS INNOCENT LOVE von Kinoshita aus dem Jahr 1952, der Fortsetzung von CARMEN COMES HOME.Wie immer sehr empfehlenswerte Review von Hailey Scanlon auf Windows on WorldsMichaels sehr empfehlenswerten Blog Schneeland findet Ihr hier. Den Filmpodcast SchönerDenken findet Ihr hier.Vielen Dank an Michael Meier von Kompendium des Unbehagens für die Unterstützung beim Jingle. Grüße nach Osaka!

Der Reporter Nakanuma (Masayuki Mori) schickt seinen jungen Kollegen Rentaro (Rentaro Mikuni) los, um Itsuko Kitaura (Chikage Awashima) zu finden, die schöne Frau eines sehr reichen Unternehmers. Nakanuma war als junger Mann in Itsuko verliebt, war aber zu arm, um sie zu heiraten. Rentaro hat Erfolg: Er findet die verschollene Ehefrau, führt ein Exklusivinterview mit erstaunlichen Einsichten und verliebt sich in Istukos jüngere Schwester Mikako (Yoko Katsuragi).Melodram? Romantische Komödie? Weder noch. Kinoshita geht es hier um Moral und um Moralapostel: Rentaro erweist sich als das "gute Böse", in dem er sich als moralische Instanz aufspielt und in die Leben und Schicksale seiner Mitmenschen eingreift.Im Podcast sprechen Micha, Sandra und Thomas über die dramaturgischen Probleme dieser Theaterverfilmung, über Eheschließungen nach dem Tod, über dem Umgang mit der Geliebten, Gespräche im Kerzenlicht, über die Identifikation mit den Charakteren, grandiose Darsteller und das fehlende emotionale Zentrum des Films. THE GOOD FAIRY aus dem Jahr 1951 ist der sechzehnte Film von Keisuke Kinoshita. Der Film kann bei Criterion angeschaut werden.Die nächste Folge erscheint am 6. November 2022 und beschäftigt sich CARMEN COMES HOME von Kinoshita aus dem Jahr 1951, dem ersten japanischen Farbfilm.Wie immer sehr empfehlenswerte Review von Hailey Scanlon auf Windows on WorldsMichaels sehr empfehlenswerten Blog Schneeland findet Ihr hier. Den Filmpodcast SchönerDenken findet Ihr hier.Vielen Dank an Michael Meier von Kompendium des Unbehagens für die Unterstützung beim Jingle. Grüße nach Osaka!

I 50-talets matlagningsprogram Novisen vid spisen var Folke Olhagen novisen som lärde sig laga mat av Tore Wretman, men ibland inträdde gästlärare, som här skådespelaren och regissören Mimi Pollak. Lyssna på alla avsnitt i Sveriges Radio Play.

I 50-talets matlagningsprogram Novisen vid spisen var Folke Olhagen novisen som lärde sig laga mat av Tore Wretman, men ibland inträdde gästlärare, som här skådespelaren och regissören Mimi Pollak.

Matlagningsprogrammet Novisen vid spisen startade i oktober 1950 och blev snabbt populärt. I maj 1951 for novis och lärare till Hallarna i Paris, och här har duon kommit till fiskmarknaden. Lyssna på alla avsnitt i Sveriges Radio Play. I Novisen vid spisen lagade två herrar i skjortärmarna mat, den ene djupt okunnig – Folke Olhagen, och den andre var restaurangprofilen och kocken Tore Wretman som varsamt ledde sin adept genom kökets mysterier.

Matlagningsprogrammet Novisen vid spisen startade i oktober 1950 och blev snabbt populärt. I maj 1951 for novis och lärare till Hallarna i Paris, och här har duon kommit till fiskmarknaden. I Novisen vid spisen lagade två herrar i skjortärmarna mat, den ene djupt okunnig Folke Olhagen, och den andre var restaurangprofilen och kocken Tore Wretman som varsamt ledde sin adept genom kökets mysterier.

durée : 01:15:00 - Les Nuits de France Culture - par : Albane Penaranda - Dernier volet de la série consacrée par Jean Montalbetti à Céline, dans “Un homme, une ville”. Après Paris et Copenhague, c'est du côté de Meudon que s'achève cette marche dans les pas de l'écrivain, dans sa maison où il vécut les dix dernières années de sa vie entre 1951 et 1961. - invités : François Gibault Avocat et biographe de Céline; Philippe Sollers écrivain

durée : 00:07:00 - Les Nuits de France Culture - par : Albane Penaranda - Dans "Les Belles histoires de Raphaël Geminiani", le coureur cycliste raconte avec verve les grands moments de sa propre carrière dans le Tour de France. Dans l'épisode 7, il est question du Tour 1951 et de ses conséquences : en 1952, il devient coéquipier de Fausto Coppi sur le Tour d'Italie. - invités : Raphaël Geminiani Coureur cycliste né le 12 juin 1925

durée : 00:07:00 - Les Nuits de France Culture - par : Albane Penaranda - Dans la série "Les Belles histoires de Raphaël Geminiani", le grand coureur cycliste racontait en 2005 ses différents Tours de France. Disputés pour la plupart durant la décennie des années 50, il évoquait dans le 6ème épisode le Tour 1951 et sa relation avec Louison Bobet. - invités : Raphaël Geminiani Coureur cycliste né le 12 juin 1925

This week we're bypassing the randomizer for yet another Guest's Choice episode, in which our good friend Alessandra Dreyer "makes" us watch a Disney Animated Canon classic from 1951, a heartwarming tale about a little girl who enters an incredible fantasy world and spends roughly an hour and change getting harassed, bullied, trolled, gaslit, demonized, psychologically tortured, nearly burned alive and nearly decapitated by a seemingly endless string of demented sociopathic weirdos. Y'know, good clean wholesome Disney magic! Join Tony Goldmark, Alessandra Dreyer, David Ganssle and Erika Haynes as they go ask ALICE IN WONDERLAND (1951)! Check out my guests' stuff! ALESSANDRA DREYER Twitter: https://twitter.com/badfolklorist Instagram: https://www.instagram.com/badfolklorist DAVID GANSSLE Twitter: https://twitter.com/doggans YouTube: https://www.youtube.com/user/doggans ERIKA HAYNES Twitter: https://twitter.com/RealityOnMute  And check out this show on social media! Twitter: https://twitter.com/efvdpodcast Host's Twitter: https://twitter.com/tonygoldmark Facebook Group: https://www.facebook.com/groups/972385353152531 YouTube: https://www.youtube.com/tonygoldmark Hear new episodes a day early by supporting this show on Patreon: https://www.patreon.com/tonygoldmark

Will God answer your prayer if you don't end with, "In Jesus' name, Amen?" Learn what praying in the name of Jesus really means. I taught this week on the call of Abraham and the development of God's missionary call through the nation of Israel as they were responsible to communicate the truth of God to the cultures around them. They were given that great commission. The great commission didn't start in Matthew 28. It started with Abraham in Genesis 12 —the first three verses there —Abraham, chosen by God to raise up a nation who would then be God's priests to the world so that they would be a blessing to all of the nations. They had a unique role in the great monotheistic religion. The Jews were supposed to reflect morality to the world. Israel was to witness to the name of God. When they talked about the name of God and witnessing to God's name, that does not mean that they were to let everybody know what they called God, "Yahweh." Their goal wasn't to cover the countryside with evangelists who just let everybody know what the right word for God was. It meant something different. ☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆ ☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆ https://linktr.ee/jacksonlibon -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- #realtalk #face #instagram #amour #take #couple #dance #dancers #vogue #voguedqnce #garden #tiktok #psychology #beyou #near #love #foryou #money #ForYouPizza #fyp #irobot #theend #pups #TikToker #couplegoals #famille #relation #doudou #youtube #twitter #tiktokers #love #reeĺs #shorts #instagood #follow #like #ouy #oyu #babyshark #lilnasx #girl #happybirthday #movie #nbayoungboy #deviance #autotrader #trading #khan #academy #carter #carguru #ancestry #accords #abc #news #bts #cbs #huru #bluebook #socialmedia #whatsapp #music #google #photography #memes #marketing #india #followforfollowback #likeforlikes #a #insta #fashion #k #trending #digitalmarketing #covid #o #snapchat #socialmediamarketing H

Grosse Ereignisse werfen ihre pinken Schatten voraus - da waren noch ein paar Luftballons vom Tag der Trinkhallen 2018 über, also gibbet noch einen!! Nico is Kurator für die Sparte „Gemischte Tüte“ an diesem Tag - und wir so: jau, am Start! Um euch ma richtig knackig heiss zu machen auf dieses wunderbare Ereignis, lehnen wir lecker am Stromkasten vor dem Kiosk 1951 im schönen Kaiserstrassenviertel in Dortmund und lauschen Nicos warmen Worten. Ein alter Hase im Geschäft wie er erzählt von den letzten beiden Ausgaben 2016 und 2018 und warum Tante Erna an ihrer Bude keinen Bock auf Drum'n'Bass hat. Was is eigentlich der Plural von Kiosk? Und hat einer Lust auf Gemischte Tüte bei Onlyfans? Und was zum Teufel macht Thomas Gottschalk in Essen? Also, markiert euch jetzt schon mal den Tag im Fix und Foxi Kalender, trommelt die pucklige Verwandtschaft zusammen, kommt rum und macht mit! 06.08.2022 is Tag der Trinkhallen! Büdchen, Bier und ab dafür! Ausserdem!!! Passion für die Spotify Playlist!! Hits…Hits…Hits… von Frank Zanders Bruder bis zum Kaiser ohne Strom. Ein Fest! Liebe!! F+J #gemischtetütepodcast #1951 #pottcast #gemischtetüte #podcast #pottidol #dortmund #kaiserstr #liveannebude #kiosktime #TagderTrinkhallen #ruhrpott #passion #bierab8

Here we are for episode 517! This time on the show Martin Holmes is back with us as we head back to the early 1950s to see what was going on in music at the time... The UK charts didn't even really exist until late 1952 - but we do our best to cover what was going on over here and in the US between 1950 and 1953. Our next SLP edition, episode 518 sees Paul heading over to Bettina's house for a catch-up - but she also wants some advice about one of August's artistic commissions! Do please join us, won't you?! Email us at shyyeti@yahoo.co.uk if you have any comments - you can even send me a sound-file and I'll include it. The music is by Shy Yeti and Luca. Sound effects by Paul C and Soundbible. All other content of this episode is Copyright Paul Chandler, 2022. Episode 517 was recorded between the 13th January and the 9th February 2022 (in two recording sessions as we had trouble on the first date!)

Nel 1951 a Reggio Emilia chiude la più grande fabbrica dell'Emilia Romagna dopo 1 anno di occupazione da parte degli operai che cercavano di salvare quel che restava delle gloriose Officine Meccaniche Reggiane. Un anno difficile per centinaia di operai con le loro famiglie, che faranno spesso la fame. Questa è la loro storia, raccontata direttamente dai protagonisti di un Movimento Operaio che non esiste più.

We start off with another classic episode of “Dragnet.” There's a good mystery with a high-stakes villain, and I really enjoy all the throw-away, one-liner character moments. Then on “The Aldrich Family,” a typical high school situation turns in to a classic sit-com misunderstanding. But this one is executed particularly well. Episodes   Dragnet January 4, 1951 “The Big Holdup” 1:34   The Aldrich Family December 11, 1947 “School Ring” aka “Henry Wants a School Ring” 31:47

Dopo avervi raccontato di Nordahl, approfondiamo la questione grazie a Davide Grassi, che ci riporta (con parole e audio di repertorio) alla grande cavalcata del 1951, quando il leggendario trio svedese formato da Gunnar, Gren e Liedholm portò il Milan alla vittoria del tricolore.

This episode takes us to Cleveland, Ohio for the 1951 disappearance of Beverly Potts. Anyone with information on the disappearance of Beverly Potts is urged to contact the Cleveland Police Department at (216) 621-1234. You may also contact Crime Stoppers of Cuyahoga County at (216) 252-7463 or http://25crime.com/.All music by Kai Engel used under Creative Commons license. For more info, please visit https://www.kai-engel.com/.Buy Me Coffee (please!) - https://paypal.me/greatlakestruecrime Website - www.greatlakestruecrime.netTwitterX - https://twitter.com/greatlakescrime Facebook - https://www.facebook.com/greatlakescrimeFive-star reviews are always appreciated!Episode Sources:Badal, James. The Twilight of Innocence: The Disappearance of Beverly Potts. The Kent State University Press, 2005.Local Girl's Disappearance Remains Mystery Years LaterPlain Dealer, The (Cleveland, OH) - March 28, 2018Author/Byline: Tom Feran Section: News Page: A8Letter May Solve Beverly Potts CasePlain Dealer, The (Cleveland, OH) - February 26, 1994Author/Byline: Mark Gillispie Section: National Page: 1ABeverly Potts' disappearance affected her sister throughout her lifePlain Dealer, The: Web Edition Articles (Cleveland, OH) - August 24, 2015Author/Byline: Evan MacDonald, Northeast Ohio Media Group Section: Metrohttps://www.cleveland.com/metro/2015/08/64_years_later_a_possible_brea.html https://charleyproject.org/case/beverly-rose-potts https://www.cleveland.com/metro/2015/08/64_years_later_a_possible_brea.html

durée : 00:09:15 - Accès privé France Bleu Paris - Le Crazy Horse, temple de la féminité à Paris, avenue George V, est encore fermé mais notre reporter Murielle Giordan vous le fait vivre de l'intérieur.

Our film anniversary this month belongs to the romantic drama Charlie Chaplin once called “the greatest movie ever made about America.” That’s right, we’re diving into A Place in the Sun, starring Montgomery Clift, Elizabeth Taylor, and Shelley Winters, with supporting turns from Anne Revere and Raymond Burr. Directed by George Stevens and written by Harry Brown and Michael Wilson, this awards-heavy favorite among classic film lovers celebrates 70 years since premiering at the Cannes Film Festival in 1951, and it was the second film adaptation of the 1925 novel An American Tragedy by Theodore Dreiser, which was also a place of the same name. MUSIC IN THIS EPISODE: The opening theme of A Place in the Sun, composed by Franz Waxman and Daniele Amfitheatrof. LINKS Follow us on Twitter: Jon Negroni, Julia Teti Check out our Cinemaholics Merch! Leave us a voicemail using The “Swell” App. We post new prompts every week or so. Check out our Patreon to support Cinemaholics! Email your feedback to cinemaholicspodcast [at] gmail.com. Connect with Cinemaholics on Facebook and Twitter.   Support our show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.

Our film anniversary this month belongs to the romantic drama Charlie Chaplin once called “the greatest movie ever made about America.” That’s right, we’re diving into A Place in the Sun, starring Montgomery Clift, Elizabeth Taylor, and Shelley Winters, with supporting turns from Anne Revere and Raymond Burr. Directed by George Stevens and written by Harry Brown and Michael Wilson, this awards-heavy favorite among classic film lovers celebrates 70 years since premiering at the Cannes Film Festival in 1951, and it was the second film adaptation of the 1925 novel An American Tragedy by Theodore Dreiser, which was also a place of the same name. MUSIC IN THIS EPISODE: The opening theme of A Place in the Sun, composed by Franz Waxman and Daniele Amfitheatrof. LINKS Follow us on Twitter: Jon Negroni, Julia Teti Check out our Cinemaholics Merch! Leave us a voicemail using The “Swell” App. We post new prompts every week or so. Check out our Patreon to support Cinemaholics! Email your feedback to cinemaholicspodcast [at] gmail.com. Connect with Cinemaholics on Facebook and Twitter.   Support our show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.

SOS – diese Buchstabenkombination kennen wir alle als internationales Notsignal. Kindern in Not zu helfen, das war der Herzenswunsch des österreichischen Pädagogen Hermann Gmeiner. Heute vor 70 Jahren, am 15. April 1951, hat er das erste SOS-Kinderdorf in Österreich eröffnet. Von Steffi Tenhaven.

We've come a long way, and we've finally made it to our favorite Disney film. Join us for discussion, quotes, and character impressions that Victoria has been doing since she was 14 as we break down just why we love this film so much that we named our daughter after the title character. We're in a world of our own, and we invite you to come along!If you enjoy our podcast, please rate us and leave us a review! You can also learn more or contact the show at vaultdisneypodcast.home.blog!

In Episode 10 of Series 2 of The Rights Track Todd talks to Gonzalo Vargas Llosa, UNHCR's Representative to the UK about refugees. We get some hard facts and statistics on numbers of refugees and where they're from, discuss the role of the 1951 Refugee Convention, ask whether Angela Merkel's open invitation to refugees was moral or misguided and whether the UK is playing its part in protecting those fleeing war, famine and persecution. 0.00- 5.30 Gonzalo provides some startling statistics on numbers of refugees (In 2016 65.6 million forcibly uprooted - more than 20 millions seeking safety across a border, 40 million uprooted but who stay within their country - 20 people displaced every minute of every day) Majority of refugees 55% come today from just 3 countries: Syria, Afghanistan and South Sudan - Syria alone more than 5 million, South Sudan at highest rate Focus in the media has been on the arrival of refugees in Europe, but important to remember that 85% are in developing countries like Turkey, Pakistan, Iran who host millions of refugees - most refugees by far stay in their region of origin 5.30-15.40 Gonzalo talks about the ‘secondary movement' of refugees and explains that a significant drop in refugee funding to regions in the Middle East was a driver for refugees to leave and try to come to places like Europe. He says the emphasis needs to be on strengthening the aid to those developing countries so they can meet the minimum needs (water, food, health) of refugees in countries close to them and also provide them with new opportunities otherwise they will want to move. People think the majority of refugees are simply fleeing poverty but that is not the case Gonzalo explains how the rights of refugees are enshrined in the 1951 Refugee Convention and how important it is that countries which have signed up to the convention live top to their commitments because it is a legal obligation Gonzalo rejects claims that the Convention should be revisited or scrapped, explaining it has helped save millions of lives. He believes the problem is not the convention itself, but the failure of certain Government to uphold their commitments Todd asks Gonzalo for his thoughts on the German Chancellor Angela Merkel's statement that all refugees were welcome and whether her statement was moral or misguided Gonzalo says her statement showed great leadership and that the problem was that other leaders did not follow suit - not enough solidarity within Europe Gonzalo believes there has been too much focus on stopping boats making the dangerous journey to Europe without thinking about the alternative and without providing the sort of aid that might help/encourage them to stay where they are 15.40-end Some discussion about the UK position. Gonzalo describes UK as one of the most important donors of humanitarian aid in the world, giving substantial funding for example to help Syrian refugees in places like Jordan and Lebanon. It has also stepped up numbers of Syrian refugees that it will help resettle Todd summarises some of the key points made by Gonzalo in the interview