Podcasts about audio tech

In this week's video episode of The Pro Audio Suite, AP's got his ears on the new Audio-Technica R70xA headphones, and the team dives into a full-blown can convo. He shares his first impressions after two weeks of use — lightweight, comfy, and eerily similar in tone to the Hi-X65s. But how do they really stack up against other studio staples like the KRKs, Austrian Audio Hi-X55s and 65s, Sennheiser HD280s, and even some vintage Audio-Technica ATH2s? From comfort and design quirks (hello magnetic straps and mystery cables) to 470-ohm impedance madness, gear abuse stories, and which cans sound great but feel like a head clamp, this is one juicy headphone shootout. Bonus: George nerds out on impedance math, Robert gets officially certified as “professional grade,” and an AKG suffers a tragic fate at VO Atlanta...R70xA Headphones – Worth the Hype?

The Audio/Tech report for quarter 1 of 2025 is ready for your music ears to enjoy & as always Professor Skylab brings us the latest on audio greatness. We discuss the many different ways to clean your vinyl as well as the do's and don'ts. Please enjoy the episode. The Hook Rocks https://www.facebook.com/TheHookRocks/ https://www.instagram.com/thehookrocks/ https://bsky.app/profile/thehookrocks.bsky.social Professor Skylab https://bsky.app/profile/skylabtapes.bsky.social Pantheon Podcasts http://pantheonpodcasts.com/ https://www.facebook.com/PantheonPodcasts https://www.instagram.com/pantheonpods/ https://twitter.com/pantheonpods Learn more about your ad choices. Visit megaphone.fm/adchoices

Guests and HostGuest: Marco Ciappelli, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society Podcast & Audio Signals Podcast | On ITSPmagazine: https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/marco-ciappelliHost: Sean Martin, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | On ITSPmagazine: https://www.itspmagazine.com/sean-martinShow NotesThe first episode of Music Evolves with host Sean Martin sets the tone for an exciting exploration of the intersection of music and technology. Kicking things off with a discussion of the NAMM (National Association of Music Merchants) Show, this episode covers how musicians, producers, and innovators are shaping the future of sound.Music Meets TechnologyFrom the resurgence of classic analog instruments to the latest AI-assisted music creation tools, technology continues to redefine how music is made, performed, and shared. Sean shares his firsthand experience at NAMM, where major brands and independent creators showcased groundbreaking advancements, including digital amplifiers that recreate vintage sounds, AI-driven music production tools, and innovations designed to break creative barriers.One standout topic is how technology is making music creation more accessible. Companies are introducing tools that allow artists to experiment with sounds in ways that were once impossible without expensive studio setups. Instruments with built-in effects, digital modeling amps that maintain rich analog tones at lower volumes, and silent drum heads that allow musicians to practice in small apartments—all of these are making professional-quality music creation more attainable.The Role of AI in MusicA key discussion point in this episode is the growing influence of artificial intelligence. AI-generated music isn't just an experiment—it's already shaping songwriting, production, and even performance. Some musicians use AI to refine lyrics, generate melodies, or experiment with new sonic textures. But with this innovation comes debate. Can AI-generated music carry the same emotional depth as human-created work? And how does this impact authenticity in songwriting and performance?NAMM also brought attention to ethical concerns surrounding AI, with Roland and Universal Music Group unveiling an initiative to address fair use, artist rights, and responsible AI implementation in music. As AI continues to evolve, these discussions will be critical in determining its role in the industry.Preserving the Classics While Pushing BoundariesDespite all the technological advancements, there remains a strong nostalgia for classic sounds. This balance between innovation and tradition was evident at NAMM, where artists and engineers worked to preserve vintage tones while enhancing their usability for modern musicians. Companies are now blending analog warmth with digital precision, allowing musicians to replicate legendary sounds without the constraints of older hardware.Sean also touches on the impact of these advancements on performance. Portable gear with built-in looping and effects is allowing musicians to push creative limits, while innovations in live sound engineering are making it possible to replicate studio-quality mixes on stage.More to Come on Music EvolvesThis episode sets the stage for a series that will dive deep into how technology is changing the way music is created, performed, and consumed. Future episodes will explore everything from sound engineering and music education to AI composition and new performance technologies.For those passionate about music and its ever-expanding possibilities, Music Evolves offers a fresh perspective on how creativity and technology intersect. Be sure to listen to the full episode to hear firsthand insights from NAMM and stay tuned for upcoming discussions with musicians, engineers, and industry leaders shaping the future of sound.SponsorsAre you interested in sponsoring this show or running ad placement in the podcast?Sponsorship

This week on The Pro Audio Suite, it's time to crown the winner of our epic mix competition in partnership with Austrian Audio! We're joined by Kurt Richter, the mastermind behind the Hi-X20 headphones, for an in-depth chat about what makes these cans a game-changer. Kurt spills the beans on Austrian Audio's design philosophy, the evolution from the Hi-X15 to the Hi-X20, and how pro feedback shaped their signature sound. Plus, we break down what set our finalists apart and why the winning mix took the top spot. Was it the perfect timing? The blend? Or that touch of magic that made it unforgettable? You'll have to tune in to find out! Missed out on the prize? Don't worry—experience the pro-level sound yourself with a pair of Hi-X20s!

Providing the perfect combination of a good sound system and a good viewing experience.

Today we're joined by Michael Nicosia, purveyor of incredible tone and owner of one of our favorite brick and mortar shops: Relic Music in Red Bank, New Jersey. We start with some of our most disappointing pedal purchases, talk about dream collaborations and the new EHX POG3, then get to Mike's object: the Hiwatt DR103. We talk about his journey toward finding a vintage example, pairing it with various cabs and speakers, and how it's been a central part of his sound for the last two decades. This one's about good gear and good people - get into it!Buy yourself some carefully curated gear from Relic: https://relicmusicshop.com/Or some pedals direct from OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @relicmusicshop, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

A bunch of chaos as you would expect, but this time we fire the questions at our famous Producer Jordan to chat about his business, NZ Audio Editors, and what it looks like behind the scenes dealing with all things audioHere's a few things we askedJordan, remind us of how you got into audio engineering.Do you work much with voice over artists specifically or is it a mixed bag?What do you wish VOs or podcasters knew about mic technique or use that would make things easier for you?What do you wish VO's or podcasters knew about sound treatment that would make things easier for you?What level of editing do you think a VO would need to be able to do to be helpful in their career, any helpful tips for usWhat level of editing do we do to our own audio?Whats the process for editing The Good TalkersWorst piece of audio you've ever been given, why was it so bad?If you want to work with Jordan and the rest of the team you can find them at www.nzaudioeditors.com, or contact Jordan on +642041807272#AudioEngineering #SoundDesign #MixingAndMastering #StudioLife #AudioProduction #SoundEngineering #RecordingStudio #AudioTech #SoundDesigners #TheGoodTalkers #TheGoodTalkersPodcast #NZAudioEditors #Deanna #Ashton #Tessa #Jordan

Today we're joined by Matt Kidd of Slow Meadow, longtime friend of Andy's, ambient composer, and solo artist whose journey from guitar through piano eventually leads us to a very modern instrument, the Expressive E Osmose. We talk a lot about physical interaction between player and instrument, the magic of squishy keys, and the variety of elements that give us control over sonic textures. Also we get into Andy's Big Day, wherein he goes viral and gets a message from none other than Wes Borland.Listen to Slow Meadow: https://slowmeadow.bandcamp.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @slowmeadow, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Travis talks about the year he spent NOT buying plug-ins and how the recording studio culture fuels the audio tech industry into trying to sell engineers everything.

The suspense is killing us: will they have a guest this week? Finally, we can confidently say, no! But at the same time, kind of, yes? Here's the deal folks. This is an episode of Andy and Dan catching up and answering some questions from the hogline. We talk about recent and upcoming pedal shows, the new Old Blood Noise Expression Ramper, the etiquette of pinging someone on Discord, folk-punk, and of course we check in with Clint, who we will see in December.Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

►► Get over 20 free audio tools: https://www.producedbymkc.com/audiotoolkit You might know "in general" that they're responsible for the sound at a gig and probably behind a mixer of some sort, but what are they actually doing? Today I break down: - key expectations and responsibilities in live audio - 10 different common jobs on a show - what skillsets you should be developing if you want to grow in live sound

How low can, and should, you go? Today we're joined by Nick Diener of Oneder Effects and Oneder Guitar Company to talk about notes below the standard six string. We start with the early magic of a Strat in E flat and follow it through baritone guitars and his recently acquired seven string, learning about his influences and creative processes with projects like The Swellers and The Apology Tour along the way. There's a lot of 90s music talk and a lot of modern pedal talk. At this point, if we don't mention nu metal and parallel routing, is it even Object Worship? Anyway quit readin and get to listenin!Check out Oneder Effects: https://www.onedereffects.com/And Oneder Guitar Company: https://www.onederguitarcompany.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @onedereffects, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

It's Outer Wilds round two as we're joined by composer Andrew Prahlow. We start with some of our favorite video game soundtracks, then get into Andrew's object, a Fender Dual Professional. We go deep on how using an amp in a room can help create memories of music-making, what it means to access the history of a piece of musical equipment while creating your own history with it, and how non-traditional compositions like Jon Brion's Eternal Sunshine of the Spotless Mind inspired Andrew's approach to emotion in a soundtrack.For more info and to find Andrew's live dates: http://www.andrewprahlow.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @andrewprahlow, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

The Runway Gen-3 Alpha video model is one of a few new AI tools which has us exploring the impact of AI on Hollywood; including the LumaLabs Dream Machine, GoogleDeepmind advancements in video-to-audio technology and a potential decline in larger productions. We discuss the Microsoft Co-Pilot+ PCs launch and the expectations around GPT-4o's voice model.. Plus, we introduce a new AI video tool, Hedra, and discuss its creative possibilities. To top it off, we celebrate 10,000 subscribers by begging for more, and Gavin premiers an intergalactic fast-food commercial he speed-ran in 90 minutes! All that, plus THE RETURN OF GASH, on today's AI For Humans! Episode edit by the always amazing BeeMop! Any flash-frames? Please demolish him in the comments... Otherwise? ALL. PRO! Follow us for more on X @AIForHumansShow Join our TikTok @aiforhumansshow And to contact or book us for speaking/consultation, please visit our website: https://www.aiforhumans.show/ /// CHAPTERS /// 00:00 Intro: AI Video Revolution 00:33 Welcome, welcome, WELCOME! 01:02 Celebrating Milestones: 10,000 Subscribers 01:57 Runway Gen 3 Updates 05:50 New AI Video Tools: Hedra and Luma 13:00 Google DeepMind's Video to Audio Tech 15:44 The Impact of AI on Hollywood 20:34 The Missing GPT-4.0 Voice Model 26:27 Microsoft's Copilot PCs and the Recall Controversy 27:44 AI Companies Racing to Prove Value 29:48 SEEMLESS AI Headlines Segment 31:47 TikTok Avatars 32:42 AI in Cancer Treatment 34:09 Fair AI Dataset with Getty 35:27 McDonald's AI Drive-Thru Failure 36:15 Interview with GASH - Your McAI 41:17 Gavin's Intergalactic McDonald's Ad 48:01 Five-Star Reviews and Closing Ish #ainews #aitools #ai /// SHOW LINKS /// Runway Gen-3 Alpha Stuff Text Examples  https://x.com/c_valenzuelab/status/1803063105150128264 Gen-3 Lipsync https://x.com/Ryphi10/status/1803162976293470294 Luma Dream Machine Weird Car Video https://x.com/Diesol/status/1802875783914106955 LumaLabs Extend Examples https://x.com/LumaLabsAI/status/1803098863097835995 Kevin's Broken Luma Labs Call Tweet https://x.com/Attack/status/1802456340834767200 HEDRA - Talking Head Avatar AI https://x.com/hedra_labs/status/1803095713112580475 Hallo - Freely Available Talking Head Avatar Software https://github.com/fudan-generative-vision/hallo Hallo - Cocktail Peanut Hallo Examples: https://x.com/cocktailpeanut/status/1802376983021580428 Google DeepMind AI Audio For Video https://deepmind.google/discover/blog/generating-audio-for-video/ Cristobal: 50 $1 Million Dollar Movies Tweet https://x.com/c_valenzuelab/status/1772768746853286226 GPT 4-o Capabilities https://openai.com/index/hello-gpt-4o/ OpenAI Could Become a for Profit Company https://www.reuters.com/technology/artificial-intelligence/openai-ceo-says-company-could-become-benefit-corporation-information-2024-06-15/ OpenAI NSA Director https://www.theverge.com/2024/6/13/24178079/openai-board-paul-nakasone-nsa-safety Article: Microsoft Co-Pilot PCs Launch Minus Recall & OpenAI's GPT-4o Voice Model https://www.cnet.com/tech/services-and-software/microsoft-drops-recall-from-copilot-plus-pc-launch/ Article: Recall Recalled. Sorta… https://futurism.com/the-byte/microsoft-recall-surveillance-ai Article: AI Companies Demo-ing Stuff Faster Than They Can Ship It https://www.fastcompany.com/91128518/microsoft-copilot-pcs-gpt4o-chatgpt-voice-mode-google-astra Terrible ChatGPT names it tried to come up with here: https://chatgpt.com/share/98435289-4d00-4d6e-846e-000894ca8009 TikTok AI Avatars https://www.engadget.com/tiktoks-gen-ai-avatars-are-based-on-real-people-and-that-only-makes-them-more-creepy-130033649.html OpenAI Partners With Color To Treat Cancer Patients with GPT-4o (Dr. Co-Pilot)  - GAVIN https://x.com/gdb/status/1802707715816595869 https://www.wsj.com/articles/openai-expands-healthcare-push-with-color-healths-cancer-copilot-86594ff1 Getty/Picsart FAIR dataset Announcement https://www.engadget.com/picsart-and-getty-are-making-an-ai-image-generator-entirely-trained-on-licensed-content-154058696.html McDonald's Fires It's AI Drive Thru https://www.bbc.com/news/articles/c722gne7qngo Gavin's Intergalactic McDonald's Commercial https://x.com/AIForHumansShow/status/1802715910488400047

Today we're joined by singer and multi-instrumentalist Courtney Swain, to talk about her first pedal: the Chase Bliss Blooper. We start with some voicemails about musical flubs because silly old Andy goofed the prompt in Discord, then move into the beginnings of Courtney's pedal journey and how it opened up her creative practice. We talk about processing voice through pedals, the different ways Courtney and Andy use Blooper and other Chase Bliss pedals, blending of effects in parallel, how the aesthetic of a pedal designer can inform the aesthetic of a performer, and how creativity isn't a well to dry up but a self-sustaining ecosystem. It's a big one, get into it!For more info and to find Courtney's music: https://www.courtneyswain.com/Buy yourself a MAW or Signal Blender: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us on the socials: @chourtkneey, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Guía completa sobre los mejores audífonos con cancelación de ruido en 2024. Descubre las opciones top de Bose y Sony para una experiencia auditiva superior.#Audífonos, #CancelaciónDeRuido, #Tecnología, #Música, #Bose, #Sony, #CalidadDeSonido, #Innovación, #Gadgets, #AudioTechConviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/geeks-y-gadgets-con-luisgyg--909634/support.

It's hogs all the way down this week as we're joined by Alex Paul, guitarist in Girih and design and manufacturing brain behind Robot Graves Industries. You might think we talk about aluminum guitar necks, but we get too busy asking the hogline about their favorite Electro Harmonix pedals, then dive deep on Alex's favorite: the HOG Harmonic Octave Generator V1. We talk about the utility of six footswitches vs a suite of MIDI functionality, and the je ne sais quoi of sound quality across pedal versions. We also talk a lot about what it means to perform music, and the way technology can both help and hinder the interaction between artist and audience.Check out Robot Graves: https://robotgraves.com/Listen to Girih: https://girih.bandcamp.com/Buy Old Blood pedals: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us on the socials: @robotgraves, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

The Audio/Tech report for quarter 2 of 2024 is here & as always Professor Skylab brings us the latest on audio greatness. He provides the playbook for record collectors on how to navigate through the world of vinyl pressings. The Hook Rocks https://www.facebook.com/TheHookRocks/ https://www.instagram.com/thehookrocks/ https://twitter.com/TheHookRocks Professor Skylab https://twitter.com/SkyLabTapes District 97 https://district97.net/ https://www.facebook.com/District97/ https://www.instagram.com/district.97 https://twitter.com/district97 Pantheon Podcasts http://pantheonpodcasts.com/ https://www.facebook.com/PantheonPodcasts https://www.instagram.com/pantheonpods/ https://twitter.com/pantheonpods Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's podcast, Charlie Porritt joins us from Portsmith, New Hampshire, where he is CEO of Russound, an internationally respected leader in manufacturer of audio products and technology. While it seems as if those of us who know Charlie today only associate him with his 24 years at Russound, they're failing to recognize early stops in his career at such other legendary brands, Harman and SpeakerCraft. Today we'll look back a bit on our guest's career arc, finding out what wisdom he picked up along the way and developed on the job in his career role, and explore some of Russound's recent cool product introductions, including the AVA Series mini AVR, which is now shipping.

Join me as I uncover Meta's latest move in AI audio technology, discussing the game-changing impact of open-sourcing MusicGen, AudioGen, and EnCodec4. Invest in AI Box: https://Republic.com/ai-box Get on the AI Box Waitlist: https://AIBox.ai/ AI Facebook Community

The first Audio/Tech report of 2024 is here & as always Professor Skylabs brings us the latest on audio greatness as we welcome special guest Jonathan Schang of the progressive rock band District 97. Jonathan shares how he used a dolby surround audio mix for the bands latest record "Stay For The Ending". Please enjoy the episode! The Hook Rocks https://www.facebook.com/TheHookRocks/ https://www.instagram.com/thehookrocks/ https://twitter.com/TheHookRocks Professor Skylab https://twitter.com/SkyLabTapes District 97 https://district97.net/ https://www.facebook.com/District97/ https://www.instagram.com/district.97 https://twitter.com/district97 Pantheon Podcasts http://pantheonpodcasts.com/ https://www.facebook.com/PantheonPodcasts https://www.instagram.com/pantheonpods/ https://twitter.com/pantheonpods Learn more about your ad choices. Visit megaphone.fm/adchoices

From brittle speakers to fuzzy reception, older car radios can present some vexing problems, so we sat down with our pal Joe Rock from RetroSound to talk all about some basic troubleshooting and install tips for these vintage jamboxes. We also discussed a handful of solutions for folks that want to add modern audio capabilities to their classic car—without chopping up or otherwise upsetting the vintage aesthetic of their dash. 

On this episode of the Conscious Design Podcast our host Ian speaks with Karoline, lead designer for Nomono. Nomono has created a podcast in a box system that takes full advantage of spacial audio and AI enhanced audio. Ian and Karoline talk about sustainability and Nomono's approach to designing impactful, sustainable products. They also talk about the concept of “emotional durability” and how it can impact sustainability and design for the future, as well as its use in Nomono's design approach.. Karoline walks us through what it takes to design a product, Nomono's internal sustainability committee, and their long-term vision for the company. Listen to the episode today on your favorite podcast platform or YouTube. Parts 0:00 – Guest Intro 8:10 – Designing a product 16:07 – Sustainability Efforts 23:20 – Subscribe! 23:45 – Long Term 36:49 – Guest Outro About Karoline Müller and Nomono: Karoline is an industrial designer and the design lead for the ecosystem at Nomono. Since joining in 2020, she has applied her versatile skill set to various design disciplines within the company. Passionate about sustainability, Karoline started up and led Nomono's sustainability committee, showcasing her commitment to creating environmentally conscious design solutions. Her innovative thinking and dedication make her a valuable asset in shaping the future of design at Nomono. Nomono is a Norwegian tech startup founded in 2019. They provide a smarter way to create audio content from recording to publishing. By combining spatial audio and intelligent processing, the hardware-software solution enables storytellers to provide immersive experiences with exceptional audibility for their listeners – all in a seamless user experience. Winner of the SXSW Innovation Award for audio in 2023, Nomono's vision is to make voices heard by removing barriers between people and technology. Know more about Karoline and Nomono here: https://www.linkedin.com/in/karoline-m%C3%BCller-376595151/ https://nomono.co/ ///////// Download chapter 1 free: https://www.petermanfirm.com/conscious-design-chapter-1-free-download/ ///////// Want to be a guest? Visit: https://bit.ly/3BetCkf ///////// Want to work with us?

Jess is a seasoned RF Engineer and mic up tech with extensive experience in the Corporate, Concert, and theatre industries. Clients and work colleagues describe her as a self-starting individual with a strong passion and knowledge of audio systems. With a bubbly personality & a client-focused mentality, she strives to ensure that the customer's expectation of an event is not only achieved but also exceeded. Throughout the last thirteen years, she has been involved in many large-scale world-class events, one being the Commonwealth Games in the Gold Coast 2018 where she was contracted as an Assistant Production Manager covering Audio for the Opening and Closing Ceremonies. Some other well-known events that she has helped to create include Sydney NYE, TEDx Sydney, IBM Think & School Spectacular, and School of Rock both held at Sydney Qudos Bank Arena.    @theatreartlife Thank you to our sponsor @clear-com The TheatreArtLife Podcast is a branch of our larger TheatreArtLife Community. Come visit us at www.theatreartlife.com

Jess is a seasoned RF Engineer and mic up tech with extensive experience in the Corporate, Concert, and theatre industries. Clients and work colleagues describe her as a self-starting individual with a strong passion and knowledge of audio systems. With a bubbly personality & a client-focused mentality, she strives to ensure that the customer's expectation of an event is not only achieved but also exceeded. Throughout the last thirteen years, she has been involved in many large-scale world-class events, one being the Commonwealth Games in the Gold Coast 2018 where she was contracted as an Assistant Production Manager covering Audio for the Opening and Closing Ceremonies. Some other well-known events that she has helped to create include Sydney NYE, TEDx Sydney, IBM Think & School Spectacular, and School of Rock both held at Sydney Qudos Bank Arena.    “ATTENTION SPOTIFY LISTENERS: IF you want to WATCH this with VIDEO, you can also subscribe to our video version: https://open.spotify.com/show/5e9KnBRZdjUTXTvCe6Nrqm?si=6639537c61044396” @theatreartlife Thank you to our sponsor @clear-com The TheatreArtLife Podcast is a branch of our larger TheatreArtLife Community. Come visit us at www.theatreartlife.com

“No, it's true. No, you're absolutely right. Yeah, it does trigger memories. I remember sitting in my bedroom in my parents' house hearing certain songs like ‘Double Dutch Bus,' that song from the early 80s, it triggers a memory instantly. Or Earth, Wind and Fire, playing my parents' vinyl records, certain songs like instant memory of where I heard that song.” -- George Whittam This episode's the second half of my interview with audio engineer, podcast host, and all-around sound expert George Whittam as we talk about whether rooms or recording booths make for better audio, how podcasts became the new magazines, and George's most and least favorite sounds.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit www.audiobrandingpodcast.com where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available. And if you're getting some value from listening, feel free to spread that around and share it with a friend, along with leaving an honest review. Both those things really help – and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that. The Blind Leading the BlindAs we start the second half of our interview, George explains how the needs of musicians and voiceover artists can lead to very different recording environments. “There's no reverb,” he says about voiceover studios, “there's no liveliness. It doesn't help a musician who's playing acoustically or singing to be singing into a dead void.” We talk about whether he prefers isolated rooms or recording booths for soundproof environments, and why isolation booths often have trouble living up to their promise. “A lot of these companies that make iso booths don't understand the importance of actually having an acoustics expert,” he tells us. “There's a lot of the blind leading the blind.” Sounds, Textures, and RhythmWe also discuss George's experience with podcasting, both as a host and listener, and how it's come to replace magazines as his source of daily news “With podcasts,” he says, “I find there's less of the, ‘if it bleeds, it leads' type stories and more, more real stories.” We also talk about the power of sound in our everyday lives, from the beauty of a piano piece or solo trumpet to the noise of leaf blowers and construction workers in the big city. “For me,” he says, “it's always been about the sound, the textures, the rhythms, the way it's recorded. That has always been what's triggered an emotion in me.” Why It's So ImportantThe topic turns to audio equipment and how well smartphones can fill in for a studio when we're out on the road. George tells us about the limitations he's encountered in trying to make Apple products work with third-party hardware, including an audio interview that was never actually recorded thanks to a notification hiccup. “It makes me crazy,” he adds, “and this is why we'll never recommend, and even an iPad Pro for real recording use. You cannot count on it.” As the episode closes, we talk about the importance of sound, from advertising to movies, from music to everyday life. “Sound is very, very attached to the emotions,” he says. “That's, it is for me, so that's probably why it's so important.” Episode SummaryWhether isolation booths or soundproof rooms are better for recordingBlocking out ambient noise, from city traffic to rural neighborsHow to...

“And so he told me all about this, he showed me the facility that they have at the school, which was small, but very state-of-the-art digital audio recording technology for 1993. It was very state-of-the-art. And I was like, ‘Ooh, this is cool!' And so I started realizing this is where I should be, I should be in the recording department. But they didn't have one. They had a music school. That means I have to audition and get into music school if I want to study recording.” -- George Whittam This week's guest has served the technical needs of voiceover artists since 2005. In 2017, he launched GeorgeThe.Tech, offering VO tech support, training, studio design, and audio processing templates. He's the co-host of the Pro Audio Suite Podcast and co-host with Dan Lenard of Voice Over Body Shop at VOBS.TV. His name is George Whittam, and if you have a question about audio, he's the guy to ask. We'll be talking about what drew him to audio technology, acoustics, interfaces, and sound challenges. I always learn a ton of new things every time I speak to him, and I'm sure you will too.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit www.audiobrandingpodcast.com where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available. And if you're getting some value from listening, feel free to spread that around and share it with a friend, along with leaving an honest review. Both those things really help – and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that. Why Am I Here?We start the episode with George's early memories of sound, from a terrifying introduction to fireworks when he was a toddler to his childhood tape recordings and family interviews. He recalls following his dad's footsteps as an electrical engineer, only to discover his passion for sound in college. “I'll never forget sitting in differential equations class,” he says, “shaking my head, like, why am I here? And the guy's saying ‘Most of you guys aren't going to need this, but you electrical engineers are going to be using this all the time.' That's what I thought I was studying. And I was like ‘wrong major.'" Voice-Actor Friendly TechGeorge tells us how his father supported his early career in sound and helped fund his very first, and very unconventional, recording studio. “It was an old camper RV called the El Dorado,” he explains. “It literally said El Dorado on the front. And that's where the name of my first company came from: ‘El Dorado Recording Services.' We talk about how far he's come since those early days, and his guiding philosophy as an audio engineer, which, as he tells us, he can sum up in four words. “I've come up finally with a slogan,” he says, “a four-word slogan, which is voice-actor-friendly tech.” Should You Upgrade?We discuss the challenges of helping voiceover artists and musicians, who often aren't the most technically savvy people, with some of the more complex decisions when it comes to acoustic design and recording equipment. George tells us how the pressure to stay current can sometimes backfire, especially when it comes to trying to reinvent a very personalized audio setup. “You can run for years and years,” he explains, “and not upgrade a single solitary thing, and have a completely functional, great sounding, and reliable-to-use studio. And that's really what we care about.” The...

Chris Leonard has been in the professional live audio world for almost two decades, following in the footsteps of his father. As a monitor engineer with Maryland Sound International, he toured with artists like Tears for Fears, Don Henley, Disturbed, Josh Groban, Anthony Hamilton and more. Chris is currently the Director of Technical Operations at IMS Technology Services. Previously he spent ten years as the Director of Audio overseeing and managing all aspects of audio for the Event Staging Division of the company. IMS is a full-scale production company providing audio, video, and lighting for special events, conferences, and conventions nationwide. A highlight while at IMS includes designing and mixing for the Philadelphia Eagles Super Bowl victory parade, with an estimated 800,000 + audience and the largest outdoor event in Philadelphia's history. He has also worked on the last four Presidential Inaugurations. Chris is a co-host on the Signal To Noise Podcast presented by ProSoundWeb. The podcast has over 100 episodes and has been downloaded over 190,000 times. The show features conversations with people from all corners of the live sound industry, from FOH and monitor engineers, tour managers, Broadway sound designers, broadcast mixers, and more. Chris's current project, "How We Got Loud" begins with this podcast focusing on the stories of the people, technology, and passion that built the history of live sound, with many plans to grow and expand beyond the podcast in years to come.   Subscribe to the Podcast:  Apple: https://podcasts.apple.com/us/podcast/roadie-free-radio/id1115332289 Spotify: https://open.spotify.com/show/61e24ZD5A3oBTxO36WHQXq?si=38cac6d09f3f4fea

Chris Leonard has been in the professional live audio world for almost two decades, following in the footsteps of his father. As a monitor engineer with Maryland Sound International, he toured with artists like Tears for Fears, Don Henley, Disturbed, Josh Groban, Anthony Hamilton and more. Chris is currently the Director of Technical Operations at IMS Technology Services. Previously he spent ten years as the Director of Audio overseeing and managing all aspects of audio for the Event Staging Division of the company. IMS is a full-scale production company providing audio, video, and lighting for special events, conferences, and conventions nationwide. A highlight while at IMS includes designing and mixing for the Philadelphia Eagles Super Bowl victory parade, with an estimated 800,000 + audience and the largest outdoor event in Philadelphia's history. He has also worked on the last four Presidential Inaugurations. Chris is a co-host on the Signal To Noise Podcast presented by ProSoundWeb. The podcast has over 100 episodes and has been downloaded over 190,000 times. The show features conversations with people from all corners of the live sound industry, from FOH and monitor engineers, tour managers, Broadway sound designers, broadcast mixers, and more. Chris's current project, "How We Got Loud" begins with this podcast focusing on the stories of the people, technology, and passion that built the history of live sound, with many plans to grow and expand beyond the podcast in years to come.   Subscribe to the Podcast:  Apple: https://podcasts.apple.com/us/podcast/roadie-free-radio/id1115332289 Spotify: https://open.spotify.com/show/61e24ZD5A3oBTxO36WHQXq?si=38cac6d09f3f4fea

On this March update episode, I cover some changes to Anchor as a podcast hosting service, why selling on Poshmark is a "long game," and a tech tip for consuming audio content, including audiobooks and podcasts. More at www.bemovingforward.com. Books and podcasts available at linktr.ee/johnlim Get The Poshmark Guide for Individuals and Small Businesses audiobook and try out Audible for free (affiliate link) / also available to purchase on Apple audiobooks Get The Poshmark Guide for Individuals and Small Businesses -and- The Poshmark Journal for Individuals and Small Businesses Get the Corporate Cliches Adult Coloring Book Get I Am a Professional Metalhead: Audiobook free with Audible trial (affiliate link) / Audiobook on Apple Audiobooks / Paperback or Kindle (affiliate link) Follow us on Facebook, Twitter, LinkedIn (@Bemovingforward). linktr.ee/johnlim Note: links to Amazon and Audible products are affiliate links through which the author receives a small commission from sales.

  Carolina Antón is an internationally recognized leader in the field of live sound mixing, systems design and optimization of sound reinforcement. For more than 15 years, Carolina has established a trajectory within her career, collaborating with distinguished national and international artists and productions. With more than 20 tours at national and international level, Carolina participated as part of the production of several festivals such as: KnotFest, PalNorte, Presidente (Dominican Republic), Electric Forest (USA). Currently touring with several artists, she also work as a freelance for companies such as: Eighth Day Sound, among others. Subscribe to the Podcast: Apple: https://podcasts.apple.com/us/podcast/roadie-free-radio/id1115332289 Spotify: https://open.spotify.com/show/61e24ZD5A3oBTxO36WHQXq?si=38cac6d09f3f4fea  

Carolina Antón is an internationally recognized leader in the field of live sound mixing, systems design and optimization of sound reinforcement. For more than 15 years, Carolina has established a trajectory within her career, collaborating with distinguished national and international artists and productions. With more than 20 tours at national and international level, Carolina participated as part of the production of several festivals such as: KnotFest, PalNorte, Presidente (Dominican Republic), Electric Forest (USA). Currently touring with several artists, she also work as a freelance for companies such as: Eighth Day Sound, among others. Subscribe to the Podcast: Apple: https://podcasts.apple.com/us/podcast/roadie-free-radio/id1115332289 Spotify: https://open.spotify.com/show/61e24ZD5A3oBTxO36WHQXq?si=38cac6d09f3f4fea

Chris Wilson is a FOH Engineer based in Dallas, TX. He is officially sponsored by Lewitt Microphones and 64 Audio. A graduate of the Audio Science and Music Theory program at Cedar Valley College, Chris spent the next 2 years as the Lead Engineer for Six Flags Over Texas in Arlington, Texas, before picking up various tours and one-off gigs for national touring artists such as Vanilla Ice, Forever the Sickest Kids, The Rocket Summer, K.Flay, Sirah, and Alison Park.   Subscribe to the Podcast: Apple: https://podcasts.apple.com/us/podcast/roadie-free-radio/id1115332289 Spotify: https://open.spotify.com/show/61e24ZD5A3oBTxO36WHQXq?si=38cac6d09f3f4fea

Chris Wilson is a FOH Engineer based in Dallas, TX. He is officially sponsored by Lewitt Microphones and 64 Audio. A graduate of the Audio Science and Music Theory program at Cedar Valley College, Chris spent the next 2 years as the Lead Engineer for Six Flags Over Texas in Arlington, Texas, before picking up various tours and one-off gigs for national touring artists such as Vanilla Ice, Forever the Sickest Kids, The Rocket Summer, K.Flay, Sirah, and Alison Park.   Subscribe to the Podcast: Apple: https://podcasts.apple.com/us/podcast/roadie-free-radio/id1115332289 Spotify: https://open.spotify.com/show/61e24ZD5A3oBTxO36WHQXq?si=38cac6d09f3f4fea

iTunes          Spotify          Youtube     Patreon        Lucas Sacks: Lucas Sacks is the Director of Booking for Brooklyn Bowl Williamsburg & Brooklyn Bowl Philadelphia.  Brooklyn Bowl Williamsburg is an 850 capacity 23,000 sq ft concert venue, bowling alley, restaurant, and bar hosting live music nightly since July 2009. Brooklyn Bowl has been ranked annually within Pollstar's top 10 global club-size venue ticket sales figures. Brooklyn Bowl Philadelphia is a 900 capacity multi-floor version of it's sister venue in Brooklyn, opening in November 2021 in Fishtown. Lucas has been a part of the Brooklyn Bowl Talent department since 2012, where he started as an intern and rose through the ranks. He books & oversees multi-departmental coordination of upwards of 700 concerts & music-related events per year including residencies, underplays, charity/fundraising events, original content creation & production across both cities' venues. Lucas also books the annual Brooklyn Bowl Family Reunion 3-day, 24-band Official SXSW showcase event. Prior to Brooklyn Bowl, Lucas served a brief stint at Velour Music Group as a day-to-day manager for acts Soulive, Lettuce, Gramatik, Break Science, & Kaki King. Lucas graduated Magna Cum Laude with a Bachelor of Science from the Bandier Program for Music & Allied Entertainment Industries at Syracuse University in 2012. Lucas resides in Greenpoint; just a few minutes from Brooklyn Bowl Williamsburg. Paul Bacher: 32-year old NYC based Talent Buyer for Brooklyn Bowl Williamsburg. Paul Bacher is a live events industry pro. Growing up in Connecticut, just a stone's throw away from the bustling nightlife of New York City. Paul's mother was a musical theater fanatic and got him involved in piano, drum lessons at an early age which eventually led him to play in jazz ensembles, rock bands, acapella groups and more. After spending countless hours around music and venues, Bacher naturally gravitated towards the live concert business. Tenacity in mind, Bacher started cold-calling concert venues and asking if they needed any help. After landing a position at The Cutting Room, where he booked five shows with legendary comedian Dave Chapelle, he went on to book hundreds of local and national acts at The Knitting Factory Brooklyn and City Winery. Bacher's musical background and years spent booking shows in the independent New York club scene has made him a passionate and proactive promoter.  Special Mentions: Pepsi, Where's My Jet?, The Music Never Stops: What Putting on 10,000 Shows Has Taught Me About Life, Liberty, and the Pursuit of Magic – Peter Shapiro, Brooklyn Bowl Williamsburg, Brooklyn Bowl Philadelphia, Relix Magazine, The Capitol Theater, Becky Pell - Yoga Journey: A Contemporary Guide to a Timeless Tradition, Claire Murphy -  Girl on the Road: How to Break into Touring from a Female Perspective, Roadie Free Radio Merch, RFR Podcast Bundle, Follow Your Drishti Yoga Podcast, roadiecare.com, musicares.org, Roswell Pro Audio Mini K87, Soundgirls.org

Dani Seggewiss is a Monitor Engineer originally from Cologne, Germany, who currently resides in Leeds, in the U.K. At thirteen years old Dani went with her mom to see a concert, and upon seeing the monitor and FOH engineers in action, she knew that that was what she wanted to pursue. Not that she had any idea of how to do it or how to start, or even what they were doing, but she knew that whatever it was struck a chord with her, and that she had to follow her instincts. Subscribe to the Podcast: Apple: https://podcasts.apple.com/us/podcast/roadie-free-radio/id1115332289 Spotify: https://open.spotify.com/show/61e24ZD5A3oBTxO36WHQXq?si=38cac6d09f3f4fea

If you're having trouble hearing the dialogue on your TV, it may not be you. As audio technology develops and directors make more creative sound choices, it's getting harder to distinguish what actors are saying. WSJ personal tech reporting assistant Cordilia James joins host Zoe Thomas to discuss what's going on and how to improve your TV listening experience. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dani Seggewiss is a Monitor Engineer originally from Cologne, Germany, who currently resides in Leeds, in the U.K. At thirteen years old Dani went with her mom to see a concert, and upon seeing the monitor and FOH engineers in action, she knew that that was what she wanted to pursue. Not that she had any idea of how to do it or how to start, or even what they were doing, but she knew that whatever it was struck a chord with her, and that she had to follow her instincts. Subscribe to the Podcast: Apple: https://podcasts.apple.com/us/podcast/roadie-free-radio/id1115332289 Spotify: https://open.spotify.com/show/61e24ZD5A3oBTxO36WHQXq?si=38cac6d09f3f4fea

In this episode of the best Mustang podcast in the world I interview JR with Crutchfield about Mustang upgrades for your Foxbody Mustang. We talk about car audio, dash cams, new tech for classic cars and more. If you have questions or want to purchase anything from Crutchfield click the link below. https://www.crutchfield.com/I-rPODcFOX/

  Anthony Cioffi is a founder/partner in Boulevard Carroll Entertainment Group, one of the largest, full-spectrum backline and production companies in the country. The New York City location alone boasts a full 17,500 square foot facility, and seven state of the art production/rehearsal studios, dance-friendly mirrored/wood-floored rooms, production offices, comfortable lounges, all to meet the needs from anything from an acoustic duo to a full orchestra with room for choreography. Anthony started in the business with his twin brother, James, as successful musicians, playing up and down the East coast before realizing they could make more money supplying musicians with great backline gear and comfortable, professional environments to rehearse in. The long list of clients over the years includes U2, Bruce Springsteen, Southside Johnny, Kate Pierson, Dave Mason, Jorma Kaukonen, Keith Richards, Ronnie Spector, and many, many more. FULL Episode HERE: https://open.spotify.com/show/61e24ZD5A3oBTxO36WHQXq?si=942224c5aa644a05  

iTunes          Spotify          Youtube     Patreon      During her eleven years of production industry experience, Victoria Butash has been living her dream as a FOH and MON systems engineer, MON engineer, FOH engineer, and live sound professor. She is currently on tour mixing monitors for Jason Isbell and the 400 Unit and Sylvan Esso. Victoria is based in Austin, Texas. Special Mentions: Becky Pell - Yoga Journey: A Contemporary Guide to a Timeless Tradition, Claire Murphy -  Girl on the Road: How to Break into Touring from a Female Perspective, Roadie Free Radio Merch, RFR Podcast Bundle, Follow Your Drishti Yoga Podcast, roadiecare.com, musicares.org, Roswell Pro Audio Mini K87, Soundgirls.org