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Salvation Soteria part2 What is Salvation? How did it come How is it kept and that from a child thou hast known the holy scriptures, which are able to make thee wise unto salvation through faith which is in Christ Jesus. 2 Timothy 3:15 KJV The entire message of the bible is Salvation Soteria; to deliver and preserve Sotia; saviour For Salvation to happen there must be a saviour Salvation is to be delivered from sin, rescued from sin and kept in a place where there's no sin Where did sin come from Wherefore, as by one man sin entered into the world, and death by sin; and so death passed upon all men, for that all have sinned: Romans 5:12 KJV Esikomai=Entered Sin came by man and passed upon all men for all have sinned, and come short of the glory of God; Romans 3:23 KJV And = kai = also meaning to sin is to fall short of Gods glory E.G.... Except a man be born of water "and" spirit "And" means "Also" Salvation is not deliverance from healing, or poverty, it is deliverance from sin Salvation is a common solution for a common problem (sin) that affects all mankind Jesus mission statement: And she shall bring forth a son, and thou shalt call his name JESUS: for he shall save his people from their sins. Matthew 1:21 KJV (note he didn't come to just heal or make rich) Satan always attacks the integrity of Gods word to produce unbelief, and therefore sin ( this he did with eve in the garden of Eden) It takes believe to be saved and unbelief to perish; a good example were the children of Israel in the wilderness who died because of unbelief
هذه الحلقة منتجت وسجلت بالإشتراك مع بودكاست ستيل شاوت (Steel Shout) أدب السايبربنك يعتبر من أهم الفروع التي ولدت من أدب الخيال العلمي في القرن العشرينما هو الـ(cyberpunk) في الأدب.يمثل الـ (cyberpunk) نوعًا من أدب الخيال العلمي الذي يتميز بتمحوره حول العالم الافتراضي والتكنولوجيا المتقدمة، كما يتضمن العديد من العناصر الأخرى مثل الجريمة والفساد والتحرر والتمرد، ونوع من القصص الغامضة. يعود أصل الـ (cyberpunk) إلى الأدب الخيال العلمي الذي ظهر في الستينات والسبعينات من القرن الماضي، ولكنه انتشر وازدهر في الثمانينات والتسعينات، وذلك بفضل العديد من الأعمال الشهيرة التي تناولت هذا الموضوع، مثل رواية "نيرومانسر" للكاتب وليام جيبسون التي صدرت في عام 1984.تعريف (cyberpunk)تأتي كلمة "سايبربانك" أو "سايبربونك" (Cyberpunk) من مزيج بين كلمتين:الأولى هي "سايبرنيتيكس" (Cybernetics) وهي تعني دراسة النظم الآلية والحيوية والتفاعل بينها.يشير مصطلح "سايبرنيتيكس" (Cybernetics) إلى دراسة النظم والآليات والتفاعلات بين الأجزاء المختلفة في الأنظمة الحيوية والآلية. ويتضمن هذا المصطلح فهم العلاقات المتبادلة بين الجزء والكل في النظام، وكيفية تغيير وتحكم الأنظمة في أنفسها.وتشمل مجالات الدراسة في السايبرنيتيكس مثل هذه النظم المختلفة كالأعصاب والغدد، والآليات المتحكمة في الصناعة والتحكم في المرور والملاحة والطيران، والتكنولوجيا الحيوية والطبية، والذكاء الاصطناعي والروبوتات.يعود أصل مصطلح "سايبرنيتيكس" (Cybernetics) إلى اللغة اليونانية، حيث تعني "kybernetes" باللغة اليونانية "الملاح" أو "القائد" أو "المدير". ولقد استخدم هذا المصطلح في اليونان القديمة للإشارة إلى الشخص الذي يدير السفينة ويتحكم في اتجاهها وحركتها. وفي القرن العشرين، أطلق عالم الرياضيات الأمريكي نوربرت وينر (Norbert Wiener) مصطلح "cybernetics" لوصف الدراسة العلمية للتحكم والتواصل في الآلات والأنظمة المعقدة. وقد استخدم وينر هذا المصطلح للإشارة إلى دراسة العمليات التي تحكم الأنظمة المعقدة، سواء كانت هذه الأنظمة آلية أو حية. ومنذ ذلك الحين، انتشر استخدام مصطلح "سايبرنيتيكس" لوصف دراسة نظم التحكم الآلية والحية، وأصبح مصطلحًا شائعًا في العديد من المجالات العلمية والتقنية المختلفة.ومن المهم أن نلاحظ أن السايبرنيتيكس لا تقتصر فقط على النظم الحيوية، بل تشمل أيضًا النظم الآلية والتكنولوجية، وهذا ما يجعلها مفهومًا مهمًا في العديد من المجالات المختلفة، بما في ذلك العلوم الحاسوبية والهندسة والفلسفة والاقتصاد والعلوم الاجتماعية. والثانية هي "بانك" (Punk) وهي تعني نوعًا من الموسيقى الروك المتمردة والمناهضة للنظام والسلطة وبالتالي، فإن الـ(cyberpunk) يجمع بين عنصرين رئيسيين: العالم التكنولوجي المتقدم والمتمردة والمناهضة للنظام والسلطة. ويتناول هذا النوع من الأدب عادة العالم الافتراضي والتقنية المتطورة بطريقة متمردة ومناهضة للنظام، ويتضمن الكثير من العناصر الاجتماعية والسياسية والثقافية المعاصرة.يُعرف مصطلح "بانك" (Punk) بشكل لغوي على أنه نوع من الموسيقى الروك المتمردة والمعارضة للنظام والسلطة، والتي ظهرت في السبعينيات من القرن الماضي. ويشار في قاموس أكسفورد الإنجليزي إلى أن كلمة "بانك" تعني بشكل عام شخصاً أو شيئاً يتمتع بالقوة والعنف والتمرد والانفصال عن النظام السائد. ويمكن أن يُستخدم مصطلح "بانك" لوصف أي شيء يتميز بالتمرد والمعارضة للسلطة والنظام، وليس فقط في عالم الموسيقى الروك. وعلى سبيل المثال، يمكن استخدام هذا المصطلح لوصف حركات اجتماعية وثقافية وفنية أخرى، مثل حركات الشباب المتمردة وحركات المقاومة السياسية والفنانين الذين يسعون لتحدي النظام السائد.بروس بيثكي (Bruce Bethke) هو كاتب أمريكي ولد في عام 1955، وهو معتبر أحد رواد الأدب السايبربانكي. وقد نشر بيثكي في عام 1980 قصة قصيرة بعنوان "Cyberpunk" في مجلة "Amazing Science Fiction". وقد تم استخدام هذه القصة لاحقًا كدليل لتحديد الأدب السايبربانكي. تتناول قصة بيثكي العالم الخيالي والمستقبلي والذي يتميز بتكنولوجيا متقدمة وتمحوره حول شخصية مخترق حاسوبي يقوم بسرقة بيانات مهمة. وقد اشتهرت هذه القصة بسبب استخدام كلمة "سايبربانك" في عنوانها، والتي أصبحت بعد ذلك مصطلحاً مشهوراً في الأدب والثقافة الشعبية. وقد كتب بيثكي العديد من القصص الخيالية والروايات، وأصبحت له بعض الأعمال الأخرى مثل "Headcrash" و "Wild Wild West" و "Redbeard" و "Rebel Moon"، وقد تم ترشيح روايته "Headcrash" لجائزة نيبولا في عام 1995. وبالإضافة إلى كونه كاتباً، فإن بيثكي يعمل أيضاً في مجال تكنولوجيا المعلومات والحوسبة، ويشغل حالياً منصب مدير تقنية المعلومات في إحدى الشركات الأمريكية.تصريح بروس ستيرلينغ "combination of lowlife and high tech" ليس تعريفًا محددًا للسايبربنك، وإنما هو وصف للجو العام الذي يمكن أن يتميز به عالم السايبربنك. ففي هذا الوصف، يركز ستيرلينغ على تحدُّث السايبربنك عن النزلاء الرَّخاء والمتعطشين للمتع الجسدية والأمور غير المشروعة، والتكنولوجيا العالية والحديثة التي تستخدمها هؤلاء الأشخاص في تحقيق ما يريدونه. ويتناول ستيرلينغ هذا المفهوم في روايته الشهيرة "المرآة الشعورية" (Mirrorshades)، وهي مجموعة من القصص القصيرة التي تعتبر أحد الأعمال الأساسية في أدب السايبربنك.ومع ذلك، يمكن القول أن هذا الوصف ينطبق بشكل عام على أعمال السايبربنك، حيث يتميز هذا النوع الأدبي بتحقيق التوازن بين الجوانب العالية التكنولوجية والجوانب الأكثر شعبية والمرتبطة بالعالم السفلي والجريمة المنظمة. وتنتمي روايات وليام جيبسون وبروس يرلينغ وغيرهما من الكتَّاب إلى هذا النوع الأدبي، ويتعاملون في أعمالهم مع قضايا تتعلق بالتكنولوجيا المتقدمة والحياة الافتراضية والتحديات الاجتماعية والثقافية التي تنشأ بسببها. وتجمع هذه الأعمال بين الجوانب العالية التكنولوجية والجوانب الأكثر شعبية والمرتبطة بالعالم السفلي، وتتميز بأسلوب سريع الإيقاع وشخصيات مثيرة للاهتمام، كما تستخدم لغة فيها الكثير من المصطلحات التقنية والحاسوبية.وبشكل عام، يجمع وصف بروس ستيرلينغ "combination of lowlife and high tech" بين هذه الجوانب، ويعكس الجانب الغامض والمثير للاهتمام في أدب السايبربنك، الذي يتميز بتحقيق التوازن بين العالم الافتراضي والعالم الحقيقي وبين الجوانب الفنية والتكنولوجية والجوانب الاجتماعية والثقافية.عناصر السايبربنك الأدبي:· الجوالـ (Dystopian):o تحكم وتملك المنظمات والشركات للمجتمع.o طبقية الرأسماليةo حياة وضيعة.o تمرد الأفراد على الشركات والمنظمات.o انغماس الأفراد في الجريمة والملذات والشهوات.o غلاء المعيشة · التقنية العالية:o الذكاء الصناعي.o الواقع الافتراضي .o تطورعلم الأطراف الصناعيةo المستنسخين والرجال الآليين.o الاتصالات والتقنيةo الهاكرز او محرك الشبكة (Netrunner)· الثقافة:o موسيقى الـ Punk Rock والـVaporwaveo الازياء o العمران والأضواء (اليابان في الثمانينات ونموها اقتصاديا في العالم الإلكتروني)o المتحري والمحقق الظلامي (Noir)o الرياضات والترفيه أهم الأعمال الأدبية:· رواية نوفا لـ (Samuel Delany) في عام 1968:o نوفا هي رواية خيال علمي من تأليف الكاتب الأمريكي صموئيل ديلاني ونشرت في عام 1968. تستكشف الرواية، التي تصنف رسميًا كعمل فضائي، السياسة والثقافة في مستقبل يتسم بانتشار تقنية السايبورج بشكل شامل (والرواية واحدة من سلفيات السايبربانك)، ولكن يمكن أن تنطوي صناعة القرارات الكبرى على استخدام بطاقات التاروت. تحمل الرواية نغمات أسطورية قوية، وترتبط على حد سواء بمسألة البحث عن الكأس المقدسة وبقصة جايسون والأرجونوتيكا والسعي للحصول على الصوف الذهبي. تم ترشيح نوفا لجائزة هيوغو لأفضل رواية في عام 1969. في عام 1984، قام ديفيد برينجل بإدراجها ضمن قائمته لأفضل 100 رواية خيال علمي كتبت منذ عام 1949. ملخص القصةفي عام 3172، تنقسم السلطة السياسية في المجرة إلى فصيلين: فصيل دراكو الموجود على الأرض وفصيل الاتحاد الثريد الذي ظهر في وقت لاحق. كلاهما لديه اهتمامات في المستعمرات الخارجية الأحدث، حيث تنتج المناجم كميات قليلة من المصدر القيم إليريون، وهو مادة فائقة الثقل ضرورية للسفر الفضائي وتغيير مناخ الكواكب.يتورط قائد مهووس ومشوه من الاتحاد الثريد، لورك فون راي، في صراع بين العائلات الأرستقراطية والاقتصادية القوية، فيجند فريقًا متنوعًا من المختلفين لمساعدته في السباق مع عدوه اللدود، الأمير ريد من شركة ريد شيفت المرتبطة بفصيل دراكو، للحصول على الزعامة الاقتصادية عن طريق تأمين كمية هائلة من إليريون مباشرة من قلب نجم نوفا. وبذلك، سيحدث فون راي تحولًا في توازن القوى في النظام الكوني الحالي، مما سيؤدي إلى سقوط العائلة الحمراء ونهاية سيطرة الأرض على السياسة الفضائية بين النجوم.تتبع الرواية مغامرات فريق فون راي في محاولة الحصول على إليريون من نوفا، حيث يتعرضون للعديد من المصاعب والتحديات، بما في ذلك مواجهة العدو، والتعامل مع الأسرار الغامضة المرتبطة بنوفا نفسها، وكذلك الاستكشاف العميق لشخصيات الأعضاء المختلفين في الفريق.في نهاية المطاف، يتمكن فون راي وفريقه من الحصول على الإليريون من نوفا، ويتغلبون على الأمير ريد وشركته، مما يؤدي إلى تحويل التوازن في السياسة الفضائية بين الفصيلين. وبالتالي، ينتهي السيطرة الأرضية على السياسة الفضائية، وتبدأ مرحلة جديدة في تاريخ المجرة. · رواية (Do Androids Dream of Electric Sheep) لـ (Philip K. Dick) عام 1968:o هي رواية خيال علمي كتبها الكاتب الأمريكي فيليب ك. ديك، وصدرت عام 1968. تدور أحداث الرواية في المستقبل البعيد بعد أن تعرضت الأرض لحرب نووية دمرت جزءا كبيرا منها وأدت إلى إنقراض الحيوانات وتحكي قصة ريك ديكارد، الذي يعمل كصائد للروبوتات المتمردة التي تشبه البشر، ويتم تكليفه بمهمة القضاء على ستة من هذه الروبوتات المتمردة. هذه الرواية تشتمل على بعض العناصر التي يمكن وصفها بالسايبرنك، مثل الروبوتات والذكاء الاصطناعي، يمكن اعتبار هذه الرواية الأم لفيلم "Blade Runner" الذي صدر في عام 1982 والذي يعتبر من أهم الأعمال في فن السايبرنك.تدور قصة الحيوانات في الرواية حول شخصية ريك ديك، الذي يعمل كصائد للحيوانات النادرة، وذلك لكسب نقاط مادية تتيح له شراء حيوان حقيقي بدلاً من حيوان اصطناعي. ويحلم ريك بامتلاك حيوان طائر "البطريق الإمبراطوري"، وهو الحيوان النادر الذي يساعده على التفرد والتميز في مجتمع موحد.تعتبر قصة الحيوانات والتركيز على الرغبة في امتلاك حيوانات حقيقية، رمزًا للحاجة إلى التميز والاهتمام بالطبيعة والحيوانات، وكذلك للعلاقة بين الإنسان والطبيعة في عالم مستقبلي متغير. وتعد هذه القصة أحد المحاور الرئيسية في الرواية التي تتناول موضوعات أخرى مثل الهوية الإنسانية الواقعية والذاتية والمجتمعية والروبوتات والذكاء الاصطناعي، والتي تركز على القضايا الأخلاقية والفلسفية المتعلقة بالحياة والوجود والتعايش في عالم متغير ومعقد.رواية (Neuromancer) للكاتب الأمريكي ويليام جيبسون عام 1984 م:تعد من أولى روايات السايبربانك. تعتبر من أهم الأعمال الأدبية في هذا النوع، حيث أنها قدمت للقراء نموذجاً جديداً للأدب العلمي والخيال العلمي، يستخدم فيه (جيبسون) تقنيات ومفاهيم حديثة كالحوسبة والشبكات والذكاء الاصطناعي والروبوتات والتجارة الإلكترونية، وجعل منها عناصر رئيسية في قالب قصته المثيرة والمشوقة. وقد فازت هذه الرواية بجائزة نيبولا لأفضل رواية علمية خيالية في عام 1984.بطلها كيس، وهو هاكر حاسوب عاطل عن العمل يتم استئجاره من قبل صاحب عمل جديد غامض يدعى أرميتاج. يتم تشكيل فريق مع مولي، السايبورغ، وبيتر ريفيرا، اللص والخادع، لتنفيذ سلسلة من الجرائم التي تمهد الطريق للهدف النهائي للمجموعة، والذي يتم تنفيذه في محطة الفضاء المدارية المسماة "فريسايد"، موطن عائلة تيسييه-أشبول الثرية. تم إنشاء اثنين من الذكاءات الاصطناعية (AIs)، وينترميوت ونيورومانسر ، التي هي قوية لدرجة أنها يمكن أن تتصل ببعضها البعض في نقطة واحدة فقط. يتعلم كيس وزملاؤه أنهم تم استئجارهم من قبل وينترميوت لكسر الفصل بين الذكاءات الاصطناعية. يتغلب كيس ومولي على التدخلات القانونية السيبرانية ومحاولة خيانة من ريفيرا لدمج وينترميوت مع نيورومانسر، وينتهي الأمر بكيس يعيش في عالم جديد شجاعأفلام:· Escape from New York (1981)[40][41]· Burst City (1982)[42]· Tron (1982)[43]· Blade Runner (1982)[44]· Brainstorm (1983)[45]· Videodrome (1983)[46]· Repo Man (1984)· The Terminator (1984)· Brazil (1985)· RoboCop (1987)[47]· The Running Man (1987)· Gunhed (1989)[48]· Tetsuo: The Iron Man (1989)· Circuitry Man (1990)[49]· RoboCop 2 (1990)· Hardware (a.k.a. M.A.R.K. 13) (1990)[50]· Megaville (1990)[51]· Total Recall (1990)[52]· Terminator 2: Judgment Day (1991)· 964 Pinocchio (1991)[53]· Until the End of the World (1991)[54]· Nemesis (1992)· Freejack (1992)[55]· The Lawnmower Man (1992)[56]· Tetsuo II: Body Hammer (1992)· Cyborg 2 (1993)[57]· Demolition Man (1993)[58]· RoboCop 3 (1993)· Robot Wars (1993)· Plughead Rewired: Circuitry Man II (1994)[59]· Death Machine (1994)· Hackers (1995)[60]· Johnny Mnemonic (1995)[61]· Judge Dredd (1995)[62]· Strange Days (1995)[63]· Virtuosity (1995)· Escape from L.A. (1996)[64]· The Lawnmower Man 2: Beyond Cyberspace (1996)[65]· Deathline (a.k.a. Redline) (1997)[66]· The Fifth Element (1997)[67]· Nirvana (1997)[68]· Andromedia (1998)[69]· New Rose Hotel (1998)· Pi (1998)[70]· Skyggen (a.k.a. Webmaster) (1998)[71]· Dark City (1998)[72]· eXistenZ (1999)[73]· The Thirteenth Floor (1999)[74]· Bicentennial Man (1999)[75]· The Matrix (1999)[76]· I.K.U. (2000)[77]· The 6th Day (2000)[78]· Avalon (2001)[79]· A.I. Artificial Intelligence (2001)· Electric Dragon 80.000 V (2001)[80]· Cypher (2002)[81]· Dead or Alive: Final (2002)[82]· Impostor (2002)[83]· Minority Report (2002)[84]· Resurrection of the Little Match Girl (2002)[85][86]· All Tomorrow's Parties (2003)[87]· Code 46 (2003)[88]· The Matrix Reloaded (2003)[89]· The Matrix Revolutions (2003)[90]· Natural City (2003)[91]· Paycheck (2003)[92]· Avatar (a.k.a. Cyber Wars) (2004)[93]· Immortal (2004)[94]· I, Robot (2004)[95]· Paranoia 1.0 (a.k.a. One Point 0) (2004)[96]· Æon Flux (2005)[97]· Children of Men (2006)· Ultraviolet (2006)[98]· Chrysalis (2007)[99]· Eden Log (2007)[100]· The Gene Generation (2007)[101][102][103]· Babylon A.D. (2008)[104][105]· Sleep Dealer (2008)[106]· Tokyo Gore Police (2008)[107]· District 9 (2009)· Hardwired (2009)[108][109]· Surrogates (2009)[110]· Tetsuo: The Bullet Man (2009)· Tron: Legacy (2010)[60]· Repo Men (2010)[111]· Priest (2011)[60]· Dredd (2012)[112][113][114][115][116]· Total Recall (2012)· Elysium (2013)[117][118]· The Zero Theorem (2013)[60]· Automata (2014)[119]· Transcendence (2014)[120]· RoboCop (2014)· Chappie (2015)[121]· Ex Machina (2015)[122]· Hardcore Henry (2015)· Ghost in the Shell (2017)[123][124]· Bleeding Steel (2017)· Blade Runner 2049 (2017)· Ready Player One (2018)[125][126]· Upgrade (2018)· Hotel Artemis (2018)· Anon (2018)· Alita: Battle Angel (2019)· Reminiscence (2021)· Jung E (2023)القصص المصورة:· Judge Dredd (1977–) by John Wagner and Carlos Ezquerra· The Incal (1981–1989) by Alejandro Jodorowsky· Akira (1982–1990) by Katsuhiro Ōtomo[33]· Black Magic (1983) by Masamune Shirow· Ronin (1983–1984) by Frank Miller· Shatter (1985–1988) by Peter B. Gillis and Mike Saenz· Appleseed (1985–1989) by Masamune Shirow· Dominion (1986) by Masamune Shirow· Ghost in the Shell (1989–1991) by Masamune Shirow· Neuromancer (1989) by Tom de Haven and Bruce Jensen[34]· Battle Angel Alita (1990–1995) by Yukito Kishiro[33]· Martha Washington (1990–1991) by Frank Miller and Dave Gibbons· Barb Wire (1994–1995) by Chris Warner· Transmetropolitan (1997–2002) by Warren Ellis[35]· Eden: It's an Endless World! (1998–2008) by Hiroki Endo· Blame! (1998) by Tsutomu Nihei[36]o NOiSE (2001) – prequel to Blame!o Biomega (2007)· Singularity 7 (2004) by Ben Templesmith[37]· The Surrogates (2005) by Robert Venditti[38]· The entire Marvel 2099 line is an example of the cyberpunk genre in comics, especially Ghost Rider 2099 and Spider-Man 2099.· Marvel's Machine Man Vol. 2· Batman Beyond· The True Lives of the Fabulous Killjoys (2013-2014) by Gerard Way and Shaun Simon الأنمي:· Megazone 23 (1985)[127]· Neo Tokyo (1986)[128]· Black Magic M-66 (1987)· Bubblegum Crisis (1987)[129]o Bubblegum Crisis Tokyo 2040 (1998)[130]· Akira (1988)[131][132]· RoboCop: The Animated Series (1988)· Beast Machines: Transformers (1999–2000)· Dominiono Dominion (1988–1989)o New Dominion Tank Police (1993–1994)o Tank Police Team: Tank S.W.A.T. 01 (2006)· Appleseedo Appleseed (1988 film)o Appleseed (2004 film)o Appleseed Ex Machina (2007 film)o Appleseed XIII (2011)o Appleseed Alpha (2014 film)· A.D. Police Files (1990)· Cyber City Oedo 808 (1990)[133]· Æon Flux (1991–1995)[134]· Silent Möbius (1991–2003)[135]· Genocyber (1993)[136]· Macross Plus (1994)· Armitage III (1995)· Ghost in the Shell (anime films)o Ghost in the Shell (1995 film)[137]o Ghost in the Shell 2: Innocence (2004 film)[138]· Ghost in the Shell: Stand Alone Complex (S.A.C.)[139]o Ghost in the Shell: Stand Alone Complex (S.A.C.) (2002–2003)o Ghost in the Shell: S.A.C. 2nd GIG (2004–2005)o Ghost in the Shell: Stand Alone Complex - Solid State Society (2006 film)o Ghost in the Shell: SAC 2045 (2020–2022)· Ghost in the Shell: Ariseo Ghost in the Shell: Arise (2013–2015)o Ghost in the Shell: The New Movie (2016 film)· Spicy City (1997)· Cowboy Bebop (1998)· RoboCop: Alpha Commando (1998–1999)· Serial Experiments Lain (1998)[140]· Gundress (1999)· Batman Beyond (1999–2001)· Metropolis (2001)[141]· The Animatrix (2003)[142]· Code Lyoko (2003–2007)· Heat Guy J (2003)[143]· Parasite Dolls (2003)[144]· Texhnolyze (2003)[145]· Wonderful Days (a.k.a. Sky Blue) (2003)[146][147]· Burst Angel (2004)[148]· Fragile Machine (2005)[149]· Aachi & Ssipak (2006)[150]· A Scanner Darkly (2006)[151]· Ergo Proxy (2006)[152]· Paprika (2006)[153][154]· Renaissance (2006)[155]· Dennō Coil (2007)[156]· Vexille (2007)[157][158]· Technotise: Edit & I (2009, Serbia)[159]· Real Drive (2008)· Mardock Scramble (2010)[160]· Accel World (2012–2016)· Psycho-Pass (2012)[161]· Tron: Uprising (2012)· Dimension W (2016)· No Guns Life (2019–2020)· Altered Carbon: Resleeved (2020)· Akudama Drive (2020)· Blade Runner: Black Lotus (2021–2022)· Cyberpunk: Edgerunners (2022)مسلسلات· World on a Wire (1973)[162]· The Deadly Assassin (1976)[163]· Overdrawn at the Memory Bank (1983)[164]· Max Headroom: 20 Minutes into the Future (1985), British television movieo Max Headroom (1987),[165] American television series based on the UK TV movie· Wild Palms (1993)[166]· TekWar (1994)[167]· RoboCop: The Series (1994)· VR.5 (1996)[citation needed]· Welcome to Paradox (1998)[168]· The X-Files, two episodes of the series were written by William Gibson and contain cyberpunk themes:o Kill Switch (1998)[169]o First Person Shooter (2000)[170][171]· Harsh Realm (1999)[172]· Total Recall 2070 (1999)[173]· Dark Angel (2000–2002)[174]· RoboCop: Prime Directives (2001)[175]· Charlie Jade (2005)[176]· Terminator: The Sarah Connor Chronicles (2008–2009)· Power Rangers RPM (2009)· Kamen Rider Dragon Knight (2009)[citation needed]· Dollhouse (2009–2010)[177]· Caprica (2010)· Person of Interest (2011–2016)· Black Mirror (2011–2019)· Continuum (2012–2015), set in the present with a protagonist who has time traveled back from a cyberpunk future in 2077· H+: The Digital Series (2012)· Almost Human (2013–2014)· Die Gstettensaga: The Rise of Echsenfriedl (2014)· Mr. Robot (2015–2019)· Humans (2015–2018)· Westworld (2016–2022)· Incorporated (2016–2017)· Altered Carbon (2018–2020)· S'parta (2018)· Better Than Us (2018–2019)· Love, Death & Robots (2019–present)· Meta Runner (2019–2022)· Onisciente (2020)· Upload (2020–present)[178] ألعاب فيديو:· Exapunk The Screamer (1985)[190] Imitation City (1987)[191] Megami Tensei series (1987–present)[192] Digital Devil Story: Megami Tensei (1987)[193][194] Devil Summoner: Soul Hackers (1997)[195] Shin Megami Tensei: Digital Devil Saga (2004)[196] Shin Megami Tensei IV (2013)[192] Soul Hackers 2 (2022) Metal Gear series (1987–present) Metal Gear Solid (1998)[197] Metal Gear Solid 2: Sons of Liberty (2001)[198] Metal Gear Solid 4: Guns of the Patriots (2008)[192] Metal Gear Rising Revengeance (2013) Akira (1988–2002) Akira (1988)[192] Akira Psycho Ball (2002) Neuromancer (1988)[199] Snatcher (1988–1996)[200] Genocide (1989)[192] Night Striker (1989) DreamWeb (1992)[201] Flashback (1992)[202] BloodNet (1993)[203] Gadget: Invention, Travel, & Adventure (1993)[204] Shadowrun series Shadowrun (SNES) (1993)[205] Shadowrun (Sega Genesis) (1994)[206] Shadowrun (Sega CD) (1996)[207] Shadowrun (2007)[208][209] Shadowrun Returns (2013) [210] Shadowrun: Dragonfall (2014) [211] Shadowrun Chronicles: Boston Lockdown (2015) Shadowrun: Hong Kong (2015) [212] Syndicate series Syndicate (1993)[213] Syndicate Wars (1996)[214] Syndicate (2012)[215] Beneath a Steel Sky (1994)[216] Burn:Cycle (1994)[217] Hell: A Cyberpunk Thriller (1994) Delta V (1994)[218] Hagane: The Final Conflict (1994)[192] Live A Live (1994)[192] Rise of the Robots (1994) [219][220] Policenauts (1994)[192] Appleseed series Appleseed: Oracle of Prometheus (1994) Appleseed EX (2004) System Shock series System Shock (1994)[221] System Shock 2 (1999)[222] CyberMage: Darklight Awakening (1995)[223] Johnny Mnemonic: The Interactive Action Movie (1995)[224] Road Rage (1995) Osman (1996)[192] Blade Runner (1997)[225] Final Fantasy VII (1997)[226] Compilation of Final Fantasy VII (2004–2009) Final Fantasy VII Remake (2020)[227] Ghost in the Shell (1997)[192] Einhänder (1998)[192] Nightlong: Union City Conspiracy (1998) Xenogears (1998)[228] The Nomad Soul (1999) Fear Effect series Fear Effect (2000) Fear Effect 2: Retro Helix (2001) Fear Effect Sedna (2018) Deus Ex series Deus Ex (2000)[229] Deus Ex: Invisible War (2003) [230] Deus Ex: Human Revolution (2011) [231] Deus Ex: The Fall (2013)[232] Deus Ex: Mankind Divided (2016) Perfect Dark series Perfect Dark (2000) Perfect Dark Zero (2005) Oni (2001)[233] Anachronox (2001) Mega Man Battle Network series Mega Man Battle Network (2001) Mega Man Battle Network 2 (2001) Mega Man Battle Network 3 (2002) Mega Man Network Transmission (2003) Mega Man Battle Chip Challenge (2003) Mega Man Battle Network 4 (2003) Mega Man Battle Network 5 (2004) Mega Man Battle Network 6 (2005) Uplink (2001)[234][235] Breath of Fire: Dragon Quarter (2002)[236] .hack series .hack//IMOQ (2002–2003) .hack//G.U. (2006–2007) .hack//Link (2010) Neocron (2002)[237] Enter the Matrix (2003)[238] P.N.03 (2003) Cy Girls (2004) Æon Flux (2005) Dystopia (2005)[239] System Rush (2005)[240] Mirror's Edge (2008) Halo 3: ODST (2009) Cyber Knights series: Cyber Knights (Classic) (2011)[241] Cyber Knights: Flashpoint (2021)[242] Gemini Rue (2011)[243] Hard Reset (2011) Cypher (2012)[244] Cataclysm: Dark Days Ahead (2013) Remember Me (2013)[245] Far Cry 3: Blood Dragon (2013) Alien: Isolation (2014) Jazzpunk (2014) Transistor (2014) Watch Dogs series: Watch Dogs (2014)[246] Watch Dogs 2 (2016) Watch Dogs: Legion (2020) 2064: Read Only Memories (2015) Call of Duty: Black Ops III (2015)[247] Dex (2015)[248] Technobabylon (2015) Soma (2015) Satellite Reign (2015) Digimon Story: Cyber Sleuth (2015)[249] Invisible, Inc. (2016) Mirror's Edge Catalyst (2016) Superhot (2016) VA-11 HALL-A (2016)[250] Digimon Story: Cyber Sleuth – Hacker's Memory (2017)[249] Observer (2017) Ruiner (2017)[251] The Red Strings Club (2018)[252] Ion Fury (2018) Tales of the Neon Sea (2018)[253] Astral Chain (2019)[254] Katana Zero (2019) Dohna Dohna (2020)[255] Cyberpunk 2077 (2020) Ghostrunner (2020) Incredibox V8: Dystopia (2020) Cloudpunk (2020) ENCODYA (2021) The Ascent (2021) Stray (2022) SIGNALIS (2022) The Last Night (TBA)[256] الالعاب الروائية:· Cyberpunk (1988)o Cyberpunk 2020 (1990)o Cyberpunk V3.0 (2005)o Cyberpunk Red (2020)· Shadowrun (1989)· GURPS Cyberpunk (1990)[257]· Necromunda (1995)· Infinity (2005)· Corporation (2009)[258]· Deadzone (2013)· Carbon 2185 A Cyberpunk RPG (2019)
A girl living in a haunted house must find a way to protect her way of life.. Written and produced by Julie Hoverson Cast List Eden - Jaiden Douwes Henry - Danar Hoverson Callandra - Julie Hoverson Frederick! - Reynaud LeBoeuf Ethan - Scott Douwes Mrs. Sherman - Angela Kirby Garth Sherman - Luke LeBoeuf News - Suzanne Dunn Henry's Mom - Gwendolyn Gieseke-Woodard Music by Kevin MacLeod (Incompetech.com) Sound mastering: Julie Hoverson Cover Design: Dennis Hager "What kind of a place is it? Why it's an old brownstone home, can't you tell? Where else would you expect to find ... a couple of ghosts? *************************************************************** A Ghost of a Chance Cast: Eden Anderson, precocious 11-year old Ethan Anderson, her dead father, 47 Callandra O'Doul, dead Irish maidservant, 20 Henry Torrence, burglar, 23 Frederick Ferryman, dead actor, 40s-50s Ms. Sherman, CPS, 32 Garth Sherman, her son, a bully, 13 News [anything] OLIVIA Did you have any trouble finding it? What do you mean, what kind of a place is it? Why, it's a big old brownstone, can't you tell? Where else would you find a ghost or two? SCENE 1 – coming home MUSIC SOUNDS MODERN STREET NOISE. SOUND WE FOLLOW THROUGH A CREAKY GATE. STREET NOISE QUIETS A BIT. FOOTSTEPS ON LEAVES, THEN ON WOOD PORCH. KEY IN LOCK, DOOR OPENS, FOOTSTEPS PASS THROUGH. SCENE 2 – HALLWAY AND KITCHEN EDEN Hey! I'm home! SOUND BACKPACK FLUNG ONTO TABLE. DOOR SHUTS AND IS CAREFULLY LOCKED. CALLANDRA You're going to have to do some shopping soon, miss. We're almost out of soap powder. EDEN [sigh] I'll put it on the list. SOUND FOOTSTEPS, THEY HESITATE, THEN STOP EDEN What? Move it. I'm tired. CALLANDRA [evasive] You're looking a mite peaked. You could use a bite to eat. Come into the kitchen and have some soup. EDEN [slightly suspicious] O-kay... SOUND MODERN JAZZ, PLAYED LOW, SLIGHTLY MUFFLED EDEN Dad's not at the videos again is he? SOUND OPENING CUPBOARDS, CANS BEING PULLED OUT AND PLACED ON THE COUNTER CALLANDRA [not quite convincing] No. EDEN Then why don't you want me to go upstairs? SOUND POP TOP ON CAN, SOUP INTO BOWL CALLANDRA Whatever gave you that idea--? EDEN Oh, please. CALLANDRA Can I not just be concerned about you? Someone has to be! SOUND MICROWAVE OPENS, FOOD IN, SETTING TIME EDEN I'm fine. SOUND TURNS ON MICROWAVE MUSIC SCENE 3 – A BIT LATER AMBIANCE TELEVISION PLAYS LOW IN THE BACKGROUND News ....was stolen from the J.J. Holdings museum at the university today. The vase is attributed to the school of Cellini, and has been valued at nearly half a million dollars. SOUND CELLPHONE DIALS, RINGS, PICKS UP EDEN Hey Ariel. ... Nothing. Look, I've been thinking about-- SOUND THUMPING ON CEILING EDEN --trying out... for... Can you wait a minute, Ariel? SOUND HOLD BUTTON IS PRESSED SOUND DOOR OPENS. STEPS INTO FOYER, SLIGHT ECHO SOUND THUMPING FROM ABOVE. A COUPLE OF RAPID STEPS. SOUND [WHOOSHING SOUND OF A GHOST ARRIVING] CALLANDRA Oh no, miss. EDEN Yeah? Stop me. It's not dad - I can hear his computer going, and it's not you, since you're right here. Maybe Frederick? [yelling] Frederick? CALLANDRA [worried] Oh... SOUND [WHOOSHING SOUND OF A GHOST ARRIVING] FREDERICK [overly theatrical, as always] Enter stage right. Yeeeees? CALLANDRA See, it's all gone now-- SOUND THUMPING FROM ABOVE CALLANDRA [dismay] Ooh! EDEN [grim] What is it? FREDERICK Shall I make a recon, my young commander? EDEN Oh! Shoot! SOUND BEEP ON PHONE EDEN Gotta call you back, Ariel. Yeah, it's dad. SOUND PHONE HANGS UP EDEN Callandra? You want to explain-- SOUND DOORBELL RINGS. WHOOSH [GHOSTS LEAVING] EDEN [exasperated sound] Uuh! SOUND STAMPING FEET, CHAIN LOCK GOES ON EDEN [sighs] SOUND DOOR OPENS EDEN [sweetly] Yes? SHERMAN Good evening. Are your parents around? EDEN My father is asleep. He hasn't been feeling very well. SHERMAN I think he'll want to speak to me. FREDERICK [whisper] Why? Is she covered in chocolate? EDEN [gritted teeth] Maybe when he's feeling better. Can he call you? SHERMAN Here's my card. EDEN Oh. CALLANDRA What's C-P-S? Does that mean she's with the coppers? EDEN What's this about? I would invite you in, but-- SHERMAN No, I understand. Safety first. [serious] There's been a complaint. EDEN By who? FREDERICK [booming voice] Whom. EDEN I mean - by whom? SHERMAN I'll discuss all that with your father. Please do have him call me. [going off] All my info's on the card. EDEN [calling] Thanks - uh - Ms. Sherman. SOUND DOOR SHUTS EDEN Oh, shoot! CALLANDRA Now, it's not that bad. Is it? FREDERICK Of course it is. CPS are the child police service. They arrest bad little children. CALLANDRA The devil you say! Oh, Eden, tell me darling! They won't arrest you! EDEN They don't - but they do take children away from the wrong type of home environment. CALLANDRA [relieved] Ohhh! We're safe enough then. EDEN [as if] Ri-ight. SOUND THUMPING EDEN Are you going to tell me, or do I just get to find out for myself? CALLANDRA Oh, my stars... MUSIC SCENE 4 - UPSTAIRS SOUND DOOR UNLOCKS, OPENS HENRY [gasps] Jeez! About flipping time! You ever hear of unlawful imprisonment? EDEN I've heard of burglary. HENRY You're kinda small for a cop. EDEN [exasperated noise] Dude. You can come out now, but just so you know, I've got a taser. SOUND SLOW FOOTSTEPS EDEN [gasps, shocked] You look like--! HENRY Got my hands up, all that. [quoting] Don't tase me, [ending lamely] uh, bro. SOUND A COUPLE MORE STEPS, THEN HENRY [grunt as he lunges at her] SOUND SCUFFLE. FALLING FURNITURE, SOMETHING BREAKS, THEN... FREDERICK [unearthly wail] HENRY [screams, then gibbers until noted] SOUND SOMETHING SMALL CLATTERS TO THE FLOOR EDEN I hate when you do that! That is so gross! [tsk, annoyed sigh] You coulda left your head on... FREDERICK [huffy] It was effective. EDEN [sigh] You. What's your name? HENRY [gibbering] ...head came off, and cold, so cold! SOUND SLAP HENRY [sharp intake of breath] Wha-ah-ah? EDEN Your name, mister burglar. HENRY Henry. Henry Torrence. [whispered] What the heck was that? EDEN A ghost. Now, Mister Torrence, I suppose I'm gonna have to tie you up or something, so you don't try and jump me again-- HENRY Howzabout just letting me - ya know - go? EDEN You broke in. I have to do something, and I really don't want to have to deal with the cops - they'll bother dad. HENRY Look, I never hurt no one, I ain't the type. I swear! EDEN Still... I think you need to stay locked up for a while. CALLANDRA Can I keep him? Please? I caught him! FREDERICK Shut up woman, we may be able to use this fellow's services. EDEN [ordering] March! I'll put you somewhere better than that closet, but you better stay put or - FREDERICK Boooooo! HENRY [gasps] EDEN [unenthusiastically] Yeah, that. Boo. MUSIC SCENE 5 - DOWNSTAIRS CALLANDRA What do you plan to do with him? Please say I can have him for me own - he's such a fine specimen of a man. EDEN If you keep him, I have to feed him. CALLANDRA Well... not necessarily... EDEN No. No. No. I'm not having any more ghosts around here. CALLANDRA You never let me have any fun! EDEN Besides, didn't you notice the resemblance? CALLANDRA To a man? SOUND WHOOSH, FF ENTERS FREDERICK Our dear Callandra never looked above his [mocking her accent] "luuuvly broad shoulders!" CALLANDRA Bite your tongue, Frederick! I still have those clippings of yours, and you will sorely regret having a jape at my expense-- EDEN Shut up! MUSIC SCENE 6 – BREAKFAST IN BED SOUND MORNING BIRD NOISES SOUND MUFFLED THUMP, RATTLE AT DOORKNOB HENRY [yawns, waking] SOUND CHAIN RATTLES, BEDCLOTHES RUSTLE EDEN [muffled] Are you awake? HENRY Yeah, sure. Whatever. SOUND DOOR OPENS WITH DIFFICULTY SOUND EDEN ENTERS WITH TRAY EDEN I hope you like bacon. HENRY Uh, yeah! [surprised and enthused] SOUND SHIFTING AS HE SITS UP IN BED, CHAIN MOVES HENRY Thanks. Breakfast in bed. Almost like a dream, except-- SOUND RATTLE OF CHAINS CALLANDRA [snarky] Well, we can't have you wandering around the house like some sort of ... burglar, can we? HENRY Does she need to be here? SOUND SETS DOWN TRAY, DISHES RATTLE EDEN She's my backup. I need to talk to you. HENRY [annoyed] Go ahead. I don't eat with my ears. SOUND EATING NOISES EDEN [snort of laughter] This is going to sound really dumb, but... [thinks hard] I have a kind of proposition for you. HENRY [offended] You are way too young, and she's dead. EDEN Huh? CALLANDRA Shame on you! HENRY Nothing. [eats noisily] EDEN Ew! [angry sigh] Look, no. My dad is out of town, and I need someone to pretend to be him and talk to CPS. HENRY CPS? The CPS? Hell no. I hate those bast‑‑ uh-- buttheads. EDEN Why? You got kids? HENRY Never mind. No way you can talk me into-- EDEN We'll pay you. HENRY --into-- How much? EDEN Dad said we could give you a thousand. For staying here for two weeks and pretending to be him. HENRY He's not coming home for two weeks? [truly offended] What the hell is wrong with him, leaving you all alone? CALLANDRA Language!! HENRY I don't give a flying rat's patoot about my language! If your dad is so flipping negligent to leave you all alone for weeks at a time, [losing steam] then maybe you'd be ... better off-- EDEN [anguish] In foster care? No way!! HENRY Well, no, but... don't you have any other family? EDEN [mumbled] Not anywhere around here. HENRY [sincere] That sucks! EDEN Look, I'm not supposed to say anything, but my dad... He [whispers importantly] he works for the government. Top secret. HENRY Seriously? EDEN Uh-huh! So he can't always control when he'll be back. HENRY Why would he - why would you even trust me? EDEN You won't get paid until after the two weeks is up. Besides... I'm a pretty good cook? HENRY Okay, but I have to be able to tell my mom. She'll worry if I don't get home. EDEN You live with your mom? But you're like a grownup. That's weird. HENRY Why do you think I don't have a real job? MUSIC SCENE 7 – MEETING CPS FREDERICK [sharp whisper] Now you just behave now, my lad, or I'll give you what for again. HENRY [trying to be flippant] “Boo.” I get it. This makeup itches. EDEN Sorry. You had to look a little older. HENRY It is kinda creepy how I look so much like your dad. EDEN Yeah. [fretting] Where IS she? SOUND KNOCK ON THE DOOR CALLANDRA Eep! EDEN [to the ghosts] Scat! [quiet] Ready? HENRY Guess we'll find out. SOUND FEET, DOOR UNLOCKS and OPENS EDEN Hello? Ah. Right on time. SHERMAN Your father--? EDEN Right here. Come on in. HENRY [trying too hard to sound old] Ethan Anderson. Pleased to meet you. You're Ms. Sherman? EDEN [warning] Dad! [explaining] He's had a cold. SHERMAN [warm] Ah! I hope you're on the mend? HENRY [clears his throat, sounds more normal] Yes, yes. Much better. MUSIC SCENE 8 – WAITING IN THE KITCHEN SOUND FLAP OF KITCHEN DOOR, FEET CALLANDRA [very nervous] How goes it? EDEN Seems OK, so far. HENRY [off, furious] What? EDEN Oh no! SOUND RUNS OFF, FLAP OF DOOR EDEN [breathless] What? HENRY [grim] Tell her. SHERMAN [sweet] My dear, um, Eden. I was just telling your father that your school has raised issues about your father's involvement-- EDEN Why? He emails them all the time. They understand how busy he is. SHERMAN We still have to take it under advisement. Now, off the record, and with the understanding that you, sir, are a fairly wealthy man, I might ask why you haven't engaged a nanny or other similar household staff-- EDEN [QUIET, prompting] DAD! HENRY [angry] What business is it of yours, lady? SHERMAN Perhaps you should step out and leave us alone again, dear. EDEN No. I may be too young for my opinion to count, but I want to hear what you plan to do to me. We don't need anyone to look after the house. I can do that. SHERMAN But you shouldn't have to - you are a child, dear, and you have better things to do. EDEN Like what? Play Xbox and get fat? MUSIC SCENE 9 – AFTER SHE LEAVES SOUND FRONT DOOR SHUTS, LOCKS HENRY You have 20 million dollars? EDEN And a half. Not like I can spend it. They don't trust me - that's why they call it a trust fund. HENRY [snort] SOUND SHE STARTS UP THE STAIRS HENRY Hey, we're talking here. EDEN [upset] You're only my dad while there's an audience. HENRY [calling] Why don't you want a nanny or something? SOUND RUNS UP THE STAIRS CALLANDRA Poor child. HENRY [gasps] Oh, right. CALLANDRA Pity you're not much of a father. HENRY [offended] You're not much help, either. CALLANDRA Oh? And what do you expect from me? I've been dead over a century, boyo. HENRY How's that work, anyway? CALLANDRA [pouty] Don't know. Wouldn't tell you if I did. HENRY Fine. Whatever. You have anything to drink around this place? CALLANDRA [rolls eyes] Oh, yes. That would look terrible good to Ms. Sherman, wouldn't it? HENRY I'm going out for a while. Don't worry - I'll sneak out the back. I'm good at THAT. MUSIC SCENE 10 – HENRY'S HOME SOUND DOOR OPENS, MUSIC PLAYS IN THE BACKGROUND HENRY [sigh, then calling] Hey mom! MOM [bleary drunk] Baby? That you? HENRY [resigned] Yes, mom. MOM Where you been? HENRY I gotta job, mom. Been working. MOM You bring me back a little something, baby? Medicine? HENRY [down] Tomorrow. I promise. MOM [sarcastic] Such a good boy. You gon' expect me to bail you out again? You need to get you some better friends, baby. HENRY I'm not a baby, mom. I'm thirty-five. MOM You'll always be my baby, Henry, won't you? You know how much I count on you. How much it hurts every time you been taken away from me. What would I do if you were in jail? Do you ever think about that? HENRY Yeah. [under his breath] All the time. MUSIC SCENE 11 – CHAT WITH DAD SOUND COMPUTER KEYS SOUND DOOR OPENS HENRY Eden? EDEN [gasps] What? Oh! You're back! SOUND FOOTSTEPS HENRY You shouldn't sit in the dark like that. EDEN [sarcastic] Thanks dad. [serious] I've been chatting with my real dad. HENRY I didn't hear anything, if that's what you're worried about. EDEN Duh. Computer chatting. HENRY Typing. Right. I'm not much for the whole computer thing. EDEN That could be awkward, if Ms. Sherman decides to quiz you on what you do for a living. Dad's a programmer. HENRY For the government? EDEN [scornful] No! [realizing] Oh, I mean... uh... he's a programmer for real, but he doesn't program for them. HENRY [suspicious] Can I type something to him? EDEN Sure. SOUND CHAIR SHIFTS, CLUMSY, SLOW TYPING EDEN Is this a secret, or can I type it for you? HENRY Yeah, go on - at this rate I'll be here all night just to say Hi. Um... [thinking] Mister... uh ... can I call him Ethan? EDEN [responding to dad] All right. He says let's turn on the microphone. SOUND CLICK EDEN Now you can just talk. He still has to type, though. His mike is broken. HENRY I don't know you, so maybe I'm not the one who should be saying this, but - here goes. Dude, leaving your kid alone makes you a bad dad. So what if the government needs you! EDEN You're... serious? HENRY Hell yeah. You're gonna grow up robbing banks and stuff. EDEN Hmm. He says, just because your dad was a deadbeat, doesn't mean -- HENRY What the hell do you think you know? EDEN He says-- HENRY I can see what he says. Background check, my ass! EDEN I told you he's a computer guy. HENRY Fine. You need to take care of-- EDEN Don't tell me how to raise my daughter. Oh, and he says "watch"-- SOUND [some CCTV video comes on the computer] HENRY [shocked] How did he get that? EDEN Is that you? Breaking into a building? Wow. Wait, is that the museum? HENRY So that's your way of keeping me in line? EDEN Are you the one who stole the Cellini vase? HENRY I plead the fifth. [angry sigh] Fine. I'll do my two weeks, and then I am the hell out of here. EDEN [angry] Very well, you worthless wretch! HENRY What? EDEN [innocent] Just what he said. MUSIC SCENE 12 – RUDE AWAKENING SOUND POUNDING ON DOOR CALLANDRA Mr. Anderson!! HENRY [sleepy] What? CALLANDRA That woman is at the door! HENRY I can't answer it like this! I don't have that old-age makeup-- CALLANDRA Frederic! HENRY No, no - I can do it-- SOUND POUNDING AGAIN FREDERIC Did I hear a cue? HENRY No, we-- CALLANDRA He needs to look old and ill. And right fast. HENRY Really, I-- FREDERIC Hmm. Here. [horrible ghostly noise] HENRY [screams] CALLANDRA Shh! FREDERIC Damnation. Once that would have turned your hair quite white - as it is, you will have to wear a cap. MUSIC SCENE 13 – CPS AGAIN SOUND DOOR OPENS SLOWLY HENRY [shaky] Yes? SHERMAN Took you long enough. HENRY I was in the shower. Nearly killed myself slipping when I came down the stairs. SHERMAN Are you going to ask me in? HENRY You might have heard the scream. SHERMAN No. [hinting to let her in] It is rather chilly out here. HENRY [sigh] Very well. SOUND THEY GO IN, HE FAKES A LIMP CALLANDRA You watch out for that one! HENRY Shh! FREDERICK She can't hear us unless we want her to. SHERMAN I expect Eden is at school right now? HENRY She's a very good student. SHERMAN [disdainful] B plus. HENRY That ain't nothing to sneeze at, lady! SOUND SITS SHERMAN But we both know she could do better. HENRY What makes you think that? SHERMAN You could get her tutors. HENRY Why? She's real smart. FREDERICK You tell her! But you might try using proper grammar. SHERMAN There's so many things your money could do for your daughter. HENRY I'd rather let her be herself. CALLANDRA Oh, that's touching, that is. SHERMAN You could send her to private school. My own son Garth is in private school. HENRY [faltering] She has ...friends.... here. SHERMAN [hinting] A very expensive private school. HENRY You recruiting or something? I ain't making any decisions behind my kid's back. SHERMAN You could pay me to leave you alone. HENRY She wants to stay -- WHAT? CALLANDRA Horrors! FREDERIC Bezom! SHERMAN You must understand, Mr. Anderson, just how poorly compensated we civil servants are these days. What a completely thankless job we do. HENRY You really just hit me up for money? SHERMAN And how particularly expensive a really good school is. HENRY [incredulous] Money. You're asking for money. SHERMAN Of course. HENRY You're a skanky money-grubbing ho! FREDERIC Filth straight from the bowels of satan's own thrice-crowned hounds of hell! SHERMAN Language! [evil nice again] You have plenty of money. I've looked into your financials. Not just Eden's little trust fund, but liquid assets as well. HENRY That's blackmail! SHERMAN Technically, it's extortion. So far. Extortion is getting money with a threat of something yet to come. HENRY It's still illegal. CALLANDRA Oh, horrors! SHERMAN Blackmail, on the other hand, is getting money with the threat of revealing something from the past. Like your criminal record? HENRY My... [confused] what? SHERMAN Mr. Anderson, I have no wish to go into detail, but do you really think I would come here with just the might of CPS behind me? HENRY Maybe. SHERMAN No. I have something concrete on you. HENRY Doesn't ring a bell. [chuckles lamely] Criminal record? Me? [laughs] SHERMAN Do the words 1987 and dot com mean anything to you? HENRY But I was just-- ["a kid", but he cuts off] SHERMAN Using an assumed name? You're very lucky no one thought to cross-reference your fingerprints before, but once they do what I did... HENRY Oh, crap. SHERMAN I'm in no hurry. I'd be happy to take a little something up front, and then a larger payment by the end of the week, perhaps? HENRY I'll ...see what I have lying around. MUSIC SCENE 14 – CHAT WITH DAD SOUND DOOR OPENS, FEET STORM IN HENRY Is your mike on, Mr. Anderson? SOUND COMPUTER BEEP HENRY Good. Cause I don't know jack about how to work these things. SOUND COMPUTER BOOP HENRY You heard what happened? How? SOUND BOOP HENRY I didn't even notice a computer in the living room. SOUND BOOP HENRY Huh? Which button? SOUND BOOP HENRY No need to get snippy. SOUND BUTTON PUSHED ETHAN [computer generated voice] You will go immediately to the first hill bank and trust-- HENRY What do you mean immediately? I gotta do grocery shopping this morning. ETHAN Delivered. HENRY Not for here. for my mom. ETHAN Get it delivered. HENRY Hey! Mom may be an old lush, but she expects to see me from time to time. ETHAN Bank after. HENRY What's all this crap that witch was talking about, anyway? ETHAN No time. Bank today. Take three thousand dollars-- HENRY I can't pass for you at a damn bank! I can't sign your name! ETHAN Account in your name. Use your own I-D. HENRY What? In my name? What makes you think I won't just walk off... [back on topic] Second - why three thousand? She won't settle for just three-- ETHAN Three thousand will pay off her car. HENRY Damn. You really can find out anything, can't you? MUSIC SCENE 15 – HENRY HOME SOUND DOOR OPENS, MOM'S HOUSE. TV ON HENRY I brought your groceries. MOM Good. Didja get any beer? HENRY It's still in the car. MOM Bring that in next, woudja? That's a good boy. HENRY [from other room, confused] Mom? Where's my TV? MOM Mine was ...uh...on the fritz, so I moved yours in here. HENRY You did? MOM I had help. HENRY You forgot to pay, didn't you? MOM That is no way to talk to your mother! Besides, if you weren't gone all the time, I wouldn't have such a problem. You know I never was good with money. HENRY Yeah. MOM When did you say you'd get paid for this new job you got? MUSIC SCENE 16 – DINNER WITH EDEN SOUND DINNER NOISES HENRY You made this? EDEN [sullen] Yeah. HENRY It's pretty good. EDEN Should be. Been cooking since I was [Callandra's accent] "just a wee thing". [change of tone, sullen] You were gone all day. Again. HENRY I came back. EDEN Well, duh. We're paying you to be here. HENRY Are the ghosts joining us? EDEN [still sullen] Frederic gets too jumpy around food, and Callandra "doesna feel tis proper." MOMENT OF SILENCE HENRY Are you mad at me? SOUND THUMP - VASE ON TABLE HENRY What the h---ay? You going through my room? EDEN Callandra saw you hide it. SHE's very upset with you. CALLNDRA [from off] Though it is a right pretty wee thing! HENRY I had to bring it along - mom was about to use it as an ashtray. EDEN Why do you steal? HENRY Whoa! That ain't polite to ask. EDEN It isn't polite to steal. MOMENT OF SILENCE HENRY What else am I gonna do? Shove burgers? I ain't even got a GED. Without that… well… EDEN If you're trying to convince me to stay in school, there's no point. HENRY No way! You gonna drop out? Smart kid like you – you could be any darn thing you want! EDEN Oh, please. I already have a GED. Or at least, I took the test – just to see, you know? And I've taken a few college courses on the Internet. I stay in school for the socialization. HENRY Huh? EDEN I stay in school to look normal and have friends. The work is boring as hell, but I don't want to stand out. Do you know how hard it is to manage a B+ average? HENRY [sarcastic] Never had that problem, myself. EDEN [mounting upset] I have to guess on each test what the correct percentage of answers is to get wrong. I have to dumb my writing down for essay questions. I have to-- HENRY Why? EDEN Why? HENRY Why not just say to hell with it, and let em see how smart you are? EDEN Smart kids get noticed. I can stand out when I'm older. When it's safe. MUSIC SCENE 17 – WHERE'S DAD SOUND COMPUTER NOISES HENRY You need to get your butt home, dude. Your government might need you, but your daughter needs you more. ETHAN Not possible. HENRY What, are you in deep cover or something? In a foreign prison? [slow realization] Oh.... crap. ETHAN We are both in crap. HENRY No, I mean you - you're like them, aren't you? ETHAN Define "them". HENRY The ghosts. ETHAN [beat] Yes. HENRY Holy crap. ETHAN No. Just regular crap. HENRY I can't stay here forever! ETHAN Eden needs you. HENRY [wobbling] My mom... she needs me, too. ETHAN Open the scanner. HENRY What? Oh, that. SOUND SCANNER NOISE ETHAN I need your hand. MUSIC SCENE 18 – WHERE'S MOM SOUND SILENT HOUSE, KEY IN LOCK, DOOR OPENS HENRY Mom, why's the TV --? [panicky] Mom? SOUND MOVES THROUGH, TALKING HENRY Mom, please say you're okay. Say something! Hello? Oh, jeez, what could they'a done to‑‑ [cuts off as he spots something] What? SOUND PAPER PICKED UP HENRY [Reading] Hope you get this. Woulda called, but-- MOM [continuing, guilt tripping] --you never gave me your number at "work". Won a cruise in a mail-in contest. Back in a month. "Mom." P-S, all expenses paid - how you like them apples. Oh, and make sure to pay the electric bill. Want heat when I get home. HENRY [half amused, half annoyed chuckle] Ethan, you king of all shits. MUSIC SCENE 19 – LIKE MOTHER SOUND OUTSIDE, DAYTIME STREET GARTH Hey! EDEN [suspicious] Can I help you? GARTH [mean chuckle] You bet. SOUND CLICK OF CAMERA PHONE GARTH [annoyed] Hey! EDEN [scared, but standing her ground] If this is a mugging, I just e-mailed your picture to my dad. GARTH He's not gonna do anything. EDEN What makes you so sure? GARTH My mom has him by the short hairs. EDEN Your mom? GARTH Sherman? From CPS? Ring any bells? EDEN She went away. Everything is fine. GARTH Course it is. It's fine as long as you guys play ball. EDEN [starting to get it] As long as we--? GARTH Pay up. EDEN But that's-- GARTH You wanna complain, go whine to your dad, he'll explain the facts of life. For now... you got an ipod? EDEN [starting to break] I-- GARTH [threatening] Or should I say, do I got an ipod? [snarl] Hand it over. SOUND HAND OVER EDEN [nearly in tears] There. Choke on it, you bully! GARTH Uh! [shoves her] SOUND EDEN FALLS EDEN [gasp, trying hard not to cry] SOUND GARTH WALKS AWAY GARTH Hah! She got the Bieber fever. [nasty laugh] Ooh! Beyonce! EDEN [long sniffle] SOUND RUNNING FEET HENRY What happened? Here, let me-- SOUND SHE JUMPS UP AND THROWS HER ARMS AROUND HIM EDEN [crying] HENRY [nervous, not sure what to say] It's okay! I'll handle this. It's-- [determined, personal] It's going to be okay. MUSIC SCENE 20 – getting even SOUND QUIETLY DRESSING HENRY [whispering] It's easy to forget she's just a kid. FREDERIC [stage whisper] She is a most self-possessed young lady. HENRY Shh. She only just got to sleep. FREDERIC And you? Are you leaving her now, in her hour of need? HENRY [grim] Something I gotta do. FREDERIC In the middle of the night? SOUND ZIPPER ZIPS FREDERIC And dressed all in black? I sense skullduggery! HENRY Sense all you want, but stay quiet about it. FREDERIC Alas that I cannot do more than keep the light burning for your return. HENRY Yeah. See you in the morning. MUSIC SCENE 21 – SATISFACTION SOUND LOUD BANGING ON THE FRONT DOOR, DOOR OPENS HENRY [self satisfied] Ahh! [yawns] So sorry. Long night. SHERMAN Your check bounced! HENRY [congenial] No, I put a stop payment on it. Won't you come in? SHERMAN You WHAT? HENRY I - we - aren't playing your game any more. SOUND DOOR CREAKS OPEN A CRACK, UP CLOSE EDEN [whispered, eavesdropping] Go, Henry! FREDERIC I could always give her a visitation - maybe we'll get lucky and she'll keel over from the shock! EDEN No! He may be a butt, but I don't want you to kill some kid's mom! CALLANDRA They've gone into the living room! EDEN I'll have to listen on the laptop then. Right dad? SOUND BEEP MUSIC SCENE 22 – REVELATION HENRY Would you like a soda? SHERMAN I would like an explanation. What makes you think I won't go through with turning you in? HENRY Go ahead. When they take my fingerprints and they don't match the ones you have on file, you'll look pretty silly. SHERMAN You - you...! HENRY You might have noticed that I'm a bit of a computer nerd. SHERMAN Oh-ho-ho! [getting composure back] You may have changed the prints on the system, But you can't get into my backups. HENRY Call my bluff. SHERMAN Very well-- HENRY BUT-- SOUND MOMENT OF AWKWARD PAUSE SHERMAN [worried] What? HENRY I'm afraid you have a problem of your own. SHERMAN I have a what? Are you trying to blackmail me? I am very careful. HENRY About your money stuff, yeah - I'm sure you are. This is something else. A vase. SHERMAN A what? HENRY Have you read the papers recently? The museum? SHERMAN The Cellini Vase? HENRY Yeah, that thing. SHERMAN What does that have to do with me? HENRY It's in your house. MUSIC SCENE 23 – FINALE EDEN What if she finds it? HENRY What's she gonna do with it? She don't know no fences. CALLANDRA Or any place to sell it either. EDEN She might give it back? FREDERIC And try to explain how she happened to come by such a fugitive object? Hah! HENRY Hah is right. EDEN [down] So I guess this means you're gonna go now. I mean now that it's all clear. HENRY I guess. EDEN Would you stay? I mean, if you could? HENRY I'd like to but.... I dunno. My mom-- SOUND BEEP ETHAN [computer voice] Was lucky and got an apartment in a new full-service assisted living community. HENRY What? You can't just-- ETHAN Try and get her out. They have KeNo every Thursday. HENRY [annoyed but thinking] Hmm..... Does she get to have a nice TV? ETHAN No. HENRY What? How can you--? ETHAN You will bring one to her. EDEN Clever. FREDERIC Brilliant! CALLANDRA [sniffling] Touching. HENRY Gotcha. And what about me? EDEN I have four more years before I can technically be emancipated. If you're willing to be my dad til then, we'll-- ETHAN Pay you one hundred thousand per year. HENRY [dubious] That's pretty good. Hmm... Four years. EDEN Well, what do you want, then? HENRY Four years sounds like a heckuva lot like college. EDEN I'm still too young. HENRY Nah... I was thinking... you know... [quiet] For me. [up] But only if you'll help me get my GED and stuff. EDEN I bet I could be a really good tutor! MUSIC END
Losing someone you love is absolutely heartbreaking. There are a few more painful things to go through in this life. Death is a result of the fall of humanity in the garden of Eden… It's a result of sin… But in today's message, Pastor Dan will remind you that while it can be devasting to lose a loved one, in Christ, we'll all be reunited one day. For those who've placed their trust and faith in Jesus Christ, we have the hope of eternity in heaven. We'll get to see those loved ones again and be with Jesus.
Golden Kamuy on Satoru Nodan historiallinen seikkailusarja, jossa sotilaat ja vankikarkurit jahtaavat ainujen kulta-aarretta 1900-luvun alun Pohjois-Japanissa. Ajankohtaisina aiheina puhumme Yhdysvaltojen mangamarkkinoiden tilaa käsitelleestä paneelikeskustelusta, Punaisen jättiläisen tulevista uutuussarjoista Judge ja Ravintola maailmojen välillä sekä somekeskustelusta hyvien naishahmojen puutteesta miesyleisölle suunnatuissa teoksissa. Lukujonossa on väkivaltainen kulttiklassikko Dorohedoro. --- Kommentoi | Twitter | Instagram --- - How Story Works -podcastin jakso, jossa puhutaan hahmojen tavoitteista (ASAP-akronyymistä keskustelua noin kohdasta 14:20 alkaen) - SSSS.Dynazenon 09:27 – GOLDEN KAMUY: ESITTELY - Golden Kamuy 15:04 – GOLDEN KAMUY: AINUJEN KULTTUURI - Golden Kamuy Central -blogin postaus sarjan tapahtuma-ajankohdasta - Ainut, Japanin viimeinen jäljelle jäänyt alkuperäiskansa (riippuen siitä lasketaanko okinawalaiset vai ei) - The Dagger of Kamui - Asirpa oli British Museumin manganäyttelyn keulakuvahahmo - Ainujen kulttuurin kuvausta (kuva) 26:05 – GOLDEN KAMUY: HISTORIAN KUVAUS - Faktalaatikko kertoo, että kyllä näin on oikeastikin käynyt joskus (kuva) - Shinsengumi - Toshizoo Hijikata on maailman siistein seitsemänkymppinen (kuva) - Nagakura Shinpachi oli oikeastikin elossa sarjan tapahtuma-aikaan - Meiji-restauraatio - Ezon tasavalta, jonka Tokugawa-lojalistit perustivat Hokkaidolle - Venäjän-Japanin sota - Sugimoto pelkää muuttuneensa sodassa pysyvästi hirviöksi (kuva) - Ajatus siitä, että Sugimoto voisi vielä palata takaisin sellaiseksi kuin oli (kuva) 35:20 – GOLDEN KAMUY: HUUMORI - Ihmisnahkamuotinäytös (kuva) 40:47 – GOLDEN KAMUY: VÄKIVALTA JA MAAGINEN REALISMI - Graafista väkivaltaa (kuva) 46:34 – GOLDEN KAMUY: HOMOEROOTTISUUS - Homoeroottista nakuilua (kuva) - Verenhimoinen ahma ajaa miehet saunaan, jossa heitetään löytylä ja hakataan toisia saunavihdoilla 55:58 – GOLDEN KAMUY: SARJAMURHAAJIA KAIKKIALLA - Murhahotelli (kuva) ja oikean maailman esikuva - Rautatietyömies, jonka aivojen läpi räjähti rautakanki 59:13 – GOLDEN KAMUY: KERRONTA JA TAIDE 01:02:22 – GOLDEN KAMUY: HAHMOKERRONTA - Shiraishi on tyhmä ja pilaa kaikki koskettavatkin kohtaukset (kuva) - Matagi-metsästäjät, jollainen Tanigaki on 01:16:51 – GOLDEN KAMUY: KANNET - Golden Kamuyn kannet - Dr. Stonen ensimmäinen kansi 01:20:15 – GOLDEN KAMUY: JULKAISU - Ärsyttäviä huolimattomuusvirheitä käännöksessä (kuva) 01:26:32 – GOLDEN KAMUY: ANIME - Geno Studio - Golden Kamuy Crunchyrollissa 01:30:29 – GOLDEN KAMUY: SPOILERIOSIO - Venäjän keisari Aleksanteri II:n salamurha - Viimeinen ehtoollinen -mukaelma (kuva) 01:46:44 – GOLDEN KAMUY: YHTEENVETO 01:50:08 – YHDYSVALTAIN MANGAMARKKINOIDEN TILA 2021 - Manga Publishing Industry Roundtable 2021 -paneelikeskustelu Youtubessa - Deb Aokin twiittiketju paneelin mieleenjääneistä pointeista - Jakso 24, jossa puhuimme siitä, miten jenkkikustantajat reagoivat pandemiaan sen alkuvaiheessa BL-sarjat ja LGBT-sarjat ovat nousussa: - Boys Run the Riot - Sasaki and Miyano - I Cannot Reach You - Cherry Magic! - Given - That Blue Sky Feeling - Jakso 45, jossa puhuimme March Comes in Like a Lionin lisensoimisesta englanniksi 02:06:36 – PUNAISEN JÄTTILÄISEN TUOREET MANGALISENSSIT - Sangatsu Mangan twiitti uusista mangajulkistuksista - Judge - Isekai shokudou / Ravintola maailmojen välillä / Restaurant to Another World - Isekai izakaya Nobu ja sen tarttuva lopputunnari (YouTube) - Jakso 51, jossa puhuimme isekai-genrestä 02:16:19 – TWITTER-KESKUSTELU HYVIEN NAISHAHMOJEN PUUTTEESTA - Maariamphin twiitit hyvien naishahmojen puutteesta ja naistekijöiden mangasarjoista miesyleisölle - The Heroic Legend of Arslan - Yona of the Dawn - Jakso 35, jossa puhuimme sarjasta A Silent Voice - Life - Arisa löytyy Azuki-palvelusta - Jakso 16, jossa puhuimme Shonen Jump -lehden toimituksen miesvaltaisuudesta - Kazuya Minekura - ANN:n artikkeli siitä, tarvitaanko japanilaisia kohderyhmäjaotteluita lännessä 02:33:07 – HAMPAANKOLOSSA: TOKYO BABYLON 2021 -ANIME - Jakso 47, jossa puhuimme ajankohtaisosiossa Tokyo Babylon 2021 -animesovituksen peruuntumisesta - ANN:n artikkeli GoHandsin haastekirjelmästä 02:40:50 – KUULIJAKOMMENTIT - Jakso 53, jossa puhuimme kuulijakommenttiosiossa dekkarisarjasuosituksista ja lukujonossa Look Back -lyhyttarinasta - The Tales of Marielle Clarac, dekkarihenkinen romanssiranobesarja - Jakso 53, jossa puhuimme Look Back -lyhäristä - ANN:n uutinen siitä, miten Look Backin dialogia muutettiin jälkikäteen Ehdotetut tekijät ja sarjat: - Eden: It's and Endless World! - Freesia - Suehiro Maruo - Shintaro Kago - Desert Punk - Mangasplaining-podcastin Panorama Island -jakso 02:50:24 – LUKUJONOSSA: DOROHEDORO - Dorohedoro - Annan DesucOnline-luento Dorohedoron maailmanrakennuksesta (YouTube) - Ikki, Shogakukanin alternative-mangalehti - Dorohedoron animesovitus Netflixissä 03:07:45 – LOPETUS
RESOURCESRivers From Eden- BookChildren Can You Hear Me? & Jesus Showed Us! -Books1 Corinthians 13 New Testament David Bentley HartSHOW NOTES“We have to show our kids and the people around us that we value ourselves that we are showing them that we love ourselves, and this is how we’re caring for ourselves.” –Eden“If all they know is just someone pouring out on their behalf, then that’s all they know to do…but in the future when they have little ones that they’re meant to care for, all they know at that point is ‘Oh, mom does everything, right?’, and then we’re stuck in that same holding pattern of ‘not enough.’ It’s really, really important for us to be demonstrating for our kids how we value ourselves.” –Eden“This isn’t about being selfish, it’s about being self-aware and it’s an entirely different thing. When you are aware of what your needs are, you can move to having them met. You're not at the behest of someone else meeting those needs on a regular basis. You just know- this is what I need and so I know how to proceed to have that need filled.” –Eden“It’s really important to recognize what you need and then to take the steps needed to fulfill that. That doesn’t have to in any way negate your responsibilities to anyone. Everybody gets space, including you. And I think somehow we’ve discounted ourselves, and not given ourselves a place of value where we’ve treated everyone else the way we want to be treated, and we don’t treat ourselves that way. That’s a sad place to come to because if we actually want to thrive- as a woman, as a mom, as a human being- we have to be self-aware enough, and love ourselves enough to be able to meet our own needs.” –Eden“If we can be kind in our love for ourselves, if we can dispel envy and comparison to others, we are loving ourselves…And can we tolerate all things about ourselves. Can we take in our shadow side and all the bits and pieces that we’re not so thrilled about, but can we tolerate them in hope that they will become something better.” –Eden
In today's episode of Being Jim Davis, a vile serpent intrudes into our Garfield of Eden: It's called Garfield Forever, and it's a bullshit podcast created by assholes. Congratulations, Garfield Forever, you're our new nemesis! (That said, you should definitely check out Brady Rainey's Daily Garfcast. We have nothing but love and respect for Brady Rainey.) And hey, why not check out the ALL-NEW BEING JIM DAVIS MERCHANDISE for sale in the Pitch Drop Store: Our classic BJD Coffee Mug logo! Joe Rothenberg's world-famous Jim-Davis-as-Sisyphus design! Whatever existing BJD designs were already in the shop! One or two other designs I might add if I get around to it! Order now for all your Christmas/Hanukkah/Kwanza/Winter Solstice gift-giving needs! Your hosts for today's episode: Jon Gibson, Christopher Winter Today's strip Become a Patron! Or visit these other fine internet URLs: BJD Homepage | BJD Twitter | BJD Facebook Page | Pitchdrop Network Homepage
Nesse episódio novamente conturbado do Fate Masters Apresenta, vamos falar de um cenário que está em Financiamento Coletivo no Brasil, o cenário de Cyberpunk Distópico Pós-Apocaliptíco Evolution Pulse. Para isso o Velho Lich Rafael e Mr. Mickey Fábio bateram um papo com o Executor Sílvio Rivera, para falarmos sobre esse cenário, o que ele trás de interessante em termos de regras e sobre financiamentos coletivos em geral. Sincronize sua pulsação com o Fate Masters e mude o mundo… Mas cuidado ao abrir a Caixa de Pandora! Tivemos problemas com o áudio na captação, mas como o resultado final ficou interessante em termos de conteúdo, e portanto decidimos publicar o podcast mesmo com os problemas de áudio. Lembrem-se: qualquer dúvidas, críticas, sugestões e opiniões você pode enviar na comunidade do Google+ do Fate Masters, na comunidade do Facebook do Fate (com a hashtag #fatemasters), e pelo email fatemasterspodcast@gmail.com Link para o programa em MP3 Participantes: Fábio Emilio Costa Rafael Sant’Anna Meyer Vilão Especialmente Convidado: Sílvio Rivera Duração: 49min Cronologia do Podcast: 00:00:10 - Justificativa nas falhas de áudio 00:02:41 - Apresentação dos participantes 00:04:31 - O que é o Evolution Pulse 00:06:51 - Qual o clima de Evolution Pulse 00:10:41 - Regras diferenciadas em Evolution Pulse, em especial as Abordagens diferentes para cada tipo de Executor 00:17:53 - Sobre público para o cenário do Evolution Pulse 00:22:05 - Sobre diferenças ou não da versão brasileira de Evolution Pulse em relação à versão brasileira 00:23:58 - Sobre usos de Evolution Pulse fora do padrão (ou… Claymore para Fate) 00:26:04 - Playtests de Evolution Pulse em eventos locais 00:31:50 - Sobre o Financiamento Coletivo do Evolution Pulse: metas definidas, valores, etc 00:38:28 - Sobre materiais originais brasileiros e materiais italianos 00:40:54 - Sobre outros lançamentos da Editora Fábrica 00:43:42 - Considerações Finais Links Relacionados: Finaciamento Coletivo do Evolution Pulse Knights of Sidonia Eden Battlestar Galactica Claymore Link para a comunidade do Google+ do Fate Masters Comente esse post no site do Fate Masters! Assine no iTunes Trilha Sonora do Podcast: Wandering in the Plains (trilha Sonora de Super Mario World) por Koji Kondo Ambient Pills por Zeropage Ambient Pills Update por Zeropage
Neste programa, Judeu Ateu,EstranhoeLeonardo Souza se reúnem novamente, para desta vez realizar o podcast mais convoluto e focado da história. Esta é uma conversa sobre como diferentes públicos, “normalfags” e “hipsters”, interagem com obras de arte.Cronologia do episódio(00:33) Arte e Público(42:00) Leitura de Emails(54:00) Recomendação da Semana - Eden: It's an Endless World!
Manga review of Eden Volume 11 by Hiroki Endo. Translated by Kumar Sivasubramanian. Originally published in Japan by Kodansha. Published in US by Dark Horse, $12.95, Rated Mature 18+. The storyline that started 4 years after the first story arc continues in Eden volume 11. A shaky alliance has been formed between Elijah, Miriam Arona, and a Propater investigator named Wendy McCall. Elijah is in it to avenge Manuela's execution. Arona, a cop, is in it because the same guys killed her partner, who was Helena's boyfriend. Wendy McCall has been sent to find out about some shady connections between factions of Propater and the Wilhelm Corporation, a bio-electronic arms manufacturer. None of them want to stop with the actual killers. They are small fry. Instead, the trio wants to find the big wigs who ordered the hit. The trail takes them all the way from Peru to Australia. Unknowingly, Elijah is coming closer and closer to his missing sister, who was kidnapped a couple of volumes back, and is being held by Propater, along with Maya, a complex artificial life form that has the ability to communicate instantaneously with the emerging intelligence of the Disclosure Virus. And speaking of Maya, do you remember when Elijah made a copy of the AI in the first volume or so of Eden? It has been implanted into a cyborg body of a school-age girl and named itself Letheia Aletheia and joins Elijah on his journey to Australia. The Disclosure Virus is becoming more and more powerful and is taking over more and more cities. Now, a giant colloid has appeared in Australia as well, and Kate Mishima takes a scientific team into its bowels to investigate, and perhaps even communicate with the mind of the virus. I guess I'm getting used to the whole 4 year flash forward deal, because I enjoyed this eleventh volume much more than than the last. Maybe it also has to do with the fact that Endo has finally gotten back to the sci-fi roots of this series after digressing into a long period of gang violence and sex. It's not that the last volumes haven't been awesome in their own right, but a lot of it could've happened in the present day and didn't need such a remote future tag. But in some ways, that's what I like about Hiroki Endo's writing. He doesn't take his sci-fi elements to unbelievable extremes. He simply extends ideas and technology we already have instead, much like Ghost in the Shell. You don't have anything like hyper-spatial travel, galactic empires, or hostile aliens coming to invade like a space opera. Instead, Endo focuses on characterization. That's why I was so upset with the killing of Helena. She played such a big part in Elijah's life and was so important to the plot, and Endo gunned her down just like that with no rhyme or reason as to why she and Elijah broke up. It just seemed like a cheap theatrical trick designed to shake up the reader. Still, I have confidence that Endo will win me back over in coming volumes. I also don't know why Dark Horse took so long to put out this eleventh volume. Volume 10 came out way back in May 2008! And there has always been a darkness about this title coming from their company, as if its cancellation is always an eminent possibility. I hoped Dark Horse saw that this title reached the New York Times bestseller list for manga the week it was released. That's what I hate about these companies. They don't give you status reports or say a title is cancelled. They just let titles drift into oblivion and show no respect for the fans. Can anybody tell me what happened to Octopus Girl or Reiko the Zombie Shop? As far as I know, those titles are on "hiatus". Why can't they just say CANCELLED!? If it takes almost a year to publish each volume of Eden, give the license to Del Rey, who would treat the title with the respect it deserves. I'm talking about the big wigs at Dark Horse. It seems as though the staffers that actually deal with Eden really love the title. Kudos to Kumar and Steve for doing such a brilliant job with the translation and the lettering. My Grade: A
Podcast manga review of Eden: It's an Endless World Volume 1 by Hiroki Endo. Translated by Kumar Sivasubramanian. Originally published in Japan by Kodansha. Published in US by Dark Horse, $12.95, Rated Mature 18+. A viral pandemic has ravaged the Earth and killed off a lot of the population. Enoah and Hannah are two of the lucky few who are immune to its spread, and along with Professor Morris Layne, continue to eke out a living at a ruined research facility. They are the only survivors out of a group of scientists and their families who once walled themselves in the biodome type environment in an effort to find a cure for the virus. Now it is in ruins, and Layne is slowly dying. Nobody knows for sure if anyone else on the planet is still alive or whether a cure was ever found. But the arrival of armed troops in helicopters is going to change their little Eden forever. My Grade: A+