Podcasts about allmans

Catching up with the backup - it's a timely episode of the Garage Hour (not to be cornfused with the usual when-we-can upload freakout).  There are still a few more further-behind  units to be kicked into production, so don't worry - you won't miss a thing. What's in this 'un?  Good electronics versus new, "dumb" appliances versus robot vacuums conspiring with the 'fridge, and the importance of having a good TV repairman up your sleeve.  There's a stint with the inevitable: electric cars and why taxpayer dough makes them soft and flabby (and inevitable losers); a possible breakthrough in small trucks (because it's simple), the spy on the counter, the spy in your solar panels, the spy in A.I., and how Carl Sagan called this 50 years ago (and Asimov did 100 years ago).  Add on a few thoughts about the freedom to roam (and boat, when you're in Florida (man)), and more from JFS3, and you've got a show. While we're at it, this episode's got a few Excellent Weirdo R.I.P.s for some high-Q fellows who left us (and it's not okay): Joe Don Baker, George Wendt and Bruce Glover.  Make it more: music from Karma to Burn, KMFDM, Deadbolt, Fatso Jetson, I Mother Earth, Dire Straits, Rev. Heat, Clutch, the Allmans and Fun Lovin' Criminals.

Catching up with the backup - it's a timely episode of the Garage Hour (not to be cornfused with the usual when-we-can upload freakout).  There are still a few more further-behind  units to be kicked into production, so don't worry - you won't miss a thing. What's in this 'un?  Good electronics versus new, "dumb" appliances versus robot vacuums conspiring with the 'fridge, and the importance of having a good TV repairman up your sleeve.  There's a stint with the inevitable: electric cars and why taxpayer dough makes them soft and flabby (and inevitable losers); a possible breakthrough in small trucks (because it's simple), the spy on the counter, the spy in your solar panels, the spy in A.I., and how Carl Sagan called this 50 years ago (and Asimov did 100 years ago).  Add on a few thoughts about the freedom to roam (and boat, when you're in Florida (man)), and more from JFS3, and you've got a show. While we're at it, this episode's got a few Excellent Weirdo R.I.P.s for some high-Q fellows who left us (and it's not okay): Joe Don Baker, George Wendt and Bruce Glover.  Make it more: music from Karma to Burn, KMFDM, Deadbolt, Fatso Jetson, I Mother Earth, Dire Straits, Rev. Heat, Clutch, the Allmans and Fun Lovin' Criminals.

Episode 185: Jerry Lee W/E Street Band, Leeds Music, Blue Jays, Fogelberg March 31, 2025 Going back to the first airing of episode 30 on RadioFreeNashville.org and November 2022, we'll play Jerry Lee Lewis and Springsteen's Band at the opening of the Rock n Roll Hall of Fame, which, looking at recent inductees, should be remarqueed Hall of Music (Pop). Live at Leeds was regarded by some as one of the, if not THE best recorded live albums, along with The Allmans at Fillmore East. There's some shakin' going on there too. The entire hour is filled with a lot of the great LP cuts that made the 60s & 70s music so important. I want to say thank you to all the financial supporters of Tales Vinyl Tells. Whether a small amount monthly or a very generous donation, each of you listeners are very appreciated and if you can and do give monthly, my deepest gratitude goes to you. If you're not a patron yet and want to know more about becoming a patron of this music program you can go Patron.podbean.com/talesvinyltellssupport. Thank you and rock on! And thanks for listening today.  My email is talesvinyltells@gmail.com.  If you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, Apple podcasts, iHeart podcasts, Player FM podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime.

Andy Aledort is widely known for his transcriptions, instructional columns and DVDs and has also toured throughout the last two decades with Dickey Betts and the Jimi Hendrix Tribute.Andy's latest album is In A Dream, featuring five originals and covers of Jimi Hendrix's “Pali Gap,” Cream's “Lawdy Mama” and Albert King's ‘Can't You See What You're Doing To Me.” The album has garnered incredible reviews from today's most respected players: Warren Haynes says,Andy's playing his ass off as always and the guitar sounds are great. I love the harmonized slide guitars on ‘Hymn,' and I'm digging the jazzier tunes too. And on ‘Moonwaves,' he's mixing Hendrix and Zappa vibes. I dig it!” Joe Satriani state, “Nice playing all over this album!  ‘Pali Gap' sounds killer and ‘Moonwaves' is awesome! And Steve Vai adds, “‘In A Dream' reveals Andy's authentic love of blues and it shines through in the atmosphere he created. He is burning an old torch in a new way and it works. It's great to have a record like this that captures that authenticity.” In A Dream is available from Long Song Records.https://andyaledort.com/https://friendsofthebrothersband.com/

Matthew and Kyle head down to the south for the rock stylings of The Allman Brothers Band and their classic 1973 release, 'Brothers And Sisters". Do you really want to see what we look like while we record? Check out select episodes on our YouTube, you weirdo: https://www.youtube.com/channel/UCO8oo8oZkSLUqOuiiw8hD7Q If you like what you hear (and see) and want to support the podcast, you can become a Patreon supporter for as little as $1/month: https://www.patreon.com/audiojudo You can also buy some swag with our logo on it: https://www.teepublic.com/user/audio-judo-podcast As always, let us know what you think by emailing info(at)audiojudo(dot)com. Website: https://www.audiojudo.com Get in touch on social media: Facebook: https://www.facebook.com/audiojudo Twitter: @audiojudo Instagram: @audio_judo We are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at https://www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode the marvellous Mark Williams Zooms in from mid-Wales to regale us with tales from the heyday of the UK's underground press and his later involvement with the L.A. punk scene. We start in mid-'60s Newcastle – where our guest drummed with beat combo the Jailbirds – and move on to his days at the Birmingham Arts Lab via a flat above London's hallowed 2i's coffee bar. A return to the capital in late '68 brings Mark to the offices of leading underground paper International Times (a.k.a. it) and his irregularly-recompensed stint as the editor of its "Plug & Socket" music section. A weekend in the arms of Janis Joplin is among the highlights of his it tenure before he departs to launch the short-lived Strange Days – for which he was due to interview Jimi Hendrix on the day after the guitarist died. It being 50 years since the first Knebworth festival, we revisit that Allmans-headlined "Bucolic Frolic" and discuss the phenomenon of such gatherings. Jumping forward five years, we hear about our guest's years in Los Angeles and his work with Slash (the publication and the label) – the Germs connection leading into clips from a 1983 John Tobler audio interview with Joan Jett. Finally we hear about the 1981 launch of Felix Dennis' splendidly opportunistic New Music News and Mark's memories of editing his hilarious pal Tom Hibbert. Mark talks us out with quotes from newly-added library pieces about teen heartthrob Bobby Vinton (1962), the broken-through Doors (1967), infamous Stone/Beatles lawyer/manager Allen Klein (1969) and southern-soul Mecca Muscle Shoals (1970)... after which Jasper wraps up the episode with his thoughts on militant (and prescient) rappers Dead Prez (2003) and the enduring influence of Chic (2021). Many thanks to special guest Mark Williams. Pieces discussed: Janis Joplin: Janis, Jimi Hendrix, The Rolling Stones: Free Concerts,When the Allman Brothers Band Headlined the First Knebworth, Cancel the inquest: the festival she lives, Knebworth: Great music but a non-event, Letter from Britain, L.A. Punk: Pogo-ing On The Fault Line, Joan Jett audio, It's Tom Hibbert's World, Bobby Vinton, The Doors, Allen Klein, Muscle Shoals, Alabama, Dead Prez and The Chic Effect.

"From Morning Dew to Dark Star: The Grateful Dead's Masterpiece Concert in 1973"Larry Mishkin's featured concert is the Grateful Dead's legendary performance at Robert F. Kennedy Stadium on June 10, 1973. This show is celebrated as one of the band's greatest, partly because of its remarkable opening with "Morning Dew," a song that symbolized the special nature of the event. The concert, part of a two-day festival with the Allman Brothers Band, included an extraordinary setlist and performances that have become iconic.The show started with "Morning Dew," a rare and significant opener, setting the tone for the night. The first set included 13 songs, ending with an 18-minute "Playing in the Band." The second set opened with a 22-minute "Eyes of the World," followed by Jerry Garcia singing "Morning Dew," "Stella Blue," and "Warfrat," which was a rare combination for a single show. The set also featured a 12-minute "Bird Song" and an 11-minute "Here Comes Sunshine," showcasing the band's range and intensity.A highlight of the concert was a 26-minute "Dark Star" that led into a sequence of "He's Gone," "Warfrat," "Truckin'," and "Sugar Magnolia," making for an over-hour-long jam to close the second set. The encore was equally impressive, featuring eight songs with guest performances by Dicky Betts and Butch Trucks from the Allman Brothers Band. This show exemplified the Grateful Dead's ability to create a transcendent musical experience.Larry also discusses the song "Wave That Flag," played for the last time at this concert, which evolved into "US Blues." This track, notable for its evolving lyrics and style, was a precursor to a fan-favorite encore tune.In music news, Larry highlights the release of Widespread Panic's new LP, "Snake Oil King," their first in nine years, set to be released on June 14, 2024. The band, known for their jam band status, recorded the album at John Keane Studio in Athens, Georgia, and it features six tracks with high-quality vinyl mastering.The discussion also touches on Dead and Company's recent performances at the Sphere in Las Vegas, noting the innovative visuals and varied setlists. The band continues to break out new tunes and maintain the excitement of live shows.Finally, a humorous note mentions a Phish fan who was banned from all MSG venues for posting a video of himself taking a bong hit inside the Sphere during a concert, highlighting the strict enforcement of venue policies. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

A complete show to honor the memory of the late-great Dickey Betts. Forrest Richard Betts (December 12, 1943 – April 18, 2024) was an American guitarist, singer, songwriter, composer and founding member of The Allman Brothers Band. Early in his career, he collaborated with Duane Allman, introducing melodic twin guitar harmony and counterpoint which "rewrote the rules for how two rock guitarists can work together, completely scrapping the traditional rhythm/lead roles to stand toe to toe". Following Allman's death in 1971, Betts assumed sole lead guitar duties during the peak of the group's commercial success in the mid-1970s. Betts was the writer and singer on the Allmans' hit single "Ramblin' Man". He also gained renown for composing instrumentals, with one appearing on most of the group's albums, including "In Memory of Elizabeth Reed" and "Jessica".

Episode 137: Nostalgia: "A Sentimental Longing Or Wistful Affection.... April 3, 2024 …for the past, typically for a period or place with happy personal associations”. Yeh man! Like the 60s & 70s. Playing for change remakes songs with musicians from all over the world with sometimes odd instruments, did you enjoy Joy of Cooking? Not the book, but the band. They're here with a few nostalgic pieces just for you and your silly nostalgia. I'm in the present and love a lot of things about the past. The Doors and Zeppelin on windowpane. Allmans and shrooms. I do hope these tunes today will make you smile and encourage you to be grateful for all you are, here, now.

On this episode of Dipped In Tone, Rhett and Zach chat with special guest Warren Haynes. The Gov't Mule leader talks about the band's latest, Peace… Like a River. This record of originals was recorded simultaneously with 2021's Heavy Load Blues, in the same studio, using a completely different set of gear. “We setup all our normal Mule toys in the big room with the high ceiling, we setup a bunch of vintage gear, small amps, and old guitars … in the small room,” Haynes shares, as he details the differences in each rig and talks about his go-to blues rig, which includes vintage Gibson amps—“they were flying by the seat of their pants, a lot of it was experimental,” he says on why they're some of his favorites—a Supro, Alessandro, and more, plus a slew of vintage guitars, including Danelectros and Gibsons. “The surprise factor was part of it,” Haynes says. In the course of talking amps, Haynes might have let the cat out of the bag about a special project.What does it take to be effective when sitting in? “A lot of times,” Haynes explains, “I'm just trying to find something that fits and stay out of everybody's way.” Pragmatically, he later adds, “Really, the most important thing to remember is that the song's gonna be fine without your part, so there's no reason to feel like you have to do anything. When it comes time to solo, that's a little bit of a different story.” He later reminisces about sitting in with Bob Dylan, and, during his time as a member of the Allmans, having Eric Clapton join the band onstage.Big thanks to Sweetwater for sponsoring this episode. Head to http://sweetwater.com for all your musical gear needs. Subscribe, like, and leave us a commentSign up on our mailing list: http://eepurl.com/iaCee5Support us on Patreon for access to our discord server and other perks! https://www.patreon.com/dippedintoneMERCH: https://teespring.com/stores/dipped-in-toneFollow us on Instagram: https://instagram.com/dippedintone Dipped in Tone is:Rhett Shull https://www.rhettshull.com/Zach Broyles / Mythos Pedals https://mythospedals.comPremier Guitar https://www.premierguitar.com/

Dead Heads Alex and Dave discuss the Grateful Dead's longest ever show, featuring sit ins from the Allman Brothers band, from 6/10/73 at RFK Stadium!This is the band's newest official release, now available wherever you stream music. To celebrate the occasion, Zach Cropper--host of Rock Talk with Dr. Cropper--joined us to draft our favorite songs from this super-sized show, which Rolling Stone described at the time as, "far less a concert than an event." Get on the bus with Workingman's Pod!Links:Follow Rock Talk with Dr. Cropper wherever you listen to podcasts!Deadessays monumental piece on The Dead and The Allmans - https://deadessays.blogspot.com/2019/01/the-dead-and-allmans.htmlDeadessays on “The Proto-Solomon Jam” - http://deadessays.blogspot.com/2018/06/the-proto-solomon-jazz-jam.htmlGrateful Seconds talkin' 6/10/73 - http://www.gratefulseconds.com/2017/04/rfk-1973-certified-killer.htmlAll samples come from Monte Barry's excellent AUD, available at https://archive.org/details/gd1973-06-10.fob.barry.90351.flac16/gd73-06-10d2t03.flacFollow us on social media! @workingmanspod on Twitter and @workingmans_pod on Instagram

Discograffiti talks with the music-obsessed director about: The 1966 concert that forever changed his life; The most indispensable box set of all time; And why it took him some time to “get” The Ramones. Also, don't miss our incredible summer Patreon series FILLMORE FEAST, a sordid, many-coursed meal of intimate happenings that went down during Allan's time rising through the ranks at the Fillmore East, as he hung out, partied, got dosed by, and became tight friends with The Dead, The Allmans, and all the rest of rock history's legends…that is, all except for CSNY.   NEXT WEEK: Vashti Bunyan rates the entirety of her own discography! Allan Arkush's incredible YouTube channel, in which he tells his life story through music: https://www.youtube.com/channel/UCSormz-EZa4yugvJ3MyKVkQ CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon: www.Patreon.com/Discograffiti Podfollow: https://podfollow.com/1592182331 Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti YouTube: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Web site: http://discograffiti.com/ CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram:  https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe CONTACT TODD ZIMMER: GRAPHIC DESIGN Facebook: https://www.facebook.com/ToddZimmer and https://www.facebook.com/punknjunkradio Instagram: https://www.instagram.com/the_real_todd_zimmer/ and https://www.instagram.com/punknjunkradioshow/ #allanarkush #rogercorman #paulbartel #fillmoreeast #joedante #rocknrollhighschool #billgraham #ramones #theramones #martinscorsese #joeyramone #bobdylan  #punkrock #cultclassics #musical #jonathandemme #riffrandell #juliecorman #deedeeramone #johnnyramone #genx #pavement  #discograffiti #getcrazy #thetemptations #elvismeetsnixon #shakerattleandrock #jerrygarcia #theallmanbrothers #fillmoreeast  --- Send in a voice message: https://podcasters.spotify.com/pod/show/discograffiti/message Support this podcast: https://podcasters.spotify.com/pod/show/discograffiti/support

Our stadium-sized season finale visits the Dead's June 1973 mega-gigs with the Allman Brothers Band in Washington DC, featuring the Allmans family, legendary tapers, searing heat, super jams, backstage brawls, & the manifestation of the Ouroboros. Guests: Bunky Odom, Buddy Thornton, Ron Wickersham, Alan Trist, Ben Haller, Peter Rowan, Richard Loren, Allan Arkush, Merl Saunders Jr., Steve White, Jim Cooper, Laurie Oliver, Dan Henklein, Howie Levine, Ihor Slabicky, Jay Kerley, Brian Schiff, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hardcore Tedeschi Trucks Band fan Zac Transport is a musician himself and a DJ at WBRS at Brandeis University. Quite the dedicated TTB fan, some fans have been around long enough to watch Derek Trucks grow up, but as a young man Zac himself has grown up with the band's music – largely because of his dad who is also a great music fan. Zac recalls dad taking him to the Beacon to see the Allmans, TTB, and other shows too. And he has some really great TTB stories and anecdotes involving members of the band. More Zac, Latest Livestreams on YouTube, Latest Episodes on YouTube, instagram.com/tedeschitruckspodcast, tedeschitruckspodcast.com, adamchoit.com, tedeschitrucksband.com

Rock and Roll Hall of Fame inductee Don Felder joined Nancy in 2017 to talk about his music journey from the early years in Gainesville with Stephen Stills and Tom Petty and battle of the bands with the Allmans, to his time with the Eagles, solo projects, and collaboration with other bands like Styx. Plus, Felder discusses how his love for making music has driven his world. Read the Rock and Roll Hall of Fame Essay for the Eagles and Don Felder here. Get up to date information via Don Felder's website. Visit Nancy's website.

Diese Episode wird unterstützt von Löwenanteil - Dein gesundes Essen im Glas!Mit dem Kauf unterstützt Du uns!Nutze den Code "BRATHLETIK10" und spare 10% !#wirküssendeinaugehttps://www.loewenanteil.com

Director of Archives at The Allman Brothers Band Museum at The Big House, John Lynskey, is a guest on the Goldmine Podcast, to talk about the importance of maintaining the band's great legacy with solid music releases every year, both live performances and studio work from the archives. The latest release, for example, being Syria Mosque.A longtime rock historian, Lynskey is always an informative guest — so it's a worthwhile podcast episode to listen to, especially for an Allmans fan or anyone who appreciates rock history.By the way, get the latest issue of Goldmine with The Allman Brothers Band cover feature (and its Collector's Edition!) at shop.Goldminemag.com.

Today we have Macon, Georgia's own, guitar player and audio engineer, Adam Gorman. These days Adam plays with End Of The Line, an excellent Allman Brothers tribute band, but before then he recalls growing up drenched in ABB's music. We talk Allmans, we talk Tedeschi Trucks Band, and Adam tells me all about the honor it was to perform at both Gregg Allman's memorial and Gregg's friend, right hand man and more, Hewell “Chank” Middleton's memorial, both at the Big House in Macon. https://instagram.com/gormanelectric/, https://endofthelineband.com/, Tedeschi Trucks Podcast on YouTube, http://instagram.com/tedeschitruckspodcast, http://instagram.com/adamchoit, http://twitter.com/adamchoit, http://tedeschitrucksband.com

Play All Night!: Duane Allman and the Journey to Fillmore East is Bob Beatty's most recent book. Bob, however, has been an Allman Brothers fan for a long time. Like the Allmans, Bob has Florida roots. He now lives and works in Tennessee, where he got his Ph.D. and is a history and museum consultant. Bob's fast-reading book looks at the breakout album for the Allmans. Released in 1971, Live at Fillmore East is one of the best live albums ever, and it brought the band to a mass audience. It features the classic Allmans lineup, with Duane Allman and Dickey Betts on guitar, Gregg Allman on vocals and organ, Berry Oakley on bass, and Butch Trucks and Jaimoe Johanson on drums. Unfortunately, though Duane started the Allman Brothers Band, his time with the group was relatively brief. He died in a motorcycle accident only a few months after At Fillmore East came out. Duane was just 24, and there seemed no limit to what he could do as a guitarist. As Bob makes clear, with Duane at the helm, the Allmans were closer to blues and acid rock than the more laid back band they became later. The radio friendly mid-70s sound of the ABB was the result of Dickey Betts writing more country-flavored tunes. Nothing wrong with that. But the Duane period has a tougher quality.  Bob and Colin talk about how the Allmans formed, why the Fillmore album took off with listeners, and how the band continued to evolve amid lineup changes and inner-tensions.

Do YOU know better than to put propane in your Tesla's tires?  Do YOU know Teslas need special gas that doesn't come from the gas station?  ...Then YOU might be smarter than the college laureates who could buy one but not own them.  College... While we're at it: be nice to truckers (say it again, uh!), be wary of connecting your heater to your 'fridge to your A/C to your electricity (the internet of things or an appliance army marching towards your destruction?), and the story of a guy from New Jersey who was forced to crush his Cummins Dodge because it was for sale on Fakebook Marketface.  Yuuuuuup.  Don't say we didn't warn you (because we did, like, all the time ago).  Also, Karma to Burn, John Lee Hooker, Big Head Todd, Naked Funk, QOTSA, Skynyrd and the Allmans.

Do YOU know better than to put propane in your Tesla's tires?  Do YOU know Teslas need special gas that doesn't come from the gas station?  ...Then YOU might be smarter than the college laureates who could buy one but not own them.  College... While we're at it: be nice to truckers (say it again, uh!), be wary of connecting your heater to your 'fridge to your A/C to your electricity (the internet of things or an appliance army marching towards your destruction?), and the story of a guy from New Jersey who was forced to crush his Cummins Dodge because it was for sale on Fakebook Marketface.  Yuuuuuup.  Don't say we didn't warn you (because we did, like, all the time ago).  Also, Karma to Burn, John Lee Hooker, Big Head Todd, Naked Funk, QOTSA, Skynyrd and the Allmans.

Weird title, right? Let me explain. Details in this podcast are as encouraging as pandemic news is. Live activities are getting closer, we're given the go-ahead for many activities but let's not give up on the Covid fight we've staged. That's my PSA for today. Musically, we start the alpha-trek through my LPs (other sources too) with Allmans (no surprise), Boz, Cat, Dire and so on. You've heard many of these and replays can stimulate senses. Maybe there's one here that's new to you. I'd like to know your thoughts. Glad you're listening!

Jam band culture is a thing unto itself that drives passions that are perhaps hotter than any other music fandom. And the the list of legendary jam bands is well known: the Grateful Dead, the Allman Brothers, Phish, Widespread Panic and more. One of the great American jam bands is moe. out of Buffalo which as been praised for its musicality and appeared at Woodstock '99, opened for Allmans and The Who, performed at Radio City Music Hall and at Bonnaroo Music Festival five times and more. On the most recent episode of The Load Out Music Podcast, we welcome in moe.'s Al Schnier and Vinnie Amico.    

Episode 14: Here's an interview with my friend of over 50 years, Bill Davis. We talk about our work together at WMUM and WBUS, along with some memories of our colleague, Gil Colquitt, who pushed hard to get Bruce a gig. That's as in Springsteen. Another summer fun time episode. Allmans, ELP, Sly and The Band. Enjoy the tales Brian and Bill tell.

The Allman Brothers Band - Episode 76 Their Top 12 Songs Ranked  Things get really heated as the boys discuss their favorite songs by the Allman Brothers!!! A Very Emotional conclusion to the episode.  You need to listen to this one all the way to the end.      Find out: Why the Allmans broke up - one reason has it has to do with drugs and a court case. What song did Jimi Hendrix teach Duane Allman in a dream. Why you can't play along with  the Ramblin' Man track unless you know this trick… In our studio: The Midnight Rider and his sidekick Pony Boy join the cast.  Rob is a three year old, Jason wins a cookie, and Jake predicts a fight Life throws the cast a curveball…   GET INVOLVED WITH OUR COMMUNITY!  On our Facebook Page: https://www.facebook.com/DirtyDozenPodcast   LISTEN TO THIS EPISODES MUSIC PLAYLIST Spotify - Current Playlist , The Allman Brothers   Other Episodes with Jason   Pink Floyd, The Doors, Scorpions, Garth Brooks, 1992, 1984   Selected Episodes with Jake   ZZ Top, Lynyrd Skynyrd, Johnny Cash, Silverchair,  Black Sabbath, Stevie Ray Vaughan, Faith No More   Book: One Way Out by Alan Paul   We are drinking Southern Comfort   You can also listen to us on  —>   Apple Podcasts  |  Stitcher  |  ListenNotes  | XML Feed | and many many more

"The Allman Brothers came first, but Lynyrd Skynyrd epitomized Southern rock. The Allmans were exceptionally gifted musicians, as much bluesmen as rockers. Skynyrd was nothing but rockers, and they were Southern rockers to the bone. This didn't just mean that they were rednecks, but that they brought it all together -- the blues, country, garage rock, Southern poetry -- in a way that sounded more like the South than even the Allmans. And a large portion of that derives from their hard, lean edge, which was nowhere more apparent than on their debut album, Pronounced Leh-Nerd Skin-Nerd. Produced by Al Kooper, there are few records that sound this raw and uncompromising, especially records by debut bands. Then again, few bands sound this confident and fully formed with their first record. Perhaps the record is stronger because it's only eight songs, so there isn't a wasted moment, but that doesn't discount the sheer strength of each song. Consider the opening juxtaposition of the rollicking "I Ain't the One" with the heartbreaking "Tuesday's Gone." Two songs couldn't be more opposed, yet Skynyrd sounds equally convincing on both. If that's all the record did, it would still be fondly regarded, but it wouldn't have been influential. The genius of Skynyrd is that they un-self-consciously blended album-oriented hard rock, blues, country, and garage rock, turning it all into a distinctive sound that sounds familiar but thoroughly unique. On top of that, there's the highly individual voice of Ronnie Van Zant, a songwriter who isn't afraid to be nakedly sentimental, spin tales of the South, or to twist macho conventions with humor. And, lest we forget, while he does this, the band rocks like a motherf*cker. It's the birth of a great band that birthed an entire genre with this album." - Stephen Thomas Erlewine, All MusicSupport this podcast at — https://redcircle.com/polyphonic-press1229/donations

This week, Rich and Clint explore the magic of music made between siblings. Whether it's the precision of "blood harmony" or the innate chemistry, sibling bands can often discover musical bonds other bands can't find. But they also can flame out in spectacular fashion. What is the greatest sibling band of all-time? Rich and Clint discuss siblings like the Allmans, the Robinsons, the Everlys, the Gallaghers, the Jacksons, along with bands you may not know were siblings. With special guest Jeff Symonds.The Age Old Question is part of Pantheon Podcasts.

This week, Rich and Clint explore the magic of music made between siblings. Whether it's the precision of "blood harmony" or the innate chemistry, sibling bands can often discover musical bonds other bands can't find. But they also can flame out in spectacular fashion. What is the greatest sibling band of all-time? Rich and Clint discuss siblings like the Allmans, the Robinsons, the Everlys, the Gallaghers, the Jacksons, along with bands you may not know were siblings. With special guest Jeff Symonds. The Age Old Question is part of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Rich and Clint explore the magic of music made between siblings. Whether it's the precision of "blood harmony" or the innate chemistry, sibling bands can often discover musical bonds other bands can't find. But they also can flame out in spectacular fashion. What is the greatest sibling band of all-time? Rich and Clint discuss siblings like the Allmans, the Robinsons, the Everlys, the Gallaghers, the Jacksons, along with bands you may not know were siblings. With special guest Jeff Symonds.The Age Old Question is part of Pantheon Podcasts.

This week, Rich and Clint explore the magic of music made between siblings. Whether it's the precision of "blood harmony" or the innate chemistry, sibling bands can often discover musical bonds other bands can't find. But they also can flame out in spectacular fashion. What is the greatest sibling band of all-time? Rich and Clint discuss siblings like the Allmans, the Robinsons, the Everlys, the Gallaghers, the Jacksons, along with bands you may not know were siblings. With special guest Jeff Symonds. The Age Old Question is part of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the Tapers section, we conclude our three week journey through the original southern Jam band, the Allman Brothers Band.  This episode is more core Allmans, unfortunately not as much local content as I usually prefer.  But a great show nonetheless, featuring heavy representation of Duane Allman with the Grateful dead, and Derek and the Dominos.  Warren Haynes is well represented as well, in solo performance as well as with the Brothers.  Finally, our friends Greensky Bluegrass and the Dead 27s performing right here in Charleston.  Next week we discover South Carolina's own, reverend Gary Davis and his tapestry of musical influence…

Lead vocalist/guitarist Zakk Wylde (ex-Ozzy Osbourne guitar slinger) comes on the Goldmine Podcast to discuss the release of Black Label Society's eleventh album, Doom Crew Inc.. Recorded at Zakk's Black Vatican home studio with the usual suspects John DeServio (bass), Dario Lorina (rhythm guitar and Jeff Fabb (drums), Doom Crew Inc.. is once again filled with fantastic Sabbath-y riffs and moving Allmans-esque guitar ballads. Doom Crew Inc. just might be the the best BLS album to date and Wylde explains why.

Lead vocalist/guitarist Zakk Wylde (ex-Ozzy Osbourne guitar slinger) comes on the Goldmine Podcast to discuss the release of Black Label Society's eleventh album, Doom Crew Inc.. Recorded at Zakk's Black Vatican home studio with the usual suspects John DeServio (bass), Dario Lorina (rhythm guitar and Jeff Fabb (drums), Doom Crew Inc.. is once again filled with fantastic Sabbath-y riffs and moving Allmans-esque guitar ballads. Doom Crew Inc. just might be the the best BLS album to date and Wylde explains why. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lead vocalist/guitarist Zakk Wylde (ex-Ozzy Osbourne guitar slinger) comes on the Goldmine Podcast to discuss the release of Black Label Society's eleventh album, Doom Crew Inc.. Recorded at Zakk's Black Vatican home studio with the usual suspects John DeServio (bass), Dario Lorina (rhythm guitar and Jeff Fabb (drums), Doom Crew Inc.. is once again filled with fantastic Sabbath-y riffs and moving Allmans-esque guitar ballads. Doom Crew Inc. just might be the the best BLS album to date and Wylde explains why.

Lead vocalist/guitarist Zakk Wylde (ex-Ozzy Osbourne guitar slinger) comes on the Goldmine Podcast to discuss the release of Black Label Society's eleventh album, Doom Crew Inc.. Recorded at Zakk's Black Vatican home studio with the usual suspects John DeServio (bass), Dario Lorina (rhythm guitar and Jeff Fabb (drums), Doom Crew Inc.. is once again filled with fantastic Sabbath-y riffs and moving Allmans-esque guitar ballads. Doom Crew Inc. just might be the the best BLS album to date and Wylde explains why. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scot and Jeff discuss The Allman Brothers Band with Andrew Fink. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Andrew Fink. Andrew is a member of the Michigan House of Representative (District 58 – Branch & Hillsdale Counties). Prior to that he was the district director for Senate majority leader Mike Shirkey. Follow him on Twitter at @AndrewFinkMI. Andrew's Music Pick: The Allman Brothers Band Have the risers for the twin drum set-up been properly double-bolted? Have all the lines into the amps and board been checked? Is the organ plugged in? Then there's no need for a soundcheck as we move through the dog days of August with a trip to Hot ‘Lanta! Today we celebrate the greatness of The Allman Brothers Band, a little group originally out of Jacksonville, FL (and later Macon, GA) put together piece by piece during the late Sixties by brothers Duane (the elder) and Gregg (the younger). The Allmans are regularly described as one of the greatest “Southern Rock” or “jam” bands to have ever existed. The irony, of course, is that they disdained both labels: on the one hand, “Southern Rock” didn't even exist as a genre until these guys invented it, and was a reductivist label that put them in a box they didn't properly belong to. And on the other hand, in the words of Gregg Allman, “we aren't a jam band, we're just a band that jams.” What the Allmans were really about was incredibly hard, sweaty electrified blues-rock, electrified in a way nobody had ever heard prior to their emergence onto the scene in late 1969. With a twin-guitar attack (Duane and co-lead guitarist Dickey Betts), a double drum engine-room churning away behind them (Butch Trucks — perhaps the most quintessential “southern rock” name ever — and Jai Johanny Johanson), eloquently melodic bass counterpoint (Berry Oakley), and Gregg Allman on organ and lead vocals, what the Allmans came up with was a fusion of blues, rock, and jazz that took three old and hallowed genres and somehow managed to create something new out of them. Join us this week as we travel through the prehistory of the Allmans (all those early bands, Duane's amazing career as a session guitarist, etc.), their glory years (including one of the greatest live albums in the history of popular music), and their extremely “tabloid drama” decline (yes, Cher is somehow involved). For the first five years of their career these guys never set a foot wrong despite having to survive not one, but two tragic motorcycle deaths, and if you aren't already familiar with the music then don't keep yourself wonderin', just dive in and eat a peach for peace.

A never-before-published interview with guitarist Warren Haynes from 1992.In the interview, Haynes talks about:Moving out of Duane Allman's shadowHow it feels to play Duane's licksWhether Duane was an influenceHis connection to Memphis and MotownGoing to see concerts when he was a kidThe musical differences between him and DuaneHis love for fusion rock and what it did for his playingThe difference between his playing and Dickey Betts’ playing on lead and slideHow his older brothers introduced him to jazz and bluesWhat jazz player he would recommend to a young guitar player Whether he had any formal music trainingHis experience with country singer David Allan CoeWhat he learned from country musiciansSome advice for younger guitar playersThe Allman Brothers latest recordThe pleasure of recording liveThe coincidence that happened 21 years earlierA breakdown of whether it’s him or Betts soloingThe similarities between him and Betts and Coltrane and Cannonball AdderlyHow Duane ended up using a slide on DreamsWhether he enjoys playing rhythm as much as leadWho's a good rhythm player?The Les Paul he usesHis Soldano ampsWhat, if any, effects he uses in the studio recordingHow things are going with the bandWhether tension in a band leads to better playingIf he sees The Allman Brothers continuingThe similarities in the Allmans’ fan base and the Grateful Dead’s fan baseTheir next live albumIn this episode, we have The Allman Brothers Band guitarist Warren Haynes. At the time of this interview in 1992, Haynes was 32 years old and was promoting the album An Evening with the Allman Brothers Band: First Set. In the interview, Haynes talks about the similarities and differences with Duane Allman and whether he sees The Allman Brothers Band continuing. He also takes a deep dive into their current live album and he offers advice for young guitar players. See acast.com/privacy for privacy and opt-out information.

With music from Pink Floyd, Led Zeppelin, Guns'N'Roses, Grateful Dead, Bob Seger, Zappa and the Beatles, Danny Zelisko joins us to talk about a life spent in promoting the legends of the genre being involved with everyone from the Allmans to Zappa, with whom he once had an audition booked its a tale of wild excess. His book is called "All Excess" and if you think you have seen read and heard it all before well you haven't. Some great tales and great music to go with it. --- Send in a voice message: https://anchor.fm/classic-rock-news/message

By the time the North Mississippi Allstars guitarist and singer started playing with Hill Country masters R.L. Burnside and Othar Turner, he'd already received a firm grounding in roots music at the knee of his record producer and piano player father, Jim Dickinson (Big Star, Ry Cooder, Bob Dylan). Luther's traveled the world spreading the blues rock gospel, but after growing up in the Memphis mayhem of the Mudboy & the Neutrons orbit, the Troubled Men Podcast should feel like a return to the briar patch. Topics include the 150th episode, a vaccine, Holy Week, a letter of reference, the Rolling Stones at Muscle Shoals, the Dixie Fliers, Bill Eggleston, Pat Rainer, “Big Star 3rd,” “Sugar Ditch Revisited,” open tuning, the Mingus bio, a father's advice, first demos, Roland Janes, the Hodges brothers, ambition, the Black Crows, transcendence, conflict, the Allmans on acid, the Sons of Mudboy, a memorial recording session, and much more. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast aggregator. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Break and outro music: “Up and Rolling” and “Call That Gone” from the album “Up and Rolling” by the North Mississippi Allstars

By the time the North Mississippi Allstars guitarist and singer started playing with Hill Country masters R.L. Burnside and Othar Turner, he’d already received a firm grounding in roots music at the knee of his record producer and piano player father, Jim Dickinson (Big Star, Ry Cooder, Bob Dylan). Luther’s traveled the world spreading the blues rock gospel, but after growing up in the Memphis mayhem of the Mudboy & the Neutrons orbit, the Troubled Men Podcast should feel like a return to the briar patch. Topics include the 150th episode, a vaccine, Holy Week, a letter of reference, the Rolling Stones at Muscle Shoals, the Dixie Fliers, Bill Eggleston, Pat Rainer, “Big Star 3rd,” “Sugar Ditch Revisited,” open tuning, the Mingus bio, a father’s advice, first demos, Roland Janes, the Hodges brothers, ambition, the Black Crows, transcendence, conflict, the Allmans on acid, the Sons of Mudboy, a memorial recording session, and much more. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast aggregator. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Break and outro music: “Up and Rolling” and “Call That Gone” from the album “Up and Rolling” by the North Mississippi Allstars

Chuck Leavell is one of the most accomplished keyboard players in popular music. He joined the Allman Brothers Band after brother Duane’s untimely passing, and it’s his piano work that adorned the fantastic instrumental “Jessica.” He stayed with the band through the late Seventies before joining the Rolling Stones in the early Eighties. Since then, he’s toured with and played on albums by Eric Clapton, Pink Floyd, Bruce Hornsby, the Black Crowes, and more current musicians like John Mayer, Eric Church and Train, just to name a few. All those artists just mentioned take part in a fantastic new documentary on Leavell called Chuck Leavell - The Tree Man, directed by Allen Farst, a Dayton native. The new film not only covers his life in music, but the title refers to his alter ego as an environmental forester, even winning National Tree Farmer of the Year a few years back. It’s also a love story between Chuck and his wife - Oh, by the way, they also interview President Jimmy Carter in the movie too.We talk how he got the big break to join the Allman Brothers, and what important role he plays now with the Rolling Stones, who hope to go back on tour soon. In addition, we chat a little known project called Sailcat, who had a "one-hit wonder" with the song "Motorcycle Mama," which he played on.To watch the trailer and options to view the full movie, go to:www.chuckleavellthetreeman.com

Tonight, I sit down with southern rock and blues legend Johnny Neel. Johnny is probably best known as a member of the Allman Brothers. He is an exceptional piano and organ player, and his distinctive, blues-tinged voice can be heard on everything from the Allmans to Disney. He is a fellow Creeker, living just down … Continue reading Episode 4: Johnny Neel →

Wir haben es heute eilig, aus Gründen die wir euch mal privat erzählen können. Vielleicht hört ihr euch die letzten 10 Minuten auf 75 % der Normalgeschwindigkeit an, dann geht das schon.

Scott Sharrard talks about his Souther Roots Licks & Creative Approaches guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.About Scott:Scott Sharrard is best known as lead guitarist and bandleader to the late Gregg Allman. But his personal artistic journey – which includes singing, songwriting, producing and arranging – began long before he first teamed up with the rock icon.It’s a mission that resumes with “Saving Grace,” Sharrard’s fifth [or sixth?] album -- and his first since Allman’s death.“Gregg had a pure passion and heart,” Sharrard says of his friend, “especially when it came to being a musician. That authenticity and dedication is a daily inspiration, and I will always carry that with me onstage and in the studio.”“Saving Grace,” with the blues at its core, bears a distinctly southern spirit, seamlessly assimilating the sounds of American roots music that Sharrard has long embraced. Sessions took place in Memphis and at the historic FAME Studios in Muscle Shoals, Alabama. Half the album employs the Hi Rhythm Section, the other The Swampers of Muscle Shoals.“These guys are legends and heroes of ours who have played on so many life-changing records,” Sharrard says. “This record was steeped in the best the South has to offer. We cut the rhythm section and lead vocals all live on the floor, direct to tape. Old school. We let the songs and the band speak. We also had some of the best barbecue and soul food you could ever imagine, and a lot of laughs and good times with our heroes. How can you lose?”‘All those cats schooled me…’Sharrard’s travels to the heart of the American South began in his native Milwaukee. He was born December 28, 1976 – the day his hero Freddie King died – and was a club fixture in Brewtown long before he could legally take a drink.“Milwaukee at that time was an oasis for a whole group of musical masters,” Sharrard recalls. “Mel Rhyne, Buddy Miles, Hubert Sumlin, Luther Allison, Clyde Stubblefield… They were our local bar bands! All those cats schooled me in different ways, backstage, on gigs and at jams.”Sharrard was 15 when his father took him to a local blues joint called the Up and Under Pub. There he sat in with singer/guitarist (and local one-named legend) Stokes, who would become his mentor. Another was powerhouse “Chitlin’ Circuit” singer and guitarist Willie Higgins.Sharrard soon graduated to occasional dates in Chicago, with tutelage coming via jams alongside two fabled Muddy Waters sidemen, drummer Willie “Big Eyes” Smith and pianist Pinetop Perkins.Big Apple, not Big EasyThen came a chance 1996 move to New York City. The 20-year-old Sharrard, eager to bolt Milwaukee, had his mind on New Orleans. But his friend Sean Dixon, with whom he had a band called The Chesterfields, had found a rent-controlled apartment in the East Village.“That settled it,” Sharrard remembers with a laugh. “I became a New York City resident for the first time. My next-door neighbor was Allen Ginsberg, who was already one of my literary heroes at that time. I used to eat at Mee’s Chinese restaurant sitting across from Allen. It was our corner restaurant with a cheap dinner special. He’d always order the ginger fish and write! … It was like a dream, really. All those giant buildings spreading into infinity. It was so overwhelming.”Sharrard had been in the Big Apple but a year when he met iconic Atlantic Records executive Ahmet Ertegun, who mentored The Chesterfields and gave the young guitar-slinger some sage advice.“Ahmet told me that you must do it all – and well – if you want to survive as a musician,” Sharrard remembers. “He told me to get it all together: writing, singing, producing, playing, arranging. He convinced me to work twice as hard because around 2000 he saw the end of the music business as we knew it. He felt no one was around to support artists like back in the heyday of the Fifties, Sixties and Seventies.”The Chesterfields cut three albums and toured nationally before Sharrard began to chart his own course. A series of releases followed, including “Dawnbreaker” (2005), “Analog/Monolog” (2008) and “Ante Up” (2009).Ertegun wasn’t the only legend with Sharrard on his radar back then: The young guitarist also forged a relationship with Levon Helm – performing with The Band drummer about a dozen times, including his final gig just before his death in April of 2012.Sharrard remains close with Helm’s daughter, Amy, and a host of other artists on the Woodstock scene.Preparation meets opportunityIt was through Amy’s then-husband, multi-instrumentalist Jay Collins – already a member of Allman’s band – that Sharrard embarked on the collaboration of a lifetime. In the fall of 2008, Sharrard began a nearly decade-long run with the Rock and Roll Hall of Famer.“I grew up on the music of the Allman Brothers,” says Sharrard. “I consider first hearing them to be the ‘Big Bang’ moment for me as a pre-teen. I’ve always been chasing what I like to call ‘Real Rock and Roll,’ a blend of blues, jazz, soul, country and folk – with the central goal being to create an original sound of your own. In that respect, working with Gregg just solidified everything I’ve believed since I was a kid.”Sharrard joined the Gregg Allman Band as a touring guitarist and later became Musical Director.The fruitful partnership ended with the 69-year-old Allman’s death on May 27, 2017. But not before Allman covered Sharrard’s “Love Like Kerosene” on 2015’s “Gregg Allman Live: Back to Macon, GA,” and again on Allman’s eighth and final solo album, the posthumous, GRAMMY-nominated “Southern Blood” (Rounder Records, 2017).Another “Southern Blood” track, the unforgettable farewell “My Only True Friend” – co-written by Sharrard and Allman – earned a GRAMMY nomination for Americana Song of the Year.Sharrard’s deep respect for Allman factored heavily into the 2018 release date for “Saving Grace.” Tracking was completed in December of 2016. But Sharrard – knowing Allman’s health was failing and that “Southern Blood” would be his last hurrah – chose to delay its unveiling.He’s now begun a new chapter with an album he consciously wanted to summarize the last 20 years of his work – and one that showcases the totality of his artistry: as guitarist, singer, songwriter, producer, arranger and bandleader.In short, he says, it’s rock n’ roll rooted in everything else.“I basically have a rock ’n’ roll band,” Sharrard explains. “When I was growing up, I loved bands like Little Feat, Led Zeppelin and the Allmans. They would explore so many styles and experiment. That’s something I have always tried to embrace, and that’s how I want to present my music today. This is what I tried to do with Gregg. Now I’m continuing that as a solo artist.”Scott has recently joined the legendary band Little Feat as a guitarist/vocalist. He will be releasing his 6th solo album in Spring 2020.

Bob's guest this week is legendary guitarist Warren Haynes of The Allman Brothers, The Dead, and Gov't Mule. When he became part of the Allmans, Warren had the surreal experience of getting to join his favorite band, and we've been fans of his music ever since. They discuss the Allman Brothers shows Warren played at Madison Square Garden just days before the Covid shutdown and what he's working on with touring life on hold. Warren also the roots of Christmas Jam, the annual benefit concert he hosts in his native Asheville which has raised millions of dollars for Habitat for Humanity. Finally Bob and Warren turn to the upcoming election, Warren's work with Headcount, and why he believes voting should be mandatory. Politics of Truth is brought to you by Osiris Media. Executive Producer is Adam Caplan. Produced by RJ Bee. Edited, mixed and mastered by Brad Stratton. Art by Mark Dowd. To discover more podcasts that help you connect more deeply with the music you love, check out osirispod.com. See acast.com/privacy for privacy and opt-out information.

Bevor wir mit unserem Saisonrückblick starten haben wir besprochen einen kurze Blick auf die vergangenen Tage zu werfen. In dieser kleinen Bonus Folge reden wir über das Pokalfinale und die zurückliegende Relegation. Warum Leverkusen für Jonas jetzt kein Kandidat mehr für den EL-Sieg ist, welche Alternativen wir für die Relegation haben und wieso Fußball-Fans die größte Allmans sind erfahrt ihr in dieser Folge! Matchplan: 00:00 - Leverkusen enttäuscht im Finale 06:45 - Kein Spaß mit Fußball-Fans 09:50 - Heidenheim Love 16:15 - Alternativen zur Relegation 19:45 - "Das sage ich als Fan von XY" - Hört auf damit Ersatzbank: Supporter: http://www.buli-kmpkt.de/supporter/ Instagram: https://www.instagram.com/buli_kmpkt/ Mikrofon: Rode NTUSB - https://amzn.to/371PTmw Amazon Affiliate Link: https://amzn.to/3eUK5hs Du bist dran! imDir hat die Folge gefallen? Dann lasst eine Rezension und ein Abo in eurer Podcast-App da! Egal, ob iTunes, CastBox oder Spotify. Dir hat die Folge nicht so zugesagt oder hast Kritikpunkte? Dann schreib sie uns über Instagram oder per E-Mail an eine-frage@buli-kmpkt.de Wir wünschen euch viel Spaß beim anhören! Euch hat die Folge gefallen? Dann schreibt uns euer Feedback über Instagram oder in die Kommentare! Ihr möchtet uns bei der Arbeit unterstützen? Dann schaut gerne mal hier vorbei: Unterstützen Ihr hört den Podcast über iTunes, CastBox oder Spotify? Dann lasst eine Rezension und ein Abo da. Euer Feedback macht uns besser und ist uns sehr wichtig! --- Send in a voice message: https://anchor.fm/buli-kmpkt/message

Türkisch Basics von unqualifizierten Allmans als auch Aktuelles aus dem Tierreich. Viel Spaß!

Scott Sharrard discusses his Southern Roots guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.About Scott: Scott Sharrard is best known as lead guitarist and bandleader to the late Gregg Allman. But his personal artistic journey – which includes singing, songwriting, producing and arranging – began long before he first teamed up with the rock icon.It’s a mission that resumes with “Saving Grace,” Sharrard’s fifth [or sixth?] album -- and his first since Allman’s death.“Gregg had a pure passion and heart,” Sharrard says of his friend, “especially when it came to being a musician. That authenticity and dedication is a daily inspiration, and I will always carry that with me onstage and in the studio.”“Saving Grace,” with the blues at its core, bears a distinctly southern spirit, seamlessly assimilating the sounds of American roots music that Sharrard has long embraced. Sessions took place in Memphis and at the historic FAME Studios in Muscle Shoals, Alabama. Half the album employs the Hi Rhythm Section, the other The Swampers of Muscle Shoals.“These guys are legends and heroes of ours who have played on so many life-changing records,” Sharrard says. “This record was steeped in the best the South has to offer. We cut the rhythm section and lead vocals all live on the floor, direct to tape. Old school. We let the songs and the band speak. We also had some of the best barbecue and soul food you could ever imagine, and a lot of laughs and good times with our heroes. How can you lose?”‘All those cats schooled me…’Sharrard’s travels to the heart of the American South began in his native Milwaukee. He was born December 28, 1976 – the day his hero Freddie King died – and was a club fixture in Brewtown long before he could legally take a drink.“Milwaukee at that time was an oasis for a whole group of musical masters,” Sharrard recalls. “Mel Rhyne, Buddy Miles, Hubert Sumlin, Luther Allison, Clyde Stubblefield… They were our local bar bands! All those cats schooled me in different ways, backstage, on gigs and at jams.”Sharrard was 15 when his father took him to a local blues joint called the Up and Under Pub. There he sat in with singer/guitarist (and local one-named legend) Stokes, who would become his mentor. Another was powerhouse “Chitlin’ Circuit” singer and guitarist Willie Higgins.Sharrard soon graduated to occasional dates in Chicago, with tutelage coming via jams alongside two fabled Muddy Waters sidemen, drummer Willie “Big Eyes” Smith and pianist Pinetop Perkins.Big Apple, not Big EasyThen came a chance 1996 move to New York City. The 20-year-old Sharrard, eager to bolt Milwaukee, had his mind on New Orleans. But his friend Sean Dixon, with whom he had a band called The Chesterfields, had found a rent-controlled apartment in the East Village.“That settled it,” Sharrard remembers with a laugh. “I became a New York City resident for the first time. My next-door neighbor was Allen Ginsberg, who was already one of my literary heroes at that time. I used to eat at Mee’s Chinese restaurant sitting across from Allen. It was our corner restaurant with a cheap dinner special. He’d always order the ginger fish and write! … It was like a dream, really. All those giant buildings spreading into infinity. It was so overwhelming.”Sharrard had been in the Big Apple but a year when he met iconic Atlantic Records executive Ahmet Ertegun, who mentored The Chesterfields and gave the young guitar-slinger some sage advice.“Ahmet told me that you must do it all – and well – if you want to survive as a musician,” Sharrard remembers. “He told me to get it all together: writing, singing, producing, playing, arranging. He convinced me to work twice as hard because around 2000 he saw the end of the music business as we knew it. He felt no one was around to support artists like back in the heyday of the Fifties, Sixties and Seventies.”The Chesterfields cut three albums and toured nationally before Sharrard began to chart his own course. A series of releases followed, including “Dawnbreaker” (2005), “Analog/Monolog” (2008) and “Ante Up” (2009).Ertegun wasn’t the only legend with Sharrard on his radar back then: The young guitarist also forged a relationship with Levon Helm – performing with The Band drummer about a dozen times, including his final gig just before his death in April of 2012.Sharrard remains close with Helm’s daughter, Amy, and a host of other artists on the Woodstock scene.Preparation meets opportunityIt was through Amy’s then-husband, multi-instrumentalist Jay Collins – already a member of Allman’s band – that Sharrard embarked on the collaboration of a lifetime. In the fall of 2008, Sharrard began a nearly decade-long run with the Rock and Roll Hall of Famer.“I grew up on the music of the Allman Brothers,” says Sharrard. “I consider first hearing them to be the ‘Big Bang’ moment for me as a pre-teen. I’ve always been chasing what I like to call ‘Real Rock and Roll,’ a blend of blues, jazz, soul, country and folk – with the central goal being to create an original sound of your own. In that respect, working with Gregg just solidified everything I’ve believed since I was a kid.”Sharrard joined the Gregg Allman Band as a touring guitarist and later became Musical Director.The fruitful partnership ended with the 69-year-old Allman’s death on May 27, 2017. But not before Allman covered Sharrard’s “Love Like Kerosene” on 2015’s “Gregg Allman Live: Back to Macon, GA,” and again on Allman’s eighth and final solo album, the posthumous, GRAMMY-nominated “Southern Blood” (Rounder Records, 2017).Another “Southern Blood” track, the unforgettable farewell “My Only True Friend” – co-written by Sharrard and Allman – earned a GRAMMY nomination for Americana Song of the Year.Sharrard’s deep respect for Allman factored heavily into the 2018 release date for “Saving Grace.” Tracking was completed in December of 2016. But Sharrard – knowing Allman’s health was failing and that “Southern Blood” would be his last hurrah – chose to delay its unveiling.He’s now begun a new chapter with an album he consciously wanted to summarize the last 20 years of his work – and one that showcases the totality of his artistry: as guitarist, singer, songwriter, producer, arranger and bandleader.In short, he says, it’s rock n’ roll rooted in everything else.“I basically have a rock ’n’ roll band,” Sharrard explains. “When I was growing up, I loved bands like Little Feat, Led Zeppelin and the Allmans. They would explore so many styles and experiment. That’s something I have always tried to embrace, and that’s how I want to present my music today. This is what I tried to do with Gregg. Now I’m continuing that as a solo artist.”Scott has recently joined the legendary band Little Feat as a guitarist/vocalist. He will be releasing his 6th solo album in Spring 2020.

A new Netflix doc is called " Have a good trip: Adventures in Psychedelics! One story featured Sting (The Police) helping birth a calf while high on peyote...it reminded us of a similar story involving Gregg Allman and Jim Morrison!

Moingionrno Senoras e Sen... und so weiter. Heute gibt's schwanisch Leute! Lisa und Addy analysieren punktuell flächendeckend das Einkaufsverhalten der Allmans. Diese Folge wurde noch vor dem Corona- (ich mag meins kalt und mit Limedde) Hype aufgenommen. Zu diesem Zeitpunkt waren die Zooläden noch übervölkert und keine Hamster wurden gekauft. Als Trendsetter sind wir noch aktueller als der Zeitgeist selbst. und wussten ohne Kristallkugel schon was kommt. Man könnte sagen, wir haben Corona groß gemacht, danke Merkel. Warum sich Jens Spahn auf Schwan reimt, wie der Einkaufszettel eines Bankräubers aussieht und welcher Vorgel das neue Trendgeflügel (Tierschutzklasse H*rensohn) wird, erfahrt in dieser Folge.... oder auch nicht, who cares!

Madison Square Garden will host a celebration for The Allman Brothers Band tonight - check out the post at DVE.com. A fan favorite among nostalgic Pittsburghers will return to Kennywood this season, and Bill learns about scabies for the first time. Also, another music festival and an entire leg of a prominent upcoming tour are cancelled due to coronavirus.

Madison Square Garden will host a celebration for The Allman Brothers Band tonight - check out the post at DVE.com. A fan favorite among nostalgic Pittsburghers will return to Kennywood this season, and Bill learns about scabies for the first time. Also, another music festival and an entire leg of a prominent upcoming tour are cancelled due to coronavirus.

Forty-five years ago, on March 11th, 1971, the Allman Brothers Band took the stage at Bill Graham’s vaunted Fillmore East Theater in New York for the first of a series of shows that are among the most celebrated in rock history. The Allmans weren’t even supposed to be the headliners.

Maria chats with Rolling Stones keyboardist (and Music Director of The Rolling Stones) Chuck Leavell, who's also a conservationist and a tree farmer. They talk about his tree plantations, the wild fires, conservation, Chuck's show "America's Forests" on PBS and more!

“Ich weiß, dass ich nichts weiß“ ist ein seit der Antike geflügeltes Wort. Frei nach diesem Motto, bezahlen wir im griechischen Supermarkt ausschließlich mit Halbwissen. Hinter uns in der Schlange: Wütende Deutsche. Vor uns auf dem Kassenbon: Liebesgrüße von Sokrates. Alea iacta est, ihr Allmans!

After two albums that didn't capture what they could do on stage, the Allman Brothers Band began recording their defining record "At Fillmore East" on this date, March 12, 1971. Allan looks back in today's Classic Rock Calendar... Image :Michael Sherer / PRPhotos.com

Will the Allman Brothers’ follow-up be a crazy love? Find out next on One-Hit Wonders: The Follow-Ups! CRAZY LOVE, THE ALLMAN BROTHERSAMAZING GRACE, AMAZING RHYTHM ACESGREEN LIGHT, AMERICAN BREEDGEORGIE PORGIE, JEWEL AKINSNUMBER ONE MAN, BRUCE CHANNELCAN YOU GET IT, ASHTON GARDNER DYKESHAKE YOUR RUMP TO THE FUNK, BARKAYSLIKE A BABY, LEN BERRYDEAR PRUDENCE, FIVE STAIRSTEPS

This week's guest is Alan Paul. Alan is a former Guitar World and Wall Street Journal writer from the US who somehow became a notable Beijing-based blues musician. Alan wrote a memoir called Big in China about his crazy musical experiences here, and tells the story of how it all began - thanks to a broken guitar, a Chinese repairman who was also a secret musical wizard, and their shared love of Stevie Ray Vaughn. And in a strangely related note, Alan also has a huge connection to legendary Southern rock group the Allman Brothers Band. From writing about and interviewing them over a 25 year period, Alan became an insider in their world, and he talks a lot about his best-selling Allmans book One Way Out. The story of how it came to be, in part, because of Allmans drummer Butch Trucks’ discovery of and respect for Alan’s China book is pretty awesome. Great talk. "Big Fish in the Middle Kingdom" is sponsored by STACKRY. Stackry is the global leader in international parcel forwarding from the US to anywhere in the world. The way it works is that you shop at any US retailer, have your packages shipped to your Stackry address, and once everything has arrived, Stackry consolidates your stuff and ships it to you anywhere in the world, even China, saving you up to 80% of the shipping costs versus shipping things directly from the store. Stackry provides free storage, same day consolidation of your packages, and a tax-free US address for you to use. Sign up TODAY via the link below, and use the offer code BIGFISH at the checkout to save 10% off your first shipment. Lastly, the "Big Fish in the Middle Kingdom" Facebook group has really been growing lately, and the show is now also available on the Stitcher platform! Apple Podcasts and iTunes downloads and subscriptions are still as important as ever, but I’d also really like to have a nice showing on Stitcher our first few weeks if possible, so please check out the Facebook group, SUBSCRIBE in Apple Podcasts and/or Stitcher if you want to help the show find new fans, and thanks in advance!   SUBSCRIBE to “Big Fish in the Middle Kingdom” at:  Apple Podcasts / iTunes: https://itunes.apple.com/us/podcast/big-fish-in-the-middle-kingdom/id1237037187?mt=2 Stitcher: http://www.stitcher.com/s?fid=174877&refid=stpr   SPONSOR:  Stackry “Big Fish in the Middle Kingdom” sign-up link: http://bit.ly/BigFish2018  Use the offer code BIGFISH at the checkout, and save 10% off your first shipment!   GUEST:  Alan Paul LINKS:  www.facebook.com/alanpaulauthor  www.alanpaul.net/blog  One Way Out: The Inside History of the Allman Brothers Band  Big in China audio book: http://amzn.to/2FaeKcm  Big in China Band  Friends of the Brothers band   HOST / SHOW:  please LIKE “Big Fish in the Middle Kingdom” on Facebook:  https://www.facebook.com/BigFishMiddleKingdom/  Brendan Davis on WeChat: BrendanDavis  Brendan Davis on Twitter: @VeritasInLux  Other links to LISTEN: https://www.crazyinagoodway.com/podcast-links/

Given the setup and anticipation from last week, what else could Drew talk about? This week on Talking Tracks, we're talking about songs that rocked the world. A very small part of the world. Drew's World. Let's start with the Allmans.

This week, we're really honored to have author, journalist and musician Alan Paul join us. We talk about his conversations with Trey; hanging out with Phish, Ween, Phil Lesh, and the Allmans; and about his music fandom. He shares a wealth of knowledge about music, and we talk about two of his books—Reckoning: Conversations With the Grateful Dead and One Way Out (THE book on the Allman Brothers Band). Hope you enjoy this really fun conversation. This is Part 2! If you haven't yet, please take our quick survey about how we can improve the podcast. Also, review us on iTunes and follow us on Twitter. Also, quick announcement: Episodes 1-20 of HF Pod are available on the Internet Archive. Due to insane bandwidth because of all of our awesome content, we wanted to host it there. Please go back, check out some of our earlier stuff, and let us know what you think! Part 2 Tracks Drowned, 6.29.00, Holmdel Roses Are Free, 6.8.12, Worcester Tweezer, 12.10.99, The Spectrum Simple, 10.21.96, MSG Money Love and Change, 4-11-14, Wanee Festival Intro/Outro Music: Allman Brothers Band, One Way Out See acast.com/privacy for privacy and opt-out information.

This week, we're really honored to have author, journalist and musician Alan Paul join us. We talk about his conversations with Trey; hanging out with Phish, Phil Lesh, and the Allmans; and about his music fandom. He shares a wealth of knowledge about music, and we talk about two of his books—Reckoning: Conversations With the Grateful Dead and One Way Out (THE book on the Allman Brothers Band). Hope you enjoy this really fun conversation. We split this episode into 2 parts. Tracks for Part 1 below (music starts around 31 minutes). If you haven't yet, please take our quick survey about how we can improve the podcast. Also, review us on iTunes and follow us on Twitter. Also, quick announcement: Episodes 1-20 of HF Pod are available on the Internet Archive. Due to insane bandwidth because of all of our awesome content, we wanted to host it there. Please go back, check out some of our earlier stuff, and let us know what you think! Part 1 Tracks The Thrill Is Gone, 2-24-03, East Rutherford (w/BB King) Misty Mountain Hop, 9-16-99, Shoreline (w/Warren Haynes) You Enjoy Myself > Jam, 9-17-99, Shoreline (w/Phil Lesh) Reba, 8-17-96, Clifford Ball Intro/Outro Music: Allman Brothers Band, One Way Out See acast.com/privacy for privacy and opt-out information.

Mike and Aaron are joined by Alan Paul, journalist and author of One Way Out, to discuss The differences between Dead and Allmans fans, balancing being a fan with being a journalist, and oral histories. Follow @jamcastpod @imaaronfriedman @mikefinoia and @standupnylabs. Visit www.StandUpNYLabs.com to listen to all our podcasts and go to www.StandUpNY.com to see whose performing live at Stand Up NY. Subscribe, Rate, Review and Share. https://itunes.apple.com/us/podcast/jamcast/id934945121?mt=2

With a last name like Allman, there’s going to be heightened expectations, but Devon Allman certainly delivers the goods. After spending several years in the band Honeytribe, and more recently the supergroup the Royal Southern Brotherhood, Devon has stuck out on his own for his first solo album, call Turquoise. Recorded in part at the legendary Ardent Studios in Memphis Tennessee, he’s crafted a very classic-sounding soul-rock album, full of honest lyrics, and supple guitar lines, that fit right in with those Allmans that have come before him.

By the time the North Mississippi Allstars guitarist and singer started playing with Hill Country masters R.L. Burnside and Othar Turner, he'd already received a firm grounding in roots music at the knee of his record producer and piano player father, Jim Dickinson (Big Star, Ry Cooder, Bob Dylan). Luther's traveled the world spreading the blues rock gospel, but after growing up in the Memphis mayhem of the Mudboy & the Neutrons orbit, the Troubled Men Podcast should feel like a return to the briar patch. Topics include the 150th episode, a vaccine, Holy Week, a letter of reference, the Rolling Stones at Muscle Shoals, the Dixie Fliers, Bill Eggleston, Pat Rainer, “Big Star 3rd,” “Sugar Ditch Revisited,” open tuning, the Mingus bio, a father's advice, first demos, Roland Janes, the Hodges brothers, ambition, the Black Crows, transcendence, conflict, the Allmans on acid, the Sons of Mudboy, a memorial recording session, and much more. Support the podcast [here.](https://www.paypal.me/troubledmenpodcast) Shop for Troubled Men's Wear [here.](https://www.bonfire.com/troubled-mens-wear/) ORDER GR8 ESCAPE CHOC CHIP COOKIES/ Use Promo Code TROUBLEDCOOKIE15 for 15% discount [here.](https://velobarcbd.com/gr8-escape/) Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast aggregator. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Break and outro music: “Up and Rolling” and “Call That Gone” from the album “Up and Rolling” by the North Mississippi Allstars