Podcasts about Deer Creek

Vance Boelter has been charged in federal court with the targeted murder of state Rep. Melissa Hortman and her husband, Mark, and the shooting of state Sen. John Hoffman and his wife, Yvette.Acting U.S. Attorney for Minnesota Joe Thompson was among a contingent of law enforcement officials who discussed the shootings Monday in a news conference. Thompson alleged Boelter researched his victims and surveilled their homes before the shootings.Boelter allegedly visited the homes of two other lawmakers the morning of the shootings. Brooklyn Park police Chief Mark Bruley said if it hadn't been for the actions of an off-duty police sergeant who asked two officers to check on the Hortman home after the Hoffman shooting, it could have been a lot worse.Some of the federal charges that Boelter faces are punishable by life in prison or the death penalty, if he's convicted.Republican Minnesota House Speaker Lisa Demuth says Minnesota feels a loss of safety following the assassination of Hortman. Memorial tributes to her and her husband have sprung up inside and outside the Minnesota Capitol.Severe storms — including reported tornadoes — caused damage and knocked out power to hundreds of homes and businesses Monday night. There were tornado sightings near Gull Lake and Nisswa, and possible tornadoes near Staples, Bertha, Deer Creek and Ottertail Lake.And Minnesota chefs and restaurants earned top honors at this year's James Beard Awards, announced Monday night in Chicago. Minneapolis restaurant Bûcheron won best new restaurant, topping nine other establishments across the country.

Along one of the best stretches of the Truckee River for fishing, a private landowner in Hirschdale has been blocking legal public access by placing no trespassing signs below the high water mark of the river. Longtime Hirschdale resident Matt “Gilligan” Koles, who's been a fly fishing guide on the Truckee River for more than two decades, has been fighting these illegally placed signs, as well as dealing with aggressive intimidation tactics involving drawn firearms by the landowner. The Truckee is considered a navigable river, meaning the public has legal access to the river below the high water mark. Nonetheless, the illegally placed signs have not moved, and the intimidation has scared most of the public away. In response, last fall, Matt and a group of fly fishing friends formed @truckeeriverpublicwaters – a 501c3 non-profit dedicated to protecting legal public access to the Truckee River. In Episode 63, the boys chat about the importance of the Truckee River, a bit of its history, a little about fishing and a lot about the access struggle community members in Hirschdale have been facing and what we as the public can do to ensure legal access is preserved. 2:00 – PowBot growing up fishing for Walleye and Northern Pike in Michigan.7:25 – Trail Whisperer growing up fishing at Cape Hatteras, North Carolina.13:00 – The importance of the Truckee River to the Reno/Tahoe region.16:45 – Truckee River public access issues are happening in Hirschdale.19:35 – The story of OTB and Deer Creek trail access issues.24:00 – Public vs private land access issues and knowing your access rights.27:35 – More reminiscing about Cape Hatteras.29:10 – Whatcha been riding?30:45 – Truckee River Trivia – the river doesn't start in Lake Tahoe, there's an Upper Truckee River.31:35 – Introducing Matt “Gilligan” Koles and Truckee River Public Waters.35:30 – Senator Newlands (Newlands Act) bought a bunch of land and diverted the Truckee River.38:45 – Matt's story moving to Hirschdale and creating Gilligan's Guide Service.43:30 – What makes the Truckee River so special for fly fishing?46:10 – Lake Lahontan and the origins of the Lahontan Cutthroat Trout – a native prehistoric fish.48:09 – Some unique facts about the Truckee River.49:45 – The Paiute Tribe of Pyramid Lake, water rights, drought and the reservoir system feeding the Truckee River.55:00 – Truckee River Public Waters – preserving public access along the Truckee River.56:30 – The current public access issues people are facing currently in Hirschdale.1:05:15 – The confusion over the “high water” mark on the Truckee River.1:19:00 – The Hirschdale bridge is the main access point for the Tahoe Pyramid Trail.1:22:00 – What should the public do regarding legal access to the river in Hirschdale?1:25:30 – What if you get harassed by a landowner? What should you do?1:32:16 – How can people help support Truckee River Public Waters?1:34:25 – All fisherman are liars and the Truckee River is hard to catch big fish.1:38:20 – What does Mind the Track mean to you?

Under the Bridge ////// 828Part 1 of 1  www.TrueCrimeGarage.com Who murdered cheerleader Marilee Burt? This week in the Garage we examine one of the oldest and maybe one of the coldest cases from Arapahoe County, Colorado. On a chilly winter evening someone kidnapped and murdered 15-year-old Marilee Burt.  The killer left her in Deer Creek under a bridge. Her personal items have never been located. If you have any information regarding this case, please contact the Arapahoe County Sheriff's Office at 303-795-4711 OR email Coldcase@arapahoegov.com Beer of the Week - Nightmare Fuel by River North Brewery Garage Grade - 4 and a quarter bottle caps out of 5  Got to CrimeCon - 2025 in Denver, September 5 - 7, use our code TCG and save 10% More True Crime Garage can be found on Patreon and Apple subscriptions with our show - Off The Record.  Catch dozens of episodes of Off The Record plus a couple of Bonus episodes and our first 50 when you sign up today.  True Crime Garage merchandise is available on our website's store page.  Plus get True Crime Garage Pod art that you can post on your socials on our Media page.  Follow the show on X and Insta @TrueCrimeGarage / Follow Nic on X @TCGNIC / Follow The Captain on X @TCGCaptain  Thanks for listening and thanks for telling a friend.  Be good, be kind, and don't litter! 

Stub Me Down welcomes in actor, comedian, and improv artist Chris Witaske to the show! We talk all things “The Bear” related and even pick some Phish music that works for the show. Chris explains improv and his love for Phish, and stubs us down on an amazing show from Deer Creek in 2000 that weaves in a killer segment of Moby Dick by Led Zepplin! Come join the fun! Thanks for listening!

The Monmouth-Roseville Titans take on the Dee-Mack Chiefs in a class 2A sectional semifinal at Deer Creek-Mackinaw High School.

It'll always be Deer Creek to me! This week, FiG heads to Noblesville, Indiana by his lonesome. A FiGpod!! It's July 15th, 1989 and the Grateful Dead are playing Deer Creek Music Center. Monologues abound about the last lost live show being found, and FiG wraps up season 3! Bertha Greatest Story Ever Told Candyman Walkin' Blues Peggy-O Queen Jane Approximately We Can Run Bird Song Foolish Heart > Victim Or The Crime > Crazy Fingers > Truckin' > Smokestack Lightnin' > Drums > Space > China Doll > All Along The Watchtower > Stella Blue Sugar Magnolia Brokedown Palace

Send us a textHi everybody and welcome to today's episode of Attendance Bias. I am your host, Brian Weinstein. If you're a regular listener of the podcast, you know the typical format. But I love it when a guest has an idea and we have to think a little out of the box so that the guest can tell his or her story while still keeping the familiar segments of the show. Today, Ryan Miners helped make that happen. Rather than choosing one specific show or jam, Ryan wanted to talk about two sequences that both involve the insane instrumental, “Buried Alive:” The first one is Buried Alive into Poor Heart from November 9, 1996 at the Palace at Auburn Hills, and the second one is Buried Alive into AC/DC Bag from August 11, 2024 at Bethel Woods. Two Buried Alive segues, roughly 28 years apart. But even though we didn't cover an entire show, there was no shortage of content for Ryan and and I to cover. Between the 28-year gap of these two segues, we touched on a tremendous amount of information, not hesitating to go off on tangents where, at one point, Ryan flips the script and puts me on the hot seat!!There's something about a good Phish segue that brings out the best in the audience, and Ryan was able to explain exactly what made these two so special. But I don't want to spoil it. Let's join Ryan to talk about the Wetlands Preserve, the history of Deer Creek, and what it means to hear the line “Thank you Mr. Miner,” as we discuss segues from Buried Alive from 1996 and 2024.  

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On February 13, 2017, 13-year-old Abigail Williams and 14-year-old Liberty German were murdered while exploring Monon High Bridge over Deer Creek in Delphi, Indiana. It wouldn't be until 2022 that an arrest would be made in the case, and on November 11, 2024, Richard Matthew Allen was finally convicted of Abby and Libby's murders. Try our coffee!! - www.CriminalCoffeeCo.com Become a Patreon member -- > https://www.patreon.com/CrimeWeekly Shop for your Crime Weekly gear here --> https://crimeweeklypodcast.com/shop Youtube: https://www.youtube.com/c/CrimeWeeklyPodcast Website: CrimeWeeklyPodcast.com Instagram: @CrimeWeeklyPod Twitter: @CrimeWeeklyPod Facebook: @CrimeWeeklyPod ADS: 1. UncommonGoods.com/CrimeWeekly - Get 15% off your next gift!

Check out the latest episode of Inside Tiger Football, presented by Rib Crib, and prepare for tonight's game as Broken Arrow travels to Deer Creek for a first-round playoff battle with the Antlers. Watch it LIVE on ArrowVision!

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day  A very famous show from a very famous year.  Many feel 1973 was the peak of the band's post psychedelic era.  Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run.  In 2008 the Dead released the box set:  “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973.  This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band).  The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band.  They were on fire for these three days.  A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness.  It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.”  INTRO:                                 Promised Land                (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind)                                                Track #1                                                0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995.  Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out.  I especially love Keith's piano which is featured prominently in this clip. Played:  430 timesFirst:  May 28, 1971 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 1:                    To Lay Me Down  (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee                                                Track #6                                                2:21 – 4:20 David Dodd:  “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to.  Jerry's voice is still so young and strong.  And the group singing works really well.  Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played:  64 timesFirst:  July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS:                                                           Music Intro:                       Brain Damage                                                                                    Pink Floyd                                                                                    Pink Floyd - Brain Damage (2023 Remaster)                                                                                    0:00 – 1:47             "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4]             The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts.             The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.             The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.”  Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival.  More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3.    Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride.  The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green).  “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA.   SHOW No. 2:                    Weather Report Suite Prelude  (out of China >Rider/Me & My Uncle/Loose Lucy                                                Track #14                                                3:10 – end                                                   INTO                                                 Weather Report Suite Part I  (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break  - 16 songs                                                Track #15                                                0:00 – 1:03 David Dodd:  This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played:         46 timesFirst:  September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast:  October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3:                     Mississippi Half Step Uptown Toodeloo  (Second Set Opener/into Big River/Dark Star)                                    Track #17                                    3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special.  Great story.  Great lyrics:  “what's the point of calling shots, this cue ain't straight in line.  Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert.  ½ Step>Franklin's were especially fun as a one two show opener punch. Played:  236 timesFirst:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS:                 INTRO MUSIC:       Willin'                                                Little Feat                                                Little Feat - Willin' sung by Lowell George Live 1977. HQ Video.                                                0:10 – 1:32                                                1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists.          George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem.  And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1.      Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2.     Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3.     Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4.     Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract:             Dulce Limon – hyrbrid sativa dominant            Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4:                    Dark Star  (Mind Left Body Jam)                                                Track #18                                                34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then.  The truly improvisational side of the Dead and their live performances.  Played:  9 timesFirst:  October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast:  March 24, 1990 at Knickerbocker Arena, Albany, NY, USA                                                 INTO                                                 Eyes of the World  (into China Doll/Sugar Mag as second set closer)                                                Track #19                                                0:00 – 2:25 David Dodd:  “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song.  The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise.  A perfect jam tune.  Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses.  First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros.  We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention.  I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes.  Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes.  Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set.  Any '73 Eyes will leave you in awe and this one is one of the best. Played:  382 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO  OUTRO:                               And We Bid You Goodnight  (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!!                                                Track #25                                                :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard.  Great reaction from the Deadheads.  Kind of a chills down your spine thing.  I was with One armed Lary and Alex, both had been with us at Deer Creek right before.  Lary stayed for all three nights but Alex had to take off after the first show.  Great times.  Played:  69 timesFirst:  January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast:  September 26, 1991 at Boston Garden, Boston, MA, USA  Thank you for listening.  Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly.   .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

We discuss the eleventh day of Richard Allen's trial. We heard about Allen's account of abducting Liberty German and Abigail Williams, and how he claimed a van interrupted his plans to rape the girls and instead prompted him to force them across Deer Creek and murder them.Support The Murder Sheet by buying a t-shirt here: https://www.murdersheetshop.com/Send tips to murdersheet@gmail.com.The Murder Sheet is a production of Mystery Sheet LLC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Richard Allen's trial for the Delphi deaths of Liberty German and Abigail Williams is well underway. Today, the jury heard more details about how the crime unfolded once the girls were under the Monon High Bridge and across Deer Creek. The info paints a better picture of what exactly went down.Support the show

Ron Logan was a 77-year-old farmer who owned the property in Delphi, Indiana, where the bodies of teenagers Abigail Williams and Liberty German were found in February 2017. His land bordered Deer Creek near the Monon High Bridge, making him a significant figure in the investigation due to the proximity of the crime scene. Logan's inconsistent statements about his whereabouts on the day of the murders raised suspicions among investigators, prompting a closer look into his possible involvement.In March 2017, authorities executed a search warrant at Logan's home to gather potential evidence related to the murders. The warrant affidavit cited concerns about Logan's false alibi and noted that his physical appearance resembled a man seen in a video recorded by one of the victims before their deaths. Despite being a person of interest in the case, Logan was never charged and passed away in 2020, leaving unanswered questions about his role, if any, in the Delphi murders.(commercial at 9:16)to contact me:bobbycapucci@protonmail.comsource:https://heavy.com/news/ronald-ron-logan-delphi-murders/Become a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

The entire state woke up in frost on Monday. Winter is undeniably on its way. And this leaves everyone from neighborhood squirrels to farmers taking stock of what the summer yielded — and cleaning up for winter. Michael Johnson is the news editor for Agweek and he and his wife also grow vegetables and cut flowers near Deer Creek in Western Minnesota. He recently wrote a column reflecting on the growing season. He talked with MPR News host Cathy Wurzer about it. Use the audio player above to listen to the full conversation.Subscribe to the Minnesota Now podcast on Apple Podcasts, Spotify or wherever you get your podcasts.We attempt to make transcripts for Minnesota Now available the next business day after a broadcast. When ready they will appear here.

Labor Day Vibes: Grateful Dead, George Thorogood, and MoreA special Labor Day edition featuring a recap of significant events in the music world, particularly focusing on the Grateful Dead's September 2, 1988, concert at the Capitol Center in Landover, Maryland. Larry Mishkin reminisces about the band's history, including the song "Hell in a Bucket," its significance, and its evolution in the Grateful Dead's lineup. There's a detailed discussion about the song "Dire Wolf," including its origins, inspirations, and its role in the band's performances.The episode also features a tribute to Steve Silverman, a renowned science writer and Grateful Dead enthusiast who recently passed away. Silverman was celebrated for his contributions to the understanding of autism and his deep connection to the Grateful Dead community. The tribute highlights his life, his work, and his impact on both the music and science communities.Larry shares reviews of the recent George Thorogood and Journeyman Tribute the Eric Clapton  https://www.georgethorogood.com/https://vilarpac.org/https://journeymantribute.com/ Grateful DeadSeptember 2, 1988 (36 years ago)Capital CenterLandover, MDGrateful Dead Live at Capital Centre on 1988-09-02 : Free Borrow & Streaming : Internet Archive I hope everyone is having a great Labor Day weekend. Night one of a four night run at the Cap Center to kick off 1988 East Coast Fall Tour (played Friday and Saturday, 2 and 3 and Monday and Tuesday 5 and 6).  Took a night off for my wedding on Sunday 4th.  Saturday night show was my rehearsal dinner and they played second encore, final electric Ripple and final Grateful Dead Ripple.  Memorable weekend for all (except for my east coast deadhead buddies at the wedding who were bummed to have missed the Ripple. INTRO:                                 Hell in a Bucket                                                Track #2                                                0:00 – 1:34 David Dodd:  The Bob Weir / John Barlow / Brent Mydland song “Hell in a Bucket” directly references the biker scene, and I'm sure that somehow Barlow just wanted to put that element into the band's repertoire somehow. After all, there are plenty of outlaw elements sprinkled through the band's songs. In the case of this song, though, the singer/narrator seems to be wishing a sorry fate on his erstwhile main squeeze, with the argument being that once she has a biker charging up and down her halls on his chopper, she'll realize that the narrator was really pretty good, at least by contrast. “Hell in a Bucket” appeared on In the Dark, released in July 1987.  The song frequently featured as the show opener over the course of the next two-plus decades, although it wasn't used in that role until about a year after its first performance.  Played:  217 timesFirst:  May 13, 1983 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA   SHOW No. 1:                    Dire Wolf                                                Track #5                                                2:00 – 3:24 "Dire Wolf" is a ballad by the Grateful Dead, released as the third track on their 1970 album Workingman's Dead. The lyrics were written by Robert Hunter after watching a film adaptation of The Hound of the Baskervilles. The music, containing elements of country and folk music, was composed by Jerry Garcia on the same day. The song tells the story of a man who plays cards with a "dire wolf" on a cold winter's night in "Fennario"; the lyrics have been variously interpreted. The piece became a staple of the Grateful Dead's performances, and was played more than two hundred times between 1969 and 1995. A few months before the release of their album Aoxomoxoa in 1969, Grateful Dead lyricist Robert Hunter and his then-partner Christie Bourne began sharing a house with the band's guitarist Jerry Garcia, his wife, and his step-daughter. Living in close proximity gave an impetus to their collaborative song-writing: Hunter and Garcia wrote every song on Aoxomoxoa.[2] Some time later, Hunter and Carolyn Garcia spent an evening watching a film adaptation of The Hound of the Baskervilles. According to Grateful Dead historian Dennis McNally, Carolyn later remarked that the hound was a "dire wolf".[3] However, according to Hunter himself, as quoted in the Annotated Grateful Dead Lyrics, he and Garcia were speculating about the identity of the hound in the story, and came up with the idea that it may have been a dire wolf.[4] Hunter wrote the lyrics the next morning, based on images that the phrase conjured for him, and Garcia wrote the music to them later that day.[3][4] The location named "Fennario" appears in the folk song "The Bonnie Lass o' Fyvie", including in the Grateful Dead's version of that song. It refers to a fictional location; a friend of the band members commented in an interview that it was the perfect name for a generic place, because it was evocative, and had four syllables.[4] In contrast, music writer Buzz Poole speculated that the name may be derived from Fenrir, a mythical Nordic wolf who was chained up by the gods.[6] The phrase "don't murder me", repeated in the chorus, was a reference by Garcia to his experiences driving around the San Francisco Bay Area at the time that the Zodiac Killer was active.[4] The song became a staple of the Grateful Dead's live performances; the electric version of the song was typically featured on the band's first set.[4][7] According to The Grateful Dead's 100 Essential Songs, "Dire Wolf" was played 226 times between 1969 and 1995, and was played every year, except for 1975. Sixty-three of these performances were in the first two years after the song was written. In later years, the acoustic version of the piece became more common.[7] The structure and pace of the song did not change much over the years. It was sung most often by Garcia, although an early version featured Bob Weir on vocals, with Garcia playing the pedal steel guitar instead.[7] An AllMusic review of this version praised Garcia's "sweet" guitar playing as a "great feature" of the song.[5] Its lyrics have led to it being described as an essential Grateful Dead song by commentators.[7] Played:  229 timesFirst:  June 7, 1969 at Fillmore West, San Francisco, CA, USALast:  June 7, 1969 at Fillmore West, San Francisco, CA, USA  MUSIC NEWS: Steve Silberman passesPhish – Dick'sNeil Young explanation for canceled showsMiracle in MundeleinMiracle in Mundelein 2024 is an unprecedented cannabis and outdoor concert experience taking place at RISE Recreational Dispensary in Mundelein, IL on September 7-8, 202412. Presented by RYTHM Premium Cannabis, RISE Dispensaries, Dayglo, and Deep Cut, this second annual outdoor festival allows legal on-site cannabis consumption2.    SHOW No. 2:                    Althea                                                Track #7                                                3:10 – 4:53 When the Grateful Dead released “Althea” on their 1980 album Go to Heaven, it quickly became a favorite among fans. Robert Hunter, the Dead's legendary lyricist, was known for embedding multiple layers of meaning in his lyrics. “Althea” is no exception. Jerry Garcia's soulful voice brings Hunter's words to life, but it's the lyrics that leave listeners pondering. The name “Althea” itself is rooted in Greek mythology. Althea was the Queen of Calydon, whose actions led to her son's death, reflecting themes of fate and consequence. While the song doesn't explicitly connect to this myth, the allusion to “your fire” might be a subtle nod to Althea's tragic tale. “Althea” was performed live by the Grateful Dead 273 times, making it a staple in their repertoire. Despite McNally's belief that the band overplayed it in the early '80s, fans cherished its live renditions. The song's adaptability and depth allowed it to grow with the listeners, much like a trusted pair of pants with a sturdy elastic waistband. Played:  273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago  SHOW No. 3:                    Scarlet Begonias                                                Track #10                                                0:00 – 2:02 Garcia/HunterFrom The Mars Hotel (July 24, 1974) The group first performed the song live on March 23, 1974, at the Cow Palace in Daly City, California.[1] When "Fire on the Mountain" was incorporated into the band's repertoire in 1977, "Scarlet Begonias" would often be paired with it when played live, resulting in what would be nicknamed "Scarlet > Fire" with the first iteration of this iconic pairing on Friday, March 18th, 1977 at Winterland in S.F.   Interestingly, they played the combo to close the first set.  Almost always a second set opener, once saw them open a show with it. Had to play this because the opening is so special – sends a message to the Deadheads that good things lay ahead, best second set opener in their arsenal.  Nothing like the reaction when you hear the first few notes.  “Scarlet, into Fire, a great 25 minutes of grooving music and wonderful for “mind exercises” you may be experiencing at that time. Played:  317  (Fire played 254 times)First:  March 23, 1974 at Cow Palace, Daly City, CA, USALast: June 2, 1995 at Deer Creek, Noblesville, IN MJ NEWS: Trump Supports Florida adult use measure on fall ballot, but no public smokingDeSantis says “NO” adult use in Florida, opposes TrumpState ballots this fall for MMJ in Nebraska and ArkansasIllinois awards $35 million from MJ taxes to support community reinvestmentCalifornia allows sales of MJ at Farmer's Markets SHOW No. 4:                    All Along The Watchtower                                                Track #17                                                1:50 – 3:53 Bob DylanJohn Wesley Harding "All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston. The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief. The song has been subject to various interpretations; some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5–9. Dylan has released several different live performances, and versions of the song are included on some of his subsequent greatest hits compilations. Covered by numerous artists, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded with the Jimi Hendrix Experience for their third studio album, Electric Ladyland (1968). The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968, received a Grammy Hall of Fame award in 2001, and was ranked 48th in Rolling Stone magazine's 500 Greatest Songs of All Time in 2004 (40th in the 2021 version). Dylan first played the song live in concert on the Bob Dylan and the Band 1974 Tour, his first tour since 1966. His live performances have been influenced by Hendrix's cover, to the extent that they have been called covers of a cover. Dylan has performed the song live more than any of his other ones, with over 2,250 recitals. Hendrix was a known Dylan fan. He even once cleared a dance floor by demanding that "Blowin in the Wind" be played in a New York club. In a 1967 interview, Hendrix described Dylan's influence on his own songwriting. "I could never write the kind of words he does," Hendrix said. "But he's helped me out in trying to write two or three words 'cause I've got a thousand songs that will never be finished. I just lie around and write about two or three words, but now I have a little more confidence in trying to finish one."Hendrix acquired a copy of John Wesley Harding before the album's official release and instantly knew he had to cover one of the tracks. Initially, he was planning to record "I Dreamed I Saw St. Augustine," but after further consideration he chose "All Along the Watchtower." Hendrix claimed he had a natural gravitation toward the track. "The songs Dylan usually gave me are so close to me that I feel like I wrote them myself," he added. "With 'Along the Watchtower' I had that feeling." Less than two months after Dylan recorded the original, Hendrix was in the studio laying down his version. John Wesley Harding was Dylan's return to his acoustic roots after his motorcycle accident. But rather than bring back the topical lyrics about civil rights and the Vietnam War, he continued the evocative, surreal images that made his previous three records -- Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde -- so groundbreaking, adding biblical imagery that foreshadowed his born-again phase more than a decade later. Dead started playing it while touring with Dylan in the summer of 1987.  Not necessarily their greatest tour, and Dylan was not sharp on a night by night basis, but when they got to this tune, the crowd really responded.  So after the tour ended, the Dead just kept it in their repertoire and played it until their end. Played:  118First:  June 20, 1987 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 22, 1995 at Knickerbocker Arena, Albany, NY, USA  OUTRO:                               Black Muddy River                                                Track #20                                                4:15 – 6:34 Garcia/HunterFrom:  In The Dark (1987) Black Muddy River was a song that was a pretty decent “new” song for a while.  Almost always played as an encore, it was a fan favorite in the Twin Cities, St. Louis, Memphis and New Orleans, all situated on or near the Mississippi River.  Sometimes they would play it in those cities and sometimes they would wait to play it until they were in the middle of nowhere with no river around for miles and miles.  Towards the end, Jerry seemed to lose his enthusiasm for it so, for example, when he rose to the occasion at the last show on July 9, 1995 and belted out a So Many Roads for the ages, his Black Muddy River encore left a lot to be desired.  So much so that, as the story goes, Phil decided they could not end the summer tour on such a low note so he pushed in a Box of Rain making that song the last one ever played in concert by the band and a much nicer farewell than that not very good Black Muddy River would have been. This one is “young” and strong, Jerry's voice rings true and you can hear the energy build up inside him as he belts out the final lines of the song.  A song that sent all those at the Cap Center out into the night longing for more without even knowing what awaited them the very next night.  Some were there, some weren't.  That's the story of the Dead and touring (like Phish waiting to Dick's to play Fee!). Played:  66 timesFirst:  December 15, 1986 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA Shout outs:                         Wed – my anniversary, and H and Robbin                        Thurs. – JW's anniversary with the lovely Allie                        Bella – birthday on Monday                        Jackie G. in St. Louis on Sunday                        .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Your day ahead forecast, 4-year-old drowns in Greenwood, fire in Lawrence, new degree program at IU Indianapolis, Indiana Fever are above.500, voter registration, the history of "Deer Creek," and more... See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're trucking on to recap 3 nights of Deer Creek and 2 nights of Grand Rapids! Please give us a call at (484) 416-0488 and leave us your thoughts and questions! And give us a review wherever you listen to podcasts.  The Helping Friendly Podcast is hosted and produced by Brian Brinkman, Megan Glionna, Jonathan Hart, and RJ Bee. Original music by Amar Sastry. Brought to you by Osiris Media. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are back! The stars aligned and not only were we able to chat about the 8 shows from Alpine to SPAC, but we were also joined by friend of the pod, Alex Brandt, to break it all down. Alex was fortunate enough to attend the entire "hat trick" (Alpine, DC, SPAC), and generous enough to share his experiences with us in this 2 hour megasode! Thanks again to Alex for joining us, and we are looking forward to recapping the rest of the East Coast run very soon! Learn more about your ad choices. Visit megaphone.fm/adchoices

"Cannabis, COVID, and Concerts: A Grateful Dead Fan's Journey"Larry Mishkin is back from a break spent in South Carolina with his granddaughter he shares his experience of contracting a mild case of COVID, attributing his quick recovery to his cannabis use. He references studies suggesting that certain strains of sativa marijuana may mitigate COVID symptoms.The episode features a detailed discussion of a special Grateful Dead concert from July 15, 1989, at Deer Creek Music Theater in Noblesville, Indiana. Larry reminisces about the venue, the band's setlist, and the memorable experience shared with friends. He highlights key performances from the show, including "Bertha," "Greatest Story Ever Told," "Candyman," "Walkin' Blues," and others.Larry also covers recent music news, mentioning Melissa Etheridge's performance in Colorado and her upcoming summer tour. He shares updates on the String Cheese Incident's New Orleans-themed show at Red Rocks and Phish's recent appearance on The Tonight Show with Jimmy Fallon, where they performed "Evolve" from their new album. Grateful DeadDeer Creek Music Theater CenterNoblesville, INGrateful Dead Live at Deer Creek Music Center on 1989-07-15 : Free Borrow & Streaming : Internet Archive With:  Judy, Andy K., Lary V., AWell and others First Dead show ever at Deer Creek which had just opened that year.  Became a regular stop on the Dead's summer tour thereafter and one of the favorite places for the Deadheads given its relatively small size as compared to the stadium venues that soon became the norm for summer tours.  Ironically, two days after this one-off Dead played their final 3 shows at Alpine Valley, switched to Tinley Park in 1990 and then starting in 1991 Chicago summer  tour shows were confined to Soldier Field with 60,000 attendees. INTRO:                                 Bertha                                                Track #2                                                1:20 – 3:00 Garcia/Hunter – first appeared on Grateful Dead (live) aka Skull and Roses or Skullfuck (1971)Played: 401First:  February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:  June 27, 1995 at the Palace of Auburn Hills, Detroit, MI  SHOW No. 1:                    Walkin Blues                                                Track #5                                                1:38 – 3:20 "Walkin' Blues" or "Walking Blues" is a blues standard written and recorded by American Delta blues musician Son House in 1930. Although unissued at the time, it was part of House's repertoire and other musicians, including Robert Johnson and Muddy Waters, adapted the song and recorded their own versions. "Walkin' Blues" was not a commercial success when it was issued as a "race record" marketed to black listeners.  However, the song was received with great enthusiasm by a small group of white jazz record collectors and critics. Producer John Hammond chose "Walkin' Blues" and "Preachin' Blues" as the records to be played at his 1938 From Spirituals to Swing concert, when Johnson himself could not appear (Johnson had died a few months earlier).[15] The 1961 Johnson compilation album King of the Delta Blues Singers was marketed to white enthusiasts. According to most sources, John Hammond was involved in the production and the selection of tracks. The album included the two House-style songs and a song with House-style guitar figures ("Cross Road Blues" and excluded songs in the commercial style of the late 1930s. Notable exclusions were Johnson's one commercial hit, "Terraplane Blues", and two songs which he passed on to the mainstream of blues recording, "Sweet Home Chicago" and "Dust My Broom". Dead first played it in 1966, once in 1982 and 4 times in 1985.  Then, beginning in 1987 it became a standard part of Dead song lists, peaking in 1988 when it was played 23 times.  Became one of Bobby's early first set blues numbers with Minglewood Blues, CC Rider and Little Red Rooster. Played: 141First:  October 7, 1966 at Fillmore Auditorium, San Francisco, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA   SHOW No. 2:                    Crazy Fingers                                                Track #12                                                4:30 – 6:12 Pretty standard second set song, usually pre-drums.  Fist played in 1975, a few times in 1976 and then dropped until 1982 at Ventura County Fairgrounds (day after my first show).  Played 7 times that year, dropped until 1985 (10 times), then dropped until 1987 and then played regularly until the end.  Great tune, Jerry often forgot the lyrics and this version is great because Bobby saves him on the lyrics when Jerry starts to go astray.  Good fun considering how many times Bobby would forget the words to his songs. But one of those things you remember if you see it happen Garcia/Hunter, released on Blues For Allah (Sept. 1, 1975)Played: 145 timesFirst:  June 17, 1975 at Winterland Arena, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis)  SHOW No. 3:                    Truckin                                                Track #13                                                7:00 – end Hunter/Garcia/Weir/Lesh/Kreutzman (Pigpen went inside to take a nap) by the side of a pool.Released on American Beauty (November, 1970) final tune on the albumPlayed: 532 timesFirst:  August 17, 1970 at Fillmore West, San Francisco, CA, USALast:  July 6, 1995 at Riverport Amphitheatre in Maryland Heights, MO                                                  INTO                                                Smokestack Lightning                                                Track #14                                                0:00 – 0:36  "Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf (Chester Burnett) in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it.  Recorded at Chess Records in Chicago and released in March, 1956 with You Can't Be Beat on the B side. Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s,[1] when he was performing with Charley Patton in small Delta communities.[1] The song, described as "a hypnotic one-chord drone piece",[2] draws on earlier blues, such as Tommy Johnson's "Big Road Blues",[3] the Mississippi Sheiks' "Stop and Listen Blues",[4] and Charley Patton's "Moon Going Down".[5][6] Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In a song review for AllMusic, Bill Janovitz described "Smokestack Lightning" as "almost like a distillation of the essence of the blues... a pleasingly primitive and raw representation of the blues, pure and chant-like. Wolf truly sounds like a man in otherwise inexpressible agony, flailing for words."[8] In 1999, the song received a Grammy Hall of Fame Award, honoring its lasting historical significance.[13]Rolling Stone magazine ranked it at number 291 in its list of the "500 Greatest Songs of All Time"[7] and the Rock and Roll Hall of Fame included it in its list of the "500 Songs that Shaped Rock and Roll".[14] In 1985, the song was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recordings" category[15] and, in 2009, it was selected for permanent preservation in the National Recording Registry of the U.S. Library of Congress. Janovitz also identifies "Smokestack Lightning" as a blues standard "open to varied interpretation, covered by artists ranging from the Yardbirds to Soundgarden, all stamping their personal imprint on the song".[8] Clapton identifies the Yardbirds' performances of the song as the group's most popular live number.[17] They played it almost every show, and sometimes it could last up to 30 minutes. Dead often played it out of Truckin, would also play the blues tune Spoonful out of Truckin. Played:  63 timesFirst:  November 19, 1966 at Fillmore Auditorium, San Francisco, CA, USALast:  October 18, 1994 at Madison Square Garden, New York, NY, USA   SHOW No. 4:                    Space                                                Track #17                                                7:45 – 9:20  On November 28, 1973, Grateful Dead guitarist Jerry Garcia and drummer Mickey Hart staged a performance at San Francisco's Palace Of Fine Arts. At the time, Hart – whose 80th birthday is today – was on a sabbatical from the Dead, having last performed in public with Garcia and the band in February 1971. Hart would rejoin the Dead for good in October 1974.A poster promoting the concert shows a clean-shaven Garcia dressed in black beside an equally freshly shaven Hart wearing all white. At the bottom of the advertisement was printed “An Experiment in Quadrophonic Sound.”Hart recalled his experience at the duo concert with Garcia in 1973 that was not only a Seastones precursor but also planted the seeds for the band's mind-bending “Space” jams.“There were so many exciting that we've done together. Adventurous musical things. He was also into adventure and creating new spaces, so we had that in common. We got together many times out of the ring – where he first discovered synthesizers, being able to synthesize his guitar, which led to MIDI.“The first concert we did was in 1973. It was just a duo. He got an Arp [Odyssey], an electric instrument, a keyboard, and he plugged his guitar into it and that was the first time I had heard his guitar I had heard his guitar running through sophisticated synthesizers.“I just thought of that concert, which kind of was the beginning of ‘Space' – ‘Drums' and ‘Space' actually – it might have been the very beginning of it. And I think of that on his birthday, the seminal things we did together.” After the November 28, 1973 concert, the Grateful Dead began to occasionally incorporate elements of a “Space” jam into their shows. In January 1978, Dead shows almost always included a nightly “Drums” jam paired with a freeform “Space” jam, consistently showing up mid-second set throughout the rest of their career. Played:  1086First:  March 19, 1966 at Carthay Studios, Los Angeles, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL   OUTRO:                               Brokedown Palace                                                Track #22                                                5:04 – 6:43  The lyric to “Brokedown Palace” was written by Robert Hunter as part of a suite of songs that arrived via his pen during a stay in London in 1970. He entitled it “Broke-Down Palace,” and now that it exists as a piece of writing, it seems to have always existed. It was composed on the same afternoon as “Ripple” and “To Lay Me Down,” with the aid of a half bottle of retsina.Its first performance was on August 18, 1970, at the Fillmore West in San Francisco, and became a staple of the live repertoire. After the 1975 hiatus, “Brokedown Palace” appeared almost exclusively as the closing song of the show, as an encore. It had the effect of sending us out of the show on a gentle pillow of sound, the band bidding us “Fare you well, fare you well…”Garcia/HunterReleased on American Beauty (Nov. 1970) Played: 219 timesFirst:  August 18, 1970 at Fillmore West, San Francisco, CA, USALast:  June 25, 1995 at RFK Stadium in Washington, D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Park City purchases Round Valley open space once envisioned for hotel, Ski Utah has the final count on skier days for the 2023-24 season, Utah Olympic bid leaders discuss Paris travel and 2034 Winter Games announcement, Park City Recreation update on city recreation issues, Deer Creek dam repairs resume this summer, Basin Rec debuts updated plan for Silver Creek fieldhouse, and Park City bans fireworks and open flames through November.

This podcast is the audio version of the Gear Garage Live Show, where we answer submitted questions and talk all things whitewater. Topics and links that Zach talked about this episode River Hardware Answer Questions Some of the Questions that Zach covered in the Q&A section of this episode Topic: Illinois IK How low has the Illinois been run to your knowledge? I know Cronin and friends run it in the summer time but would like to get an idea of the CFS they/others have paddled. Is it still considered a 4+ river when the water is super low? Also, have you ever done the Deer Creek to Illinois section? Looks interesting. Thanks love the show. Topic: Boat Decals Rando question. What material do you guys use for the letters on your boat names to get them to stick so well? I wanted to add a name to our site raft and the best I could think of is a vinyl cut letters but don't know how well they will stay on. Thank you for the info Topic: PFD Help Hi - I'm hoping you can help me choose a life jacket. I do mostly class III-IV rivers, and occasionally a IV+ or V rapid. Because I'm not a great swimmer and because I have Parkinson's, I'd like a life jacket better than what guides typically provide. Should I buy a Type 1, Type 5, or something else?

Send the show a text message!In this episode, Renae Lipsmeyer and Ridge discuss the fan parties that have taken place during the Dave Matthews Band's 2024 US tour. They talk about the successful parties in Tampa, West Palm, and Jacksonville, and the upcoming parties in Alpine, Blossom, and Deer Creek. Ridge provides details about the venues, the live music performances, and the giveaways at each party. He emphasizes the inclusivity of these events and encourages fans to attend and make new friends. Renae also mentions that she will be sending swag to Ridge for him to give away at the parties.Peace, Love and DMBSupport the Show.

Dan gives us two incredible tales this week. His first brings to life one of Dan's biggest fears: Clowns. Could you handle a night in a haunted, clown themed motel? Then, we are off to Washington DC for a throwback sighting of a dueling ghost.  Then, Lynze wonder if this podcast the problem for one home that seems to be experiencing some kind of haunting? Did we do this?! Then, for Lynze's final story, a person has a scary moment while housesitting. Patreon Monthly Donation: This month we have landed on an animal non-profit! We love to spread the support around! Fan Liz Swift volunteers extensively with The Love Pit, putting them on our radar. The mission of The Love Pit is to save dogs  that are at risk of euthanasia, have severe medical needs or who need rescuing, rehab, training and so on. They even help with foster homes for these sweet babies! We will update you on the amount going to The Love Pit- as of recording this, it's still April. If you'd like to learn more, you can visit thelovepitrescue.org.Thank you for continuing to send in your stories, Creeps and Peepers!**Please keep doing so.Send them to mystory@scaredtodeathpodcast.comSend everything else to info@scaredtodeathpodcast.comWant to be a Patron? Get episodes AD-FREE, listen and watch before they are released to anyone else, bonus episodes, a 20% merch discount, additional content, and more! Learn more by visiting: https://www.patreon.com/scaredtodeathpodcast.Please rate, review, and subscribe anywhere you listen.Thank you for listening!Follow the show on social media: @scaredtodeathpodcast on Facebook and IG and TTWatch this episode: https://youtu.be/1E-NGfLK8xsWebsite: https://scaredtodeathpodcast.com/Facebook: https://www.facebook.com/scaredtodeathpodcast/](https://www.facebook.com/scaredtodeathpodcast/)Instagram: https://bit.ly/2miPLf5 Mailing Address:Scared to Deathc/o Timesuck PodcastPO Box 3891Coeur d'Alene, ID 83816Video/Audio by Bad Magic Productions / Logan Ray KeithOpening Sumerian protection spell (adapted):"Whether thou art a ghost that hath come from the earth, or a phantom of night that hath no home… or one that lieth dead in the desert… or a ghost unburied… or a demon or a ghoul… Whatever thou be until thou art removed… thou shalt find here no water to drink… Thou shalt not stretch forth thy hand to our own… Into our house enter thou not. Through our fence, breakthrough thou not… we are protected though we may be frightened. Our life you may not steal, though we may feel SCARED TO DEATH."

  On a curve... at Deer Creek Reservoir... a semi-truck carrying propane jackknifed and lost control... hit the guardrail and crashed into the reservoir. This happened overnight, and when UHP arrived they had to make a tough decision on how to conduct the search for the driver and how to remove the semitruck from the reservoir. Heather Kelly from the KSL Traffic Center explains how this will impact the surrounding areas. Utah Highway Patrol's Lt. Cameron Roden provides updates on the tanker truck in the reservoir and the search for the driver. 

  Gearing up for Memorial Day weekend, many of us will be getting out on the water. If you were planning on going to Deer Creek Reservoir this weekend... you might need a plan B. Dave and Debbie ask Steve Bullock, Chief of Law Enforcement with the Utah Division of Outdoor Recreation, if the semitruck carrying 12K gallons of propane that crashed into the reservoir will ruin your holiday travel plans. 

May 21st, 2024

In this episode of The Space Between podcast, Renae interviews Trey about his journey as a fan of the Dave Matthews Band. They discuss topics such as how Trey discovered the band, the evolution of the band's sound, other music genres they enjoy, and their experiences traveling to see the band perform. They also talk about the unique experience of attending Dave Matthews Band concerts, the thrill of chasing rare songs, and the camaraderie among fans. Renae and Trey discuss their experiences at Deer Creek and Alpine Valley, two popular venues for Dave Matthews Band concerts. They talk about the welcoming community and the affordability of attending shows. Peace, Love and DMB Support the Show.

Steve Gerardi, owner of SG Entertainment, spends some time with Bill and Dennis sharing stories about his carrier in the concert promotion industry. We discuss his first show with Sunshine Promotions with Motley Crue headlining in Evansville, IN at Mesker Amphitheater. Learn how Deer Creek in Noblesville came to be and hear his stories about many artists, including a heavy metal act that requires mashed potatoes and gravy after every show. Bet you can't guess who that is!

In 1948 in Mississippi, socialite Ruth Dickins is convicted of savagely attacking her mother with gardening shears (150 stab wounds!) but makes an unfounded claim that a Black intruder is to blame. Despite inconsistencies in her story, she's sentenced to life, only to be released after 6 years. Joining us to dissect this case of matricide, race, and privilege is author Beverly Lowry, who explores the crime in her book, Deer Creek Drive: A Reckoning of Memory and Murder in the Mississippi Delta. Unpacking the murky details, we'll delve into the role of white privilege, media portrayals of women, and lingering questions that still haunt the South and our justice system. Be sure to purchase your copy of the book here.

"Exploring the Sweetness of 'Candyman': A Grateful Dead Classic"Larry Mishkin reflects on a Grateful Dead show from 44 years ago on April 1st, 1980, where the band played a prank on April Fool's Day, starting with a Chuck Berry tune and then transitioning to their usual instruments to perform the song again. Larry also talks about the significance of the song "Candyman" and its role in the Grateful Dead's repertoire, as well as Billy Joel's milestone 100th residency concert at Madison Square Garden. Larry also talks about "Friend of the Devil" and its origins, penned by lyricist Robert Hunter in collaboration with Jerry Garcia and John Dawson.    Grateful DeadApril 1, 1980 (44 years ago)Capitol TheaterPassaic, NJGrateful Dead Live at Capitol Theater on 1980-04-01 : Free Download, Borrow, and Streaming : Internet Archive April Fool's DayOpener that's keeping with the theme INTRO:                 The Promised Land                                Track # 2                                1:14 – 3:18 Chuck Berry tune with the Boys having a bit of fun to celebrate April Fool's Day: Jerry and Brent on DrumsBobby on keyboardBilly on bass and background vocalsMickey on rhythm guitar and singing lead vocalsPhil on lead guitar Kind of plodded through the song, but the fans loved the idea and the effortThey then went back to normal instruments, played the tune again and killed it! A fun opener with a good reality check for the dosed fans in the crowd. SHOW No. 1:                    Candyman                                                Track #4                                                4:56 – 6:30 Garcia/Hunter masterpieceThe song Candyman is part of the album American Beauty, which found its way into the world in November 1970. American Beauty is an album that is cherished by many, as it brings stories and emotions that feel both personal and universal. Candyman, with its blend of sweetness and shadow, invites listeners to delve into a world that is rich, complex, and thoughtfully spun. The album, with its varied tales and emotions, continues to be a friend to listeners, offering stories that explore the many sides and shades of life's journey.The thought-provoking words of Candyman were penned by Robert Hunter, and the compelling music was created by Jerry Garcia. These two artists worked together to create many of the Grateful Dead's memorable songs. Their collaboration in Candyman offers a rich story that allows listeners to explore and imagine a world that is sweet, slightly shadowed, and full of interesting adventures. The images and tales spun by the words and music invite people to think, feel, and maybe even find bits of their own stories within the tale of the Candyman.Played a total of 273 times.  Almost always a Jerry first set tune alternated with Loser, West LA, and a few othersFirst played on April 3, 1970 (10 years earlier than today's show) at Armory Fieldhouse in Cincinnati, OHLast played on June 30, 1995 at Three Rivers Stadium in Pittsburgh. SHOW No. 3:          Friend of the Devil                                    Track #8                                    3:36 – 5:20 Grateful Dead lyricist Robert Hunter told Relix that "Friend of the Devil" was the closest that the Grateful Dead ever came to creating "what may be called a classic song." Many Deadheads may disagree, but it's an interesting perspective from the man who penned the words for the majority of the Dead's most iconic pieces.Whether or not "Friend of the Devil" is the sole "classic" Dead tune, it's hard to argue that the band tapped into the outlaw's zeitgeist to find a timeless song with this one. Dead chronicler extraordinaire David Dodd, for one, agrees. "No other Dead tune gets played quite so often," Dodd writes in Greatest Stories Ever Told.Jerry Garcia and John Dawson of New Riders of the Purple Sage (NRPS) wrote the music for "Friend of the Devil." Hunter wrote the lyrics, but Dawson played a critical part in that area, as well.In his online journal, Robert Hunter recounted writing the lyrics for "Friend of the Devil" in a single afternoon in Madrone Canyon. He actually created the song with the intent of playing it with NRPS, after the band had asked him to be their bassist. This is why he first unveiled the song to David Nelson and John Dawson in their home in Kentfield. At that point, Hunter explains, "The 'Sweet Anne Marie' verse which was later to become a bridge was only one of the verses, not yet a bridge."Where things get really interesting in this story is where Hunter tells us that the chorus originally went:I set out running but I take my timeIt looks like water but it tastes like wineIf I get home before daylightI just might get some sleep tonightNotice how the line "A friend of the devil is a friend of mine" doesn't play into that chorus? This is where Dawson comes in.After showing the guys the song, Hunter explains, the band went down to the kitchen for espresso. "We got to talking about the tune and John said the verses were nifty except for 'it looks like water but it tastes like wine,' which I had to admit fell flat. Suddenly Dawson's eyes lit up and he crowed "How about 'a friend of the devil is a friend of mine.' Bingo, not only the right line but a memorable title as well!We ran back upstairs to Nelson's room and recorded the tune. I took the tape home and left it on the kitchen table. Next morning I heard earlybird Garcia (who hadn't been at the rehearsal - had a gig, you know) wanging away something familiar sounding on the peddle [sic] steel. Danged if it wasn't 'Friend of the Devil.' With a dandy bridge on the 'sweet Anne Marie' verse. He was not in the least apologetic about it. He'd played the tape, liked it, and faster than you can say dog my cats it was in the Grateful Dead repertoire."It's interesting to wonder whether or not the song would still have become a staple if Dawson hadn't popped those lyrics. The line, "a friend of the devil is a friend of mine" isn't the only great thing about the song, but it's definitely a critical part.Hunter dipped out of NRPS almost as fast he dipped in, and so the song became a Dead tune. Certainly a popular tune with the band and the Deadheads.  Played 310X, almost always a first set tune.First – March 20, 1970 at the Capitol Theatre in Port ChesterLast – June 2, 1995 at RFK Stadium in D.C.   SHOW No. 4:               I Used To Love Her But It's All Over Now                                         Track # 9                                         3:15 – 5:00 "It's All Over Now" is a song written by Bobby Womack and his sister-in-law Shirley Womack.[1] It was first released by The Valentinos, featuring Bobby Womack, in 1964. The Rolling Stones heard it on its release and quickly recorded a cover version, which became their first number-one hit in the United Kingdom, in July 1964. The Valentinos recorded the song at United Recording in Hollywood on March 24, 1964,[2] and released it two months later.[3] It entered the Billboard Hot 100 on June 27, 1964, and stayed on the chart for two weeks, peaking at number 94. The Rolling Stones landed in New York on June 1, 1964, for their first North American tour, around the time the Valentinos' recording was released. New York radio DJMurray the K played the song to the Rolling Stones. He also played the Stones' "King Bee" (their Slim Harpo cover) the same night and remarked on their ability to achieve an authentic blues sound. After hearing "It's All Over Now" on that WINS show, the band recorded their version nine days later at Chess Studios in Chicago. Years later, Bobby Womack said in an interview that he had told Sam Cooke he did not want the Rolling Stones to record their version of the song, and that he had told Mick Jagger to get his own song. Cooke convinced him to let the Rolling Stones record the song. Six months later on, after receiving the royalty check for the song, Womack told Cooke that Mick Jagger could have any song he wanted.The Rolling Stones' version of "It's All Over Now" is the most famous version of the song. It was first released as a single in the UK, where it peaked at number 1 on the UK Singles Chart, giving the Rolling Stones their first number one hit.[5] It was the band's third single released in America, and stayed in the Billboard Hot 100 for ten weeks, peaking at number 26. Months later it appeared on their second American album 12 X 5. The song was a big hit in Europe and was part of the band's live set in the 1960s. Cash Box described it as a "contagious cover of the Valentinos' click" and "an infectious thumper that should head right for chartsville." Dead played it 160 times, always a first set Bobby tune.First on Sept. 6, 1969 at Family Dog At The Great Highway in S.F.Last on July 2, 1995 at Deer Creek in Indy/ This version is great with the Brent solo leading into the Jerry solo.  Check out the entire clip. SHOW No. 4:               Shakedown Street                                      Track #19                                      4:30 – 5:57 When people think of the Grateful Dead, they often think of free-flowing improvisational music. However, the band was known for many things, including their ability to construct incredibly catchy songs with deep meanings. This is exemplified in one of their most iconic songs, “Shakedown Street.” Shakedown Street, the title track of the Grateful Dead's tenth studio album, released in 1978, has been interpreted in countless ways over the years.  According to Hunter in an interview with Rolling Stone magazine, “Shakedown Street” was a place where the underbelly of society came out and did its trading. “It was a place for freaks, weirdos, and people who didn't fit in anywhere else. It was one of the only places where they could socialize and be themselves without fear of persecution.” The lyrics of “Shakedown Street” talk about this place where everybody is welcome, regardless of who they are or where they come from. As the song says, “Don't tell me this town ain't got no heart. Just gotta poke around.”The song is a reflection of the band's values and the alternative society that they represented. It highlights the idea that people should be treated equally, without judgment, and that everyone should be able to express themselves.Played 164XPopular show opener, second set opener and occasionally, as here, an encore.  Great way to end a show rocking out hard for 10+ minutes and then going home.First:  August 31, 1978 Red RocksLast:  July 9, 1995 Soldier Field – played it right up until the end! .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

In today's episode of the Tactical Living Podcast, we take a closer look at the Deer Creek High School feet licking incident.    While this was intended to be a fundraiser for the Not Your Average Joe Coffee Shop, we want to ask the question, was there something more sinister behind all of this?    This episode is focused on ways to keep your children safe, especially when you aren't with them while they are at school. Diving deeper, it is important to be able to educate your children when there is something going on that may not feel right to them, even if teachers or other adults in their life say that it is okay.    The intention of this episode is to dive into different strategies for talking with your kids about possible malicious and grooming behavior and what they can do to protect themselves if they ever find that they are in a potentially harmful situation.    All viewpoints discussed in this episode are for entertainment purposes only and are simply our opinions based off of our own experience, background and education.   #policepodcast #policeofficer #leowarriors #thinbluelineusa #firstresponder #lawenforcementpodcast #LawEnforcement #LEOWarriors #fireemblemwarriors #whatcopsmustknow #nyslawenforcement #lawenforcementpodcast #podcastenglish #thinblueline #leowife #leomarriage #policemarriage #officer #officers   ⩥ PLEASE SUBSCRIBE TO OUR YOUTUBE CHANNEL ⩤ https://linktw.in/KDLEUl   CLICK HERE for our favorite Tactical Gear: https://linktw.in/yUhFaw (Ad) Some product links are affiliate links which means if you buy something by clicking on one of our links, we'll receive a small commission.   CLICK HERE to join our free Police, Fire, Military and Families Facebook Group: https://linktw.in/CmmzHn   Check out our website and learn more about how you can work with LEO Warriors by going to: https://www.leowarriors.com/   Like what you hear? We are honored. Drop a review and subscribe to our show.    The Tactical Living Podcast is owned by LEO Warriors, LLC. None of the content presented may be copied, repurposed or used without the owner's prior consent.   For PR, speaking requests and other networking opportunities, contact LEO Warriors: EMAIL: ashliewalton555@gmail.com. ADDRESS: P.O. Box 400115 Hesperia, Ca. 92340 ASHLIE'S FACEBOOK: https://www.facebook.com/police.fire.lawenforcement   ➤➤➤➤➤➤➤➤➤➤➤➤➤➤➤➤➤➤ This episode is NOT sponsored.   

In this episode, the host introduces the guest and discusses upcoming events, including the Europe tour and the DMB Couch Tour. They also talk about the upcoming season of the podcast and the opening of the US tour in Tampa. The guest shares his background and his first DMB show experience. They discuss attending shows in West Palm Beach and Deer Creek, as well as the reactions of friends and family to attending shows in Indiana. In this episode, Renae shares her experiences meeting Uncle Steve and the Fox Brothers, feeling at home in Cincinnati, and offers tips for introverts to connect in the Dave Matthews Band community. She also discusses the upcoming Night Zero parties in Tampa and West Palm Beach, highlighting the musical guests and prizes. Renae emphasizes the importance of charity and donations at the West Palm Beach Night Zero Party. She concludes by encouraging listeners to stay connected and share the podcast with friends.Support the show

Technical Games Agony D FeetThe Ochelli Effect 3-6-2024 NEWSTik Tok Tech TeaserInside the World of TikTok Spammers and the AI Tools That Enable Themhttps://www.404media.co/inside-the-world-of-tiktok-spammers-and-the-ai-tools-that-enable-them/Spam, scams, and propaganda: The state of Twitter 15 months into Elon Musk's reignhttps://theins.ru/en/society/2696682024 S Election Trumping SanityNikki Haley officially drops out of 2024 election, challenges Trump to win back her supportershttps://nypost.com/2024/03/06/us-news/nikki-haley-to-suspend-presidential-campaign-after-super-tuesday-defeats-reports/A 9-0 Supreme Court ruling on Trump shows that democracy isn't partisanhttps://nypost.com/2024/03/04/opinion/a-9-0-supreme-court-ruling-on-trump-shows-that-democracy-isnt-partisan/McConnell weighs endorsing Trump. It's a stark turnaround after the Jan. 6, 2021, attackhttps://apnews.com/article/senate-mcconnell-endorsement-trump-super-tuesday-6f9202ff2709518db276c5a0c68943c6?user_email=ed25f7cfbbec31d9f558e8542612e74d44e150b26f06f36df1bfd18e8e286cdd&utm_medium=Afternoon_Wire&utm_source=Sailthru_AP&utm_campaign=AfternoonWire_Mar5_2024&utm_term=Afternoon%20Wire"He looks lost": Alarm after Trump's "mind blanks out" repeatedly during speechhttps://www.salon.com/2024/03/04/he-looks-lost-alarm-after-mind-blanks-out-repeatedly-during-speech/Meet North Carolina's GOP Governor Candidate: A Hitler-Quoting Extremisthttps://newrepublic.com/post/179566/north-carolina-governor-candidate-mark-robinson-quoting-hitlerMedicines and magicHidden trauma: Do psychedelics reveal memories or create fake ones?https://bigthink.com/neuropsych/hidden-trauma-do-psychedelics-reveal-memories-or-create-fake-ones/Will Psychedelics Save Us? Nahhttps://johnhorgan.org/cross-check/will-psychedelics-save-us-nahFaster FoodsBurger King offers free Whopper deal in response to Wendy's 'surge pricing' backlashhttps://www.usatoday.com/story/money/food/2024/02/28/burger-king-free-whopper-deal-wendys/72774484007/Tucker TrotskiTucker Carlson compares US to Roman Empirehttps://www.rt.com/news/593807-tucker-carlson-us-empire/Law Suits / Murder / Mayhem / War / Oh My...Liberty University will pay $14 million, the largest fine ever levied under the federal Clery Acthttps://apnews.com/article/liberty-university-clery-act-fine-ac7f365762fb8ac8a4abb86cf4613d33?user_email=ed25f7cfbbec31d9f558e8542612e74d44e150b26f06f36df1bfd18e8e286cdd&utm_medium=Afternoon_Wire&utm_source=Sailthru_AP&utm_campaign=AfternoonWire_Mar5_2024&utm_term=Afternoon%20WireGaza cease-fire talks fail to achieve a breakthrough with Ramadan just days away, Egypt sayshttps://apnews.com/article/israel-hamas-war-news-03-05-2024-a13c5fa6e23fedbda42e3028a96ca14e?user_email=ed25f7cfbbec31d9f558e8542612e74d44e150b26f06f36df1bfd18e8e286cdd&utm_medium=Afternoon_Wire&utm_source=Sailthru_AP&utm_campaign=AfternoonWire_Mar5_2024&utm_term=Afternoon%20WireFour killed, multiple injured in California shootinghttps://local.newsbreak.com/king-city-ca/3354814109096-four-killed-multiple-injured-in-california-shooting?s=dmg_local_email_bucket_10.web2_fromwebHaiti declares state of emergency after thousands escape prisonhttps://www.upi.com/Top_News/World-News/2024/03/04/haiti-state-of-emergency-prison-break/5961709537290/Few Americans want US more involved in current wars in Ukraine and Gaza, AP-NORC poll findshttps://apnews.com/article/israel-russia-ukraine-american-war-94404b3269a1effc8d94482a36387657?user_email=ed25f7cfbbec31d9f558e8542612e74d44e150b26f06f36df1bfd18e8e286cdd&utm_medium=Afternoon_Wire&utm_source=Sailthru_AP&utm_campaign=AfternoonWire_March6_2024&utm_term=Afternoon%20WireCharges are dropped midtrial in ‘Hotel California' lyrics case. Don Henley plans to fight onhttps://apnews.com/article/hotel-california-lyrics-trial-eagles-e54331f073373ecdc801349c39cda889?user_email=ed25f7cfbbec31d9f558e8542612e74d44e150b26f06f36df1bfd18e8e286cdd&utm_medium=Afternoon_Wire&utm_source=Sailthru_AP&utm_campaign=AfternoonWire_March6_2024&utm_term=Afternoon%20WireEmbattled Oklahoma high school breaks its silence after sick footage showed students engage in 'toe-licking' challenge for fundraiser: 'We failed to uphold dignity of our students'https://www.dailymail.co.uk/news/article-13160263/Oklahoma-school-foot-licking-apologizes-video-Deer-Creek.html?utm_source=substack&utm_medium=email.You are the EFFECT if you support OCHELLIhttps://ochelli.com/donate/New Membership Options To Support Ochelli.com Radio and get More RARE content Than Ever Before!!BASIC MONTHLY MEMBERSHIP$10. USD per MonthSupport Ochelli & in 2024Get a Monthly Email that deliversThe 1st Decade of The Ochelli EffectOver 5,000 Podcasts by 2025BASIC + SUPPORTER WALL$150. USD one time gets the sameAll the Monthly Benefits for 1 Yeara spot on The Ochelli.com Supporters WallSIGN-UP @https://ochelli.com/membership-account/membership-levels/Ochelli Link Treehttps://linktr.ee/chuckochelli

This Week in Oklahoma Politics, KOSU's Michael Cross talks with Republican Political Consultant Neva Hill and Civil Rights Attorney Ryan Kiesel about Super Tuesday results in the state's Presidential Primaries, controversy over a fundraiser at Deer Creek Schools when a viral video showed kids licking peanut butter off the toes of other kids and a bill to keep Secretary of Agriculture Blayne Arthur in her position.The trio also discusses a decision by the State Supreme Court to approve an initiative petition to raise the minimum wage to $15 an hour by 2029 and Bristow Republican Representative Kyle Hilbert named House Speaker for 2025 making him the youngest Oklahoman to hold that position.Mentioned in this episode:Oklahoma State Medical Association

Mikey celebrates the career of Robert Loggia. Mikey details his escape from a Haitian prison. Mikey wants to move to Deer Creek, Oklahoma. Mikey loves to listen to the WHO. Mikey says Biden too many times the boogeyman appears. Mikey has his moves stolen by a cruise worker. Castiglioke is a Soul Man, or is it Soul Men? Learn more about your ad choices. Visit megaphone.fm/adchoices

Oklahoma voters make their voices heard in a variety of races across the state.Deer Creek Schools faces backlash over a fundraising event.A look at different options for the Electoral College.You can find the KOSU Daily wherever you get your podcasts, you can also subscribe, rate us and leave a comment.You can keep up to date on all the latest news throughout the day at KOSU.org and make sure to follow us on Facebook, Twitter and Instagram at KOSU Radio.This is The KOSU Daily, Oklahoma news, every weekday.

In a significant development in the 2017 Delphi murder case, Richard Allen faced new charges on Thursday. The Carroll County Prosecutor's Office, led by Nicholas McLeland, expanded the charges against Allen, adding two counts each of murder and kidnapping in the deaths of Libby German and Abby Williams.    Originally, in October 2022, Allen was charged with murder while committing a felony. However, the specific felony of kidnapping the two girls, which was implied in the initial murder charges, was formally added only now. The additional murder charges, as defined under Indiana law, accuse Allen of knowingly or intentionally causing the death of another person.    The legal intricacies of these charges are noteworthy. The initial charge of murder in the commission of a felony suggests that Allen kidnapped 14-year-old Libby and 13-year-old Abby, leading them away from the trails near the Monon High Bridge in Delphi. During this alleged kidnapping, the girls tragically lost their lives. Under this charge, the prosecution does not need to establish that Allen was the direct perpetrator of the killings. In contrast, the new murder charges explicitly accuse Allen of the act of killing the girls on February 13, 2017, near the Deer Creek, a short distance from the Monon High Bridge.    The implications of these charges are substantial. If Allen is found guilty on all four counts of murder, he would face sentencing for only two of them, as per legal provisions. Each murder charge carries a potential sentence of 45 to 65 years in prison. The kidnapping charges, if proven, could result in an additional three to 16 years of imprisonment. McLeland's request to the court to amend the charging information to include these new charges awaits a decision from Special Judge Fran Gull.    In a related development, Allen's defense strategy came under the spotlight. His legal representation reverted to his original public defenders, Brad Rozzi and Andrew Baldwin, following a ruling by the Indiana Supreme Court. This change occurred after Allen successfully petitioned the Supreme Court to reinstate his initial attorneys, who had been removed by Judge Gull on October 31, 2023. McLeland, in his legal filings, emphasized that the trial, scheduled for October, is still months away, providing ample time for the defense to prepare against the amended charges.    McLeland's approach in filing these new charges is strategic. He stated in his legal pleadings that the amended charges align more closely with the evidence and the probable cause affidavit in the case. Furthermore, he assured that these additional charges would not prejudice Allen's rights, indicating that Allen and his legal team were previously aware of the potential for new charges.    The case has garnered significant attention, partly due to the nature of the crimes and the prolonged investigation that followed. The deaths of Libby German and Abby Williams, who were just entering their teenage years, shocked the community of Delphi and captured national interest. The addition of these new charges marks a pivotal moment in the legal proceedings, potentially bringing the case closer to a resolution.    As the trial date approaches, the focus will undoubtedly shift to the courtroom, where the evidence and arguments presented will determine the outcome of this tragic and complex case. The community, still reeling from the loss of two young lives, awaits justice, hoping for closure in a case that has lingered in the public consciousness for years. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

In a significant development in the 2017 Delphi murder case, Richard Allen faced new charges on Thursday. The Carroll County Prosecutor's Office, led by Nicholas McLeland, expanded the charges against Allen, adding two counts each of murder and kidnapping in the deaths of Libby German and Abby Williams.    Originally, in October 2022, Allen was charged with murder while committing a felony. However, the specific felony of kidnapping the two girls, which was implied in the initial murder charges, was formally added only now. The additional murder charges, as defined under Indiana law, accuse Allen of knowingly or intentionally causing the death of another person.    The legal intricacies of these charges are noteworthy. The initial charge of murder in the commission of a felony suggests that Allen kidnapped 14-year-old Libby and 13-year-old Abby, leading them away from the trails near the Monon High Bridge in Delphi. During this alleged kidnapping, the girls tragically lost their lives. Under this charge, the prosecution does not need to establish that Allen was the direct perpetrator of the killings. In contrast, the new murder charges explicitly accuse Allen of the act of killing the girls on February 13, 2017, near the Deer Creek, a short distance from the Monon High Bridge.    The implications of these charges are substantial. If Allen is found guilty on all four counts of murder, he would face sentencing for only two of them, as per legal provisions. Each murder charge carries a potential sentence of 45 to 65 years in prison. The kidnapping charges, if proven, could result in an additional three to 16 years of imprisonment. McLeland's request to the court to amend the charging information to include these new charges awaits a decision from Special Judge Fran Gull.    In a related development, Allen's defense strategy came under the spotlight. His legal representation reverted to his original public defenders, Brad Rozzi and Andrew Baldwin, following a ruling by the Indiana Supreme Court. This change occurred after Allen successfully petitioned the Supreme Court to reinstate his initial attorneys, who had been removed by Judge Gull on October 31, 2023. McLeland, in his legal filings, emphasized that the trial, scheduled for October, is still months away, providing ample time for the defense to prepare against the amended charges.    McLeland's approach in filing these new charges is strategic. He stated in his legal pleadings that the amended charges align more closely with the evidence and the probable cause affidavit in the case. Furthermore, he assured that these additional charges would not prejudice Allen's rights, indicating that Allen and his legal team were previously aware of the potential for new charges.    The case has garnered significant attention, partly due to the nature of the crimes and the prolonged investigation that followed. The deaths of Libby German and Abby Williams, who were just entering their teenage years, shocked the community of Delphi and captured national interest. The addition of these new charges marks a pivotal moment in the legal proceedings, potentially bringing the case closer to a resolution.    As the trial date approaches, the focus will undoubtedly shift to the courtroom, where the evidence and arguments presented will determine the outcome of this tragic and complex case. The community, still reeling from the loss of two young lives, awaits justice, hoping for closure in a case that has lingered in the public consciousness for years. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

In a significant development in the 2017 Delphi murder case, Richard Allen faced new charges on Thursday. The Carroll County Prosecutor's Office, led by Nicholas McLeland, expanded the charges against Allen, adding two counts each of murder and kidnapping in the deaths of Libby German and Abby Williams.    Originally, in October 2022, Allen was charged with murder while committing a felony. However, the specific felony of kidnapping the two girls, which was implied in the initial murder charges, was formally added only now. The additional murder charges, as defined under Indiana law, accuse Allen of knowingly or intentionally causing the death of another person.    The legal intricacies of these charges are noteworthy. The initial charge of murder in the commission of a felony suggests that Allen kidnapped 14-year-old Libby and 13-year-old Abby, leading them away from the trails near the Monon High Bridge in Delphi. During this alleged kidnapping, the girls tragically lost their lives. Under this charge, the prosecution does not need to establish that Allen was the direct perpetrator of the killings. In contrast, the new murder charges explicitly accuse Allen of the act of killing the girls on February 13, 2017, near the Deer Creek, a short distance from the Monon High Bridge.    The implications of these charges are substantial. If Allen is found guilty on all four counts of murder, he would face sentencing for only two of them, as per legal provisions. Each murder charge carries a potential sentence of 45 to 65 years in prison. The kidnapping charges, if proven, could result in an additional three to 16 years of imprisonment. McLeland's request to the court to amend the charging information to include these new charges awaits a decision from Special Judge Fran Gull.    In a related development, Allen's defense strategy came under the spotlight. His legal representation reverted to his original public defenders, Brad Rozzi and Andrew Baldwin, following a ruling by the Indiana Supreme Court. This change occurred after Allen successfully petitioned the Supreme Court to reinstate his initial attorneys, who had been removed by Judge Gull on October 31, 2023. McLeland, in his legal filings, emphasized that the trial, scheduled for October, is still months away, providing ample time for the defense to prepare against the amended charges.    McLeland's approach in filing these new charges is strategic. He stated in his legal pleadings that the amended charges align more closely with the evidence and the probable cause affidavit in the case. Furthermore, he assured that these additional charges would not prejudice Allen's rights, indicating that Allen and his legal team were previously aware of the potential for new charges.    The case has garnered significant attention, partly due to the nature of the crimes and the prolonged investigation that followed. The deaths of Libby German and Abby Williams, who were just entering their teenage years, shocked the community of Delphi and captured national interest. The addition of these new charges marks a pivotal moment in the legal proceedings, potentially bringing the case closer to a resolution.    As the trial date approaches, the focus will undoubtedly shift to the courtroom, where the evidence and arguments presented will determine the outcome of this tragic and complex case. The community, still reeling from the loss of two young lives, awaits justice, hoping for closure in a case that has lingered in the public consciousness for years. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

WDAY First News anchors Lisa Budeau, Scott Engen and Dillon Vogt break down your regional news for Monday, January 22, 2024. InForum Minute is produced by Forum Communications and brought to you by reporters from The Forum of Fargo-Moorhead and WDAY TV. Visit https://www.inforum.com/subscribe to subscribe.

In this episode of "From No Crypto to Know Crypto," host Blockchain Wayne interviews Pelli Wang from Bracket Labs. Pelli discusses her journey in the crypto space, beginning with her Wall Street career and transitioning to tech startups, eventually leading to her involvement in the cryptocurrency sector. She shares insights about her work at ConsenSys, building key Ethereum infrastructure, and her venture Deer Creek. The conversation then shifts to Bracket Labs, exploring its origin and focus on simplifying complex financial products for DeFi, like volatility markets and derivatives. Pelli highlights the challenges of global DeFi regulation and the need for simplicity in user interfaces for wider adoption. The episode emphasizes the evolving landscape of crypto and blockchain technology, advocating for user-friendly solutions in this rapidly changing field.   Learn more about Bracket Labs: https://www.bracketx.fi/    Learn more about FIO and get your Handle today: https://fio.net/

Join Living the Dream Outdoors Podcast host Bill Cooper and long time friend and owner of Bean Creek Game Calls Lucas Adey. Bill and Lucas reminisce about long ago  when Bill ran youth turkey hunts with Lucas's dad  Randy Ady and his good buddy Andy Ramsey. Too, Bill and Lucas talk about the history of Bean Creek Game Calls, how the company has advanced, and some of the most popular calls today. And of course, these two die hard outdoorsmen couldn't do a show together unless they talked at length about Missourio's fall shotgun turkey season, the anterless firearm season and the upcoming  regular rifle season in November. It is by far the most popular of all the deer seasons that Missouri. Listen closely. This is a great show, which is full of good information.

Welcome to “Concerts on the Corner: Best of Summer 2023”! This full concert is comprised of many of our favorite performances and moments from the 2023 Summer Tour. We made sure to incorporate DMB's new material, older classics, and of course some special guests as well. In total, 16 different shows are represented across this 3+ hour epic journey that will be sure to leave you cheering for more! We hope you enjoy this iteration of “Concerts on the Corner”!   HUGE thanks and shoutout to the tapers! Without them, none of this would be possible. Audio from the following taper's sources were used in this show: Zach Semcken, Rob Bokon, Scott Plumer, "bersey", Ryan Hoyt, Henry Hart, Robert Taylor, Mark Terrell, Jon Koch, and Noam Yemini   0:00 Intro 02:23 Madman's Eyes (fake) (06/30/23 - Deer Creek)  04:50 Minarets (06/30/23 - Deer Creek) 12:10 Madman's Eyes (07/14/23 - SPAC) 16:17 Bismarck (06/03/23 - Charleston, SC) 21:39 Busted Stuff (06/23/23 - Burgettstown, PA) 26:46 JTR (06/09/23 - Forest Hills, NY) 33:15 It Could Happen (07/15/23 - SPAC) 37:37 Virginia in the Rain (07/14/23 - SPAC) 44:30 Too Much (fake) (07/07/23 - Chicago, IL) 44:48 Warehouse (07/26/23 - Orange Beach, AL) 54:35 Seek Up (09/01/23 - The Gorge) 01:15:45 Looking for a Vein (05/26/23 - Nashville, TN) 01:19:26 Cha Cha (06/16/23 - Bangor, ME) 01:25:38 American Baby Intro (07/14/23 - SPAC) 01:32:40 I Want You (She's So Heavy) (06/23/23 - Burgettstown, PA) 01:34:52 Break Free (feat. Greg Phillinganes) (08/26/23 - Irvine, CA) 01:42:58 Grace is Gone (feat. Greg Phillinganes) (08/25/23 - Irvine, CA) 01:51:51 The Only Thing (07/29/23 West Palm Beach, FL) 01:59:20 The Weight (09/02/23 - The Gorge) 02:04:54 Lie in Our Graves (feat. Béla Fleck) (07/15/23 - SPAC) 02:17:01 Cry Freedom (09/01/23 - The Gorge) 02:24:21 Tripping Billies (feat. Warren Haynes) (07/18/23 - Holmdel, NJ) ————————————————— 02:31:18 A Pirate Looks at Forty (09/02/23 - The Gorge) 02:35:47 Monsters (feat. Warren Haynes) (07/18/23 - Holmdel, NJ) 02:42:50 Two Step (feat. Warren Haynes) (07/19/23 - Wantagh, NY) ————————————————— 03:01:44 Just Breathe (09/02/23 - The Gorge) 03:06:41 Spoon (feat. Molly Tuttle & Bronwyn Keith-Hynes) (09/01/23 - The Gorge) 03:12:56 Ants Marching (feat. Molly Tuttle & Bronwyn Keith-Hynes) (09/01/23 - The Gorge)

"Jamming at Borderland: Goose, Trey Anastasio, and More Shine Bright"Larry Mishkin welcomes the Deadhead Cannabis Show's sound editor, Jamie Humiston to discuss his experience at the Borderland Music and Arts Festival. Jamie highlights various bands that performed, including Goose, Trey Anastasio's Classic Tab, and The Infamous Stringdusters. Jamie shares their impressions of the festival's atmosphere, mentions a cannabis-infused hot sauce that he discovered, and provides insights into the different musical acts. The conversation touches on the evolving jam band scene and the unique charm of festivals..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast Going with a hot one, September 25, 1980Grateful Dead Live at Warfield Theater on 1980-09-25 : Free Borrow & Streaming : Internet Archive Opening night of the Grateful Dead's Warfield/Radio City acoustic/electric runs, recorded every night and best wound up on Reckoning (acoustic) and Dead Set (electric) Warfield Run – September 25, 1980 – October 14, 1980Radio City Run – October 22, 1980 – October 31, 1980 Prior to these shows, had not played a full acoustic set in concert since 1970 or maybe early 1971.  As a result, a good number of songs that the Dead liked to play acoustic had not been heard in a number of years before this show. first "Ain't No Lie" - last "All Around This World": 02-14-70 [706] - last "Bird Song": 09-15-73 [382] - last "Dark Hollow": 04-29-71 [550] - last "Monkey & Engineer": 12-31-70 [589] - last "Ripple": 04-29-71 [550] - last "Rosalie McFall": 11-08-70 [609] - last "Roses": 01-12-79 [118] INTRO:                Birdsong                           Track No. 1                           1:00 – 2:13               From Jerry's first solo album, “Garcia” released Jan 20, 1972.              Robert Hunter lyrics:  Robert Hunter originally wrote the song as a tribute for Janis Joplin. Phil Lesh now sings "All I know is something like a bird within him sang", transfering it Jerry Garcia instead.            First played Feb. 19, 1971 Capitol Theater Port Chester           Last played June 30, 1995 Three Rivers Stadium, Pittsburgh           Played by the Dead 300 times in concert This was the first time played since 9.15.73 (382 shows) This version is amazing both because it is acoustic and Jerry's voice is so strong.  Makes you fall in love with the song all over again, or, as One Armed Lary would say, “taste it again for the first time” although I don't think he was talking about this song, or any song, when he said it (Deer Creek 1989). SHOW  #1:         I've Been All Around This World                           Track No. 2                           1:23 – 2:16               The origins of I've Been All Around This World are not easy to trace. It possibly derives from a number of different songs. The 'Hang Me, Oh Hang Me' verse is thought to derive from the traditional song My Father Was A Gambler, a US ballad, which is thought to be about a murderer who was hanged in 1870. The song has also been collected under such titles as "Diggin' on the New Railroad", “The Gambler, ” “My Father Was a Gambler,” “The New Railroad,” “The Hobo's Lament,” “The Hobo's Blues” and "Hang Me, Oh Hang Me". In 1930, George Milburn published a book entitled the Hobo's Hornbook that included a version of “I've Been All Round this World”. It was also found in Henry Marvin Belden's "Ballads and Songs Collected by the Missouri Folk-Lore Society". The book was printed in 1940 but the song was "secured by Miss Frances Barbour in 1917 from the singing of Minnie Doyle of Arlington, Phelps County [MO]". Dead's version is “Traditional, arranged by the Grateful Dead and they all get credit (Pig Pen days)Released on History of the Grateful Dead, Vol. ! Bear's Choice (a live album by the Grateful Dead. It is their fourth live album and their ninth album overall. Released in July 1973 on Warner Bros. Records, it offers concert highlights recorded February 13 and 14, 1970 at the Fillmore East in New York City. Often known simply as Bear's Choice, the title references band soundman Owsley "Bear" Stanley. It was originally intended to be the first volume of a series.)                                                      First played by the Dead on December 19, 1969 at the Fillmore West              Last played by the Dead on December 31, 1980 Oakland Civic Auditorium              Played a total of 19 times in concert This was the first time played by the Dead since Feb. 14, 1970 (706 shows) I really love the acoustic guitar in this version.  Jerry can pick with the best of them. BORDERLAND  SEPT. 15, 16 AND 17EAST AURORA, NY (JUST OUTSIDE OF BUFFALO)5th year The Borderland Music + Arts Festival celebrates the rich history and renaissance of the region with a three-day music and cultural festival set in one of the most scenic and storied grounds in all of New York State, Knox Farm State Park. Great lineup with headliners:              Goose              TAB              Moe.Also featuring:   Infamous String Dusters                           Dawes                           Sammy Rae and Friends                           Neal Francis                           Not Fade Awa Band (Dead and Zeppelin covers)                           Eric Krasno                           Brandford Marsalis                           Anders Osborne                           Etc. Jamie Humiston was there.Jamie – discuss festival, highs, favorite acts, etc. SHOW #2:          SONG FROM BORDERLAND                           GOOSE SHOW #3:          SONG FROM BORDERLAND                           TREY AND DAWES Back to the Dead from 9.25.1980 SHOW #4:          Oh Babe It Ain't No Lie                           Track No. 8                           :10 – 1:35               By Elizabeth “Libba” Cotton January 5, 1893 – June 29, 1987)[1][2][3] was an American folk and bluesmusician. She was a self-taught left-handed guitarist who played a guitar strung for a right-handed player, but played it upside down.[4] This position meant that she would play the bass lines with her fingers and the melody with her thumb. Her signature alternating bass style has become known as "Cotten picking".[5]NPR stated "her influence has reverberated through the generations, permeating every genre of music."[6]Her album Folksongs and Instrumentals with Guitar (1958), was placed into the National Recording Registry by the Library of Congress, and was deemed as "culturally, historically, or aesthetically significant". The album included her signature recording "Freight Train", a song she wrote in her early teens.[7] In 1984, her live album Elizabeth Cotten Live!, won her a Grammy Award for Best Ethnic or Traditional Folk Recording, at the age of 90.[8] That same year, Cotten was recognized as a National Heritage Fellow by the National Endowment for the Arts.[9] In 2022, she was posthumously inducted into the Rock and Roll Hall of Fame, as an early influence.[10]               David Dodd:  The song debuted in the Dead's repertoire during their Warfield run on September 25, 1980, and was then played ten times over the course of the acoustic shows at the Warfield and Radio City Music Hall runs. After that, it made three more appearances, in one-off situations such as an acoustic set at the Mill Valley Recreation Center, or in the Netherlands for an acoustic set, and finally at Marin Vets, on March 28, 1984, in a performance that kicked off the second set, without Weir and Mydland onstage.However, I know the song had been “around” for much longer than that. It appears on the studio outtakes from Garcia's Reflections album, as released in the All Good Things box set. And personal interviews with Garcia's circle of acquaintances in Palo Alto in the early 1960s make it explicitly clear that he was familiar with the work of Libba Cotten. So I expect Garcia had performed the song many times during his folkie period, and it may have been in the Jug Band repertoire. Dodd:  An avid Grateful Dead concertgoer for more than two decades, David Dodd is a librarian who brings to the work a detective's love of following a clue as far as it will take him. Author of:The Annotated Grateful Dead Lyrics OUTRO:            Ripple                           Track No. 9                           3:04 – 4:30               From American Beauty  (Released Nov. 1970)               Robert Hunter wrote this song in 1970 in London on the same afternoon he wrote "Brokedown Palace" and "To Lay Me Down" (reputedly drinking half a bottle of retsina in the process [3]). The song debuted August 18, 1970 at Fillmore West in San Francisco. Jerry Garcia wrote the music to this song.[3]                       Between 1970 and 1971 the Grateful Dead played the gorgeous Garcia/Hunter tune “Ripple” a number of times both electric and acoustic before putting the song in mothballs until 1980. Though the Dead performed “Ripple” a whopping 27 times acoustically in 1980 and then once again unplugged in 1981, it disappeared from the repertoire for the final 14 years of the band's career with one exception. On September 3, 1988 the Grateful Dead busted out an electric “Ripple” for the first time in 17 years for what would be the final performance of the tune.As the story goes, which is unconfirmed, the band was approached by the Make-A-Wish Foundation with a request from a young fan dying of cancer. The Grateful Dead were asked to perform “Ripple” at their September 3, 1988 show in Landover, Maryland. Jerry Garcia & Co. honored the request by ending the evening with the tender ballad. “Ripple” hadn't been played in any form in 459 shows and it had been 1,113 performances since the last electric version of the American Beauty stunner which took place at New York City's Fillmore East. As you can imagine, the crowd went absolutely ape shit the moment the “Ripple” bust out begins.That was also the night of the rehearsal dinner for my wedding weekend in Chicago.  A number of my good Deadhead friends were in town celebrating with my wife and me and much later that night (remember, no cell phones or internet or on-line set lists.  Had to wait for the 800 RUN DEAD line to be updated and then be able to get through.  Somehow even by those standares word got around very fast and my buddies were not at all pleased since many of them would have undoubtedly been at that show (although, since it was a second encore a number of fans had already walked out of the Cap Center and then desperately tried to get back in.No better way to end any show, including this one. Music Stories:Neil Young & Crazy Horse Deliver ‘Tonight's The Night' and ‘Everybody Knows This is Nowhere' in Full Bobby Weir & Wolf Bros Announces Three-Night New Year's Eve Stand in Fort Lauderdale Phish to Bring Four-Night New Year's Run Back to Madison Square Garden

Hi everybody and welcome to this week's episode of Attendance Bias. I am your host, Brian Weinstein. Today's guest is Ryan Thompson who is here to tell us about Phish's show from August 10, 1997 at Deer Creek. The fall 1997 tour is the one that is better known, but there were a lot of quirks, idiosyncrasies and highlights in the summer of that . 8/10/97 features all of this and more.When I listened to this show, I understood almost immediately why Ryan chose it. Aside from the musical highlights, which we discuss at length, the famed “cow funk” isn't all quite there, but we see the inklings of it. In addition, this wild and wacky second set makes this show perfect for Attendance Bias; it's one of those shows where the second set only really makes sense if you were there. Summer ‘97 had a few of those moments in the years before webcasting when the listener had to picture what was happening on stage because the audio recording alone couldn't do it justice.So let's join Ryan Thompson to talk about Tinley Park, King Crimson, and Phish's show from August 10, 1997 at Deer Creek.

Joshua and Jude shake off the rain, wipe down the pod machine, and yell wildly into the lightning storm after Notre Dame's 45-24 victory over the NC State Wolfpack. In this episode: HELLO! The wedding night of Tim Tebow. A bad 9/11 joke spawns some vivid memories from 22 years ago. Throwing out the first pitch. REVIEWS! There's fear in your eyes as Joshua takes your glass of champagne. Pearl Jam and Deer Creek forever. Notre Dame's travel day in Raleigh. Managing a game delay. How are you not prepared for things? We spin a very very positive takeaway from this game because explosive plays are awesome and should be celebrated as a good thing - always. Taking out Brennan Armstrong. ACC refs went full Shane McMahon. A new Notre Dame record. The rest of the college football day. The new Earned 5-Star Top 20 is released and our friend Greg goes off on rankings and friendship. And much more weaved in and out of the show. Please RATE and REVIEW! All reviews left on Apple Podcasts will be read on the next Earned 5-Star Podcast. Sign up with MyBookie using our link to receive your welcome bonus RIGHT HERE Go Irish! Learn more about your ad choices. Visit megaphone.fm/adchoices

The stunning true story of a murder that rocked the Mississippi Delta and forever shaped one author's life and perception of home.In 1948, in the most stubbornly Dixiefied corner of the Jim Crow south, society matron Idella Thompson was viciously murdered in her own home: stabbed at least 150 times and left facedown in one of the bathrooms. Her daughter, Ruth Dickins, was the only other person in the house. She told authorities a Black man she didn't recognize had fled the scene, but no evidence of the man's presence was uncovered. When Dickins herself was convicted and sentenced to life in prison, the community exploded. Petitions pleading for her release were drafted, signed, and circulated, and after only six years, the governor of Mississippi granted Ruth Dickins an indefinite suspension of her sentence and she was set free.In Deer Creek Drive, Beverly Lowry—who was ten at the time of the murder and lived mere miles from the Thompsons' home—tells a story of white privilege that still has ramifications today, and reflects on the brutal crime, its aftermath, and the ways it clarified her own upbringing in Mississippi. DEER CREEK DRIVE: A Reckoning of Memory and Murder in the Mississippi Delta-Beverly LowryRitual.com/MurderThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3269715/advertisement

It has been a few weeks since we last got together to discuss the happenings of the 2023 Summer Tour, and holy cow has a lot happened! On this episode we cover a whopping 10 shows that all happened in a 20 day span and included an impressive 25 tour debut. The band is firing on all cylinders as they are not only busting out classics and rarities left and right, but also keeping everyone on their toes with teases and fakes and song placement. As we head into the SPAC weekend, we cannot wait to see what DMB has in store for us all next! 

This week we return to Deer Creek for the second set of the band's performance on June 9, 1991.  This second set opens with a scorching Scarlet>Fire.. the boys put it together here, with Jerry adding some nice flute-like touches and Hornsby pulling out the squeezebox during Fire.. one of the best of the year for sure. 'Truckin' follows, with an excellent closing jam into 'New Speedway Boogie' which had recently come out of retirement. Out of Space there is an excellent 'I Need A Miracle' which goes into a wonderful 'Standing on the Moon'. Jerry is wailing on the closing 'I'd rather be with you! ' and is obviously enjoying himself. The band puts it together for a rousing 'Sugar Magnolia' to close the set. 'The Weight' slows things down as they say good bye to Indiana for another year...      Grateful Dead Deer Creek Music Center Noblesville, IN 6/7/1991 - Friday Two      Scarlet Begonias > Fire On The Mountain ; Truckin' > New Speedway Boogie > Drums > Space > I Need A Miracle > Standing On The Moon > Sugar Magnolia Encore      The Weight   http://traffic.libsyn.com/deadshow/deadpod060923.mp3 My thanks for your kind support, I couldn't bring you the Deadpod without it.