Podcasts about blofeld

Matt and Frank are back in there continuous quest to cover all of the James Bond movies. This week we get too pretty middling entries:- You Only Live Twice (1967)- Octopussy (1983)In You Only Live Twice, Bond (Sean Connery) is dispatched to Japan after American and Soviet-crewed spacecraft vanish mysteriously in orbit, each nation blaming the other amidst the Cold War. Bond travels secretly to a remote Japanese island to find the perpetrators, and comes face-to-face with Ernst Stavro Blofeld, the head of SPECTRE. The film reveals the appearance of Blofeld, who was previously unseen. SPECTRE is working for the government of an unnamed Asian power, implied to be the People's Republic of China, to provoke war between the superpowers.[4][5]In Octopussy, Bond (Roger Moore) is assigned the task of hunting a megalomaniacal Soviet general (Steven Berkoff) who is stealing jewellery and art objects from the Kremlin art repository. This leads Bond to the exiled Afghan prince Kamal Khan (Louis Jourdan), and his associate Octopussy (Maud Adams), and the discovery of a plot to force disarmament in Western Europe with the use of a nuclear weapon.

The sire of Champions Corniche, Abel Tasman and Caledonia Road and 39 graded stakes winners, Quality Road has become one of the most successful sires in North America. His 15 Grade 1 winners also include 2023 Preakness S. and winner National Treasure, Bleecker Street, City of Light, Roadster, Bellafina, Dunbar Road, etc.Also in 2023, Quality Road sired undefeated multiple GSW Integration, additional GSWs include two-year-old Agate Road, Aspray, Missed the Cut and Hopkins. He was responsible for four TDN Rising Stars, second only to Into Mischief. His 2024 got off to a fast start with National Treasure returning to the winner's circle in the G1 Pegasus World Cup, Impel being named a TDN Rising Star and Track Phantom earning points for the 2024 Kentucky Derby.Among others, Quality Road has sired: G1 Breeders' Cup Juvenile Turf winner Hootennany from a mare by Storm Cat son Hennessy; multiple graded winner Blofeld out of a mare by Storm Cat himself; and stakes-placed horses out of mares by Forest Wildcat and Giant's Causeway. Storm Cat could also be brought in through lines such as Forestry, Stormy Atlantic, Stormin Fever, Tale of the Cat, Mountain Cat, Tabasco Cat and Harlan's Holiday. There are several other branches of the Northern Dancer line that should work well under Quality Road. His sire, Elusive Quality, has been extremely strong over mares by Dixieland Band and his sons, with Dixie Union appearing as broodmare sire of a stakes placed Quality Road two-year-old. Deputy Minister line mares should also work well, particularly through Silver Deputy. Elusive Quality, and the Gone West line in general, has enjoyed considerable success with Danzig-line mares, and Quality Road has stakes winner Overprepared out of a mare by Dayjur. Other promising sources of Danzig include Danehill and Belong to Me.(UPDATED FEB 1, 2025)

Welcome to our book club episode on On Her Majesty's Secret Service, Ian Fleming's eleventh James Bond novel and one of the most pivotal in the series. Spybrary host Shane Whaley introduces this James Bond Book club episode from the steps of the College of Arms in London, a location that plays a significant role in the story as Bond takes on a unique undercover mission. On Her Majesty's Secret Service is the book where Bond faces his arch-nemesis Blofeld, but it's also where we see a rare, deeply emotional side to 007 as he falls in love with the enigmatic Tracy di Vicenzo. Packed with high-stakes action, breathtaking Alpine settings, and a story that forever changes the Bond mythos, it's a classic that deserves a closer look. Let's dive in Is On Her Majesty's Secret Service, Ian Fleming's best James Bond novel yet? Join our host, Shane Whaley, as we dive deep into the world of espionage literature featuring the latest updates on Ian Fleming's newest masterpiece, On Her Majesty's Secret Service. Alongside guests David Craggs, Andy Onyx, and Hildebrand Group's Ian Douglas, we explore the narrative and character developments that showcase Fleming's storytelling prowess. On Her Majesty's Secret Service Book Club Takeaways Ian Fleming's Masterpiece?: Discover how Fleming has returned to form with On Her Majesty's Secret Service. The book is praised for its emotional depth and rich character development, marking it as one of his best James Bond books. Bond's Personal Evolution: Hear our guests discuss the transformation of James Bond's character in this latest installment. Fleming adds layers to Bond, exploring his humanity and personal relationships, bringing a fresh perspective to the renowned spy. Thrilling Scenes and Cinematic Flair: From high-stakes chases and avalanche escapes to the climactic showdown at Piz Gloria, the book's vivid and cinematic qualities promise an exhilarating read that could seamlessly transition onto the big screen. M at Home and at Christmas: Hear why none of the James Bond Book Club Members fancy a Yuletide gathering at M's home. And Much More! Don't miss out on this compelling discussion and join the conversation with the Spybrary community online. Dive into the latest episode and get a front-row seat at the James Bond Book Club. In this episode, host Shane Whaley and guests David Craggs, author Andy Onyx, and Hildebrand's Ian Douglas dive deep into Ian Fleming's eleventh James Bond book On Her Majesty Secret Service (1963) as if they are in the year of publication.

184. They got the rights back to SPECTRE and Blofeld... so was this just one big retcon of a movie or was it actually any good?The Bondathon is back and yes, we are doing our in depth review and discussion of SPECTRE... Daniel Craig's 4th outing as 007 James Bond and the second to last movie of the Bond movie series as it currently exists! Join Bobby, Alex and Jon as we dive deep into everything SPECTRE - the development of the movie, the cast, plot, gadgets, set pieces, critical reception, legacy and much much more.This is an in-depth discussion of SPECTRE where we hope you'll join in the debate with your opinion and thoughts in the comments below (if listening/watching on YouTube) or getting in touch with the show using the link below!Enjoy!#JamesBondMovies #007 #JamesBond007 #SPECTRE #DanielCraig #ChristophWaltz #spymovie #actionmovies #tailoringtalk #moviereviews #léaseydoux #davebautista #sammendes #samsmith #moviepodcastMessage The Show Directly & Join The Conversation !Support the showYou can now support the show and help me to keep having inspiring, insightful and impactful conversations by subscribing! Visit https://www.buzzsprout.com/1716147/support and thank you so much in advance for helping the show!Links:Roberto on Instagram http://www.instagram.com/robertorevillalondonTailoring Talk on Instagram http://www.instagram.com/tailoringtalkpodcastTailoring Talk on YouTube https://youtube.com/@tailoringtalkCreditsTailoring Talk Intro and Outro Music by Wataboy / TVARI on PixabayEdited & Produced by Roberto RevillaConnect with Roberto head to https://allmylinks.com/robertorevillaEmail the show at tailoringtalkpodcast@gmail.com

Google DeGoogled, Hammerbarn, Blofeld, VMWare, DeepData, SafePay, Josh Marpet and more on the Security Weekly News. Visit https://www.securityweekly.com/swn for all the latest episodes! Show Notes: https://securityweekly.com/swn-432

Google DeGoogled, Hammerbarn, Blofeld, VMWare, DeepData, SafePay, Josh Marpet and more on the Security Weekly News. Show Notes: https://securityweekly.com/swn-432

Google DeGoogled, Hammerbarn, Blofeld, VMWare, DeepData, SafePay, Josh Marpet and more on the Security Weekly News. Visit https://www.securityweekly.com/swn for all the latest episodes! Show Notes: https://securityweekly.com/swn-432

Google DeGoogled, Hammerbarn, Blofeld, VMWare, DeepData, SafePay, Josh Marpet and more on the Security Weekly News. Show Notes: https://securityweekly.com/swn-432

In this episode of Drive-In Double Feature Podcast, Nathan and Ryan dive into the 24th installment of the James Bond franchise, Spectre (2015). Directed by Sam Mendes and starring Daniel Craig in his fourth outing as the iconic British spy, this film takes Bond on a global journey to unravel the mysteries behind the sinister organization known as Spectre. Join the hosts as they discuss the movie's high-stakes action sequences, its blend of nostalgia with modern espionage thrills, and the reveal of Christoph Waltz as the infamous Blofeld. From its thrilling opening sequence in Mexico City to the haunting ties to Bond's past, Spectre is a polarizing entry that combines classic Bond elements with Craig's gritty realism. Tune in for an in-depth conversation on where Spectre ranks in the Craig era and the franchise as a whole.

Ned Ryerson Returns!! Artists and CEO's! Everything You Wanted to Know About the Rate Cut but Were Afraid To Ask! Bromide Surfing. Hollistic??? Small Business Straw Man. Lilliputians Rule the Roost! Markowski's endorsement. Trump's New American Industrialism Tariff Man Returns! Blofeld running the show. See I Told You…Republicans Cave on Spending! Tax the Rich??? Nuclear Now! Ozempic Congressional Dog and Pony Show. Ozempic For All?? China Presses Print. Ivy Leaguers Need Not Apply! Zero Perspective on Pager Operation. 

Dcn. Bob calls in from Kansas City!  He and Fr. Dave talk about the NFL, concussions, last week's presidential debate, and active shooter drills.  They conclude by reflecting on the promise of Jesus, “I have overcome the world” (John 16:33).

“At least one of them is a luge chase, so wind your neck in” The Panel of Peril resign their posts in disgust at being told they aren't allowed to do whatever the heck they please. Fortunately, their secretary has swapped out their resignation letter for a letter requesting time off to watch many, many films. They shall begin with this week's film, On Her Majesty's Secret Service (Peter R. Hunt, 1969). James Bond (George Lazenby) is a man obsessed. Obsessed with locating, and capturing, his arch nemesis Blofeld (Telly Savalas) after several prior close calls (with the other fella). Eventually tracking him down to a secret base atop the Swiss Alps, Bond assumes the mantle of genealogist Hillary Bray to investigate the big baldy's claim to the title of Count de Bleuchamp. What is he up to? Watch the trailer here: https://www.youtube.com/watch?v=dOLq5Rg9N-c ********PLOT SPOILER ALERT******** He actually wants the title to claim immunity for alllllll of his prior crimes, and threatens to sterilise the worlds' crops and what have you if he doesn't get his own way. That's a spicy meat-a-ball-a, and Bond faces a ticking clock to stop the erstwhile Count's evil scheme. Add Diana Rigg's feisty Tracy into the mix to steal Bond's heart, and you've got yourself a stunning new rendition of 007, sure to continue for many films to come… Just what did the panel think of this week's movie, pray tell? How can they improve upon Blofeld's sustenance-obliterating plan? And who will be christened this week's most diabolical? https://twitter.com/diabolicalpod https://www.instagram.com/diabolicalpod/ https://www.facebook.com/diabolicalpod Email diabolicalpod@gmail.com

In this episode of the Bridge Series, Danny Hurst reaches Westminster Bridge, Central London's second-oldest bridge. Danny explains why at certain times of the day, the shadows cast by the bridge look like huge phallic symbols, why many paintings of the bridge are not accurate and why 12 nightwatchmen had to be stationed on the bridge.  He also explains why it is painted green, what that little hut on the edge of Westminster Pier is used for and its connection with the Daleks, Blofeld and Danny Boyle. If you can´t get enough of these podcasts, head to https://www.patreon.com/DannyHurst to access my exclusive, member-only, fun-filled and fact-packed history-related videos. KEY TAKEAWAYS Pressure from the Archbishop of Canterbury and the ferrymen meant that Westminster Bridge nearly did not get built. Many of the early paintings of the bridge include architectural features that the bridge does not have.  The design of the bridge made it a dream location for muggers and pickpockets. BEST MOMENTS ‘This poem can be found on a plaque halfway across the bridge. ´ ‘These are among the few remaining gas lamps in the UK and are maintained by a specialist team.' ‘Boudicca has been inaccurately represented as an English hero for generations.' HOST BIO Historian, performer, and mentor Danny Hurst has been engaging audiences for many years, whether as a lecturer, stand-up comic or intervention teacher with young offenders and excluded secondary students. Having worked with some of the most difficult people in the UK, he is a natural storyteller and entertainer, whilst purveying the most fascinating information that you didn't know you didn't know. A writer and host of pub quizzes across London, he has travelled extensively and speaks several languages. He has been a consultant for exhibitions at the Imperial War Museum and Natural History Museum in London as well as presenting accelerated learning seminars across the UK. With a wide range of knowledge ranging from motor mechanics to opera to breeding carnivorous plants, he believes learning is the most effective when it's fun. Uniquely delivered, this is history without the boring bits, told the way only Danny Hurst can. CONTACT AND SOCIALS https://instagram.com/dannyjhurstfacebook.com/danny.hurst.9638 https://twitter.com/dannyhurst  https://www.linkedin.com/in/danny-hurst-19574720 Podcast Description "History is a nightmare from which I am trying to awake." James Joyce. That was me at school as well. Ironically, I ended up becoming a historian. The Unusual Histories podcast is all about the history you don't learn at school, nor indeed anywhere else. Discover things that you didn't know that you didn't know, fascinating historical luminaries and their vices and addictions, and the other numerous sides of every story. Danny continues his Unusual Histories podcast with the Bridge Series, remaining in London travelling east to west to look at the bridges which span the Thames. He looks at their design, construction and history, along with the history of the areas in which they're located on both sides of the river. This series kicks off with an exclusive interview with Dirk Bennett of the City Bridge Foundation, the organisation which looks after London's bridges. Tower Bridge is marking its 130th anniversary this month and Dirk talks to Danny about the history of the bridge as well as the new exhibition that is opening for it. If you love history; or indeed if you hate history, this is the podcast for you…

fWotD Episode 2616: On Her Majesty's Secret Service (novel) Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Wednesday, 3 July 2024 is On Her Majesty's Secret Service (novel).On Her Majesty's Secret Service is the tenth novel and eleventh book in Ian Fleming's James Bond series. It was first published in the United Kingdom by Jonathan Cape on 1 April 1963. Fleming changed the formula and structure from the previous novel, The Spy Who Loved Me, and made a determined effort to produce a work that adhered to his tried and tested format. The initial and secondary print runs sold out quickly, with over 60,000 copies sold in the first month, double that of the previous book's first month of sales. Fleming wrote the novel at Goldeneye, his holiday home in Jamaica, while Dr. No, the first entry in the James Bond film series by Eon Productions, was being filmed nearby.On Her Majesty's Secret Service is the second book in what is known as the "Blofeld trilogy", which begins with Thunderball and concludes with You Only Live Twice. This episode centres on Bond's ongoing search to find Ernst Stavro Blofeld after the Thunderball incident. Bond finds Blofeld in Switzerland and attacks the centre where he is based, although Blofeld escapes in the confusion. Bond meets and falls in love with Contessa Teresa "Tracy" di Vicenzo during the story. The pair marry at the end of the novel, but hours after the ceremony, Blofeld and his partner, Irma Bunt, attack the couple and Tracy is killed. Fleming developed Bond's character within the book, showing an emotional side that was not present in the previous stories.As he had done in previous novels, Fleming used his past experiences and details of people he met during his work to provide details in On Her Majesty's Secret Service. The novel is one of three Bond stories to deal with the disruption of markets and the economy, in this case Blofeld's planned disruption to the food supply by bioterrorism. The theme of food and drink is referred to throughout the novel, with Bond's meals and drinks being described in detail.On Her Majesty's Secret Service received broadly positive reviews in the British and American press with some reviewers pleased at the return to the more traditional form of Bond storyline. The novel was adapted as a three-part story in Playboy in 1963, serialised in eleven parts in the Daily Express and then developed as a daily cartoon strip in the Daily Express in 1964–1965. In 1969 the novel was adapted as the sixth film in the Eon Productions James Bond film series and was the only film to star George Lazenby as Bond.This recording reflects the Wikipedia text as of 00:35 UTC on Wednesday, 3 July 2024.For the full current version of the article, see On Her Majesty's Secret Service (novel) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Amy.

Zero and The Wiz Say MISSION FAILURE for Spectre When thinking about the Craig era reboot of James Bond, a lot of the decisions that were made in Spectre make sense on paper. Things like Bond finding an eventual love interest after Vesper, the introduction of the criminal organization SPECTRE and, of course, the reveal of Ernst Stavro Blofeld sounds like great things to add into the reboot canon. But the decisions made in this movie are not only a total misfire, they hurt the overall quality of the Craig Era and, in some ways, lessens the quality of his other films. Bond seems to stray further away from how he was in Casino Royale, the eventual romance falls flat and the action, while visually appealing and has great stunts, lack stakes and just feel mechanical. But the one mistake that Spectre makes that destroys the movie is that of Blofeld. Waltz does as good of a job as he could, but the writing turns him into the standard super villain he was in the goofy Connery version. That makes it a stark contrast to everything that represents Bond in the Craig era. And then...the twist. Not only is the revelation that Blofeld was behind the last three movies feel stapled on to make Blofeld seem more important, but finding out that Blofeld is his brother is also laughably bad and pointless. I never thought I'd see the day that Bond would be taking elements from Austin Powers...and yet here we are. Despite it's gorgeous visuals and excellent stunt work, Spectre does so much damage to the Craig Bond era that it forms a cloud on the entire proceeding. A disaster on many fronts.

SPECTRE – can this James Bond movie be defended? Dan and Tom bring Vicky back to answer this question. While SPECTRE is not often in a James Bond fan's top 5 list, it is often in a Bond fan's bottom 10 list.  Why is that?  What about this movie turns fans off? Dan, Tom, and Vicky uncover both the positives and the negatives of SPECTRE to try to figure out if it can be defended. Let's Look At The Negatives They start with a look at some of the negatives of SPECTRE. Dan, Tom, and Vicky think one of the problems is the reason Blofeld hates James Bond.  At least the reason Blofeld tells Bond.  Dan says that this plot point irks him. Or maybe it is the character of Madeleine Swann.  Vicky says she thinks the character is too flat. Or maybe it is the writing of Purvis and Wade.  You know Tom will chime in on that one. And more. And Now The Positives To be sure, there are some positives in SPECTRE.  Such as: The production quality is top-notch, a signature of Eon Productions' James Bond movies. The spectacular pre-title sequence. The supporting cast. And more. This is a lively discussion as the three of them aren't in agreement on all the positives and negatives. So, What Do You Think: SPECTRE – can this James Bond movie be defended? So, what are your reasons for liking or disliking SPECTRE?  Can you defend it? Let us know your thoughts, ideas for future episodes, and what you thought of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all of our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. Additionally, you can check out our YouTube channel as well.   Webpage: https://bit.ly/3XlnXpN We welcome back Vicky for this episode. You can visit her channel THE BOND ROOM UNLOCKED on YouTube and on Facebook. You can also catch her at the 007GB Fan Club website.

Dark Windows Podcast Ep. 275: Don't let the episode picture fool you, this isn't Blofeld vs, M. Bison. It's worse than that... In one corner you have a man that is responsible for the indiscriminate deaths of tens of thousands of men and in the other a man that hand selected the people that would be sent off to die after he tortured and beat them. This was another real hard decision but no matter who moves forward, humanity is worse for it... https://pdcn.co/e/traffic.megaphone.fm/AOR3747407605.mp3?updated=1711678610 Check us out over at https://www.patreon.com/darkwindowspodcast for additional stuff for the low cost of $5 a month! Learn more about your ad choices. Visit megaphone.fm/adchoices

The James Bond journey continues as we queue up another entry, this time with Sean Connery in the form of You Only Live Twice. Journey with us as we discuss everything from the unique design of the film to the introduction of the Bond Big Bad, Blofeld. Is this a worthy finale for the first tenure of Connery or should he have quit sooner? Our Flight this week is picking a Bond vehicle we'd like to own and we wrap with a Nightcap discussing which select action star would win a fight to the death on a deserted island. So pour some rye, grab your ninja attire, and get ready to live twice! Click Here for Rye Smile Films Merchandise. Please rate, review, and subscribe on all your favorite podcast apps.

 In this particularly brown episode of The Oddjob Pod, Gary, Terry and Graham don their colour corrected glasses and ceremonial Blofeld wigs and take a close look at Spectre.This film was hugely anticipated after the success of Skyfall but doesn't quite land in the way it should despite being a beautifully shot film and a fine example of the Brown genre. Download the podcast here or listen on the player below. The Oddjob Pod is also available on Apple Podcasts,  Spotify and Amazon. Alternatively, add our feed to your podcatcher of choice. Love the OddjobPod? Please give it a 5-star rating. Like our Facebook page. Follow @oddjobpod on Twitter and on Insta   

We've gone and done it again. Forgone the usual schedule to stay on the topic of our favorite British secret service agents. No, not Christopher Lee. Though maybe he should enter the equation some time. And he will make an appearance in this little deviation we're enjoying. Until then, we start with From Russia With Love(1963). Anchoring the whole shebang is our man, Connery. The second Bond movie has found its feet even if they're a bit unsteady. Some of the elements we've come to associate with the double O man crop up. Gadgets in the form of ordinary items that have a defensive use. Blofeld is heard but not … Continue reading "Popcorn Pulse 210: Bames Jond"

We've gone and done it again. Forgone the usual schedule to stay on the topic of our favorite British secret service agents. No, not Christopher Lee. Though maybe he should enter the equation some time. And he will make an appearance in this little deviation we're enjoying. Until then, we start with From Russia With Love(1963). Anchoring the whole shebang is our man, Connery. The second Bond movie has found its feet even if they're a bit unsteady. Some of the elements we've come to associate with the double O man crop up. Gadgets in the form of ordinary items that have a defensive use. Blofeld is heard but not … Continue reading "Popcorn Pulse 210: Bames Jond"

Ten years ago, it was announced that Danjaq/Eon had gotten the rights to Blofeld and SPECTRE back. The results were mixed.

You're in for a treat today! Matt and Frank are back to bring you a staple of November. No not turkey. No not massive sales on things you don't need. It's Bond season. And with that, both of them have selected two more James Bond entries to cover, as well as an in-depth conversation on the franchise as a whole. Frank and Matt previously covered Thunderball, Tomorrow Never Dies and No Time to Die on their other podcast Give it Five. You can check out that martini-induced ramble here. First up Matt brings us Diamonds Are Forever (1971) - Sean Connery's last official trip through the halls of MI6 as he confronts Blofeld yet again. Their battle takes them to Las Vegas, Nevada, the final destination of a diamond-smuggling chain where Blofeld unveils his more deadly evil plan to date. Then we move to the Florida Keys for Frank's pick: Licence to Kill (1989), Timothy Dalton's second - and final - wear of the tux. This time Bond goes rogue. Back when it wasn't a cliche. He's on a warpath to avenge the injury to his best friend Felix Leiter. Come to think of it you'd think he'd go after the shark, no? His target: Franz Sanchez, drug kingpin and unofficial power of the fictional island country of Isthmus.

Movie Meltdown - Episode 611 (For our Patreon "Horror Club") This meeting of the horror club we're discussing the Tom Sizemore creature feature Bottom Feeder directed by Randy Daudlin. And as we take a break from attracting crows and training them to be our own personal crow army, we also bring up… What We Do in the Shadows, Night of the Creeps, Only Murders in the Building, glowing fluids, a person growing a pumpkin patch out of spite, low-rent Blofeld, exposition dump, Sarge, a sinister military plan, Wendy Anderson, she's pure-hearted and she also bakes people into cookies, growing eyes on your back, the Alligator comparison, evil millionaire obviously, blade master versus rat man, side effects, writing is hard, hallways… that's all we got, stroking a lizard, one step from Jar Jar, silent kung fu man, I had my own horror movie moment in my home, once you make a billion dollars they melt your face, the business of tongue depressors and you take what you can get.  Spoiler Alert: Full spoilers for “Bottom Feeder”, so go watch the movie before you listen. “Rat Man is in his business pants.”

We're entering a busy half of the year for the label, and while we don't always use the isolatedmix series to help tee up what's in store, Alex Albrecht also happens to be a brilliant selector and curator of many great mixes over the years. Yes, you did read that right, Alex will soon be gracing ASIP with a new release, to be announced in full very shortly and available at the end of September. We had hoped to get this mix out a little earlier in the year but life got in the way for us both, and after a small trip to Japan recently, Alex was able to get some answers down to a few of my questions in anticipation for his awaited release here on ASIP. ~It's been interesting to see how you've created a very unique style and approach between your own project, with Sean as Albrecht La'Brooy and under the Melquíades guise. How would you describe the differences between them all?I originally created the Melquiades alias as a way to separate club/dancefloor music from more downtempo/ambient productions under my own name. The music I now produce under Alex Albrecht incorporates all sorts of sounds and influences and in my development, I don't now see a reason to differentiate. Campfire Stories by Alex Albrecht Campfire Stories was quite the debut album, and received such a great reception it seems. It combined lovely atmospheres and house elements, with downtempo and instrumental (even jazz). How are your albums born usually? My albums are usually created through my field recordings and recent experiences. I generally take recordings and loop/manipulate them to create a canvas and use that as the inspiration for each new track. When I see a larger album coming together I try to identify gaps in the concept and fill it with new productions. Your own label imprint, Analogue Attic was home to much of your early work and continues to host some of your music alongside others. How did the label aspect come about? The label was definitely created as a way to release our own music but very quickly became a medium to put out music from our friends and influences. The ambition has always been to showcase ambient music specifically made in Australia. We also hope to showcase music that does not generally conform to current trends in the global electronic scene. Healesville by Albrecht La'Brooy As mentioned already, your music is rich with field recordings and vivid instrumentation. What does your studio setup consist of usually? And what elements have remained a constant? My studio has been very consistent throughout the last 6 or 7 years. It has a Nord A1R, A Blofeld, a few Yamaha digital pianos, and some eventide effect pedals. Of course, there is also the Sony PCM A10 recorder which is really an incredible piece of tech. If your label (Analogue Attic) is any indication, the output and potential of producers in Australia seem very rich and fertile - is this true? How would you describe the "scene" for this type of music where you are? I'd have to agree – it is certainly a fertile scene in Aus with amazing music being produced around the country. There are many artists blending strong musical themes and elements with electronic elements and many gigs/shows aim to push boundaries and do something out of the ordinary. Your isolated mix captures your sound very well and includes a variety of styles and influences, what was your approach? I am often commuting to work by bike and love an interesting, hypnotic mix to push me along. I have been listening to ASIP mixes for years and was compelled to dive deep into my old libraries to capture some of the nostalgia that I feel with the earliest memories of ASIP. I brought a few of these into the picture with Dousk, John Beltran, BOC and Jesse Somfay (among others) and was also really happy with how well they've stood the test of time.Other than ahem, a pretty special record dropping here on ASIP soon, what can we expect from you for the remainder of 2023?It's unclear for now but I'm always making music and searching for inspiration. I have a huge collection of field recordings from Japan so will be surely using these in the short term to see what it inspires. ~Stay tuned for news of Alex's album on ASIP set to be announced very soon, and available at the end of the month. astrangelyisolatedplace · isolatedmix 123 - Alex Albrecht Listen on Soundcloud the ASIP Podcast or the (new!) 9128.live appDownload MP3Tracklist:01. IMPS - Heaven and Bagpipes02. O.S.S - Bianga03. Sense - Rain 504. Marow - Tsih05. Jesse Somfay - Tomorrow's Yesterday is Today06. Cyan341 - Pattern407. Alex Albrecht - Forest Dance08. Castel - Estrel09. Remote - Public Service10. John Beltran - Gutaris Breeze11. HOLOVR - Outer Time12. The Phantasy - Love Will See Us Through13. Ariet - Shaman's Heart (Polygonia Remix)14. Boards of Canada - Amo Bishop Roden15. Dousk - Sidewalk Lovin Alex Albrecht | Bandcamp | Instagram | Soundcloud

In this week's episode, I celebrate finishing the 14th and final book of the SILENT ORDER series by looking back at the writing of the series over the last six years. This week's coupon is for the audiobook of GHOST IN THE STORM, as excellently narrated by Hollis McCarthy. You can get the audiobook of GHOST IN THE STORM for 75% off at my Payhip store with this coupon code: GHOSTSTORM The coupon code is valid through September 29th, 2023, so if you find yourself needing entertainment as we proceed deeper into the school year, perhaps it's time to get a new audiobook! TRANSCRIPT 00:00:00 Introduction and Coupon of the Week Hello, everyone. Welcome to Episode 167 of the Writer Show. My name is Jonathan Moeller. Today is September the 8th, 2023, and today we're taking a look back at writing the Silent Order series and a retrospective of the last six years. First, let's start off with Coupon of the Week. This week's coupon is for the audiobook of Ghost in the Storm as excellently narrated by Hollis McCarthy. You can get the audiobook of Ghosts in the Storm for 75% off at my Payhip store with this coupon code GHOSTSTORM. That's GHOSTSTORM and you can find the link and the coupon code in the show notes. This coupon code will be valid through September the 29th, 2023. So if you find yourself needing entertainment as you proceed deeper into the school year, perhaps it's time to get a new audiobook. 00:00:50 Writing Updates What have I been working on? Brand new-wise, as you can probably tell from the title of this episode, Silent Order: Pulse Hand is done and it is published and you can get it at Amazon, Barnes and Noble, Kobo, Google Play, Apple Books, Smashwords, and my Payhip. So the series is complete and the last book is now available and it's selling briskly. And thank you all for that. Now that that is done and my Summer of Finishing Things is finally finished with Dragon Skull and Silent Order being finished, I have started on the Ghost Armor series and the first book will be Ghost in the Serpent. And I am 10,000 words into it as this recording. And if all goes well, I'm hoping that will be out sometime in October and the audiobook of it before the end of the year. Starting a new series like this involves a fair bit of world building, and there's one good trick to know if you've picked a good name for a fantasy character. You Google it and you get 0 results. I do always Google character names before I commit to them. Sometimes you accidentally pick the name of someone who's been some sort of notorious criminal or controversial political figure, so it's best to avoid that, which I have to admit is less of a problem with fantasy names. However, when inventing fantasy names, you do occasionally stumble on a name that means another language, something like “very impolite term for women who sells carnal favors to the lowest echelons of society.” And you definitely don't want your character named after that, so it is always wise to Google. In audiobook news, the recording is underway for Dragonskull: Fury of the Barbarians. I expect we will start proofing chapters soon and I am looking forward to sharing that with all of you once it's done. We have one reader question this week from Wilson, who says: When are you coming back to the Third Soul series? Also Sevenfold Sword Online is calling you, lol. In answer to that… How to phrase this? I'm not saying no to doing more than Third Soul, but I don't have anything planned at the moment. I wrote The Third Soul, what would become The Third Soul now, 14 years ago, back in 2009? And so if I was to do it today, I would want to do many things differently. So if I did do something in The Third Soul, it'll probably be a slightly improved version of the setting with new characters, which, as I said, I'm not saying no to, but I don't have any current plans to do so. I am working on the Sevenfold Sword Online book. I'm on Chapter 2 of…actually, I don't know how many chapters it will be, but probably in the upper teens. But I am about 5,000 words into it. And I think that will probably be the either last book I published in 2023 or the first book I published in 2024, we'll see how the rest of this year goes. 00:03:40 Silent Order Retrospective Now, on to this week's main topic, a retrospective back on the Silent Order series, which seems suitable because as I said earlier, my Summer of Finishing Things has finished. The Silent Order of science fiction series is finally complete after 14 books, 769,000 words and six years. In fact, September 2023 marks the six year anniversary of when I published the first five books in the series. Like I did with Dragonskull, the other series I finished in summer 2023, I thought I would take a look back at the end of The Silent Order series in the Internet's favorite favored format, a numbered article and or podcast episode. Minor spoilers follow for The Silent Order series, but no major ones. 00:04:22 #1 The Protagonist When I started thinking about The Silent Order way back in 2016, I had just read the original James Bond books by Ian Fleming for the first time. I decided that I wanted to write about a spy, but in space. I also wanted to write a character who is essentially the opposite of James Bond, so the name was a play on that from James Bond to Jack March. The inspiration was that bond stays in place, but march is moving forward. Unfortunately though, I didn't realize it until the books were published and people started pointing it out to me, this meant that Jack March had the same initials as I do, which led to occasional accusations of him being an author avatar. This was definitely not what I had in mind. If anything, the closest match to my personality in any of my books would be The Sculptor from Frostborn: The Dwarven Prince, a curmudgeonly technician prone to occasional ranting. I did make March a contrast from James Bond, at least the literary version. Bond is gregarious, charming, drinks way too much, and has a different girl of the week. Well, every weekend, sometimes every day. March is grim, taciturn, very professional, and gets annoyed at the thought of a girl of the week. His fight against The Final Consciousness is personal in a way that various nemeses in the books rarely were. I believe Ian Fleming originally intended to make the Soviets the overarching big bad of the Bond books, but after tensions eased marginally between the West and the Soviets in the 60s, he switched to different villains and eventually settled on Specter and Blofeld. 00:05:56  #2 The Setting Specifically, Calaskar. March works for The Silent Order, part of the intelligence agency of the Interstellar Kingdom of Calaskar, which has seven core systems and several hundred minor colonies of varying sizes around the solar systems it claims. Calaskar is more culturally conservative than its neighbors, especially Rustaril and Raetia. But not terribly repressive. An American from the 1950s would find it rather relaxed, while an American from 2023 would probably find it stifling and conformist. It was a thought experiment on my part. How would a technologically advanced, yet relatively stable society look in the distant future? Of course, Calaskar isn't always stable. Where Rustaril and Raetia used to be part of the Kingdom but broke away and went in very different directions. It helped that March was born inside the empire of The Final Consciousness and so able to look at Calaskaran in society with a critical eye. He does think it tends toward the conformist and the parochial, but it doesn't have the brutality of the labor camps of The Final Consciousness, the social decay of Rustaril, or the vast gap between rich and poor of Raetia and the Falcon Republic. 00:07:08 #3 The Final Consciousness The Final Consciousness, also known half mockingly as The Machinists, is the overarching villain of the series. They're basically space communists combined with some of the crazier transhumanist ideas. The initial inspiration was the first few original James Bond books, where the Soviets and SMERSH were the chief adversaries. Further inspiration for the final consciousness came from college professors and crazy tech million. Years, sometimes college professors and academics will propose the most appalling things, like we need to reduce the Earth's population to 1 billion people, or everyone should be housed in giant cities and not allowed to leave, or children should be taken from their parents at birth to be raised in impartial institutions. The academics are always super unclear about how to do that and glide over little details like, how exactly the population will be reduced from 9 billion to one or how will they be encouraged to move into giant cities. These various tech billionaires also provided additional inspiration for The Final Consciousness. If you will forgive something of a generalization, it seems that if you become a billionaire in America, there's a non trivial chance you're going to turn into a transhumanist weirdo, like you'll want to put computer chips in people's brains, or you'll spend all your time worrying about the singularity and artificial intelligence. Or you'll spend 18 hours a day exercising and taking experimental treatments and claim to have the body of a teenager when you're 43, when to the unprejudiced eye, you actually look like a very fit 42 year old. The Final Consciousness is what you would get if all these people had unlimited resources to put their very bad ideas into practice. What they ended up with was a tyrannical hive mind ruling over an essentially enslaved population. The hive mind, believing itself to be the final stage of human consciousness and evolution, was driven to expand and destroy all the obsolete societies around it. That did not match the self perceived perfection of The Final Consciousness. Since Machinists tried and failed to militarily conquer Calaskar they turned instead to infiltration and subversion, which touches off the plot of The Silent Order series. Of course, the hive mind was built on the technology of the Great Elder Ones, an extinct alien race, who turned out to be not so extinct after all. 00:09:16 #4 The Great Elder Ones In a lot of science fiction, you have sort of elements of Lovecraftian cosmic horror working their way in, and that's where The Great Elder Ones came from. I had the original idea of The Great Elder Ones way back in the late 2000s, long before I discovered self-publishing. I was thinking about a fantasy series in a world that had an early modern level of technology. The study would have a communist revolution which would create the inevitable dictatorship and secret police state that always seems to follow communist revolutions, but the twist would be that the secret police organization was actually a cult worshipping a dark power, and they plan to use the mass loss of life associated with revolution to fuel a summoning spell to bring their dark power back to the world. I abandoned that ideas as unworkable and unlikely to sell, but I returned in the relationship between The Great Elder Ones and The Final Consciousness. Of course, Silent Order is science fiction, not fantasy, so it was cast in science fiction terms. The Final Consciousness used the surviving technology of The Great Elder Ones to build their hive mind, but that made them vulnerable to manipulation and control from The Great Elder Ones. The Great Elder Ones have been locked outside this universe by their ancient enemies, but plan to use The Final Consciousness is pawns to allow them to return and destroy the universe like they originally intended. 00:10:32 #5. The First Five Books I originally started writing Silent Order: Iron Hand on New Year's Eve in 2016. My original plan was to actually write the first four books, and once they were done, release them once a week until they were all out. I ended up writing a fifth book because of a news article I read. Originally I planned to go straight from Silent Order: Axiom End to Silent Order: Fire Hand. However, I read an article in mid 2016 arguing that an iPad made for better productivity tool than a Linux desktop. I found this implausible. In the seven years since then, the iPad has become better as a productivity tool, and since you can get a keyboard case and cast it to a bigger screen, but it's still really expensive and it's a lot easier to hook up an ergonomic keyboard and a big ‘ol monitor to a Linux System than to an iPad. It's substantially cheaper too. So to make a point, I wrote, edited and published Silent Order: Eclipse Hand entirely on Ubuntu Linux. Back then I still wrote about technology and Linux on a regular basis, so it fit neatly into my workflow. I also designed the cover entirely on GIMP on Ubuntu. More on that soon. All five books were ready to go in September 2017, and then I published the first one at the end of September, and the rest in October of that year. The initial plan was to put them in Kindle Unlimited since science fiction was very popular in Kindle Unlimited at that point. However, this disappointed enough people that I abandoned the initial plan and switched to wide distribution, which means books were on in addition to Amazon, Barnes and Noble, Kobo, Google Play, Apple Books, and Smashwords. This series had a good start and I thought that it would be an open-ended series with a new adventure of the week with every boo. More soon or why this didn't quite work out. However, moving the books out of KU proved a wise decision. For all of 2023, as of this recording, only 49.1% of Silent Order's total revenue came from Amazon, the rest came from the other retailers. If that was a parliamentary democracy, they could make a coalition against Amazon if they wanted. There's no way KU page reads could have made-up that difference, especially since the Kindle Unlimited payment rate per page is quite a bit lower than it was in 2017. 012:55 #6: History I set the Silent Order books a long, long way into the future. Like roughly 100,000 years from now. I did this for a couple of reasons. First, it's always a little painful when you read older science fiction, you come across a sentence like mankind had its first hyperspace flight in 1996, or the protagonists have a problem but need to conserve computer power because they only have so many data space/data tapes. The phenomenon of one's futuristic science fiction becoming dated is called zeerust, and something I wanted to avoid if possible in Silent Order. Second, having the series take place 100,000 years into the future left a lot of wiggle room in the setting's back story. It meant that things could be lost, forgotten, or distorted for most of the series. No one is entirely sure exactly where Earth was, because the information has been lost after 100,000 years of human expansion into space. Obviously that kind of thing can be useful for plotting. In the Silent Order back story, there were five United Terran Empires that ruled over mankind for thousands of years at a time, but they all collapsed for various reasons. It also meant there could be lost technology plots as all the Terran empires had technological expertise that was lost when they collapsed… genetic engineering and high level AI and so forth. Third, it let me disconnect Silent Order from a lot of contemporary disputes here in the early 21st century. One of the tricky parts of writing near future science fiction is that it's easy to have the books take a stance on the immediate crises of the day, which can annoy a lot of readers. Having the books set so far into the future means that from the perspective of characters, years the various concerns of the 2020s seen as academic and as dusty as, for example, the Investiture Controversy or the dispute between the Guelphs and the Ghibellines seems to us today. So to someone in Jack March's time, the 2020 election and all its upheaval, or the coronavirus pandemic would be as distant and academic as the Investiture Controversy is to us today. 00:14:55 #7 Technology One complaint about the books was that Jack March regularly used a gun, a chemically propelled kinetic firearm, or that he often used a handheld computer he called the phone. Like, why didn't he always use a laser pistol or a particle gun, or have some sort of hyper advanced neural implant that functioned as a phone? Isn't this science fiction, for heaven's sake? Of course, that's a bit like asking why in 2023 you're still using a knife to cut your bread when instead you can use a high end laser cutter. The answer, of course, is that the knife is cheap and reliable and fulfills this technological niche so perfectly that even though there are more advanced alternatives available, it would be costly and pointless to use them. I think chemically propelled firearms fulfill that niche as well. People forget this, but firearms have been around for over 800 years. King Edward the Third used cannons in the opening battles of the 100 Years War, which started in 1337 A.D., quite a long time ago. Obviously firearms have been refined and improved considerably since that time, but the basic principle remains the same: metal tube, metal projectile, chemical propellant. Even in Jack March's time, a chemically propelled firearm offers many advantages. It doesn't require electricity and can be built without computer parts, meaning the weapon is immune to an EMP effect. Additionally, it is much less fragile than a more advanced weapon. The AK47 could famously still fire even after being dragged through a stream or left in the dirt for a while. Granted, it may not be terribly accurate, but it could still fire. With 100,000 years' worth of small improvements in material science, You couldn't 3D print a working firearm in your basement. It wouldn't even be made of metal and therefore much harder to detect. When March uses a phone obviously it would be more advanced than anything available today, but the word phone is a convenient shorthand to refer to personal data, mobile computing and communication device, and I settled on that instead of using a more science fiction-esque word like data pad or personal terminal. I didn't want to call it a communicator because that brings Star Trek to mind. Besides, one the cardinal rules of writing is to never use a long word when a shorter one will suffice. 00:17:02 #8 The Covers If I remember right, I ended up redoing the covers for the Silent Order series five times in total. The first set used a combination of a stock photo spaceship and a stock photo planet along with the custom font I paid for. After a while I had stock photos of people holding weapons against space background, but that really didn't work, so I switched down for a new set of stock photos of spaceships and planets. I was bumping up against the limits of what I could do with stock photos and GIMP. The difficulty of stock photos is their limitations. What you see is what you get. Ask anyone who's done any design work of any kind, and you'll probably get stories of searches for stock photos that turned up many pictures that almost good enough, but not quite. Then the COVID hysteria came around and I used some of the free time that generated to take a Photoshop course. I managed to produce a fourth set of covers, ones that used human figures and looked quite a bit better than the previous set of covers. However, shortly after that I saw Penny Arcade cartoon that has solidified my opinion on science fiction cover. They needed planets and they needed spaceships, and they needed to be in proximity. I redid the covers one more time. Suddenly, on five years after the final look of the series, which featured a spaceship, a planet, and in close proximity planets and spaceships was indeed the way to go. The series has had its best sales with the final set of covers. 00:18:29 #9 False Ending Despite my best efforts, Silent Order never sold as well as my fantasy books, and after eight books I wanted to do something else. Originally, as I mentioned, I planned for the series to be open-ended and ongoing. However, in the years since I've learned that in fantasy and science fiction, especially indie fantasy and science fiction, that really doesn't work. Like if you're John Sanford or Jeffrey Deaver, Jonathan Kellerman, JD Robb, or CJ Box, you can write books where your protagonists essentially has an adventure of the week or year, given traditional publishing schedules, without an overarching plot to the series. However, that's a different genre than fantasy and science fiction. And in traditional publishing, it's basically a different business model. I think because of certain well-known authors in fantasy literature who haven't finished their series, readers in the indie fantasy and science fiction space expect completed series with an overarching plot that gets resolved and quite a few of them refused to read an unfinished series at all. So I decided to wrap things up with Book Nine, which was Silent Order: Ark Hand in 2018 and give the series an ending with Jack March settling down on Calaskar. I intended to stop there and did stop there for three years. But people kept asking when I was going to write more in the series and I did feel I left too much unfinished with the Pulse and the Great Elder Ones. So in 2021, I decided to pick it up again, thinking it would take one or two more books to wrap up the series with a further ending. It turned out to be 5 more books for 14 total. I thought it was going to be 15. But after I finished #13, I thought 14 and 15 would be better combined as a single book, which is how we got Pulse Hand. 00:20:00 #10. Thanks, Chat GPT It only took six years to write the series, which isn't all that long, but technology has changed quite a bit during that six years and insane AI was a feature of the books dating all the way back to Silent Order: Wraith Hand, which I wrote back in 2017. I first introduced the character of Thunderbolt, another insane AI when I wrote Silent Order: Royal Hand in 2021. Though she wouldn't appear in the books until Thunder Hand in 2023, between the writing of Royal Hand and Thunder Hand, ChatGPT, Mid Journey, Bing Chat, and all the other generative AI tools entered the mainstream. This was a tremendous boon to me. Not because I used them for the writing. My overall opinion of generative AI remains that it's bad. And if it's not meaning the strict legal definition of plagiarism, then it's at least sitting on the same couch as plagiarism, but because of all the tales of AI meltdowns that made it into the mainstream press, like when Microsoft rolled out Bing Chat AI and it famously would go on unhinged rants, threatening people, dissolve into incoherent logical loops, and insist that factually incorrect information was the truth and threatened anyone who doubted it, and otherwise have all kinds of glitches that range from hilarious to deeply disturbing. I read those articles with great amusement and delight and based Thunderbolt's personality off them. Of course, Thunderbolt has rail guns and their own automated fleet of space warships, so when she has breakdowns, it's a little more concerning. So nearly seven years after I had first had the idea, the Silent Order series has come to its conclusion, its proper conclusion this time. I do hope that you found the ending satisfying. 00:21:26 Conclusion I'd also like to thank Silent Order readers for the enthusiasm for the series in ‘22 and 2023. After I settled on the final cover design, it sold better than it ever has, but still doesn't sell nearly as well as my various fantasy books. That was one of the reasons I was going to stop after Book 9, but the sheer enthusiasm people had for the books and the nagging sense that it wasn't quite finished led me to write 5 more. So thank you all for reading and for coming along with Jack March on this long, long journey. And if you've never heard of Silent Order or if you're one of those people who only reads completed series, the first book is free on all the ebook platforms, so why not check it out? You get Silent Order: Iron Hand for free at Amazon, Barnes and Noble, Google Play, Kobo, Apple Book, Scribd, and Smashwords. So that is it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

Apocalypse Video Bond-Cast Mission Dossier: The Target: 1967's You Only Live Twice Your Contacts: Apocalypse Video (M)anager - Dave (cover name: Davis Schneider) Agents - Mike & Jackie Mission Objectives: Try not to cringe too hard when Bond is “Turned Japanese”. Ascertain the living accommodations of Blofeld's cronies in his volcano lair. Uncover the pointed history of “The Bullet Bra”, as seen in You Only Twice. Additional Objectives: Rate, review and subscribe wherever you get your podcasts. You can also Follow Us on Twitter, Like Us on Facebook, or shoot us an email at apocalypsevideopod@gmail.com. Got a movie you'd like us to watch? Hit us up and we'll talk about it on the show! The Apocalypse Video Bond Cast will return with…On Her Majesty's Secret Service.

Marty Bent is a Venture Partner at Ten31, founder of the Bitcoin-focused media company TFTC.io, and Director of Cathedra Bitcoin. In this interview, we discuss the potential implementation of a global financial system based on CBDCs and the role of the Bank of International Settlements (BIS). We also talk about the potential role of Bitcoin in fighting against state actors. - - - - CBDCs are the unwanted concomitants of Satoshi's innovation: the state's answer to the settlement improvements offered by Bitcoin, without any of the fundamental design features predicated on protecting individuals in the digital age. They represent everything Satoshi was working against: the chance for the state to fully capture and control people's use of money with all of the inherent dangers to democracy and individual liberty that this brings. Technological developments akin to CBDCs were always going to manifest, but, it is obviously not a coincidence that work on them accelerated in the shadow of Bitcoin. For over a century, governments, central banks and other centralising institutions have had an unfettered ability to control and manipulate money; money printing and inflation rigged the system in favour of the dealer. Bitcoin offers a chance for a new and fairer system. Whilst it is easier for those with knowledge to identify the extreme contrast between the two forms of money, it is also clear how and why people believe CBDCs are a good idea. The state has an asymmetric power in pushing narratives; promoting the benefits of having the utility of instant digital transactions that safeguards against paedophiles, terrorists and money launders, will certainly seem like an incontestable advancement. It's just that we know this isn't the purpose. The ring leader in this global effort to retain central authority over money is being led by the Bank of International Settlements. The BIS is behind a number of pilot projects that sound like they were devised by a megalomaniac James Bond villain (Project Rosalind, Project Polaris). Playing the role of Blofeld is Agustín Carstens. In 2022 Mr Carstens stated “the soul of money belongs neither to a big tech nor to an anonymous ledger. The soul of money is trust… central banks have been and continue to be the institutions best placed to provide trust in the digital age.” Carstens believes that technology can't make trusted money. He is expecting us to ignore the evidence of history where institutions have repeatedly abused the trust bestowed on them. And he is asking us to ignore Bitcoin.   This episode's sponsors: Iris Energy - Bitcoin Mining. Done Sustainably Ledn - Financial services for Bitcoin hodlers Bitcasino - The Future of Gaming is here Ledger - State of the art Bitcoin hardware wallet Wasabi Wallet - Privacy by default Unchained - Secure your bitcoin with confidence

“Bitcoin as a tool, in terms of the leverage it gives you against violence, is probably the most high-leverage tool that we've had against a massive state actor in history.”— Marty BentMarty Bent is a Venture Partner at Ten31, founder of the Bitcoin-focused media company TFTC.io, and Director of Cathedra Bitcoin. In this interview, we discuss the potential implementation of a global financial system based on CBDCs and the role of the Bank of International Settlements (BIS). We also talk about the potential role of Bitcoin in fighting against state actors. - - - - CBDCs are the unwanted concomitants of Satoshi's innovation: the state's answer to the settlement improvements offered by Bitcoin, without any of the fundamental design features predicated on protecting individuals in the digital age. They represent everything Satoshi was working against: the chance for the state to fully capture and control people's use of money with all of the inherent dangers to democracy and individual liberty that this brings.Technological developments akin to CBDCs were always going to manifest, but, it is obviously not a coincidence that work on them accelerated in the shadow of Bitcoin. For over a century, governments, central banks and other centralising institutions have had an unfettered ability to control and manipulate money; money printing and inflation rigged the system in favour of the dealer. Bitcoin offers a chance for a new and fairer system.Whilst it is easier for those with knowledge to identify the extreme contrast between the two forms of money, it is also clear how and why people believe CBDCs are a good idea. The state has an asymmetric power in pushing narratives; promoting the benefits of having the utility of instant digital transactions that safeguards against paedophiles, terrorists and money launders, will certainly seem like an incontestable advancement. It's just that we know this isn't the purpose.The ring leader in this global effort to retain central authority over money is being led by the Bank of International Settlements. The BIS is behind a number of pilot projects that sound like they were devised by a megalomaniac James Bond villain (Project Rosalind, Project Polaris). Playing the role of Blofeld is Agustín Carstens. In 2022 Mr Carstens stated “the soul of money belongs neither to a big tech nor to an anonymous ledger. The soul of money is trust… central banks have been and continue to be the institutions best placed to provide trust in the digital age.” Carstens believes that technology can't make trusted money. He is expecting us to ignore the evidence of history where institutions have repeatedly abused the trust bestowed on them. And he is asking us to ignore Bitcoin.- - - - This episode's sponsors:Iris Energy - Bitcoin Mining. Done Sustainably Ledn - Financial services for Bitcoin hodlersBitcasino - The Future of Gaming is hereLedger - State of the art Bitcoin hardware walletWasabi Wallet - Privacy by defaultUnchained - Secure your bitcoin with confidence-----WBD692 - Show Notes-----If you enjoy The What Bitcoin Did Podcast you can help support the show by doing the following:Become a Patron and get access to shows early or help contributeMake a tip:Bitcoin: 3FiC6w7eb3dkcaNHMAnj39ANTAkv8Ufi2SQR Codes: BitcoinIf you do send a tip then please email me so that I can say thank youSubscribe on iTunes | Spotify | Stitcher | SoundCloud | YouTube | Deezer | TuneIn | RSS FeedLeave a review on iTunesShare the show and episodes with your friends and familySubscribe to the newsletter on my websiteFollow me on Twitter Personal | Twitter Podcast | Instagram | Medium | YouTubeIf you are interested in sponsoring the show, you can read more about that here or please feel free to drop me an email to discuss options.

For episode 249 of the podcast I join the dots between the world of James Bond & Cricket. From how Ian Fleming sourced the name for his Bond's nemesis Blofeld to the deleted scenes shot at Eton College Cricket stadium in Casino Royale.  Follow me on Instagram & message me there. Leave a review if you're a good egg. & for anything else check out the blog for more articles on cinematic style.  From Tailors With Love is not represented, endorsed, sponsored or supported by EON, MGM, Danjaq or any other 3rd party.

The 24th Bond film! Spectre was a big deal for the series. EON finally got the Blofeld rights back. Christoph Waltz was on board, playing "Oberhauser." You really got the feeling this was going to be Daniels Craig's final outing as 007. The result was something that's a very polarizing film for Bond fans. Guest Travis Hastings joins the podcast to discuss in what turned out to be our longest episode so far! ___ Twitter: https://twitter.com/WWIBpodcast Instagram: https://www.instagram.com/wwib_official YouTube: https://www.youtube.com/@whywasntitbetter Email: wwibpodcast@gmail.com Subscribe! Rate! Review! Tell a friend! --- Send in a voice message: https://podcasters.spotify.com/pod/show/whywasntitbetter/message

I must say Miss Case seems quite attractive…..for a lady. We are back with Sean Connery in his final (EON Productions) performance as James Bond! Join Andrew, Blane, and Corey as we discuss the animal magnetism of Mr. Kidd & Mr. Wint, how many people are involved in the diamond scheme, the comedy stylings of Shady Tree, and Blofeld in drag! At the end of the episode, we will offer our Awards & Judgments to see where this movie lands in James Bond History!   Judgment Podcast LinkTree   Judgment Email   Music by brolefilmer from Pixabay

Ep 158 is loose! And we're telling the tale of the bloody downfall of British Peer John Bingham, 7th Earl of Lucan.Who was Lord Lucan? What happened to his children's nanny? And would James Bond be able to best Blofeld in a game of dominoes?The secret ingredient is...playing cards!Join us on Patreon to get extra historic true crime episodes every week, and come and follow us on TikTok, Instagram Twitter and Facebook Hosted on Acast. See acast.com/privacy for more information.

Agents Scott and Cam, along with guest operatives Griffin Schiller and Brody Serravalli from the FilmSpeak YouTube channel, admire Blofeld's priceless meteorite while revisiting the 2015 Daniel Craig Bond thriller Spectre.  Directed by Sam Mendes. Starring Daniel Craig, Christoph Waltz, Léa Seydoux, Ralph Fiennes, Monica Bellucci, Ben Whishaw, Naomie Harris, Dave Bautista and Andrew Scott. Check out FilmSpeak on YouTube, where you can watch reviews of Quantum of Solace, Die Another Day, Moonraker and more! You can also follow Griffin and Brody on Twitter. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes. Theme music by Doug Astley.

Baked Bean shrapnel. Paddy. Hugh, Pugh, Barney McGrew. Luther & Blofeld's Martini.

Publishers are now engaged in desecrating our literature in the name of "Diversity, Equity, and Inclusion". Ian Fleming's James Bond-007 novels are being rewritten so as not to offend today's sensibilities. The same "reimagining" is being perpetrated on the works of Roald Dahl, such as "Charlie & the Chocolate Factory". They are taking away our memories and are giving them back, broken!Would you like to share your thoughts with Ralph?  Please email your comments to hello@idahospeaks.com or post your comments on @IdahoSpeaks on Twitter.Idaho Speaks is a listener supported production.  Please visit idahospeaks.com/support to learn more.Do you have something so say?  Interested in learning more about publishing on the Idaho Speaks Network?  Our nation was built on ideas and your idea could be the next political advancement for Idaho.  Call Ed at (208) 209-7170 or email hello@idahospeaks.com to start the conversation.

Is there a formula for making the perfect James Bond villain? Matt and Eric dive deep into the weeds of Bond's enemies to find out in an all-new YDAFT Investigation. Then the boys clear out The Thoughtline with multiple circle-back voicemails.Submit your least pressing questions, local legends, definitive rankings, neighborhood group drama, and whatever else you want us to cover at youdidntaskforthis@gmail.com or @udidntaskpod on Instagram, Twitter, and Facebook. You can also leave us a voicemail on The Thoughtline at (410) 929-5329 and we might just play it on the show!

007 month comes to an end with SPECTRE, the penultimate Daniel Crag James Bond film. Despite the return of Blofeld to the franchise, the film was regarded by many as the weakest entry in the current series. But today, all we want to talk about is what works! Christoph Waltz is perfectly cast as James Bond's nemesis, Dave Bautista rules as always, and Daniel Craig is still stellar in the lead role, despite despising actually making these movies.Join the Best of the Rest discord: https://discord.gg/86P7jJXNPbEmail: bestoftherestpod@gmail.comSocial Media @BotRCast on Twitter, Instagram, FacebookBonus content: YoutubeTheme song (vocals) by Mark Benavides: InstagramMusic by Mitch: Twitter, SoundCloudLogo by Alex Brinegar: https://beardodoesdesign.com/Additional artwork by Phillip Chacon, C7Productions: Instagram     Next week: Home Alone 2!