Step Off! Radio

Returning to Step Off! Radio, we are joined again Calmplx and Ina of Hip-Hop duo Indigenous Cats, who returned to the show to discuss the release of their latest album Indigenious State of Mind. Nearly six years after the release of their mixtape Traveling Souls Project, Plx and Ina dive into the recording process of their most intimate and personal project yet. During our talk on the show, we catch up with Calmplx and Ina to talk about the album, the process of recording with new producers, challenges of making a cohesive album together, and the importance of making music that brings messages of Indigenous empowerment and decolonization in our current era. Likewise, we also discuss how the project pushed Calmplx and Ina to step into new waters concept-wise, behind-the-scenes accounts discussing the album's long recording process, as well as some exciting future plans for their music in 2025 and beyond. With that said, we here at Step Off! Radio hope that you all enjoy our conversation with Calmplx and Ina of Indigenous Cats.

Returning to Step Off! Radio, we are joined again by none other than emcee Jag Arreola of Kozmik Force who returns to the show to discuss his latest album ‘Unmasked'. More than five years after the release of his debut solo album 'Maria's Seed', Jag is back with his intimate and personal project yet to date. During our talk on the show we catch up with Jag to talk about the album, his experience as a member of the Justice 8, the challenges of losing his job as a middle school history teacher following his arrest, and making music while fighting the charges that were brought against him. Likewise, we also discuss how the project pushed him to step into new waters concept-wise, behind-the-scenes accounts discussing the album's long recording process, as well as what the future holds for his music in 2025 and beyond. With that said, we here at Step Off! Radio hope that you all enjoy our conversation with Jag Arreola.

More than twenty-five years ago Brother Ali stepped on the music scene in the early 2000s as a fresh-faced emcee. As a noted community activist and an early member of Atmosphere's Rhymesayers Entertainment hip-hop collective, the acclaimed Minneapolis-based independent record label, Brother Ali quickly gained a reputation as one of hip-hop's most outspoken and profoundly authentic artists for his biting critiques of the U.S. government, white supremacy, and treatment of the working class. Along with his revolutionary politics, Brother Ali's albinism and legal blindness have made him one of the genre's most unique, distinguishable, and enduring emcees. Over the years the Minneapolis-based activist and rapper has a released string of over a dozen critically acclaimed studio albums and mixtapes which have garnered him a reputation for incorporating complex lyricism, honesty, and unapologetic humanity into his music. Much like his other musical contemporaries such as Immortal Technique, an outspoken social justice message is present throughout much of Brother Ali's music. Discussing themes such as racial inequality, slavery, and critiquing the U.S. government has often put him at odds with the greater music industry for the past twenty years. Most recently his vocal support for Palestine and speaking out against genocide in Gaza has affected his career greatly; resulting in him being blackballed by the music industry for over a year. In today's episode, Brother Ali joins Step Off! Radio to discuss his new album 'Satisfied Soul' (with long-time collaborator producer Ant of Atmosphere). As well as his early life growing up with albinism, taking shahadah at 15, the origins of his music career, and his thoughts on a litany of social issues taking place both here in the U.S. domestically and abroad. So with that said, we are proud to present to you our conversation with Brother Ali.

Since October 7th, 2023, the world has borne witness to some of the most horrific images broadcast from Gaza, in what is perhaps the first genocide to be broadcast live across social media. Over the past thirteen months, we have all seen some of the most vile videos and imagery that have brought the brutality of Israeli apartheid in both the Gaza Strip and the West Bank. Likewise, we have also seen a cascade of solidarity with the Palestinian people from across the globe on a level never seen before. At the forefront of this movement has been the Palestinian Youth Movement (PYM), a transnational, independent, grassroots movement of young Palestinians in Palestine and in exile worldwide as a result of the ongoing Zionist colonization and occupation. In today's episode, we're joined by Subrein Tamanhoury, a member of the Palestinian Youth Movement's San Diego chapter who stopped by the show to discuss her experiences as a member and the movement's mission of obtaining justice and liberation which has motivated millions of young people across the diaspora to take an active role in the national struggle for the liberation of occupied Palestine. During our interview with Subrein, we were able to discuss PYM San Diego's involvement with the student-led Gaza solidarity encampment at UCSD last Spring, as well as the ‘Mask Off Maersk' campaign. The Palestinian Youth Movement's campaign to get Maersk, one of the world's largest shipping and logistics companies to end shipping military cargo that facilitate Israel's genocide against the Palestinian people in Gaza and the West Bank. We also discussed how being in San Diego geographically puts the chapter in a very unique position to directly address both militarism and arms manufacturing. The region is home to the nation's largest concentration of military personnel (over  111,000 active-duty service people stationed within the city). It is also home to a litany of manufacturers such as Northrop Grumman and the Maersk which are contracted out by the U.S. military to both produce and ship weaponry across the globe to places like Gaza. All of this and so much more are ahead, so with that said, we are proud to present our conversation with Subrein Tamanhoury of the San Diego Palestinian Youth Movement.

For the past several years, rapper A.B. Raps has been one of the most unique up-and-coming emcees in the Underground Hip-Hop scene of Houston, Texas. In a scene more commonly associated with artists such as the Geto Boys, UGK, and DJ Screw among others, A.B. Raps has made a name for himself incorporating witty lyrics and introspective themes into his music. Pulling influence from legendary Hip-Hop artists such as Eminem, Nas, and artists hailing from his native Texas. Likewise, A.B. Raps has worked with artists such as Chop the Father, NVY JONEZ LKR, D-Rell, and Riverside-based producer Accosta the Man. A.B.'s attention to nuance and detail is not illustrated through his appreciation for classic Boom Bap production, but his ability to craft heartfelt songs that resonate with listeners. In today's episode, A.B. joins Step Off! Radio to discuss the inspirations behind his music, growing up in Houston, Texas. As well as his path to becoming an emcee. Likewise, we also got to discuss his brand-new album 'Leatherfaces'. A collaborative album exclusively produced by Accosta the Man. As well as discuss what the future holds for his music. So with that said, we are proud to present to you our conversation with A.B. Raps.

For the past several years, D-Rell has been one of the most versatile up-and-coming emcees in New York's fabled underground Hip-Hop scene. D-Rell is no stranger to the culture and has spent the better part of the last eighteen years fine-tuning his craft. His love and appreciation for the art make him one of the most versatile, lyrically gifted emcees both on the East and the West Coast. With a vintage backpack rap style that recalls the sounds of Hip-Hop's Golden Era which we all love It comes as no surprise that D-Rell has worked with artists such as NVY JONEZ LKR, Chop the Father, and has released a string of mixtapes produced by Riverside-based producer Accosta the Man. D-Rell's attention to nuance and detail has only illustrated his appreciation for classic Boom Bap production and proof that the sound's popularity extends well outside of the boundaries of his native New York City and the East Coast. In today's episode, D-Rell joins Step Off! Radio to discuss the inspirations behind his music, growing up as a child in Harlem, New York in the 90's and early 2000s. As well as his path to becoming an emcee. Likewise, we also got to discuss upcoming projects and chat with longtime collaborators and friends of the show NVY JONEZ LKR and Accosta the Man. As well as discuss what the future holds for his music. So with that said, we are proud to present to you our conversation with D-Rell.

Like clockwork, with every election cycle immigration becomes a lightning rod for politicians on both sides of the aisle to take advantage of and exploit. Beyond the empty often vitriolic rhetoric, seldom are the nuances, intricacies, and perhaps most importantly the shortcomings of the nation's immigration ever system truly explored in-depth by our public leaders and officials. However, for decades artists have taken to a plethora of mediums to explore not just the effects of the U.S. immigration system, but what it means to be an immigrant in the U.S.. Art is not only a reflection of our society. It is also a means by which we air our frustrations, channel our grief, and collectively document the general sentiment that is often held at a given time. In our latest episode, we are joined by Dr. Lizbeth De La Cruz Santana, an assistant professor of Chicano Studies in the Department of Black and Latino Studies at Baruch College in New York City. Dr. De La Cruz Santana is also the director of both the Playas De Tiajuana and the El Paso del Norte Mural Projects, as well as a researcher for the Humanizing Deportation project. A community-based digital storytelling project and the world's most robust public qualitative archive that documents the human consequences of contemporary migration and border control in the U.S. and Mexico. Dr. De La Cruz Santana joins us on Step Off! Radio to not only share her work as an academic but, also as someone who regularly spends her time on the ground at the border to work with disaffected communities. All too often the conversation around immigration is told by people who don't come from immigrant backgrounds, who are not from border communities, and people who simply do not understand the complexities and nuances of what is the busiest and most consequential border crossing on the entire planet. So here to discuss that and so much more we are proud to present to you our conversation with Dr. Lizbeth De La Cruz Santana.

There is perhaps no artist in Hip-Hop's Underground scene more highly touted and revered than Felipe Coronel, better known by the stage name Immortal Technique. As one of the most prolific, self-made independent artists, for the past twenty-plus years Immortal Technique has explicitly used his music as a vehicle for politics. It goes without saying most of Technique's music focuses on issues pertaining to U.S. and global politics. His views expressed in his lyrics largely share commentary on issues such as class struggle, socialism, poverty, religion, government, imperialism, and institutional racism. Over the years the Peruvian-born, Harlem-raised activist and rapper has a released string of three critically acclaimed studio albums and a mixtape which have garnered him a reputation for incorporating complex lyricism, unfeigned humanitarianism, and highly intellectual historical analysis within his music. Likewise, Immortal Technique not only talks the talk but backs his lyrics with concrete action. Immortal Technique's humanitarianism has reached far and wide – from mentoring youth in prison to building an orphanage in Afghanistan funded by his third album, The 3rd World, to helping to rebuild Haiti after 2010's devastating earthquake and delivering life-saving supplies for migrants traveling in the treacherous deserts of the U.S.-Mexico border, Technique's life's work both inside and outside of the recording booth have truly been with the people. Likewise, during the height of the pandemic in 2020, he started his own charity, The Rebel Army Runs to take care of the elders in his community of Harlem NY, and many others around the U.S.  In today's episode, Immortal Technique joins Step Off! Radio to discuss Joe Biden and Democrat's Democrats' hard-right turn on immigration, the ongoing genocide in Gaza, student solidarity encampments that have cropped up in universities throughout the country, and the creeping rise of far-right authoritarianism and fascism in the United States. So with that said, we are proud to present to you our conversation with Immortal Technique.

In our latest installment of Step Off! Radio, Stacey Uy of the Radical History Club returns to discuss her role as the founder, researcher, writer, and illustrator of the series. And discuss its humble origins, as well as what drove her to spotlight understudied historical legacies. We also discuss the importance of curating a curriculum for students that not only challenges false narratives but centers communities that have traditionally been marginalized and ignored in U.S. history books. Lastly, we also discuss how her research methodology has changed since first starting the series in 2019, and what the future hold for The Radical History Club.

For the past several years, Sham Blak has made a name for himself as one of the most versatile emcees in San Diego's Underground Hip-Hop scene. Originally hailing from Southeast San Diego, Sham has made it his mission to deliver raw, unapologetic Hip-Hop with the sensibilities of today's modern audiences. Over the years Sham Blak has pulled influence from a plethora of classic artists and his peers in the local Hip-Hop scene. He has also consistently shown his appreciation for dark beats and incorporating clever rhymes into his music to create a unique tapestry of sounds that has set his catalog apart from the standard run-of-the-mill music heard throughout much of the region. As a member of the Hip-Hop collective Spooky Gaang and having released a slew of mixtapes over the years; Sham Blak has quickly made a name for himself with his use of dark production and sharp lyrical wit which has further set him apart from his contemporaries in the local San Diego underground scene. In today's episode, Sham Blak joins Step Off! Radio to discuss the inspirations behind his music, growing up as an aspiring emcee in Southeast San Diego, his time in the military, and the backstory behind some of his works. Likewise, we also got to discuss upcoming projects and what the future holds for his music. So with that said, we are proud to present to you our conversation with Sham Blak.

In the ever expanding realm of New York's infamous underground Hip-Hop scene artist S.K. Winter Yat has made a name for himself. Hailing from Washington Heights, Manhattan and pulling influence from legendary Hip-Hop artists such as Nas, Big Pun, and the Notorious B.I.G., S.K. Winter Yat has slowly built up a profile as a both a freelance journalist and an adept emcees. Having worked with artists such as Kozmik Force, Rojoz, and releasing a string of mixtapes S.K winter Yat illustrated that the appreciation for raw rhymes and classic Boom Bap production still extends well outside on the boundaries of his native New York and the broader East Coast. In today's episode, S.K. Winter Yat joins Step Off! Radio to discuss the inspirations behind his music, growing up as a child in New York City, his path to becoming an emcee, his experience as a freelance journalist, and his latest EP FKISUTALKINBOUT. Likewise, we also got to discuss his Mayan ancestry, decolonization in Hip-Hop, and what the future holds for his music.

Since the rise of the Chicano Movement in the late 60s, Chicano artists have used a variety of mediums to express historical counter-narratives, encourage political activism, and educate communities. Fifty-three years ago on April 22, 1970, in San Diego, California the residents of Logan Heights, alongside a coalition comprised of hundreds of students, community activists, Brown Berets, and Movimiento Estudiantil Chicano de Aztlán (MEChA) collectively staged a successful 12-day people's land takeover to thwart the construction of a California Highway Patrol substation on land where the city of San Diego had promised to build a public park for barrio residents. Thanks in part to the protest, the city of San Diego agreed to acquire the site from the state and develop it into a park for the Chicano community. In 2023, Chicano Park is widely regarded as a monument to the self-determination and self-empowerment of Chicano people in the U.S. The concrete pillars that uphold the Coronado Bridge that once sliced and divided the community are now adorned with the iconic murals that have made Chicano Park an anchor for the community's strong Chicano identity and its revolutionary spirit and history. Although while Chicano Park has grown and expanded alongside the neighborhood and received a National Historic Landmark designation from the U.S. Department of the Interior in 2017, the park and its illustrious collection of intricate murals continued to lack an official space dedicated to documentation and preservation of its history until Chicano Park opened the Chicano Park Museum and Cultural Center (CPMCC) last Fall. Unsurprisingly, Chicano artists have continued this legacy of Chicanismo into today's contemporary artistic and political movements—taking the moment to express political autonomy, cultural solidarity, and pride in being of Indigenous descent. Lucas Cruz, Chairman of the Chicano Park Steering Committee joins Step Off! Radio to discuss the Chicano Park Museum & Cultural Center, the struggle to make the museum a reality, and what the museums means to the residents of Barrio Logan and Logan Heights.

For the past several years, Chop the Father has been one of the most unique up-and-coming emcees in the Underground Hip-Hop scene of Houston, Texas. In a scene that is more commonly associated with artists such as the Geto Boys, UGK, and DJ Screw among others. Chop the Father has fired his own path. Pulling influence from legendary Hip-Hop artists such as Big L, Nas, and the Notorious BIG, Chop the Father has made a name for himself incorporating high brow punchlines and colorful pop culture references into his songs. As well as crafting to solemn stories of self reflection and past hardships into his music. Incorporating his appreciation for dark, brooding production Chop the Father has creates a unique tapestry of projects that have set his catalog apart from run-of-the-mill artists in Houston's local Hip-Hop scenes. Having worked with artists such as D-Rell, NVY JONEZ LKR, and releasing a string of mixtapes produced by Riverside-based producer Accosta the Man; Chop the Father has illustrated that the appreciation for classic Boom Bap production extends well outside on the boundaries of New York City and the East Coast. In today's episode, Chop the Father joins Step Off! Radio to discuss the inspirations behind his music, growing up as a child in Houston, Texas' Latino community, and his path to becoming an emcee. Likewise, we also got to discuss upcoming projects and what the future holds for his music. So with that said, we are proud to present to you our conversation with Chop the Father.

It can be argued that with every passing year, groups and duos within Hip-Hop are increasingly becoming less common within the genre. As more more artists and producers opt for more solo careers or one-off collaborations, the sight of the quintessential Hip-Hop crew is now a rare sight . Challenging this notion however, are the Neighborhood Kids (Amon the Emcee, Verde, DJ JG, Niko Rosy, Gatoz Locoz, and Emerson). A crew of emcees, producers, DJs and live musicians who have not only challenged status quo through their music. But also blend genres and push the boundaries of conventional Hip-Hop. After years of collaborating and working adjacent with one another, this one of a kind crew of crew has quickly made a name for themselves as one of San Diego's busiest and most promising up-and coming group's in the region's underground Hip-Hop scene. In our latest installment of Step Off! Radio, group members Amon the Emcee, Verde and DJ JG came on to the show to talk about their experiences as emcees, producers, DJs and to reflect on their general experiences as independent artists in San Diego's underground Hip-Hop community. In this episode we dive into the member's early years, their influences, their journey into Hip-Hop, and what eventually led to them founding of the Neighborhood Kids and their quest to be innovators and envelope pushers in the local scene. Likewise, we also discuss what it means to the group to be socially conscious artists, the power to teach and make change through music, discuss upcoming projects and what the future holds for his music. So with that said, we are proud to present to you our conversation with the Amon, Verde, and DJ JG of the Neighborhood Kids!

For  the past several years, NVY JONEZ LKR (Navy Jonez Locker) has been one of the most unique up-and-coming emcees in the Southern California's Underground Hip-Hop scene.  Originally hailing from Williamsburg, Brooklyn the New York rhyme spitter has made it his mission to give music lovers a taste of "NY HIP-HOP", with the new sounds and delivery of for today's audiences. Having With toured and performance in places such as Copenhagen Denmark, Malmö Sweden, Tokyo Japan, and of course New York and Los Angeles, Navy Jonez experiences both inside and outside of Hip-Hop have taken him across the world and provided a unique world-view few Hip-Hop artists, let alone people can fully appreciate. Pulling influence from legendary Hip-Hop artists such as Roc Marciano and Griselda and Navy Jonez incorporated his appreciation for dark beats and clever rhymes into music to create a unique tapestry of sounds that has set his catalog apart from the standard run-of-the-mill West Coast artists in Southern California's local Hip-Hop scenes. Having worked with artists such as D-Rell, Chop the Father, and releasing a slew of mixtapes produced by Riverside-based producer Accosta the Man; Navy Jonez has quickly made a name for himself with his use of dark production and sharp lyrical wit. In today's episode, Navy Jonez joins Step Off! Radio to discuss the inspirations behind his music, growing up as an aspiring emcee in Brooklyn New York, his time in the service, and the backstory behind some of his favorite songs. Likewise, we also got to discuss upcoming projects and what the future holds for his music. So with that said, we are proud to present to you our conversation with Navy Jonez Locker.

With every passing year, groups and duos within Hip-Hop are increasingly becoming a rarity within the genre. Especially as more more artists and producers opt for more solo careers or one-off collaborations. Challenging this notion however, are rapper, KILLcRey and, producer, Gene Flo. Both hailing from San Diego, California (Barrio Logan and Chula Vista). Together the rapper/producer duo makeup The Invisible Panchos, the live performance project of the long time collaborators. After years of collaborating and working adjacent to one another in San Diego's underground Hip-Hop scene, the duo decided to come together to create a live performance art piece using their individual and collective music as the canvas. In our latest installment of Step Off! Radio, KILLcRey and Gene Flo came on to the show to talk about their experiences as emcees, producers, podcast hosts and their general experiences as independent artists in San Diego's Hip-Hop scene. In this interview you will be able to hear our conversation diving into KILLcRey and Gene Flo's early years, their influences, their journey into podcasting, and great general insight from two incredible artists that have made a name for themselves as innovators and envelope pushers in the local scene. Likewise, you also hear from both artists what it means to them to be futurists, artists, rappers, podcast hosts. With thats said, we present to you our conversation with the Invisible Panchos!

Returning to Step Off! Radio, we are joined again by none other than emcee and singer Selene Selah. For close to the past decade Selene Selah has made her rounds in the underground Hip-Hop scenes of Los Angeles, California. Hailing from Hawthorne, California, Selene Selah regularly uses her platform to incorporate a blend of various philosophies from decolonization, to Indigenous empowerment, and new age spirituality into her unique brand of Hip-Hop. We had Selene return to the show to talk about her brand new album, Taste of Satorí, the follow-up to her debut project Xōchitl Blossoms which dropped back in 2019.  Selene discusses the ten-track album, as well as talk about she has updated the Boom Bap and soulful production that she has made a name for herself both singing and rapping over. Likewise, we also discuss how the project pushed her to step into new waters concept-wise, behind-the-scenes accounts discussing the album's long recording process, as well as her move from L.A. to Oklahoma. And talk about future upcoming projects and what the future holds for her music in the upcoming year. With that said, we are proud to present to you our conversation with Selene Selah.

For the past several years underground hip hop duo Indigenous Cats, composed of recording artists Ina and Calmplx (pronounced Complex), have made their rounds in the underground hip-hop scenes of Los Angeles, California. Drawing inspiration from classic Boom Bap Jazz, and Reggae, interwoven with with unique takes on decolonization; the duo's incorporation of Indigenous empowerment in their music has crafted a unique sound setting them apart from virtually all of their peers in L.A.'s burgeoning underground hip-hop scene. Invoking the nostalgia of hip-hop's heyday, conjuring memories of a by-gone era while still addressing dilemmas of the 21st century. In her first solo project entitled The Ina Project, Ina treads into new territory, pushing her craft to new heights, and exploring a different side of her music outside of Indigenous Cats. In our latest installment, Ina returns to Step Off! Radio to discuss the seven track EP that utilizes all of the classic Boom Bap and soulful production that the Southern California emcee/songstress has made a name for herself both singing and rapping over. Likewise, we also discuss how the project pushed her to step into new waters sonically, behind the scenes accounts discussing the EP's recording process, as well as talk about future upcoming projects and what the future holds for Ina and Indigenous Cats in the upcoming year. With that said, we are proud to present to you our conversation with Ina of Indigenous Cats.

For the past five years musician and producer Accosta the Man has been one of the most unique, and prolific up-and-coming producers hailing from Southern California's Inland Empire (IE), comprised of San Bernardino and Riverside Counties. Pulling influence from legendary Hip-Hop groups and producers such as Cypress Hill, Jedi Mind Tricks and Adrian Younge; Accosta the Man has incorporated his love for Horror, Exploitation and rare cinema into his music to create a unique tapestry of sounds and obscure samples. Crafting dark, moody sonic collages that have set his production apart from the standard run-of-the-mill production created in much of Southern California's local Hip-Hop scenes. Having produced for groups and artists such as Kozmik Force, Nvy Jonez LKR, D-Rell, Chop the Father and a slew of beat tapes; the the Riverside-based producer has quickly made a name for himself with his dark production and keen ear for left-field samples. Accosta the Made made his first appearance on Step Off! Radio to discuss the inspirations behind his music, growing up as a Hip-Hop and Horror movies lover, and the backstory behind some of his favorite songs. Likewise, we also got to discuss upcoming projects and what the future holds for Accosta's music. With that said, we are proud to present to you our conversation with Accosta the Man.

In our latest installment of Step Off! Radio we interview Rocío Zamora, a San Diego based community organizer, educator who works to support and create pathways to a better future for students that have often get neglected, mislabeled, criminalized and pushed out of schools. In addition to being a community organizer, Zamora is also a former sponsor of California state legislation targeting police overreach, militarization, and promoting community-based responses. Rocío began advocating for police reform in 2017, after her cousin Jonathon Coronel, an unarmed 24-year-old man, was shot 16 times in a Vista backyard by San Diego Sheriff's deputy Christopher Villanueva. We had the chance to speak with Rocío about her experiences growing up in Oceanside, California, being a first generation Chicana college student attending UCSC, the struggles of being the eldest daughter of undocumented parents, and being a woman of color working in the field of higher education. Likewise, we also discussed her interest in disrupting the school-to-prison pipeline, supporting formerly incarcerated students, and how the fight for police abolition and bodily autonomy are inextricably linked. All of this and so much is coming up, so we present to you our conversation with Rocío Zamora.

As one half of the Los Angeles based underground hip-hop duo Indigenous Cats (composed of himself and emcee/vocalist Ina), Calmplx Teteoquichtli has made a name for himself in the underground Hip-Hop scene of Southern California. Incorporating classic Boom Bap production interwoven with his unique takes on decolonization and the incorporation of Indigenous empowerment in his music. In his second solo project entitled Abstract, Calmplx treads into new waters away from his partner in rhyme Ina, in an effort to prove he is more than capable of holding his own outside of Indigenous Cats.In our latest installment of Step Off! Radio, we had Calmplx come on the show to discuss his brand-new solo project entitled Abstract, where he treads into new waters away from his partner in rhyme Ina, in an effort to prove he is more than capable of holding his own outside of Indigenous Cats. Continuing his deep affinity for beats crafted in the vein of early 90s boom bap style hip-hop production, as promised on Abstract Calmplx has assembled a crew of producers to craft a backdrop of all original production to serve as the sonic backdrop of his second solo album. All of this and so much is coming up so without further ado we present to you our conversation with the one and only Calmplx Teteoquichtli.

Since the rise of the Chicano Movement in the late 60s and early 70s, Chicano artists have used a variety of mediums to express historical counter-narratives, encourage political activism, and educate communities. Unsurprisingly, Chicano artists have continued this legacy of Chicanismo into today's contemporary artistic and political movements—taking the moment to express political autonomy, cultural solidarity, and pride in being of Indigenous descent. Among the many artists continuing this proud legacy is Jake Prendez, a 45-year-old Chicano painter hailing from Seattle, Washington. Jake Prendez is the creator of a series of popular oil painting portraits, and he is also the Co-Director of the Nepantla Cultural Center in the neighborhood of White center Seattle. During our discussion, we talk with Jake about his upbringing in the Seattle area, the struggle to culturally thrive at a time when Seattle and many cities like it had very little representation in regard to Chicanos and other Latinos, and also his political awakening and desire to create art that pulls on cultural triggers to elicit a response from his audience. Throughout our conversation, you will notice various reoccurring themes and parallels from Jake's journey to that of other Chicanos and Chicanas. Themes of being forced to move to a new place and never quite fitting in, experiencing cultural and political awakenings in high school, and continuing on into college. As well as the pursuit of deferred dreams and ambition later in life compared to other fellow creatives. All of this and so much is coming up so without further ado we present to you our conversation with the one and only Jake Prendez!

In our latest installment of Step Off! Radio, we had the chance to interview returning guest Native Threat, 1/2 of Indigenous-Chicano Rap duo Kozmik Force. Threat comes on the show to discuss his very latest solo project ‘Love Sharpened Arrows', the latest effort in the Inland Empire-based emcee's ever-growing catalog of work. Coming right on the heels of Kozmik' Force's EP 'Sound of a Weapon' which dropped last year, Threat continues on in the long tradition of radical, politically charged music that he has come to be known for. Continuing on with his strong critique of the U.S. government, the criminal justice system, and pro-Chicano/Indigenous empowerment philosophy. Likewise, Threat takes the time to discuss the more personal and intimate nature of his latest record. As well as the inspirations the led him to create a solo project, and the impact that COVID-19 has had not only in BIPOC communities but on his journey as an artist and a member of Kozmik Force. With that said, we here at Step Off! Radio hope that you all enjoy our long-awaited conversation with Native Threat!

For more than thirteen years Matt Sedillo has been one of the most outspoken and uncompromising contemporary political poets in the United States. Born in El Sereno, California in 1981, Matt Sedillo writes from the perspective of a second-generation Chicano born in an era where a continually diversifying population has witnessed continually dwindling opportunities and the deterioration of both the country's infrastructure and economy firsthand. Since his debut, the two-time national slam poet, and the Literary Director for the dA Center of the Arts has crafted poetry that has been described as both fearless, and at times even confrontational. With his deep comprehension of U.S. history, Matt Sedillo has effortlessly blended humor, history, and political theory into his work serving as a reflection of the lived realities of many in this country face who face discrimination and bear the brunt of systemic racism and structural inequality. During our discussion with Matt Sedillo, we were able to talk about his early years, the origins of his poetry career, his latest book Mowing Leaves of Grass, and his take on the current state of contemporary politics in the United States.

For close to three decades, Odessa Kane has been a constant and tireless figure in the local San Diego Underground Hip-Hop scene. As an emcee, graffiti writer, and B-boy the Southeast San Diego rap veteran has more earned the well-deserved status as an elder statesmen and icon in the local San Diego Hip-Hop scene. Born in Tijuana and raised in the Paradise Hills, the Mexicano-Filipino emcee earned his stripes in San Diego's underground Hip-Hop scene of the 1990s as a member of the Masters of the Universe Crew (which also includes Gonjasufi, Johaz aka Dag Savage, and Orko Eloheim among others. Since his departure from Masters of the Universe, Odessa Kane has built his career crafting thought-provoking, politically charged Hip-Hop. As a result, the veteran emcee has come to be known in San Diego and beyond for his political awareness and activism, helping publicize injustice both locally and internationally through his music and artistry. During our discussion with Odessa Kane, we were able to talk about his early years, the origins of his music career, his latest album Expōz The Matrix, and other future projects currently in the works. With that said, we here at Step Off! Radio hope that you all enjoy our long-awaited conversation with Odessa Kane!

For the past several years underground Hip-Hop Selene Selah aka Emcee Tr3s, has made her rounds in the underground Hip-Hop scenes of Los Angeles, California. Hailing from Inglewood, California and her family Tracing their roots to Colombia, the up-and-coming emcee regularly uses her platform to incorporate a blend of various philosophies from decolonization, to Indigenous empowerment, and new age spirituality into her unique brand of Hip-Hop. Garnering a small, but dedicated and growing audience online, and utilizing classic Boom Bap production, the Southern California emcee have crafted a sound that invokes the nostalgia of Hip-Hop's golden era. Pulling inspiration from revered iconic Hip-Hop artists such as Gang Starr, A Tribe Called Quest, Jedi Mind Tricks, Wu-Tang, and MF DOOM. Since releasing her debut project Xōchitl Blossoms in 2019, Selene Selah has created a rich tapestry of different sounds, ideas, and philosophies in her music that has set both her and music apart from anything else being created by her peers in the underground Hip-Hop scene of Los Angeles. Through this unique blend of traditional Hip-Hop aesthetics and the decolonial ideals of modern Indigenous empowerment movements, Selene Selah has strived to create inspirational music that is both classic and timeless. Not only addressing the needs of modern listeners but, remaining accessible to future listeners to come as well. With an ever-growing and dedicated following online, Selene Selah has become one of the most prominent torchbearers at the forefront of Indigenous resistance in the underground Hip-Hop scene of Southern California. During our discussion with Selene Selah, we were able to talk about her early years, the origins of her music career, her debut mixtape Xōchitl Blossoms, decolonization/Indigenous resistance in Hip-Hop, and other future projects currently in the works. With that said, we here at Step Off! Radio hope that you all enjoy our conversation with Selene Selah!

For the past seventeen years, Ric Scales, an Underground Hip-Hop artist from San Diego, California has made a name for himself in the region's Underground Hip-Hop scene. As an adept battle rapper and ½ of the duo 18 Scales, consisting of himself & emcee/producer Ralph Quasar (aka 18sense). Ric Scales has created a tapestry of sounds, ideas, and philosophies that have set his music apart from anything being created by his peers in the Underground Hip-Hop scene in San Diego. Having garnered a dedicated and growing following over the years, Ric has quickly become one of the most prominent and celebrated figures in the city's underground scene and beyond. Taking influence from both the old and new school, with varied content and masterful storytelling, through his music Ric has pushed the boundaries both musically and consciously. Having origins in battle rap, he developed an adept skill for freestyling, Ric Scales has gone on to also become the multiple-time champion of No Sucker DJs Battlebot, a monthly Hip-Hop tournament held in San Diego. During our discussion, we were able to talk about Ric's personal history growing up in various cities and states, his move out to Southern California, and eventual settling in San Diego, as well as his incorporations of socially conscious messaging in his music. During our discussion, we were able to talk about Ric's personal history growing up in various cities and states, his move out to Southern California, eventually settling in San Diego, as well as his incorporation of socially conscious messaging in his music. With that said we are proud to present to you all our conversation with Ric Scales.

Three years ago, after much contemplation we here at Step Off! Magazine decided to branch out from the medium of print media and made the leap into the world of podcasting with a brand new podcast series. With little more than an iPhone and a Mac, we launched our official podcast of Step Off! Radio. We made it our mission to interview artists, performers, activists, community organizers, and those who inspire others to make a difference in the world through their talent, art, and social advocacy. It was our hope that through our platform we could share music, culture, politics, and other current events relating to social justice through that of a Hip-Hop lens. Three years and twenty-six episodes later, we're still here and still continuing to grow. Starting a podcast was an idea that had been suggested by several friends of mine almost from the very beginning when I first started Step Off! Magazine in the fall of 2016. In celebration of our third anniversary, we wanted to share a special episode, a remastered version of our very first pilot episode with our inaugural guests' underground Hip-Hop group Kozmik Force. Our pilot episode was recorded at the Justice Center San Diego, on March 26th, 2018, and was first aired on April 30th, 2018. This episode is a remastered version of our first interview with Kozmik Force. It was recorded several months after they had dropped their first mixtape 'War Cry', and released prior to the release of their sophomore effort 'Untamed Unchained' in the summer of 2018. During our interview, Jag and Threat discuss the origins of Kozmik Force, their activism through music, their debut mixtape War Cry, decolonization & Indigenous resistance/liberation in the age of Trump. It’s important to note that this episode did originally air in 2018, so some portions of the interview might be somewhat date. However, three years later much of our conversation has remained very relevant. In this episode you’ll hear new music, added special effects, as well as portions from our interview that were omitted from the original episode. Over the past three years, we’ve grown tremendously in our craft and felt it was only right to give our inaugural episode the treatment it deserves. With that said we here at Step Off! Radio want to thank you all for your support over these past three years and hope you all enjoy our remastered cut of 'Kill The Colonizer Inside Your Mind' with Kozmik Force.

For the past fourteen years, Azomali, an Underground Hip-Hop artist from Freeport, New York has made a name for himself in New York’s underground Hip-Hop scene. Like many of our guests previously featured here on Step Off! Radio, Azomali regularly incorporates philosophies of decolonization, pan-Indigenous unity across, and is a vocal critic of U.S. Imperialism in his music. Whether rapping about Colombia’s beauty, incorporating ancestral sounds, spinning tales about his journeys stepping through New York City streets Azomali serves as a link between two worlds. Effortlessly switching back and forth between English and Spanish, Azomali combines both the influences of his Colombian roots with that of the gritty sounds of New York's underground. From traditional Colombian music to Boom Bap, to the modern sounds of Drill music, Azomali has created a tapestry of sounds, ideas, and philosophies in his music that sets him apart from anything being created by his peers in the underground Hip-Hop scene of New York City. Having garnered a dedicated and growing following online, Azomali has quickly become one of the prominent torchbearers at the forefront of Indigenous resistance in underground Hip-Hop far beyond the border of his home base in New York. During our discussion with Azomali, we were able to discuss his personal history growing up in the streets of Freeport, New York. His mixtape Where The Mangos Grow, his move out to Southern California, and the contrast between the East Coast and the West Coast. As well as his incorporation of decolonization and Indigenous resistance in Hip-Hop. we here at Step Off! Radio hope that you all enjoy our conversation with Azomali.

For the past several years underground Hip-Hop group Indigenous Cats, comprised of recording artists Calmplx and Ina Eyeris have made their rounds in the underground Hip-Hop scenes of Los Angeles, California. Garnering a small but dedicated and growing audience online, the duo regularly incorporate philosophies of decolonization, pan-Indigenous unity, and spirituality into their unique brand of music. With an increasingly growing profile, Indigenous Cat’s are swiftly rising stars in L.A.’s underground and Indigenous Hip-Hop scenes. Tracing their roots to El Salvador, and the islands of the Philippines and Russia, this literal power couple has built the foundations of their music on the sounds of underground Hip Hop, Reggae, and Jazz. Pulling inspiration from revered Hip-Hop artists such as Gang Starr, A Tribe Called Quest, Jedi Mind Tricks, Wu-Tang, MF DOOM, J Dilla, and Atmosphere. As well as acclaimed singers such as Erykah Badu, Lauryn Hill, Aretha Franklin, Amy Winehouse, and Bob Marley. Utilizing classic Boom Bap production, the Southern California duo have crafted a sound that invokes the nostalgia of Hip-Hop’s golden era and conjures memories of classic New York artists of yesteryear. Together Indigenous Cats create a tapestry of different sounds, ideas, and philosophies in their music that is quite unlike anything else being created by their peers in the underground Hip-Hop scene of Los Angeles. Striving to create inspirational music that is timeless, not only for modern listeners but, future generations to come as well. Having garnered a dedicated and growing following online, the two are among some of the most prominent torchbearers at the forefront of Indigenous resistance in underground Hip-Hop. During our discussion with Calmplx and Ina we were able to talk about the origins and history of Indigenous Cats, their mixtape Traveling Souls Project, decolonization/Indigenous resistance in Hip-Hop, and other future projects currently in the works. With that said, we here at Step Off! Radio hope that you all enjoy our conversation with Calmplex and Ina of Indigenous Cats!

We don’t normally have a lot of repeat guests on the show, but, for our latest edition of Step Off! Radio we have back on the podcast from our very first pilot episode Jaguar Arreola and Native Threat of Kozmik Force to talk about their latest EP 'Sound of a Weapon'. Since we had Jag and Threat on the show back in 2018, the duo has released several albums 'Untamed Unchained' and 'Ceremony on Concrete'. Likewise, Jag has released a solo project 'Maria’s Seed', which he came on the show to talk about last December. During our talk on the show, we catch up with Jag and Threat to discuss their latest EP, the growth of Kozmik Force four years after their debut, the challenges of making music in the age of COVID-19, and decolonization/Indigenous resistance post-Trump going into a Biden administration. To learn more about Kozmik Force’s origins you can listen to our very first pilot episode of Step Off! Radio with Kozmik Force from 2018 entitled ‘Kill The Colonizer Inside Your Mind’. With that said, we here at Step Off! Radio hope that you all enjoy our conversation with Jaguar and Native Threat of Kozmik Force! You can listen to Kozmik Force's latest EP 'Sound of a Weapon' which is out now on all major streaming platforms. Please be sure to rate and review the show!

Over the past decade, Latino entertainers have been vocal proponents in advocating for better representation in Hollywood, even as a national discussion about diversity and access in film continues. Among this crowd of innovating entertainers is David Fernandez Jr., who over the past several years has made a name for himself in Hollywood as one of the industry's go-to actors for his portrayal of tough-guy roles and characters. In our latest installment of Step Off! Radio, actor David Fernandez Jr. sits to discuss his latest role in Selena: The Series, his journey in becoming an actor, as well as diversity, and Latino representation in Hollywood. With that said, we here at Step Off! Radio hope that you all enjoy our discussion with David Fernandez Jr.

In our latest installment of Step Off! Radio, we bring to you a 'lost' episode from the Step Off! vaults. This episode with Tulengua was originally recorded last year on February 27th, 2020, to promote the release of their album, LOWKEYBANGERSVILLE. Shortly after this interview was recorded our computer crashed. We lost a bunch of material and seemingly our beloved Tulengua interview along with it. Fast forward nearly a year later while adding the new podcast page for the website, we discovered a backup file of the interview tucked away in a folder. Tulengua is a bilingual, biracial, and binational Hip-Hop group that is comprised of group members Amari Jordan, Alan Lilienthal & Jimmy Mora. Members of the group live claim residency on both sides of the border U.S./Mexico border in San Diego and Tijuana. Together, Tulengua is a tapestry of multiple cultures, languages, and sounds that is quite unlike anything else Hip-Hop. In our discussion, we detailed the origins of Tulengua, how its members met, the various nuances that entail being a binational Hip-Hop group, as well as their experiences regarding living along the Southern border. With that said, we here at Step Off! Radio hope you all enjoy our discussion with Amari Jordan, Alan Lilienthal & Jimmy Mora in the 'lost' Tunlegua episode.

In our latest installment of Step Off! Radio, and our first show of 2021, we had the chance to interview Stacey Uy and discuss her role as the founder, researcher, writer, and illustrator of the Radical History Club, a series of illustrated decolonized history zines that detail long-neglected areas of U.S. social history, focusing on the experiences of BIPOC, women, and other marginalized communities. In our discussion we talk about the history of the series itself, and what inspired her to create it. Likewise, we also discuss the importance of curating a decolonial curriculum for students and researchers that not only challenges much of the mythology that has long been passed for historical fact but challenges these narratives and replaces them with more accurate accounts by communities that have traditionally been marginalized and had their perspective erased from U.S. history books. With that said, we here at Step Off! Radio hope that you all enjoy our discussion with Stacey Uy of Radical History Club.

In our latest installment of Step Off! Radio, we had the chance to interview Jaguar Arreola, 1/2 of Indigenous-Chicano Rap duo Kozmik Force come on the show to discuss his very first solo project 'Maria’s Seed', the latest effort in the Inland Empire based emcee’s ever-growing catalog of work. Coming right on the heels of Kozmik’ Force’s third project Ceremony On Concrete which dropped late last year in 2019, Jaguar continues on in the long tradition of conscious, politically engaged music he has come to be known for. Continuing on with his strong critique of the U.S. government, the criminal justice system, and pro-Chicano/Indigenous empowerment philosophy. Likewise, Jag discusses the personal, intimate nature of his latest record, the inspirations the led him to create a solo project, as well the impact of COVID-19 in BIPOC communities, state violence over the summer, and the struggles we have all faced in 2020. With that said, we hope that you all enjoy our discussion with Jaguar Arreola on Step Off! Radio

In our latest installment of Step Off! Radio we interview Juan Carlos Lozano, a musician, entrepreneur, and community organizer based out of San Diego, California. In our conversation we had the chance to discuss his background as a community organizer, as well as little about his backstory growing here in San Diego, and how the legacy of the U.S./Mexico has had a direct impact not just on his family but has played a key central part in his activism. Likewise, we were also able to discuss his work as a musician, his experience hosting several podcasts, Village Voice Radion for People Over Profits SD and The Pablo Aceves podcast for Unión del Barrio, him embarking in other ventures like starting his own business Perseverance Clothing, and even some of his thoughts on the 2020 presidential election. With that said, we here at Step Off! Radio hope that you all enjoy our discussion with Juan Carlos Lozano.

For many artists, the COVID-19 pandemic has delivered an absolutely devastating blow to the creative arts scene. In a profession already often filled with highs, lows, and hardship, even in the best of times, the pandemic and the subsequent economic shutdowns over the past several months have been an absolutely devastating obstacle for many artists, musicians, and creators to overcome. San Diego’s creative art scene, of course, has been no exception to this alarming trend. Particularly Barrio Logan’s art and cultural district, whose artists and creatives have taken a disproportionate hit over the past several months. With many galleries, studios, and music venues still shuttered, artists in the neighborhood have been cut off from the events and spaces they’ve relied upon in the past to showcase their art and bring in a steady income. While virtually all artists having been forced to adapt to these new sets of challenges and circumstances over the past several months, ingenuity and inspiration in the era of COVID-19 have manifested an explosion of creativity and innovation in a variety of unexpected ways. And perhaps no one has utilized this time as creatively and meticulously as local artist and co-owner of La Bodega Gallery owner Soni López-Chávez. Since March, Soni has embarked on an ongoing art series of digital art pieces highlighting a wide variety of subject matter. From the plight of street vendors, the Black Lives Matter Movement, immigrant rights, Indigenous sovereignty, women’s rights, mental health awareness as well as LGBT issues. While the series covers a wide variety of different topics and causes, the overall encompassing themes all revolve around the empowerment of marginalized and vulnerable communities. While all of these struggles have existed for decades, the pandemic has brought many of these issues to a head and at the forefront of the public’s attention. In today’s episode, we had the opportunity to speak with Soni about her series and how she’s used her time during the pandemic to bring awareness through her art. With that said, we hope you all enjoy our interview with Soni López-Chávez.

In our latest installment of Step Off! Radio, we had the chance to interview Beatrice Zamora, author of a brand new children's book The Spirit of Chicano Park / El espiritu del Parque Chicano, a new bilingual, children’s picture book written by Zamora and illustrated by artist Maira Meza that depicts the creation of the iconic landmark located in the neighborhood of Barrio Logan in San Diego, California. Originally born in Barrio Logan, Zamora was raised in the city of La Puenta in the eastern region of L.A. county. She eventually returned to San Diego in 1979 to complete her Master’s program at San Diego State University and donned a variety of hats in the community of Barrio Logan and beyond ever since. In our discussion, we had the opportunity to talk with Beatrice about her early life growing up in Los Angeles, and her journey that ultimately brought her back to Barrio Logan. Likewise, we also discuss her tenure as an instructor teaching La Danza Mexi’cayotl, traditional Azteca-Chichimeca Dance, and how her career in academia and involvement community organizing would ultimately play into here affinity for writing and inspire to her write a book dedicated to the history of Chicano Park. In addition, we also discuss the importance of representation in children's literature and the significance that the legacy of Chicano Park still maintains fifty years after its founding. With that said, we hope that you all enjoy our discussion with Beatrice Zamora on Step Off! Radio

In our latest installment of Step Off! Radio, we had the chance to interview Phoenix-based visual artist Edgar Fernandez also known as 8Ahau. Edgar Fernandez is a Chicano muralist and multi-disciplined artist from Phoenix Arizona. He was born in Los Angeles California in the early 90s and is the son of immigrant parents who migrated from Mexico to the United States in the 1980’s. Coming of age in Phoenix, Edgar expressed himself through his love of graffiti and Hip-Hop culture which would further drive his love for creating art, eventually taking art classes Phoenix College. Edgar would continue his education at the ASU School of Art, where he transferred to after receiving the Chicanos por la Cause scholarship. Edgar Fernandez is part of the latest generation of Chicano muralist, whose art is rooted in a position that is decidedly pro-Indigenous and exuberates a strong sense of Chicano identity. His depictions of Meso-American art, culture, and folklore; intermixed with contemporary American politics, pop culture, Chicano culture, and modern art movements such as graffiti which make his art a one of kind spectacle that pushes the long and decorated legacy of Mexican and Mexican-American muralist in fine American art. In our discussion, we had the opportunity to talk with Edgar about his early life growing up in Los Angeles, Michigan, and eventually settling in Phoenix, Arizona. His experience as a child discovering his artistic talents drawing cartoon characters, his venture into Phoenix's graffiti scene. Likewise, we also had the opportunity to discuss his thoughts on the increasing mainstream popularity of Mexican culture within broader U.S. culture, cultural appropriation vs. cultural appreciation, and the role that artists play in today's deeply partisan and divided society. With that said, we here at Step Off! Radio hope that you all enjoy our discussion with Edgar Fernandez aka 8Ahua.

In our latest installment of Step Off! Radio we interview Oree Originol, an acclaimed Oakland based visual artist Justice For Our Lives, an open-source digital portrait series of people who have been killed by US law enforcement. Since 2014, inspired by the Black Lives Matter movement Oree’s bold artwork of black and white portraits has served as pivotal instruments in supporting families of those unjustly killed at the hands of police and who are fighting for justice against state-sponsored terrorism in the United States. Over the past six years, Oree’s artwork has been reproduced and disseminated worldwide in public demonstrations, protests, classrooms, art galleries, as street art, and online through numerous social media platforms and websites. In our discussion, we had the opportunity to talk Oree’s early life growing up in North-East Los Angeles, his experience as a child discovering his artistic talents drawing cartoon figures in school, the gang culture of 90s era Los Angles which permeated his neighborhood which would inspire him to seek recognition as a graffiti artist & increased visibility as a tagger in L.A.’s graffiti scene. As well as his eventual journey into activism following his move to Oakland in 2009 which has ultimately culminated into Justice For Our Lives where he continues developing his art and activism; sharing his skills with the Bay Area community and beyond. With that said, we here at Step Off! Radio hope that you all enjoy our discussion with Oree Originol.

In our latest installment of Step Off! Radio we interview former co-host José Cortés, who is running in California's 50th Congressional District located in the southern portion of the state and includes much of San Diego County and portions of Riverside County. As a candidate running on the ballot for the Peace and Freedom Party of California, Cortés joins a crowded field of candidates which includes Democratic candidates Ammar Campa-Najjar and Marisa Calderon. Republican candidates Carl DeMaio, Darrell Issa, Brian Jones, and Nathan Wilkins, as well as Independent candidates Helen Horvath, Lucinda Jahn, and Henry Ota. Since 2016, José Cortés has been on the front lines of the fight against police brutality, concentration camps, and the exploitation of low-income tenants. He has helped organize for national liberation in Barrio Logan alongside Chicano Park defenders, he stands in solidarity with the struggle for socialism in Venezuela and Cuba, and he supports the right of self-determination and reparations for the people of Hawaii, Puerto Rico and all nations oppressed by U.S. imperialism and colonialism. We had the chance to catch up with José, and discuss the campaign he and his team have been running in the fiftieth district, talk about what platforms he’s running on, what stances he would take as an elected member of Congress, discuss the nuances of running as a socialist candidate here in the United States. As well as discuss the unique challenges the campaign poses as the lone Chicano candidate in the race running in a district that historically has been a conservative stronghold and has not historically been known for any sort of progressive representation. We hope you guys enjoy the episode and I really hope that you guys keep rocking with us as we go into 2020 as well as our second year here on Step Off! Radio. We got a lot of really cool guests and new stories that we’re looking forward to telling here in 2020. With that said, we at Step Off! Radio hope that you all enjoy our discussion with José Cortés.

When discussing the pioneering figures of what would eventually come to be known as Chicano Rap, there is perhaps no group more iconic and more revered than A Lighter Shade of Brown. Formed in Riverside, CA, in 1990, when ODM (One Dope Mexican, born Robert Gutierrez) was introduced to DTTX (Don't Try to Xerox, born Bobby Ramirez); the duo was part of an explosion of Latin Hip-Hop groups and artists to rise to prominence in the late 1980s and early-'90s; joining the likes of Mellow Man Ace, Kid Frost, Proper Dos, Aztec Tribe, Hi-C, Delinquent Habits, Fundoobiest, Psycho Realm & Cypress Hill among a cavalcade of others to rise to prominence in the early part of the decade. Over the course of nine years, the duo released a string of five albums and provided songs for films such as Mi Vida Loca, Bulletproof and I Like It Like That and penning some of the most iconic songs in the Chicano Rap sub-genre. While the duo didn't quite become household Hip-Hop names, or reach the level of mainstream success as some of their contemporaries; Lighter Shade of Brown was nonetheless a groundbreaking duo that not only helped break down barriers for Chicanos in Hip-Hop during the early 90s but Latino emcees of various backgrounds across the nation. Having paved the way and helped create an entirely new lane for modern Chicano rappers to follow Lighter Shade of  Brown's status and contributions to Hip-Hop are forever cemented in their music and their legacy; their music is still enjoyed by countless fans to this very day. We had the chance to talk with ODM and discuss the origins of the group, the history behind some of their most iconic songs, the rise, decline, and resurgence of Lighter Shade of Brown, as well the days leading up to DTTX's tragic passing in 2016. With that said, we are proud to present the twelfth episode of Step Off! Radio with ODM of Lighter Shade of Brown.

Earlier this year we had the pleasure of talking with Tall Can, who you may remember from our second episode of the year back in February. Tall Can has once again returned to Step Off! Radio, this time as one-half of the duo Digital Dust Mites which consists of both Tall Can and Pawps the Medic; the group's producer and DJ.  For the past several years since 2012, both Tall Can and Pawps have been producing their own unique brand of Hip-Hop as the Digital Dust Mites, recording dozens of songs, having amassed an extensive catalog of music for a variety of projects, albums, EP’s and singles. Tall Can and Pawps came on the show to talk about their brand new album the Lost Frequencies LP as well as discuss the humble origins of the group, the development of their unique sound, their thoughts on the current state of affairs regarding politics and social activism in Hip-Hop as well as their here experiences here in the local San Diego Hip-Hop scene and upcoming musical endeavors. With that said, we are proud to present the eleventh episode of Step Off! Radio with Tall Can and Pawps the Medic aka Digital Dust Mites

It is an understatement to say that Nate Whitsell is a wearer of many hats and of most versatile figures in the local San Diego Hip-Hop scene. He’s an emcee, a music journalist, an English teacher at Garfield High School and he is the founder of SDLovesHipHop.com; one of the premier online Hip-Hop publications based out of San Diego, California. As an educator, artist and music journalist he has been determined to increase readership in the local San Diego Hip-Hop community that believes in the power of Hip-Hop to serve as a sounding board for the masses. Since founding the website 2015, SDLovesHipHop.com has served as a platform to publicly facilitate a conversation about Hip-Hop music and culture as well as a catalyst for real, meaningful change; both in the lives of individuals and in our own greater communities abroad. Single-handedly and methodically documenting the music, culture and countless individuals who participate in and enjoy the art form all across the region. We had the pleasure of sitting down Nate where we got discuss among other things; his experiences and inspirations from his early life and childhood, as well as the origins of his early music and journalism career. Likewise, we also got to discuss his thoughts and experiences as an educator in the San Diego Unified School District, his thoughts on the constantly growing and expanding local San Diego Hip-Hop scene, as well as what the immediate future holds for SDLovesHipHop.com and his music. With that said, we are proud to present the tenth episode of Step Off! Radio with Nate ‘KnewBalance’ Whitsell.

For years San Diego has cultivated small but dedicated Hip-Hop scene which has become increasingly more and more interconnected; and grown at a tremendous rate over the years. While there are hundreds, perhaps even thousands of various emcees, DJs and producers who regularly contribute to the local; one of it’s most dedicated and tireless advocates is none other than producer of theme music DJ Root. DJ Root of the No Sucker DJs Crew returned to Step Off! Magazine making his first appearance on Step Off! Radio to discuss the growth of the San Diego local Hip-Hop scene, the upcoming fifth anniversary of the San Diego Battle-Bot competition and as well as the region’s contributions to the bigger discussion on Hip-Hop’s influence on society. Likewise, we also got to discuss the genre’s ability of spreading awareness and social conscious through the power of music, culture, and the power of uplifting and empowering our communities. With that said, we are proud to present the seventh episode of Step Off! Radio with DJ Root

The Brown Berets as an organization can trace their origins back to East Los Angeles in the late 1960's at the height of the Chicano Civil-Rights Movement. At the time, many young Chicanos were struggling to make sense of their own cultural identity and were faced with daily acts of discrimination and even violence. Founded by David Sanchez in wake of the 1968 East L.A. Student Walkouts the Brown Berets were formed with the intention to help the Chicano community, specifically organizing against police brutality, inadequate public schools, farm worker’s struggles as well as anti-war activism. And since their founding numerous autonomous chapters have sprung up across the United States. The National in Barrio Logan were one of several antonymous chapter founded during the 1970’s and remains one of the most prominent and active chapters operating in the country today.  For close to fifty years the National Brown Berets de Aztlán have been defenders of the Barrio and vanguards of Chicano Park. It’s no coincidence that the history and politics of the Brown Berets can be seen across the walls of Chicano Park, adorning a myriad of murals painted throughout the years. In April of 1970, alongside a coalition of students, community activists, Barrio residents and others from nearby neighborhoods, through militant force and occupation the National Brown Berets de Aztlán helped liberate the land that would eventually become Chicano Park. After a twelve-day occupation, the eventual liberation of Chicano Park was not only a defining moment in Chicano history and the City of San Diego; it was also a defining moment that helped cement the Brown Berets as the paramilitary arm of the Chicano Power movement throughout the rest of the 1970s. Now, almost fifty years later Chicano Park is not only a monument to Chicano empowerment and self-determination; it has served as the home base for the Brown Berets. For this very special episode of Step Off! Radio we had the pleasure of interviewing members of the National Brown Berets de Aztlán, recorded right in the heart of Barrio Logan’s historic Chicano Park. We spoke with Unit Commander Eddie Alvarez, Officer of Aztlán Desiree McFadden and Officer of Aztlán Mike Geck. We had a chance to discuss the origins of the chapter, the role the Berets played in the founding of Chicano Park, their dedication to the defense & advancement of Barrio Logan & Chicano people, the Beret’s work within the community that they are helping address, as well as what the future holds for the National Brown Berets de Aztlán. We want to remind listeners that this interview was recorded at Chicano Park, a week prior in preparation of Chicano Park Day, the sounds and noises that you hear in the background are the sounds of community.

For more than a decade, Ramel Wallace, better know by his stage name Real J. Wallace has been a constant and tireless figure in the local San Diego Underground Hip-Hop scene. As a native born, self-taught San Diego artist, over the course of the past thirteen years Real J. Wallace has made the transition from the humble origins off an aspiring neighborhood freestyler to a prominent, local indie Hip-Hop innovator and finally into a celebrated and respected community leader. With his unique blend of classic Hip-Hop storytelling and eclectic production style incorporating jazz, soul and blues into his music, it goes without saying that Real J. Wallace has paved his own unique lane that sets him apart from nearly all of his musical peers in the greater San Diego area. With music showcasing his own sense of down to earth humility and cosmic spirituality; accompanied with soulful Golden era style production, through his music Real J. Wallace brings a unique perspective chronicling the vivid realities of the common man laced with the esoteric intricacies of the mysterious and the unexplored realms of our realities. We had the pleasure of sitting down with Real J. Wallace for a second time where we got discuss among other things; his experiences and inspirations from his early life and childhood, as well as the origins of his then fledgling music career. Likewise, we also got to discuss his latest projects in the works, his thoughts on the ever increasing threat of gentrification that threatens to lay siege on Barrio Logan and other communities across Southeast San Diego, the artistic movement currently blooming inside Barrio Logan, his latest position as a member on the board of the San Diego African American Museum of Fine Art, as well as what the immediate future holds for him and his music. We hope you all enjoy our discussion with the one and only Real J. Wallace.

In the burgeoning, yet often overlooked Hip-Hop scene of San Diego perhaps, no voice is as unique and drive as dedicated as that of Jesse Cannon; better known professionally by his stage name Tall Can. For the past several years Tall Can has been producing his own unique brand Hip-Hop, cross pollinating genres, collaborating with producers from all over the world and releasing a string of dozens of projects, albums and EP’s in his wake. Over the years, Tall Can has amassed a unique, extensive catalog of music quite unlike anything else produced by his musical contemporaries here in San Diego and the greater art scene of the surrounding border region. For this episode of Step Off! Radio, we had the opportunity to sit down with Tall Can. Among other things we got to discuss not only the details of his early life, but the origins of his rap career, the details surrounding his initial entry into first making music, as well as an exclusive preview into some brand new upcoming projects. Likewise, we also took the time to discuss Tall Can's work in local anti-fascist organizing and his volunteer work for the community police oversight collective 'Cop Watch' here in San Diego. In a fascinating exploration, we delve into how community defense plays into the larger picture of building revolution and protecting our communities from right wing extremists, agents of the state & other provocateurs who wish to harm to marginalized and vulnerable communities. We hope you all enjoy our discussion with the one and only Tall Can.

In our latest installment of Step Off Radio, we interview local student journalist Katy Stegall of the Southwestern College Sun. Stegall’s coverage of last year’s hate rally staged by white nationalists in Chicano Park, dubbed ‘Patriot Picnic 2.0’ has by far been the most nuanced & critical analysis of the Chicano Park protests out of any news media outlet in the San Diego region, with not one local news media outlet taking the same time & dedication to accurately report the details of what transpired that day. Katy Stegall is not only an award winning student journalist, she has likewise amassed various praise & accolades stemming from her tireless coverage of the Chicano Park protests & the subsequent trial of Fredrick Jefferson as well. We were fortunate enough to sit down with Katy as she recounted her experiences at The Sun first covering this story nearly a year ago & its progression from the newspaper covering what was initially supposed to be a one time event; to the months long process of reporting one of the most closely followed trials in the city at the time. It is a story of dedication & perseverance from a disciplined team of student journalists, police brutality & intimidation from an embittered & troubled police department as well as indifference & apathy from a jaded & cynical local news media culture which all culminates into one amazing story chronicling one student newspaper’s quest to uncover the truth. With that said, we at Step Off! Radio hope that you all enjoy our discussion with the marvelous Katy Stegall of the Southwestern College Sun.

If there was one word that could perhaps best describe Blame One it would probably be Versatility. Throughout the years Blame One has donned quite a variety of different hats throughout the span of his extensive and at times rocky music career. As an emcee, graffiti writer and B-boy the North county Hip-Hop artist has more than earned the well deserved status as an elder statesmen and icon in the local San Diego Hip-Hop scene. Over the course of his illustrious 33 year career as an emcee, Blame One has released six solo albums, several EP’s, been part of various groups and collectives and has appeared on a myriad of songs and rare cuts in other artists catalogs. With this tireless and unrelenting work ethic his catalog quite literally speaks for itself, epitomizing the tenants of perseverance and longevity in the rap game. His latest album the The 34th Scroll with producer/emcee Veks is no exception and is the latest entry in this long and illustrious career of crafting thought provoking, well made, timeless Hip-Hop. For this episode of Step Off! Radio we traveled up to all the way up to North County, to the city of Vista, California to meet up with Blame One. Among other things we discussed the origins of the album’s title, his back history and relationship to producer Veks, the significance of the project at this stage in his career, the possibility of a Mystery's Extinction re-union as well as what the immediate future holds for Blame One and his music. We hope you all enjoy our discussion with the one and only Blame One.

As one of the best rising political cartoonists in the country, since 2009 Joaquin Junco Jr better known by his artist name Junco Canché has done political cartoons featured in publications such as El Coyote Crossing Borders the San Diego Free Press, La Prensa San Diego as well as the Southwestern College Sun; and most recently working as a regular guest contributor for the nationally syndicated comic strip La Curacha from San Diego native Lalo Alcaraz. As a Chicano artist, Junco’s art and satirical comics offer an often overlooked perspective view of both the state and national politics from a adamantly and unapologetic, Chicano/Mexican-American perspective. Giving a unique look into politics and life around the U.S./Mexico border region and South-Western United States; few artists have managed to so cleverly and concisely comment on today’s political climate of the past few years better than Junco. Here at Step Off! Radio we had the opportunity to sit down and speak with Junco on a variety of topics from his memories growing up in Mexico in the 90’s, the countless nuances of the lived Chicano experience here in the U.S., Cultural appropriation vs, appreciation, decolonization in the arts and pop-culture as well as his most recent collaborations with musical artists such as Kozmik Force. We hope you all enjoy our discussion with the one and only Junco Canché. *BIG shout out to Junco for his continued support and for his immense patience with us as we worked on completing this episode!