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2 episodes with barbican theatre
2 episodes with barbican theatre
2 episodes with barbican theatre
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3 episodes with barbican theatre
2 episodes with barbican theatre
2 episodes with barbican theatre
2 episodes with barbican theatre
Now for a roundup of accessible arts events as RNIB Connect Radio's Toby Davey catches up with Jess Beal from VocalEyes, the national audio description charity providing access to the arts for blind and partially sighted people to share some of the accessible events that are featured in their regular email newsletter. Audio described shows and events included: The Crucible - Saturday 14 June and Tuesday 24 June, 2pm, touch tour 12noon, Shakespeare's Globe Theatre, London Northern Ballet: Romeo & Juliet - Saturday 21 June, 2pm, touch tour 11.45am, Leeds Playhouse & Juliet - Saturday 21 June, 2.30pm, touch tour 12.30pm, Wales Millennium Centre, Cardiff Fiddler on the Roof - Saturday 28 June, 2.30pm, touch tour 12.45pm, Barbican Theatre, London Chicago - Thursday 3 July, 2.30pm, Hull New Theatre. To find out more about these and other up-coming described arts events as well as details on how to sign up to the regular VocalEyes What's On email newsletter do visit - https://vocaleyes.co.uk (Image shows the VocalEyes logo. A speech bubble with 'VOCALEYES' written in bold black letters next to it)
This episode of How To Fail was recorded in front of a live audience at London's Barbican Theatre. Sally Phillips has appeared in a string of the most influential and hilarious comedy series of all time - from Smack The Pony, Miranda, The Thick of It and Veep. Not forgetting, of course, her star turn as Bridget Jones's best friend, Shazza, in the hugely popular movie franchise. Alongside her professional success, Phillips has also been an important voice in the neurodivergent community. Her eldest son, Olly, has Down syndrome and Sally is a tireless campaigner for disability rights. So why, then, does she never feel she's made it as a ‘serious' actress? And why is she so obsessed with Clown School? And - pressing question - why have she and Colin Firth never been a thing? Over on Failing with Friends, Sally answers questions from the live audience at the Barbican: they discuss red and green flags in partners, and what Hugh Grant is REALLY like and whether Sally and Renée Zellweger really are friends or whether she might just be making it up? To hear Sally tackling your failures join our community of subscribers here: https://howtofail.supportingcast.fm/#content Have something to share of your own? I'd love to hear from you! Click here to get in touch: howtofailpod.com
One of this week's biggest London Theatre openings was a new adaptation of Anton Chekhov's THE SEAGULL at the Barbican Centre, directed snd co-written by Thomas Ostermeier alongside Duncan Macmillan.The production's starry ensemble cast includes Cate Blanchett, Tom Burke, Jason Watkins, Emma Corrin, Priyanga Burford, Zachary Hart, Paul Higgins, Tanya Reynolds, Paul Bazely, and Kodi Smit-McPhee.Check out this full review to find out how Mickey-Jo responded to this challenging, and provocative contemporary staging of the iconic play...•00:00 | introduction02:25 | synopsis / overview07:04 | this production12:16 | adaptation / direction17:13 | standout scenes22:43 | performances•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 75,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Gregory Porter AKA Dressed Crab takes off the mask and reveals all about appearing in series 6 of The Masked Singer!Awesome actor Emma Corrin treads the boards in The Seagull at London's Barbican Theatre from Wednesday 26th February.Join Chris, Vassos and the team every morning from 6.30am for laughs with the listeners and the greatest guests. Listen on your smart speaker, just say: "Play Virgin Radio." Hosted on Acast. See acast.com/privacy for more information.
RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews. This week Vidar was reviewing the Royal Shakespeare Company and Wise Children stage adaptation of Hanif Kureishi's award-winning novel ‘The Buddha of Suburbia' as the production transferred to the Barbican Theatre in London with description by Professional Audio Describer Gethyn Edwards. About ‘the Buddha of Suburbia' South London in the late seventies. High unemployment, high inflation, food shortages and strikes. But despite the winter of discontent, 17-year-old Karim's life is about to explode into glorious technicolour as he navigates a path to enlightenment. Or at the very least, Beckenham. Director Emma Rice brings her unique and joyful style to Hanif Kureishi's award-winning 1990 novel, exploring family, friends, sex, theatre and, ultimately, belonging, in a critically acclaimed production that will leave you ‘on a rare high' (Telegraph). For more about access at the Barbican centre in London do visit the access pages of their website - https://www.barbican.org.uk/your-visit/accessibility You will also find out more about access at the Royal Shakespeare Company by visiting the following pages of their website - https://www.rsc.org.uk/your-visit/access (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
The nine-time Tony Award nominee Bartlett Sher has this year directed Robert Downey Jr's Broadway debut and a London revival of Cole Porter's 1948 musical Kiss Me, Kate. Kiss Me, Kate is based upon Shakespeare's The Taming of the Shrew, so how palatable is this controversial musical to a 21st century audience?Also, Wanderings is a new play that delves into the lives of a transgender son and his mother who is living with dementia, and Tracy Letts' Pulitzer Prize-winning play August: Osage County comes to Belvoir St.
Send us a textAfter finishing a 5 star rated run in the Swan Theatre at Stratford-Upon-Avon, Dee Ahluwalia is returning to the role of Karim in The Buddha of Suburbia, now about to play the Barbican in London. The show is an adaptation of the bestselling novel by Hanif Kureishi, a story of a South London boy growing up with and English mother and Pakistani father discovering himself as he comes to adulthood. The Buddha of Suburbia marks only Dee's second play after a steady career on screen in shows such as A Gentleman of Moscow and Sex Education for Netflix.In this new interview, Dee Ahluwalia opens up about how he connected with Karim, and his excitement around bringing this show to London. We hear him discuss what it was like working with Emma Rice and the Royal Shakespeare Company team, finding innovative ways of bringing Hanif's story to the stage. We also hear Dee look back at his first play: Our Generation which similarly won 5 star raves from critics and audiences alike for giving voice to a generation that struggled through Brexit and the realities of the COVID-19 pandemic. It's a fascinating conversation that we have and we look forward to seeing what else Dee has lined up for the future, whether it be on stage or on screen.The Buddha of Suburbia runs at the Barbican Theatre from 22nd October - 16 November with tickets on sale now! Support the show
RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews. This week Vidar is reviewing the musical masterpiece that is A Chorus Line which revolutionised Broadway back in the mid 1970s as the Curve Theatre's touring production visited the Birmingham Hippodrome Theatre with description by Professional Audio Describers. About A Chorus Line Seventeen stories. Eight chances. One singular sensation! New York City, 1975. On an empty Broadway stage, seventeen performers are put through their paces in the final, gruelling audition for a new Broadway musical. Only eight will make the cut. A Chorus Line is a musical masterpiece that revolutionised Broadway, with creator Michael Bennett using real-life testimonies from late-night recording sessions with dancers. Celebrate the lives of theatre's unsung heroes, as they tell searing stories of ambition, shattered hopes, and what it really costs to follow your dreams. Originally produced at Curve and Directed by Nikolai Foster, with a book by James Kirkwood and Nicholas Dante, music by Marvin Hamlisch and lyrics by Edward Kleban, A Chorus Line features iconic songs including One, I Hope I Get It, Nothing and the hit ballad What I Did For Love. The legendary Adam Cooper (Singin' in the Rain, Matthew Bourne's Swan Lake) and Carly Mercedes Dyer (The Drifters Girl Tour, Anything Goes, Barbican Theatre, Dreamgirls, Savoy Theatre) are reprising their roles as Zach and Cassie which they played to great critical acclaim at Curve in 2021. For more about access at Birmingham Hippodrome including details of audio described performances do visit the following pages of the theatre's website - https://www.birminghamhippodrome.com/plan-your-visit/access/ (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
‘Black Ops' star and BAFTA-nominated actor Hammed Animashaun has a booking this week. But will Colonel Sanders and Mr Kipling be dining with him? Hammed Animashaun is currently starring in ‘Kiss Me Kate' at the Barbican Theatre in London until 14 September. Get tickets at kissmekatemusical.com Follow Hammed on Instagram @hammedhamzRecorded and edited by Ben Williams for Plosive.Artwork by Paul Gilbey (photography and design).Follow Off Menu on Twitter and Instagram: @offmenuofficial.And go to our website www.offmenupodcast.co.uk for a list of restaurants recommended on the show.Watch Ed and James's YouTube series 'Just Puddings'. Watch here. Hosted on Acast. See acast.com/privacy for more information.
Director and actor Simon McBurney, one of the founders of the ground breaking theatre company Complicité, reveals his creative inspirations and influences. For over four decades McBurney has created innovative and experimental works, from immersive staging to the reinvention of classic texts. His works include A Disappearing Number, The Encounter and Mnemonic, a landmark production which has been recently revived at The National Theatre. Simon McBurney tells John Wilson about his childhood in Cambridge where his father, an archaeologist, helped foster an early fascination with time and memory. For This Cultural Life he chooses the 1969 Ken Loach film Kes as a formative influence, offering an insight to a childhood very different to his own middle class upbringing. He recalls seeing the band The Clash whilst at Cambridge University, an experience that had a profound impact on his own creativity and political engagement through the arts. He also chooses the writer and critic John Berger as an inspirational figure, and recalls collaborating with Berger on the immersive Artangel project The Vertical Line in 1999. Simon McBurney also describes how the experience of meeting indigenous Amazonian people inspired his 2016 Complicité show The Encounter. Producer: Edwina PitmanArchive clips from: Kes, Ken Loach, 1969 The Clash Live at Rock Against Racism, Victoria Park, 1978 The Dead Class, Tadeusz Kantor, 1976 Friday Night...Saturday Morning: Cambridge Footlights, BBC1, Nov 1979 Ways of Seeing, Episode 1, BBC2, Jan 1972 The Vertical Line, Complicité, BBC Radio 4, 1999 The Encounter, Complicité, Barbican Theatre, May 2018 Face to Face, BBC2, Oct 1995 Mission: Impossible – Rogue Nation, Christopher McQuarrie, 2015
Rose Kimberly and Claire Williamson join Alexa to discuss the South West Voice Hub, a network they created to connect voice practitioners and singers in the South West of the UK. The hub aims to provide a local network for all things voice-related, including referrals, training, and support. They discuss the challenges of finding voice professionals in the South West and the importance of building a community in the region. The hub offers different membership tiers for practitioners, singers, and students, with benefits including access to forums, discounts on CPD events, and a profile on the website. They also mention their upcoming launch event, which will feature workshops and networking opportunities. KEY TAKEAWAYS The South West Voice Hub is an initiative by Rose and Claire to establish a network for voice professionals in the South West region of the UK. It aims to connect various practitioners such as vocal coaches, speech and language therapists, and performers. The hub provides support and resources for professional development, including bi-monthly online forums and in-person seminars for continuing professional development (CPD). The network addresses voice-related issues and promotes local talent, aiming to make specialised voice services more accessible and affordable within the South West region. The hub offers different membership tiers for practitioners, singers, and students, with benefits such as access to forums, discounts on CPD events, and a profile on the members' section of the website. The hub's launch event in Exeter will feature a laryngeal massage workshop and a vocal triage session for singers. The network plans to be responsive to the needs of its members, offering events and training that reflect the interests and demands of the local voice community BEST MOMENTS "We want to make voice services more accessible and affordable, reducing the need to travel to larger cities." "It's important to work holistically with people, and having a network of professionals is crucial." "We're aiming to support and educate the local voice community, making it stronger and more connected." EPISODE RESOURCES Guest Website: https://www.southwestvoicehub.com/ Social Media: Instagram: @southwestvoicehub Contact Claire & Rose directly: southwestvoicehub@gmail.com Relevant Links & Mentions: Stephen King: https://voicecarecentre.co.uk/stephen-king/ (Singing Teachers Talk Podcast) Ep.90 Help! I've Got a Voice Problem with Lydia Hart and Stephen King Exeter Phoenix Centre: https://exeterphoenix.org.uk/ BAST Book A Call ABOUT THE GUEST Rose Kimberley is a Vocal Coach/Singing Teacher based in South Devon, where she runs The Vocal Studio Devon. Trained in 2012 with BAST, she has enhanced her skills through various CPD courses, including VHE's Vocal Health First Aid. A professional singer and solo artist, Rose combines industry knowledge with a passion for helping others develop and care for their voices. She also teaches music, artist development, and songwriting for the Barbican Theatre in Plymouth. Claire Williamson trained as a singer at LIPA and worked professionally as a singer and actress before becoming a Speech and Language Therapist at UCL. She has extensive NHS experience with children's speech, language, and communication needs, and now works in private practice with both adults and children with voice disorders. Claire specialises in client-centred, evidence-based treatment of voice difficulties, with a special interest in helping professional voice users. ABOUT THE PODCAST BAST Training is here to help singers gain the knowledge, skills and understanding required to be a great singing teacher. We can help you whether you are getting started or just have some knowledge gaps to fill through our courses and educational events. basttraining.com Updates from BAST Training
In a slightly shorter but just as special interview, I head to Barbican to talk to co-founder of UK's leading hip-hop dance theatre company Boy Blue and composer/producer Michael "Mikey J" Asante in anticipation for Boy Blue's new show "Cycles". With Hip-Hop as an accidental throughline for the interview, we talk his beginnings, starting a dance company, the aim of "Cycles" and of course his Top 5.HOUSEKEEPING:Photo Credit: Benji ReidBoy Blue's Cycles, world premiere at the Barbican Theatre from 30th April – 4th May. (then touring).On Saturday 4th May there will be a DJ-after-party in the foyer, 10pm – 1am - BSI Jam: Beats, Streets & InspirationBoy Blue young performers will also perform at Jonzi D's Breakin' Convention – the world's biggest hip hop dance theatre festival at Sadler's Wells 4th& 5th May. Thank you for listening! If you want to contribute to the show, whether it be sending me questions or voicing your opinion in any way, peep the contact links below and I'll respond accordingly. Let me know "What's Good?"Rate & ReviewE-Mail: the5thelelmentpub@gmail.comIG: @The5thElementUKWebsite: https://medium.com/@the5thelementIntro Music - "Baxter" By Brock BerriganInterlude - "Still Shining" By BadsummerChillHop MusicOther Podcasts Under The 5EPN:Diggin' In The Digits5EPN RadioBlack Women Watch...In Search of SauceThe Beauty Of Independence
Datshiane Navanayagam speaks to two women about the magic of storytelling through puppetry. From the moment she played the part of a clock in a school play, Heather Lai from Hong Kong knew she wanted to go to drama school. It was there she fell in love with puppetry. After completing her training at The Curious School of Puppetry, she's performed on both the stage and in the television studio. Heather's currently starring in the award-winning My Neighbor Totoro at the Barbican Theatre. Ana Crăciun-Lambru is an award-winning theatre director and puppeteer from Romania. Her one-woman show 'Dust' uses puppetry to tell the stories of the Romanian women who emigrated to the US. Ana has performed worldwide and has also featured on Romania's Got Talent with her puppet troupe.(Image: (L) Ana Crăciun-Lambru, credit Cristian Vasile (R) Heather Lai, credit Ori Jones.)
Carly Anderson / @anderson_carly recently starred as Polly in Crazy for You at the Gillian Lynne Theatre in London. Carly's stage credits include playing Polly in Crazy For You at Chichester Festival Theatre; Glinda in Wicked in the international tour; Betty Schaefer in Sunset Boulevard at the London Coliseum / ENO; Kira/Clio in Xanadu at Southwark Playhouse; Gwen in Sunny Afternoon at Hampstead Theatre and the Harold Pinter Theatre; Candide at the Menier Chocolate Factory; Avenue Q in Seoul; My Fair Lady at the Sheffield Crucible Theatre; South Pacific at the Barbican Theatre and on National tour; and The Sound of Music. Carly's TV credits include Traces (Alibi) and Trust Me (BBC). *2 week Broadway Fitness Program - No Cost/Commitment www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Carly Anderson / @anderson_carly recently starred as Polly in Crazy for You at the Gillian Lynne Theatre in London. Carly's stage credits include playing Polly in Crazy For You at Chichester Festival Theatre; Glinda in Wicked in the international tour; Betty Schaefer in Sunset Boulevard at the London Coliseum / ENO; Kira/Clio in Xanadu at Southwark Playhouse; Gwen in Sunny Afternoon at Hampstead Theatre and the Harold Pinter Theatre; Candide at the Menier Chocolate Factory; Avenue Q in Seoul; My Fair Lady at the Sheffield Crucible Theatre; South Pacific at the Barbican Theatre and on National tour; and The Sound of Music. Carly's TV credits include Traces (Alibi) and Trust Me (BBC). *2 week Broadway Fitness Program - No Cost/Commitment www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Today on Too Opinionated, we sit down with actor Shawn Ahmed! Shawn has amassed a lengthy list of credits in film, TV, and theatre. He is called upon to deliver dramatic monologues in shows like SYFY's ‘The Expanse', or provide comedic breaks in his recurring role on the hit CBC/The CW series, ‘Coroner'. He has also appeared in CBS' ‘So Help Me Todd', Paramount Plus' ‘Star Trek: Strange New Worlds', Lifetime's ‘Fallen Angels Murder Club' series and ‘Under the Christmas Tree', The CW's ‘DC's Legends of Tomorrow', ChillerTV's ‘Slasher', CBS All Access' ‘Twilight Zone', CityTV's ‘Hudson and Rex', and Freeform's ‘Siren'. Back in 2012, Shawn also co-founded Crazy Shirt Productions, as a place for him and his creative peers to write, direct and produce. His projects have toured festivals worldwide, garnered awards and accolades, and sold for national and international distribution. He just wrapped on the feature, Sanctuary, a Get Out- esque thriller, which he produced. Next, Shawn will be reprising his role as Yudhishthrain Mahabharata, premiering internationally in October at the Barbican Theatre in London, England. Want to watch: YouTube Meisterkhan Pod. (Please Subscribe)
A world of sprites and spirits encountered by childhood sisters in the 1988 animated feature film by Hayao Miyazaki (Spirited Away) and Studio Ghibli has become a hit stage adaptation for the Royal Shakespeare Company. The original composer Joe Hisaishi worked with playwright Tom Morton-Smith and Director Phelim McDermott and the production returns to the Barbican this autumn. Chris Harding and guests look at how this story of Totoro relates to Japanese beliefs about ghosts and nature, and how Miyazaki used ideas of childhood innocence to critique post-War Japanese society. Chris Harding is joined by the playwright Tom Morton-Smith, Michael Leader from the podcast Ghiblioteque, Dr Shiro Yoshioka, Lecturer in Japanese Studies at the University of Newcastle, and Dr Xine Yao, co-director of qUCL at University College London, and a Radio 3/AHRC New Generation Thinker. My Neighbour Totoro from the Royal Shakespeare Company in collaboration with Improbable and Nippon TV runs at the Barbican Theatre in London from 23 November Music from Studio Ghibli films is included in a BBC Prom concert being performed by the BBC Concert Orchestra on Monday August 28th and then available on BBC Sounds. You can find a collection of programmes exploring different facets of Japanese culture on the Free Thinking programme website https://www.bbc.co.uk/programmes/p0657spq Producer: Luke Mulhall
A love letter to old school American showbiz - we review Crazy for You, which is now on at the Gillian Lynne Theatre. This feet-tapping musical features the songs of George and Ira Gershwin, and it's directed and choreographed by Susan Stroman.Cherrelle Skeete, star of Harry Potter and the Cursed Child and the Amazon original, Hanna, joins Nick Curtis to talk about her role in Beneatha's Place, which is written and directed by Kwame Kwei-Armah. The show's now on at the Young Vic.Plus, we discuss Michael R. Jackson's A Strange Loop which is now on at the Barbican Theatre. You can hear our interview with Michael here.And what's been happening this week? Which “rubbish” Shakespeare scene is going to be rewritten by comedian Stewart Lee for the RSC? Also, Cabaret is going to Broadway in spring 2024 and will be on at the August Wilson Theatre. Hosted on Acast. See acast.com/privacy for more information.
Last week Mickey-Jo finally got to see A STRANGE LOOP at the Barbican in London. Check out the new review for all of Mickey-Jo's thoughts about this complex, multi-layered Pulitzer Prize winning show... • 00:00 | introduction 02:27 | what is this show about? 06:13 | is this a good show? 10:31 | what is the material like? 13:24 | how were the performances? 18:11 | which moment is a highlight? 20:25 | who would enjoy this show? • • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Interrupting our Thought Bubble Festival interview episodes with a special about the Royal Shakespeare Company's live action production of MY NEIGHBOUR TOTORO. Jimmy was in London where the production is being held at the Barbican Theatre and got to see this incredible one-of-a-kind show. Based on the famed Studio Ghibli animated film of the same name, MNT is a magical journey full of wonder and awe. The cast, direction, music, puppetry and more all make it such an extraordinary live theater event. Jimmy got a couple of friends to send in their thoughts on it as well. Thanks to his theatre companion that night, Siobhan and to fellow Yank Jamie (who coincidentally happened to be at the same performance as Jimmy) for sending in their reviews. A truly unique piece of theatre that you must experience in person. Listen in to hear all about it! Also, get a hold of us! Thanks for listening!
In this episode the boys are joined by Gabrielle ‘Gabby' Cocca. Managing to squeeze us into her busy schedule having just finished the magical Anything Goes at the Barbican Theatre and about to step into White Christmas with Stephen Mear is the wonderful Gabby. She's a dancer beyond compare and also a qualified sports masseuse, personal trainer, spin instructor and reformer pilates instructor too working with 1Rebel. Is there anything she doesn't do?!
Earlier this week Mickey-Jo was lucky enough to be invited to a press night performance of MY NEIGHBOUR TOTORO, the ambitious new stage adaptation of the 1988 Studio Ghibli film which has recently opened at the Barbican Centre in London. This production is brought to the stage by the Royal Shakespeare Company and makes ingenious and innovative use of puppetry to bring this beloved animated story to the stage. Check out the new review for all Mickey-Jo's thoughts on this show including detailed descriptions of the puppets (though pictures have been strictly embargoed) as well as some slight criticisms of the adaptation... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
A world of sprites and spirits encountered by childhood sisters in the 1988 animated feature film by Hayao Miyazaki (Spirited Away) and Studio Ghibli has been adapted for stage by the original composer Joe Hisaishi working with playwright Tom Morton-Smith and Director Phelim McDermott. Chris Harding and guests look at how this story relates to Japanese beliefs about ghosts and nature, and how Miyazaki used ideas of childhood innocence to critique post-War Japanese society. Chris Harding is joined by Tom Morton-Smith, Michael Leader from the podcast Ghiblioteque, Dr Shiro Yoshioka, Lecturer in Japanese Studies at the University of Newcastle, and Dr Xine Yao, co-director of qUCL at University College London, and a Radio 3/AHRC New Generation Thinker. My Neighbour Totoro from the Royal Shakespeare Company in collaboration with Improbable and Nippon TV runs at the Barbican Theatre in London from 8 Oct 2022—Sat 21 Jan 2023 Producer: Luke Mulhall
Carly is currently reprising her Olivier nominated performance as Erma in Kathleen Marshall's production of Anything Goes at the Barbican Theatre. Since previously joining us on Series 2 Episode 6 of In The Frame, Carly hasn't stopped! She was cast as Jane Seymour in the UK tour of Six, but sadly never made her debut due to a lockdown. Her recent credits include Shug Avery in The Color Purple (Leicester Curve - Digital), June in Gypsy in Concert (Alexandra Palace Theatre) and Cassie in A Chorus Line (Leicester Curve). Carly received huge acclaim for her performance as Erma in Anything Goes, winning a WhatsOnStage Award and receiving an Olivier Award nomination. Carly's extensive credits also include: Anita in West Side Story (Leicester Curve), Helene in Sweet Charity (Nottingham Playhouse), Fate in Hadestown (National Theatre), Henri in The View Upstairs (Soho Theatre) and Charlaine in Ain't Misbehavin' (Southwark Playhouse & Mercury Colchester). Carly's West End credits include Rock of Ages, Dirty Dancing, Chicago, Memphis and Dreamgirls where she understudied and regularly played the role of Lorelle. She has also appeared in Hair, High School Musical, Dance Til Dawn and The Lorax.Anything Goes completes its run at the Barbican Theatre on 3rd September. Visit www.anythinggoesmusical.co.uk for info and tickets. Follow Carly on Instagram: @carlymdyerHosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Chris and Alex take their first visit to the Japanese kaiju genre for Episode 102 of the podcast thanks to Toho studio's 1961 feature Mothra (Ishirō Honda, 1961), a film that kickstarted the longstanding Mothra monster movie franchise. Joining them to discuss the history and legacy of Japanese cinema's famous winged creature is Alex Davidson, cinema curator at the Barbican Theatre who also writes on film for the BFI and beyond, with a specialism is queer cinema and television. To tie in with the Barbican's screening of Mothra on August 24th 2022 as part of their Outdoor Cinema series, the trio reflect on the genesis of Mothra as a character and its importance to twentieth-century Japanese monster cinema; the codes and conventions of the kaiju film, and connections to Japan's postwar national trauma following the atomic bombings of Hiroshima and Nagasaki; distinctions between revenge and rampage that structure Mothra narratives; allegories of modernity that recur across supernatural fables; the fluctuating scales of the film's practical VFX imagery (from superimpositions and forced perspectives to models and miniatures) all directed by Eiji Tsuburaya; the political stakes of its fictional setting of Rolisica that combines East Asian and European influences; and what director Ishirō Honda has to say about science, finance, technology, and soft economic power through both Mothra's reign of terror and the character's desire to ‘protect.' **Fantasy/Animation theme tune composed by Francisca Araujo**
Johann Merrich's Brevi Storie: The EMS Series Johann Merrich's Brevi Storie [Short Stories] inaugurates a new chapter dedicated to the past, present and future of Electronic Music Studios: are EMS still active? Who works there and how? The podcast series includes a collection of interviews, sounds and music to discover EMS' legacies and new talents. Episode #5 From Istanbul to Berlin is dedicated to the history of Turkish electronic music, narrated by Başak Günak. Berlin-based, Istanbul born Başak Günak is a musician, composer and sound artist, also internationally known as AH! KOSMOS in the field of electronic music. She released two LPs from Compost Records & Denovali Records and numerous EPs. Both timeless and otherworldly, Günak's work unconsciously defies being tied to a genre, tapping into something beyond an immediate surrounding or experience to communicate something more transcendental. Günak uses polyrhythms, electronic composition and found sounds to build a mystical world of modulation into which one can sink and be carried away.Günak pursues her sound experimentations as a sound artist, composing soundscapes for theater, contemporary dance, film and visual art projects, and realising site-specific performances. Her works have been featured worldwide in several festivals and institutions, such as Barbican Theatre, Berlin CTM, Sonar Festival, Rotterdamse Schouwburg, Kunstmuseum Basel, Prague Quadrennial and Istanbul International Theatre Festival. In 2020, she presented her latest solo sound installation THE WELL, a piece for 11 speakers and performance in VKV Museum Istanbul. In 2021, she has done composition and sound design for Berlin State Museums, Kunstmuseum Basel and granted a residency in HELLERAU for her upcoming sound installation. Currently, she is working on compositions for a project in Martin-Gropius Bau. More about Ah! Kosmos: https://ahkosmos.com/ http://instagram.com/ahkosmos Picture credit: Arda Funda Track list: 1. Ah! Kosmos, “Out-Ro-In-Growth” 2. Ah! Kosmos, “Trace of Waterfalls” 3. Bülent Arel/Daria Semegen, “Music for String Quartet and Tape” [excerpt], 1980 4. Ilhan Mimaroğlu, “Immolation Scene"[excerpt], 1983 5. Gökçen Kaynatan “Cennet Dünyamiz" [excerpt], 1968 c.a. 6. Bülent Arel, “Stereo Electronic Music N°1” [excerpt], 1960 7. Cenk Ergün, Forge, 2008 8. Alper Maral, "Sho", 2001 9. Ilhan Mimaroğlu, “Agony”, [excerpt], 1965 Do not miss the previous episode: From From Athens to Toronto -> https://www.spreaker.com/user/8877612/brevistorie-ems-ep-4-mantha-katsikana
Born in Lewisham, London, of Jamaican parentage, she grew up with four older brothers. She attended Lewisham Bridge School, Lewisham Girls School, Blackheath Bluecoat School and Vauxhall College. Her experience at school was difficult, and it was not until she completed her education that she was diagnosed as dyslexic. At the age of ten, Le Mar appeared in a school play called In on the Island at the Albany Empire and then attended the Lewisham Drama Club, inspired by her primary school teacher Mr Woodgate. She then Joined Second Wave Women's Drama group, where she performed Net Full of Holes, also at the Albany Empire.Le Mar attended the Barbara Speake Stage School, and Afro Sax drama club run by Larrington Walker, Ellen Thomas and Treva Etienne. With two fellow actresses Le Mar set up her own theatre company, called the Bemarrow Sisters, which ran for seven years. Productions included A Slice of Life directed by Decima Francis, Gloria directed by Trevor Laird and This Way Up written by Peggy Bennette-Hume. She was the first Black British performer to appear at Harlem's Apollo Theatre and had the first ever sell-out show by a female black comedian in London's West End.[1] Her TV appearances include the BBC's The Real McCoy and Channel 4's Get Up, Stand Up, and presented The Saturday Morning Show on Choice FM. She was also a commentator on Grumpy Old Women in 2005.From 1985 Le Mar cut her teeth on the comedy circuit, by initially doing open spots and warm-ups at events such as fashion shows and parties within the black community. She later rose to prominence on the emerging black comedy circuit in the 1990s, sharing the stage with established comedians such as Felix Dexter, Curtis Walker, Ishmael Thomas and Leo Chester all members of the BBC comedy series The Real McCoy. Her popularity earned her the title "The Queen of Black Comedy". Her reputation took her to the mainstream circuit where she became a regular act at established comedy clubs including Up The Creek, Jongleurs and The Comedy Store, culminating in Le Mar performing her sell-out one woman show Off The Hook at the Apollo Theatre, Shaftesbury Avenue, in 2000. She also gained international acclaim when she performed at the Apollo Theatre, New York, and the Comedy Act Theatre in Los Angeles. Le Mar celebrated 25 years in her show An Audience with Angie Le Mar, "Celebrating 25 years", at the Barbican Theatre in September 2010.Le Mar launched her professional theatre career in 1994 with her comedy sketch show Funny Black Women on the Edge that premiered at The Civic Centre in Southwark, London, which she wrote and also made her first directing debut, playing several characters. The show went on to play at the Edinburgh Fringe Festival, at the Gilded Balloon in the same year. The show played at the Theatre Royal Stratford East in November 1995, directed by Paulette Randall The show was reprised again in 2007 The Best of Funny Black Women on The Edge through Le Mar's production company Straight To Audience Productions', at the Hackney Empire, directed by Jo Martin and Dawn Reid. Le Mar wrote her show The Brothers, which was originally aired as a radio production on Choice FM, produced by Ivor Etienne. Written in 2006 and directed by Le Mar, the show made its theatre debut at the Hackney Empire and became the fastest-selling show there since Hamlet. The Brothers was also recorded for television and shown on MTV Base. In 2007 Le Mar wrote Do You Know Where Your Daughter Is?. While working as a radio presenter on Choice FM, Le Mar was moved by a call she received on her phone in show from a distressed young lady who had been abused by her boyfriend. The contents of the call inspired her to write the play, which was targeted predominantly to young audiences and parents. The play premiered at the Hackney Empires' Acorn Theatre and ran for eight weeks. It was toured throughout the London Regional suburbs.
Marg joins Regina to talk through a life as a theatre designer and in particular The Picture of Dorian Gray. Marg has an extensive list of design credits spanning theatres across Australia. For STC, Marg has designed for The Picture of Dorian Gray, Avalanche (with Barbican Theatre), How to Rule the World and The Histrionic (with Malthouse). As Costume Designer she also worked on STC productions of Lord of the Flies and The Resistible Rise of Arturo Ui. She has worked on a wide range of productions for Malthouse including Because the Night (interiors), Blasted, Melancholia, Bliss, Caravan, The Testament of Mary, The Real and Imagined History of The Elephant Man, Revolt She Said Revolt Again, The Homosexuals Or ‘Faggots' (with Griffin Theatre Company), Edward II, I Am A Miracle and The Good Person Of Szechuan. Marg has also designed for many other leading theatre and opera companies including English National Opera, Opera Queensland, Victorian Opera, Melbourne Theatre Company, Bell Shakespeare, Belvoir and Griffin Theatre Company. She has also worked with Circa, Performing Lines, Dee and Cornelius, Angus Cerini Doubletap and Chunky Move. Marg has won seven Green Room Awards and two Sydney Theatre Awards including one for The Picture of Dorian Gray (2021).
In this episode we talk to an amazing person fuelled by intense curiosity, passion and purpose - with NO pause button! Laura Kriefman is the CEO at Barbican Theatre; a charity snuggled on the cobbles with young people threaded through their DNA. Laura is open and honest - as you would expect- and we touch on many subjects!! It's not just about how they plan to break down the barriers of culture in Plymouth but so much more! It was an absolute pleasure to pick her brains and ask some challenging questions! Quick note, there was a huge amount of passion in our conversations in this episode, and there were a few explicits!
Q, also known as Francesca Mudannayake, is a Sri Lankan based singer/songwriter who has been performing since she was 6. After honing her skills at the National Youth Jazz Orchestra in the UK and singing at the Barbican Theatre, Q released her debut EP Hysteria in April 2021. Blending alternative R&B with lyrics on female sexuality and independence, Rolling Stone India described it as “everything you want to hear in music of empowerment”. In addition to this she has modelled for fashion brands and has appeared in magazines like L'Officiel Italia and Cosmopolitan Sri Lanka. An actor too, she was most recently featured in Deepa Mehta's Funny Boy. "I can speak from my own self, that I am a bit of a weird, complex creature that is very emotional and very sensitive to things. So for the past couple of years, I've just been going through all of those emotions and thinking, well, I should just really put this all down in an EP. Because these are all my lived experiences. And maybe, just maybe if a girl is listening to it, they might be a bit more comfortable with themselves, you know, and think to themselves, oh, I don't need to be just this, and I don't need to be just that. I can be all of this. If you can come to that sort of point where you're at peace, with all of these different personalities that you have, I think it's a better way to live." Listen to Hysteria, her debut EP here: https://li.sten.to/hysteria/. Follow her on Instagram https://instagram.com/musicby_q or Facebook https://m.facebook.com/musicbyq
Actor Rudi Dharmalingam showed a creative spark from a young age. From writing short stories and sketches with his two best friends while growing up, to attending the National Youth Theatre in the U.K. at the age of 16, Rudi excelled in his drama studies and had a fascination with performance. After graduating from the University of Salford, Rudi was ready to hit the ground running. He had his sights set on working as a professional actor in theater and had secured an agent during his first year at university. Today, Rudi shares the experience of being dropped by his agent after a terrifying accident on the way to his first audition and how he was able to push through the years of auditioning that followed. After booking an understudy role in the Royal National Theatre's London stage production of "The History Boys," Rudi began to see some momentum in his career. Since then, Rudi experienced a 15 year back-to-back run of theater productions including a West End run of "Mary Stuart," and a co-star role in "Hamlet" opposite Benedict Cumberbatch at the Barbican Theatre. After deciding that he was ready for a new adventure on the big screen, Rudi has now gracefully pivoted into the world of film and television with the premiere of Showtime's newest drama series, "Wakefield." Starring as psych ward nurse Nik Katira, this psychological drama explores the complexities of mental health when Nik himself begins to lose connection to his own reality. Rudi will also be returning in season 3 of "The Split," and can be seen in the upcoming 2022 release of the action-thriller series, "Extinction." Today, Rudi shares that what he loves most about acting is the intimacy. He dives into how that intimacy manifests itself differently in theater versus on screen, and he shares the ways in which he approaches character building from a place of instinct. Inspired by artistic legends such as Robert De Niro, Daniel Day-Lewis, and following the teaching principles of Stanislavski, Rudi encourages all actors to think of a self-tape as a short film and to go above and beyond the line of duty when it comes to an audition. These are the unforgettable stories that landed Rudi Dharmalingam right here. Guest links: IMDB: Rudi Dharmalingam BARNES & NOBLE: An Actor Prepares / Edition 1 For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me (@alyshiaochse)! Show Links: CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher Credits: WRITER: Erin McCluskey SOUND DESIGN: Zachary Jameson WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Bebe Katsenes
Robbie trained in Brisbane, Australia and made his debut in the Australian version of So You Think You Can Dance for television. From there he performed with the Paris Opera Ballet as part of their Australian tour. He was part of the Expressions Dance Company in Brisbane before performing on a number of cruise ships including Norwegian Cruise Line, Princess Cruises and the Royal Caribbean Cruise Line.After moving to the UK, he went on to perform in shows such as the international tour of Cats playing Mistoffelees, the UK, Ireland and Turkey tour of Strauss, Chess at the London Coliseum, the UK, Ireland and Swiss tour of Flashdance, White Christmas at the Leicester Curve, Guys and Dolls at the Theatre Marigny, Paris. He reprised his role as Mistoffelees in Cats at Kilworth House in 2019–2020 and also performed again in White Christmas, this time at the Dominion theatre in London's West End.Robbie is currently appearing with Sutton Foster, Robert Lindsay, Felicity Kendall and Gary Wilmot in Anything Goes at the Barbican Theatre in London.
Yesterday the audience was on its feet – more than once - to applaud the cast, the band and the design of Anything Goes at the Barbican Theatre in London. On Front Row today Samira Ahmed talks to Kathleen Marshall, the director and choreographer about the appeal of the show today, and to Sutton Foster, the American star making her UK debut as Reno Sweeney, who gets to sing some of Cole Porter's greatest songs including I Get a Kick Out of You which she has recorded especially for Front Row. Co-written by Tim Renkow and Shaun Pye, the BBC Three black-comedy series Jerk revolves around the character Tim who uses the fact that he has cerebral palsy to try and get away with anything. Tim Renkow joins us to discuss the new second series and representation of disability in television. It was announced at the end of last week that Scarlett Johansson is suing Disney for breach of contract over the Marvel film Black Widow, with its scaled-back cinema release. Rebecca Rubin from Variety in New York considers the case and whether there might be further fallout as streaming is now such a significant income-generator for the major studios. Presenter Samira Ahmed Producer Jerome Weatherald
Felicity Kendal made her stage debut as a baby. Over 70 years later she's preparing to appear in her first musical, Anything Goes. She talks to Nikki Bedi and Suzy Klein about her career, including the impact of playing Barbara in The Good Life. Sarah Bickers grew up in a welcoming but messy home, and, living with ADHD, has learnt how to to create order out of chaos. She shares her experiences to help others as a professional declutterer. Jamie Hull was involved in a plane crash which saw most of his body burnt and he was given a 5% chance of survival. It took years for him to recover mentally and physically. He talks about how he's found the strength to seize life and inspire others. George The Poet shares his Inheritance Tracks: And the Beat Goes On by The Whispers and Collateral Damage by Burna Boy. Ore Oduba triumphed in the 14th series of Strictly Come Dancing. He's now about to tour the country in the Rocky Horror show. Felicity Kendal is appearing in Anything Goes at the Barbican Theatre in London from Friday 23 July 2021, until Sunday 17th October. Life on a Thread by Jamie Hull is out now. George The Poet: Live From The Barbican takes place on Thursday 1st July. Ore Oduba stars as Brad Majors in The Rocky Horror Show - which is touring at venues across the UK from the 16th July. Producer: Claire Bartleet Editor: Richard Hooper
Composer & actor Matthew Harvey co-hosts The West End Frame Show! Andrew & Matthew discuss Disenchanted as well as the latest news about The Wiz, Carousel, Abba Mania, Intermissions and lots more. As a performer, Matthew's theatre credits include: Thérèse Raquin (Thérèse Raquin), Come Fly With Me (Salisbury Playhouse), Les Misérables (West End), Murder Ballad (Arts Theatre) and Oklahoma! (Grange Park Opera). He played Monty in Violet at the Charing Cross Theatre and understudied Jesus in Jesus Christ Superstar at the Barbican Theatre. Last year Matthew turned to writing and is an associate artist for the Barn Theatre in Cirencester. His song cycle Now or Never recently premiered digitally for one night only to huge acclaim for the Barn. You can follow Matthew on Instagram / Twitter: @mharveymusic Hosted by Andrew Tomlins @Andrew_Tomlins Thanks for listening! Visit www.westendframe.co.uk to stay up-to-date with our podcasting adventures.
Dickie Beau - winner of the Oxford Samuel Beckett Theatre Trust Award and actor best known for breathing new life into lip-synching - speaks to his mentor and friend, Fiona Shaw, the actor and director renowned for her extensive work with the RSC and National Theatre alongside popular roles in Harry Potter, Killing Eve and Fleabag. Their poetic, and at times philosophical, conversation navigates creation and perfection, the intricacies of language and capturing your audience. Inspired is a new series on the Barbican podcast, Nothing Concrete where we ask an artist to invite someone who has inspired, influenced or impacted their creative lives to share the stories behind their connection. Each episode was recorded remotely during lockdown. While the Barbican Theatre remains closed, these deeply personal and open conversations bring together creatives across the arts to celebrate the lasting connections and support that artists show for one another. Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcast.Show your support for the Barbican by making a donation and help inspire more people to discover and love the arts. https://www.barbican.org.uk/donate See acast.com/privacy for privacy and opt-out information.
In the second episode of our new series, Inspired, Jamie Hale - London-based cross-disciplinary creative – talks to award-winning comedian, Hannah Gadsby about process, creation, collaboration, traumas – and the power of storytelling.Inspired is a new series on the Barbican podcast, Nothing Concrete where we ask an artist to invite someone who has inspired, influenced or impacted their creative lives to share the stories behind their connection. Each episode was recorded remotely during lockdown. While the Barbican Theatre remains closed, these deeply personal and open conversations bring together creatives across the arts to celebrate the lasting connections and support that artists show for one another. Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcast.Show your support for the Barbican by making a donation and help inspire more people to discover and love the arts. https://www.barbican.org.uk/donate See acast.com/privacy for privacy and opt-out information.
In the first episode of our new series, 'Inspired', Michael ‘Mikey J’ Asante - co-founder and co-artistic director of Barbican Artistic Associate, Boy Blue – talks to Oscar-winning director, Danny Boyle in an energetic conversation about process, creation, collaboration, unlikely inspirations – and the power of film, music and British creativity. Inspired is a new series on the Barbican podcast, Nothing Concrete where we ask an artist to invite someone who has inspired, influenced or impacted their creative lives to share the stories behind their connection. Each episode was recorded remotely during lockdown. While the Barbican Theatre remains closed, these deeply personal and open conversations bring together creatives across the arts to celebrate the lasting connections and support that artists show for one another. Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcast.Show your support for the Barbican by making a donation and help inspire more people to discover and love the arts. https://www.barbican.org.uk/donate See acast.com/privacy for privacy and opt-out information.
Christopher Kenneth Biggins is an English actor and television presenter. He is best known for his role as Lukewarm in the BBC sitcom Porridge, one of the most famous British comedy series starring Ronnie Barker.Born on 16th December 1948 in Oldham in Lancashire, Christopher was raised in Salisbury in Wiltshire. He started his training at Salisbury Repertory Theatre and later at Bristol Old Vic as a prelude to his first West End appearance – creating the role of Head Jumbly in The Owl and The Pussycat Went to Sea.Christopher has also taken part in a successful run of The Play What I Wrote; directed by Kenneth Branagh; and as a regular guest as The Narrator in the National Tour of The Rocky Horror Show.Since the 70s, he has been an ever-present feature of TV output. From television comedy dramas such as Whatever Happened to the Likely Lads? and Some Mothers Do ‘Ave ‘Em, to BBC’s Poldark (1977), Nero and, I Claudius.On children's television, he had a regular role as department store owner Adam Painting in the children's televisionprogramme Rentaghost (1978–1983) and also played Reverend Whiting in Southern Television's Brendon Chase, produced in 1980.In the early 1980s he hosted children's game show On Safari, which had a jungle-themed studio set. He was the subject of This Is Your Life in 1999, when he was surprised by Michael Aspel at the Theatre Royal, Brighton.Christopher also managed to fit in a year with The Royal Shakespeare Company appearing in London Assurance with Judi Dench and Donald Sinden. Other theatre work includes a National tour of Side by Side BY Sondheim, Beyond The Fringe, A Touch of Spring and more recently Cluedo and On Approval. In the summer of 1990 Christopher played and sang the role of Herod in Jesus Christ Superstar at London’s Barbican Theatre.The public crowned him King Of The Jungle in the seventh series of I’m A Celebrity – Get Me Out Of Here.He’s an expert in the history of pantomime and his career has seen him playing dames, loveable rogues, and of course,himself!The music for the podcast is Twiggy's version of "Waterloo Sunset" by the Kinks and can be found on Apple Music at this link https://music.apple.com/gb/album/romantically-yours/693460953If you’ve enjoyed listening to “Tea With Twiggy” please give take a moment to give us a lovely 5 STAR rating on Apple Podcasts. It really helps other people to find the show.If you haven’t done so already please subscribe to this podcast so you auto-magically get the next episodes for free and do tell all your friends and family about it too. If you want to connect with me I’d love to hear from you.You can find me on Twitter @TwiggyOr you can find me on Instagram @Twiggy LawsonMy thanks go to all the people that have helped this podcast happen:● Many thanks to James Carrol and all the team at Northbank Talent Management● Thanks to all the team at Stripped Media including Ben Williams, who edits the show, my producer Kobi Omenaka and Executive Producers Tom Whalley and Dave CorkeryIf you want to know more about this podcast and other produced by Stripped Media please visit www.Stripped.media to find out! See acast.com/privacy for privacy and opt-out information.
The award-winning Belarus Free Theatre was founded 15 years ago to create drama around issues of human rights and creative freedom in a country which has been called Europe’s last surviving dictatorship. It creates provocative physical shows attended by audiences in secret locations around Minsk and has achieved international recognition and support. BFT’s founding artistic directors Natalia Kaliada and Nicolai Khalezin cannot rehearse the actors face to face because they are now political refugees living in the United Kingdom. So, for the past nine years they have been using a Skype line to connect with the performers hundreds of miles away. Natalia and Nicolai have been rehearsing the actors in a new play called Dogs of Europe, based on the novel by the contemporary Belarusian author Alhierd Bacharevic, which depicts life in a dystopian super state where individual freedoms are taken away. As well as performing in Minsk, the actors were also set to come to London and perform at the Barbican Theatre. But Covid-19 has put an end to that plan. So what will the company do instead? The BBC’s Olga Smirnova follows Natalia and Nikolai during the process of rehearsal and performance and hears from them and the actors about the techniques of directing from a distance. She also talks to the British actor and writer Stephen Fry who is taking part in BFT’s newest venture.
#SkillsWorld presenter and FAB chief executive, Tom Bewick, explores the question with a university student and a functional skills teacher. Interviewing Jhanelle White, a student at Kings College London, and Gareth Sturdy, a functional skills teacher with training provider, LHAA, Tom explores the world of SATs, GCSE choices, the value of university degrees, duff careers advice and whether mountains of graduate debt is really worth it, particularly when so many young people end up doing non-graduate jobs. Speaking in a personal capacity, these guests were interviewed at the Barbican Theatre in London, where they were participating in the Battle of Ideas Festival (October 2019). Two education sessions were sponsored by the Federation of Awarding Bodies, which included contributions from Baroness Alison Wolf, Kirstie Donnely MBE, of City and Guilds; and Rob Nitsch of the Institute for Apprenticeships and Technical Education. This podcast episode looks at the fact, for the first time in human history, there are five generations employed in the workforce — from baby-boomers to Millennials. There appears to be so much more pressure these days on young people to “succeed”, especially in terms of getting good grades at school, securing a place at university and finding a decent job upon graduation that pays the bills… Or perhaps that has, until now, been the only version of the “British Dream.” Jhanelle, from a working-class background in the Midlands, explains that she had always wanted to go to university because she knew that was the best route to become a scientist. In this regard: “the only option that seems best for young people is the A-Level route” she says. On the issue of graduate debt, Jhanelle doesn’t feel that fees should necessarily be a barrier for those from poorer backgrounds: “I will probably graduate with £70k of student debt with 6% interest added on each year, but I see my education as an investment and [if I don’t earn enough] I will probably never have to pay the loans back”, she said.Gareth, who teaches functional skills to hairdressing apprentices, comments: “Technical fixes to the current system is not in itself going to produce more educated and skilled people. If the content of courses is not correct or educative… then you will still find that there are qualifications, like some degree courses, that don’t add up to the value that they profess to be… It is why I am quite excited about some of the innovations that are taking place in apprenticeships.” Asked whether she would take the degree apprenticeships option if it were now available to her, Jhanelle said: “Degree apprenticeships are still not perceived as the same value [as ordinary degrees]”. For Jhanelle, going to university was as much about the “cultural experience” it gave her and the “signals” this sent to her peers and future employers, about the "kind of education" she had received.
Recorded in front of an audience at the Barbican Theatre in Plymouth, Sarah Gosling introduces and showcases the artists and performers making a name for themselves in Devon, in collaboration with BBC Music Introducing. Grace Lightman is an electropop singer whose debut album Silver Eater is about an alien stranded on earth. BBC Music Introducing artist Grace performs her lead track Repair Repair with her band. 17 year old writer Jonny Hibbs has created a comic audio drama about young farmers and a rural dating app called CattleGrid! He was commissioned by the New Creatives talent scheme run by BBC Introducing Arts and Arts Council England, which gives emerging artists aged 16-30 the chance to have their works broadcast. Kimwei McCarthy is a poet and musician who has recently been appointed the Grand Bard of Exeter. He talks about how climate activism and trans activism influences his work, and performs a poem about Devon, Because You Invited Me. Scratchworks Theatre Company are an all-female ensemble who are creating original comic plays retelling history from a woman's perspective. Laura Doble, Alice Higginson Clarke and Sian Keen perform a song from their new plays Hags, about the witch trials of Bideford. Presenter Sarah Gosling is the BBC Music Introducing Presenter for Devon and Cornwall and hosts evening shows on BBC Radio Devon. Producer: Timothy Prosser
The Dead Ringers chat to Steve about their live show at the Barbican Theatre.
We love this episode! Norts gets to hang and converse in the cultured confines of The Barbican Theatre with the awesome Dave Birss, man of books, media, public speaking, unrivalled creativity and a whole bunch more. Dave's recent tome "How To Get To Great Ideas" has been picking up plaudits aplenty and doing bloomin' decent business on the Amazon and other book retailers. Dive in and listen well as DB waxes lyrical on a multitude of creative matters. It's fun dialled up to 1 more than 11.
What a unique voice, talent and wonderful man is Sean Keane who popped in for a chat and a song ahead of his concert at the Barbican Theatre in Drogheda on December 22nd. UNESCO status for hurling & camogie - John Duffy from the St Anne's club's a Happy Camper! The Annes - Matthews and Somers are part of the Indigo Collective of Artists who've published a calendar to mark their 15 years together. And yet another accolade for St Olivers Community College who've been awarded a Yellow Flag for supporting and promoting diversity and inclusion. See acast.com/privacy for privacy and opt-out information.
Mareike Wang om veien fra barne- og ungdomsteatret på Rogaland Teater til LIPA i Liverpool. Mareike Bechtel Wang(født 8. april 1983) er en norsk sanger og skuespiller. Hun tok sin skuespillerutdannelse ved The Liverpool Institute for Performing Arts i 2006. Etter utdannelsen bodde og jobbet hun i London i to år, hvor hun blant annet spilte rollen som Mirandolina i Dinner At Mirandolina´s og Belle i Beauty and the beast. I 2008 flyttet Wang hjem til Norge. i 2009 spilte hun Pepita i Bentein Baardsons oppsetning Taube - En Musikalsk Forestilling på Edderkoppen i Oslo. Hun var produsent og skuespiller i forestillingen Last call - En tenkt time i Eva Cassidys liv i Teaterhallen, Rogaland Teater I 2011 deltok Mareike Bechtel Wang i NRKs nye relasjonskomedie Schmokk. Deretter spilte hun Victoria Sudine Constanze i Kaizers Orchestra-stykket Sonny. I 2012 ble hun valgt til årets Stavanger-kunstner.[1] Mareike er fast ansatt skuepiller ved Rogaland Teater der hun blant annet har medvirket i Teaterkonsertene HOW, Beethoven og MOZART, alle regissert av Nikolaj Cederholm og brødrene Hellemann. Hun var også med til København da Beethoven ble satt opp på Bellevue Teatret september 2016 og da Mozart spilte ved Barbican Theatre i London i 2014. På Rogaland Teater har hun også medvirket i blant annet Blodig Alvor, Peer Gynt, Little Shop of Horrors, og Eventyr i Landskap, samt samarbeidsproduksjonen med Sandnes Kulturhus, Kilden Konserthus i Kristiansand: Les Misearables hvor hun spilte rollen som Eponine.[trenger referanse] I 2015 var hun ansatt ved Det Norske Teatret hvor hun medvirket i Sweeney Todd, Brand og Are Kalvø og Ingrid Bjørnov´s politiske musikal Halve Kongeriket.[trenger referanse] Mareike jobber for tiden med sitt debutalbum sammen med gitarist, produsent og låtskriver Alexander Flotve.
Matthew Ritchie is an artist born in England who lives and works in New York City. He has exhibited internationally over the past two decades, including solo presentations at the Institute of Contemporary Art, Boston, MA (2014); ZKM Karlsruhe (2012), Barbican Theatre, London, UK (2012); Brooklyn Academy of Music (2009), NY, St. Louis Art Museum, MO (2007); MASS MoCA, North Adams, MA (2004), Contemporary Art Museum, Houston, TX (2003); and the Dallas Museum of Art, TX (2001). Matthew’s work was included in the 1997 Whitney Biennial, the 2002 Sydney Biennale, the 2004 Bienal de Sao Paulo, the 2008 Seville Bienal, the Havana Bienal, and the 11th International Architecture Biennial, Venice, Italy (2008) as well as major exhibitions at the Solomon R. Guggenheim Museum, New York, NY; Museum of Modern Art, New York, NY and the San Francisco Museum of Modern Art, CA. His work is in the permanent collections of the Museum of Modern Art, New York, NY; Solomon R. Guggenheim Museum, New York, NY; Whitney Museum of American Art, New York, NY; San Francisco Museum of Modern Art, CA; and the MIT List Visual Arts Center, Boston, MA among others. Brian visited Matthew’s Midtown studio for a talk about his early days in London, shady real estate, musical collaborations, post-punk, burning Bronx and being a Spurs fan. This episode is sponsored by Golden Paints, Topo Designs and Charter Coffee.
Hear our rundown of the 2018 BBC Proms, with tips on getting tickets, day promming, where to sit and what to see. We also create a new Proms themed cocktail called "The Beyonce Promenade". We also have a review of Taylor Mac — A 24-Decade History of Popular Music: The First Act at The Barbican Theatre. - Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License
As Yet Unnamed London Theatre Podcast 14-Jan-2018 With T R P Watson - Gareth James - PaulInLondon - Plays Discussed Belleville - Donmar Warehouse [00:20] RSC Romans - RSC, Barbican Theatre [08:52] The Twilight Zone - Almeida Theatre [22:03] The Grinning Man - Trafalgar Studios 1 [29:21]
As Yet Unnamed London Theatre Podcast 16-Jul-2017 With T R P Watson - Franco Milazzo - Gareth James - Alice from Traffic Light Theatregoer - Plays Discussed Queen Anne - Theatre Royal Haymarket [00:20] Tempest - RSC, Barbican Theatre [11:05] King Kong - The Vaults, Waterloo [20:53] Bat Out of Hell - Coliseum, ENO [27:22]
Ariel, the sprite who serves Prospero in “The Tempest” is the first non-human character featured on Shakespeare’s Shadows. Dr. Brinda Charry — an English professor at Keene State College — and Mark Quartley — currently playing Ariel for the Royal Shakespeare Company — discuss Ariel’s complicated relationship with his master, varying interpretations of the moment he is set free, and how Ariel discovers what it is to be human. Quartley also talks about his unique experience playing Ariel via real-time motion-capture technology in this stage production running at the Barbican Theatre in London through August 18th. He co-stars opposite Simon Russell Beale, returning to the RSC as Prospero after having taken on the role of Ariel in 1993.
This week I discuss Miss Revolutionary Idol Berserker, a new Japanese show seen as part of the Lift Festival at the Barbican Theatre. This loud, bright, assault on the senses may have lessons to teach us about why we go to the theatre, how it makes us feel things and why music is such a powerful tool. Includes an interview with the show's creator Toco Nikaido.
This is the second part of our discussion about the live cinema broadcast of Barbican Theatre’s production of Hamlet (2015) directed by Lindsey Turner and starring Benedict Cumberbatch as Hamlet. We discuss Turner’s directorial choices, Cumberbatch’s performance, the cuts made to the text, the set and costumes, and what we gained from this interpretation. We also discuss how well the cinema broadcast captured the live theatre experience. Follow 21st Folio: @21stFolio Your host: Alex Heeney (@bwestcineaste) Guests: David Larsen (@leaflemming), Mary Angela Rowe (@lapsedvictorian), Craig Ruttan (@crut) Edited by: Cam White (@JediDusk) Detailed show notes: http://www.seventh-row.com/2016/03/17/folio21-ep1/ For more information about this episode, including show notes, visit: http://seventh-row.com/21st-folio For additional information about 21st Folio, visit http://seventh-row.com/folio21 This podcast is a subsidiary of Seventh Row (@SeventhRow), a multidisciplinary arts criticism publication: http://seventh-row.com
In this episode, we discuss the live cinema broadcast of Barbican Theatre’s production of Hamlet (2015) directed by Lindsey Turner and starring Benedict Cumberbatch as Hamlet. We discuss Turner’s directorial choices, Cumberbatch’s performance, the cuts made to the text, the set and costumes, and what we gained from this interpretation. We also discuss how well the cinema broadcast captured the live theatre experience. Your host: Alex Heeney (@bwestcineaste) Guests: David Larsen (@leaflemming), Mary Angela Rowe (@lapsedvictorian), Craig Ruttan (@crut) For more information about this episode, including show notes, visit: http://wp.me/p6ZLnU-1T8 For additional information about 21st Folio,, visit http://seventh-row.com/folio21 This podcast is a subsidiary of Seventh Row (@SeventhRow), a multidisciplinary arts criticism publication: http://seventh-row.com
As Yet Unnamed London Theatre Podcast 17-Jan-2016 With T R P Watson - JohnnyFox - Gareth James - Julie Raby - Laura Kressly - Plays Discussed Guys and Dolls - Savoy Theatre [00:20] A Christmas Carol - Noel Coward Theatre [13:32] Shakespeare: King and Country Cycle - RSC, Barbican Theatre [19:01]
This week I am chatting to Dan Baker House Manager and creative producer at the Barbican Theatre in Plymouth. We first met when I was 14 and have been friends ever since. Theatre brought us together and we are both still involved but in very different ways. Dan is doing a lot to increase the profile of fringe theatre in Plymouth and to help emerging artists from the South West progress. He's a sweet dude and very inspiring, hardworking and loves this theatre malarky. (sorry about the sound quality) find him at... @dan_baker83 http://www.barbicantheatre.co.uk/profiles/dan-baker/ ENJOY!
As Yet Unnamed London Theatre Podcast 21-Dec-2014 With T R P Watson - Nick from Partially Obstructed View - Gareth James - Julie Raby - Plays Discussed Golem - Young Vic Theatre [00:12] Henry IV part 1 - RSC, Barbican Theatre [10:05] Henry IV part 2 - RSC, Barbican Theatre The Merchant of Venice - Almeida Theatre [17:45]
After over 20 years as Head of Opera at the Guildhall School, Clive Timms retires at Easter. We ask him how he feels about stepping down, his favourite memories of his time here, and what his plans are for the future. We also find out about the forthcoming production of A Midsummer Night's Dream, in which the Opera programme makes its Barbican Theatre debut. First published 24 February 2012.
This week, Toni Servillo - perhaps Europe's greatest actor - brings to the Barbican his production of Le voci di dentro (Inner Voices), a 1948 work by Neapolitan playwright Eduardo de Filippo. The piece takes place in a world suspended between dreams and reality... The post Neapolitan Dreams: Le voci di dentro at the Barbican Theatre appeared first on Litro Magazine.
As Yet Unnamed London Theatre Podcast 15-Dec-2013 With T R P Watson - Phil from the West End Whingers - JohnnyFox - Julie Raby - Gareth James - Plays Discussed Candide - Menier Chocolate Factory [00:12] The Duck House - Vaudeville Theatre [10:50] Emil and the Detectives - Olivier Theatre [18:42] Richard II - RSC, Barbican Theatre [28:54] From Morning to Midnight - Lyttelton Theatre [40:18] Reviews The Duck House - Vaudeville Theatre Drawing the Line - Hampstead Theatre From Morning to Midnight - Lyttelton Theatre The El. Train - Hoxton Hall American Psycho - Almeida Theatre
Clinton Fearon is one of Jamaica's most talented musicians. His infectious bass riffs, guitar licks, percussion accents and powerful vocals make Clinton Fearon a living legend amongst reggae musicians and fans. At 17 he founded his first group, Fearon was a house musician for Coxsonne Dodds Studio One and Lee “Scratch” Perry's Black Ark Studio, and composed bass lines for Yabby You, Jimmy Riley, Max Romeo, Junior Byles and others. In 2010 Clinton Fearon presents his masterpiece, Mi Deh Yah. Release first in Franceon the French label Makafresh, Mi Deh . Clinton Fearon is also touring in foreign countries, mainly in Canada, Braziland France. They played at Dour Festival and Reggae Geel Festival in Belgium, Barbican Theatre in London, Garance Reggae Festival in France, and Reggae Jam in Germany. SEEFARI's have received extensive radio airplay around the world, with heavy radio chart action and critical comparisons to Bob Marley, Dennis Brown, Lee "Scratch" Perry and Pablo Moses. SEEFARI has won numerous awards and his music has been featured on TV and in films.SEEFARI has headline festivals across the USAincluding four years headlining the Houston,Texas-based Bob Marley Festival Tour and an astonishing 24 years straight at Dayton Reggae Fest. SEEFARI has worked with many reggae legends including Toots & the Maytals, Wailers, Israel Vibration, Steel Pulse, The Congos, Pato Banton, Mikey Dread, Bushman, Yellowman, Sangie Davis and Beenieman Jeffrey Graham, the artist that is now known as Africano, is on the rise. Born in Jamaica, Africano grew up around the music with the like's of other reggae artist's such as Luciano and Mikey General to name a few. Luciano gave him the name Africano. Current producer, Palma Taylor of Great River Entertainment or GR Entertainment.
Nick and Andrew report from The Barbican Theatre where they saw The Lincoln Theatre's production of Rodgers and Hammerstein's Award Winning musical South Pacific.
To mark the 25th anniversary of Les Miserables, the show was re-imagined, re-directed, re-orchestrated and planted in theatres all around the UK - ending in the theatre it started in - the mammoth Barbican Theatre, in London. Nick went to see this production in hope that it would change his views on it. Listen to find out if it did! Nick also introduces new presenter Andrew Abrams to the podcast, and they both check out the new musical of The Remains of the Day. To cap this all off, Nick checks out Newsrevue - the world's longest running comedy revue show - and talks to the cast and the crew.
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