Podcasts about weta

The Sidebars reunite with an old friend and attempt a very risky jailbreak.Also Granny is still a cloud sheep.** TRIGGER WARNING ** This episode contains themes of modern slavery, severe illness, and human(oid) sacrifice.Featuring:Erika Jayne as Taryn GrimSeverin Gourley as Dexter ClementineKasia Wayfinder as Granny Sabinkaand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

This On Our Minds episode heads to San Juan, Puerto Rico, where hosts Zack and Helena reflect on belonging, culture and the small details that make a place feel like home. The episode explores Calle Loíza, a vibrant street long shaped by generations of residents from around the globe, now facing an uncertain future as it becomes a tourist destination.Today's segments were produced by Miranda Jatib and Emilio Solé.Lead Producer Becky Wandel produced, edited and mixed this episode.Graphics by Anurag Papolu.Special thanks to KUT, Jake Perlman, and WETA.Theme song composed and performed by Emilson Orellana Juarez and Jerick Romero Ciprian.

The Sidebars continue their journey into the depths beneath the air kingdom, and discover something they never expected. There's happiness, sadness, and a whole lot in between. Also Granny is a cloud sheep.Featuring:Erika Jayne as Taryn GrimSeverin Gourley as Dexter ClementineKasia Wayfinder as Granny Sabinkaand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

Take a road trip to Massachusetts with hosts Zack and Helena in this episode of On Our Minds.It can be cold and confusing, but also surprisingly warm and welcoming.Shane from Attleboro takes us inside his apartment building, filled with colorful neighbors who'll dig your car out of the snow and give you some great advice along the way.Then, middle schoolers who hail from all over the world explain how they felt about ending up at a school together in western Massachusetts  — learning English, making friends, and finally finding “a place to chill.”Today's segments were produced by Shake Mukasa and Afia, Bronstead, Lovemica and Jeily from Emergence Academy with support from their teacher, Steven Marles.Lead Producer Becky Wandel produced, edited and mixed this episode.Graphics by Anurag Papolu.Special thanks to KUT., Jake Perlman, and WETA.Theme song composed and performed by Emilson Orellana Juarez and Jerick Romero Ciprian.Featuring footage by Uganda Stock Footage Hub.Tune in next week when our road trip takes us to New York City!

Celeste and Aster continue the mission given to them by the Speaker of Arkvale. Will they emerge victorious and bring forth a hope the kingdom so desperately needs?Featuring:Erika JayneAmie Wardand Julz Burgisser as GMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

New heroes - Celeste and Aster - take on an extremely dangerous mission from none other than the Speaker of Arkvale herself. As the thousand-year-old Arkvale treaty approaches its end, times are desperate and something drastic must be done to give the kingdom a renewed hope.Featuring:Erika JayneAmie Wardand Julz Burgisser as GMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

Take a road trip to New Jersey in this episode of On Our Minds. Hosts Zack and Helena discuss what in their surroundings sparks curiosity. Student producer, Abigail Kim in  Leonia, New Jersey takes you to a scuplture garden at the heart of her town. While, Libby Peckman in Highland Park, New Jersey talks about the small ways she finds community and wonder in the mundane.Special thanks to KUT, Jake Perlman, and WETA. Theme song composed and performed by Emilson Orellana Juarez and Jerick Romero Ciprian.

 Podpisanie umowy SAFE mimo prezydenckiego weta kończy jeden z najostrzejszych politycznych sporów ostatnich miesięcy, ale nie zamyka całej historii. Zdaniem Piotra Matczuka Donald Tusk pokazał własnemu elektoratowi sprawczość i polityczną siłę, a PiS dostał temat, który wyciągnął partię z marazmu i pozwolił wrócić do ofensywy.

Take a road trip to Richmond, Indiana, in this episode of On Our Minds. Hosts Zack and Helena explore what “community” really means—from hometown sports teams and small-town festivals to unexpected spaces that bring people together.At the center of this story is Oblivion, a local art store turned creative haven, where strangers become collaborators, and a fading town finds new life through art, storytelling, and connection.Special thanks to KUT, Jake Perlman, and WETA, as well as the Lake of the Isles Pencil Festival.Theme song composed and performed by Emilson Orellana Juarez and Jerick Romero Ciprian.

Marc Rienzo is a veteran VFX artist and supervisor with his roots deep in compositing -- the kind of career that runs through Digital Domain, Sony, Weta, and the first Spider-Man's web-swinging climax, a shot he was literally escorted away from by a PA to make sure he went home after three days straight. That obsessive standard for invisible work turns out to be exactly the skill set that matters most when everyone else is just typing prompts. Marc and Chris dig into what it really means to match a shot to the DP's camera rather than just making it look cool, why compositors add optical imperfections on purpose, and how the discipline of working to film print-outs created habits that digital pipelines quietly erased. They also get into the honest conversation about what AI changes for VFX artists who never wanted to make their own films -- versus those like Marc who are now using 30 years of production knowledge to self-publish a comic book series and build a solo movie trailer using AI tools. If you have spent decades making every pixel work, Marc argues, you know exactly what to ask AI to do and when it got it wrong. Most people typing prompts don't have that. Links: Marc Rienzo's website > Marc Rienzo on IMDB > Marc Rienzo on YouTube > Foundry Nuke > This episode is sponsored by: Center Grid Virtual Studio Kitbash 3D (Use promocode "CGGarage" for 10% off)

This episode of On Our Minds Road Trip takes us to Columbia, Missouri, where drag performers are building community, creating joy, and challenging stereotypes.Student producer Maggie LeBeau takes us inside the local drag scene, introducing us to performers like Alexxa Pro and Artemis Gray. They're creating spaces of belonging, especially for young queer people who don't always have one.Maggie LeBeau produced the story in this episode.Lead Producer Becky Wandel produced this episode with editing and mixing by Wyatt Mayes.Additional production support was provided by Emily Hope Dobkin, Anthony Payne, Rawan Elbaba and Caroline Frentz. Graphics by Anurag Papolu.Approval and Oversight by Editorial Director Marie Cusick and Executive Producer Leah Clapman. Special thanks to KUT, Jake Perlman, and WETA.Theme song composed and performed by Emilson Orellana Juarez and Jerick Romero Ciprian.

The Sidebars are under pressure. Pushing down on them. Pressing down on also them. No monk ask for.Featuring:Erika Jayne as Taryn GrimSeverin Gourley as Dexter ClementineKasia Wayfinder as Granny Sabinkaand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

Why does Minneapolis celebrate a giant pencil every year? In this episode of On Our Minds: Road Trip, hosts Zack and Helena head to the “Land of 10,000 Lakes” to explore one of the city's most delightfully weird traditions: the Giant Pencil Festival on Lake of the Isles. From dancing pencil costumes to a dramatic annual “sharpening” ceremony, this story highlights how creativity, humor, and community spirit turn a fallen tree into a beloved public art celebration. Plus, the hosts share their own quirky stories, including some about Helena's pet turkey, Juanita.Divya Thamman produced the story in this episode.Lead Producer Becky Wandel produced, edited, and mixed this episode.Additional production support was provided by Emily Hope Dobkin, Wyatt Mayes, Anthony Payne, Rawan Elbaba, and Caroline Frentz. Graphics by Anurag Papolu.Approval and Oversight by Editorial Director Marie Cusick and Executive Producer Leah Clapman.Special thanks to KUT, Jake Perlman, and WETA, as well as the Lake of the Isles Pencil Festival.Theme song composed and performed by Emilson Orellana Juarez and Jerick Romero Ciprian.

Filmmaker Suzie Galler joins us today to talk about True North: Honest Stories of Finding Home, her new 3-part documentary series debuting on WETA and PBS. The series explores what it means to find both purpose and place, and the first episode, Sailing to Salvation, shines a light on Annapolis and the Valhalla Sailing Project, a nonprofit that helps veterans reconnect, heal, and build community through competitive sailing on the Chesapeake Bay. In the conversation, Galler explains how her own journey to Annapolis and North Beach helped shape the idea behind True North, and why the Valhalla Sailing Project was the perfect place to begin. She also shares how the series expands beyond Annapolis with an episode on the DC Jazz Festival and another focused on dog rescue in Puerto Rico, all tied together by stories of people who found meaning, belonging, and a path forward--their True North! We also chat about the craft of documentary filmmaking, the trust it takes to tell difficult stories well, and what Galler hopes comes next for the series. It is a thoughtful conversation about storytelling, community, and the people doing meaningful work in places they love. Have a listen!   LINKS: True North: Honest Stories of Finding Home (Website)

On Our Minds is produced by teens with PBS News Student Reporting Labs. For our sixth season, hosts Zack from Southern California and Helena from North Carolina head out on a road trip across the U.S.This first episode takes us to Winter Park, Colorado. Student journalist Theo shares a personal story about growing up, drifting from childhood traditions, and what it feels like to rediscover memories you didn't even realize you'd forgotten. Along the way, hosts Helena and Zack reflect on their own ideas about nostalgia.Theo Bonavita produced the story in this episode. Lead Producer Becky Wandel produced, edited and mixed this episode with assistance from Wyatt Mayes.Additional production support was provided by Emily Hope Dobkin, Anthony Payne, Rawan Elbaba and Caroline Frentz, with graphics by Anurag Papolu.Approval and Oversight by Editorial Director Marie Cusick and Executive Producer Leah Clapman. Special thanks to KUT, Jake Perlman, and WETA.Theme song composed and performed by Emilson Orellana Juarez and Jerick Romero Ciprian.

The Sidebars venture into mysterious Vapour Vaults beneath the Air Kingdom. But wait.. traps??? Yeah, there are traps. Why did it have to be traps?Featuring:Erika Jayne as Taryn GrimSeverin Gourley as Dexter ClementineKasia Wayfinder as Granny Sabinkaand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

Po ogłoszeniu decyzji o wecie przez prezydenta Karola Nawrockiego w Brukseli rozdzwoniły się telefony od innych państw członkowskich z pytaniami, czy to znaczy, że Polska rezygnuje ze swojej puli środków? Bo są chętni - mówiła w rozmowie z Jackiem Nizinkiewiczem Magdalena Sobkowiak-Czarnecka, pełnomocniczka rządu do spraw programu SAFE.Kup subskrypcję „Rzeczpospolitej” pod adresem: https://czytaj.rp.pl

We take a brief break from the Sidebars attempts to save the decaying world of Isen and try out the amazing one-page RPG "Sexy Battle Wizards" by Grant Howitt.Will the sexy sexy members of the College Errant be able to save the day in this one-shot adventure??? Listen and find out!Featuring:Erika JayneSeverin GourleyKasia Wayfinderand Amie Ward as a very special guest GMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

Laughs and Music Reviews!

We'd love to hear from you. Send us a text! "Starting my day, with the first conscious thoughts are seething and swearing blind at nice and decent people. 12 hours later that pain is still with me. I just don't think I can be happy for other people getting jobs anymore. This job market is broken..."The Naked Texture Artist is produced by Marque Pierre Sondergaard.Support us on https://ko-fi.com/thenakedtextureartistContact us on thenakedtextureartist@gmail.comFollow us on https://www.instagram.com/thenakedtextureartist/Music copyright belongs to Tycho for the song Awake - https://tychomusic.com/Additional sound effects from https://www.zapsplat.com

(0:00) Wstęp(0:49) Unia Europejska nie zrezygnuje się z systemu handlu emisjami. Węgry nie wycofały weta wobec pożyczki dla Ukrainy(2:44) Donald Trump nakazał Izraelowi wstrzymanie ataków wymierzonych w złoża surowców naturalnych Iranu(4:12) Szef Pentagonu uważa Europejczyków za niewdzięcznych sojuszników Stanów Zjednoczonych(5:47) Białoruś w zamian za zniesienie sankcji przez Amerykę uwolniła kolejnych więźniów politycznych(7:00) Dania w styczniu przygotowywała się na atak USA na Grenlandię(8:21) Słowenia domaga się postępowania w sprawie ingerencji Izraela w kampanię wyborcząInformacje przygotował Maurycy Mietelski. Nadzór redakcyjny – Igor Janke. Czyta Michał Ziomek.

The Sidebars get some long-awaited answers about the seedy underbelly of Air, before taking a trip down, down, down into said underbelly.... and there's pig and pigeon stuff too. It gets weird.Featuring:Erika Jayne as Taryn GrimSeverin Gourley as Dexter ClementineKasia Wayfinder as Granny Sabinkaand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

Municipalities, start your engines!! Or… get ready to eat each other? We're finishing off our Rings series today with the final (?) major live action narrative production from Peter Jackson, Fran Walsh, Philippa Boyens, and the whole WETA gang. It may not be Tolkien-related, but hey, Hugo Weaving wields a blade in it! It's tragic that the film didn't start a new era for Jackson, and we're sorting through its disastrous box office fallout this week along with some predictions for what the future has in store for WETA. Next week, we close the book on Tolkien once and for all with our series finale (including some thoughts on WAR OF THE ROHIRRIM) and an announcement for what comes next! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Cinefex #163 Production History Richard Armitage Turns Down the Engine Mortal Engines Production Notes Christian Rivers & Peter Jackson Reddit AMA The Film Pie Christian Rivers Interview The Hollywood Reporter JunkieXL Interview The Hollywood Reporter Peter Jackson Interview Peter Jackson on Loss of Andrew Lesnie Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Miłościwie nam panujący pan prezydent zebrał już ponad dwa tuziny wet. Ale to jest szczególne — stanowi prawdziwą perłę w prezydenckiej koronie. Zgodnie z przewidywaniami twórców słuchowiska politycznego „Stan Wyjątkowy" Andrzeja Stankiewicza i Kamila Dziubki, prezydent zawetował ustawę wdrażającą w Polsce unijny program SAFE. To warta prawie 200 mld zł zbrojeniowa pożyczka rozpisana na 45 lat. Nawrocki mnoży swe argumenty przeciw SAFE, ale zasadnicze powody są dwa. Po pierwsze — nie chce zadzierać ze swym patronem w Białym Domu, który zażądał weta, bo nie chce, żeby Unia wzmacniała własną zbrojeniówkę i ograniczała zakupy z USA. A po drugie, Nawrocki jest zdeklarowanym przeciwnikiem Unii Europejskiej i nie zamierza się godzić na kredyt, który wiąże Polskę z UE na niemal pół wieku. Pan prezydent chce, żeby Polska opuściła Unię nieporównanie szybciej, niż za 45 lat, więc nie mógł się zgodzić, by kredyt utrudniał Polexit. Weto od tygodni było pewne, a to co wokół SAFE robią prezydent i premier to polityczna gra obliczona na osłabienie przeciwnika. Twórcy „Stanu Wyjątkowego" wchodzą za kulisy starcia Nawrocki-Tusk i pokazują polityczną rozgrywkę obu stron.

No individual has had more of an impact on modern Hollywood visual effects than Sir Richard Taylor. The Co-Founder and Chief Creative force behind Weta Workshop has now received well deserved recognition from his peers, as he has won the Visionary award from the Visual Effects Society in LA. Sir Taylor told Heather du Plessis-Allan that he wasn't expecting to win the award. "I was a little overwhelmed when I heard that I was going to collect this. I actually thought maybe they'd made a mistake, but it turned out they hadn't." LISTEN ABOVESee omnystudio.com/listener for privacy information.

On the Heather du Plessis-Allan Drive Full Show Podcast for Friday, 27 February, 2026, we talk to the secondary school teachers' union about teacher shortages. A Wall Street Journal reporter on the significance of Netflix walking away from a deal with Warner Brothers Discovery. Weta maestro Sir Richard Taylor tells us about his new robot project after receiving his latest international award. And on the Sports Huddle, Nicky Styris and Jeff McTainsh discuss the mess the Wellington Phoenix are in. Get the Heather du Plessis-Allan Drive Full Show Podcast every weekday evening on iHeartRadio, or wherever you get your podcasts. LISTEN ABOVESee omnystudio.com/listener for privacy information.

(0:00) Wstęp(0:50) Unia Europejska zapowiada udzielenie pomocy Ukrainie mimo zawetowania pożyczki przez Węgry(2:58) Ukraina ponosi ogromne koszty finansowe związane z wojną i koniecznością odbudowy infrastruktury(3:52) Iran ma być bliski osiągnięcia porozumienia nuklearnego ze Stanami Zjednoczonymi(5:15) Państwa Unii Europejskiej chcą pozwać Komisję Europejską za rozszerzenie uprawnień Parlamentu Europejskiego(6:41) We Włoszech zniknęły części do samolotów wojskowych warte kilkanaście milionów euro(8:04) Właściciel Telegramu jest oskarżany przez władze Rosji o wspieranie terroryzmuInformacje przygotował Maurycy Mietelski. Nadzór redakcyjny – Igor Janke. Czyta Michał Ziomek.

The Sidebars take a moment to recover from their harrowing encounter at the sky farm and use unconventional means to get more information out of the (mysterious? frustrating?) doctor and professor.  Featuring:Erika Jayne as Taryn GrimSeverin Gourley as Dexter ClementineKasia Wayfinder as Granny Sabinkaand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

Kolejne weta prezydenta Karola Nawrockiego to pokaz polskiego nacjonalizmu, który tak naprawdę szkodzi Polsce i jej obywatelom! Prof. Antoni Dudek podsumowuje najciekawsze wydarzenia polityczne w Polsce w najnowszym odcinku "Dudek o Polityce". W tym tygodniu rozmawiamy o posiedzeniu Rady Bezpieczeństwa Narodowego: programie SAFE dla polskiej armii, Radzie Pokoju oraz sprawie podejrzanych kontaktów marszałka Czarzastego. Nie zabraknie także tematu listu gończego za Zbigniewem Ziobrą, kolejnych wetach prezydenta i błędach premiera Donalda Tuska. Zapraszamy!

Summary: You are what you eat, right? Find out what tuatara eat and how they eat it in the seventh episode of Tuatara.   For my hearing impaired followers, a complete transcript of this podcast follows the show notes on Podbean   Show Notes: “Tuatara” Royal Ontario Museum, https://collections.rom.on.ca “Microstructure of dental hard tissues and bone in the Tuatara denture, Sphenodon punctatus,” by J.A. Kierser, T. Tkatchenko, M. C. Dean, M. E. H. Jones, and N. J. Nelson. Front Oral Biol. 2009:13:80-85. https://pubme.ncbi.nlm.nih.gov/19828975 Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - This is Ten Things I Like About…a ten minute, ten episode podcast about unknown or misunderstood wildlife. (Piano music stops)   Kiersten - Welcome to Ten Things I Like About… This is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. We have made it to the seventh episode of Tuatara and the seventh thing I like about these super cool reptiles is their diet and dentition. We have hinted a bit about what they eat but today we'll take a closer look at what that is specifically and how their teeth help.  Let's start with food. Tuatara are carnivores. They eat mainly invertebrates like worms and arthropods such as beetles, millipedes, spiders, and weta. Weta are insects native to New Zealand that look similar to crickets but like crickets on steroids. Weta have big bodies, spiny legs, and tusks. They look kind of like a cricket and a warthog had a baby.     The majority of the tuatara diet is made up of invertebrates but they will also eat lizards, seabird eggs and chicks, and occasionally they venture in to cannibalism and will eat young tuatara. Because of this, juvenile tuatara are active during the day while adult tuatara are active at night. I mean, really, if your relatives might eat you at night, then who wouldn't want to avoid them.  Humans that live on the islands where tuatara are found always know when they've been hunting because they will see headless birds. Definitely not something you want to come across on a relaxing walk in nature. Why is this the indicator of the tuatara? The tooth pattern of the tuatara is unique. Just like almost everything else about them. They have two incisor like teeth in front of their top jaw. And they have three rows of teeth (I was not able to find an actual count but am guessing it's around 85 teeth). One row of teeth lines the bottom jaw and two rows line the top jaw. The bottom row of teeth fit neatly into the two upper rows of teeth when the jaw is closed. Wait for it, we almost have our answer. The jaw motion of the tuatara is also unique. Instead of an up and down motion, like chewing, they have a forward and backward motion, like sawing.  And there it is! This is why the birds that tuatara hunt are missing heads. They saw them off with their unique teeth. Hah! Didn't see that coming did you? Besides the unique pattern of teeth, the structure of their teeth is also unique. They have acrodont teeth which means they are rootless and attached directly to the bone of the jaw. They kind of emerge from the actual bone. This is unlike any other reptile teeth alive today. The teeth are serrated which helps with the sawing motion. Tuatara cannot replace lost or cracked teeth. Once the tooth is gone, it is gone. As tuatara age their teeth wear down from use. They are eating crunchy invertebrates and bony vertebrates, so they do take a beating. Tuatara can live for up to 100 years, so the older tuatara have to switch their diet to softer prey as their teeth wear down.  Now for a long time, we thought they didn't have real teeth. We thought they were just bony protrusions that stuck out of the jaw, but some researchers in 2009 looked more closely at the teeth. They looked at teeth from a juvenile as well as an adult and found layers of typical tooth material. This was a surprise. Using Scanning Electron Microscopy, which is a sophisticated imaging technique that uses an electron beam to examine the surface of various materials, researchers found evidence of enamel containing dentine tubules, dentine, and cementum. All of these are found in other types of teeth. It's not just serrated, bony material sticky up in their mouths. They have actually teeth. They are different then your average tooth, but they are teeth none-the-less. These tuatara are just full of surprises! I hope you enjoyed our dental adventure because my seventh favorite thing about the tuatara is what they eat and how they eat it!   If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.  Join me next week for another exciting episode about the tuatara.        (Piano Music plays)  This has been an episode of Ten Things I like About with Kiersten and Company. Original music written and performed by Katherine Camp, piano extraordinaire.

The Cinematography Podcast Episode 344: Russell Carpenter When cinematographer Russell Carpenter began working on Avatar: The Way of Water and Avatar: Fire and Ash concurrently, he knew stepping into the world of Pandora would be a much different production environment. Carpenter and director Jim Cameron had previously collaborated on True Lies and Titanic, which won him the Academy Award for Best Cinematography. As the cinematographer, Carpenter's primary concern was ensuring the lighting on live, motion-captured actors blended seamlessly with a CGI-generated universe. Audiences instinctively understand the physics of sunlight filtering through a forest or the way light refracts underwater. To maintain an emotional connection to the story, Cameron insisted that every frame feel like it was in the real world of Pandora. The Avatar sequels were built in layers, with digital artists building the environment based on the script. Rough versions of the scenes and the blocking for the actors were plotted out, and then they were ready for the motion capture with the actors. Carpenter worked closely with production designers to determine how light should "feel" in these virtual spaces. Because the background was digital, the camera movement and lighting could be tested with instant feedback. If a virtual camera moved through a forest, the real-world lighting on the actor could be tested to react to every digital leaf and shadow in real-time. For over a year, Carpenter lived in two worlds: the virtual and the physical. "I had to keep lighting consistent in the CGI world while translating what Jim was doing on the capture stage," Carpenter says. "In the world of motion capture, things have to match to the half-second. If the camera travels a specific distance at a specific speed, the actor has to be exactly there. It's painstaking." A major breakthrough for the sequels was the use of programmable LED systems. Working with computer programmers and moving lights, Carpenter's team devised a way to shift intricate lighting setups instantly. This allowed for more complex visual storytelling, such as backlit sequences and the dappled, moving light of the Pandoran jungles. For Avatar: Fire and Ash, Cameron pushed for a more "organic" look, requesting the digital world mimic the flaws of physical film cameras. “Certain artifacts were introduced into Fire and Ash that we didn't quite have on Way of Water,” Carpenter explains, “such as lens flares and the appearance of water running off the front plate of a camera lens.” The team tested shooting lens flares, and a Weta programmer built it into the CGI world. To simulate the "Ash People" shooting flaming arrows, Carpenter's team used a grid of overhead LEDs programmed to "zip" past the actors' heads at arrow-speed, creating a realistic flicker of firelight on their faces Despite the technical hurdles, Carpenter found that the core of his craft—sculpting light—remained the same, even if the toolkit had changed. He admits the transition isn't for everyone. “I would say to any cinematographer who ventures into this territory, there's a learning curve where you definitely feel like a stranger in a strange land,” he says. “You realize that, especially in terms of live action, your percentage of the pie is less—but your impact on the final vision remains vital.” You can see Avatar: Fire and Ash in a variety of formats in theaters everywhere. Hear our previous interviews with Russell Carpenter: https://www.camnoir.com/ep40/ https://www.camnoir.com/ep200/ Find Russell Carpenter: Instagram @russellcarpenterasc Support Ben's short film, The Ultimate Breakup! https://www.kickstarter.com/projects/theultimatebreakup/the-ultimate-breakup-short-film?ref=nav_search&result=project&term=the%20ultimate%20breakup&total_hits=2 The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Today's episode is a recording of a panel discussion hosted on January 15, 2026 by the Long Island Library Resources Council. The panelists, all notable historians who have researched the Revolutionary War period on Long Island, give their insights into what life was like in the area from 1776-1783. This time of British occupation saw the inhabitants of Kings, Queens, and Suffolk counties suffer depredations brought on by British and Hessian troops as well as by Patriot attacks from across Long Island Sound. You'll hear about the enslaved Black woman Liss from Oyster Bay, about the activities of the Culper Spy Ring, and the experiences of others ranging from British officer John Simcoe to Elizabeth Lewis, wife of Declaration signatory Francis Lewis. The panel itself was funded by a WETA grant awarded to LILRC in support of programming related to the PBS documentary The American Revolution by Ken Burns, Sarah Botstein, and David Schmidt. Further Research The American Revolution (PBS) Dr. Joanne Grasso The American Revolution on Long Island. (Find in a library via WorldCat) George Washington's 1790 Grand Tour of Long Island. (Find in a Library via WorldCat) Dr. Natalie Naylor Women in Long Island's Past: A History of Eminent Ladies and Everyday Lives. (Find in a library via WorldCat) Long Island Studies Institute Claire Bellerjeau Remember Liss.org Espionage and Enslavement in the Revolution: the True Story of Robert Townsend and Elizabeth. (Find in a library via WorldCat) Long Island Library Resources Council Feature image from the New York Public Library Intro Music: https://homegrownstringband.com/ Outro music: Capering by Blue Dot Sessions CC BY-NC 4.0

Ta ustawa pozwalała w drodze administracyjnej, a nie sądowej usuwać treści z internetu, czyli teoretycznie wszystkie nieprzychylne rządowi treści mogły być przez urzędnika usuwane z sieci. Prezydent na to się nie zgadza i zapowiada, że w bardzo krótkim czasie przedstawi swój projekt ustawy, która nie będzie ograniczyła wolności słowa - tak ocenił zawetowanie przez prezydenta ustawy o blokowaniu nielegalnych treści w sieci Michał Dworczyk - Gość Krzysztofa Ziemca w RMF FM. Europoseł PiS podkreślił, że "pod pozorem szczytnych haseł rząd chciał wprowadzić cenzurę przede wszystkim polityczną".

"Wetomat prezydenta działa niestety bardzo sprawnie. Wetuje potrzebne, ważne ustawy, chociażby dotyczące opłaty cukrowej. To dodatkowy miliard złotych, który mógł trafić na NFZ, a przez weto prezydenta nie trafi. Łącznie weta prezydenta to trzy miliardy strat dla budżetu, czy szerzej - dla systemu finansów publicznych. Tymi wetami pan prezydent pewnie chciałby takie próby podjąć, żeby budżet wywrócić" - powiedział w Porannej rozmowie w RMF FM Andrzej Domański, minister finansów i gospodarki. "On oczywiście osłabia finanse publiczne, osłabia finanse NFZ, natomiast całości konstrukcji budżetowej nie wywróci" - dodał poseł Koalicji Obywatelskiej, mówiąc o Karolu Nawrockim.

Join Johanna and Jess as they dive deep into their experiences and insights working with Drupal in the nonprofit sector. Learn about their early careers, the evolution of Drupal's development, the significance of community in nonprofit tech, and the origins and importance of the Nonprofit Summit at DrupalCon. Discover how their community initiatives foster collaboration and support among nonprofit technologists, and get a glimpse into the upcoming summit details. Perfect for anyone interested in Drupal, open-source technology, and nonprofit organizational challenges. For show notes visit: https://www.talkingDrupal.com/cafe012 Johanna Bates Johanna Bates (they/them, hanpersand on drupal.org) is co-founder and co-principal of DevCollaborative, a company that builds accessible and sustainable Drupal and WordPress sites exclusively for nonprofit organizations. Johanna began their formal tech career at WGBH in Boston in 2000 as a front-end developer. They have been building Drupal sites since 2004, and have been co-moderating NTEN's Nonprofit Drupal Community and its monthly chats for over a decade. Johanna was involved in early Nonprofit Summits at NYCcamp starting back in 20-teens 2015, and helped bring the Nonprofit Summit to DrupalCon North America in 2017. Jess Snyder Jess Snyder (jesss on drupal.org and Drupal Slack) is Director of Web Systems for WETA, the flagship public media station for Washington, DC, and has over 20 years of experience in website development. Jess is an organizer for NTEN's Drupal Community of Practice as well as Drupal GovCon. She also co-chaired the triumphant return of the Nonprofit Summit to DrupalCon Portland 2024 and its sequel at DrupalCon Atlanta 2025. When not Drupaling, Jess sits on the Board of Directors for the National Academy of Television Arts and Sciences. Topics Meet the Speakers: Johanna and Jess Johanna's Journey in Nonprofit Tech Jess's Path in Public Broadcasting The Importance of Community in Nonprofit Tech Organizing Nonprofit Summits Challenges and Changes in Drupal The Value of Open Source for Nonprofits Comparing Drupal and WordPress Concerns About JavaScript in Content Editing Importance of Accessibility in Content Management Guardrails for Content Editors The Nonprofit Summit: Origins and Evolution Summit Format and Community Building Sponsorship and Event Details Getting Involved in the Nonprofit Drupal Community Conclusion and Final Thoughts Guests Johanna Bates - hanpersand Jess Snyder - jesss

A surprisingly deadly and chaotic fight ensues in the Sky barn, leading Granny to encounter a strange otherworldly figure during a near-death experience. Will this be the end of the Sidebars???Featuring:Erika Jayne as Taryn GrimSeverin Gourley as Dexter ClementineKasia Wayfinder as Granny Sabinkaand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

In this episode of The Comic Source, Jace sits down with creator Ben Mauro to dive into the epic sci-fi universe of his original graphic novel Huxley and its prequel Huxley: The Oracle. Ben talks about conceiving the world long before his blockbuster film work at Weta on projects like Elysium and The Hobbit, developing the early pages while freelancing and backpacking around the world, and how heavy metal–style European comics, manga, and cinematic concept art all shaped the book's distinct visual identity. Jace and Ben discuss the core premise of Huxley's post-apocalyptic adventure, the more grounded, war-story tone of The Oracle, and how themes of AI, responsibility, long-ago mistakes, and second chances drive the emotional heart of the saga—without giving away any major twists. Ben also pulls back the curtain on his process, from pencils and color "soundtracks" to building lore across timelines, hints at trailers and potential adaptations, and lets listeners know where they can pick up both editions in time for the holidays, making this a perfect episode for fans of rich, visually stunning science fiction looking for their next great universe to explore.

A captive-breeding programme credited with helping bring the critically-endangered Mahoenui giant weta back from the brink is expecting a bumper breeding season in January - in more ways than one. Robin Martin reports.

Prezydent Karol Nawrocki zawetował tzw. ustawę łańcuchową, wskazując w uzasadnieniu, że "choć intencja była słuszna, to ustawa źle napisana". - Jestem zdzwiony tym wetem, ono definiuje myślenie prezydenta o otaczającym nas świecie - przekazał w programie "Stan Rzeczy" Roman Imielski, zastępca redaktora naczelnego "Gazety Wyborczej".

Taryn and Dexter part ways with Wen of the Forgotten at the museum before continuing their investigation of Sky. A refreshed Granny Sabinka heads off on her own adventure that culminates in a "sexy" encounter at a barn. A weird barn. With weird stuff.Featuring:Erika Jayne as Taryn GrimSeverin Gourley as Dexter ClementineKasia Wayfinder as Granny Sabinkaand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

Did you know that one of our giant weta species is a burrowing specialist? As their name suggest, the giant mole weta dig subterranean burrows in which they live. These burrows can extend under the peaty soil up to 30 cm in length! No other giant weta does this! Jesse and Forest and Bird Chief Executive Nicola Toki chat about this week's critter of the week - the giant mole weta

Inside the museum, the Sidebars' unexpected reunion with Wen of the Forgotten takes a few strange turns. Granny checks herself out of the hospital and returns to the inn for some rest, peace and quiet, and free canteloupe.Featuring:Erika Jayne as Taryn GrimSeverin Gourley as Dexter ClementineKasia Wayfinder as Granny Sabinkaand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

Sci-fi titan Neal Stephenson, whose Snow Crash coined the term "metaverse" and Cryptonomicon sketched the contours of crypto, joins Friederike to talk about his foray into championing empowering creators with direct micropayments and IP sovereignty, without the data-exploiting enclosures of Web2, with Lamina1 as its co-founder. Neal unpacks his detached craft plausible worlds that inadvertently blueprint reality while cautioning against Web3's traps: Criminal stigma, abysmal UX alienating normies, and risks of becoming surveillance superhighways or bank shiny toys. Spotlighting Lamina 1's launch with "Artifact" (a Weta-forged sci-fi game), he envisions success as creative output flourishing where blockchain fades to the background. Topics discussed in this episode:(00:00) Introduction to Decentralization and Blockchain(01:20) The Role of Storytelling in Technology Prediction(03:48) The Balance of Optimism and Pessimism in Fiction(06:27) Web3: Promises and Pitfalls(08:36) The Evolution of the Web: From Decentralization to Centralization(13:37) Metrics for a Decentralized Web(15:55) Lamina One: A New Vision for the Metaverse(23:44) Creating a Financial Layer for the Creator Economy(25:08) Legal Implications of Smart Contracts(27:38) The Strength of Smart Contracts(31:04) Decentralization vs. Centralization in the Creator Economy(36:21) The Decline of Centralized Platforms(41:23) Financialization and the Creative Economy(45:47) The Future of Web3 and User Experience(51:17) Potential Failure Modes of Web3Links mentioned in this episode: Neal Stephenson, Co-founder Lamina1: https://x.com/nealstephenson Lamina 1: https://lamina1.com/home Sponsors: Gnosis: Gnosis has been building core decentralized infrastructure for the Ethereum ecosystem since 2015. With the launch of Gnosis Pay last year, we introduced the world's first Decentralized Payment Network. Start leveraging its power today at gnosis.io This episode is hosted by Friederike Ernst.

Taryn and Dexter drop Granny off at the hospital for some recovery, and then head back to the inn for a much-needed good night's sleep. Unfortunately, their rest is interrupted prematurely, and they set out before dawn to investigate a few things around the town.Featuring:Erika Jayne as Taryn GrimSeverin Gourley as Dexter Clementineand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

With the hell wasps and vrock defeated (barely), the Sidebars finally get their long-awaited audience with the Sky Kingdom's Ruler-on-High. Will he give them the answers they seek? Or will they be left with nothing but more questions than ever before?Featuring:Erika Jayne as Taryn GrimKasia Wayfinder as Granny SabinkaSeverin Gourley as Dexter Clementineand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

Hell wasps? Check Vrock? Check Yikes? Big check.Featuring:Erika Jayne as Taryn GrimKasia Wayfinder as Granny SabinkaSeverin Gourley as Dexter Clementineand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

On this week's episode, Tim is joined by the one and only Makeup FX Artist Manny Lemus of Pearl, X, I Saw The TV Glow, Cocaine Bear, and many more!Listen as we discuss his favorite Horror movies, working with Cattle Decapitation on their video for 'Death Atlas', making the move to Weta during the pandemic, behind the scenes on a few effects including Mitsy's demise in Pearl, and much more on this week's episode!Patreon : https://www.patreon.com/HorrorflicksguitarpicksToxic Coffin Website : https://toxiccoffin.com/

The fight against Caaaaaaaves? takes an unexpected - and extremely challenging - turn. Will the Sidebars make it out alive? It's looking... well... not great.Featuring:Erika Jayne as Taryn GrimKasia Wayfinder as Granny SabinkaSeverin Gourley as Dexter Clementineand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

After failing to win an audience with the Ruler on High, the Sidebars get lost in revelry with various festival-goers. But something sinister is brewing beneath the surface of this seemingly-joyous crowd...Featuring:Erika Jayne as Taryn GrimKasia Wayfinder as Granny SabinkaSeverin Gourley as Dexter Clementineand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

In this episode, Allan McKay sits down with Alex Wang, the Visual Effects Supervisor for the acclaimed HBO series The Last of Us, to break down the monumental VFX work behind the show's highly anticipated second season. Alex pulls back the curtain on the incredible challenges and creative triumphs of bringing the post-apocalyptic world to life, from the massive scale of the infected horde to the intricate details of hero creatures like the Bloater. He discusses the crucial balance between practical and digital effects, the importance of building trust with showrunners Craig Mazin and Neil Druckmann, and the seamless collaboration with world-class VFX houses like Weta, DNEG, and ILP. This conversation delves deep into the specific hurdles of Season 2, including a massive battle sequence Alex likens to "Helm's Deep," the complexities of a dramatic stormy water episode, and the creative pipeline from concept art to final shot. Alex shares how the team learned from Season 1 to push the boundaries of world-building and create environments that are both epic in scope and grounded in reality. This is a must-listen for any fan of The Last of Us and for visual effects artists and supervisors interested in the high-level strategy and creative problem-solving required to execute VFX on one of television's biggest shows. Topics Covered: The VFX of The Last of Us Season 2 Alex Wang's Role as VFX Supervisor Creating the Infected Horde and the Challenges of Crowd Simulation A Deep Dive into Season 2's Massive Battle Sequence Asset Creation for the Bloater and Other Infected Balancing Practical Effects with Digital Enhancements (Pyro, Weather, etc.) World-Building and Large-Scale Environment Extensions The Complexities of Creating the Stormy Water Sequence Collaboration with Showrunners Craig Mazin and Neil Druckmann Managing Multiple VFX Vendors (Weta, DNEG, ILP, Rise) The Creative Process from Concept Art to Final Shot Quotes: On the massive battle sequence: "I thought to myself, 'Craig, this is your Helm's Deep.'" On designing the infected horde: "These are civilians that became infected... their own story. So repetition is not something that we want." Resources: The Last of Us on HBO Weta FX DNEG Rise VFX Important Looking Pirates (ILP) Naughty Dog