Podcast appearances and mentions of Francesca Caccini

Martin Kohlstedt gehört zu den angesagtesten Pianisten des Modern Classical, die akustisches Klavier mit Elektronik verbinden. 04:35 Aktuell: Junge Theatergruppen, in denen Jugendliche selbst Stücke auf die Bühne bringen – das ist in der Schweiz in vielen Städten etabliert. Aber Jugend-Oper? Mit einem Jugend-Opern-Orchester? Das gibt es schweizweit nun zum ersten Mal in Luzern. In einem aufwändigen Bewerbungsprozess wurden Jugendliche ausgewählt, die bereits ein Instrument gut spielen oder gut singen können - um mit ihnen eine neue, junge Version von Giuseppe. Ein Bericht. (Jenny Berg) 14:10 Talk: Martin Kohlstedt hat ein eigenes Kompositionssystem erschaffen, das ans Programmieren eines Computers erinnert. Tatsächlich zieht der Sohn eines Försters aber auch viel Inspiration aus der Natur und engagiert sich für den Wald. Martin Kohlstedt tourt derzeit – auch durch die Schweiz. Und erzählt im Gespräch u.a., warum Bäume liebt. (Fanny Opitz) 26:53 Neuerscheinungen: Schubert, Beethoven, Vořišek: Cellowerke Ursina Maria Braun, Florian Birsak; audite «Vox Feminae», Barockarien und Stücke von Barbara Strozzi, Antonia Bembo, Francesca Caccini u.a. Ensemble «Les Kapsber'girls»; Alpha (Felix Michel) 48:26 Swiss Corner: Feminale Basel: Ein Festival mit Musik von Komponistinnen von der Renaissance bis zur zeitgenössischen Improvisation. Studentinnen der Hochschule für Musik Basel stecken dahinter und stellen mit Workshops, Vorträgen und Podiumsdiskussionen die aktuelle Arbeitsrealität an Musikhochschulen zur Diskussion.

“Notas de Mujer” una celebración del talento y la creatividad de destacadas mujeres compositoras a lo largo de la historia. De lunes a viernes a las 9:00 hrs. en www.radioudec.cl y el 95.1 FM. Producción: Carolina Valdés - Locución: Sergio Morales.

Encara que faci molt de temps val la pena recordar quina va ser la primera

Il y a les ténors de la politique, les ténors du barreau et puis les vrais ténors, de ceux qui savent tenir tête à une note musicale, haut perchée. Emiliano Gonzalez Toro est de ceux-là. Brun, petit collier de barbe entourant son visage, il a le physique du chanteur lyrique, spécialisé dans le baroque (Monteverdi, Bach) capable aussi d'échappées vers la musique latino-américaine, le dolorisme d'une Violetta Parra ou l'héroïsme d'un Victor Jara. Parce que lui et son ensemble I Gemelli sont en tournée avec La Liberazione di Ruggiero dall'isola d'Alcina de Francesca Caccini, premier opéra composé par une femme, Gonzalez Toro donne le la de cet ESM qui tentera de comprendre pourquoi notre ténor suisse, d'origine chilienne (en tournée en France et en Suisse) est surnommé dans les coulisses de la musique ancienne Mister tactus. 

Il y a les ténors de la politique, les ténors du barreau et puis les vrais ténors, de ceux qui savent tenir tête à une note musicale, haut perchée. Emiliano Gonzalez Toro est de ceux-là. Brun, petit collier de barbe entourant son visage, il a le physique du chanteur lyrique, spécialisé dans le baroque (Monteverdi, Bach) capable aussi d'échappées vers la musique latino-américaine, le dolorisme d'une Violetta Parra ou l'héroïsme d'un Victor Jara. Parce que lui et son ensemble I Gemelli sont en tournée avec La Liberazione di Ruggiero dall'isola d'Alcina de Francesca Caccini, premier opéra composé par une femme, Gonzalez Toro donne le la de cet ESM qui tentera de comprendre pourquoi notre ténor suisse, d'origine chilienne (en tournée en France et en Suisse) est surnommé dans les coulisses de la musique ancienne Mister tactus. 

Oudemuziekkenner Kees Koudstaal presenteert de mooiste en recentste CD’s met oude en klassieke muziek. Vandaag valt zijn oog op de nieuwe uitgaven van Scherzi Musicali o.l.v. Nicolas Achten, Archipelago o.l.v. Lorenzo Colitto, luitiste Florent Marie en Pygmalion o.l.v. Raphaël Pichon. 1a. Giulio Caccini (1566-1613) – Alle Luci Beate b. Francesca Caccini (1587-1640) – Beate Sebastiana […]

Harriet Constable is a journalist and filmmaker based in London. Her journalism and documentary work has featured in outlets including the BBC, Economist and New York Times. She is a graduate of Colombia University's School of Journalism summer school, is a Pulitzer Center grantee and a fellow of the Royal Society of Arts. Her first novel is The Instrumentalist. Anna Maria della Pietà: the greatest violinist of 18th century, possibly a composer in her own right, fundamental to Vivaldi's music, grew up in the extraordinary Ospedale della Pietà - the original conservatoire of music Synaesthesia: people think it's seeing music through colour - which it is in The Instrumentalist - but it's more than that. Words can have smells and taste, one sense can trigger another in profound ways. Bach's Cello Suite in G minor while standing on a mountain: anyone can enjoy classical music, it's supposed to be listened to LOUDLY, it's supposed to be magnificent. Go somewhere epic, ideally in nature, and play this piece. Track the mountain with your eyes. The Foundling Museum: the UK's first children's charity, a heartfelt ode to the orphans and their parents. Female musicians: Fanny Mendelssohn, Clara Schulman, Nannerl Mozart, Francesca Caccini - listen to Nocturne in G minor. Spaghetti Aglio Olio This podcast is powered by ZenCast.fm

durée : 00:25:17 - Francesca Caccini, la première à l'opéra - par : Anne-Charlotte Rémond - En 1625, Francesca Caccini, fille de Giulio, donne la première de son opéra "La liberazione di Ruggiero dall'isola d'Alcina" à la Villa di Poggio Imperiale de Florence. C'est le premier opéra composé par une femme, moins de 20 ans après l'Orfeo de Monteverdi. - réalisé par : Philippe Petit

Melbourne-based composer and multi-instrumentalist Claire Deak talks about her debut solo album, Sotto Voce, and the two women composers of the Baroque whose music she recovered and reimagined – Francesca Caccini (1587-c. 1645) and Barbara Strozzi (1619-1677). Some of their compositions are intuitively sensed and worked into new neoclassical compositions by Claire using a range of Baroque and modern instruments, as well as innovative modern and analogue recording techniques that bend our concept of time. Claire delves into her compositions and musical practice as we hear some of her atmospheric and imaginative new works throughout the interview. Claire has kindly given us permission to feature her music in the podcast for your listening enjoyment. Sotto Voce is out via Lost Tribe Sound. To listen to her album, visit Claire Deak's Bandcamp page here: https://clairedeak.bandcamp.com/album/sotto-voce Tracklist (in order) as aired in the interview: Claire Deak - Prefigured (Ritornello) Claire Deak - Dolce Tormento Claire Deak - Liberated Sighs Claire Deak - A Million Cloaked Ghosts Broadcast on 17 October 2023.

Melbourne-based composer and multi-instrumentalist Claire Deak talks about her debut solo album, Sotto Voce, and the two women composers of the Baroque whose music she recovered and reimagined – Francesca Caccini (1587-c. 1645) and Barbara Strozzi (1619-1677). Some of their compositions are intuitively sensed and worked into new compositions by Claire using a range of Baroque and modern instruments, as well as innovative modern and analogue recording techniques that bend our concept of time. Claire delves into her neo-classical compositions and musical practice as we hear some of her atmospheric and imaginative new works throughout the interview. Claire has kindly given us permission to feature her music in the podcast for your listening enjoyment. Sotto Voce is out via Lost Tribe Sound. Visit Claire Deak's Bandcamp page here.Tracklist (in order) as aired in the interview:Claire Deak - Prefigured (Ritornello)Claire Deak - Dolce TormentoClaire Deak - Liberated SighsClaire Deak - A Million Cloaked Ghosts

Don Watson and Chris Wallace analyse the outcome of the Voice to Parliament referendum in-depth. They also examine Australia's response to the Israel-Palestine conflict and humanitarian crisis in Gaza, and Labor's unwavering support of AUKUS, as outlined in Don's recent essay in The Monthly. Don Watson is an award-winning author and former speechwriter to Paul Keating. His books include, Death Sentence: The Decay of Public Language, Recollections of a Bleeding Heart: A Portrait of Paul Keating PM, The Bush, and Watsonia. Professor Chris Wallace is a political historian, commentator, and former member of the Canberra Press Gallery and her books include, Political Lives: Australian prime ministers and their biographers and How To Win An Election. To mark the 70th anniversary of Britain's atomic tests at Emu Field in South Australia – the first on terrestrial land in Australia – author and academic Dr Elizabeth Tynan speaks about her book, The Secret of Emu Field: Britain's forgotten atomic tests in Australia. It was at Emu Field, SA on October 15, 1953 that a terrifying black mist spread across the land after an atomic bomb detonation (Totem 1), bringing death and sickness to Aboriginal people and other people in its path. Secrecy around the testing activities and its effects still exists today. Totem 2 was detonated on October 27, 1953. Elizabeth is an Associate Professor at James Cook University. Her previous book, Atomic Thunder: The Maralinga Story, won the Prime Minister's Literary Award for Australian History and the CHASS Australia Book Prize in 2017. Read about ICAN's Black Mist campaign here. Read Nic Maclellan's long-form article on the Emu Field tests.Melbourne-based composer and multi-instrumentalist Claire Deak talks about her debut solo album, Sotto Voce, and two women composers of the Baroque whose music she explored and drew inspiration from – Francesca Caccini (1587-c.1645) and Barbara Strozzi (1619-1677). Claire delves into her neo-classical compositions and musical practice as we hear some of her atmospheric and imaginative new works throughout the interview. Sotto Voce is out via Lost Tribe Sound.Tracklist (in order) as aired in the last interview:Claire Deak - Prefigured (Ritornello)Claire Deak - Dolce TormentoClaire Deak - Liberated SighsClaire Deak - A Million Cloaked Ghosts

Kees Koudstaal presenteert de mooiste en recentste CD’s met oude en klassieke muziek. Zijn oog viel dit keer op de nieuwe albums van Ensemble La Néréide, Odhecaton, Real Câmara, Jos van Immerseel en The Mozartists.  1. Luzzasco Luzzaschi (ca. 1545-1607) – T'amo mia Vito & O primavera 2. Francesca Caccini (1587-1640) – Le tre sirene […]

In Episode 1 of Virtuosa Society's inaugural season, host Katie Harman weaves together two different tales of collaboration between royal circles. First, the little known behind-the-scenes story of what is widely considered one of the first operas ever written: La Liberazione di Ruggiero dall'isola d'Alcina (“The Liberation of Roger from the Island of Alcina”). The twist? It was deliberately meant to send a collaborative message of gender equality by three wildly different women in service to the Medici Family in 1620s Tuscany: Francesca Caccini - chief composer for the Medici for over three decades and a professional female musician able to carve out an extraordinarily rare career during the Italian Renaissance, alongside powerful Medici matriarch Christine de Lorraine and her headstrong Austrian daughter-in-law Maria Magdelena. Together they formed The Women's Court, and their desire to protect and project the lives of strong women converged on one unforgettable night in 1625. In connection, Katie recalls a poignant reunion between her Miss America sisters in 2015 and shares a meaningful snippet of her conversation with Miss America 2012 Laura Kaeppeler, talking about the importance of sharing our stories to uplift the experience of womanhood. Special thanks to the extensive research of Professor Suzanne Cusick, author of Francesca Caccini at the Medici Court: Music and the Circulation of Power, as well as Dr. Anna Beer, author of Sounds and Sweet Airs: The Forgotten Women of Classical Music. Their work was referenced throughout this podcast. Stay tuned for a feature interview with Dr. Anna Beer in a future episode! The music of Francesca Caccini's La Liberazione di Ruggiero dall'isola d'Alcina was from a terrific 2017 recording by Allabastrina. Subscribe to www.virtuosasociety.com and follow @virtuosasociety on Instagram and Facebook for access to bonus materials from this episode. Producer: Katie Harman @katieharmanebner Audio Engineer: Will Cowser @williamcowser Title Song: “Reflection of the Sun” by Anna Landström

Stefan Herheim hat zu Anfang in der Wiener Kammeroper auf Unbekanntes gesetzt. Nach "La Liberazione" von Francesca Caccini bringt er ein Dramma gioccoso vom gebürtigen Spanier Vicente Martín y Soler: "Der Baum der Diana" – "L'arbore di Diana". Musikchefin Ursula Magnes hat mit Dirigent Rubén Dubrovsky über die Produktion gesprochen.

Welcome to 1618-1648! Why are we time traveling to this 30-year timespan? Well, there was a war. "What war?" you might ask. Well, you can actually figure it out with those two pieces of information! That's right, we're talking about the Thirty Years' War. Why are we talking about this war? Well, there was A LOT going on in Europe during this time, so we decided that we should highlight some important information about art and music as well using our N&SH series! We hope you learn quite a bit that you didn't know before in this episode all about the Thirty Years' War!   Art: Jose Leonardo (1601-53): The Surrender of Jülich (1634-35) Peter Paul Ruebens (1577-1640): The Consequences of War (1637-38)   Music (Spotify playlist): Francesca Caccini (1587-c.1641): La liberazione di Ruggiero dall'isola d'Alcina (1625)   Connect with us! Patreon | Instagram | Facebook | notesandstrokespodcast@gmail.com

Francesca Caccini (1587-c.1641) is one of the forgotten women of classical music. She was an exceptional singer and instrumentalist, but above all, an immensely talented composer. Working full time at the Medici court from the age of 20, Caccini became one of its best paid employees. Many of her compositions have been lost, but her only surviving stage work, La liberazione di Ruggiero, is considered to be the oldest opera by a woman composer.In this edition of Not Just the Tudors, Professor Suzannah Lipscomb finds out more about this great and neglected composer from biographer Dr. Anna Beer and Deborah Roberts, Artistic Director of the Brighton Early Music Festival.The podcast features excerpts of Caccini's music from Ars Lyrica Houston's programme, Italian Sirens, recorded in Zilkha Hall, Hobby Centre for the Performing Arts, Houston, Texas on 12 November 2017 with Sydney Anderson (soprano), Cecilia Duarte (mezzo-soprano) and Matthew Dirst (Artistic Director). Audio courtesy of Ars Lyrica Houston. Keep up to date with everything early modern, from Henry VIII to the Sistine Chapel with our Tudor Tuesday newsletter > If you would like to learn more about history, we have hundreds of history documentaries, ad-free podcasts and audiobooks at History Hit >To download, go to Android > or Apple store > See acast.com/privacy for privacy and opt-out information.

Though many societies either forbade or looked down on women who wanted to be composers, many persevered. This show highlights Francesca Caccini, Elizabeth Claude Jacquet de la Guerre, Louise Farrenc, Cecile Chaminade, Germaine Tailleferre, Hildegard von Bingen, Marianna Martines, Fanny Mendelssohn, Amy Beach, Florence Price, and Queen Lili'oukalani.

Desde Música Antigua también nos sumamos al homenaje a mujeres trabajadoras, mujeres que compusieron, interpretaron, cantaron, bailaron... y con ello pusieron su granito de arena en la historia de la creación artística. La tendencia a ignorar premeditadamente a ciertas figuras exige investigación y difusión, para que sus nombres salgan a la luz. Precisamente así hemos titulado este programa, queriendo aludir también a la sombra que muchos hombres proyectaron, tal vez sin quererlo, sobre sus esposas, hijas o hermanas. Las historias de Claudia Cataneo, esposa de Monteverdi, Francesca Caccini, Chiara Margarita Cozzolano y las Couperinettes protagonizarán el programa de hoy.Escuchar audio

Padre de Francesca Caccini, la primera mujer reconocida en la historia de la música occidental como la compositora de una ópera, Giulio Caccini músico de la corte florentina de los Medici, fue enterrado un día como hoy en 1618 en la basílica de la Santissima Annunziata de Florencia. Caccini, escribió tres óperas que se cuentan entre las más antiguas que se conocen. Sin embargo, lo que hoy escucharemos es su dramática y conmovedora Ave María que fue conocida en el siglo XX gracias a un músico ruso Vladimir Vavilov y que se le atribuye a Giulio. Dicha atribución aún se encuentra en tela de juicio y aunque muchos afirman que definitivamente no es de este compositor renacentista, las dudas simplemente pierden peso al escuchar la belleza de la obra. A continuación Ave María atribuido a Caccini en la voz e interpretación de la bandura ucraniana de Nataliya Gudziy.

In this podcast, Dr. Tiffany Kuo discusses the influence of cultural context, venues, and patronage in producing opera as she analyzes Francesca Caccini's "La liberazione di Ruggiero dall'isola d'Alcina", which Dr. Kuo refers to as "The Rescue of Roger". This recording was created in May 2021 as part of LA Opera Connects professional development series for teachers, Opera for Educators. The subject for the entire day was "Expanding the Canon".  We asked scholars to consider If the operatic canon is made up those works that are most frequently performed, who are the composers and what are the works, new and old, that may be brilliant but are currently overlooked, and even more, should be performed more often.  Learn more about Opera for Educators at  LAOpera.org/Connects.

durée : 00:25:17 - Francesca Caccini, la première à l'opéra - par : Anne-Charlotte Rémond - En 1625, Francesca Caccini, fille de Giulio, donne la première de son opéra "La liberazione di Ruggiero dall'isola d'Alcina" à la Villa di Poggio Imperiale de Florence. C'est le premier opéra composé par une femme, moins de 20 ans après l'Orfeo de Monteverdi. - réalisé par : Philippe Petit

Lucie Skeaping explores the many Baroque operatic settings inspired by Ludovico Ariosto's epic poem Orlando furioso, including music by Francesca Caccini, Vivaldi, Handel, Steffani, Hasse, Lully and Haydn.

Hoy hablamos de Francesca Caccini, la primera mujer en componer ópera, ¿conoces algo sobre ella? Sea así o no, te recomiendo pasarte a escuchar esta cápsula sorprendente. Un abrazo insurrecta. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/lainsurecta/message

Klaipėdoje – pirmoji Astos Grušelionienės margintų margučių paroda. Kokią žinią neša tradiciniai margučių raštai?Penktajame ciklo „Koncertas vienam“ vakare – operas solistas Modestas Sedlevičius ir pianistas Sergio Fundaro. Išskirtinis pasirodymas įrašytas Bavarijos radijo studijoje Miunchene. Laidoje – apie vakaro programą ir bendrą ciklo atmosferą.Tarp geriausių praėjusių metų Lietuvos kompozitorių kūrinių – Vaclovo Augustino „Da Pacem, Domine“, jį nuotoliniu būdu yra atlikęs choras „Jauna muzika“. Apie kol kas konkurse pirmaujantį kūrinį – pokalbis su kompozitoriumi.LRT KLASIKA jungiasi prie Europos transliuotojų sąjungos projekto ir pradeda ciklą „24 atvirukai: pasakojimai apie moteris kompozitores“. Šįkart – pažintis su italų kompozitore Francesca Caccini.Rubrikos „Be kaukių“ svečias – gamtininkas, režisierius, „Sengirės fondo“ iniciatorius Mindaugas Survila. Pokalbis apie tris paras medyje lauktą pelėdžiukų šokį, dokumentinio kino galią ir senųjų Lietuvos miškų saugojimą.Ved. Gabija Narušytė ir Giedrė Trapikaitė

To subscribe, leave a comment or access the free celestial recordings of the 6 genius composers mentioned in this post hop on over to https://thecharmedstudio.com/great-female-italian-composers/Thanks for being charming and listening to The Charmed Studio Podcast. Remember to keep believing in yourself and your work. :)

Francesca Caccini was a prolific composer from Florence, Italy. She is the first woman to compose an opera and said opera was the first musical theater production.

Helen Cammock grew up wanting to be a singer, and performed on the folk circuit as a teenager. But then she stopped, and became a social worker for more than ten years. Finally, at the age of 35, she took up photography, went to art school – and she’s never looked back. She’s known now for her richly-layered video installations, which mix film archive, dance and poetry with current interviews, all woven together with music. She is the joint winner of the 2019 Turner Prize; for the first time in its 35-year history, the Prize was shared between all four artists on the shortlist, at their request. In Private Passions, she talks to Michael Berkeley about why music is at the heart of all her work. Last year the MaxMara art prize paid for her to spend six months working in Italy, and there she began to explore the subject of lament, and particularly laments sung by women. As part of her performance work, Helen Cammock began to take singing lessons again, and lament, loss, longing, and hopes for a better future, are all captured in the music she chooses. She shares the excitement of discovering little-known women composers of the 17th century Francesca Caccini and Barbara Strozzi. She talks about the troubling incident which persuaded her to give up a career in social work, when she was told to abandon a young woman outside a police station. She remembers the isolation and boredom of growing up in the countryside of Somerset, and the racist abuse her family faced every Saturday when they went shopping together. Music choices include Jessye Norman singing Purcell’s “Dido’s Lament”; Glenn Gould humming along to Bach; Nina Simone on the piano; and Shostakovich’s Cello Concerto. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Il 18 settembre nasce a Firenze Francesca Caccini. Giorgio Cerasoli lo racconta a WikiMusic

Dê a sua opinião:Professor Douglas Filenga, Gabriela Batista e Victória Carolina apresentam nesta edição do Programa Nota Clássica: Francesca Caccini O post Nota Clássica: Ópera La Liberazione di Ruggiero apareceu primeiro em Rádio e TV Federal no Ar.

Los niños podrán conocer a algunas de las grandes compositoras de la historia y escuchar una de sus obras. ¡Mujeres en la música clásica que vale la pena que conozcan!     00:28 Ciaccona, Francesca Caccini 01:37 La Liberazione di Ruggiero: Ballo, Francesca Caccini 02:46 Amor dormiglione, Barbara Strozzi 04:54 Overture in C Major, I. Allegro con spiritu. Marianne Martines 06:35 Das Jahr: IV. April. Fanny Mendelssohn 07:54 Kleiner Waltzer. Teresa Carreño 09:35 Piano Concerto, Op.45: II. Scherzo, Vivaco. Amy Beach 11:45 Les Sirenes. Lili Boulanger.  13:41 Symphony no. 1, III. Juba Dance. Florence Beatrice Price   Síguenos en: Facebook, Twitter, Instagram y Pinterest.    Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox) o puedes dejar tu review. :)    No te pierdas ningún episodio. Súscríbete al newsletter en allegromagico.com/suscribirme. 

El presente programa se lo dedicamos a las mujeres humanistas en la historia. Para ello contamos en el primer lugar con la compositora Marta Lozano que nos hablará sobre Francesca Caccini (1587- 1641 ) y Clara Schumann (1819 -1896). Tramo del audio: 14:00 - 30:40. En la segunda parte del programa abrimos nuestra Tribuna para conocer a otras mujeres que han dejado huella en el pasado. De este modo conocemos a Mary Boyce (1920 - 2006), Jane Porter (1776- 1850), Kate Chopin 81850 - 1904), Lucía de Medrano  (1484 - 1527) y Hilda Petrie (1871- 1956). Si quieres saber más sobre ellas, ¿ a qué esperas para escuchar el programa? Tramo del audio: 32:17- 56:46.  Queremos mostrar nuestro agradecimiento por participar a Marta Lozano, Laura Castro, María Engracia Muñoz, Alegra García, Rosalía Hernández y Aroa Velasco.  Todo esto y mucho más en mucho más en www.elcafedelalluvia.com Síguenos en twitter: @cafelluvia | Facebook: Cafedelalluvia |Instagram: elcafedelalluvia

Though many societies either forbade or looked down on women who wanted to be composers, many persevered. This show highlights Francesca Caccini, Elizabeth Claude Jacquet de la Guerre, Louise Farrenc, Cecile Chaminade, Germaine Tailleferre, Hildegard von Bingen, Marianna Martines, Fanny Mendelssohn, Amy Beach, Florence Price, and Queen Lili'oukalani.

Anonymus brukar det stå på verk som skapats i äldre tider och saknar kända upphovspersoner. Idag vet vi att många av dem var kvinnor. Här i del två handlar det om kvinnor som också var rika. Lyssna på alla avsnitt i Sveriges Radio Play. Här handlar det närmare bestämt om adliga kvinnor, i synnerhet trobaritzerna i den sydfranska regionen Provence. Möt grevinnan av Dia Beatrix och drottning Blanche av Frankrike för att inte tala om de italienska tonsättarna Maddalena Casulana (1500-talet) respektive Francesca Caccini och Barbra Strozzi (1500-1600-talen) varav en till och med var operatonsättare! Programmet är en repris från senast den 1 juli 2018. En P2 Dokumentär av Bodil Asketorp.

Anonymus brukar det stå på verk som skapats i äldre tider och saknar kända upphovspersoner. Idag vet vi att många av dem var kvinnor. Här i del två handlar det om kvinnor som också var rika. Lyssna på alla avsnitt i Sveriges Radio Play. Här handlar det närmare bestämt om adliga kvinnor, i synnerhet trobaritzerna i den sydfranska regionen Provence. Möt grevinnan av Dia Beatrix och drottning Blanche av Frankrike för att inte tala om de italienska tonsättarna Maddalena Casulana (1500-talet) respektive Francesca Caccini och Barbra Strozzi (1500-1600-talen) varav en till och med var operatonsättare! Programmet är en repris från den 12 juni 2011. En P2 Dokumentär av Bodil Asketorp.

Annalisa mentions Suzuki training for string players.Interlochen Center for the Arts is an arts education organization in northwest Michigan. www.interlochen.orgThe viola da gamba is the instrument Annalisa plays.Annalisa’s ensemble is the Catacoustic Consort.The OED is the Oxford English Dictionary.Catacoustic Consort includes Elizabeth Motter (baroque harp), Melissa Harvey (soprano), Joanna Blendulf (viola da gamba), David Walker (theorbo), and Michael Leopold (theorbo).The term Early Music refers roughly to art music of the 16th to 18th centuries.Catacoustic premiered the opera “La Fete du Ruel” by Marc-Antoine Charpentier on June 4, 2016.Cincinnati Opera presented “La Calisto” as part of its 2014 season and will present Monteverdi’s “The Coronation of Poppea” in 2018.Annalisa mentioned two composers whose operas she’d like to produce: Jean-Philippe Rameau and Francesca Caccini.Evans mentioned two others: Lully and Grétry.The recording Annalisa mentions is titled Lamentarium; it’s by the group Atalante. http://www.atalante.co.uk/lamentarium.htmThe video associated with the album is available here.The book by Alison Crum that Annalisa refers to is titled The Viol Rules. Here’s a link: https://www.amazon.com/Viol-Rules-Alison-Crum/dp/0952822040The restaurant O Pie O is located on Madison Road in Cincinnati. www.opieo.comCory Henry is a jazz and gospel organist. Learn more at www.coryhenry.com.Annalisa mentions the instruments pardessus de viole and lirone.

Elementar wirken die Klänge dieses Werks. Der Live-Mitschnitt mit Paul van Nevel dokumentiert, welche kenntnisreichen Entscheidungen da jemand traf, um Francesca Caccinis Oper überhaupt erklingen lassen zu können. Denn am Notenmaterial musste vieles ergänzt und aufführbar gemacht werden. Die Musiker haben aber spürbar Lust an der Zeitreise zu den Wurzeln der Gattung Oper, bemerkt Volkmar Fischer.

‘The Voices of Women will be performed at the Melbourne Recital Centre (Elisabeth Murdoch Hall, cnr Southbank Boulevard and Sturt Street, Melbourne) on 20 March 2018. In this podcast, CHE Deputy Director and leader of the Performance Program Jane Davidson talks to Marshall McGuire (Ludovico’s Band) about baroque female composers, historical music performances and emotions. Tickets for the event can be purchased at: https://www.melbournerecital.com.au/events/2018/the-voices-of-women/. Being a woman in the male-dominated music industry is difficult enough today, so what would it have been like 400 years ago? This concert will enable audiences to catch a glimpse into the world of three Baroque female composers. Melbourne’s renowned Ludovico’s Band (www.ludovicosband.com) will team up with composer and soprano Helen Thomson to perform ‘The Voices of Women’. The performance will feature works by composers Isabella Leonarda, Francesca Caccini and Barbara Strozzi, who were all active in Italy in the seventeenth century, and who enjoyed varying degrees of success during their lifetimes.

Our next installment of OAD's Bad Ass Women series features none other than the first woman to ever compose an opera: Francesca Caccini. It's time to get your baroque on as you learn about this composer that was, in a way, the "Beyonce of her time."

Donald Macleod explores the life and music of Francesca Caccini and her circle.

Paul van Nevel leitet heute im Münchner Herkulessaal eine konzertante Aufführung der Oper "La liberazione di Ruggiero dall'isola d'Alcina" von Francesca Caccini, der ersten weiblichen Opernkomponistin. Falk Häfner im Gespräch mit dem Dirigenten über die Wiederentdeckung.