Podcast appearances and mentions of Corey Burton

Forty years ago this month, a scrappy little creature feature crawled out of New Line Cinema and straight into cult status.This week, we're throwing it a proper 40th birthday party and no full plot recap, just the good stuff: the wild trivia you've forgotten (or never knew), the behind-the-scenes practical effects magic, how it held its own in one of the craziest movie years ever, and the gloriously unhinged ride the franchise took afterward.From the Chiodo Brothers building fuzzy alien puppets on a shoestring budget… to Corey Burton inventing the Krites' language on the spot… to Leonardo DiCaprio's very first movie role getting terrorized by the little furballs… we're digging into all the rad details that make Critters still feel alive in 2026.We also talk about why these practical-effect monsters hit different in the CGI era, that perfect pre-internet small-town 80s vibe, and how a tiny $2–3 million underdog carved out its own weird little corner in a summer packed with blockbusters.Whether you grew up renting this on VHS or you're discovering the Krites for the first time — this one's pure nostalgic chaos with a side of “wait till you hear this.”If you've ever loved a goofy, scrappy 80s creature feature and wondered why it still holds up…This one's for you.Stay curious.Stay weird.Be Forever Rad.CONNECT WITH US

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

Send a textA misfit group of unwitting podcasters stumble upon a cursed ancient Aztec Death Whistle. They discover that placing their lips on the whistle will summon strange new feelings deep inside them. On Episode 711 of Trick or Treat Radio our feature film discussion is the horror flick Whistle from director Corin Hardy! We also talk about 90s teen horror, films with great soundtracks, and react to trailers for the films; Hokum and The Serpent's Skin! So grab your favorite ancient cursed artifact, avoid taking drugs from the local youth pastor, and strap on for the world's most dangerous podcast!Stuff we talk about: Shudder, Joe Bob Briggs, good sized libraries, old school horror hosts, The Last Drive In, upset horror fans, Fangoria Chainsaw Awards, Manny Ramirez, Drew Peacock, Friday the 13th, Happy Jason Day, The Andromeda Strain, Godzilla, Monarch, Apple TV+, Kurt Russell, Parasite, Demi Moore, Superstition, The Slumber Party Massacre, Evil Dead II, Demonic Toys, The Rage: Carrie 2, Wishmaster II, The Lost Skeleton of Cadavra, Secret Window, Suicide Girls Must Die, Unaware, The Innkeepers, Ti West, Evidence, Big Ass Spider, The Ranger, Snatchers, Jeremy Holm, Incarnate, The Wicker Man, Slaughter of the Innocents, Monkeyshines, Ron Jeremy, Terror Firmer, Poultrygeist, Svengoolie, Caren Kaye, Dean Cundey, The Fog, Megatron, Scooby-Doo, Frank Welker, Peter Cullen, Corey Burton, Dan Gilvezan, Scream and Scream Again, Donald Webster, Robert Painter, Over the Top, Hokum, Adam Scott, Oddity, Caveat, The Zombie Grrlz, More Deadly Podcast, The Serpent's Skin, Alice Maio Mackay, Charmed, Buffy the Vampire Slayer, RIP Jennifer Runyon, Carnosaur, The Crow, Whistle, Corin Hardy, The Crow, Jason Mamoa, The Hallow, The Nun, Glenn Fabry, Nick Frost, Sophie Nelisse, Dafne Keen, Donnie Darko, My Bloody Valentine, The Breakfast Club, Nightmare on Elm St: Dream Master, Wes Craven, Paul Verhoven, The Ruins, Jena Malone, Aztec Death Whistles, “The Hellraiser Rubik's Cube”, The Faculty, The Guest, Blade II, Fouls Balls, Sirat, One Battle After Another, Buckfast, Michael Jackson Biopic, Django Unchained, Drum, Drum, Hokum if you got em, vegan Aztec death whistle, Wrap It Slap It and Put Your Lips Around It, and The Patreon Pimp.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Aaron and Josh Sarnecky are here to talk about Disney's House of Mouse for its 25th anniversary.Disney's House of Mouse is a crossover animated series on Disney's One Saturday Morning on ABC. It premiered on January 13, 2001 and ran for 52 episodes. It also had two direct-to-video movies. It finished its run on Toon Disney on October 24, 2003. On the show, Mickey Mouse (Wayne Allwine) hosts a dinner theater called the House of Mouse, which serves as a hangout for characters from Disney's various properties. Acting as the staff are Mickey's friends, including Minnie (Russi Taylor), Donald (Tony Anselmo), Daisy (Tress MacNeille), Goofy and Pluto (both Bill Farmer). Mickey's rival and the club's landlord Pete (Jim Cummings) often tries to shut down the club.The show contains short gag cartoons in between the episode's main story, many borrowed from Mickey Mouse Works, another One Saturday Morning series.The show was nominated for multiple awards. It won a Daytime Emmy for Outstanding Individual Achievement in Animation (for Chris Roszak) and an Annie Award for Outstanding Voice Acting in an Animated Television Production (for Corey Burton).Aaron and Josh discuss their histories with the show before going into the premise, humor, and its use of different Disney characters. They also mention how the show is not currently on Disney+.For another Disney podcast, you can listen to Aaron and Josh's podcast with Allison Lips on Kim Possible.

Happy Thanksgiving!! This is the final animation pick and this week Donald chose the 2008 space opera Star Wars: The Clone Wars. Directed by Dave Filoni the film takes place shortly after Episode II – Attack of the Clones (2002), at the start of the titular Clone Wars. The voice cast consists of Matt Lanter, Ashley Eckstein, James Arnold Taylor, Dee Bradley Baker, Tom Kane, Catherine Taber, Nika Futterman, Ian Abercrombie, Corey Burton, Matthew Wood, Kevin Michael Richardson, David Acord, Samuel L. Jackson, Anthony Daniels, and Christopher Lee. Come join us!!! Website : http://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

Liam and Cal return from last week's interview with Robin to celebrate the Man of Steel's return to the Big Screen with a #SuperFantasMonth celebration and a look back at Superman's first appearance in the television movie, later split into three parts for syndicated broadcast, known as "The Last Son of Krypton." The Good Brothers first reviewed this episode over seven years ago, so they're taking a look back and giving a thorough once over of each of the parts of this iconic launch of the DC Animated Universe with the pilot of Superman The Animated Series. Amongst the topics discussed are the slight departures and tweaks to the origin story from anything that came before this show, the eerily relevant concerns from Jor-El about the elevation and cultural reliance on Artificial Intelligence and the surveillance state's use of the technology. Plus how the show's mandate to look different from previous Superman shows and media and to set itself apart from Batman The Animated Series is showcased in the very first episode. Plus a review of the music composition from Lolita Ritmanis that returns for an equally tragic sequence in Justice League Unlimited, name checks to 90s cartoon ReBoot and why Corey Burton remains the GOAT. All of this and the hosts talk about their original scores for the episode and much more that awaits you on this week's all new DCAU Review!Please Consider Supporting the Podcast:Become a monthly or one time supporter of the pod at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://⁠⁠⁠⁠buymeacoffee.com/DCAUReview⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to the pod on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Spotify or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and please consider leaving us a 5-star review⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our new YouTube Channel ⁠⁠⁠⁠⁠⁠⁠⁠Support the pod by picking up some merch at our shop ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dcaureview.myspreadshop.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us: Twitter/X ⁠⁠⁠⁠⁠⁠@DCAUReview⁠⁠⁠⁠⁠⁠ Instagram ⁠⁠⁠⁠⁠⁠@DCAUReview⁠⁠⁠⁠⁠

Join us for another week of laughter, TV shows, streaming, movies and all things entertainment.THIS WEEK WE'RE TALKINGMOVIES The Seat (2025)TVThe Four Seasons (Mini-series)The Gone (S2)Star Wars: Tales of the Underworld (S1)WATCH OF THE WEEK & PEAK PERFORMANCEStar Wars: Tales of the Underworld. Staring: Nika Futterman, David Collins, Lane Factor, Corey Burton, Philip Anthony-Rodriguez, Artt Butler & Helen Sadler.And finally our Peak Performance nominations are in for Andy Serkis.Come and have a listenEPISODE TITLEThis weeks episode title is dedicated to the cast and crew of Star Wars: Tales of the Underworld.RUNNING ORDER08m40s | What we've been watching26m58s | Watch of the week: Star Wars: Tales of the Underworld (S1)45m57s | News & Mailbag52m02s | Peak Performance: Andy SerkisGET IN TOUCHSupport us on PatreonFollow us on InstagramPost (Tweet) us @HalfMeasuresPodTalk to us on DiscordFollow us on FacebookVisit our website halfmeasurespodcast.comThis episode of the Half Measures Podcast is brought to you by our ⁠Patreon⁠ Producers: Samara Whiting-King, Diana Knauer, Tricia Brady, Michael Chalmers & Tony "Baby Horse" Foale.

On May 4, a new Star Wars animated show, Tales of the Underworld, will debut on Disney+. Fangirls Going Rogue had a chance to sit down with voice actress Nika Futterman, who portrays Asajj Ventress. Joining us on this roundtable were Sarah and Richard Woloski on behalf of Skywalking Through Neverland, George from Star Wars Holocron, Bryan Young from Full of Sith, Alex Damon from Star Wars Expalain, Charlotte Errity from Skytalkers, and William Devereux from Ion Cannon podcast. From Disney: From creator Dave Filoni comes “Star Wars: Tales of the Underworld,” an all-new anthology series of animated shorts which will premiere May 4, 2025, exclusively on Disney+. The popular series, which began in 2022 with “Tales of the Jedi” and continued in 2024 with “Tales of the Empire,” this time focuses on the criminal underbelly of the Star Wars galaxy through the experiences of two iconic villains. Former assassin and bounty hunter Asajj Ventress is given a new chance at life and must go on the run with an unexpected new ally, while outlaw Cad Bane faces his past when he confronts an old friend, now a Marshal on the opposite side of the law. Produced by Lucasfilm Animation, “Star Wars: Tales of the Underworld” is executive produced by Dave Filoni, Athena Yvette Portillo, and Carrie Beck. Dave Filoni is supervising director, Josh Rimes is co-executive producer, Alex Spotswood is the senior producer, and Matt Michnovetz is the writer. “Star Wars: Tales of the Underworld” stars Nika Futterman, Corey Burton, Artt Butler, Lane Factor, AJ LoCascio, Clare Grant, Dawn-Lyen Gardner, and Eric Lopez. Check out our latest podcast recapping Star Wars Celebration and Andor Season 2, Episodes 1 – 6. Social Media Fangirls Going Rogue Twitter | Instagram Tricia Barr Twitter | Instagram Sarah Woloski Twitter | Instagram Facebook Public | Private You must answer the 3 questions to join the Private Facebook group!

The Gaels are making their program-record fourth straight NCAA Tournament and they will take on Vanderbilt. What are the keys? Locked On Vandy host Corey Burton joins to discuss the matchup and what to expect from the Commodores.…and also USF in the NIT!

Every time you visit Disneyland, you'll hear the voice of Corey Burton. Corey's incredible career spans decades and has seen him star in some of Disney's most iconic films and tv series.This week Jim and Corey discuss their history working together, Corey's love of collecting microphones, how he "finds" his voices and more.Listen on Spotify: bit.ly/4fHWwxa Listen on Apple: bit.ly/3AmUYZi Support on Patreon: patreon.com/jimcummingspodcast Order a Cameo from Jim: cameo.com/toondinjimcummingsCHECK OUT OUR OTHER PODCASTS:Four Finger Discount (Simpsons) - spreaker.com/show/four-finger-discount-simpsons-podcastGoin' Down To South Park - spreaker.com/show/goin-down-to-south-parkThe Movie Guide with Leonard Maltin - http://www.themovieguidepodcast.comThe One About Friends - spreaker.com/show/the-one-about-friends-podcastSpeaKing Of The Hill - spreaker.com/show/speaking-of-the-hill-a-king-of-the-hill-Talking Seinfeld - spreaker.com/show/talking-seinfeldBecome a supporter of this podcast: https://www.spreaker.com/podcast/toon-d-in-with-jim-cummings--5863067/support.

An episode that's more than meets the eye!Here's what's in store for this episode:* In this episode, Matt gears up for a major info dump, breaking down the origins of the Transformers franchise—turns out, it's a bot-tastic blend of autism and lore!* We uncover that there are two canonically autistic Transformers characters—Transmutate and Geomotus. Not only are they explicitly identified as neurodivergent in the franchise, but they also embody classic autistic traits like sensory sensitivity, heightened empathy, naivety, bluntness, and difficulty with conventional social cues.* Matt and Angela also dive into the work of autistic voice actor Corey Burton, who voiced Shockwave (and also brings the Disneyland monorail and buses to life)! They explore how Shockwave's character carries autistic coding as well.* Our two hosts transform the conversation as they explore how the franchise navigates the intersection of gender, sexuality, gender fluidity, and carving out a place in a society that can often feel a bit ableist.“Shockwave is ultra-logical. Canonically, he has had his emotions removed so he can be more logical. He doesn't have a face, he just has a light-up eye because you can't read his facial expressions. Because he has a very flat face, a very flat affect, completely logical. So he is autistic coded from the start, voiced by an autistic actor [Cory Burton]. ” - Matt“Geomotus is one of Cybertron's most proficient geologists. A dedicated scientist, he's happiest when he's outdoors exploring the vast and ever-changing vistas of his home world, whether that's spelunking into the sonic canyons or surveying the Rust Sea with the assistance of his onboard radar systems, rather than fighting the Decepticons. Unlike most Cybertronians, Geomotus is neurodivergent. In practice, this means that he's blunt, occasionally withdrawn, and sometimes struggles with social cues.” - MattDid you notice how the Transformers franchise shifts gears to connect with the autistic experience? Roll out your thoughts in the comments, and use #AutisticCultureCatch to connect with fellow fans! Which traits revved up your engines in this episode?Resources:https://autistic-characters-of-the-day.tumblr.com/post/162050689439/netbug009-autistic-characters-of-the-day/amphttps://tfwiki.net/wiki/Transmutate_(BW)https://tfwiki.net/wiki/Perceptor_(G1)https://tfwiki.net/wiki/Geomotushttps://tfwiki.net/wiki/Lost_LightRelated Episodes:Beauty and the Beast is AutisticAnimation is AutisticDisney is AutisticCats are AutisticReady for a paradigm shift that empowers Autistics? Help spread the news!Follow us on InstagramFind us on Apple Podcasts and SpotifyLearn more about Matt at Matt Lowry, LPPJoin Matt's Autistic Connections Facebook GroupLearn more about Angela at AngelaKingdon.com Angela's social media: Twitter and TikTokOur Autism-affirming merch shop This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.autisticculturepodcast.com/subscribe

Welcome Back Everyone! Thank You for joining us once again! Join the STF crew as they journey back into the wizarding world and Jacob takes us to atlantis....just not the Aquaman version!   1st Film: Jacob's Pick Atlantis: The Lost Empire  (2001) Co-Directed by Gary Trousdale and Kirk Wise Featuring the Voices of: Michael J Fox, Jim Varney, Claudia Christian, Corey Burton and James Garner 2nd Film: Harry Potter and the Order of the Phoenix (2007) Directed by: David Yates Starring: Daniel Radcliffe, Emma Watson, Rupert Grint, Ralph Fiennes and George Harris Thanks for Listening! Email:   Strangerthanflicktion@gmail.com Twitters:  Podcast- @SFlicktion Joey - @SpaceJamIsMyjam Jacob - @Jabcup Johnnie- @Shaggyroaddogg Tim - @timbohh4l Time Stamps: Atlantis: The Lost Empire -  Rate and Review - 58:45 Harry Potter and the Order of the Phoenix  - Review and Rate  -  1:30:10 Music Credits:  What Ive Done - Linkin Park Hedwigs Theme - John Williams https://www.youtube.com/watch?v=QrTrmnpTNwY

Dooku Serenno, the name of a character that so many Jedi and politicians alike both admired and respected. Those of us who know the character have come to know him definitively in his darkest days portrayed by the great Christopher Lee. Or to the animated star wars fans out there, Corey Burton. This week we dive inside an audiobook called "Dooku: Jedi Lost" which provides an inside look at the life and legend of Count Dooku in his younger years growing up as a Jedi apprentice to Grand Master Yoda, his friendship and alliance to Sifo-Dias, and the discovery of his birth right, his noble status of wealth and power. Dooku is one of the most complex characters in the Star Wars universe and it's been very exciting to dive into this story and his downfall. ————————————————————————

Whereas sometimes social media and online videos can be filled with much noise, other times this content brings unbridled joy to users and viewers. Actor, composer, singer, and songwriter Noah Sunday-Lefkowitz is one of those people who exudes brightness, creativity, and optimism in all of his work, crafting videos and performances across his channels, with most of the content centering on obscure and under-appreciated Disney tunes, including original creations. On this episode of Notably Disney Noah host Brett Nachman to share about his trajectory into the arts, career with The Walt Disney Company, and content that you can find on his many platforms. Among the great stories include working with voice artist Corey Burton, crafting content for Imagineering, and assembling amazing Disney medleys! Check out Noah's work across his website, Instagram (@noahsundaylefkowitz), TikTok (@noahsundaylefkowtiz), and YouTube (Noah Sunday-Lefkowitz). Feel free to reach out to Brett via Twitter/X @bnachmanreports, subscribe to the podcast, and send your feedback to notablydisney@gmail.com New episodes of the podcast debut on the first and third Tuesday of every month.

On tonight's episode, we talk with Locked On Vandy host Corey Burton. We go in-depth about the upcoming season and what Vandy has in store. Tonight, we will also talk about Angel Reese's amazing June as well as her double-double streak. As the Davis brothers (no relation) heat up on the recruiting trail, we take a look at the latest commits to the Tigers. All this and much more.

Dark Knights, Cobras, Beasts, Skywalkers...and now Constructicons! The Mikes merge for the kill to discuss Transformers Animated s2e6 "Rise of the Constructicons."A pair of contemplative union bots take Bulkhead out on the town, Optimus knows best, and star of stage and screen Megatron gives the performance of his career! Plus, we deconstruct the construction worker stereotype and excavate Marty Isenberg's plan for Animated Devastator!NOTE: No enemy scrotums were harmed in the recording of this episode.BONUS VIDEOS:For more Transformers Animated excitement, check out Keyan Carlile's Transformer ChannelTFCon L.A. 2024 - Deleted Scenes and Characters PanelAnd if you wanted to watch only the TFA deleted scenes, check out this video:TRANSFORMERS ANIMATED DELETED SCENES (ft. Corey Burton & David Kaye)Also check out:TFcon Los Angeles Preview - TFYLP 569 Live Podcast W/Mike SeibertWant to be guest on the show? Our email address is 2Mikes2Furious@Gmail.comFollow 2 Mikes 2 Furious on social mediaTwitter, Facebook, InstagramCheck out Mike Seibert's other podcast, Mike Seibert Radio, everywhere you listen to 2 Mikes 2 FuriousBecome a Mike Seibertronian and join the MSRP/2M2F Friends and Fans Facebook GroupFollow Mike Seibert on social mediaTwitter, Facebook, Instagram, BlueskyYou can buy books written by Mikel Andrews on Amazon, including the Coming of Mage saga: Coming of Mage and its sequel, A War for the Mages, as well as his latest , Gone for a Spell Follow Mikel Andrews on Twitter

Holy Cannoli, Speed! Did Mike Seibert get spoiled at the TFA Deleted Scenes panel or did he use eye-muffs? Did he buy any toys?? Did he live up to his Mouthy Mike moniker??? Find out the answer to these burning questions and more with a fuel-injected recap of TFCon LA 2K24. Then, the Mikes explore Transformers Animated s2e5 "Velocity" a quarter mile at a time.The mysterious Blue Racer wreaks havoc on New Detroit's street racing scene! Bumblebee investigates the plunder from down under: Master Disaster! And just who is Roxy Sparkles?! Plus, these two Mikes have feedback!BONUS VIDEOS:Watch your tireless mechanical Mikes talk about TFCon 2024, complete with visuals of our TOY TALK segment as Mike Seibert shows off his TFA figures. TFCon LA 2024 RecapFor more Transformers Animated excitement, check out Keyan Carlile's Transformer ChannelTFCon L.A. 2024 - Deleted Scenes and Characters PanelI Hosted a Panel and Ruined TFCon! (feat. Jobby, Paperplane, That Toy Guy & More!)And if you wanted to watch only the TFA deleted scenes, check out this video:TRANSFORMERS ANIMATED DELETED SCENES (ft. Corey Burton & David Kaye)Want to be guest on the show? Our email address is 2Mikes2Furious@Gmail.comFollow 2 Mikes 2 Furious on social mediaTwitter, Facebook, InstagramCheck out Mike Seibert's other podcast, Mike Seibert Radio, everywhere you listen to 2 Mikes 2 FuriousBecome a Mike Seibertronian and join the MSRP/2M2F Friends and Fans Facebook GroupFollow Mike Seibert on social mediaTwitter, Facebook, Instagram, BlueskyYou can buy books written by Mikel Andrews on Amazon, including the Coming of Mage saga: Coming of Mage and its sequel, A War for the Mages, as well as his latest , Gone for a Spell Follow Mikel Andrews on Twitter

Jason, Jody and Mando review the Tales From the Crypt series finale "Third Pig" S7 Ep13 The TFC episode stars Bobcat Goldthwait, Cam Clarke, Charlie Adler, Brad Garrett, Corey Burton &Jim Cummings Directed by Bill Kopp & Patrick Ventura Follow Dads From the Crypt! Threads: @dadsfromthecrypt Twitter: @cryptdads Instagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt

Corey is flying solo this week as Israel is coaching in the Georgia Elite Classic. Georgia does not have any opt-outs, Florida State has a lot. Georgia comes in as 17.5 point favorites. Show is presented by Betonline.ag The Bleav in Georgia Dawgs Podcast is a proud member of the Bleav Podcast Network and viewed on Brinx.Tv via YouTube. The hosts are Corey Burton and Israel Troupe. Corey is an alumnus of the University of Georgia (‘06) with a degree in Speech Communication. He worked as a Football Recruiting Student Assistant for Georgia Football. Corey currently is a high school football coach in Nashville, TN at Hillwood High School. You can also find him on SEC After Dark, Beasts of the East, and the Illegal Motion College Football Podcast. Israel is also an alumnus of the University of Georgia (‘11) and a former member of the Georgia Football team. He played Wide Receiver for the Dawgs. Israel coaches football at Ware County High School in Waycross, GA. This show is currently in the second season on the Bleav Podcast Network. Click to subscribe and follow us on Social Media. We would like to thank all of our sponsors and encourage you to go support them. Twitter: @coachburton36, @troupestar28, @bleavindawgs Instagram: @burton.Corey, @troupestar28, @bleavindawgs Facebook: Bleav in Georgia Dawgs Apple Podcasts: https://podcasts.apple.com/us/podcast/bleav-in-georgia-dawgs/id1521092839 Spotify: https://open.spotify.com/show/5q4qBn94GxOcjVW93ylp0U?si=6743bdb140ca4d14 Sponsors; Betonline: Betonline.ag

It's National Signing Day, we'll get you caught with some of the latest commitments and flips heading into today, as Mizzou has two big additions, Alabama made a pickup, and Texas A&M flipped a d-lineman from Miami.Also, some big names are making moves in the Transfer Portal as Texas A&M loses star WR Evan Stewart, Arkansas picks up LB Xavian Sorey from Georgia, Georgia adds Vandy stud WR London Humphreys & much more!And Lane Kiffin gets a contract extension from Ole Miss, you have to pay the man when he becomes the portal king! Will Kiffin cap things off landing Walter Nolan? And we check in with Corey Burton of Locked On Vandy to get his thoughts on some of the SEC movement. Follow Chris on Twitter @ChrisGordy and @LockedOnSECSupport Us By Supporting Our Sponsors!LinkedInLinkedIn Jobs helps you find the qualified candidates you want to talk to, faster. Post your job for free at LinkedIn.com/LOCKEDONCOLLEGE. Terms and conditions apply.eBay MotorsWith all the parts you need at the prices you want, it's easy to turn your car into the MVP and bring home that win. Keep your ride-or-die alive at EbayMotors.com. Eligible items only. Exclusions apply. eBay Guaranteed Fit only available to US customers.PrizePicksGo to PrizePicks.com/lockedon and use code lockedon for a first deposit match up to $100! Daily Fantasy Sports Made Easy!GametimeDownload the Gametime app, create an account, and use code LOCKEDONCOLLEGE for $20 off your first purchase.FanDuelScore early this NFL season with FanDuel, America's Number One Sportsbook! Right now, NEW customers get ONE HUNDRED AND FIFTY DOLLARS in BONUS BETS with any winning FIVE DOLLAR MONEYLINE BET! That's A HUNDRED AND FIFTY BUCKS – if your team wins! Visit FanDuel.com/LOCKEDON to get started.FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's National Signing Day, we'll get you caught with some of the latest commitments and flips heading into today, as Mizzou has two big additions, Alabama made a pickup, and Texas A&M flipped a d-lineman from Miami. Also, some big names are making moves in the Transfer Portal as Texas A&M loses star WR Evan Stewart, Arkansas picks up LB Xavian Sorey from Georgia, Georgia adds Vandy stud WR London Humphreys & much more! And Lane Kiffin gets a contract extension from Ole Miss, you have to pay the man when he becomes the portal king! Will Kiffin cap things off landing Walter Nolan? And we check in with Corey Burton of Locked On Vandy to get his thoughts on some of the SEC movement.  Follow Chris on Twitter @ChrisGordy and @LockedOnSEC Support Us By Supporting Our Sponsors! LinkedIn LinkedIn Jobs helps you find the qualified candidates you want to talk to, faster. Post your job for free at LinkedIn.com/LOCKEDONCOLLEGE. Terms and conditions apply. eBay Motors With all the parts you need at the prices you want, it's easy to turn your car into the MVP and bring home that win. Keep your ride-or-die alive at EbayMotors.com. Eligible items only. Exclusions apply. eBay Guaranteed Fit only available to US customers. PrizePicks Go to PrizePicks.com/lockedon and use code lockedon for a first deposit match up to $100! Daily Fantasy Sports Made Easy! Gametime Download the Gametime app, create an account, and use code LOCKEDONCOLLEGE for $20 off your first purchase. FanDuel Score early this NFL season with FanDuel, America's Number One Sportsbook! Right now, NEW customers get ONE HUNDRED AND FIFTY DOLLARS in BONUS BETS with any winning FIVE DOLLAR MONEYLINE BET! That's A HUNDRED AND FIFTY BUCKS – if your team wins! Visit FanDuel.com/LOCKEDON to get started. FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 131 – Performance Tips with Connor Quinn Voice actor Connor Quinn is back on another episode of The Voiceover Gurus Podcast to discuss his performance tricks and tips for auditions and sessions. He shares valuable insights on how to handle illness and everyday challenges that come up during auditions. With years of experience in the field, Connor's ideas are a fantastic resource for any aspiring voice actor. About Connor: Connor's familiar, multi-award winning voices have been heard introducing some of the most loved movies of all time—as well as radio and TV  commercials, cartoons and video games.  His career began at the age of 6, doing on-camera work in Hollywood for  hundreds of TV commercials (JELL-O, Coca-Cola, McDonald's among others) as  a child actor, as well as appearances on such loved television shows as Little  House on the Prairie, Sesame Street.  He transitioned behind the microphone in his teens, voicing many projects  for Disney, NBC and getting to train with some of the legends of voice-overs.  Including Daws Butler, Corey Burton and Hal Douglas.  2023 marks Connor's 36th year in voice overs. Over the years he has voiced  tens of thousands of commercials. His voice is regularly heard on the Howard  Stern Show, his voice characterizations have been used for The Walking Dead,  Star Trek as well as voicing characters for Disney's classic video game, Kingdom  Hearts. He is the iconic voice, that some of the world's most trusted brands have  turned to, including Visaa, Sandals Resorts, Crayola, Dollywood, Pandora, and  The History Channel, among many others.  Please visit Connors website: www.voxguy.com   FOR MORE INFO ON THE SHOW AND THE GURUS, PLEASE VISIT: Coaching Website: https://voiceover.guru/  and https://learnwiththegurus.com/ Join our Circle Community: https://the-voiceover-gurus.circle.so/home Linda Bruno Voice Actress  https://www.lindabruno.com Alyssa Jayson Actress and Musician http://www.alyssajayson.com Kevin Kilpatrick Voice Actor   https://kevinkilpatrick.com/

Christmas time is here! And our first gift to you is a double feature discussion of Disney's jolly anthology films: Mickey's Once (and Twice) Upon a Christmas! TIME CODES: 00:00:00 - INTRO 00:02:32 - BASIC FACTS 00:05:32 - DONALD DUCK: STUCK ON CHRISTMAS 00:14:03 - A VERY GOOFY CHRISTMAS 00:20:12 - MICKEY AND MINNIE'S GIFT OF THE MAGI 00:27:56 - BELLES ON ICE 00:35:46 - CHRISTMAS: IMPOSSIBLE 00:44:55 - CHRISTMAS MAXIMUS 00:49:08 - DONALD'S GIFT 00:54:47 - MICKEY'S DOG-GONE CHRISTMAS 01:05:32 - WHAT WE WATCHED 01:28:15 - OUTRO FILM(S) INFO: Mickey's Once Upon a Christmas (1999) Crew: (Directed By) Toby Shelton, Alex Mann, Jun Falkenstein, Bill Speers, Bradley Raymond, (Written By) Charlie Cohen, Tom Nance, Thomas Hart, Richard Cray, Carter Crocker, Eddie Guzelian, Temple Mathews, Scott Gorden. Cast: Jim Cummings, Gregg Berger, Jeff Bennett, Tony Anselmo, Pat Musick, Corey Burton, Bill Farmer, Kelsey Grammer, Taylor Dempsey, Tress MacNeille, Wayne Allwine, Andrew Mcdonough, Kylie Dempsey, Diane Michelle, Shaun Fleming. Read more: https://movies.disney.com/mickeys-once-upon-a-christmas Mickey's Twice Upon a Christmas (2004) Crew: (Directed By) Matthew O'Callaghan, Carole Holliday, Theresa Cullen, (Written By) James Patrick Stoteraux, Jim Bernstein, Michael Shipley, Jim Peronto, Shirley Pierce, Chad Fiveash, Matt O'Callaghan, Bob Roth, Theresa Pettengill, Peggy Holmes, Colin Goldman, Bill Motz. Cast: Tony Anselmo, Russi Taylor, Jeff Bennett, Alan Young, Chuck McCann, Shaun Fleming, Jim Cummings, Kellie Martin, Jason Marsden, Wayne Allwine, Bill Farmer, Tress MacNeille. Read more: https://movies.disney.com/mickeys-twice-upon-a-christmas OUR LINKS: * Host Webpage: https://podcasters.spotify.com/pod/show/recentlylogged * Letterboxd HQ: https://letterboxd.com/RecentlyLogged/ * YouTube: https://youtube.com/@recentlylogged Micah's Stuff * YouTube: https://www.youtube.com/@MGraweyFilms * Letterboxd: https://letterboxd.com/micah_grawey/ * Twitter: https://twitter.com/micah_grawey * Instagram: https://www.instagram.com/m_grawey_films/ Robbie's Stuff * Website: https://robbiegrawey.com EPISODE CREDITS: * Recently Logged Podcast Creators - Micah and Robert “Robbie” Grawey * Hosts - Micah and Robert “Robbie” Grawey * Songs used - Silent Night (Instrumental Jazz), Deck the Halls (Instrumental Jazz), Jingle Bells (Instrumental Jazz), Joy to the World (Instrumental Jazz), Auld Lang Syne (Instrumental Jazz) by E's Jammy Jams * Editor - Robert “Robbie” Grawey * Episode Art Designer - Robert “Robbie” Grawey * Episode Description - Robert “Robbie” Grawey --- Support this podcast: https://podcasters.spotify.com/pod/show/recentlylogged/support

Diane and Sean discuss Disney and the church and Victor Hugo...but mostly the Church. Episode music is, "The Court of Miracles", music and lyrics by Alan Menken, and Stephen Schwartz, performed by Paul Kandel and chorus, from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplantsSupport the show

RMR 0237: Special Guest, Jake Pierce, joins your hosts Bryan Frye and Dustin Melbardis for the Retro Movie Roundtable as they revisit Transformers the Movie (1986) [PG] Genre: Animation, Action, Adventure, Science Fiction Starring: Norman Alden, Jack Angel, Michael Bell, Gregg Berger, Susan Blu, Arthur Burghardt, Corey Burton, Roger C. Carmel, Victor Caroli, Regis Cordic, Peter Cullen, Scatman Crothers, Bud Davis, Paul Eiding, Ed Gilbert, Dan Gilvezan, Eric Idle, Buster Jones, Stan Jones, Casey Kasem, Christopher Collins, David Mendenhall, Don Messick, John Moschitta Jr., Judd Nelson, Leonard Nimoy, Hal Rayle, Clive Revill, Neil Ross, Robert Stack, Lionel Stander, Orson Welles, Frank Welker   Director: Nelson Shin Recorded on 2023-10-18

Corey Burton talks about what is working on the Georgia Football Defense and what is kind of weird… He talks Georgia matchups and how this game may go. Show originally aired 11/9/23 WANT MORE OLE MISS SPORTS CONTENT? Join our Subtext communityhttps://joinsubtext.com/lockedonolemiss  Follow and Subscribe to the Podcast on these platforms:

Corey Burton talks about what is working on the Georgia Football Defense and what is kind of weird… He talks Georgia matchups and how this game may go.   Show originally aired 11/9/23   WANT MORE OLE MISS SPORTS CONTENT?   Join our Subtext community https://joinsubtext.com/lockedonolemiss     Follow and Subscribe to the Podcast on these platforms:

Corey Burton was a guest on "The Unwritten Rule" Podcast to preview the Georgia Bulldogs upcoming matchup with Mizzou. How does most recent CFP Rankings affect this weekend's game? Presented by Betonline.ag

Episode 123 – From Child Actor to Voice Actor – Connor Quinn Welcome to The Voiceover Gurus podcast! In part two of this episode, Linda had the pleasure of chatting with Connor Quinn, a gifted voiceover actor who started his career at just six years old. With 50 years of experience under his belt, his stories are truly captivating and inspiring for anyone learning about the business. About Connor: Connor's familiar, multi-award winning voices have been heard introducing some of the most loved movies of all time—as well as radio and TV  commercials, cartoons and video games.  His career began at the age of 6, doing on-camera work in Hollywood for  hundreds of TV commercials (JELL-O, Coca-Cola, McDonald's among others) as  a child actor, as well as appearances on such loved television shows as Little  House on the Prairie, Sesame Street.  He transitioned behind the microphone in his teens, voicing many projects  for Disney, NBC and getting to train with some of the legends of voice-overs.  Including Daws Butler, Corey Burton and Hal Douglas.  2023 marks Connor's 36th year in voice overs. Over the years he has voiced  tens of thousands of commercials. His voice is regularly heard on the Howard  Stern Show, his voice characterizations have been used for The Walking Dead,  Star Trek as well as voicing characters for Disney's classic video game, Kingdom  Hearts. He is the iconic voice, that some of the world's most trusted brands have  turned to, including Visaa, Sandals Resorts, Crayola, Dollywood, Pandora, and  The History Channel, among many others.  Please visit Connors website: www.voxguy.com FOR MORE INFO ON THE SHOW, PLEASE VISIT: https://voiceover.guru/ https://learnwiththegurus.com/ Linda Bruno Voice Actress  https://www.lindabruno.com Alyssa Jayson Actress and Musician http://www.alyssajayson.com  

Episode 122 – From Child Actor to Voice Actor – Connor Quinn Welcome to The Voiceover Gurus podcast! In part one of this two part episode, Linda had the pleasure of chatting with Connor Quinn, a gifted voiceover actor who started his career at just six years old. With 50 years of experience under his belt, his stories are truly captivating and inspiring for anyone learning about the business. About Connor: Connor's familiar, multi-award winning voices have been heard introducing some of the most loved movies of all time—as well as radio and TV  commercials, cartoons and video games.  His career began at the age of 6, doing on-camera work in Hollywood for  hundreds of TV commercials (JELL-O, Coca-Cola, McDonald's among others) as  a child actor, as well as appearances on such loved television shows as Little  House on the Prairie, Sesame Street.  He transitioned behind the microphone in his teens, voicing many projects  for Disney, NBC and getting to train with some of the legends of voice-overs.  Including Daws Butler, Corey Burton and Hal Douglas.  2023 marks Connor's 36th year in voice overs. Over the years he has voiced  tens of thousands of commercials. His voice is regularly heard on the Howard  Stern Show, his voice characterizations have been used for The Walking Dead,  Star Trek as well as voicing characters for Disney's classic video game, Kingdom  Hearts. He is the iconic voice, that some of the world's most trusted brands have  turned to, including Visaa, Sandals Resorts, Crayola, Dollywood, Pandora, and  The History Channel, among many others.  Please visit Connors website: www.voxguy.com FOR MORE INFO ON THE SHOW, PLEASE VISIT: https://voiceover.guru/ https://learnwiththegurus.com/ Linda Bruno Voice Actress  https://www.lindabruno.com Alyssa Jayson Actress and Musician http://www.alyssajayson.com  

Well hello dare! In this episode, Ruthie and Chris discuss the backstory, career and legacy of one of their all time favorite Disney characters, The Queen of Hearts. No, What am I Saying!!!?!!  - Professor Ludwig Von Drake. Ruthie first shares the origins of Ludwig, and the amazing vocal talent behind him, Paul Frees. Then Chris discusses his appearances on Walt Disney's Wonderful World of Color. This is followed up by a Ruthie report on his sole theatrical appearance in A Symposium on Popular Songs. The episode is then rounded out with a discussion on Ludwig's later career and his current vocalist, Corey Burton. Join us for lots of laughs, a bit of Disney history, and a bevy of fantastic music! Download (right click / save as) Visit our on-line store for exclusive Jiminy Crickets and DisneyChris Website Merch!!!! https://jcpodcast.threadless.com/​ If you would like to help support the Jiminy Crickets podcasts and DisneyChris.com - Please consider becoming a Patreon Subscriber and receive exclusive rewards every month. https://www.patreon.com/DisneyChris

Corey Burton and Israel Troupe discuss the latest recruiting success that June/camp season has brought the Georgia Bulldogs.

In this episode, Corey Burton is flying solo while Israel is enjoying the beach. Corey discusses the #1 issue at this year's SEC spring meetings in Destin, the 8 game vs. 9 game schedule. Which one favors the Georgia Bulldogs? With the 8 game, you would see 1 permanent opponent with 7 rotating opponents, the 9 game schedule features 3 permanent opponents with 6 rotating. In each scenario, divisions go away. Also, Georgia Baseball is looking for a new head coach.

Animation is popular among Autistic children and adults alike. Listen in, as Matt Lowry, LPP gives his co-host Dr. Angela Lauria a delicious infodump on voice over actors featured on Futurama, Ren and Stimpy, Ghostbusters, Transformers, DragonballZ, Street Fighter, Rick & Morty, and more!Many famous voice actors are officially in Club ‘tism!Hyperconnected mirror neurons and echolalia often results in impressive skills at copying people's accents and movements which, along with bottom up processing, leads autistics to being great actors and replicators of all things.Specific voice actors like Corey Burton, Frank Welker, Billy West, and Kyle Hebert are highlighted as on the autism spectrum. Their prolific roles in cartoons and anime are mentioned. The community of voice actors is described as close-knit and supportive, which creates a neurodiversity-supportive environment that allows Autistic talents to thrive.“I think one of the big payoffs of having a special interest and having a monotropic focus and being able to really master an art. And there are a lot of autistic people in this space who have mastered the art of voiceovers and animation.” —AngelaThe podcast hosts discuss animators like Tim Burton, Jorge Gutierrez, and Genndy Tartakovsky are discussed as openly (or just likely) Autistic. Their singular focus aids in animation. Burton struggles working within the neurotypical Hollywood system while producing Autistic-coded films like Edward Scissorhands.“We are taught all the way through school that we need to sit down and be quiet and fit in. We are taught our entire lives that we need to fit in, but we spend the rest of our lives trying to stand out.” —MattOn this week's virtual culture trip, hosts emphasize the importance of special interests in finding Autistic community, even if not as a career. Shared interests like specific fandoms can lead to meeting fellow Autistics and forming authentic and nourishing relationships.The creative fields of voice acting, animation, and related passions are discussed as areas where Autistic traits are beneficial and abundantly represented within the culture.Do you love animation? Tell us about it in the comments!* Frank Welker* Billy West* Dan Harmon* Gilbert Gottfried's Podcast - Jackie Martling and Billy West* How Tim Burton's Love/Hate Relationship with Disney Shaped His Career* Tim Burton says he probably won't work for Disney again* 13 Autistic People in Film and TV You Should Know About* 11 Great TV Characters Who Are On The SpectrumAutistic cartoons…Episode 22: Trains are Autistic and Episode 18: Trains are Autistic and Episode 16: Pokemon is AutisticAnd…Episode 26: Disney is AutisticReady for a paradigm shift that empowers Autistics? Help spread the news!* Check us out on Instagram* Find us on Apple podcasts and Spotify* Learn more about Matt at Matt Lowry, LPP* Matt's social media: Autistic Connections Facebook Group* Learn more about Angela at AngelaLauria.com and Difference Press* Angela's social media: Twitter and TikTok* TACP's Autism-affirming TeePublic merch shop This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.autisticculturepodcast.com/subscribe

00:00 Software Gets Worse Over Time 08:49 Component Class: Asus AM5 Problems 26:42 Magic the Gathering Arena 29:26 Brandon Sanderson, Tress of Emerald Sea 33:41 Die Standing37:06 Diablo 4 Open Beta 42:41 Voice Acting & Corey Burton 48:24 D4 Final Thoughts 50:02 BBQ at Heritage 57:48 Outro & Sale PSA

Brent, Nate, and Kate chip away at the month of May with Kate's pick: Chip 'n Dale: Rescue Rangers (2022) starring: Andy Samberg, John Mulaney, KiKi Layne, Will Arnett, Eric Bana, Flula Borg, Dennis Haysbert, Keegan-Michael Key, Tress MacNeille, Tim Robinson, Seth Rogen, J.K. Simmons, Da'Vone McDonald, Akiva Schaffer, Rachel Bloom, Juliet Donenfeld, Liz Cackowski, Mason Blomberg, Corey Burton, Jim Cummings, Chris Parnell, Jeff Bennett, June Schaffer, Steven Curtis Chapman, and Jorma Taccone. Hosted on Acast. See acast.com/privacy for more information.

Welcome back to another magical episode of Not A Bomb. This is the podcast where we go back and reexamine some of the biggest bombs in cinematic history and see if they deserve a second chance. On this week's episode, the guys, once again, find themselves tackling an early 2000's Walt Disney animated film. This time, it's the 2001 adventure film- Atlantis: The Lost Empire. Both a financial and critical flop, Atlantis: The Lost Empire is noted for an amazing voice cast and its mixture of traditional animation and CGI. Does Atlantis: The Lost Empire. stand the test of time? Were the critics correct with their initial assessment? Listen and find out!Timestamps: Intro - (1:10), Box Office Results, Critical Response, and Movie Guide - (16:38), Behind the Camera - (27:24), Voice Cast - (30:31), Production and Development - (42:16), Commercial Break - (49:34), Atlantis Discussion - (51:34), Is it a Bomb? - 84:27, and Outro - (93:11)Atlantis: The Lost Empire is directed by Gary Trousdale and Kirk Wise and stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton, and Leonard Nimoy.If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.Cast: Brad, Troy

From Everything Everywhere to Something Nowhere All at Once.Three years ago, the world shut down. InVision's Doug Binder and Corey Burton are still trying to make sense of it all, especially when it comes to their passion for creating events. Hold on tight for a spirited journey back in time, from ballrooms to video calls to hybrid to whatever comes next.Listen now to hear stories from Doug and Corey on building resiliency in face of the Covid-19 crisis. Don't forget to rate, review and subscribe to the InVision Xcast to stay fresh on the latest industry trends, technologies and insights.

Corey Burton and Israel Troupe breakdown the new SEC scheduling model, including the 3 permanent opponents: the Auburn Tigers, Florida Gators, and Kentucky Wildcats. Stegman Coliseum is falling apart, a piece of the ceiling falls off. Is it time to rebuild? Plus much more. Bleav in Georgia Dawgs is presented by Betonline.ag and Row 1 Brand. Use the promo code Dawgs20 at rowonebrand.com to get 20% off a vintage art watch.

Corey Burton and Israel Troupe breakdown former Georgia Bulldogs Defensive Lineman Jalen Carter's chances of being selected #1 overall in the upcoming NFL Draft. The guys also breakdown what Georgia Basketball needs to do to draw fans to Stegman Coliseum, and they get you ready for the weekend.

Corey Burton and Israel Troupe break down the impact of Todd Monken leaving for the Baltimore Ravens and Mike Bobo being named Offensive Coordinator for the Georgia Bulldogs. Is this a bold move for Kirby Smart? Also, Georgia Baseball kicks off the College Baseball season vs. Jacksonville State, is this Jaden Fields Year?

Corey Burton and Israel Troupe are back together to discuss A.J. Green's impact on UGA football and the NFL, we do a stock check on Nolan Smith, and we take an early peek at baseball.

In this episode, Bryan got to speak with Corey Burton, the voice behind Cad Bane and Count Dooku on The Clone Wars. Burton appeared to speak for his new appearances in "Tales of the Jedi" and a transcribed version of this interview first appeared in Slashfilm.

On this episode Matt & Eric review Tales of the Jedi starring Ashley Eckstein, Corey Burton, Janina Gavankar, TC Carson, Liam Neeson, Micheál Richardson, Bryce Dallas Howard, Ian McDiarmid, Matt Lanter, James Arnold Taylor, Phil LaMarr, Dee Bradley Baker and Clancy Brown.

Special Guests Sara Robinson and Lizzy Haynes joins your host Chad Robinson for the Retro Movie Roundtable as they revisit The Princess and the Frog (2009) [G] Genre: Animation, Adventure, Comedy, Romance, Fantasy Starring: Anika Noni Rose, Bruno Campos, Keith David, Michael-Leon Wooley, Jennifer Cody, Jim Cummings, Peter Bartlett, Jenifer Lewis, Oprah Winfrey, Terrence Howard, John Goodman, Elizabeth Dampier, Breanna Brooks, Ritchie Montgomery, Don Hall, Paul Briggs, Jerry Kernion          , Corey Burton, Michael Colyar, Emeril Lagasse, Kevin Michael Richardson, Randy Newman, Terence Blanchard, Danielle Moné Truitt   Director: Ron Clements & John Musker Recorded on 2022-08-10

George Pickens Jr. seems to be an interesting human with a bold personality. Some feel that the Georgia wideout is a perfect addition for on and off the gridiron. Welcome to BTSC's The Curtain Call, the show where Geoffrey Benedict and Shannon White break down a black and gold off-season full of change in the manner in which they examine the enemy. Scenarios, questions and more will be pondered on the latest episode of the BTSC family of podcasts. This time around, Kyle Chrise (in for Geoffrey) and Shannon welcome Corey Burton, the host of ”Bleav in Georgia Dawgs” and “Beasts of the East” and Jeremy Attaway from SB Nation's “Dawg Sports” to talk George Pickens Jr.'s arrival in the Steelers' 2022 Draft. Learn more about your ad choices. Visit podcastchoices.com/adchoices