Podcasts about carpathian

This week's show is in observance of Yom HaShoah, Holocaust Remembrance Day. Highlights: Rabbi Arthur Schneier, Holocaust survivor, world-renowned human rights activist, and senior rabbi of Manhattan's Park East Synagogue for more than fifty years, shares his wartime memories of the Carpathian town Yasinia (Ukrainian: Ясіня; Hungarian: Körösmező; Czech: Jasiňa; Yiddish: Yasin (יאַסין)). He recalls his grandfather, the town's rabbi, Moyshe Bergmann, and describes his narrow escape from the 1941 Kamenets Podolsk Massacre. We reached Rabbi Schneier at his Manhattan office via Zoom on Feb. 20, 2025. See also Rabbi Arthur Schneier's page at Park East Synagogue: https://parkeastsynagogue.org/about-us/clergy/rabbi-arthur-schneier/ Rebbetzin Yetta Kane is a Holocaust survivor who grew up in Miadziol (Belarusian: Мядзел; Yiddish: Miadl (מיאַדל)), a small town in Belarus. She shares memories of her childhood and her and her family's survival, including hiding from the Nazis in the forests of Belarus in a Partisan camp. Yetta's and her late husband, Rabbi and Cantor David Kane, are authors of the´ memoir How to Survive Anything: The Life Story of David and Yetta Kane. We interviewed her at her home in the Los Angeles area on April 8, 2025. Music: Holocaust songs by various musicians and soloists. Intro instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz Air date: April 23, 2025

This week's highlights: We welcome back Rabbi Yitzchok-Boruch Teitelbaum, known in his Monroe, NY, community as der Pshischer Rebbe, for Pesach greetings and words of wisdom. We meet Chazan Dr. Moshe Moskovitz, the High Holiday cantor at Los Angeles's Congregation Shaarei Tefila, to discuss his background, his yiches (he's the grandson of two post-war Carpathian cantors), and his journey into chazones (the musical art of leading Jewish prayer in the Ashkenazi tradition), as well as Pesach from a cantorial perspective — guiding us through several cantorial recordings along the way. Pesach greetings from many of our cohosts, friends and sponsors, as follows: Israel Book Shop (Eli Dovek ז״ל recorded Mar 28 2007) American Association of Jewish Holocaust Survivors of Greater Boston (member and Holocaust survivor Tania Lefman, and member and Holocaust survivor Mary Erlich), co-sponsor of Boston's 2025 In-Person and Virtual Community Holocaust Commemoration of Yom HaShoah, Sunday, April 27 at 10:30 AM Eastern. (Registration required.) We reached them at their homes in Greater Boston by phone on April 9, 2025. Yetta Kane, Holocaust survivor and rebbetzin in Los Angeles with whom we just completed an interview to be aired a little later this year. Recorded at her home in Long Beach on April 8, 2025. League for Yiddish, New York, NY, (Gitl Schaechter-Viswanath, Chair of the Board). Recorded at her home in Teaneck, NJ, on April 9, 2025. Leah Shporer-Leavitt, Newton, MA, co-host of The Yiddish Voice / דאָס ייִדישע קול (from 2024) Dovid Braun, Leonia, NJ, co-host of The Yiddish Voice / דאָס ייִדישע קול (from 2024) Yankele Bodo, Tel Aviv, Israel, actor and singer (from 2016) Eli Grodko, New Millford, NJ, friend of the show. Recorded at his home in Teaneck, NJ, on April 8, 2025. Boston Workers Circle, Brookline, MA (Yiddish committee member Linda (Libe-Reyzl) Gritz) Verterbukh.org, the online Comprehensive Yiddish-English Dictionary, Greater Boston (Khayem Bochner, co-editor and director of the online dictionary) Hy Wolfe, Director of CYCO Yiddish Book Center, Long Island City, NY (from 2020) We wish all our cohosts, sponsors and friends a Happy and Kosher Pesach. מיר ווינטשן אַלע אונדזערע אונטערשטיצער, פֿרײַנד און באַטייליקטע אַ פֿריילעכן און כּשרן פּסח Music: Moishe Oysher: Chad Gadyo Moshe Stern: Uvchein Yehi Ratzon Leibele Glantz: Tfilas Tal Moshe Ganchoff: Btses Yisroel Leibele Glantz: Ma Nishtono Nusach Moshe Koussevitzky: Fir Kashes Intro instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz Air date: April 9, 2025

Folklore Podcast creator and host, Mark Norman, explores the rumours that the author of 'Dracula', Bram Stoker, found inspiration for his famous count in the rural backwaters of the county of Devon, in the South-West of the United Kingdom. Could there by any truth to the ideas that Count Dracula emerged as much from the Devon countryside as he did from the Carpathian mountains?This episode of The Folklore Podcast is written and presented by Mark Norman. To support the podcast, and help to facilitate the creation of more episodes featuring new research, please visit www.patreon.com/thefolklorepodcast

The wolf has mounted an extraordinary comeback. Once hunted to extinction across Western Europe, the wolf has taken advantage of the collapse of the Iron Curtain and the depopulation of the countryside to spread from east to west, reaching the suburbs of Amsterdam and Brussels. Only Britain, Ireland, Malta, Cyprus and Iceland now lack the top predator that haunts our fairytales.Tom Heap and Helen Czerski go face to snout with the wolf to find out the secrets of its success. They're joined by writer, Adam Weymouth, who tracked the route of a pioneering wolf called Slavc that made its way from Slovenia to Verona, kick-starting the return of the wolf packs to swathes of northern Italy. Erica Fudge of Strathclyde University shares her research into werewolf tales of the early modern period and BBC Central Europe correspondent Nick Thorpe digs into the relationship between farmers and wolves in their Carpathian heartland to reveal the conflicts we can expect as the western wolves increase their population. Producer: Alasdair CrossAssistant Producer: Toby FieldRare Earth is produced in association with the Open UniversitySpecial thanks to Wolf Watch UK

Who you gonna call? The Ghostbusters series has had its ups and downs since the iconic 1984 original, with each sequel bringing something new to the table—some loved, some controversial. But which one reigns supreme?In this episode of WN Movie Talk Podcast, we're suiting up, grabbing our proton packs, and diving deep into the Ghostbusters franchise as we rank all four sequels—from Ghostbusters II (1989) to Ghostbusters: Frozen Empire (2024)!

Nos adentramos en la negra noche para hablar de Nosferatu, la sinfonía de horror de Robert Eggers estrenada en 2024. Francisco Javier Santiago y Javier Muñoz exploran la producción e intenciones de este remake de la cinta de F. W. Murnau de 1922, detallando la historia de los derechos del Drácula de Bram Stoker, los esfuerzos de Eggers por sacarla adelante y muchos más detalles dignos de ser comentados. ¡Dale al play libremente, por tu propia voluntad, y deja parte de la felicidad que traes contigo! Grupo de Telegram: https://t.me/CineActual Nuestro Patreon: https://www.patreon.com/cineactual Suscríbete en iVoox: https://www.ivoox.com/ajx-suscribirse_jh_551662_1.html Canción inicial «Carpathian» por cortesía de Francisco Javier Santiago y canción final «Ocaso» por cortesía de Laia Salvat, Francisco Javier Santiago y Albert Vilella, bajo licencia CC BY-NC-ND 4.0.

Sometimes authors have to to extreme lengths to share their stories with their readers. Liz Tolsma learned about a part of her family history she'd never known, traveled to Poland, learned more, and then braved a horrible cold to come on the podcast to tell us all about it. Listen in and learn more about What I Left for You. note: links may be affiliate links that provide me with a small commission at no extra expense to you.  Book three in the Echoes of the Past Series, What I Let for You offers a look into the little-known history of the Lemko people of the Carpathian mountain ranges. From their persecution, the way they were driven away from homes and land, and then the near extermination during and after WWII Poland, their rich and heartbreaking history is the foundation for Liz's most recent release.   What I Left for You by Liz Tolsma  A Family's Ties Were Broken in Poland of 1939   1939 Helena Kostyszak is an oddity—an educated female ethnic minority lecturing at a university in Krakow at the outbreak of WWII. When the Germans close the university and force Jews into the ghetto, she spirits out a friend's infant daughter and flees to her small village in the southern hills. Helena does everything in her power to protect her family, but it may not be enough. It will take all of her strength and God's intervention for both of them to survive the war and the ethnic cleansing to come.   2023 Recently unengaged social worker McKenna Muir is dealt an awful blow when a two-year-old she's been working with is murdered. It's all too much to take, so her friend suggests she dive into her family's past like she's always wanted. Putting distance between herself and her problems might help her heal, so she and her friend head on Sabbatical to Poland. But what McKenna discovers about her family shocks everyone, including one long-lost family member. Also in the Echoes of the Past Series: What I Would Tell You What I Promise You Don't forget to watch out for When the Sky Burned. Learn more about Liz on her WEBSITE and follow her on GoodReads and BookBub. Like to listen on the go? You can find Because Fiction Podcast at: Apple  Castbox  Google Play Libsyn  RSS Spotify Amazon and more!  

New studies on the origins of the wheel have us wondering, why did it take thousands of years to go from 10th millennium BCE spindle whorls in Israel to 4th millennium BCE wheels in the Carpathian mountains, were rollers and copper mining really involved, and how much rotational energy is really provided courtesy of Fred Flintstone's two feet?

This week, we look at a man, who was born to an actual Nazi, during WWII. He starts his adult life out with a most horrific crime, that can't be explained. He teams with his father to form a wrestling tag team, and was also a pretty decent pro boxer. His real fame came from movies like "Die Hard", and as Vigo The Carpathian in "Ghostbusters 2"! He's such a bad guy, that he's unable to capitalize on the fame!Come from Nazi roots, make sure not to know if your sister is really your sister... or, your daughter, and be drug addicted pimp, who goes on to take sarcastic barbs from Bill Murray with Wilhelm Von Homburg!!Check us out, every Tuesday!We will continue to bring you the biggest idiots in sports history!! Hosted by James Pietragallo & Jimmie Whisman Donate at... patreon.com/crimeinsports or with paypal.com using our email: crimeinsports@gmail.com Get all the CIS & STM merch at crimeinsports.threadless.com Go to shutupandgivememurder.com for all things CIS & STM!! Contact us on... twitter.com/crimeinsports crimeinsports@gmail.com facebook.com/Crimeinsports instagram.com/smalltownmurderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, we dive into the Monfreedom project, an innovative model for territorial development that I had the honor of presenting at the Carpathian International Economic Forum 2024. Learn how Monfreedom combines wine tourism, sustainability, and cultural promotion into a unified strategy that enhances the region's identity while driving economic growth. I'll discuss the keen interest shown by participants and how this approach can be replicated in other regions to achieve long-term economic and tourism benefits. If you are a tourism operator or a regional leader looking to unlock your territory's potential, this episode is for you!Visit our website

Christine Feehan is a #1 New York Times bestselling author, with 83 published works in seven different series: Dark Series, GhostWalker Series, Leopard Series, Drake Sisters Series, Sea Haven Series, Shadow Series, and Torpedo Ink Series. All seven of her series have hit the #1 spot on the New York Times bestseller list. Judgment Road, the first book in her newest series, Torpedo Ink, debuted at #1 on the New York Times bestseller list. You can find out more at her website: https://christinefeehan.com/  And check out her store here: https://feehanandco.com/ See Lisa's tarot reading with Christine's Carpathian tarot deck: https://youtu.be/IqvB65mVbJM And for more about our host Lisa Kessler visit http://Lisa-Kessler.com Book Lights - shining a light on good books!

It was Smash Mouth who said "the years start coming and they don't stop coming" and we can't help but to think they were talking about movies in the Marvel Cinematic Universe as we sit down for the 30th part of our ongoing look at the long running shared universe with Shang Chi and the Legend of the Ten Rings.Theres's also a fair amount of chatter in The Week In Geek as we revamp our Summer Movie Bracket, look forward to the comic books coming out this week in The List, perform a Dramatic Reading from Shang Chi #1 and help ourselves to a fair amount of craft beers. Hosted on Acast. See acast.com/privacy for more information.

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In this part we talk family infected with rare parasite after eating bear meat, 81 yr old man terrorizes neighborhood with sling shot, man who made dog suit wants to make a different suit, more missionaries killed, man gets swallowed by hippo three times and lose arm, King Charles gets the Vigo the Carpathian treatment, and much more! Email here: tokyoblackhour@gmail.com Check us out Facebook here: https://www.facebook.com/TokyoBlackHour/   Check out the Youtube Channel here: https://www.youtube.com/channel/UCX_C1Txvh93PHEsnA-qOp6g?view_as=subscriber Follow us on Twitter @TokyoBlackPod Get your apparel at https://tkbpandashop.com/  You can also catch us Apple Podcasts, Google Play, and Spotify Check out Every Saturday Morning here https://www.everysaturdaymorning.fun Check out The Basic Caucasian Podcast here https://www.youtube.com/user/dgriffin156 Check out the new hip hop mix here https://youtu.be/ohfFYcsrjU8?si=ZOAiY6ngONNow77t

This week, for Yom HaShoah, which falls this year on May 6, we present past interviews with survivors of the Holocaust in Hungary as we mark the deportation of Hungarian Jews to Auschwitz in the spring of 1944, 80 years ago. After a brief intro and announcement of Boston's 2024 community Hazkure, we hear: Mel Mermelstein ז״ל We had a short but memorable interview with Mel in 2008. Mel lived in Munkacs until May 1944, when he was deported to Aushwitz. He passed away in January 2022 at age 95. See also: Mel Mermelstein Wikipedia page: https://en.wikipedia.org/wiki/Mel_Mermelstein Zoli Langer and Rokhl Zicherman: repeat of our 2020 Yom HaShoah broadcast: Zoli lived in Ungvar and Rokhl in Tybava until they were deported to Auschwitz in the spring of 1944. A long interview of Zoli is presented with a short interlude of Rokhl singing songs about the Holocaust. Both were interviewed in 2019 and currently (2024) reside in the Los Angeles area.

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   sleep insomnia relax chill night nightime bed bedtime oldtimeradio drama comedy radio talkradio hancock tonyhancock hancockshalfhour sherlock sherlockholmes radiodrama popular viral viralpodcast podcast brett brettorchard orchard east devon seaton beer lyme regis village condado de alhama spain murcia   fe2f4df62ffeeb8c30c04d3d3454779ca91a4871

This episode has everything! A lost mama rap, weepuls, Abed!, Vigo the Carpathian, a cornucopia, McNugget Buddies and some fraud. Learn more about your ad choices. Visit megaphone.fm/adchoices

The "Stalingrad of World War I" was an epic bloodletting between the million-man armies of Russia and the inept Habsburg Empire.

In October 2021, newlyweds Lidiia and Norbert Varga boarded a flight from the UK to Lidiia's birth country of Ukraine, to spend time with Lidiia's family. Everything was perfect. Lidiia's brother, Myroslav, had organised a special camping trip for himself, the newlyweds and nine others in the beautiful Carpathian mountains. And it was there, as the group of 12 were huddled around the campfire, that the most random and unbelievable of disasters struck. Fancy supporting us on Patreon? Find out more here. Follow us and get in touch on Instagram here. MUSIC CREDITS: "Kool Kats" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ "Comfortable Mystery" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/See omnystudio.com/listener for privacy information.

Send us a Text Message.This edition of Making Tracks is a Christmas Selection Box:We talk Santa trains and seasonal specials with Eleri Mottram at the WHR , and Neil Dale from the Durango and Silverton steam railway in Colorado, who represents the Polar Express brand in the UK.We meet artist Rebecca Kitchin, who brings Christmas to several railways, and VIP guests – a descendant of Robert Francis Fairlie, David Fairlie with some family history from South America,  and historian Tim Dunn looking forward to celebrating '200 years of railways'We re-visit some of the stories we've covered earlier in the year, including a return to Transylvania  on Romania's ‘National Day'  for a late season steam up with the snow covered Carpathian mountains . We hear from two Romanian volunteers again, as well as talking to UK based Harry Billmore about his first impressions of the country and driving a steam locomotive in a very different context to contemporary UK lines.Here are links to some of the Railways and People mentioned in this episode.Artist Rebecca KitchinFfestiniog and Welsh Highland RailwayThe Polar Express on the Durango and Silverton RailwaySibiu Agnita - Acasă - Mocănița Văii Hârtibaciului (sibiuagnitarailway.com)Railway 200You can find out more on the history of Double Fairlie Locos here Barmouth Bridge Network Rail News .Darjeeling Tank Locomotive TrustThis podcast is produced by Laura Raymond and presented by Alasdair Stewart Our 'Making Tracks' music is with kind permission of composer and musician Richard Durrant. It is a unique piece inspired by the rhythm of the historic rolling stock on the Ffestiniog Railway on the scenic journey from Harbour Station to Tan y Blwch. You can listen and download the full 'Tan y Bwlch' Ukulele Quartet here: Ukulele Quartet No. 1 "Tan y Bwlch" Ukulele Quartet No. 1 "Tan y Bwlch" Richard Durrant · Single · 2019 · 3 songs.

Back in the early 1980s David and Mark Pedley were little more than a father-son real estate scam duo. Then came prison, escape, and a self-penned Bible, named for an obscure Jerusalem priest and the foundation for a micronation called the Dominion of Melchizedek. It was no ordinary secession movement. The Dominion would become one of its era's greatest swindles, taking in bogus firms, Vegas slots, Hong Kong archdukes and Idy Amin's mansion. Then, with the backing of a mysterious Carpathian tribe, the Dominion of Melchizedek declared war on France. Part one of a frankly insane two-parter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Based on the movie of the same name, something strange is going on in New York City and the Ghostbusters are back and armed with "benevolent slime" to find out what it is. The ghostbusters quest, like in the movie, takes them to an underground river of slime, ghostly hauntings in the courthouse, an abandoned subway line. These action sequences are interspersed with driving sequences with the Ghostbusters car, Ecto-1A Finally, the Ghostbusters must bring the Statue of Liberty to life through the New York Harbor and then navigate it through the city streets. This leads to a final confrontation with a painting come-to-life, Virgo the Carpathian in which all 4 ghostbuster members must fight their way into the museum. Support NEStalgia directly by becoming a member of our Patreon at https://www.patreon.com/Nestalgia Members at the $5 and above level get access to our brand new show NEStalgia Bytes. A look at the famicom games you can play without any Japanese knowledge! For More NEStalgia, visit www.NEStalgiacast.com --- Support this podcast: https://podcasters.spotify.com/pod/show/nestalgia/support

Based on the movie of the same name, something strange is going on in New York City and the Ghostbusters are back and armed with "benevolent slime" to find out what it is. The ghostbusters quest, like in the movie, takes them to an underground river of slime, ghostly hauntings in the courthouse, an abandoned subway line. These action sequences are interspersed with driving sequences with the Ghostbusters car, Ecto-1A Finally, the Ghostbusters must bring the Statue of Liberty to life through the New York Harbor and then navigate it through the city streets. This leads to a final confrontation with a painting come-to-life, Virgo the Carpathian in which all 4 ghostbuster members must fight their way into the museum. Support NEStalgia directly by becoming a member of our Patreon at https://www.patreon.com/Nestalgia Members at the $5 and above level get access to our brand new show NEStalgia Bytes. A look at the famicom games you can play without any Japanese knowledge! For More NEStalgia, visit www.NEStalgiacast.com --- Support this podcast: https://podcasters.spotify.com/pod/show/nestalgia/support

Dan & Manny invite Drew from The Last Row podcast to put the 1989 sequel Ghostbusters 2 to the ultimate test--THE NOSTALGIA TEST! This is a spooky season classic. Dan, Manny, and Drew go deep into all things pink slime, the real hero of this movie Ernie Hudson, how Vigo the Carpathian is the worse villain of all time, the creepy genius of Peter MacNicol, New York City mayors, the Statue of Liberty, the Ghostbusters death toll, Dan & Manny pitch some amazing spin-offs, and so much more! Some Episode Notes Ghostbusters 2 (movie 1989) Hocus Pocus (movie 1993) Hocus Pocus 2 (movie 2022)

Once a staple of the Ukrainian landscape, Carpathian water buffalo populations in southern Europe dwindled during the 20th century. In 2021, Kitty Horlick tracked down Michel Jacobi, a self-sustaining farmer who is coaxing the species back to life, to find out more about his extraordinary vision. Written by Kitty Horlick Read by Holly O'Neil Score by Dan Parr Intro / Outro by Pearl Fish & Harvey Gibbons Produced by Hiren Parmar Originally published as an article in Issue 7

On this episode, my guest is Nick Hunt, the author of three travel books about journeys by foot, including Outlandish: Walking Europe's Unlikely Landscapes. His articles have appeared in The Guardian, Emergence, The Irish Times, New Internationalist, Resurgence & Ecologist and other publications. He works as an editor and co-director for the Dark Mountain Project. His latest book is an alternate history novel, Red Smoking Mirror.Show NotesAwe and the Great SecretOn Focus, Sight and SubjectivityThe Almost Lost Art of WalkingPilgrimage and the Half Way PointWhat if Left of Old-School Hospitality in our Times?When Borders Matter LessHospitality and PainThe Costs of InterculturalityAsking Permission: On Not Being WelcomeFriendship, Hospitality, and ExchangeHomeworkNick Hunt's Official WebsiteRed Smoking MirrorEssay: Bulls and ScarsTranscript[00:00:00] Chris Christou: Welcome Nick to the End of Tourism podcast. Thank you so very much for joining us today. [00:00:05] Nick Hunt: Very nice to be here, Chris. [00:00:07] Chris Christou: I have a feeling we're in for a very special conversation together. To begin, I'm wondering if you could offer us a glimpse into your world today, where you find yourself, and how the times seem to be rolling out in front of you, where you are.[00:00:22] Nick Hunt: Wow, that's a good, that's a good question. Geographically, I'm in Bristol, in the southwest of England, which is the city I grew up in and then moved away from and have come back to in the last five or so years. The city that I sat out the pandemic, which was quite a tough one for various reasons here and sort of for me personally and my family.But the last year really has just felt like everyone's opening out again and it feels... it's kind of good and bad. There was something about that time, I don't want to plunge straight into COVID because I'm sure everyone's sick of hearing about it, but the way it, it froze the world and froze people's personal lives and it froze all the good stuff, but it also froze a lot of the more difficult questions.So, I think in terms of kind of my wider work, which is often, focused around climate change, extinction, the state of the planet in general, the pandemic was, was oddly, you didn't have to think about the other problems for a while, even though they were still there. It dominated the airspace so much that everything else just kind of stopped.And now I find that in amongst all the joy of kind of friends emerging again and being able to travel, being able to meet people, being able to do stuff, there's also this looming feeling of like, the other problems are also waking up and we're looking at them again. [00:01:56] Chris Christou: Yeah. We have come back time to time in the last year or two in certain interviews of the pod and, and reflected a little bit on those times and considered that there was, among other things, it was a time where there was the possibility of real change. And I speak more to the places that have become tourist destinations, especially over touristed and when those people could finally leave their homes and there was nobody there that there was this sense of Okay, things could really be different [00:02:32] Nick Hunt: Yeah.As well. Yeah. I know there, there was a kind of hope wasn't there that, "oh, we can change, we can, we can act in, in a huge, unprecedented way." Maybe that will transfer to the environmental problems that we face. But sadly that didn't happen. Or it didn't happen yet. [00:02:53] Chris Christou: Well, time will tell. So Nick, I often ask my guests to begin with a bit of background on how their own travels have influenced their work, but since so much of your writing seems to revolve around your travels, I've decided to make that the major focus of our time together. And so I'd like to begin with your essay Bulls and Scars, which appears in issue number 14 of Dark Mountain entitled TERRA, and which was republished in The Best British Travel Writing of the 21st Century.[00:03:24] Nick Hunt: A hyperbolic, a hyperbolic title, I have to say. [00:03:29] Chris Christou: And in that exquisite essay on the theme of wanderlust, you write, and I quote, "always this sense, when traveling, will I find it here? Will the great secret reveal itself? Is it around the next corner? There is never anything around the next corner except the next corner, but sometimes I catch fragments of it.This fleeting thing I am looking for. That mountainside, that's a part of it there. The way the light falls on that wall. That old man sitting under a mulberry tree with his dog sleeping at his feet. That's a part of the secret too. If I could fit these pieces together, I would be completed. Waking on these sacks of rice, I nearly see the shape of it. The outlines of the secret loom, extraordinary and almost whole. I can almost touch it. I think. Yes, this is it. I am here. I have arrived, but I have not arrived. I am traveling too fast. The moment has already gone, the truck rolls onwards through the night, and the secret slides away.This great secret, Nick, that spurs so much of our wanderlust. I'm curious, where do you imagine it comes from personally, historically, or otherwise? [00:04:59] Nick Hunt: Wow. Wow. Thank you for reading that so beautifully. That was an attempt to express something that I think I've always, I've always felt, and I imagine everybody feels to some extent that sense of, I guess you could describe it as "awe," but this sense that I, I first experienced this when I was a kid.I was about maybe six, five or six years old, maybe seven. I can't remember. Used to spend a lot of time in North Wales where my grandparents lived and my mum would take me up there and she loved walking. So we'd go for walks and we were coming back from a walk at the end of a day. So it was mountains. It was up in Snowdonia.And I have a very vivid memory of a sunset and a sheep and a lamb and the sky being red and gold in sense that now I would describe it as awe, you know, the sublime or something like that. I had no, no words for it. I just knew it was very important that I, I stayed there for a bit and, and absorbed it.So I refused to walk on. And my mom, I'll always be grateful for this. She didn't attempt to kind of pull my hand and drag me back to the car cuz she probably had things to do. But she walked on actually and out of sight and left me just to kind of be there because she knew that this was an important thing.And for me, that's the start of, of the great secret. I think this sense of wanting to be inside the world. I've just been reading some Ursula LeGuin and there's a short story in her always coming home. I think it's called A Hole in the Air. And it's got this kind of conceit of a man stepping outside the world and he kind of goes to a parallel version of his world and it's the one in which some version of us lives.And it's the kind of, you know, sort of fucked up war-like version where everything's kind of terrible and polluted, dangerous and violent and he can't understand it. But this idea of he's gone outside the world and he can't find his way back in. And I think this is a theme in a lot of indigenous people.This idea of kind of being inside something and other cultures being outside. I think a lot, all of my writing and traveling really has been about wanting to get inside and kind of understand something. I don't know. I mean, I dunno what the secret is because it's a secret and what I was writing about in that essay was, I think in my twenties particularly, I kind of imagined that I could find this if I kept moving.The quicker the better because you're covering more ground and more chance of finding something that you're looking for, of knowing what's around the next corner, what's over the next hill. You know, even today I find it very difficult to kind of turn back on a walk before I've got to the top of a hill or some point where I can see what's coming next.It feels like something uncompleted and then I'm sure, as I imagine you did, you know, you were describing to me earlier about traveling throughout your twenties and always kind of looking for this thing and then realizing, what am I actually, you know, what am I doing? What am I actually looking for?Mm-hmm. So I still love traveling, obviously, but I don't feel this kind youthful urge just to keep moving, keep moving, keep moving, see more things, you know, experience more. And then I think you learn when you get a bit older that maybe that's not the way to find whatever it is that you are kind of restless for.Maybe that's when you turn inside a little bit more. And certainly my travels now are kind of shorter and slower than they were before, but I find that there's a better quality of focus in the landscapes or places that before I would've kind of dismissed and rushed through are now endlessly fascinating.And allowing more time to kind of stay in a place has its own value. [00:09:19] Chris Christou: Well, blessings to your mother. What's her name if I can ask? Her name's Caroline. It's the same name as my wife. So it's a source of endless entertainment for my friends. Well, thank you, Caroline, for, for that moment, for allowing it to happen.I think for better or worse, so many of us are robbed of those opportunities as children. And thinking recently about I'll have certain flashbacks to childhood and that awe and that awe-inspiring imagination that seems limitless perhaps for a young child and is slowly waned or weaned as we get older.So thank you to your mother for that. I'm sure part of the reason that we're having this conversation today. And you touched a little bit on this notion of expectation and you used the word focus as well, and I'm apt to consider more and more the the question of sight and how it dominates so much of our sense perception and our sense relationships as we move through our lives and as we move across the world.And so I'd like to bring up another little excerpt from Bulls and Scars, which I just have to say I loved so much. And in the essay you write, quote, "I know nothing about anything. It's a relief to admit this now and let myself be led. All I see is the surface of things. The elaborate hairstyle of a man, shaved to the crown and plastered down in a clay hardened bun, a woman's goat skin skirt, fringed with cowrie shelves and not the complex layers of meaning that lie beneath. I understand nothing of the ways in which these things fit together, how they collide or overlap. There are symbols I cannot read, lines I do not see."End quote. And so this, this reminded me. I have walking through a few textile shops here in Oaxaca some years ago with a friend of mine and he noted how tourists tend towards these textile styles, colors and designs, but specifically the ones that tend to fit their own aesthetics and how this can eventually alter what the local weavers produce and often in service to foreign tastes.And he said to me, he said, "most of the time we just don't know what we're looking at." And so it's not just our inability to see as a disciplined and locally formed skill that seems to betray us, but also our unwillingness to know just that that makes us tourists or foreigners in a place. My question to you is, how do you imagine we might subvert these culturally conjured ways of seeing, assuming that's even necessary? [00:12:24] Nick Hunt: Well, that's a question that comes up an awful lot as a travel writer. And it's one I've become more aware of over these three books I've written, which form a very loose trilogy about, they're all about walking in different parts of Europe.And I've only become more aware of that that challenge of the traveler. There's another line in that essay that something like " they say that traveling opens doors, but sometimes people take their doors with them." You know, it's not necessarily true, but any means that seeing the world kind of widens your perspective. A lot of people just, you know, their eyes don't change no matter where they go. And so, I know that when I'm doing these journeys, I'm going completely subjectively with my own prejudices, my own mood of the day which completely determines how I see a place and how I meet people and what I bring away from it.And also what I, what I give. And I think this is, this is kind of an unavoidable thing really. It's one of the paradoxes maybe at the heart of the kind of travel writing I do, and there's different types of travel writers. Some people are much more conscientious about when they talk to people, it's, you know, it's more like an interview.They'll record it. They'll only kind of quote exactly what they were told. But even that, there's a kind of layer of storytelling, obviously, because they are telling a story, they're telling a narrative, they're cutting certain things out of the frame, and they're including others. They're exaggerating or amplifying certain details that fit the narrative that they're following.I think an answer to your question, I, I'm not sure yet, but I'm hopefully becoming more, more aware. And I think one thing is not hiding it, is not pretending that a place as I see it, that I, by any means, can see the truth, you know, the kind of internal truth of this place. There's awareness that my view is my view and I think the best thing we can do is just not try and hide that to include it as part of the story we tell. Hmm. And I, I noticed for my first book, I did this long walk across Europe that took about seven and a half months. And there were many days when I didn't really want to be doing it.I was tired, sick, didn't want to be this kind of traveling stranger, always looking like the weirdo walking down the street with a big bag and kind of unshaved sunburnt face. And so I noticed that some villages I walked into, I would come away thinking, my God, those people were awful.They were really unfriendly. No one looked at me, no one smiled. I just felt this kind of hostility. And then I'd think, well, the common factor in this is always me. And I must have been walking into that village looking shifty, not really wanting to communicate with anyone, not making any contact, not explaining who I was.And of course they were just reflecting back what I was giving them. So I think, just kind of centering your own mood and the baggage you take with you is very important. [00:15:46] Chris Christou: Yeah. Well, I'd like to focus a little bit more deeply on that book and then those travels that you wrote about anyways, in Walking the Woods and the Water.And just a little bit of a background for our listeners. The book's description is as follows. "In 1933, Patrick Leigh Fermor set out in a pair of hobnail boots to chance and charm his way across Europe. Quote, like a tramp, a pilgrim, or a wandering scholar. From the hook of Holland to Istanbul. 78 years later, I (you) followed in his footsteps.The book recounts a seven month walk through Holland, Germany, Austria, Slovakia, Hungary, Romania, Bulgaria, and Turkey on a quest to discover what remains of hospitality, kindness to strangers, freedom, wildness, adventure, and the deeper occurrence of myth and story that still flow beneath Europe's surface.Now before diving a little bit more deeply into these questions of hospitality and xenophobia or xenophilia, I'd like to ask about this pilgrimage and the others you've undertaken, especially, this possibility that seems to be so much an endangered species in our times, which is our willingness or capacity to proceed on foot as opposed to in vehicles.And so I'm curious how your choice to walk these paths affected your perception, how you experienced each new place, language, culture, and people emerging in front of you. Another way of asking the question would be, what is missed by our urge to travel in vehicles?[00:17:36] Nick Hunt: Well, that first walk, which set off the other ones, I later did. It could only have been a walk because the whole idea was to follow the footsteps of Patrick Leigh Fermor, who was a very celebrated travel writer who set out in 1933 with no ambition or kind of purpose other than he just wanted to walk to Istanbul.And it was his own kind of obsessive thing that he wanted to do. And I was deeply influenced by his book. And I was quite young and always thought I wanted to kind of try. I I was just curious to see the Europe that he saw was, you know, the last of a world that disappeared very shortly afterwards because he saw Germany as this unknown guy called Adolf Hitler, who was just emerging on the scene. He walked through these landscapes that were really feudal in character, you know, with counts living in castles and peasants working in the fields. And he, so he saw the last of this old Europe that was kind of wiped out by, well first the second World War, then communism in Eastern Europe and capitalism, in Western Europe and then everywhere.So it's just had so many very traumatic changes and I just wanted to know if there was any of what he saw left, if there was any of that slightly fairytale magic that he glimpsed. So I had to walk because it, it just wouldn't have worked doing it by any other form of transport. And I mean, initially, even though I'd made up my mind, I was going to go by foot and I knew I wasn't in a hurry. It was amazing how frustrating walking was in the first couple of weeks. It felt almost like the whole culture is, you know, geared around getting away, got to go as quickly as possible.In Holland actually I wasn't walking in remote mountains, I was walkingthrough southern industrial states and cities in which a walker feels, you feel like an outcast in places you shouldn't really be. So, it took a couple of weeks for my mind to really adjust and actually understand that slowness was the whole purpose. And then it became the pleasure.And by halfway through Germany, I hadn't gone on any other form of transport for maybe six weeks, and I stayed with someone who, he said, "I'm going to a New Year's Eve party in the next town." It was New Year's Eve. The next town was on my route. He said, "you know, I'm driving so I might as well take you there."So I said, "great," cuz it'd been a bit weird to kind of go to this town and then come back again. It was on my way. So, I got in a car and the journey took maybe half an hour and I completely panicked, moving at that speed, I was shocked by how much of the world was taken away from me, actually, because by then I'd learned to love spotting these places, you know, taking routes along, along rivers and through bits of woodland.I was able to see them coming and all of these things were flashing past me. We crossed the Rhine, which was this great river that I'd been following for weeks. And it was like a stream, you know, it was a puddle. It was kind of gone under the bridge in two seconds. Wow. And it really felt like I had this, this kind of guilt, to be honest.It was this feeling of what was in that day that I lost, you know, what didn't I see? Who didn't I meet? I've just been sitting in the passenger seat of a car, and I have no sense of direction. The thing about walking is you're completely located at all times. You walk into the center of a city and you've had to have walked through the suburbs.You've seen the outskirts, and it helps, you know, well that's north. Like, you know, I came from that direction. That's south. That's where I'm going. If you take a train or get in a car, unless you're really paying attention, you are kind of catapulted into the middle of this city without any concept of what direction you're going in next.And I didn't realize how disorienting that is because we're so used to it. We do it all the time. And this was only a kind of shadow of what was to come at the very end of my journey, cuz I got to Istanbul after seven and a half months. I was in a very weird place that I've only kind of realized since all that time walking.And I stayed a couple of weeks in Turkey and then I flew home again, partly cuz I had a very patient and tolerant and forgiving girlfriend who I couldn't kind of stretch it out any, any longer. And initially I think I'd been planning to come back on like hitchhiking or buses and trains. But in the end I was like, "you know, whatever, I'll just spend a couple days more in Turkey, then I'll get on a plane."And I think it was something like three hours flying from Istanbul and three hours crossing a continent that you spent seven and a half months walking. And I was looking down and seeing the Carpathian mountains and the Alps and these kind of shapes of these rivers, some of which I recognized as places I'd walked through.And again, this sense of what am I missing, that would've been an extraordinary journey going through that landscape. Coming back. You mentioned pilgrimage earlier, and someone told me once, who was doing lots of work around pilgrimage that, you know, in the old days when people had to walk or take a horse, if you were rich, say you started in England, your destination was Constantinople or Jerusalem or Rome, that Jerusalem or Rome wasn't the end of your journey.That was the exact halfway point, because when you got there, you had to walk back again. And on the way out, you'd go with your questions and your openness about whatever this journey meant to you. And then on the way back, you would be slowly at the pace of walking, trying to incorporate what you'd learnt and what you'd experienced into your everyday life of your village, your family, your community, you know, your land.So by the time you got back, you'd had all of that time to process what happened. So I think with that walk, you know, I, I did half the pilgrimage thinking I'd done all of it, and then was plunged back into, actually went straight back to the life I'd been living before in, in London as if nothing had ever happened.And I think for the year after that walk, my soul hadn't caught up with my body by any means. Mm-hmm. I was kind of living this strange sort of half life that felt very familiar because I recognized everything, but I felt like a very different person, to be honest and it took a long time to actually process that.But I think if I'd, even if I'd come back by, you know, public transport of some sort it would've helped just soften the blow. [00:25:04] Chris Christou: What a context to put it in, softening the blow. Hmm. It reminds me of the etymology of travel as far as I've read is that it used to mean an arduous journey.And that the arduous was the key descriptor in that movement. It reminds me of, again, so many of my travels in my twenties that were just flash flashes of movement on flights and buses. And that I got back to Canada. And the first thing was, okay, well I'm outta money, so I need to get back to work and I need to make as much money as possible.And there just wasn't enough time. And there wasn't perhaps time, period, in order to integrate what rolled out in front of me over those trips. And I'm reminded of a story that David Abram tells in his book Becoming Animal about jet lag. And perhaps a hypothesis that he has around jet lag and that we kind of flippantly use the excuse or context of time zones to explain this relative sense of being in two places at once.To what extent he discussed this, I don't remember very well, but just this understanding of when we had moved over vast distances on foot in the past, that we would've inevitably been open and apt to the emerging geographies languages, foods even cultures as we arrive in new places, and that those things would've rolled out very slowly in front of us, perhaps in the context of language heavily.But in terms of geography, I imagine very slowly, and that there would've been a kind of manner of integration, perhaps, for lack of a better word in which our bodies, our sensing bodies, would've had the ability to confront and contend with those things little by little as we moved. And it also reminds me of this book Rebecca Solnit's R iver of Shadows, where she talks about Edward Muybridge and the invention of the steam engine and the train and train travel.And how similarly to when people first got a glimpse of the big screen cinema that there was a lot of bodily issues. People sometimes would get very nauseous or pass out or have to leave the theater because their bodies weren't used to what was in front of them.And in, on the train, there were similar instances where for the first time at least, you know, as we can imagine historically people could not see the foreground looking out the train window. They could only see the background because the foreground was just flashing by so quickly.Wow, that's interesting. Interesting. And that we've become so used to this. And it's a really beautiful metaphor to, to wonder about what has it done to a people that can no longer see what's right there in front of them in terms of not just the politics, in their place, but the, their home itself, their neighbors, the geography, et cetera.And so I'm yet to read that book in mention, but I'm really looking forward to it because it's given me a lot of inspiration to consider a kind of pilgrimage to the places where my old ones are from there in, in southeastern Europe and also in Southwestern England.[00:28:44] Nick Hunt: Hmm.Yeah. That is a, so I'm still thinking about that metaphor of the train. Yeah. You don't think of that People wouldn't have had that experience of seeing the foreground disappear. And just looking at the distance, that's deeply strange and inhuman experience, isn't it? Hmm.[00:29:07] Chris Christou: Certainly. And, you know, speaking of these, these long pilgrimages and travels, my grandparents made their way from, as I mentioned, southwestern England later Eastern Africa and, and southeastern Europe to Canada in the fifties and sixties. And the peasant side of my family from what today is northern Greece, Southern Macedonia, brought a lot of their old time hospitality with them.And it's something that has always been this beautiful clue and key to these investigations around travel and exile. And so, you know, In terms of this old time hospitality, in preparing for this interview, I was reminded of a story that Ivan Illich once spoke of, or at least once, wrote about of a Jesuit monk living in China who took up a pilgrimage from Peking to Rome just before World War II, perhaps not unlike Patrick Leigh Fermor. Mm-hmm. And Illich recalled the story in his book, Rivers North of the Future as follows. He wrote, quote, "at first it was quite easy, he said (the Jesuit said,) in China, he only had to identify himself as a pilgrim, someone whose walk was oriented to a sacred place and he was given food, a handout, and a place to sleep.This changed a little bit when he entered the territory of Orthodox Christianity. There, they told him to go to the parish house where a place was free or to the priest's house. Then he got to Poland, the first Catholic country, and he found that the Polish Catholics generously gave him money to put himself up in a cheap hotel.And so the Jesuit was recalling the types of local hospitality he received along his path, which we could say diminished the further he went. Now, I'd love it if you could speak perhaps about the kinds of hospitality or, or perhaps the lack there of you experienced on your pilgrimage from the northwest of Europe to the southeast of Europe.And what, if anything, surprised you? [00:31:26] Nick Hunt: Well, that was one of my main interests really, was to see if the extraordinary hospitality that my predecessor had experienced in the 1930s where he'd been accommodated everywhere from, peasants' barns to the castles of Hungarian aristocrats and everything in between. I wanted to see if that generosity still existed. And talking about different ways of offering hospitality when he did his walk, one of the fairly reliable backstops he had was going to a police officer and saying "I'm a student. I'm a traveling student." That was the kind of equivalent to the pilgrim ticket in his day in a lot of parts of Europe. "I'm a student and I'm going from one place to the next," and he would be given a bed in the local police station. You know, they'd open up a cell, sleep there for the night, and then he'd leave in the morning. And I think it sometimes traditionally included like a mug of beer and some bread or soup or something, but even by his time in the thirties, it was a fairly well established thing to ask, I dunno how many people were doing it, but he certainly met in Germany, a student who was on the road going to university and the way he was going was walking for days or weeks.That wasn't there when I did my work. I don't think I ever asked a policeman, but in a couple of German towns, I went to the town hall. You know, the sort of local authority in Germany. They have a lot of authority and power in the community. And I asked a sort of bemused receptionist if I could claim this kind of ancient tradition of hospitality and spend the night in a police station, and they had no idea what I was talking about.Wow. And I think someone in a kind of large village said, "well, that's a nice idea, but I can't do that because we've got a tourist industry and all the guest house owners, you know, they wouldn't be happy if we started offering accommodation for free. It would put them out of business." Wow. And I didn't pay for accommodation much, but I did end up shelling out, you know, 30, 40 euros and sleeping in a, B&B.But having said that, the hospitality has taken on different forms. I started this journey in winter, which was the, when Patrick Leigh Fermor started, in December. So, I kind of wanted to start on the same date to have a similar experience, but it did mean walking through the coldest part of Europe, you know, Germany and Austria in deep snow and arriving in Bulgaria and Turkey when it was mid-summer.So I went from very cold to very hot. And partly for this reason, I was nervous about the beginning, not knowing what this experience was gonna be like. So, I used the couch surfing website, which I think Airbnb these days has probably kind of undercut a lot of it, but it was a free, very informal thing where people would provide a bed or a mattress or a place on the floor, a sofa for people passing through.And I was in the south of Germany before I ran out of couch surfing stops. But I also supplemented that with sleeping out. I slept in some ruined castles on the way. Hmm. I slept in these wooden hunting towers that no hunters were in. It wasn't the season. But they were freezing, but they were dry, you know, and they gave shelter.But I found that the language of hospitality shifted the further I went. In Holland, Germany, and Austria, people were perfectly, perfectly hospitable and perfectly nice and would put me up. But they'd say, when do you have to leave? You know, which is a perfectly reasonable question and normally it was first saying the next morning.And I noticed when I got to Eastern Europe, the question had shifted from when do you want to leave to how long can you stay? And that's when there was always in Hungary and then in Romania in particular and Bulgaria, people were kind of finding excuses to keep me longer. There would be, you know, it's my granddad's birthday, we're gonna bake him a cake and have a party, or we're going on a picnic, or we're going to the mountains, or we're going to our grandmother's house in the countryside. You should see that.And so my stays did get longer, the further southeast I got, partly cuz it was summer and everybody's in a good mood and they're doing things outdoors and they're traveling a bit more. But yeah, I mean the hospitality did shift and I got passed along as Patrick Leigh Fermor had done. So someone would say, you're going this way.They look at my map, you're going through this town. I've got a cousin, or I know a school teacher. Maybe you can sleep in the school and give a talk to the students the next day. So, all of these things happened and I kind of got accommodated in a greater variety of places, a nunnery where I was fed until I'd hardly move, by these nuns, just plain, homemade food and rakia and wine. And I stayed at a short stay in a psychiatric hospital in France, Sylvania. Talking of the changes that have happened to Europe, when Patrick Leigh Fermor stayed there it was a country house owned by a Hungarian count. His assets had since been liquidated, you know, his family dispossessed in this huge building given to the Romanian State to use as a hospital, and it was still being run that way.But the family had kind of made contact, again, having kept their heads down under communism, but realized they had no use for a huge mansion with extensive grounds. There was no way they could fill it or maintain it. And so it was continued to be used as a hospital, but they had a room where they were able to stay when they passed through.So I spent a few nights there. So everything slowed down was my experience, the further southeast I got. And going back actually to one of your first questions about, why walk? And what do you notice from walking? One of the things you really notice is the incremental changes by which, culture changes as well as landscape.You see the crossovers. You see that people in this part of Holland are a bit like this people in this part of Germany over the border. You know, borders kind of matter less because you see one culture merging into another. Languages and accents changing. And sometimes those changes are quite abrupt, but often they're all quite organic and the food changes, the beer changes, the wine changes, the local cheese or delicacies change.And so that was one of the great pleasures of it was just kind of understanding these many different cultures in Europe as part of a continuum rather than these kind of separate entities that just happen to be next door to each other. [00:38:50] Chris Christou: Right. That's so often constructed in the western imagination through borders, through state borders.[00:38:58] Nick Hunt: Just talking of borders, they've only become harder, well for everyone in the places I walk through. And I do wonder what it would be like making this journey today after Brexit. I wouldn't be able to do it just quite simply. It's no longer possible for a British person to spend more than three months in the EU, as a visitor, as a tourist.So I think I could have walked to possibly Salzburg or possibly Vienna, and then had to come back and wait three months before continuing the journey. So I was lucky, you know, I was lucky to do it in the time I did. Mm-hmm. [00:39:38] Chris Christou: Mm-hmm. I'm very much reminded through these stories and your reflections of this essay that Ivan Illich wrote towards the end of his life called "Hospitality and Pain."And you know, I highly, highly recommend it for anyone who's curious about how hospitality has changed, has been commodified and co-opted over the centuries, over the millennia. You know, he talks very briefly, but very in depth about how the church essentially took over that role for local people, that in the Abrahamic worldview that there was generally a rule that you could and should be offering three days and nights of sanctuary to the stranger for anyone who'd come passing by and in part because in the Christian world in another religious worldviews that the stranger could very well be a God in disguise, the divine coming to your doorstep. We're talking of course, about the fourth and fifth centuries.About how the church ended up saying, no, no, no, don't worry, don't worry. We got this. You, you guys, the people in the village, you don't have to do this anymore. They can come to the church and we'll give them hospitality. And of course, you know, there's the hidden cost, which is the, the attempt at conversion, I'm sure.Yeah. But that later on the church instituted hospitals, that word that comes directly from hospitality as these places where people could stay, hospitals and later hostels and hotels and in Spanish, hospedaje and that by Patrick Lee firm's time we're talking about police stations.Right. and then, you know, in your time to some degree asylums. It also reminded me of that kind of rule, for lack of a better word of the willingness or duty of people to offer three days and nights to the stranger.And that when the stranger came upon the doorstep of a local person, that the local person could not ask them what they were doing there until they had eaten and often until they had slept a full night. But it's interesting, I mean, I, I don't know how far deep we can go with this, but the rule of this notion, as you were kind of saying, how the relative degree of hospitality shifted from [00:42:01] Nick Hunt: when do you have to leave to how long how long can you stay? [00:42:05] Chris Christou: Right. Right. That Within that kind of three day structure or rule that there was also this, this notion that it wasn't just in instituted or implemented or suggested as a way of putting limits on allowing a sense of agency or autonomy for the people who are hosting, but also limiting their hospitality.Kind of putting this, this notion on the table that you might want to offer a hundred days of hospitality, but you're not allowed. Right. And what and where that would come from and why that there would be this necessity within the culture or cultures to actually limit someone's want to serve the stranger.[00:42:54] Nick Hunt: Yeah, that's very interesting. Yeah. Mm-hmm. Yeah. I wonder where that came from. I mean, three is always a bit of a magic number, isn't it? Mm-hmm. But yeah, it sounds like that maybe comes from an impulse from both sides somehow. [00:43:09] Chris Christou: Mm-hmm. Nick, I'd like to come back to this question of learning and learning with the other of, of interculturality and tourism. And I'd like to return to your essay, Bulls and Scars, momentarily with this excerpt. And it absolutely deserves the title of being one of the best travel writing pieces of the 21st century. And so in that essay you write, "if we stay within our horizons surrounded by people who are the same as us, it precludes all hope. We shut off any possibility of having our automatic beliefs, whether good or bad, right or wrong, smashed so their rubble can make new shapes. We will never be forced to understand that there are different ways to be human, different ways to be ourselves, and we desperately need that knowledge, even if we don't know it yet."Hmm. And now I don't disagree at all. I think we are desperately in need of deeper understandings of what it means to be human and what it means to be human together. The argument will continue to arise, however, at what cost? How might we measure the extent of our presence in foreign places and among foreign people, assuming that such a thing is even possible.[00:44:32] Nick Hunt: Yeah, that's a question that's at the heart of that essay, which I don't think we've said is set in the South Omo Valley in Ethiopia. And part of it is about this phenomenon of tribal safaris, you know, which is as gross as it sounds, and it's rich western people driving in fleets of four by fours to indigenous tribal villages and, you know, taking pictures and watching a dance and then going to the next village.And the examples of this that I saw when I was there, I said, when I said in the essay, you couldn't invent a better parody of tourists. It was almost unbelievable. It was all of the obnoxious stereotypes about the very worst kind of tourists behaving in the very worst possible way, seemingly just no self reflection whatsoever, which was disheartening.And that's an extreme example and it's easy to parody because it was so extreme. But I guess what maybe you're asking more is what about the other people? What about those of us who do famously think of ourselves as as travelers rather than tourists? There's always that distinction I certainly made when I was doing it in my twenties.So I'm not a tourist, I'm a traveler. It's like a rich westerner saying that they're an "expat" rather than an immigrant when they go and live in a foreign country that's normally cheaper than where they came from. Yeah, that's a question again, like the great secret, I don't think I answer in that essay.What I did discover was that, it was much more nuanced than I thought it was originally. Certainly on a surface, looking at the scenes that I saw, what I saw as people who were completely out of their depth, out of their world, out of their landscape, looking like idiots and being mocked fairly openly by these tribal people who they were, in my view, exploiting. They didn't look like they were better off in a lot of ways, even though they had the, thousand dollars cameras and all the expensive clothes and the vehicles and the money and obviously had a certain amount of power cuz they were the ones shelling out money and kind of getting what they wanted.But it wasn't as clear cut as I thought. And I know that's only a kind of anecdote. It's not anything like a study of how people going to remote communities, the damage they do and the impact they have. I've got another another example maybe, or something that I've been working on more recently, which comes from a journey that I haven't not written anything about it yet.But in March of this year, I was in Columbia and Northern Columbia. The first time for a long time that I've, gone so far. All of my work has been sort of around Europe, been taking trains. I mean, I got on a plane and left my soul behind in lots of ways, got to Columbia and there were various reasons for my going, but one of the interests I had was I had a contact who'd worked with the Kogi people who live in the Sierra Nevada des Santa Marta Mountains on the Caribbean coast.An extraordinary place, an extraordinary people who have really been isolated at their own instigation, since the Spanish came, and survived the conquest with a culture and religion and economy, really more or less intact, just by quietly retreating up the mountain and not really making a lot of fuss for hundreds of years, so effectively that until the 1960s, outsiders didn't really know they were there. And since then there has been contact made from what I learned really by the Kogi rather than the other way around. Or they realized that they couldn't remain up there isolated forever.Maybe now because people were starting to encroach upon the land and settle and cut down forests. And there was obviously decades of warfare and conflict and drug trafficking and a very dangerous world they saw outside the mountains. And this journey was very paradoxical and strange and difficult because they do not want people to visit them.You know, they're very clear about that. They made a couple of documentary films or collaborated in a couple of documentary films in the late nineties and sort of early two thousands where they sent this message to the world about telling the younger brothers as they call us, where they're going wrong, where we are going wrong, all the damage we're doing.And then after that film, it was really, that's it. "We don't wanna communicate with you anymore. We've said what we have to say, leave us alone." You know, "we're fine. We'll get on with it." But they, the contact I had I arranged to meet a sort of spokesman for this community, for this tribe in Santa Marta.Kind of like an, a sort of indigenous embassy in a way. And he was a real intermediary between these two worlds. He was dressed in traditional clothes, lived in the mountains but came down to work in this city and was as conversant with that tribal and spiritual life as he was with a smartphone and a laptop.So he was really this kind of very interesting bridge character who was maintaining a balance, which really must have been very difficult between these two entirely different worldviews and systems. And in a series of conversations with him and with his brother, who also acts as a spokesman, I was able to talk to them about the culture and about the life that was up there, or the knowledge they wanted to share with me.And when it came time for me to ask without really thinking that it would work, could I have permission to go into the Sierra any further because I know that, you know, academics and anthropologists have been welcomed there in the past. And it was, it was actually great. It was a wonderful relief to be told politely, but firmly, no.Hmm. No. Mm. You know, it's been nice meeting you. If you wanted to go further into the mountains. You could write a, a detailed proposal, and I thought this was very interesting. They said you'd need to explain what knowledge you are seeking to gain, what you're going to do with that knowledge and who you will share that knowledge with.Like, what do you want to know? And then we would consider that, the elders, the priests, the mammos would consider that up in the mountains. And you might get an answer, but it might take weeks. It could take months because everything's very, very slow, you know? and you probably wouldn't be their priority.Right. And so I didn't get to the Sierra, and I'm writing a piece now about not getting to the place where you kind of dream of going, because, to be completely honest, and I know how, how kind of naive and possibly colonial, I sound by saying this, but I think it's important to recognize part of that idea of finding the great secret.Of course, I wanted to go to this place where a few Westerners had been and meet people who are presented or present themselves as having deep, ecological, ancestral spiritual knowledge, that they know how to live in better harmony with the earth. You know, whether that's true or not, that in itself is a simplified, probably naive view, but that's the kind of main story of these people.Why wouldn't I want to meet them? You know, just the thought that not 50 miles away from this bustling, polluted city, there's a mountain range. It's one of the most biodiverse places on the planet that has people who have kept knowledge against all odds, have kept knowledge for 500 years and have not been conquered and have not been wiped out, and have not given in.You know, obviously I wanted to go there, but it was wonderful to know that I couldn't because I'm not welcome. Mm. And so I'm in the middle of writing a piece that's a, it's a kind of non-travel piece. It's an anti travel piece or a piece examining, critically examining that, that on edge within myself to know what's around the next corner.To look over the horizon to get to the top of the mountain, you know, and, and, and explore and discover all of that stuff. But recognizing that, it is teasing out which parts of that are a genuine and healthy human curiosity. And a genuine love of experiencing new things and meeting new people and learning new things and what's more of a colonial, "I want to discover this place, record what I find and take knowledge out."And that was one thing that I found very interestingly. They spoke very explicitly about seeking knowledge as a form of extraction. For hundreds of years they've had westerners extracting the obvious stuff, the coal, the gold, the oil, the timber, all the material goods. While indigenous knowledge was discounted as completely useless.And now people are going there looking for this knowledge. And so for very understandable reasons, these people are highly suspicious of these people turning up, wanting to know things. What will you do with the knowledge? Why do you want this knowledge? And they spoke about knowledge being removed in the past, unscrupulously taken from its proper owners, which is a form of theft.So, yeah, talking about is appropriate to be talking about this on the end of tourism podcast. Cause yeah, it's very much a journey that wasn't a journey not hacking away through the jungle with the machete, not getting the top of the mountain, you know, not seeing the things that no one else has seen.Wow. And that being a good thing. [00:54:59] Chris Christou: Yeah. It brings me back to that question of why would either within a culture or from some kind of authoritative part of it, why would a people place limits to protect themselves in regards to those three days of allowing people to stay?Right. And not for longer. Yes. [00:55:20] Nick Hunt: Yeah, that's very true. Mm-hmm. Because people change, the people that come do change things. They change your world in ways big and small, good and bad. [00:55:31] Chris Christou: You know, I had a maybe not a similar experience, but I was actually in the Sierra Nevadas maybe 12 years ago now, and doing a backpacking trip with an ex-girlfriend there.And the Columbian government had opened a certain part of the Sierra Nevadas for ecotourism just a few years earlier. And I'm sure it's still very much open and available in those terms. And it was more or less a a six day hike. And because this is an area as well where there were previous civilizations living there, so ruins as well.And so that that trip is a guided trek. So you would go with a local guide who is not just certified as a tour guide, but also a part of the government program. And you would hike three days and hike back three days. And there was one lunch where there was a Kogi man and his son also dressed in traditional clothing. And for our listeners, from what I understand anyways, there are certain degrees of inclusion in Kogi society. So the higher up the mountain you go, the more exclusive it is in terms of foreigners are not allowed in, in certain places.And then the lower down the mountain and you go, there are some places where there are Kogi settlements, but they are now intermingling with for example, these tourists groups. And so that lunch was an opportunity for this Kogi man to explain a little bit about his culture, the history there and of course the geography.And as we were arriving to that little lunch outpost his son was there maybe 10, 15 feet away, a few meters away. And we kind of locked eyes and I had these, very western plastic sunglasses on my head. And the Kogi boy, again, dressed in traditional clothing, he couldn't speak any English and couldn't speak any Spanish from what I could tell.And so his manner of communicating was with his hands. And he subtly but somewhat relentlessly was pointing at my sunglasses. And I didn't know what to do, of course. And he wanted my sunglasses. And there's this, this moment, and in that moment so much can come to pass.But of course afterwards there was so much reflection to be taken in regards to, if I gave him my sunglasses, what would be the consequence of that, that simple action rolling out over the course of time in that place. And does it even matter that I didn't give him my sunglasses, that I just showed up there and had this shiny object that, that perhaps also had its consequence rolling out over the course of this young man's life because, I was one of 10 or 12 people that day in that moment to pass by.But there were countless other groups. I mean, the outposts that we slept in held like a hundred people at a time. Oh, wow. And so we would, we would pass people who were coming down from the mountain and that same trek or trip and you know, so there was probably, I would say close to a hundred people per day passing there.Right. And what that consequence would look like rolling out over the course of, of his life. [00:59:11] Nick Hunt: Yeah. You could almost follow the story of a pair of plastic sunglasses as they drop into a community and have sort of unknown consequences or, or not. But you don't know, do you? Yeah. Yeah. I'm, it was fascinating knowing that you've been to the same, that same area as well. Appreciated that. What's, what's your, what's your last question? Hmm. [00:59:34] Chris Christou: Well, it has to do with with the end of tourism, surprisingly.And so one last time, coming back to your essay, Bulls and Scars, you write, " a friend of mine refuses to travel to countries poor than his own. Not because he is scared of robbery or disease, but because the inequality implicit in every human exchange induces a squirming, awkwardness and corrosive sense of guilt.For him, the power disparity overshadows everything. Every conversation, every handshake, every smile and gesture. He would rather not travel than be in that situation." And you say, "I have always argued against this view because the see all human interactions as a function of economics means accepting capitalism in its totality, denying that people are driven by forces other than power and greed, excluding the possibility of there being anything else.The grotesque display of these photographic trophy hunters makes me think of him now." Now I've received a good amount of writing and messages from people speaking of their consternation and guilt in terms of "do I travel, do I not travel? What are the consequences?" Et cetera. In one of the first episodes of the podcast with Stephen Jenkinson, he declared that we have to find a way of being in the world that isn't guilt delivered or escapist, which I think bears an affinity to what you've written.Hmm. Finally, you wrote that your friend's perspective excludes "the possibility of there being anything else." Now I relentlessly return on the pod to the understanding that we live in a time in which our imaginations, our capacity to dream the world anew, is constantly under attack, if not ignored altogether.My question, this last question for you, Nick, is what does the possibility of anything else look like for you?[01:01:44] Nick Hunt: I think in a way I come back to that idea of being told we can't give you free accommodation here because, what about the tourist industry? And I think that it's become, you know, everything has become monetized and I get the, you know, the fact that that money does rule the world in lots of ways.And I'd be a huge hypocrite if I'd said that money wasn't deeply important to me. As much as I like to think it, much as I want to wish it away, it's obviously something that dictates a very large amount of what I do with my life, what I do with my time. But that everything else, well, it's some, it's friendship and hospitality and openness I think.It's learning and it's genuine exchange, not exchange, not of money and goods and services, but an actual human interaction for the pleasure and the curiosity of it. Those sound like very simple answers and I guess they are, but that is what I feel gets excluded when everything is just seen as a byproduct of economics.And that friend who, you know, I talked about then, I understand. I've had the experience as I'm sure you have of the kind of meeting someone often in a culture or community that is a lot poorer, who is kind, friendly, hospitable, helpful, and this nagging feeling of like, When does the money question come?Mm-hmm. And sometimes it doesn't, but often it does. And sometimes it's fine that it does. But it's difficult to kind of place yourself in this, I think, because it does instantly bring up all this kind of very useless western guilt that, you know, Steven Jenkinson talked about. It's not good to go through the world feeling guilty and suspicious of people, you know. 'When am I gonna be asked for money?' Is a terrible way of interacting with anyone to have that at the back of your, your mind.And I've been in situations where I've said can I give you some money? And people have been quite offended or thought it was ridiculous or laughed at me. So, it's very hard to get right. But like I say, it's a bad way of being in the world, thinking that the worst of people in that they're always, there's always some economic motive for exchange.And it does seem to be a kind of victory of capitalism in that we do think that all the time, you know, but what does this cost? What's the price? What's the price of this friendliness that I'm receiving? The interesting thing about it, I think, it is quite corrosive on both sites because things are neither offered nor received freely.If there's always this question of what's this worth economically. But I like that framing. What was it that Steven Jenkinson said? It was guilt on one side and what was the other side of the pole? [01:05:07] Chris Christou: Yeah. Neither guilt delivered or escapist. [01:05:11] Nick Hunt: Yeah. That's really interesting. Guilt and escapism. Because that is the other side, isn't it?Is that often traveling is this escape? And I think we can both relate to it. We both experience that as a very simple, it can be a very simple form of therapy or it seems simple that you just keep going and keep traveling and you run away from things. And also that isn't a helpful way of being in the world either, although it feels great, at the time for parts of your life when you do that.But what is the space between guilt and escapism? I think it really, the main thing for me, and again, this is a kind of, it sounds like a, just a terrible cliche, but I guess there's a often things do is I do think if you go and if you travel. And also if you stay at home with as open a mind as you can it does seem to kind of shape the way the world works.It shapes the way people interact with you, the way you interact with people. And just always keeping in mind the possibility that that things encounters, exchanges, will turn out for the best rather than the worst. Mm-hmm. You develop a slight sixth sense I think when traveling where you often have to make very quick decisions about people.You know, do I trust this person? Do I not trust this person? And you're not aware you're doing it, but obviously you can get it wrong. But not allowing that to always become this kind of suspicion of "what does this person want from me?" Hmm. I feel like I've just delivered a lot of sort of platitudes and cliches at the end of this talk.Just be nice, be, be open. Try to be respectful. Do no harm, also don't be wracked with guilt every exchange, because who wants to meet you if you are walking around, ringing your hands and kind of punching yourself in the face. Another important part of being a traveler is being a good traveler.Being somebody who people want coming to their community, village, town, city and benefit from that exchange as well. It's not just about you bringing something back. There's the art of being a good guest, which Patrick Leigh Fermor, to come back to him, was a master at. He would speak three or four different languages, know classical Greek poetry, be able to talk about any subject.Dance on the table, you know, drink all night. He was that kind of guest. He was the guest that people wanted to have around and have fun with mostly, or that's the way he presented himself, certainly. In the same way, you can be a good, same way, you can be a good host, you can be a good guest, and you can be a good traveler in terms of what you, what you bring, what you give.[01:08:20] Chris Christou: Mm-hmm. Yeah. I think what it comes down to is that relationship and that hospitality that has for, at least for people in Europe and, and the UK and and Western people, descendants, culturally, is that when we look at, for example, what Illich kind of whispered towards, how these traditions have been robbed of us.And when you talk about other cliches and platitudes and this and that, that, we feel the need to not let them fall by the wayside, in part because we're so impoverished by the lack of them in our times. And so, I think, that's where we might be able to find something of an answer, is in that relationship of hospitality that, still exists in the world, thankfully in little corners.And, and those corners can also be found in the places that we live in.[01:09:21] Nick Hunt: I think it exists that desire for hospitality because it's a very deep human need. When I was a kid, I, I was always, for some reason I would hate receiving presents.There was something about the weight of expectation and I would always find it very difficult to receive presents and would rather not be given a lot of stuff to do with various complex family dynamics. But it really helped when someone said, you know, when someone gives you a present, it's not just for you, it's also for them. You know, they're doing it cuz they want to and to have a present refused is not a nice thing to do.It, it, that doesn't feel good for the person doing it. Their need is kind of being thrown back at them. And I think it's like that with hospitality as well. We kind of often frame it as the person receiving the hospitality has all the good stuff and the host is just kind of giving, giving, giving, but actually the host is, is getting a lot back. And that's often why they do it. It's like those people wanting, people to stay for three days is not just an act of kindness and selflessness. It's also, it feeds them and benefits them and improves their life. I think that's a really important thing to remember with the concept of hospitality and hosting.[01:10:49] Chris Christou: May we all be able to be fed in that way. Thank you so much, Nick, on behalf of our listeners for joining us today and I feel like we've started to unpack so much and there's so much more to consider and to wrestle with. But perhaps there'll be another opportunity someday.[01:11:06] Nick Hunt: Yeah, I hope so. Thank you, Chris. It was great speaking to you. [01:11:12] Chris Christou: Likewise, Nick. Before we finish off, I'd just like to ask, you know, on behalf of our listeners as well how might people be able to read and, and purchase your writing and your books? How might they be able to find you and follow you online?[01:11:26] Nick Hunt: So if you just look up my, my name Nick Hunt. My book should, should come up. I have a website. Nick hunt scrutiny.com. I have a, a book, a novel actually out in July next month, 6th of July called "Red Smoking Mirror."So that's the thing that I will be kind of focusing on for the next bit of time. You can also find me as Chris and I met each other through the Dark Mountain Project, which is a loose network of writers and artists and thinkers who are concerned with the times we're in and how to be human in times of crisis and collapse and change.So you can find me through any of those routes. Hmm. [01:12:17] Chris Christou: Beautiful. Well, I'll make sure that all those links are on the homework section on the end of tourism podcast when it launches. And this episode will be released after the release of your new, your book, your first novel. So, listeners will be able to find it then as well.[01:12:34] Nick Hunt: It will be in local shops. Independent bookshops are the best. [01:12:40] Chris Christou: Once again, thank you, Nick, for your time. [01:12:42] Nick Hunt: Thank you. Get full access to ⌘ Chris Christou ⌘ at chrischristou.substack.com/subscribe

Who you gonna call when paranormal chaos once again descends upon New York City? Thanks to this 80s flick sequel, the answer remains the same—Ghostbusters! Taking place five years after the team's first victory over the Stay Puft Marshmallow Man and Gozer, the Ghostbusters have fallen out of business and out of favor with the city they fought so hard to protect.  But when a malicious slime starts to cause chaos and empower the evil Vigo the Carpathian, the Ghostbusters are called out of retirement to save the day once again. So strap on your proton packs, call Janine and Lewis to babysit, and crank up the siren in Ecto-1 as Tim Williams, and guest co-host Laramy Wells from "Moving Panels" Podcast discuss “Ghostbusters 2” from 1989 on this episode of the 80s Flick Flashback Podcast. Here are some additional behind-the-scenes trivia we were unable to cover in this episode: When Peter arrives at Ray's Occult book-store, pretending to be a strange customer looking for a particular book, the gag was originally intended to be that Peter had previously made a prank phone call to Ray asking for the book, and Ray realizing it was Peter who made the call when he arrives at the store repeating the act. The prank call was not used in the final edit of the film, resulting in it seeming that Peter is just fooling around as he enters the shop. A key prop in Ghostbusters II is the portrait of Vigo, in which the spirit of the 16th century warlord resides. The original plan had been to use an actual oil painting, and an artist was commissioned to produce it. However, it was soon realised that this would look unconvincing when Vigo stepped out of the painting and into the real world. Instead, actor Wilhem von Homburg was photographed whilst in full costume as Vigo. This photograph was then blown up to full gallery portrait size, and put through filters to make it look as much like an oil painting as possible. Sources: Wikipedia, IMDB, Rotten Tomatoes, Box Office Mojo https://www.moviefone.com/news/ghostbusters-2-trivia/ https://www.eightieskids.com/12-spooky-facts-you-probably-never-knew-about-ghostbusters-ii/ We would love to hear your thoughts about our podcast! You can share your feedback with us through email or social media. Your opinions are important to us and we'd be grateful to know what you enjoyed about our show. If there's anything we may have missed or if you have any suggestions for an 80s movie we should talk about, please don't hesitate to let us know. You could also show your support for our podcast by becoming a subscription member through "Buy Me A Coffee". For more details and other awesome extensions of our podcast, please check out the following link. Thank you so much for supporting us! https://linktr.ee/80sFlickFlashback --- Send in a voice message: https://podcasters.spotify.com/pod/show/moviviews80sff/message

Michael Crafter is a pioneer in the Australian Metalcore scene. Vocalist for Confession and previously for I Killed the Prom Queen, Carpathian and Bury Your Dead.We look into mechanics of life in a band, the foundation, process, influence of music, trajectory, relationships, breakups and how it's handled as a business.The black dog with consequences, death, disability and suicide.His guest appearance on Big Brother and running a business with Against The Grain..Want to become a Keep Rolling Patron and help further support the channel, hit the Patreon link below and Roll with the Squad!https://www.patreon.com/street_rolling_cheetahAdd, Follow or Contact Michael Crafter: Instagram: https://instagram.com/crafter618?igshid=MzRlODBiNWFlZA==Add, Follow or Contact me: Email: streetrollingcheetah@gmail.com Instagram: https://www.instagram.com/street_rolling_cheetah/?hl=enTwitter: https://twitter.com/st_rollcheetahFace book: https://www.facebook.com/StreetRollingCheetah/LinkedIn: https://www.linkedin.com/in/jake-briggs-77b867100/Timestamps00:00:00 Where it started00:08:55 Straight edge, consequences, death and disability00:17:33 Mindsnare to blame for00:19:35 Working vocals and recording 00:28:26 How to start and organising a tour00:30:33 The effect and influence on people00:36:06 Kicked out of IKTPQ and Parkway Drive00:38:38 Carpathian and Bury Your Dead00:49:50 Taking guns on tour!00:51:00 Confession and Big Brother 01:00:38 The Black Dog01:14:10 The power of music01:16:24 Merch, venues and getting f#*ked01:22:12 Australian bands and current scene01:26:34 Business man01:30:17 Mosh pits and Quadriplegia 01:34:40 Crafter facts and Jona Weinhofen

Hammer House Of Horor 1980 Carpathian Eagle

歡迎留言告訴我們你對這一集的想法： https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s/comments Topic: Drinking any amount of alcohol causes damage to the brain There is no such thing as a "safe" level of drinking, with increased consumption of alcohol associated with poorer brain health, according to a new study. 根據一項新研究，沒有所謂的「安全」飲酒量，飲酒量增加與大腦健康狀況較差有關。 In an observational study, which has not yet been peer-reviewed, researchers from the University of Oxford studied the relationship between the self-reported alcohol intake of some 25,000 people in the UK, and their brain scans. 在一項尚未經過同行評審的觀察性研究中，牛津大學的研究人員，研究英國約2萬5000人報告的飲酒量，和與他們的大腦掃描圖像之間的關係。 The researchers noted that drinking had an effect on the brain's gray matter － regions in the brain that make up "important bits where information is processed," according to lead author Anya Topiwala, a senior clinical researcher at Oxford. 研究人員指出，飲酒對大腦的灰質有影響，灰質是構成「重要資訊處理位元」的大腦部位，牛津大學高級臨床研究員托皮瓦拉說。 The team also investigated whether certain drinking patterns, beverage types and other health conditions made a difference to the impact of alcohol on brain health. 研究團隊還調查了特定的飲酒習慣、酒精飲料類型和其他健康狀況，是否會改變酒精對大腦健康的影響程度。 Next Article Topic: Scientists have taught bees to smell the coronavirus 科學家教導蜜蜂嗅出冠狀病毒 Scientists in the Netherlands have trained bees to identify COVID-19 through their sense of smell, according to a press release from Wageningen University. 瓦赫寧恩大學發布新聞稿聲稱，荷蘭科學家已訓練蜜蜂透過嗅覺，識別2019冠狀病毒病（COVID-19，武漢肺炎）。 The research was conducted on more than 150 bees in Wageningen University's bio-veterinary research laboratory. 這項研究是在瓦赫寧恩大學生物獸醫研究實驗室對150多隻蜜蜂進行的。 The scientists trained the bees by giving them a treat — a sugar-water solution — every time they were exposed to the scent of a mink infected with COVID-19. Each time the bees were exposed to a non-infected sample, they wouldn't get a reward. 科學家透過獎勵糖水溶液來訓練蜜蜂，每次蜜蜂在聞到感染COVID-19的貂身上氣味時，都會獲得獎勵。如果蜜蜂聞到的是沒被感染病毒的氣味樣本，則不會獲得獎勵。 Eventually, the bees could identify an infected sample within a few seconds — and would then stick out their tongues like clockwork to collect the sugar water. 最終，這些蜜蜂可以在幾秒鐘內識別出感染的樣本，而且牠們的舌頭會像發條一樣，伸出來吸取糖水。 Bees aren't the first animals to detect COVID-19 by scent. Researchers have also trained dogs to distinguish between positive and negative COVID-19 samples from human saliva or sweat with fairly high levels of accuracy. 蜜蜂不是第一種透過氣味識別COVID-19的動物。研究人員也曾訓練狗區分來自人類唾液或汗液的陽性和陰性COVID-19樣本 ，準確率相當高。 Topic: Whale of a time: NYC offers walk-up vaccinations for all Appointments are no longer mandatory at any of the coronavirus vaccination sites run by New York City, including its newest and maybe coolest location： beneath the giant blue whale at the Museum of Natural History. 任何紐約市設立的新型冠狀病毒疫苗接種處，不再強制要求預約，包括最新設立、或許也是最酷的地點：位於自然歷史博物館巨大藍鯨下的接種處。 Mayor Bill de Blasio announced Friday that the city will now be accepting walk-ins at all its vaccination sites. "You can just walk up and get vaccinated," he said. 市長白思豪週五宣布，該市所有接種站現在接受隨到隨登記接種，「你可以直接進來接種疫苗」。 The expansion of walk-in service comes as supplies of the vaccine have increased. 擴大實施現場登記接種，是在疫苗供應量已經增加之際推出。 Just weeks ago, most people trying to get an appointment for a vaccination in the nation's biggest city had to game online appointment systems in which scarce slots would be snapped up in moments. 僅在數週之前，在這個全美最大城市，大多數要預約接種時間的人還得在網路預約系統上賭運氣，稀少的名額一下子就會被搶光。 Next Article Topic: Serbian diner thanks those getting COVID shots with plates of roast meat （感謝客人打新冠疫苗 塞爾維亞餐館請吃烤肉） Get a COVID-19 vaccine and you will be served a plate of spit-roast ox or wild game goulash for free - in the Serbian city of Kragujevac. 塞爾維亞「米盧廷圖書館」餐廳招待接種疫苗的顧客吃牛肉大餐。（路透資料照） 在塞爾維亞克拉古耶瓦茨，只要接種新冠肺炎疫苗，就能免費獲得一盤烤牛肉串或野味燉牛肉。 Restaurateur Stavro Raskovic offered the popular local dishes as his way of promoting vaccination and campaigning for the full reopening of the country's restaurants, cafes and bars. 餐館老闆斯塔夫羅．拉斯科維奇端出這2道受歡迎的本地菜餚，作為推廣疫苗及推動該國餐廳、咖啡廳、酒吧全面重新營業的方式。 Lockdowns in 2020 and partial restrictions this year have driven Biblioteka kod Milutina (Milutin's Library) restaurant to the brink of closure, he said. 他說，2020年的封城及今年的局部封鎖措施，讓「米盧廷圖書館」餐廳瀕臨停業。 "Our trade, catering, has been particularly hit... and if this (vaccination) is the way out, then we wanted to contribute." 「我們的生意、外燴服務尤其受到影響…若這（疫苗）是解決方法，我們想要出一份力。」 Local health authorities turned the restaurant into a vaccination point to deliver shots made by Pfizer/BioNtech, and China's Sinopharm. 當地衛生當局把餐廳變成疫苗接種點，提供輝瑞／BNT疫苗和中國國藥集團疫苗。 "Today we have vaccines from both East and West on the menu, to everybody's taste," said Raskovic. 拉斯科維奇說：「今天我們的菜單上有來自東方和西方的疫苗，任君挑選。」 Next Article Topic: Dracula's castle' offers tourists Covid shots 「德古拉的城堡」提供觀光客武漢肺炎疫苗接種 Visitors to Romania's forbidding Bran Castle are being jabbed with needles rather than vampiric fangs this weekend in a coronavirus vaccination drive. 造訪羅馬尼亞令人生畏的布蘭城堡的遊客，在本週末的冠狀病毒疫苗接種活動中，將會被針頭而不是吸血鬼的毒牙扎刺。 Those who take the jab are handed a certificate hailing their＂boldness and responsibility＂promising they will be welcome at the castle＂for the coming 100 years＂ － as well as offered a free tour of the＂torture chamber＂. 那些接受施打的人將拿到證書，為他們的「勇氣與責任」喝采，並承諾這座城堡在未來100年都歡迎他們，並提供一次「酷刑室」的免費導覽。 Nestled in a misty valley in the Carpathian mountains, Bran Castle is associated with the 15th-century Romanian prince Vlad Dracula. 布蘭城堡坐落於喀爾巴阡山迷霧籠罩的山谷，與15世紀羅馬尼亞王子弗拉德．德古拉有關。 Dracula author Bram Stoker is believed to have been inspired by Vlad and descriptions of Bran Castle when writing his 1897 novel that helped found the modern vampire genre. 德古拉的作者布拉姆．史托克在撰寫他的1897年的小說時，被認為受到弗拉德與布蘭城堡的描述的啟發，這本小說幫助他奠定現代吸血鬼體裁。Source article: https://features.ltn.com.tw/english/article/paper/1449642;https://features.ltn.com.tw/english/article/paper/1449828;https://features.ltn.com.tw/english/article/paper/1450439 Topic: Spanking may affect brain development in children Spanking may affect a child's brain development in similar ways to more severe forms of violence, according to a new study led by Harvard researchers. 哈佛大學研究人員領導的一項新研究表明，打屁股對兒童大腦發育的影響，可能與更嚴重的暴力虐待造成的後果類似。 The research, published recently in the journal Child Development, builds on existing studies that show heightened activity in certain regions of the brains of children who experience abuse in response to threat cues. 這篇最近發表在《兒童發育》期刊上的研究，以現有的一些研究為基礎，這些研究發現，遭受虐待的兒童在回應威脅提示時，大腦的特定區域活動會增強。 The group found that children who had been spanked had a greater neural response in multiple regions of the prefrontal cortex (PFC). These areas of the brain respond to cues in the environment that tend to be consequential, such as a threat, and may affect decision-making and processing of situations. 研究團隊發現，打屁股會增強兒童大腦前額葉皮層（PFC）多個區域的神經反應。大腦的這些區域會根據環境中的威脅等重要線索做出反應，並可能影響兒童的決策，以及對局勢的分析能力。 According to the study's authors, corporal punishment has been linked to the development of mental health issues, anxiety, depression, behavioral problems, and substance use disorders. 研究作者指出，體罰一直和心理健康問題、焦慮、憂鬱、行為問題及藥物濫用有關。 Next Article Topic: Coffee before exercise increases fat-burning/運動前喝咖啡增加燃脂 If you're looking to maximize the amount of fat burned in your next workout, think about having a coffee half an hour before you get started – as a new study suggests it can make a significant difference to fat burning, especially later on in the day. 如果你希望在下次運動健身時最大程度地燃燒脂肪，不妨考慮在開始之前半小時喝咖啡—因為有新研究表明，它可以使脂肪燃燒量明顯變化，尤其是在下午。 Researchers found that 3 milligrams of caffeine per kilogram of body weight can boost the rate of fat burning during aerobic exercise, based on results gathered from 15 male volunteers. 研究人員發現，根據從15名男性志願者收集到的結果，按每公斤體重3毫克的量來攝取咖啡因，就可以提高有氧運動期間的脂肪燃燒率。 The coffee dose was shown to increase maximal fat oxidation rate（MFO, a measure of how efficiently the body burns off fat）by an average of 10.7 percent in the morning and 29 percent in the afternoon. 研究表明，這個咖啡攝取量可以增加最大脂肪氧化率（MFO，衡量人體燃燒脂肪效率的指標），上午平均增加10.7%，下午增加29%。 This is a study with a fairly small sample of participants, so it's important not to jump to too broad a conclusion, but the results are clear enough to suggest that there is some kind of association there. 由於該研究的參與者樣本數很少，因此重要的是不要過於廣泛下結論，但結果足夠清楚，表明存在某種關聯。 Next Topic: Study Shows Baldness Can Be a Business Advantage 研究：光頭可成職場優勢 Men with shaved heads are perceived to be more masculine, dominant and, in some cases, to have greater leadership potential than those with longer locks or with thinning hair, according to a recent study out of the University of Pennsylvania's Wharton School. 賓州大學華頓商學院最近的一項研究顯示，剃光頭的男人讓人覺得更有男人味和支配地位，在某些情況下，他們比頭髮較長或者頭髮稀疏的男人看起來更具領導潛力。 Some executives say the style makes them appear younger—or at least, makes their age less evident—and gives them more confidence than a comb-over or monk-like pate. 一些主管認為，光頭的髮型讓他們看起來更年輕，至少沒那麼顯老，而且相較於將頭髮梳向一邊或像修道士一樣的腦袋瓜，這種髮型能讓他們感到更自信。 The study found that men with thinning hair were viewed as the least attractive and powerful of the bunch, a finding that tracks with other studies showing that people perceive men with typical male-pattern baldness as older and less attractive. For those men, the solution could be as cheap and simple as a shave. 該研究發現，頭髮稀疏的男人被認為最沒有魅力、最沒有力量的一群人。這一結果也與其他研究相符，這些研究表明，人們認為典型的雄性禿頭讓男人看上去更老，更缺乏魅力。對於這些男人來說，既便宜又簡單的解決辦法就是剃個頭。 Powered by Firstory Hosting

Fluent Fiction - Hungarian: Spicy Goulash and Caraway Liqueur: A Date Night Story Find the full episode transcript, vocabulary words, and more:fluentfiction.org/spicy-goulash-and-caraway-liqueur-a-date-night-story Story Transcript:Hu: Kampó: Egy hideg októberi éjszakán Gábor a Kárpátok étteremben vacsorázik.En: Kampó: On a cold October night, Gábor is having dinner at the Carpathian restaurant.Hu: Gábor nagyon izgult, amikor találkozni ment a dátumával az esti vacsorára.En: Gábor was very nervous when he went to meet his date for dinner in the evening.Hu: Már tíz perce várakozott, hogy kimutassa barátnőjének, milyen igazi férfit tart mellette.En: She had already been waiting for ten minutes to show her girlfriend what a real man she has by her side.Hu: Közben a pincér már kétszer is elment mellette, és Gábor még mindig nem döntötte el, hogy mit rendeljen.En: In the meantime, the waiter had already walked past him twice, and Gábor still hadn't decided what to order.Hu: Végül úgy döntött, hogy valami magyarosat választ, hogy ezzel lazítson a hangulaton.En: In the end, he decided to choose something Hungarian to lighten the mood.Hu: „Fűszeres gulyás lesz” - mondta magabiztosan a pincérnek.En: "It will be a spicy goulash," he told the waiter confidently.Hu: Amikor a leves megérkezett, Gábor érezte, hogy valami nincs rendben.En: When the soup arrived, Gábor felt that something was wrong.Hu: Az orra folyt, és a leves igencsak égett a szájában.En: His nose was running and the soup was burning in his mouth.Hu: De azt gondolta, hogy nem adhatja ezt tudtára a barátnőjének, hiszen az éhesnek nem válogatnak.En: But she thought she couldn't tell her friend that, since they don't choose the hungry.Hu: Gábor nagyon nehézkesen próbálta lenyelni a levest, de a szája annyira égett, hogy azt hitte, hogy hamarosan tűz üt ki belőle.En: Gábor tried to swallow the soup with great difficulty, but his mouth burned so much that he thought it would soon burst into flames.Hu: Próbált mosolyogni, amíg a barátnője beszélt, de az igazság az volt, hogy vajúdott a fájdalomtól.En: She tried to smile while her friend spoke, but the truth was that she was laboring in pain.Hu: Amikor végre végigették az ételt, Gábor már nagyon vágyott egy pohár hideg vizre.En: When they had finally finished their meal, Gábor really wanted a glass of cold water.Hu: Azonban a barátnője azonnal javasolta, hogy legyen köményes likőr az édesség, hogy derűs hangulatba kerüljenek.En: However, his girlfriend immediately suggested that the dessert should be caraway liqueur to put them in a cheerful mood.Hu: Gábor megitta az italt, majd elindultak sétálni az éjszakai Budapest utcáin.En: Gábor drank the drink, and then they went for a walk through the streets of Budapest at night.Hu: Ahogy sétáltak, Gábor érezte, hogy éppen csak közepén tart az alkohol hatása.En: As they walked, Gábor felt that the effects of the alcohol were just in the middle.Hu: Ekkor jött az ötlet az eszébe, hogy talán segíthetett volna a szájának, ha az étteremben kér egy kis tejterméket.En: That's when the idea came to him that maybe he could have helped his mouth by asking for some dairy products at the restaurant.Hu: Bár már régóta elhagyták a Kárpátok éttermet, úgy döntött, hogy visszamegy a pincérhez és kér egy kis tejet.En: Although they had long since left the Carpathians restaurant, he decided to go back to the waiter and ask for some milk.Hu: Az étteremben a pincér nagyon meglepődött, amikor Gábor újra megjelent.En: The waiter in the restaurant was very surprised when Gábor reappeared.Hu: Gábor szégyenlősen kérte a tejet, mondván, hogy nagyon meleg volt az étel, amit rendelt, és fájt a szájának.En: Gábor shyly asked for the milk, saying that the food he ordered was very hot and his mouth hurt.Hu: A pincér nagyon érzékenyen reagált a helyzetre, és elhozta a tejet.En: The waiter reacted very sensitively to the situation and brought the milk.Hu: Így végül sikerült Gábornak átvészelni az estét a dátumával, és bár az étkezés nem volt a legjobb, megmutatta, hogy milyen figyelmes és hűséges társ lehet egy kapcsolatban.En: In the end, Gábor managed to get through the evening with his date, and even though the meal wasn't the best, he showed how attentive and loyal a partner can be in a relationship. Vocabulary Words:October: Októberdinner: vacsoranervous: izgultwait: várakoznireal man: igazi férfiwaiter: pincérorder: rendelniHungarian: magyarosgoulash: gulyásburning: égőswallow: lenyelnipain: fájdalomwater: vízliqueur: likőrcheerful mood: derűs hangulatalcohol: alkoholdairy products: tejtermékekrestaurant: étteremhot: melegsensitive: érzékenyloyal: hűségespartner: társrelationship: kapcsolatcold: hidegdessert: édességwalk: sétálnistreets: utcákeffects: hatás

Jason gives you a quick overview of The Dacian Kingdom.Read the essay here: https://historywiththeszilagyis.org/hwts178 Find us on Twitter:The Network: @BQNPodcasts The Show: @HistorySzilagyi. Chrissie: @TheGoddessLivia. Jason: @JasonDarkElf.Send topic suggestions via Twitter or on our Facebook page History with the Szilagyis.History with the Szilagyis is supported by our patrons: Susan Capuzzi-De ClerckEd ChinevereLaura DullKris HillJoin these wonderful supporters by visiting patreon.com/historywiththeszilagyis. The BQN Podcast Collective is brought to you by our listeners. Special thanks to these patrons on Patreon whose generous contributions help to produce this podcast and the many others on our network! You can join this illustrious list by becoming a patron here: https://www.patreon.com/BQN

“If there is tens of thousands of hectares on the market then you might as well use them for conservation.”Christoph Promberger from Carpathia Wilderness Reserve, is rewilding an enormous woodland across Transylvania, Carpathia and Romania. He joins Ben Goldsmith from his home at the foot of the Carpathian mountains, a range which stretches through seven countries and home to some of Europe's rarest large mammals including brown bears, lynx and wolves. Over the last few decades the area has been affected by logging and lots of pristine forest has been lost. Christoph and Barbara have been fighting this deforestation through buying land in an attempt to protect it.Ben Goldsmith is a rewilding enthusiast and activist based in the UK. In this podcast he'll be speaking to the people behind some of the most exciting and dramatic rewilding projects on earth. It's easy to feel gloomy; climate science gets scarier and we lose more and more nature every year. However, the natural world is incredible and there are rays of hope and examples of habitats and wildlife returning and flourishing when it's given a helping hand. This podcast is produced by The Podcast Coach. 

Your hosts Dr. Dean Bertram and Jason McLean travel through the catacombs of the Mysterious Library tonight, checking out a well-loved book from the occult history floor, as well as a film from the audio-visual wing. This week they're looking at IN SEARCH OF DRACULA: Both the classic 1972 book from authors Raymond T. McNally and Radu Floerscu. as well as the 1974 companion documentary featuring Christopher Lee! And one of your librarians will tell a personal tale of using the book as a travel guide in his own search for the legendary figure! A journey that led him to the Land Beyond the Forest... the Carpathian alps... Transylvania itself! Did he find Dracula... or any other members of the undead...? Only one way to find out!

The Carpathian lynx - a subspecies of the Eurasian lynx. These majestic cats are a symbol of the wild and rugged landscapes of east and central Europe, where from country to country, they roam the mountains and forests. silently hunting for their prey. Over in France, the fate of these cats is hanging by just a thread. In fact if we do nothing, it's likely they will become locally extinct in just thirty years. Recent research from Nathan Huvier at Centre Athénas, a wildlife conservation organisation in the Jura mountains, has found that these beautiful cats are facing a rapid loss of genetic diversity with just under 150 adult lynxes remaining in the wild in France. So let's explore the history of the Carpathian lynx in France, dive into the very latest research on their genetic diversity, and discuss how we can all work together to save these cats from disappearing from the French wilderness forever. Guest Nathan Huvier - Centre Athénas Links Centre Athénas

In this episode of Down the Garden Path podcast, landscape designers Joanne Shaw and Matthew Dressing welcome George Scott, president and founder of Niagara Beeway, to discuss the importance of protecting native bee species, as well as other native flora and fauna. About Niagara Beeway Niagara Beeway advocates for species native to Niagara. Their objective is to protect existing native flora and fauna by restoring and creating a native habitat which services bees, birds, native plants, and animals and provides educational opportunities for their community.  Here are some of the questions and topics covered in this episode: How did Niagara Beeway get started? What is Niagara Beeway's mission? What is the Niagara Beeway? George shared that after examining his hives today, this season has been a success with the survival rate of his bees. What is the beekeeping industry like in the Niagara Region? Replacement bees from the Carpathian Region of Ukraine, a region very similar to the Niagara Region. The benefits of the Carpathian bees in Ontario. What are some myths about the apiculture industry or home beekeeping? What is your ‘Host a Hive' program? If I wanted to have my own hive, what are some things to consider before becoming a beekeeper? The importance of planning native plants versus ornamental plants to help pollinators. Articles on their site: The Buzz on Pollinators: Keystone Plants Create Biodiversity The Buzz on Pollinators: Beginning a Pollinator Patch is Easy Find Niagara Beeway online: www.NiagaraBeeway.com Facebook: @NiagaraBeeway Instagram: @niagarabeeway Twitter: @niagarabeeway Niagara Beeway Store: www.CanadaBeeline.com Resources mentioned during the show Down the Garden Path: A Step-By-Step Guide to Your Ontario Garden Down the Garden Path Podcast Each week on Down The Garden Path, professional landscape designers Joanne Shaw and Matthew Dressing discuss down-to-earth tips and advice for your plants, gardens and landscapes. As the owner of Down2Earth Landscape Design, Joanne Shaw has been designing beautiful gardens for homeowners east of Toronto for over a decade. A horticulturist and landscape designer, Matthew Dressing owns Natural Affinity Garden Design, a landscape design and garden maintenance firm servicing Toronto and the Eastern GTA. Together, they do their best to bring you interesting, relevant and useful topics to help you keep your garden as low maintenance as possible. In their new book, Down the Garden Path: A Step-By-Step Guide to Your Ontario Garden, Joanne and Matthew distill their horticultural and design expertise and their combined experiences in helping others create and maintain thriving gardens into one easy-to-read monthly reference guide. It's now available on Amazon. Don't forget to check out Down the Garden Path on your favourite podcast app and subscribe! You can now catch the podcast on YouTube and Patreon.

A Carpathian village is haunted by the ghost of a murderous little girl, prompting a coroner and a medical student to uncover her secrets while a witch attempts to protect the villagers. Directed by Mario Bava Written by Mario Bava @thedeadlightspod

Tonight's show aired just a couple of days before International Holocaust Remembrance Day. We present our second interview with Naftali (Tuli) Deutsch, an Auschwitz survivor. The interview was recorded at his home in July, 2022. The previous interview is available here: https://podcast.yv.org/episodes/naftali-deutsch-auschwitz-survivor-for-yom-hashoah Naftali Deutsch was born in 1931 in the Carpathian mountain village Kimyat, Czechoslovakia, which is now in Ukraine. He is the author of A Holocaust Survivor: In The Footsteps Of His Past [Amazon link], his auto-biography. See also Naftali "Tuli" Deutsch, his page at Yad Vashem. Songs of the Holocaust, Partizans, and Ghettos to close: performer: song Rochelle Horowitz: Yisrolik Shomon Yisraeli: Zog Nit Keynmol Norbert Horowitz: Shtil di Nakht Norbert Horowitz: Farvos Iz Der Himl Geven Nekhtn Loyter Khane Cooper: Shtiler, Shtiler Wolf Krakowski: Varshe Chava Alberstein: Friling Intro instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz Air Date: January 25, 2023

Happy Holidays from Media-eval! Join Sarah and her dad Richard as we stretch the definition of medieval to talk about Ghostbusters II, featuring the imaginary early modern dictator Vigo the Carpathian. Check out the perhaps surprising medieval content of the film, including traditions of portraiture, references to Vlad the Impaler, and the concept of living paintings in medieval culture. Social Media:
Twitter: twitter.com/mediaevalpod 
E-mail: media.evalpod@gmail.com Rate, review, and subscribe!

This year I've been working to find whisky legacies in some very unfamiliar regions for the spirit. When Carpathian Whisky reached out to me about their single malt, I thought - well, this is definitely a chance to step into the unknown. Then, my guest Allan Anderson, distiller at Carpathian suddenly was tying his career into a bunch of different distilleries across Ireland and Scotland. Some fun discoveries in this episode. Cheers! Drew

Deep in the Sub-Carpathian hills, a distiller has been quietly maturing the first Romanian single malt whisky, since 2017. To make the Carpathian Single Malt a reality, the Alexandrion Group needed a master distiller: an artist and a craftsman who could use this land's flavored malt, blend it with the pure sub-Carpathian waters and use his skill, knowledge and decades of experience to nurture this unique single malt experience. Such a man is Allan Anderson, a master distiller with Scottish and Irish heritage and 30 years of experience in producing both Scotch whisky and Irish whisky.The combination of Scottish know-how, Romanian malt, pure Sub-Carpathian water and superb wine barrels, make Romania a perfect country to produce this high-quality single malt, that single malt aficionados will soon discover.

Join the Carpathian Kittens, as we discuss a variety of Halloween topics. From horror films to favorite/least favorite Halloween costumes. A quick shoutout and huge thanks to Sinistral for the Intro music check them out on ReverbNation https://www.reverbnation.com/sinistral.

DEFENDANT(S): Brahm Stoker/Dracula   EVIDENCE: Örökségül Kékfrankos 2019   SCENE OF THE CRIME: Hungary/Transylvania --- Our brave Judges foray into wilds of the Carpathian mountains as they uncover the mysteries of both Eastern European viticulture and vampire lore in this very spooky Halloween special!

Eagle+Heart=DEAD Check out or Ko-fi at https://ko-fi.com/batandspider Follow Chuck and Dale on Letterboxd. Follow us on Instagram Join our DISCORD Bat & Spider Watchlist Send us an email: batandspiderpod@gmail.com. Leave us a voice message: (315) 544-0966 Artwork by Charles Forsman Buy a shirt Get your Bat & Spider STICKERS here This is a TAPEDECK Podcast

Burial Beer Co sent us a big box full of their magnificent brews! We're trying 5 of them on this episode. This episode has everything- bicycles for lovers, pee windows, knives, and even Vigo the Carpathian. Bright Just To Be Disoriented And Staring Into Middle Distance For We Shall Wander This Road To Oblivion Abstract Opulence: Illusion 3 This Existential Residue Has Transformed Into Absolutely Nothing Theme Music by Adrian Quesada End Credits Music: I Can Feel It Coming by FLYIN Additional music licensed through Epidemic Sound The Beerists are John Rubio, Grant Davis, Pam Catoe, and Mark Raup. Subscribe on Apple Podcasts, Google Podcasts, or point your podcatcher to our RSS feed. You should also subscribe to our YouTube Channel. Support us by making a per-episode pledge at patreon.com/thebeerists and get some sweet rewards! Follow us on twitter, facebook, and instagram. Want to send us beer? Check our beer donation guidelines, and then shoot us and email at info@thebeerists.com

Today we're pleased to introduce a new series on the podcast called Voices from Ukraine. In each episode of the series, we'll be interviewing people in-country who are serving the Lord and striving to support the Ukrainian people in their struggle for freedom.In today's episode, we're excited to bring you the story of Serhii and Natallia Chepara. You'll hear Serhii share his experiences in his native Ukrainian language, with Kelsie translating into English. Natallia will talk about their long weeks of separation as she and the children evacuated to Germany and adapted to refugee life. Finally, you'll hear the heart-warming conclusion as their family is reunited in a small Carpathian village. This is an episode you won't want to miss!If you would like to bless the Chepara family financially, you can donate to them directly via PayPal using Serhii's email address (see below). And don't forget to choose the “family and friends” option so that the entire donation will go to the Chepara's.❤️  Donate directly to the Chepara's via PayPal!

Today on Unsupervised Learning Razib talks to Jacob L. Shapiro, Director of Geopolitical Analysis at Cognitive Investments. He overviews the geopolitical perspective in understanding international relations, one predicated on looking at nation-states as fundamental units of analysis, in order to achieve a descriptive understanding of the world. Shapiro points out that the more familiar “schools” of foreign policy, from realism to liberal internationalism, use geopolitics as a tool to understand the world but apply their own value-sets to establish particular policies that further certain values and interests. Fundamentally, geopolitics differs in that it is an empirical rather than normative discipline. Shapiro then highlights geopolitics' 19th-century origins in Europe, its decline by association with Germany in the 1940's, and its recent renaissance in the US as well persistence in Latin America. The conversation then shifts from theory and abstraction to current events in Russia. Shapiro admits that his own research group put the odds Russia would invade at 30%, in large part because they believed that Vladimir Putin could have gotten what he wanted mostly through intimidation rather than invasion. That being said, he points out that there is a very long history of the Russian state wanting to push to the Carpathian mountains that bound Ukraine's west due to concerns about defensible frontiers. Shapiro argues that the invasion's fundamental raison d'etre is the quest for “strategic depth.” He also relays accounts of Putin ruminating on maps and imperial history while in COVID-19 isolation, although he cautions against psychoanalyzing him too much. Razib next asks Shapiro for his take on globalization in the context of the Ukraine-Russia conflict. Shapiro argues that we are truly moving into a multipolar world that is more similar to what occurred in the 1890's when there was a balance of power in Europe. Shapiro points out that that too was a time of economic and cultural tumult and creativity, Europe's “Belle Epoque.” For him, this earlier period of globalization illustrates both the promise and peril of a geopolitically balanced world where fates were interlaced by complex networks of free trade. Shapiro's main worry is a “Black Swan” event with the power to trigger a global conflict, a freak event analogous to the assassination of Archduke Franz Ferdinand by a Serbian radical that ignited World War I. He cautions that a world with more balance of power between nations and leaders, unpredictable decisions grow more likely. Shapiro also argues strongly that the US is under a misimpression in terms of its power and influence in a world where other powers are rising. He also greets the idea that demographics is destiny with skepticism, pointing out that in the 1930's Germany's demographic profile did not indicate youthful bellicosity. Though Shapiro acknowledges the headwinds that demographics will present to both China and Europe, he argues we shouldn't underestimate their future possibilities. The conversation closes with the possibility that instability and reorganization will result in a ferment of cultural creativity that might match the decades around 1900. Though we are in for a great geopolitical shift, Shapiro sees opportunities and promise in the US, which still remains a dynamic society and a magnet for talent. Finally, he tells us to keep an eye on Central Asia as a locus for instability and change due to both location and authoritarian governments.

What do Marquis de Sade, Kitty Pryde, Vigo the Carpathian, the Koch brothers, Cthulhu, Jesse Camp, and Peep-inspired nail polish all have in common? THIS episode of Natch Beaut! Jackie chats with married couple and co-hosts of the Couples Therapy podcast, Naomi Ekperigin and Andy Beckerman, about a whole lot of things, including how to rightfully open a CD case and bonding over not fucking with nature. Plus: skin routines, a round of New Palette Who Dis, and Naomi's signature lipsticks! For a list of everything mentioned in this episode, go to www.natchbeaut.com. See acast.com/privacy for privacy and opt-out information.

The Russian invasion in Ukraine is sending shockwaves throughout the world. Did you know that the geography and culture of the people who live in the mountains of southwest Ukraine have a lot in common with Appalachia? Google images of the Carpathian mountains and you'll see stunning images that look very similar to views in our own backyard.  A group of scholars in Appalachia and in Ukraine noticed these connections, too. They've been collaborating for years. This week on Inside Appalachia, we explore the intercultural connections between the two regions. We'll also listen back to several stories we originally aired last fall, including one about a park in southwestern Virginia that was created during the Jim Crow-era as one of the only recreation areas in central Appalachia for Black residents. Green Pastures eventually fell into disrepair, but now it's seeing a makeover as one of Virginia's newest state parks. 

John Wick Welcome to The Guys Review, where we review media, products and experiences.   **READ APPLE REVIEWS/Fan Mail**Mention Twitter DM group - like pinned tweet @The_GuysReviewRead emails theguysreviewpod@gmail.comTwitter Poll John Wick Directed: Chad Stahelski and David leitch (uncredited)Written: Derek Kolstad Starring:  Keanu ReevesMichael NyqvistAlfie AllenWilliem DafoeAndy (the beagle puppy Daisy) Released on Oct 26, 2014 Budget: $20M ($23,8 in 2021) Box Office: Opening weekend US & Canada $14,4M, Worldwide $86,1 ($17,1 US&CAN M in 2021) (Worldwide $102,2M in 2022) Total: Over $100M Ratings:   IMDb 7.4/10 Rotten Tomatoes 86% Metacritic 68% Google Users 91%  The franchise, which is owned by Lionsgate, began with the release of John Wick in 2014 followed by two sequels, John Wick: Chapter 2 on February 10, 2017, and John Wick: Chapter 3 – Parabellum on May 17, 2019. All three films were considered critical and commercial successes, with a collective gross of more than $587 million worldwide. A fourth installment, John Wick: Chapter 4, is in post-production and has a release date of March 24, 2023. A fifth installment is also in development, and was originally intended to be shot back-to-back with the fourth film.  Nominated for 10 awards and won 5. First time you saw the movie? Plot:-That is an old ass iphone.-Interesting way to start a movie, with the main character seemingly dying.-Really going for the emotional gut punch right off the bat, huh?-The fucking beagle... Sweet letter. Emotional gut punch, binding you to the character.-obviously John Wick has never had a puppy... Don't just leave it on the ground, not in a kennel.-Fitting the guys in the bmw are russian-So he goes to air field just to power slide? we obviously know nothing about him, yet. So what does he do? What happened to the dog during the power sliding?-The russian assholes are back; all for the car? Because they felt disrespected? Fuck those guys for killing the dog.-So John knows exactly where to go to find his car? Who's Vigo? The Carpathian? He did conquer the country of Moldavia.-Hey, look, it's the mayham guy... Guess that's apt for this movie.-Finally getting some back story on John... So he was an assassin. -So they're going to try and kill him before he can come for them... Obviously he's waiting on them.-It's increadable these guys only come for him one at a time... The knife fight was anxiety inducing.-Chat with the sheriff was funny.-What's with the gold coins?-Getting Wicks old friend to try and kill him is low-The pacing of the movie is bumpy. The fighting is fun, but all the other stuff is laboring.-So some werid hotel that everyone knows John and now a Matrix-esque club/bar thing?-How long does it take to drown someone? Always seems too fast in movies.-Interesting music choice in the club fight scene-Being thrown off the balcony, that wouldn've broken something... back, elbow, leg.-Nice phone call to the kid... Everything has a price. -Bourbon John drinks is blantons single barrel malt whisky-Willem Dafoes character is a shitty shot if he misses while John is sleeping. Interesting fight...-Didn't kill the girl assassin; guess there is some honor among assassins. -So he burns all the money... I would've taken a stack or two... Even though it seems he doesn't need it. -The car park gun fight... When he's hit by the car... Again, should've broken something. Concussion at least.-Cool they get to meet face to face, and John explains his anger... Don't really see that happening in most action moivies. Very emotionally driven.-That is ssecond shot willem dafoes character missed on an easy shot... is he trying ot subtly help Wick?-Can't imagine giving up your kid to be killed. ugh... almost feel bad for the guy.-I cant wait to watch this shitty kid get killed for being such an asshole.-Management gave him a dodge challenger/charger? I'd rather have the old camero or mustang.-So Dafoe was really... Da-ally... -Girl assassin still after him, even though the contract was pulled?-Uh-oh, they killed Willem Dafoe.-The girl assassin got hers... But killing her in the crossfire like that... Not too smart. What if one misses.-Its crazy, right when he jumps off the car, is when it starts raining.-Big fight wasn't that big... Few punches and a stab.-Back to the begninning, and he's alive.-So he steals someone elses dog? The end Top Five Trivia of the movie: Marcus Facts about John wick 1 When Kolstad was writing John Wick, he orginally titled the film Scorn then he decided to name his protagonist after his grandfather, John Wick, a businessman who owned Wick Building Systems in Madison, Wisconsin. 2 The Action scenes had to be muted. On location in New York City, Stahelski and Leitch had to exercise caution when it came to staging shootouts and car chases, and not just for safety. Their filming permit didn't allow for blank ammunition, so computer-generated muzzle flashes were often used. 3 Based on how many dynamic action scenes the John Wick movies include, it is pretty obvious that filming them must be somewhat arduous for series star Keanu Reeves. As it turns out, that was especially true for the actor when they filmed the nightclub scene he had the flu at the time and was running a 104° fever. 4 Michael Nyqvist, who played Viggo Tarasov, had to have 80 stitches put in his head after a stunt went wrong while filming. 5: Director Chad Stahelski was Keanu Reeves' stunt double in The Matrix movies The story is loosely inspired by an incident in Texas involving former Navy SEAL Marcus Luttrell, who wrote Lone Survivor, about his fireteam's ordeal during Operation Red Wings in Afghanistan in 2005. Luttrell was given a yellow labrador puppy, whom he named DASY, after the members of his fireteam. On April 1, 2009, at about 1:00 a.m., Luttrell was awakened by a gunshot, and saw four men drive away. DASY was dead in his yard from a gunshot wound. He armed himself with two 9mm Beretta pistols and chased the men through four counties in his truck until police apprehended them. They taunted Luttrell, threatened to kill him, and indicated no remorse for their actions. They were later sentenced for animal cruelty. Luttrell stated later, "I spared them, because I've killed enough people already."    TOP 5Stephen:1 Breakfast club2 T23 Sandlot4 Back to the Future5 Mail order brides Chris:1. sandlots2. T23. trick r treat4. rocky horror picture show5. hubie halloween Trey:1) Boondocks Saints2) Mail Order Brides3) Tombstone4) John Wick5) She out of my league  Tucker:1. T23. Tombstone4. Gross Pointe Blank5. My Cousin VinnyJohn Wick  Web: https://theguysreview.simplecast.com/EM: theguysreviewpod@gmail.comIG: @TheGuysReviewPodTW: @The_GuysReviewFB: https://facebook.com/TheGuysReviewPod/YouTube: https://www.youtube.com/channel/UCYKXJhq9LbQ2VfR4K33kT9Q Please, Subscribe, rate and review us wherever you get your podcasts from!! Thank you,-The Guys The Guys Review... John Wick. The 2014 hit that continued to make Keanu Reeves a badass who knows kung fu... Or gun fu? The guys chat about heavy topics, as usual in their thoughtful and caring manner; while discussing the intricacies of how long it realistically takes to drown someone. Does John Wick survive by putting a bullet into the dissenting opinions? Find out when The Guys Review... John Wick. Web: https://theguysreview.simplecast.com/EM: theguysreviewpod@gmail.comIG: @TheGuysReviewPodTW: @The_GuysReviewFB: https://facebook.com/TheGuysReviewPod/YouTube: https://www.youtube.com/channel/UCYKXJhq9LbQ2VfR4K33kT9Q Please, Subscribe, rate and review us wherever you get your podcasts from!! Thank you,-The Guys