Podcasts about berets

Today we are taking you down the bayou as we explore the new Bayou Country in Disneyland Resort. From Tiana's Bayou Adventure, to Ray's Berets, and more we visited to get you the info you need. In this episode we talk about: The virtual queue system How wet do you actually get Is the retheme a hit Ray's Berets Louis' Critter Club Hungry Bear BBQ Jamboree The other rides in the area - including one that never has a line The big thing Disney missed adding to this land that we hope they change soon   Want Disneyland Discounts & More? Keep Reading: Using the links below helps support our channel as we may earn a small commission. You still get amazing deals! Our listeners get the best Disneyland ticket deals by using our partners at Get Away Today You can unlock our exclusive pricing by visiting https://getawaytoday.com/castletalk OR by calling 855-438-2929 and asking for the Castle Talk Radio EXCLUSIVE pricing. Join the Castle Talk Radio Patreon for early access, input on future episodes and more https://patreon.com/castletalkradio Plan out your Disneyland visit with help from Jessica's AMAZING (per Becca) Park Strategy Plans. You can get one or more of them here: Disneyland Plans To Rock Your Vacation: https://transactions.sendowl.com/stores/17044/302110 About Becca & Jessica Becca Robins is your Theme Park Tips Gal! She has been helping families make memories  for 13 years. Her focus is on helping families plan vacations within their budget and lifestyle. Becca is an expert on all things SoCal Theme Parks as well as West Coast Travel, and is currently working to expand her coverage to the rest of the United States. Jessica Sanders has been helping guests navigate their Disneyland vacations for more than 11 years at The Happiest Blog On Earth. Jessica is a SoCal Disneyland gal at heart, even though she currently lives out of state. Jessica specializes in helping guests learn how to utilize Disneyland's ever-changing amenities such as Disney Genie and Lightning Lanes at Disneyland. Jessica is also our resident foodie and is able to help you plan what Disneyland food you must try for your visit.

This week, Imagineering picks up some Themed Entertainment Awards, Thanksgiving meal options, Magic Keyholder's can pick up a free gift, The Haunted Mansion queue has opened, big changes to the D23 membership plans, we talk to Kaye from the Walt Disney Hometown Museum, and more! Please support the show if you can by going to https://www.dlweekly.net/support/. Check out all of our current partners and exclusive discounts at https://www.dlweekly.net/promos. News: Weeklyteers know that Imagineers are amazing at bringing stories to life in the parks, resorts, ships, and other locations around the world. The Themed Entertainment Association has recognized Imagineering for three separate projects. Fantasy Springs at Tokyo DisneySea and Zootopia at Shanghai Disneyland have received the Outstanding Achievement Award – Theme Park Land, making it the first time Imagineering has received two awards in the category in a single year. The Outstanding Achievement – Technical Innovation was awarded for the BDX Droids found wandering around in Star Wars Galaxys Edge. These add to the nearly 70 Thea awards that Imagineering has received over the last 30 years. – https://disneyparksblog.com/disney-experiences/imagineering-recognized-for-themed-entertainment-excellence-three-disney-projects-honored-with-thea-awards/ https://www.youtube.com/watch?v=5XuvWrvsBVk&t=9s https://www.youtube.com/results?search_query=tdr+explorer+fantasy+springs For Weeklyteers who are looking to spend Thanksgiving in Disneyland, there are a couple of places to get a meal to celebrate. Carnation Cafe will have a Thanksgiving Turkey dinner for $25, which includes an oven-roasted turkey breast, mashed potatoes, turkey gravy, seasonal vegetables, and cornbread stuffing. A kid's size is just $15. The Plaza Inn also has a Thanksgiving Dinner. For $18.99, guests get carved turkey, dressing, mashed potatoes, gravy, green beans, and cranberry sauce. A child's portion is available for $10.49. For a snack, there is a Thanks-mass Sandwich at Jolly Holiday, and a Turkey Dinner Potato at Troubadour Tavern. – https://www.micechat.com/404239-disneyland-news-mansion-construction-thanksgiving-crowds/ Another gift is available for Magic Keyholders at the resort. From November 27th through December 6th, while supplies last, keyholders can pick up a Moana 2 custom print. It can be picked up at Disneyana, Kingswell Shop, and Wonderground Gallery. – https://www.micechat.com/404239-disneyland-news-mansion-construction-thanksgiving-crowds/ https://www.instagram.com/ryanriller_/?hl=en The extended queue of the Haunted Mansion has finally debuted to guests! The new extended queue has a lot of details to look at and enjoy. The path winds through some gardens, Madame Leota's enchanted garden, and past new crypts. Guests in mobility devices enter through the main entrance of the mansion, and exit through a new, accessible elevator that features a gallery of original artwork for the attraction. – https://www.micechat.com/404239-disneyland-news-mansion-construction-thanksgiving-crowds/ The Main Street Train Station is finally out from behind scrims and looks great! With the Candlelight Processional happening soon, it needed to be complete for the setup that features that station as a stage and backdrop. The displays inside the station have been cleaned up and look great, with the roof being completely replaced, and the decorative elements getting a good polish. – https://www.micechat.com/404239-disneyland-news-mansion-construction-thanksgiving-crowds/ The Lego store has reopened in Downtown Disney, but has little to show for the refurbishment. None of the new Lego sculptures have been installed, with no word on if they are coming at all. Hopefully they have just been delayed and will show up in the future. – https://www.micechat.com/404239-disneyland-news-mansion-construction-thanksgiving-crowds/ The upcoming Parkside Market at the west end of Downtown Disney has received some of the final signage for the stores that will call this location home. Parkside Market, Sip & Sonder, and D-Lander signs have all been installed and look nearly ready to open. – https://www.micechat.com/404239-disneyland-news-mansion-construction-thanksgiving-crowds/ When Ray's Berets opened in Bayou Country, Ray had his home decked out for Halloween. Well, now that Halloween is over, he has decorated for Christmas! He has a couple of stockings hung by the fireplace, and a tree setup with a gift nearby. MiceChat reports that Imagineers mentioned that Ray will be redecorating for many holidays throughout the year. – https://www.micechat.com/404239-disneyland-news-mansion-construction-thanksgiving-crowds/ Magic Keyholders who might be holding out on using Lightning Lane can get it at a discounted price in January. From January 6th through January 31st, the discount for Lightning Lane will be doubled when using the Magic Key to enter the parks. – https://www.micechat.com/404239-disneyland-news-mansion-construction-thanksgiving-crowds/ If you want some truly original holiday merchandise, stop in to Din Tai Fung in Downtown Disney! Din Tai Fung's mascots are available in a plush purse, and clip-on plushie version. A pair of holiday ornaments are also available. – https://www.micechat.com/404239-disneyland-news-mansion-construction-thanksgiving-crowds/ There is a gingerbread house in the Grand Californian lobby, in the ballroom of the Haunted Mansion, and now one in the Candy Palace and Candy Kitchen on Main Street! What makes this one special is that it is Sleeping Beauty's Winter Castle! – https://www.instagram.com/reel/DCzb2ihP1DF/?igsh=NTc4MTIwNjQ2YQ== D23, the Official Disney Fan Club, is updating the membership plans. The general membership level, which includes a weekly newsletter, seasonal activations, and access to sweepstakes and general events will remain free. Starting January 1st, there will be THREE new gold membership levels. Each level will include access to D23 evetns, discounts, and special offers, with the addition of an exclusive D23 Gold Membership Kit, which comes with a membership certificate and card, a Savings Passport, collectible stitch pin, Goofy and Max car magnet, and a special Disney Lorcana trading card. Starting with the Spring 2025 issue of the Disney twenty-three publication, it will be offered in a digital and interactive version. These are all included in the Gold Member Essential Plan at $49.99 a year. For $99.99 per year, you can get the Gold Member Choice Plan with includes all the essential plan items, plus one exclusive item. Choice plan members can choose between a spirity jersey, pin box set, fan pack with a crossbody bag, water bottle, and twill cap, or a replica of the Disneyland Park Entrance plaque, a reproduction of Walt Disney's annotations from 1955, and 70th anniversary book. Finally, the Gold Complete plan includes everything in the Essential Plan and all four of the exclusive items in the Choice Plan for $299.99. – https://d23.com/new-gold-membership-plans-2025/ SnackChat: Plaza Inn – https://disneyland.disney.go.com/dining/disneyland/plaza-inn/menus/ Discussion Topic: Kaye Malin – https://www.waltdisneymuseum.org/

This week, Halloween has ended, and the holidays are moving in, Tiana's Bayou Adventure tips, new dining package details, a veteran gets a surprise from Disney Cruise Line, the Holiday Foodie Guides are out, we talk to Bethany about Tiana's Bayou Adventure previews, and more! Please support the show if you can by going to https://www.dlweekly.net/support/. Check out all of our current partners and exclusive discounts at https://www.dlweekly.net/promos. News: Halloween just passed us by and this week, preparations are well underway to get the resort ready for the Holiday season that starts on November 15th. New Orleans Square and Toon Town have been decked in holiday decorations for a bit now, with Frontierland, Fantasyland, and Main Street starting to get decorations now. The tree in Town Square should arrive in the next week to be ready for the kickoff. - https://www.micechat.com/401999-disneyland-update-holiday-hustle-price-pains-construction-gains/ With the Holiday season starting soon at the Disneyland Resort, the gingerbread display is back in the Grand Californian. This year, the display will be the Grand Californian Hotel itself with Chip and Dale in their holiday pajamas. - https://disneyparksblog.com/disney-experiences/disney-eats-foodie-guide-to-8-cant-miss-gingerbread-displays-2024/ We have the times for the holiday activities at Disneyland. The Christmas Fantasy Parade will run daily at 2:30pm and 5:30pm, the “it's a small world” lighting ceremony will be at 4:30pm daily, Believe..In Holiday Magic will be at 9:30pm daily, the Buena Vista Street tree lighting will be at 4:50pm daily, and World of Color - Season of Light will be nightly at 9pm and 10:15pm. - https://www.micechat.com/401999-disneyland-update-holiday-hustle-price-pains-construction-gains/ Of course with the start of the Holiday season, there is a load of new merchandise! - https://www.micechat.com/390049-disney-holiday-merchandise-preview-2024/ The Disney Parks Blog has some tips on how guests can prepare for experiencing Tiana's Bayou Adventure when it opens to the general public on November 15th. There will not be a standby queue, only virtual queues at 7am and noon, Lightning Lane Multi Pass or Lightning Lane Premiere Pass. Guests can join the virtual queue and use a Lightning Lane to get access to the attraction more than once in a single day. Tiana merchandise will be on hand at Louis' Critter Club and Ray's Berets. - https://disneyparksblog.com/dlr/planning-tips-for-tianas-bayou-adventure-at-disneyland/ Details have been released about the Docking Bay 7 Food and Cargo Nighttime Gathering. The dining package for the Fire of the Rising Moons fireworks in Galaxy's Edge will include a spot in the standing room only viewing area, a meal including fried cheeseburger croquette bites, apricot goat cheese, dragon fruit yogurt, cream puffs, unlimited fountain beverages, and specialty non-alcoholic beverages in a souvenir novelty cup. The package is $89 per guest, and are non-refundable. - https://www.micechat.com/401999-disneyland-update-holiday-hustle-price-pains-construction-gains/ Mickey and Minnie went trick or treating last week to deliver Halloween treats to kids in the hospital. Disney worked with the Starlight Children's Foundation, which gives themed hospital gear, care packages, and more to hospitals around the country. Disney VoluntEARS and Ambassadors created care packages including Disney toys, plush, books, and costumes. - https://www.micechat.com/401999-disneyland-update-holiday-hustle-price-pains-construction-gains/ A new category of merchandise has come to the parks on both coasts! To celebrate National Veterans and Military Families Month, a new collection including a t-short, spirit jersey, water bottle and baseball cap have arrived. The designs feature “Mickeyflage” which is Mickey camouflage. - https://disneyparksblog.com/disney-experiences/disney-recognizes-veterans-and-military-families-month-with-a-new-collection-of-military-inspired-merchandise/ A Veteran received quite the surprise at Disneyland recently. As part of the veterans celebration, Goodwill of Orange County's Tierney Center for Veterans Services, gifted a Disneyland trip to David Negreros to recognize the dedication and selflessness while serving in the Marine Corps. While at Disneyland, his family was chosen by Disney Cruise Line to sail on the Disney Treasure, the newest Disney Cruise Line ship. - https://disneyparksblog.com/dcl/disney-cruise-line-surprises-a-deserving-veteran-at-disneyland-park/ MousePlanet has done some sleuthing and have seen some clues on Disneyland's website what Disneyland After Dark events might be coming in 2025. Pride Nite, Star Wars Nite, and Sweethearts Nite are all listed as events guests can “look forward to.” Disney Channel Nite is listed as “concluded,” alluding to the event not coming back. - https://mouseplanet.com/disneyland-resort-update-for-november-4-2024/48943/ The dates for Grad Nites in 2025 has been released. The dates are in May and early June. For a complete list of the dates, check out the link in our show notes. - https://mouseplanet.com/disneyland-resort-update-for-november-4-2024/48943/ SnackChat: Holiday Foodie Guide - https://disneyparksblog.com/dlr/disney-eats-foodie-guide-to-holidays-at-disneyland-resort-2024/ Festival of the Holidays Foodie Guide - https://disneyparksblog.com/dlr/disney-eats-foodie-guide-to-disney-festival-of-holidays-2024-at-disneyland-resort/ Discussion Topic: Tiana's Bayou Adventure with Bethany

This week, Magic Keys are going back on sale, the change to Bayou Country is official, a new shop is open in the new area, a popular parade is returning to DCA, a new treat comes to Downtown Disney, some holiday dining experiences are coming, we finish our talk with DisneylandNurse Scott, and more! Please support the show if you can by going to https://www.dlweekly.net/support/. Check out all of our current partners and exclusive discounts at https://www.dlweekly.net/promos. News: Weeklyteers who want to get a Magic Key are in luck! On Wednesday, November 6th at no earlier than 8:45am Disneyland time, the queue will open to new sales online. For all of the details, including pricing and perks associated with each level of key, visit the link in our show notes. – https://www.disneyfoodblog.com/2024/10/23/date-announced-disney-confirms-magic-key-passes-will-go-on-sale-soon/ It is official! Critter Country is now Bayou Country. The amazing, detailed sign was installed and unveiled last week. The sign is carved out of wood, like a few of the other new signs in the area. – https://blogmickey.com/2024/10/disneyland-shows-off-new-bayou-country-signage/ Not much is left unopened in Bayou Country after Ray's Berets opened this week. The rethemed shop is full of little touches to Ray's friends and family. There are a set of jars on the wall that are the homes to the fireflies. There are animated windows in the shop as well. As for merchandise, the shop sells much of the same headwear that the previous version of this store sold. – https://www.micechat.com/401100-disneyland-update-bayou-debut-bbq-feast-pumpkin-spice-meets-holiday-ice/ A popular parade looks to be returning to Disney California Adventure in the future. Auditions for The Together Forever parade was posted online with character and performer auditions being posted. – https://jobs.disneycareers.com/auditions A new snack truck has rolled into Downtown Disney. Cathy's Cookies has arrived serving up fresh baked chocolate chip cookies. They come in a sleeve, bucket, cookie dough, and sundae varieties. You can also get a carton of milk if you like you cookies with milk. Be sure to check their schedule on Instagram to catch them. – https://www.micechat.com/401100-disneyland-update-bayou-debut-bbq-feast-pumpkin-spice-meets-holiday-ice/ With the holidays just around the corner, there are some newly announced dining experiences at the resort. Holiday Tea with Santa and Mrs. Claus at the Hearthstone Lounge is on select days December 3rd through 24th, Mickey's Holiday Pajama Party Breakfast and Brunch at Storytellers Cafe is November 19th through January 1st, and Goofy's Kitchen Celebrates the Holidays is November 19th through January 2nd. – https://disneyparksblog.com/dlr/disney-eats-3-holiday-dining-experiences-coming-to-disneyland-resort-hotels/ Guests staying at one of the Harbor Boulevard hotels on Halloween can take part of trick or treating. There are 14 participating hotels, with the event starting at 3pm and ending at 8pm. Participants need to show their room key. The hotels are located between the Howard Johnson all the way to the Castle Inn and Suites. – https://www.micechat.com/401100-disneyland-update-bayou-debut-bbq-feast-pumpkin-spice-meets-holiday-ice/ Disney Visa Cardholders have some new discounts. Cardholders get 30% off select premium rooms for stays Sunday through Thursdays from January 7th to March 20th at Disneyland Resort hotels. Cardholders who are Marvel fans can get 30% off a Marvel Unlimited subscription with the code DRVCMEMBER. – https://www.disneyfoodblog.com/2024/10/25/2-new-disney-visa-cardmember-deals-announced/ Teresa's topiary follow up – https://www.youtube.com/watch?v=vIPAThYIdRM SnackChat: Galactic Grill – https://disneyland.disney.go.com/dining/disneyland/galactic-grill/menus TriviaLand: 2019 Oogie Boogie Bash Walkthrough – https://www.youtube.com/watch?v=RibsQ-sTyjw Discussion topic: Scott Kagele (Disneyland Nurse) – https://www.instagram.com/nursesdayatthepark/ https://www.instagram.com/disneylandnurse/

Welcome to Geeks Corner! This week the Geeks are in a new set (that isn't complete) and also have a lot to talk about with the new Bayou Country at Disneyland. This includes the new Bayou Country sign, the area around Tiana's Bayou Adventure, Ray's Berets, and a review of Hungry Bear Barbecue Jamboree. Just to make things interesting, the Geeks also talk about the new trailer for Spellbound. We hope you enjoy this week's episode of Geeks Corner! We also hope you will join the discussion in the comments! We'll see you 'round the corner! THE WEEK IN GEEK New Marquee for Bayou Country Unveiled at Disneyland https://dapsmagic.com/2024/10/new-marquee-for-bayou-country-unveiled-at-disneyland/  Walls Come Down Around Tiana's Bayou Adventure https://dapsmagic.com/2024/10/video-tour-of-bayou-country-ahead-of-official-opening-at-disneyland/  Ray's Berets Now Open in Bayou Country https://dapsmagic.com/2024/10/tour-rays-berets-now-open-at-disneyland/  Hungry Bear Barbecue Jamboree Opens at Disneyland https://dapsmagic.com/2024/10/hungry-bear-barbecue-jamboree-opens-at-disneyland/  Trailer Released for Netflix's Spellbound https://dapsmagic.com/2024/10/netflix-releases-official-trailer-and-key-art-for-spellbound/  --- Support this podcast: https://podcasters.spotify.com/pod/show/geeks/support

Deep in the African rainforests, how do you hold together a decolonising nation in the wake of mass regional instability? James Stejskal, ex-CIA and former Green Beret, tells the story of his time in Zaire, now the Democratic Republic of the Congo. As the nation wrestles with its post-colonial identity, regional instability, and the AIDS crisis, James' job is to keep an exposed US Embassy safe and operating - giving Zaire its best chance to survive in the post-Cold War new world order... From SPYSCAPE, the HQ of secrets. A Cup And Nuzzle production. Produced by Morgan Childs. Series producer Joe Foley. Music by Nick Ryan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guests: Michael Waltz & Patricia R. Bart Host Scot Bertram talks with Michael Waltz, congressman for Florida’s sixth district and the first Green Beret elected to congress, about how the mindset he honed in military service can help anyone conquer everyday challenges and his new book Hard Truths: Think and Lead Like a Green Beret. And […]

Guests: Michael Waltz & Patricia R. Bart Host Scot Bertram talks with Michael Waltz, congressman for Florida's sixth district and the first Green Beret elected to congress, about how the mindset he honed in military service can help anyone conquer everyday challenges and his new book Hard Truths: Think and Lead Like a Green Beret. And Patricia R. Bart, associate professor of English at Hillsdale College, continues an in-depth series on the history of the English language.See omnystudio.com/listener for privacy information.

Here is your Daily Disney News for Sunday, October 13th, 2024 - Critter Country at Disneyland is being transformed into Bayou Country, with Tiana's Bayou Adventure opening on November 15th. - New shops, Ray's Berets and Louis' Critter Club, are coming soon, and the Hungry Bear Restaurant will become the Hungry Bear Barbecue Jamboree. - At Walt Disney World, preparations are underway for Tropical Storm Milton, with park reservations blocked for October 9th as it may become a major hurricane. - A new lounge at Disneyland Hotel called Broken Spell Lounge remains a mystery with all focus on other park changes. Have a magical day and tune in again tomorrow for more updates.

Recorded at the 2024 MIC Atlanta, Stephanie and a group of powerful Women opens up about their experiences, the importance of advocacy, and the need for community support in addressing sexual assault and trauma in the military. Join us as we break the stigma and empower each other through honest conversation and shared experiences.Topics Covered:Insights on military service and personal challenges.The Formation of Pink Berets: A discussion about the organization's mission and vision.Addressing Military Trauma: The complexities of mental health issues among veterans.Confronting Sexual Assault: candid reflections on assault and its impact.Importance of Advocacy: How community and advocacy can support healing.Resources for Veterans: Information on organizations that provide help.

I've been thinking about and talking about this topic a lot recently, and I found myself revisiting this post, so I'm resurfacing it for you today. I originally published this in July 2022.Note: This post is made for listening, but I've included the transcript if you'd rather read.TRANSCRIPT[00:00:00] Hey there. I wanted to follow up on my other note about one of two things leaders are responsible for. The second one is compensation. And there's a whole lot to unpack there, so let's try to do it through a little bit of a story. I'm going to answer a question I get all the time, and that's “why did you join the army?”[00:00:18] And the reason is pretty simple, it was about compensation.Why did I join the army? [00:00:22] Let's go back 20 years, and it's 9/11. I remember very clearly where I was maybe like, most of you. I was at The Breakers, which is a posh hotel in Palm Beach, Florida.That Tuesday morning, I found myself in a meeting room getting ready to give a presentation on a new piece of software. News started to trickle in that something had happened in New York and it wasn't clear how bad it was.More information would come and we'd realize that something horrific had happened.[AUDIO CLIP]It was a very emotional day for everyone, and we'd spend the balance of it huddled around the TV, listening and trying to learn what was going on? I'm trying to understand what was happening in new Yorkers, what would happen to our country, and what our future would be like? What we did know is it was all going to be very different.A DecisionA couple of days later, I woke up and I made a decision. Channeling a very famous scene from the movie Patton and my grandfather, I decided that I wanted to join the Marine Corps. In fact, I wanted to be a pilot. So I marched down to the Marine Corps recruiting office and I started that process.Over the course of the next few months, and a lot of tests and a lot of things, the Marine Corps told me that I wasn't cut out to do that. They wanted me to be an infantry officer and that's not what I wanted. I think if I look back, it was purely a lack of commitment on my side. Maybe too slow, maybe too colorblind, but if I wanted it, I probably could have gotten it.[00:03:48] And if I'm being honest, I quit. Now the good news is a couple of weeks later I'd say something that would change my life forever and really impact everyone around me.At the hotel, there was a long hallway, a very narrow hallway, the kind where you have to step aside so two people can pass each other. On the walls, they had motivational posters from the 1990s, complete with eagles soaring and all the things. Now, this was the time before we all started pushing pixels via email and you had to get your information from printed documents. Down on the right, there is a small room about the size of a closet. This was a mail room. This is where those documents ended up in little slots on the wall.[00:04:33] I remember that day. I remember what the room smelled like, the temperature, and a beige phone sitting on the counter. My vision started to blur and that phone was my focus and I said out loud, "If there's ever another war, I'm gonna enlist."Don't pass go. Don't collect $200. Skip all your egotistical dreams about being a Marine or a Naval aviator or any of those things. Just go get in the fight, Vohs. Now looking back, that was a little naive - but that's what happened.I had a deep, deep, emotional desire to serve a country that had given me so much. I knew for the rest of my life, that it was going to give me more. I needed to do something about it. I needed to serve. At my core, I wanted to defend freedom as hokey as that sounds. That's my, "why."[00:05:26] It's also part of the reason why I ended up picking to go and special forces because their motto is De Oppresso Liber - "to free the oppressed". Now if I reflect back and go a little deeper, there are other emotions at play here, some of them were, self-centered like a desire for admiration and an immature understanding of war highly influenced by Hollywood.So not long after that speech to myself, we would end up invading Iraq. And whether you agree with the politics or not, that at 26 year old, we returned to that moment in that mail room and that beige telephone and he got to work. Two weeks later, on my mom's birthday, I would end up enlisting. Happy birthday, mom.[00:06:09] Here's the deal. My ratio changed. My compensation ratio.The Compensation Ratio & The Three Types of CompensationEconomical[00:06:21] The first is economical. What am I going to get paid? We all need or want to put food on the table, steaks in the freezer, and Tesla's on the charger. Now as leaders, there are a couple of questions we should ask about the economical form of compensation for our team.* Are people being paid well, and how does it compare to the market?* What would it cost to replace this role?* And most importantly, do they feel valued for what you're paying them?ExperientialThe second is experiential. Everyone, whether they realize it or not wants to grow and get better.* Ask yourself, are you providing an opportunity for people to gain experience? * Are you providing them with opportunities for education? * Is there learning curve steep?A near-vertical learning curve is better. A job that challenges you 90% of the time is the right job. Now here's the thing, I use the word opportunity intentionally because you can't lead a horse to water and make' them drink. But you need to give the team opportunities to learn and grow.Emotional[00:07:20] The last one, and the most important if you asked me, is emotional.The one truly non-renewable resource we have is time. We can't get it back. We want to spend our time doing good things with good people. Things that matter with people we love. We want to wake up and look at our calendar on that little Star Trek inspired device and say, it's going to be a good day. We want to have a deep, emotional connection to the people around us and to the mission. This is where leaders come in. They shine a light on the path. This is the mission, this is where we're headed, and this is why we're going to spend our most valuable currency, time, going after it.What's the right ratio?What's the correct ratio? Only you can answer that and it's probably going to change over the course of your life. Everyone's different.For the most part, there are deep reasons why we do what we do. Stories usually go back to our childhood. Around money, love, admiration, and the other things that have shaped us.[00:08:18] As you think about why people stay on your team or why you do what you do. It's always about compensation.* Do we pay them well?* Are they growing and learning?* Are they connected to what they do and who they do it with?If you don't provide them those opportunities, I promise you, somebody else will.We Want Missionaries, Not Mercenaries[00:08:36] Let's pause for a moment and talk about money. We all have different desires for various reasons. Maybe you need to put food on the table, maybe you want a submarine or a helicopter, and maybe you just need to pay for your great aunt's nursing home that you don't tell anybody about. We may never be able to understand everybody's wants or needs, just let them be them.That said, we have to be very careful when somebody's compensation ratio is near a hundred percent focused on economics. Let's put those living paycheck to paycheck or near poverty aside for a moment. If you have someone on your team that's coming in every single day and all they care about is how much they are making, that's a problem. And that can be caustic. After all, we want missionaries, not mercenaries.My Ratio Changed, Again[00:09:23] Speaking of missions and mercenaries, I would end up getting out of the army and it was because my compensation ratio changed, again.Specifically the emotional part. The mission changed. Princess Buttercup and I had welcomed three barrel-chested freedom fighters into the family. And now it became less about fighting for freedom and more about fighting for them.The new mission for me was to be the very best father and husband I could possibly be. And I felt that I wasn't going to be able to be that person that I wanted to be. [AUDIO CLIP]There are green Berets out there that are able to do both - be an incredible father/husband and be a Green Beret, but that wasn't me. I tip my hat to them, but I had to hang up my little green hat so that I could focus on those little men.My gut is that as I get older and wiser, my compensation ratio is not done changing. I continue to get clearer and clearer on what is most important to me in life and what my humans around me need from me.Well, I hope you found this helpful. These are just some thoughts from a guy making it up as he goes. And if you did find it helpful, please share it with someone. And whatever you do, take care out there.If you liked this, do me a favor and please hit like (algorithms after all) and forward it to at least one person who might like it too. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit kellyvohs.substack.com

Get the entire episode for $5 a month here - https://www.patreon.com/posts/110884628  The Zoo Crew is back for this month's Deadliest Warrior. It's our first group on group battle with modern weapons. Come for the ballistics knife and stay as we speculate how many war crimes each person did in Afghanistan.

In this heartfelt discussion, Liz Olson, a U.S. Veteran and the Communications Director for The Pink Berets, steps in for founder Stephanie Gattas to share the incredible work of this life-changing organization. The Pink Berets is a nonprofit dedicated to supporting female veterans and first responders who have experienced mental illness, PTSD, and military sexual trauma. Liz shares her personal journey, the unique programs offered, and the nationwide impact of The Pink Berets. Join us as we explore how this organization is creating a supportive community and advocating for the needs of women who have served our country. Don't miss this powerful conversation!

Today's Q&A topics included:Combining 2 TTM ProgramsHow much muscle can you gain naturally in a lifetimeUnderrated SFAS prep exercisesTypes of ODAs I was onBest shoulder exercisesMy daily step count and why you you should walk moreRowing for cardioDetermining your "why" for SOFBreaking caffeine addiction pre-selectionMuscle gain in 1 monthAbdominal trainingCombining zone 2 and 3 runsBeing an asset as an FNGRanger school prep programsMax HR, zone 2 calculations and outliers Hill sprints in kit?Is a 300 lbs squat required for SFAS success?Speed work considerations in hot weatherNew Program: 2 & 5 Mile Run ProgramNEW EBOOK: SOF Selection Recovery & Nutrition GuidePrograms, articlesNew Training Team on TrainHeroic: T-850 Rebuilt (try a week for free!)terminatortraining.comKickstart- beginner/garage gym friendlyTime Crunch- Workouts for those short on timeHypertrophy- intermediate/advancedJacked Gazelle- Hybrid athleteSFAS Prep- Special forces train-upTrainHeroic- App based bodybuilding programFollow me:SubstackNewsletter Sign UpIG: terminator_trainingTwitter: @ksterminatortmyoutube: Terminator Training MethodFacebook: Terminator TrainingWhichever platform you're tuning in on, feel free to leave a review! Your feedback is greatly appreciated. The more reviews we receive, the more people the podcast will reach!Also, if you know anyone who loves fitness and podcasts, spread the word! My goal is to help as many people as I can and cut out the BS when it comes to fitness, nutrition and health.Look for weekly (or more) Q&A on my stories. I'll answer your questions on IG and here on the podcast.

Title:Empowering Women Veterans: Pink Berets' Mission and Advocacy Description:This was an insightful discussion with Stephanie Gattas, U.S. Navy Veteran and Founder of Pink Berets. Pink Berets is an organization dedicated to supporting women veterans suffering from mental illness and military trauma. Stephanie was able to share the mission, programs, and services of Pink Berets, emphasizing their advocacy for women veterans and their efforts to address issues such as military sexual trauma (MST) and homelessness.In this session, Stephanie covered:The mission and national expansion of Pink Berets to provide support and advocacy for women veterans across the United States.The focus on advocacy, including efforts to bring women's health care, reproductive rights, and veterans' benefits to the forefront.The importance of addressing military sexual trauma (MST) and providing support for survivors.Stories of resilience and positive change within the women veteran community.Addressing issues such as homelessness, food insecurities, and the need for basic necessities among veterans.How Pink Berets is fostering community engagement and partnerships to build strong support networks for women veterans.Discover how Pink Berets is making a difference in the lives of women veterans and learn how you can get involved in supporting their mission. How to Contact:For more information and to learn how you can support Pink Berets, visit Pink Berets at www.thepinkberets.org . Don't forget to like, share, and subscribe for more valuable insights and updates on veteran advocacy and support!

Luke speaks to Rod Hannifey for Truckie Tuesday plus Berets at the Paris Olympics and Trevor Long with Tech Topics.See omnystudio.com/listener for privacy information.

In this episode, we sit down with our new friend Steve from the band Tractor Boy. Steve reached out to us with the generous offer to write us a new theme song for the podcast, and without knowing him or the band, we were honestly a bit skeptical. Fast forward a bit and he's a guest on our show because not only did we say yes, but it turns out he's a super cool dude with an absolutely rad backstory. Join us as we discuss Steve's 20-year career as a Green Beret, music to get you pumped, the origins of Tractor Boy, and more. We had a great time with Steve and it had absolutely nothing to do with the fact that we were slowly getting drunk throughout the episode.Check out Panther City Tactical for AR parts, accessories, gear and more! Don't forget to use code: ABETTERWAY for 10% off your order.Go visit our friends at OffColorDecals for sweet leftist swag and wholesale sticker orders! Use code ABETTERWAY for 15% off your first personal AND/OR wholesale order.If you like the show and want to support us, head to our Patreon to do so where you'll have access to exclusive merch and content!

As hundreds of thousands decend on Pinehurst for the U.S. Open, many of them will look for nightlife in the town's social district. A nonprofit is hoping some of them will find their way to it's beer garden, which is raising money for the families of Special Operations. WRAL's Grace Holland explores what this event shows about the close relationship between golfers and military families in the Sandhills.

What Did They Français? A Traitors Quebec recap episode 7 Don't speak French? No worries, neither do we. Sarah @sarahcarradine (high school French) and Sam @SamSmithComedy (high school German) try to decode Les Traîtres Québécois. In this podcast, they throw darts at balloons while wearing their Berets of Betrayal, along with making their trademark wild predictions. Watch along and send in your comments and questions. Theme music by Gerald Frazee, arranged by Gregor Quendel Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 13 and we got UFC Badass and Green Beret Tim Kennedy! We have all kinds of wild convos, tiger vs gorilla, Seals vs Special Forces, and Israel vs Palestine! Tim is an awesome dude and cool patriot, doesn't mean some healthy debate can't go down! Get your Twins merch and have a chance to win a truck and a camper - https://officialhodgetwins.com/ Get Optimal Human, your all in one daily nutritional supplement - https://optimalhuman.com/ Want to be a guest on the Twins Pod? Contact us at bookings@twinspod.com Download Free Twins Pod Content - https://drive.google.com/drive/folders/1_iNb2RYwHUisypEjkrbZ3nFoBK8k60CO Follow Twins Pod Everywhere - X - https://twitter.com/TheTwinsPod Instagram - https://www.instagram.com/thetwinspod/ Facebook - https://www.facebook.com/twinspod TikTok - https://www.tiktok.com/@twinspod YouTube - https://www.youtube.com/channel/UCX8lCshQmMN0dUc0JmQYDdg Rumble - https://rumble.com/c/TwinsPod Spotify - https://open.spotify.com/show/79BWPxHPWnijyl4lf8vWVu?si=03960b3a8b6b4f74 Apple -  https://podcasts.apple.com/us/podcast/twins-pod/id1731232810 

This week on the Black Rifle Coffee Podcast Evan Hafer meets up with Former Green Beret and COO of the The Cipher Brief.  https://www.thecipherbrief.com/ Socials @thecipherbrief  

CBS. The Marty (Music) Effect. AMAZING SON. Berets.

CIA Frames Green Berets In Vietnam & Largest Prison State In The World - Gov Secs Ep 156

Sydney Karmes-Wainer had once fallen into the trap of the often-obsessive health food world prevalent on social media. Now, she's dedicated to introducing foodie enthusiasts to insanely delicious, good-for-you, real, whole-food snacks! Starting off as an Instagram account centered on food, French Squirrel was Sydney's platform for showcasing her own recipes for snacks rich in protein. Her creation, dubbed "Berets" and enveloped in pure cacao, quickly became a favorite among her followers globally. Motivated by support from her relatives and peers, Sydney transformed her beloved snack creations into a thriving business. We chat about... -how she went from working corporate at Erewhon to creating French Squirrel -how to come back into our feminine after working all day in a more masculine role -having left-brained and right-brained friends & how she's garnered a supportive community -going from experiencing disordered eating + exercise to embracing true BALANCE - + much more :) References: Sydney's Instagram French Squirrel's Website, Instagram & TikTok Follow the host, Claudia, here: @healingthesource

This week, Pixar Fest details have been announced, Tiana's Bayou Adventure is showing real progress, an entire land is closing, a surprise encounter happened for guests at Soarin', new CEO possibilities, we talk about all the D23 Expo 2024 details, and more! Please support the show if you can by going to https://www.dlweekly.net/support/. Check out all of our current partners and exclusive discounts at https://www.dlweekly.net/promos. News: We know a lot more about some things coming to Pixar Fest this summer. A new Club Pixar nighttime party will take place in the Hollywood Backlot in Disney California Adventure, the Pixar Pals Playtime Party will debut at the Fantasyland Theatre, Pixar-themed food and marketplaces will be available, and of course lots of merchandise options. – https://disneyparks.disney.go.com/blog/2024/03/10-things-you-need-to-know-about-pixar-fest-at-disneyland/ https://www.micechat.com/374996-save-the-date-disneyland-announces-the-full-slate-of-events-for-2024/ Tiana's Bayou Adventure is moving right along and is looking closer and closer to completion! This week, plants and flowers appeared on the mountain, making it look more alive and inviting. This is just the first step towards completion, but it is nice to see from the outside. – https://www.micechat.com/382454-disneyland-update-new-gates-blooming-bayou-pink-trees/ An entire land is closing soon for a bit. May 1st, Critter Country will temporarily close to make room for the completion of Tiana's Bayou Adventure, along with the conversion of two existing locations into the Tiana theme. Louis' Critter Club will take over the left side of Pooh Corner, and Ray's Berets will replace The Briar Patch. Both locations seem to be keeping the same kinds of merchandise as before, just changing theming. – https://disneyparks.disney.go.com/blog/2024/03/disneyland-announces-2-shops-inspired-by-the-princess-and-the-frog/?CMP=SOC-DPFY24Q2wo0307240001F A once in a lifetime experience happened for guests boarding Soarin' Over California. Chief Flight Attendant Patrick, portrayed by Patrick Warburton, surprised guests dressed as his safety spiel character. He alluded to his other notable Disney character, Kronk from the Emperor's New Groove. – https://disneyparks.disney.go.com/blog/2024/03/disneys-soarin-star-patrick-warburton-surprises-fans-at-ride/ Toontown is getting a new popcorn bucket featuring one of the cutest characters in Mickey and Minnie's Runaway Railway. Chuby is the name of the bird featured at the end of the attraction and is now a fun food container! The new popcorn bucket will be available at the Toontown popcorn cart. – https://www.micechat.com/382454-disneyland-update-new-gates-blooming-bayou-pink-trees/ One of our favorite locations in Downtown Disney is closed for an extended refurbishment. WonderGround Gallery is closed until “next winter” according to the Disneyland website. Some of the artwork is still available for purchase at DisneyHome next door. – WonderGround Gallery in Downtown Disney District Closed for Extended Refurbishment – WDW News Today (wdwnt.com) According to Bloomberg, there are a few candidates being considered to take over the CEO role at Disney in the future. Dana Walden, the Co-Chairman of Disney Entertainment, Josh D'Amaro, Chairman of Disney Parks, Experiences, and Products, Alan Bergman, Co-Chairman of Disney Entertainment, and Jimmy Pitaro, Chairman of ESPN and Sports Content. Disney may appoint a CEO or President before Iger exits again, but it is not expected to be chosen in 2024. – https://wdwnt.com/2024/03/reports-indicate-four-disney-executives-are-top-picks-to-succeed-bob-iger-as-ceo/ A space visitor from the east coast has made his way to Disneyland. Astronaut Mickey has landed in Tomorrowland “walking” up the support column for the DVC kiosk. Mickey is sporting a new outfit than in Epcot to better match the theming of Tomorrowland. – https://wdwnt.com/2024/03/astronaut-mickey-figure-from-epcot-appears-at-disneyland/ SnackChat: Easter foodie guide – https://disneyparks.disney.go.com/blog/2024/03/disney-eats-foodie-guide-to-easter-treats-2024/ Discussion Topic: D23 Expo Details https://d23.com/everything-just-announced-about-d23-the-ultimate-disney-fan-event/ https://thewaltdisneycompany.com/d23-2024-disney-legends-award-honorees/ Overview – Everything Just Announced About D23: The Ultimate Disney Fan Event – D23 Legends – D23 Announces Extraordinary Line Up of 2024 Disney Legends Award Honorees – The Walt Disney Company https://thewaltdisneycompany.com/why-d23-the-ultimate-disney-fan-event-will-be-more-expansive-and-more-immersive-than-ever/ https://wdwnt.com/2024/03/2024-disney-legends-announced-including-joe-rohde-angela-bassett-harrison-ford-and-more/ https://ultimatefanevent.d23.com/assets/D23_The_Ultimate_Disney_Fan_Event_2024_Honda_Center_Seating.pdf https://ultimatefanevent.d23.com/tickets

We're honored to have former Green Beret, Captain John Arroyo, share part 1 of his powerful testimony with us on this week's podcast! From gangs at an early age, to drugs, alcoholism, and the military, John's path led him to uncover the life-changing power of knowing your identity through your heavenly Father. Listen to hear more!

Sign up for a $1 per month trial period at shopify.com/speakthetruth

Matt Collins joins the boys to talk about his time as a Green Beret, flying helicopters, why the CG is the best, Colorado kayak fishing, and Jabber Hammer sets up to prank Alex. 

In this riveting episode of Bass and Brews Podcast, we delve into the extraordinary life of Matt Collins – a former Green Beret who traded combat boots for helicopter rotor blades, all while pursuing his passion for bass kayak angling in the picturesque landscapes of Colorado. Join us as we explore Matt's journey from serving his country with valor to navigating the skies as a skilled helicopter pilot, and discover how he finds solace and adventure in the tranquil waters, casting lines for trophy bass from his kayak. Get ready for captivating stories, invaluable insights, and a deep dive into the intersection of duty, adrenaline, and the serenity of nature. Don't miss out – hit that subscribe button and tune in to the latest episode of Bass and Brews Podcast!

On today's show, we answered some of the internets tops questions. Like, which one is less socially acceptable: Fedoras or Berets? For the whole podcast, as well as a ton of other exclusive perks, sign up to be a Fancy Idiot at FreeBeerAndHotWings.com!  Learn more about your ad choices. Visit megaphone.fm/adchoices

I've been a television writer for the past 27 years. While I've written on some amazing shows, the work that I'm most proud of is my new book, A Paper Orchestra. It's the funniest, it's the deepest, and it's the one that will hit you hardest in the heart. These are the deeply personal, true stories of an awkward, sensitive man searching for the things that are most important: identity, love, forgiveness, and redemption. It's available now for your reading pleasure.Show NotesFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/A Paper Orchestra on Audible - https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon - https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads - https://www.goodreads.com/book/show/203928260-a-paper-orchestraA Paper Orchestra on Website - https://michaeljamin.com/bookFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptMichael Jamin:Yeah, but the problem is they don't help you. They design the book cover. You don't get a choice of what the book cover is. Maybe they give you three choices, but that's about it. They decide how they want and they decide what the title of the book is because you sold 'em the rights. So why am I giving away all this power to someone who hasn't earned it? Why am I making them rich? Why am I giving them any creative input at all when the whole point of this was for me to have a hundred percent creative input? You are listening to What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase and to support me on this podcast, please visit michael jamin.com/book now on with the show. Hey everyone, it's Michael Jamin. Welcome back to What the Hell Is Michael Jamin talking about the podcast where we explore art, creativity, and writing. Oh, it's a big announcement today, Phil. Phil's back, big dayPhil Hudson:Back. Happy to be back. Thank you for having me.Michael Jamin:Big day. We're finally building up. This has been a long project. Phil book, my book, A Paper Orchestra Drops or dropped if you're hearing this. It's available, it's, it's alreadyPhil Hudson:Dropped. It's available yesterday, so go get it now.Michael Jamin:It's called a paper orchestra and it's a collection of personal essays. If you're a fan of David Sedaris, I think of it as David Sedaris meets Neil Simon. And this has been my passion project for years. I've been working on this and I'm very excited to put it out in the world. As you can get it on print, you can get it on audiobook, you can get it as ebook, however you consume your books, and you can get it everywhere. You can go get it on michael jamin.com. You can find it on Amazon, on Barnes and Noble or Audible for the audio audiobook. Anywhere, anywhere you get Apple. If you want to get the ebook, it's everywhere, Phil. It's everywhere.Phil Hudson:It's like you got a real publishing deal except you didn't.Michael Jamin:Well, I'm doing it myself,Phil Hudson:And we'll go into that. I want people to understand you chose to self-publish this at this point, but that's not how we started. And we've talked a bit about that when we changed the podcast title and we talked a bit about it. We're talking about your live shows, but I think this is like, let's celebrate Michael Jamin a little bit today because you're always talking to people to build the mountain, to climb. You are now at the top of that mountain, and I imagine you're looking over and saying, oh crap, look, that other peak there I've got to get to now.Michael Jamin:Yeah, I already am. Yeah, for sure. Lot of it. And I hope this inspires a lot of you. There's so many people who are like, I want to sell my screenplay, or I want to help me break in, help me, help me. But there's so much that you can do. So unempowering disempowering, you're basically hoping that someone else is going to make your career, buy my script, make my movie. But there's so much that you can do on your own, and you may think it's more work because you're doing it yourself, but it's actually less work because now you don't have to count on someone else to do it for you. You can stop begging, you can stop worrying about all the rejection because when you're selling your scripts or trying to, you're going to get rejected by 99 out of a hundred people. But if you just build it yourself, there's so much you can do. The year we live in, it's so empowering. Everyone has a phone and you can shoot on your phone, you can make a movie. Everyone has a miniature movie studio. There's so much we all can do and on our own. And so I'm just going to share a little bit about the journey that I've been on when I started writing this book.So basically this started well over four years ago, maybe five years ago. I told my wife that I was just at a point in my life where I felt a little disheartened by, a little bored by what I was writing in television because when I write for tv, and I'm very grateful to have a job and a career, but I'm always writing what someone is paying me to write. And I'm very rarely writing what I want to write. I'm paying what someone pays me to write or what I can sell, but that's not how I started writing when I was in college and in high school. I just wanted to write what I wanted to write. And so I went for a walk with my wife one day and I was like, I have a really bad idea. I'm thinking of writing a collection of personal essays, which is what David Seras writes. And I love his writing. I've read everything. He's written multiple times. You show him your card, you got a card back there, don't you? Oh yeah. Yeah. He actually, I sent him a piece of fan letter, a fan mail three years ago. But I've read him so much. I knew that he would respond. He talks about, I knew he would respond. It just took him three years to respond, but it was very kind of him.So yeah, so I started writing. I wanted to write this project. I wanted to write what I want to write. I wanted to tell stories the way I wanted to tell them without network notes, without a partner, without. I just wanted to see what I can do on my own without having someone telling me what to do or breathing down my back or saying, no, it should be this or that. What can I do? And so I told that to Cynthia and she said, that's a great idea. And I said, but you don't understand even if I sell it, I'm not going to make a lot of money from it and it's going to take me years and years to do. She goes, you got to do it anyway, because if you do, you will find yourself in the process. And I was like, okay.And at the time, I was really in a bad place. I was just very upset about stuff mentally. I was in a bad place. I was like, okay, I'll start writing. And that's what I did. I remember I had listened to a lot of David C's audio books, but I had never read him. So I was like, I better read him. And then I bought a bunch of books and I read the first one. I remember I was lying in bed. I was reading the first book and I'm about halfway through and I'm thinking, where's this guy going? What's he doing here? Where's he going with this? And then I got to the end of the piece and the ending was such a wonderful ending. I was like, oh my God. And I almost threw the book across the room. I was, I was so mad.I was like, this is going to be so much harder than I thought it was going to be. I thought it was going to be easy or natural, not easy, but just considering I'm a writer, I didn't think it would be that difficult. So then I just started studying him and I got all his books and I read them multiple times over and over again, and the more I read, I was just trying to look for patterns and trying to learn from him. And that kind of just began, that was the beginning of this journey just to study, study what I wanted to do.Phil Hudson:You're constantly telling people to study their craft, and you talk about story and story structure. You have a course on that. Most of your content you put on social media is dedicated to helping people understand that your webinars are often about resetting people's expectations about what a writing career looks like and helping them focus on what really matters. And the undertone that I've witnessed over the last two, two and a half years of this process with you of at least starting the podcast and helping with social media and that stuff, it's all based under the reality or the realization that creativity is worth doing just to be creative and that there's value in that process beyond monetary pay or paychecks.Michael Jamin:Well, yeah, for sure. When I first started writing these stories, the first two, first several were not very good. I was writing in David Sari's voice because I didn't know how else to do it. The ironic thing, as a TV writer, I'm always writing in someone else's voice. I'm writing in the character's voice or the voice of the show, but this is my voice, and this is the first time I actually had to do that. And so because I'm a good mimic and because I had just read so much of him, I was kind of writing, I was kind of the writer like him, and I thought the first two stories were good. And then I set it down for a couple of weeks and I read it with fresh eyes and I thought, oh, this is terrible. It felt like a cheap knockoff. It felt like me pretending I was him and I hated it.I threw all those stories out and then I had to figure out, okay, what's my voice? And that was a long discovery. But the reason why, this is a long way of saying this, those first several stories I wrote, I don't know, maybe six or seven stories, and it just take months and months. At one point, I reach out to my agent. I'm at a very big prestigious Hollywood agency. They do. They represent me in film and tv, and I reached out to my agent. I told him what I was working on. I said, Hey, do we have a book agency, a book department? He said, of course we do. What do I know? I tell him what I was doing. I said, can you hook me up with one of your agents? He goes, sure. So I reach out to their agents. This guy's in New York now, he doesn't have to take, just so people know, I told 'em what I was doing. He doesn't have to take me on as a client, but he has to take the call.I'm banging them. They got to take the call. He doesn't have to bring me on to represent him in books though. And so I told him what I was doing. He goes, oh, that sounds interesting. Send me what you have. I go, well, I only have a handful of stories, but I'll send you what I have. So I emailed them to him. I never heard back. I didn't hear back for probably six months at this point. And I'm still writing more stories. It doesn't matter, whatever. I'm thinking maybe he read it, he didn't read it, he doesn't like it, whatever. I'm not going to stop writing them though. And I just kept on writing all these stories. Finally, six months later, he reaches out to me. He goes, I'm so sorry it took me so long to read these. I love them. Let's get on the phone and talk about them.I was like, sure. He goes, and he was like, when we spoke, he said, he said, do you have any more? Because he only read whatever. I sent him maybe six stories, and I go, as a matter of fact, yeah, I'm almost done with the collection. Give me another couple of weeks and I'll send you the entire collection. So at that point, but again, I'm writing it because I want to write it. I want to do this. I'm not thinking about how much money I'm going to make. I'm thinking about the process of writing and figuring out how to learn. I had to relearn how to write because I'm a TV writer who now is writing books. There's a little difference. There's some difference to it.Phil Hudson:Yeah. A couple things here. I love the narrative, and I don't want to interrupt the narrative, but I think there's some topics that are coming up here. Is it okay if we just dive into those for a second? Yeah, please. Okay. You talked about David Sedaris and you were reading this and you're like, where is this going? And then it ended in this way. That was almost upsetting because it was so beautiful and so well done. What I'm hearing you say is something you talk about regularly on the podcast and in your social media content, which is the way you unpack your story is the job of being a writer. And that's almost effectively what I'm hearing is that's your craft and your tone and your style. You still have to understand story structure and you understand these things. But the unpacking, would you say that that's an example of what you're talking about when you say how you unpack something matters?Michael Jamin:Yes, and the thing is, I've really tried to study him. I think he's the gold standard. I think he's a master, a beautiful writer. There's certain things I was able to learn and certain things I was not able to unpack. And so I learned a lot from him for sure. But some things still remain a mystery to me from how he writes. I can't see through it, and I'm good at seeing through some stuff. So take that for what it's worth. I do remember thinking, I had long conversations with my wife when we were about this. I didn't want people to think that the book was written by a sitcom writer. I wanted it to be funny and dramatic, but I didn't want people to say, oh, this guy's, I wanted it to be a little smarter than just a sitcom, I guess. And so I was very self-conscious about that.And we had long conversations of Is this art? How do I make art? What is art? How do I do this? So it feels like art and what I really came, it was a really eye-opening moment for me, and it came from much of what I learned about how to do this. I learned not from writers, David is probably the only writer who I really studied a lot for this book, but I learned a lot from watching interviews with musicians, ironically, about how they approached their art. And I found that to be more helpful than listening to other writers. And one of the really interesting things, I was like, well, we know there's a market for what David Sedera says. We know people like what he does, so why am I trying to reinvent things? Why not just kind of do what he's doing? And there's two reasons why not.One, I'm not him. I can't be him ever. And that's almost the tragedy of the whole thing is I want to write, this guy can write, but I never ever will. So you're going to have to let go of that, which is almost tragic. But the other thing is, it's my responsibility not to, as an artist, if you want to make art, then add, you have to bring new to the equation. You have to bring new, and that actually, I picked up, I believe I picked up from an interview with watching Pharrell talk about music.Phil Hudson:That's awesome.Michael Jamin:Which is basically he's saying, listen, your job is to bring something new to the conversation, is to put the youness into it. Whatever is you, that's what you have to put into it. And that was very reassuring to hear it from him. I was like, oh, okay, now I can lean into me.Phil Hudson:This resonates with me. And what I wrote down here is that you can look outside of your space for inspiration. And I think this again ties to the fact that creativity is self, it's for the self. Rick Rubin, the producer, you're familiar with him. I think most people are at this point. I was just watched a clip of him in an interview and he said, I have never made music for a fan. When you do, it's bad when I make it for myself or when I do it because it's something that I like that resonates with the listener. And would you say that's what you're doing here is you're writing this for you in your tone because it's the best pure expression of your art?Michael Jamin:Well, yes, yes and no. Some of it, it's very truthful. It's very painfully truthful. It's very intimate. I go there. I think that's what makes it interesting. I think that's my job as a writer. It's my obligation as a writer is to figure out what the truth is and figure out how to tell it. But I also keep the audience in mind, and maybe that's just because of my background as a team writer.Phil Hudson:Yeah, you're an entertainer to a degree because that's what you do, is you want people to tune in for 23, 25 minutes per week, have a good time, forget their worries, and then leave having gotten something from what you've done. Well,Michael Jamin:It's also,Phil Hudson:But I don't know, that negates what Rick Rubin's talking about because it's like when you read, when you're putting out here, do you feel like you are getting the same value out of it that you would hope a reader would, or are you hoping the reader gets more value out of it than what you're getting out of it?Michael Jamin:Well, I don't know. I mean, first I keep them in mind. I picture my reader with a remote control in their hand. That's just become from me, a TV writer. So how do I make sure this story is compelling so that they want to turn the page? But I do keep them in mind in terms of how do I make this story not about me, but about all of us. And I think that's important because this has the danger of becoming very self-indulgent. These are true stories from my life, but I tell them in a way with art, so that you really feel like you're reading a character in a book. I am a character. The character of Michael is in this story, so it's not like, and then this happened, then this happened. I'm not telling you how I broke into Hollywood, although there are stories about that. I'm really telling you about the stories. These are stories of rejection. These are stories of triumph. There are stories there meant to be, the details are mine, but the stories are all of ours. So that's how I feel I'm telling them is like, okay, so that you can totally relate to this so you can feel, okay, I had something very similar and me explaining it to you helps you understand it, hopefully.Phil Hudson:And not to jump ahead, I saw you last year for my birthday, do a performance. My wife and I came out and there's a story, was it, is that what it's called?Michael Jamin:The Goul? Yeah, thePhil Hudson:Goul. Still a year later, 13 months later, still thinking about that goul because as a new father and then hearing your perspective as a father with children leaving the home, yeah, there's a lot of beauty and regret in that story that is paralleling the decisions I'm making now with my children who are young and what I want my life and my relationship to be like with them. So yeah, I think you absolutely check that box. You said, I've heard you say before, you want people to leave and sit there and think about it, have been impacted by what's happening. And I can tell you that that's been very true for me.Michael Jamin:That's been my, because, so Phil came to, I performed this, and if you want to see me perform, you can go to In Your Town if I travel with it, michael jamin.com/upcoming. But that's one of the stories. That's actually one of the stories I gave out to reviewers to review the book and people, they like that story. But yeah, my goal when I write any story, and hopefully I achieve this, is people say, I couldn't put it down. That seems to be the nicest thing you could say about a book. I couldn't put it down. I want you to put the book down. I want you to get to a chapter and just be so moved at the end of it that you're not ready to move forward. You just want to sit in that emotion for however long it takes you, whatever it is, just sit in it.I don't want you to, it's not meant to be consumed that way. And one of the things that I tried to achieve, I made, we did an audio book and I hired whatever. I partnered with Anthony Rizzo, who's the composer I worked with on Marin. He's a really talented writer composer. And so for the audio book, I would send him each chapter. And then I said to him, he's like, what do you want? I go, no, no, no. I want you to read this piece, interpret it. Tell me what it sounds like to you in music. What's your version of, he's an artist. What does this sound like to you in music? And that's what he came back with. And so at the end in the audiobook, if you prefer to consume it that way, at the end of the story, we go right into the music and it forces you, or not forces you, but allows you to sit in it. It allows you to sit in whatever motion it is. The music carries you out for 30 seconds or however long it is, just so now you can experience it in music, which I love that I just love. I thought he brought so much to the audiobook. I'm so grateful he hopped on board.Phil Hudson:I normally listen to audiobooks at 1.5 to 1.75 speed, and then the music kind of throws that off. This is one I would absolutely listen to in real time. JustMichael Jamin:Slow it down. Yeah, down,Phil Hudson:Slow it down and just sit in it and give yourself the treat and the opportunity to sit in that. I think very often we are constantly looking for the next thing or to get ahead or checking off stuff on our list. And that's not what this book is. This book is a sit in it, allow yourself to feel it. Think about how you can apply it. There's just some beautiful life lessons in here as well.Michael Jamin:Yeah, I hope so. That was my goal.Phil Hudson:Yeah, I think it's achieved. And I've talked to several people in your advanced reader group who feel the same way.Michael Jamin:Yeah.Phil Hudson:And you've got fans in there, but these are people who are very sincere with their compliments as well. And there's some great compliments coming your way from that advanced group.Michael Jamin:And so thank you. Honestly, I like to do more of this kind of writing, and this is, to me is very fulfilling at this stage of my career. To me, it's more exciting doing this than writing a TV show that might be seen by millions of people writing something that can make someone just make you laugh, but then feel something. It's funny, I have sort of a recipe and I'm wondering, people can see through it at some point, but I don't really care. My recipe is if I can get you to laugh in the beginning, I just want you to open up. Let's just start laughing about stuff and it start, most of my stories start out very fun and light, and then you kind of relax into, oh, this is going to be fun. And you let your guard down, and as soon as your guard comes down, then I hit you as really hard, as hard as I can with something emotional where I talk about, and because you're in my writing course, you'll know where this happens, where this happens structurally. And then at that point, once I hit him in the heart, there's no point in being funny anymore. The humor has already achieved its goal, which is to you to get your guard down. And soPhil Hudson:Engaged, paying attention, it's something, some advice, I know it's standard advice, but it advice used specifically gave me a long time ago, which is it's easy to kill people. It's hard to make them laugh, and so you're almost checking the box on the humor part, so they're completely engaged and engrossed in what's going on, which is why the emotional impact of the reality of this story hits so hard later. Yeah,Michael Jamin:There were times I thought maybe I'm being too funny here in the beginning, I'm not even sure, but because I didn't want any of this to feel silly, I just wanted it to be fun until, but yeah, tonally, there's, I guess some stories are a little lighter than others for sure.Phil Hudson:Yeah, it's good stuff. Going back to what you're telling though, in this narrative of how we got to where you are, you said that you reached out to your agent who got you in touch with the literary agent effectively for books and publishing, and a lot of people, myself included, might be tempted to submit to the agent and then wait and do nothing. And you made a point of saying you continued to write. And the question when he came back is, do you have more? So a lot of people, I think the mistake is that they're putting all their eggs in the basket. And we see this all the time with the questions on the webinars for the podcast, for your live q and as, when you do them on social media, whatever it is, how do I get an agent? How do I get a representative? How do I get a showrunner attached? How do I do this? And it's like you say you're putting all the power in the hands of somebody else and you're saying that's the wrong thing to do. And because you didn't, because you're writing for yourself to do the job, and you didn't wait for one person to make your career, you were even more successfulMichael Jamin:In getting, and he doesn't care. I mean, he's a good guy and everything, but he doesn't care if I achieve this. What does he care? All he wants is, is he going to make money from this? And that's fair enough. He has to make money, so my dream is my dream. I have to make my dream happen. And so yes, then turned it into him. We sent it out, and then the feedback I got was, Hey, this is really great, but platform drives acquisition. I said, well, what does that mean? It means you need to have a social media following. I said, really? It's not good enough that it's well written. No, not anymore. Maybe 30 years ago. But today the industry publishing has changed as much as Hollywood has changed, it's really can they sell it? And now it's sold on social media. You're expected to have that.And I was a little upset about that. I was like, why can't it just be good enough? Everyone loved it, but platform drives acquisition. I said, all right, well, how big of a social media following do I need? This is two and a half years ago. And I couldn't get a straight answer that no one really knew, but especially in the space of They had a good point, Phil. They really did. It's not like this is not a novel. These are personal essays. But like I said, they're told story-wise, not if you didn't know me. You'd be like, oh, this is a nice story. But it just so happens that it's true. But the point that they made was, or maybe I made it with myself. I think that's what it was. I was like, if you were to go to Barnes and Noble and my book was on the shelf, why would someone buy it if they don't know who I am?Because there's true stories. Who cares if you don't know who I am? And that's a fair thing to ask. Why would someone pick it off the shelf? Now, here's the thing, as I was arguing with myself, but here's the thing. No one goes to Barnes and Nobles anymore. That's not where people get books. I mean, they exist, but most people just get it online. Most of the books are sold online. So why do I need to be in Barnes and no, I don't. I need, I mean, I can be, but it's not necessary. And so I was like, okay. And then I was like, well, if I build the platform, if I get a big following and people want to support me and buy the book curious and they like what I have to say and they think I'm talented, great. But then why do I need a publisher?What do they bring to the equation, honestly? Oh, they can get your book in barge. Oh, well, great, but no one goes there anymore. So what exactly did they do? And by the way, they get most of the money. I'm like, okay, well, they help you design the book cover, but the problem is they don't help you. They design the book cover. You don't get a choice of what the book cover is. Maybe they give you three choices, but that's about it. They decide how they want and they decide what the title of the book is. You sold 'em the Rights. So why am I giving away all this power to someone who hasn't earned it? Why am I making them rich? Why am I giving any creative input at all? When the whole point of this was for me to have a hundred percent creative input? I remember at one point, because I had talked to other people in the publishing world and they thought your title could be better. It's called the Paper Orchestra. I was like, yeah, but I think I like the title, but no one really knows what it means. And I'm like, yeah, you got a good point. No one knows what it means untilPhil Hudson:I remember this conversation,Michael Jamin:And then it was ironically, I had a long talk with my daughter. It was on my birthday, and we went for a long walk, and she's so smart, and she says, well, why are she said to me, I thought the whole point of the book was for you to just write what you wanted to write without anyone giving you No. I said, yeah. She goes, well, why are you changing the title? I said, yeah, why am I changing the title? Why am I second guessing myself? So I did it my way. I did a hundred percent my way, and this is my book.This is my expression without having anyone telling me it's wrong, it's different. It should be this or that. Along the way. I got to say, Phil, it's so frustrating for, it's so frustrating to hear this kind of stuff, I think, but it's like I understand what people want. I want this. I want a complete creative expression. And to me, that's the satisfaction. Whether I sell a hundred copies or one copy or a million copies, it's the process that I got so much joy out of. And I think that's what people will enjoy. I mean, it's like I had so many agents, even afterwards, they find me on social media, they reach out to me, go, and I tell 'em what my book is, and they go, oh, that sounds nice, but if you write a young adult novel, I can sell that for you. Or if you write a how to book, we can sell that. I'm like, if I don't want to write those, this is what I want to write. This is exactly what I wanted to write. You got to do it yourself.Phil Hudson:That's right. And that's what you tell people. You got to basically make your mountain, create your mountain, and then climb your mountain.Michael Jamin:And all of it's doable. It's just going to take a long time, but it's going to take less time to build your mountain and climb it than it's for you to beg someone to make your life.Phil Hudson:And begging someone to make your life means you owe them and they have power over you.Michael Jamin:And it's also, but you're going to hear no so many times you're going to get so much rejection. Who needs it? Why not just put all that creative energy into what you want to achieve instead of why are you wasting your energy hitting people up on LinkedIn? What's the point of that?Phil Hudson:This is something in business I'm bad about because we've talked about it before. I own a digital marketing agency. That was my career path before I moved to LA, and I still operate that agency, and we do nothing on LinkedIn. And I was like, well, you got to be on LinkedIn. That's where the businesses are. And I was like, I get that Our business is almost purely word of mouth, and it's because I'm not out shaking my can, asking people to put money in it. We stand on the value of the work that we do, and then that's referral work that goes out to other people. And that's not the way to grow to a business that's going to end up on the New York Stock Exchange or end up something you can trade. But what it is, it's a lifestyle business that creates a way for me to do what you're doing, which is to make my art, to be creative, to live my life the way I want without having to be beholden to somebody else dictating what I do with my time and my hours. And what I'm hearing you say is it's effectively the same thing for your book is had you gone with an agent who sold your book to a big publisher, you would now be mandated to do things in a certain way and you would've lost all of the same creative control. And it almost sounds like it would spoil the whole experience for you.Michael Jamin:It's hard to say. I mean, in the beginning, that's how I thought I had to do it. And then I realized I didn't have to who it could have been a great experience. I don't know. I mean, we'll never know, but I also know it's not necessary even a little bit, not in today's world. And if I do another book, maybe I will use a publisher, maybe not. I don't know. But the point is, if I do, they're going to pay me for it. You know what I'm saying? This first one's on me. I have to prove myself. Sure. If they want in on Michael Jamin, they're going to have to pay me or else, because now the power has shifted.Phil Hudson:Yeah. I can't remember if we've ever talked about this, but this came up in conversation this week's Kevin Hart, where he worked, traveling, doing standup comedy, getting names, getting emails after shows, building a fan base. And then when he got his first big deal, they were like, all right, and then we'll need you to send this out to your email list. And he said, it's a million dollars. And they said, what? He says, you didn't work to build that list. You don't get my people and mine. I put in the blood, sweat and tears on this. You did not. You're going to pay me for that blood, sweat and tears.Michael Jamin:And what happened?Phil Hudson:They paid him everyMichael Jamin:Time they paid him. Yeah. Pay the man and a lot of this, and you've helped out as well with enormously, just in terms of the podcast and help me with marketing and all that stuff and the website. Yeah, but it's still one of these things. Build it first. This is the order in which you need to do things when you make it first and then people will join in. People will want a piece of that. They either want to help you or they'll want part of your success or whatever. It's not the other way around. It's not, Hey, help me make my dream. No one wants to help you make your dream. No one cares about your dream. You build it first and then they'll come out of the woodwork and decide whether they want a piece of you or not, because they can make some money off of it.But it's so much more empowering when you look at it that way. It's like, Hey, I have something to offer here. I have something great. I'm not even offering it. I have something great here. Do you want a piece of it or not? And the answer, they know, okay, that's fine. I will do it without you. But it's the other, you know what I'm saying? It's not like, Hey, help me make it out. Hey, help me. Then you're begging. It's the other way around. I have something great and I'm going there. I'm doing it with or without you. Up to you, you can decidePhil Hudson:It's field of dreams, right? If you build it, they will come. Yeah.Michael Jamin:You got to build it first though.Phil Hudson:You got to build it first. You have to do the crazy thing. You have the lofty idea. You got to go make the baseball field in the middle of your corn field in Nebraska orMichael Jamin:Wherever. And people say, though, I don't know how to do that. But if you are a creative person and you want to get into a creative field, writing or screenwriting, whatever, be creative, prove how creative you are, you'll figure it out.Phil Hudson:Figure it out. Yeah, go cut your teeth. I think it's this metaphor for life though, which is we have to do things that are difficult and hard and things that we don't enjoy because that's how we learn and grow and get better. And redefining failure I think was a big deal for me because failure was something I just tried to avoid at all costs, to the point that I would do nothing if I thought I wasn't going to be 100% successful. So imagine doing that, trying to be a writer when writing is rewriting, you're not going to be okay the first 10, 15 drafts or whatever. Oh, god. And so if you have this fear of failure and what is failure? So redefining what these things means is very important. And when you start looking at failure, a lot of very smart people have said that failure is just the fastest way to get to success. You just have to fail as fast as possible so that you can achieve your goal. And it's just learning what not to do. And so many quotes about that.Michael Jamin:That's one of the things. Another thing that I picked up from another musician, David Bowie, as I was trying to figure out what art is, and he said something very similar. He said, art is basically is taking something from within yourself and figuring out a way how to express it so that you can help understand yourself and the world around you. And he goes, but to make something really great, you have to swim in water. That's just a little too deep to stand in. And that's when something great can happen. When you're in a little over your head, that's when the art is made. And it's the same thing what you're saying. It's like you got to do things that are out of your comfort zone, and that's how you achieve things.Phil Hudson:Yeah. So social media, being a public persona, subjecting yourself to just some of the most crazy things you've told me people say to you and your comments and your dms and just horrible things. HorribleMichael Jamin:Internet is horrible. I don't get a ton of hate, but I do get hate. But that's a double-edged sword of doing this. But also then it was also, okay, I put myself on social media as a screenwriter, as a TV writer, and here I'm sharing my expertise working in the business for 27 years, but I also have show you that I have to show you that I'm actually good at what I do, so that I try to make my posts funny. Or sometimes I just do a post. It's all funny so that you feel like, okay, maybe this guy can write as opposed to just me saying, I can write, showing you that I can write. So there's that kind of bridge I have to cross.Phil Hudson:Yeah. The exercise of putting yourself out there though is just something you were hesitant to for years and years and years. I think since I met you, I've been telling you, you need to be on social media. You need to grow a social media following, and it was just not your thing. And what I appreciate about your story with this book is you care so much about this book and doing this thing for yourself that you're willing to do the uncomfortable, which is be public facing person who is willing to put yourself out there almost every single day for two and a half years despite what anybody says, because that is what is required for you to make sure that you are able to have the maximum impact as you can with this thing that's so important to you. And that is something most people aren't willing to do.Michael Jamin:You are listening to, what the Hell is Michael Jamon talking about? Today's episode is brought to you by my new book, A Paper Orchestra, a Collection of True Stories. John Mayer says, it's fantastic. It's multi timbral. It runs all levels of the pyramid at the same time. His knockout punches are stinging, sincerity, and Kirker Review says, those who appreciate the power of simple stories to tell us about human nature or who are bewitched by a storyteller who has mastered his craft, will find a delightful collection of vignettes, a lovely anthology that strikes a perfect balance between humor and poignancy. So my podcast is not advertiser supported. I'm not running ads here. So if you'd like to support me or the podcast, come check out my book. Go get an ebook or a paperback, or if you really want to treat yourself, check out the audio book.Go to michael jamin.com/book, and now back to our show. I mean, I have people who go on social and things. I go on social media. There's a lot of influencers that I follow or whatever, usually experts in their field, but many of them, or most of them don't use their real name. They don't because they want that anonymity, and I don't blame them, but I can't do that. If I'm talking about my book, you got to know what my name is. And so I end everything is Michael Jamon writer. That's scary to put your real name out there. And so there's that as well.Phil Hudson:This is scary in a real way too. I'm aware of at least two police reports we've had to file for people who've been insane.Michael Jamin:Yeah, there's some insane people out there, but really insane and nothing too dangerous. I had to report,Phil Hudson:But its hateMichael Jamin:Speech. You still have to reportPhil Hudson:It. It speech, it's hate speech. It's threatening. It's angry language, and the things that you're talking about are wild. They're not invoking it. One of the compliments I think you get for people is how you respond to criticism. It's like you could destroy people because you have that capacity.Michael Jamin:I could do that with my words. You'rePhil Hudson:The definition of a good man, and the fact that you are dangerous with your words and you choose not to use it,Michael Jamin:I would believe me, I would tear them apart and make them look silly, but it doesn't help me any. It doesn't actually help me. So I just, I'm getting there rolling in the dirt with them, and then we both get dirty. So for the most part, I just ignore, but I also talk to other creators how they handle the same thing. It's this new internet fame. It's a strange territory.Phil Hudson:Yeah. Well, we were just talking earlier today about how you went. Did you go into a Kinko's or something to PrinceMichael Jamin:And stuff? Yeah, I went to a Kinko's. I got spotted in the wild.Phil Hudson:Yeah, somebody knew who you were and it was more common. Shout out Chris. Chris on the podcast, but it's like the first time, I remember the first time that really happened to you. I remember you told me You'll never believe what happened. I was out in this place and somebody shotted Michael Jamon Ry from their car. It's just a weird thing.Michael Jamin:It's just odd. Yeah.Phil Hudson:I've had a taste of that through association, and I've talked about it on the podcast as well, where we went to our wrap party for Tacoma FD season four, and one of the assistant editors comes up and he goes, dude, I got to tell you, my wife works in the industry and she's an accountant, and she brought over her accountant friend, and they were like, oh, what Jody do you work on? And he was like, I work on Tacoma Dean. And she's like, oh, I listen to Phil Hudson's podcast.Michael Jamin:Oh,Phil Hudson:Wow. And he's like, I didn't even know you had a podcast. I was like, ah. It's a strange feeling. And then later that night, one of our accountants, it must be accountants who listened to our podcast, they brought someone over to the party's like, yeah, listen to your podcast. I was like, it feels weird. And I'm not even Michael Jammin. I'm just a guy who's on there.Michael Jamin:Yeah, it's strange to put yourself out there like that, but you're doing it,Phil Hudson:But you're doing it.Michael Jamin:I'm doing it, but I also, yeah. And also, listen, if you want to know more about me, then you'll definitely read the book. The book is very vulnerable, but it's still weird. I don't know. I felt like, well, David Sedaris can do it. I can do it. But I also, I think that's interesting about, I do think that's interesting about this kind of writing is that as opposed to writing a novel that you're making up and you are making up these characters, I feel like the stakes are higher when you're reading something like my book, because you, oh, this character's real, and he's really going through, it's not like when you're reading a fake a movie or watching a movie or reading a book, a novel and the character dies or whatever gets injured or something. Part of you can still say, okay, it's still made up. It's not real. That's just an actor going through something and the actor's pretending. But when you read this, you go, oh, this is real. This is a real person. This is not made up. And I do feel like it raises the stakes, and in some way, I feel like this is my answer to ai, to what if everyone's worried that AI is going to take writer's jobs? This is my answer to that, which is, AI cannot do this. AI is not capable of telling a story about me. That's real. I have to do that.Phil Hudson:Yeah. Someone just yesterday I saw someone posted that asking AI to write about, to write about something is having them listen to a thousand hours of people talking about pizza and then asking it to make a pizza is just like, it's not going to come out. It's just not going to come out.Michael Jamin:I get a lot of people in my comments and they'll say things when I talk about ai, you clearly don't understand ai, and I want to say, you clearly don't understand writing. That's what you don't understand. Yep.Phil Hudson:It's the human condition. I mean, we've been talking about this forever. That's what Star Trek is, right? It's data figuring out what it means to be human. The thing that comes to mind for me is this, for random clip, I saw probably when it was airing real time in the early nineties, and my dad was watching it and it's data talking about how, oh, boy, time flies. And he couldn't understand the expression, time flies. And so he sat and watched an egg boil over and over and over again. He's like, it takes exactly eight minutes and 32 seconds or egg to boil because he couldn't understand or comprehend it from the machine side. And so it's all about that. Even machines want to be more human. And rioting is exploring the human condition. Yeah,Michael Jamin:That's right. That's right. So if you want to understand yourself and you write, and then to me getting back to the book, that's what this process was figuring out who I am, figuring out who I, and it's so interesting because all these patterns kept on emerging. I got write a story and I'd get halfway through it, and I'm thinking, why would this character, and let's say this story is something that I did when I was 11 or whatever, why would this character do that? Why would I have done that? And a lot of times I just didn't know, why would I do that? It didn't make sense. Then I'd write something, I'd go, no, that doesn't feel true. That feels like the TV version. What's the real version? And then I'd have to think of another memory from that time. And I think, oh, I wonder if those two are related. And now I'm figuring out who I am. And I'm like, oh, that's why I would do that. That makes sense. Which is so interesting to finally be able to understand yourself at the end of this book. I'm like, oh, I know who I am.Phil Hudson:In some of my research for one of the pilots I wrote about special operators in the Seal team, six Delta fours, green Berets, army Rangers. I was listening to a bunch of podcasts, and one of 'em was talking about this principle that your level of trauma or your level of struggle is the same as mine. Even if something I've been through has been more horrific. From an objective perspective, our perception of my worst trauma and your worst trauma are equally impactful. And I'm wondering, we had very different childhoods, and we've talked a bit about mine and a little bit about yours, but does that process of exploring, why would you do things as a child? Is that healing for you?Michael Jamin:And it was healing and helpful. A lot of these stories, I feel, are apologies to various people I've heard over my life, and it's not written to be an apology, but when you're telling the truth, it's an apology. When you're acknowledging your end of it, it's an apology. And so I'm not writing it, Hey, please forgive me. It's just about the truth. And so, yeah, I really, it's so helpful, and hopefully this is what people will respond to. When you read the book, you go, oh, man, yeah, thank you for that. Thank you for putting to words what I couldn't do because I'm not a writer. Yeah,Phil Hudson:Yeah. That's the stuff that stays with us, right? It's a metaphor for things we're going through. And I think one of the most impactful lessons I learned in film school was the cool job effect.Michael Jamin:What is that?Phil Hudson:So it was this Russian director who showed the same shot of a man, and then he put it against a starving child or a child in a casket or food, or a beautiful woman. And at the end, everyone came up. And that actor was incredible. When he looked at the food, I could feel his desire for food. When he looked at that girl, I could see the pain of her death. And when he saw the woman, I could feel the lust. It's the exact same shot of the same man. And it's the subjective projection that one puts onto art that allows you, it's an unconscious way for you to make sense of your world and import what your experience is in on something, which is why art has always been a part of humanity. It's why it's something that we have always, I think, sought after. It's not entertainment from a sedation perspective where we're trying to avoid it. Sometimes it's that, but very often the things that impact us and mean something, they are things that we need to experience because they make sense. They allow us to make sense of our world.Michael Jamin:Right. That's a good point that you point that out. Yeah. It's like I feel like I've played a part of that in writing sitcoms sometimes, and there's a place for it. You'll come home after a long day, you just want to thrown out and laugh and really not be challenged and not go there, but for this piece. And there's nothing wrong with that. People want to be entertained. But for this,Phil Hudson:People still learn from that too, that people need that, and it serves a role too.Michael Jamin:They need that. But for this, I didn't want that. I wanted to go way deeper than that. I wanted to because I wanted to feel something. Because my contention as a comedy writer, and I know this is true, is that when you write that humor, write something funny. Or if you go, sometimes you'll go see a standup who's hilarious, but then you leave and you are hard pressed to remember one joke that you liked, or you're hard pressed to remember what you even liked about it. You go, I just spent an hour laughing, but I don't really remember any of it. I know I enjoyed myself, but I can't, it's not with me anymore. And what I really wanted to do was write something that would stay with you after this. So you were still feeling like we talked about, you're still feeling it. And you can't just do that with comedy. You have to mix drama into it. Because comedy, that's not what comedy does.Phil Hudson:Well, I mean, your course and what I've seen you do in your craft and sitcoms as well, this is really key point, is why do we care about this thing? The reason we don't care. That's the story. And that's the personal, and that's the people. And so, I mean, this has been your point, and what you've been teaching for years and years anyway is none of it matters unless it means something. And that is the drama part of the comedy. That comedy can break things and it can move us and give us that ebb and flow and that roller coaster effective emotions. And those are beautiful experiences to have in sitcoms or dramas or dramedies. But it's the, why are we watching this? It's the human thing. It's that human piece. That's what you're saying. That's what I'm hearing.Michael Jamin:Yeah. What's at stake here? What's really at stake? And again, I studied other writers. Some I thought did it great, and some I didn't think did it well at all. And so I was trying to hold myself to that higher standard of the ones who did it really well, because I knew what I, what I wanted out of this.Phil Hudson:And again, we've started by saying, you've climbed this mountain, and there's another mountain.Michael Jamin:There's another mountain. Sometimes people have said to me like, well, are you going to turn this into a TV show? It's so odd. It's so odd. Or a movie that somehow I was even watching, what was I watching, American Fiction, that movie. And there's a line in it where this author, she had a book that was a bestseller, and then she's giving an interview and someone said, oh, maybe they'll a hear. They're making a movie out of it. And she's like, well, I can't tell you anymore as if a movie is better than a book or a TV show is better than a book. A book could be a book, a book. What's wrong with a book? Just being a book.So I don't either have any plans to turn this in TV show. If anyone, could it be me? I am a TV writer. I could have very specific ideas on how I would want to do it, and whether a buyer would want to do that or not, I don't know. But I wouldn't compromise how I'd want to do it. But the best way to make it happen, if it did happen, I would have to sell a lot of books first. So if anyone wants to see it happen, then get a book. And then I would actually make content behind the scenes on TikTok, Hey, look at me now I'm meeting with this studio. And now if that's the ride you want to go on, then in order to go on that ride, I have to sell a lot of copies. But again, that's not my goal. Show support. You can if you're curious, but again, that's not my goal. The goal of this was only one thing. I want to write a book that moves people was never a TV show. I can write a TV show. I write TV shows. That's not what I wanted to do.Phil Hudson:And if you want to be moved, you have to buy a copy of the book because if you're listening to this and you want to experience what Michael has put together, you have to buy a copy of the book because that is, I know the number you've invested significantly into just making this happen for yourself. This is not some random cousin who's like, Hey, I wrote a book and I put it on Amazon publishing. This is the real deal. I mean, lift your book up if you don't mind, so people can see the cover. This has been out for a minute, but even just the story of this cover and how you got this cover and found this artist and license, it is a beautiful story in and of itself.Michael Jamin:Yeah. Okay. That's another thing. So I wanted to cover,Phil Hudson:Before we dive into this, I just wanted to point out too, when you were talking about, you looked at all these other writers and people and you said, that's who I want. That's the level I want to be at. You've done this one. Whatever you do next, you're still going to be saying the same thing. All right. What's the next level of professionalism or craft that I can get to? And that's because you are a pro, and that's what you tell people to be a professional, which is constantly striving to be better than the last time.Michael Jamin:Yeah. There are a lot of writers or authors, maybe indie authors, they're cranking out books. I'm like, Jesus, I cranked this out. This took four years. I didn't crank this out. This was worked on really, I really worked on it.Phil Hudson:But talk about your cover. I apologize for interjecting there. I just wanted to get that point across that you're still going to be pursuing that. Excellent. And that's what makes people stand out. Excellence stands out in a world, I hope so.Michael Jamin:Yeah, make something good and people will, okay, so for the cover, I wanted a good cover, but the book is funny and it's also very poignant. And so I looked at other books that I thought were really good, and so I found this one guy who had actually designed some of David Sari's early covers. I didn't know this guy, but obviously he gets comedy. So I read, his name is Steve Snyder. I just found him on Instagram. I don't know him from a hole in the wall. And I DMed him. I slid into his dms and I told him what I was working on, and I told him, I noticed how weird it's for me to reach out to him. And he goes, oh, well, send me your manuscript. So I did. And then a couple weeks went by, he wrote back. He goes, I love it. I'm in. And now this guy, he's like 80 or something, but he was retired. He goes, I'll come back out of retirement to make the cover for you. I go, great, but just so you know, I don't know what my budget is. He goes, oh, I'll do it for free. I want to be part of it. I love it. I want to be part of it.Phil Hudson:Wow, Michael, just let that sit. I know you've internalized that, but we talk about to everybody. You got to own the wins and you got to celebrate the victory. He's like, what does that mean to you that this accomplishedMichael Jamin:Desire? It was very validating. It was very, and then I was like, alright, well, I'll just figure out what I'm going to pay you later, but, but then as we were moving down the line, he's retired, so he was getting, I just made plans. I'm going to be traveling from, he goes, I want to do this, but I don't think I can get it done on time. He goes, I was like, okay, I don't want to, okay, maybe you can refer somebody. So he recommended one of these accolades, one of the people he trained under him. And so I reached out to her same deal. And so I want hiring her, Jenny Carro. She did a wonderful job with the cover, but getting the cover. And then when we finally got the cover and I reached out to Steve again, I go, here's the cover.You want to see it? And he goes, oh, damn. I love it. I wish I didn't drop out. That's awesome. But what happened with Jenny? So she came back with a bunch of covers that were good, but they didn't feel right. There was something about it didn't feel right. It was like almost, and then she had one cover, and I hate to keep going back and forth with her. I was like, I don't want to discourage her. So one was almost good, almost like right, but not quite right. And then I was intent. I was going to use it. And then for some reason I happened to see an ad on Facebook. It was an article about artists or whatever. So I click on this article and I'm reading the article, and then there's other, I see the cover that she was going to license for my, she was going to license some artwork for my cover, and I recognize it.I go, that's it. And I click on it to discover more about what this artist had done. And then, which took me to his website or his Instagram page, I don't remember. And then I discover all his other work and I go, that's the one. So this is a licensed piece of art from this Dutch artist named Tune Juin. And I reached out to him, I want to license this art for your book, for my book. And he goes, great. It was just a boy sitting on words. And the title is a paper orchestra. And so it's not, what does it mean? It's just a boy struggling with words. That's all it is. And that's what the book is. It's about a boy who grew up to be a man who struggled with words.Phil Hudson:Do you remember what I told you when you told me that story? You remember what I calledMichael Jamin:It? What did youPhil Hudson:I said, that's Providence.Michael Jamin:Providence, yeah. There was a lot of that. There was a lot of just, Hey, that's the universe telling me this is what your cover should be. And once I saw it, I go, that's it. We're done. We're done. We could stop looking.Phil Hudson:And then here's an artist who is putting art out that I would consider to not be standard, normal art that you would think about in a normal way. And then here he is featured in this article, and then here, now you're reaching out and his art is now supporting and improving your art. It's a beautiful thing.Michael Jamin:And then the same thing with Anthony Rizzo, who did the music. When I got him aboard, I go, listen, Anthony, I'm making this audiobook. I don't know how much I can pay you. He goes, I don't care. I want to be part of it. So I was like, okay. And then I had a small budget for him, but then I got this brand deal from Final Draft. I go, oh, good. I can give him whatever I was going to pay him. Now I can pay him additional money from this brand deal. It doesn't come really out of my pocket. Its money. It's kind of found money. So I just give it right to him. That's great. That'sPhil Hudson:Great. I love that, man. Your network will pay in spades if the work you do is quality and you're a good person. I've seen that for you. I've seen that for myself. I've seen it in lots of other people. People want to be a part of your project if what you're doing means something and you're kind. And if you were Dick, imagine you were the showrunner and you were throwing tantrums and going on Tirades on Marin. Do you think anybody, I would want to work with you on this.Michael Jamin:Yeah. But there's that. And like I said, there's also build it for, if I started this by saying, reaching out to these people on Instagram or whatever, Hey, I have this idea that I want to make. Will you be part? No, come back to me when you're done, basically. And so for everyone who has a movie they want to make or a scene, alright, shoot a scene on a park bench with your phones. They're like, you don't need to spend $10,000. You could do it for 50. Whatever you need.Phil Hudson:Jamie Kaler, who I think you're going to have on the podcast, he just Captain Polonsky on Taco D and a bunch of other stuff. I had a long running series as well. He's got a series that he did with another known actor called Dad's in a Park, I think is what it's called. It's him on a bench with another dad just talking about dad stuff.Michael Jamin:And where's that on YouTube?Phil Hudson:I'll find it. I think it's on YouTube and Instagram. But it's so real and funny. It's like, yeah, this makes sense. And it's two great actors who are just doing their thing. And it plays and it plays really well. It's very funny.Michael Jamin:And when you look at people doing interesting things, this is what I say, people who are just popping, who just broke onto the Hollywood scene somehow. Somehow they have a special on Netflix or somehow they're a star of a show or a movie, whatever. Look how they did it. They did it themselves. And then Hollywood discovered them because Hollywood was like, oh, we can make money off this person.Phil Hudson:It's the fable. It wasn'tMichael Jamin:The other way around.Phil Hudson:It's a fable of overnight success that is never overnight success. There was always something before that. EveryMichael Jamin:Time, these are people who are already building it, people like me, people like you who are already building it, and then people see go, oh, what's that fool over there building? I want in on it. And that fool's going to say, well, you can be in or you can either way. I'm doing it without you. So come along for the ride if you wantPhil Hudson:Going to happen. I had love to talk about some of the endorsements of your book, if that's okay. I don't want to embarrass you with some of this stuff. How do you feel about telling the John Mayer story?Michael Jamin:Oh my God. That's anotherPhil Hudson:Thing. I think it's a great story. And I'll just say this. Michael will always be very hesitant about bringing in friends or colleagues to talk about his stuff. And he's made it ver

From striped tops, to berets, to ballerina flats, this week on French Connections we discuss which clothes are iconically French. We dive into the history of some of these sartorial splendours, as well as the French origins of the word fashion. We also look to the future and explore what the French school uniform could look like.

We are back for the first episode of 2024! We delve into 1968's The Green Berets starring and directed (sort of) by the Duke himself, John Wayne! The film is infamously one of the very few Pro-Vietnam war films to be made, the plot concerning a team of Green Berets reinforcing a firebase in South Vietnam in the early 1960s. Does the film hit the mark and say anything about the American involvement in Vietnam? Or does it fail drastically in delivering its jingoistic message? Join the boys to find out! Become a member at https://plus.acast.com/s/fighting-on-film. Hosted on Acast. See acast.com/privacy for more information.

Former Special Forces and CIA case officer James Stejskal chats with Jeff Stein about Berlin, Russia and more. More from our Guest:James Stejskal https://www.amazon.com/stores/James-Stejskal/author/B00NXOQG4Y?ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=trueFollow Jeff Stein on Twitter:https://twitter.com/SpyTalkerFollow SpyTalk on Twitter:https://twitter.com/talk_spySubscribe to SpyTalk on Substackhttps://www.spytalk.co/Take our listener survey where you can give us feedback.http://survey.podtrac.com/start-survey.aspx?pubid=BffJOlI7qQcF&ver=short Follow Jeff Stein on Twitter:https://twitter.com/SpyTalkerFollow SpyTalk on Twitter:https://twitter.com/talk_spySubscribe to SpyTalk on Substackhttps://www.spytalk.co/Take our listener survey where you can give us feedback.http://survey.podtrac.com/start-survey.aspx?pubid=BffJOlI7qQcF&ver=short

Up your ziggy with a wa-wa brush! In All I Wanna Do, our girl Kiki Dunst is a rebel at a 1960s all-girls high school with Gaby Hoffman, Monica Keena, Heather Matarazzo, and Rachel Leigh Cook. The girls are part of a secret club called D.A.R. (Daughters of the American Ravioli), in which they share their post-graduation dreams and vow to help each other attain them no matter what. Once the school threatens to become co-ed, the girls decide to take matters into their own hands and raise some hell! The private school looks are retro cute and inspire us to want to wear berets, knee socks, and 60s dresses. Costume design by Ann Hould-Ward and Julie Whitfield! Tune in now! Past Makeover Montage episodes ft Kirsten Dunst films: Drop Dead Gorgeous Dick For visuals of the costumes, follow us on: Instagram at @makeovermontagepodcast TikTok at @makeovermontagepodcast Follow Marie on Instagram and Blaire on Instagram Don't forget to subscribe, rate, and review us on Apple Podcasts or Spotify!  To request a movie for us to cover, DM us on Instagram or hit us up at makeovermontagepod[at]gmail.com. Call us at our sexy new hotline: (323) 487-2383. We wanna hear from you! 

Is missions only for the elite few? Or is there more to being a part of the mission of God, even from the pew? It's one of the many topics coming up in this Sunday's conversation with Dr. Voddie Baucham. Believe in our mission? Support the show at missionspodcast.com/support. The Missions Podcast is a ministry resource of ABWE. Learn more at abwe.org. Want to ask a question or suggest a topic? Email alex@missionspodcast.com.

This Roundtable Features LULAC, Pink Berets, Red Cross, and National Nurses UnitedOctober is Breast Cancer, Mental Health, National Disability, and Domestic Violence Awareness Month Host: Cliff Kelley Co-Host: Sean Claiborne Executive Producer: Glenda Smith Digital Media Producer: Ivan Ortega, Scout's Honor Productions4:30pm Partner The Pink BeretsPanelist:Jeanine McNeill - US Army Veteran and Pink Berets Regional Program Director of Services and MST Services in Wyoming VA.

Ben Bateman, founder and Chief Executive Officer of Sportsmen For Warriors, is a Veteran of the United States Army. After graduating from the United States Military Academy at West Point, Ben served for nine years as a Commissioned Officer initially as an Infantry Officer, and then after being selected serving as a Special Forces officer, "Green Beret." Ben is married to Cresta, also a West Point graduate and Army Combat Veteran. Ben gained extensive leadership and combat experience while serving on combat tours in support of Operation Iraq Freedom and Operation Enduring Freedom. After deciding to leave the military, Ben faced many of the hardships that most Warriors face after leaving the service experience in trying to gain employment. In 2014, Ben realized that the Warrior community needed an organization committed to tackling the problems our Warriors face. He and his family are fully dedicated to honoring and serving our Warriors.  Support the podcast by supporting our sponsors at www.hazardground.com/sponsors Shop Amazon! As an Amazon Associate We Earn From Qualifying Purchases...You Know The Deal! (Paid Link) Help grow the show! Spread the word, tell a friend!! Subscribe, rate, and review on Apple Podcasts! Episode Intro Music: “Prelude” by “Silence & Light” (www.silenceandlightmusic.com) Photo Credit: Hazard Ground

Sip the finest root beer in the cozy French cafe of your choice as you listen to episode 102 of IT'S A PODCAST, CHARLIE BROWN. Better than French toast, we've got "The Snoopy Show" S3, episode 5, a "Peanuts by Schulz" episode titled "Love is in the Air", AND This Month in Peanuts History. Berets! Root beer! Killer moons! And intense legal negotiations that probably don't kill anyone!  Bill and Henry eat some It's the Great Pumpkin, Charlie Brown cereal Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Mining by Moonlight", "Bass Walker" and "Hidden Agenda". Thanks to Sean Courtney for the This Month in Peanuts History theme. Thanks to Nick Jones for the use of his song "25% Off". Support the show at patreon.com here.  carnivalofgleecreations.com 

Jay Dorleus joined the military in 2003 as a 12B combat engineer and completed basic training and AIT in July 2003. In 2003, Jay deployed in support of Iraqi freedom and redeployed in 2004. After his second Iraq deployment, Jay applied to attend Special Forces Assessment and Selection (SFAS) and was selected to attend the qualification course. Once he graduated the qualification course, Jay was assigned to 3rd Special Forces Group where he deployed 4 additional times in support of operations enduring freedom. Support the podcast by supporting our sponsors at www.hazardground.com/sponsors Shop Amazon! As an Amazon Associate We Earn From Qualifying Purchases...You Know The Deal! (Paid Link) Help grow the show! Spread the word, tell a friend!! Subscribe, rate, and review on Apple Podcasts! Episode Intro Music: “Prelude” by “Silence & Light” (www.silenceandlightmusic.com) Photo Credit: Jay Dorleus

Daniel Fielding is a former Special Forces Green Beret, a loving husband, a father of three children, a celebrity bodyguard, and a bestselling author. He developed the tools he puts forth in his book, 'The Asset Mindset', through his life experiences, including his time in the Special Forces. Support the podcast by supporting our sponsors at www.hazardground.com/sponsors Shop Amazon! As an Amazon Associate We Earn From Qualifying Purchases...You Know The Deal! (Paid Link) Help grow the show! Spread the word, tell a friend!! Subscribe, rate, and review on Apple Podcasts! Episode Intro Music: “Prelude” by “Silence & Light” (www.silenceandlightmusic.com) Photo Credit: Hazard Ground

4:30 pmPartner The Pink BeretsPanelist:Stephanie Gattas - US Navy Veteran, Founder/CEO of The Pink Berets, and L'ORE'AL Paris Women of Worth.

America's Heroes Group Roundtable Women Veteran Community Outreach Saturday August 19, 2023August is National Wellness Month Host: Cliff Kelley Co-Host: Sean Claiborne Executive Producer: Glenda Smith Digital Media Producer:  Ivan Ortega Scout's Honor Productions Saturday's Topics: 4:33-5pm Panelist:Stephanie Gattas - US Navy Veteran, Founder/CEO of The Pink Berets, and L'ORE'AL Paris Women of Worth.

On this episode of Our American Stories, in six hours, Master Sergeant Roy Benavidez saved 8-plus men while enduring 7 major gunshot wounds, 28 shrapnel wounds, and major bayonet slash wounds. Hear his Medal of Honor story from President Reagan and the man himself. Support the show (https://www.ouramericanstories.com/donate)See omnystudio.com/listener for privacy information.