Podcasts about Ludovico

durée : 00:14:42 - Orchestral works : Hèctor Parra - Ludovico Morlot - La musique d'Hèctor Parra semble constituée de forces telluriques, de forces capables de faire vibrer le moindre atome dans l'immensité orchestrale : du piccolo à la contrebasse, la vibration est constante.

durée : 00:14:42 - Orchestral works : Hèctor Parra - Ludovico Morlot - La musique d'Hèctor Parra semble constituée de forces telluriques, de forces capables de faire vibrer le moindre atome dans l'immensité orchestrale : du piccolo à la contrebasse, la vibration est constante.

durée : 00:14:42 - Orchestral works : Hèctor Parra - Ludovico Morlot - La musique d'Hèctor Parra semble constituée de forces telluriques, de forces capables de faire vibrer le moindre atome dans l'immensité orchestrale : du piccolo à la contrebasse, la vibration est constante.

Full Text of ReadingsSaturday of the Third Week of Lent Lectionary: 242The Saint of the day is Saint Ludovico of CasoriaSaint Ludovico of Casoria's Story Born in Casoria, near Naples, Arcangelo Palmentieri was a cabinet-maker before entering the Friars Minor in 1832, taking the name Ludovico. After his ordination five years later, he taught chemistry, physics, and mathematics to younger members of his province for several years. In 1847, he had a mystical experience which he later described as a cleansing. After that, he dedicated his life to the poor and the infirm, establishing a dispensary for the poor, two schools for African children, an institute for the children of nobility, as well as an institution for orphans, the deaf, and the speechless, and other institutes for the blind, elderly, and for travelers. In addition to an infirmary for friars of his province, he began charitable institutes in Naples, Florence, and Assisi. He once said, “Christ's love has wounded my heart.” This love prompted him to great acts of charity. To help continue these works of mercy, in 1859 he established the Gray Brothers, a religious community composed of men who formerly belonged to the Secular Franciscan Order. Three years later, he founded the Gray Sisters of St. Elizabeth for the same purpose. Toward the beginning of his final, nine-year illness, Ludovico wrote a spiritual testament which described faith as “light in the darkness, help in sickness, blessing in tribulations, paradise in the crucifixion, and life amid death.” The local work for his beatification began within five months of Ludovico's death. He was beatified in 1993 and canonized in 2014. Reflection Saintly people are not protected from suffering, but with God's help they learn how to develop compassion from it. In the face of great suffering, we move either toward compassion or indifference. Saintly men and women show us the path toward compassion. Why I Became a Secular Franciscan Saint of the Day, Copyright Franciscan Media

Researchers recently found underground passages hidden beneath old buildings, matching designs from da Vinci's mysterious drawings. These tunnels might have been escape routes, secret workshops, or even part of a hidden defense system. Some believe da Vinci planned them for royalty or military strategies, using his genius to create something way ahead of his time. Some of these tunnels were completely forgotten for centuries until experts finally linked them to his old sketches. Now, archaeologists are exploring deeper, hoping to uncover more of da Vinci's lost secrets! Credit: Xpo Factory / YouTube SPIETV / YouTube CC BY-SA 3.0 https://creativecommons.org/licenses/... Vis aerienne Luc Viatour: By Photography Luc Viatour, https://commons.wikimedia.org/w/index... Monumento di Ludovico e Beatrice: By Ugo franchini, https://commons.wikimedia.org/w/index... Santa Maria delle Grazie: By Marcin Białek, https://commons.wikimedia.org/w/index... CC BY-SA 4.0 https://creativecommons.org/licenses/... Calco statua funebre di Beatrice d'Este al Victoria: By Beaest, https://commons.wikimedia.org/w/index... Rocca Sforzesca di Imola: By Vanni Lazzari, https://commons.wikimedia.org/w/index... Leonardo Da Vinci Robot: By Leonardo3 - Mario Taddei, https://commons.wikimedia.org/w/index... Tomb of Beatrice d Este: By Roberto Ferrari - https://flic.kr/p/5Hvfox, CC BY-SA 2.0 https://creativecommons.org/licenses/..., https://commons.wikimedia.org/w/index... Animation is created by Bright Side. ---------------------------------------------------------------------------------------- Music from TheSoul Sound: https://thesoul-sound.com/ Check our Bright Side podcast on Spotify and leave a positive review! https://open.spotify.com/show/0hUkPxD... Subscribe to Bright Side: https://goo.gl/rQTJZz ---------------------------------------------------------------------------------------- Our Social Media: Facebook: / brightside Instagram: / brightside.official TikTok: https://www.tiktok.com/@brightside.of... Telegram: https://t.me/bright_side_official Stock materials (photos, footages and other): https://www.depositphotos.com https://www.shutterstock.com https://www.eastnews.ru ---------------------------------------------------------------------------------------- For more videos and articles visit: http://www.brightside.me ---------------------------------------------------------------------------------------- This video is made for entertainment purposes. We do not make any warranties about the completeness, safety and reliability. Any action you take upon the information in this video is strictly at your own risk, and we will not be liable for any damages or losses. It is the viewer's responsibility to use judgement, care and precaution if you plan to replicate. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's tourney time! This week we gathered noted bracketologists Alex Ludovico, Jason Griff and Sam Hoyas from the band Playing Dead/Red River Podcast to figure out what the best hair metal song of all time is.Sunset Strip Invitational Hair Metal Tournament playlist:https://open.spotify.com/playlist/6BPnODgXwoCe9sCo2w8wJB?si=3fda76eaf10e41c6You can find our guests at the below links:Alex Ludovico:https://alexludovico.bandcamp.com/album/one-of-the-good-onesJason Griff:https://jasongriff.bandcamp.com/musicSam Hoyas:https://linktr.ee/playingdeadnyhttps://linktr.eeredriver_podcastIf you want to see the video of this episode you can become a Patreon member using the link below: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/calloutculturepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you do not want to become a Patreon member but you still want the video you can purchase this episode ⁠here⁠You can find our music here:Zilla Rocca:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://5oclockshadowboxers.bandcamp.com/music⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Curly Castro:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://curlycastro.bandcamp.com/album/little-robert-hutton⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shrapknel.bandcamp.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alaska:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thatrapperalaska.bandcamp.com/

En la segunda conferencia del ciclo “El Renacimiento y la poesía épica italiana: Ariosto y Tasso”, el traductor y catedrático de Literatura de la Universidad Pompeu Fabra José María Micó analiza el Orlando Furioso de Ludovico Ariosto (1474-1533), el romanzo más influyente de su tiempo. Esta novela en verso, presentada como una continuación del Orlando innamorato de Matteo María Moiardo, destaca por su inabarcable trama y desbordante universo imaginativo, donde se incorporaron elementos de los ciclos artúrico y carolingio para acercarse al gusto moderno, dando lugar a una superación del modelo épico clásico.Más información de este acto

durée : 00:43:49 - Live à Fip - Le compositeur et pianiste néo-classique italien qui joue à guichets fermés dans le monde entier, vient nous régaler d'une session live intimiste dans notre studio.

Cultura em Pauta #888 28/01/2025

Cavalieri, amori e fantasy in una storia che ti farà innamorare!Ascolta Orlando Furioso e fai un viaggio in un mondo fantastico!

Alberto Magatti"I girasoli di Isabelle"Cinquesensi Editorewww.cinquesensieditore.itAlberto Magatti annoda con sapiente delicatezza il tema della prostituzione giovanile consumata tra le mura domestiche con la conseguente sofferenza psicologica che nel caso di Isabelle si manifesta nell'anoressia. Gli ingredienti centrali dell'amore, dell'amicizia e del lavoro in fabbrica sono amalgamati da una buona dose di speranza e di saggezza qui incarnati soprattutto da Marcella, la governante della famiglia di Matteo che segue le vicende con occhio e calore materni.I mondi dei due protagonisti, distanti tra loro anni luce, si intrecciano in una trama che si complica con una tinta di giallo che conduce a un finale sofferto ed imprevedibile. Una scrittura semplice e dettagliata aiuta il lettore ad entrare passo dopo passo nelle vite di due giovani che nel tentativo di superare un passato infelice, metteranno tutto il loro amore nella ricerca di una agognata felicità.La tranquillizzante vetrina di un negozio di fiori cela un mondo ‘altro'.La protagonista del romanzo, Isabelle è segnata da una menomazione fisica, e ancor di più, da una madre che la avvia adolescente alla prostituzione. Una donna spietata che usa la figlia per un bieco attaccamento al denaro. Dentro a quel negozio gli avventori sono distinti signori dalla reputazione inattaccabile che cercano qualcosa di diverso dai fiori.Isabelle non è fatta per quella vita.Il destino le farà incontrare Matteo, giovane rampollo di una famiglia di industriali. Lui se ne innamora a prima vista, superando ogni pregiudizio fisico e sociale.Il racconto si svolge tra la periferia di Milano e un anonimo paesino sul Lago di Como.Alberto Magatti15 settembre 1964, Mandello del Lario, Lago di Como.Imprenditore impegnato per 45 anni nella conduzione dell'azienda di famiglia nel settore della meccanica di precisione, settore nel quale ha ricoperto ruoli di responsabilità nelle associazioni territoriali. Istruttore subacqueo, ha fatto parte per 10 anni del gruppo di protezione civile sommozzatori della provincia di Lecco. Per vincere la paura di volare, nel 2009 ha ottenuto il brevetto di pilota di aereo. Impegnato nel sociale, dal 2016 ricopre la carica di Presidente della Cooperativa sociale “Incontro” a Mandello del Lario che, grazie a un gruppo di lavoro efficiente, avvicina al mondo del lavoro persone con disabilità. Nel 2016 ha pubblicato Dall'officina alla cucina, quattro chiacchiere tra i fornelli; nel 2021, il primo romanzo Dado e le farfalle silenti, che è stato un piccolo caso letterario; l'anno successivo, Ludovico detto Vico, sempre per l'editore TAM.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

How many of us dream of living in a villa in the Umbrian countryside... but how many of us would quit our jobs and move abroad (not to mention do all the work) to actually make it happen? Today we are joined by Kaila Merrill, native Vermonter and now owner of gorgeous Poggio Belvedere, a 17th-century farmhouse deep in the Umbrian countryside that she and her husband Ludovico have lovingly renovated from the ruin it had been reduced to. It's now a luxury boutique hotel and villa-for-hire. Kaila talks about the imagination it took to be able to visualize what their new home could become, and the endless Italian bureaucracy that had to be waded through to make it happen. She also shares the struggles of having a child abroad and learning how to be a mother at the very same time she was opening her boutique hotel and learning to be a business owner. Another challenge? Creating community and getting social interaction when you live in the middle of nowhere—no matter how gorgeous the surroundings are, you still need human connection. Don't miss our first intevriew with Kaila, when she was just emerging from the renovation process and at the same time going through the grief of losing her mother: Episode 523 Legacy and Loss (with Kaila Merrill) Find out more about Poggio Belvedere (or book your stay!) here. ------------------------------------- ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. BECOME A PATRON: Pledge your monthly support of The Bittersweet Life and receive awesome prizes in return for your generosity! Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!  

For our third episode in the Scarface series we explore 2002's The Fix and we are joined with our dear friends Alex Ludovico and Defcee You can find all things Alex Ludovico here:https://alexludovico.bandcamp.com/album/cocaine-therapy⁠ You can find all things Defcee here: https://defcee.bandcamp.com/ For exclusive content and all sort of perks support our patreon: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/calloutculturepodcast⁠⁠⁠⁠⁠⁠⁠⁠ You can find our music here: Zilla Rocca: ⁠⁠⁠⁠⁠⁠⁠⁠https://5oclockshadowboxers.bandcamp.com/music⁠⁠⁠⁠⁠⁠⁠⁠ Curly Castro: ⁠⁠⁠⁠⁠⁠⁠⁠https://curlycastro.bandcamp.com/album/little-robert-hutton⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠https://shrapknel.bandcamp.com/⁠⁠⁠⁠⁠⁠⁠⁠ Alaska: ⁠⁠⁠⁠⁠⁠⁠⁠https://thatrapperalaska.bandcamp.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/calloutculture/support

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Cultura em Pauta #849 14/11/2024

Nell'episodio 121 di questo podcast farò una bella chiacchierata con Ludovico Milani, Managing Director di ZooCom. All'interno di questo spazio Ludovico, oltre a condividere la sua storia, ci parlerà del suo personale approccio alla leadership. Buon ascolto e buona leadership! ---------------------- SEGUI ANCHE IL CANALE INSTAGRAM ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/obiettivo_leader/ ⁠⁠⁠⁠⁠⁠⁠ ---------------------- ✉️ CONTATTI E NEWSLETTER Se vuoi parlarmi del tuo team o vuoi semplicemente metterti in contatto con me aggiungimi su ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linkedin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Se invece vuoi ricevere riflessioni e approfondimenti legati ai temi della leadership, iscriviti alla mia ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠NEWSLETTER GRATUITA ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ---------------------- CHI SONO Sono Roberto De Angelis e mi occupo di formazione e coaching per manager, aziende e tutte quelle persone o contesti che hanno bisogno di migliorare le competenze legate allo sviluppo della leadership e alla gestione del team.  Guarda la mia storia cliccando qui:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠https://roberto-deangelis.com/chi-sono/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ----------------------

Send us a textTHAT METAL INTERVIEW presents Ludovico Cioffi of DELAIN, NIGHTLAND & THE AGE OF SLAVERY (recorded October 2024). Ludo joins us to chat about DELAIN's upcoming U.S. & European tours. Cioffi tells us whether the new EP, 'Dance with the Devil' could pass for a live EP. He also talks about his busy life as he is in 4 bands. That Metal Interview Podcast is FREE and ON DEMAND, stream now on Apple Podcasts, iHeart Radio, Spotify, Anchor, Google Podcasts, Pandora, Amazon Music, TuneIn, Deezer, Bandcamp.Listen to #ThatMetalInterviewPodcast​​​​​: https://lnk.to/uj7sH3k4Follow us on Twitter: https://twitter.com/ThatMetalInterv Follow us on Instagram: https://www.instagram.com/thatmetalinterview/Like us on Facebook: https://www.facebook.com/ThatMetalInterviewSubscribe on YouTube: http://youtube.com/JrocksMetalZoneSupport the show(9) Facebook(6) That Metal Interview Podcast (@ThatMetalInterv) / X (twitter.com)That Metal Interview Podcast (@thatmetalinterview) • Instagram photos and videos(2297) That Metal Interview Podcast - YouTube

Oggi parliamo di Marketing emozionale in tutte le sue sfaccettature.Lo facciamo con Ludovico Milani, Managing Director at ZooCom, Next Gen creative agency del gruppo OneDay che aiuta i brand a guardare avanti attraverso activation tailor made contemporanee, audaci e originali. Specializzato in Influencer Marketing, Eventi, New Media e progetti integrati nella comunicazione e del marketing. Ascolta se vuoi sapere quali canali sono più adatti, quanto budget ci vuole, e quali campagne hanno colpito nel segno.

All'interno di Degiornalist, oggi 17 ottobre, Fabiana e Claudio hanno intervistato Ludovico Aldasio, influencer italiano di fama internazionale. Il content creator ha raccontato dell'iniziativa che ha promosso con il collega Riccardo Vatovec, insieme al quale ha creato un video di denuncia al bullismo. Sono stati interpellati numerosi personaggi sportivi, musicali e dello spettacolo di tutto il mondo. Importante il supporto ricevuto da Giuseppe Lavenia, psicologo e psicoterapeuta, presidente dell'Associazione Di.Te. e con questo progetto «Vogliamo sensibilizzare a contattare il numero verde - testimonia Aldasio - per cercare di trovare un rimedio a questa piaga sociale. C'è sempre una strada per uscirne. Molti non lo sanno ma il passaggio da vittima di bullismo a carnefice è del 40%».DA DOVE NASCE IL PROGETTO - #Noalbullismo nasce da una storia personale, quella di Ludovico, preso di mira in passato per il colore dei suoi capelli rossi. «Il rutilismo nel mondo è del 2% della popolazione - ammette l'influencer - mentre in Italia è dello 0,6%. Per il video ho scelto di contattare anche Bonnie Wright, attrice inglese, famosa per il ruolo di Ginny Weasley in Harry Potter. C'è anche Carla Bruni, vittima anche lei da piccola di bullismo. Siamo stati a casa sua, è stato bellissimo condividere le proprie esperienze». Da Danilo Gallinari a Thiago Silva, da Paolo Ruffini a Claudia Gerini, passando per Gloria Gaynor e Francesco Gabbani. Tanti i volti noti coinvolti, come il tik toker italiano Khabi Lame, per trasmettere ai follower «Che i veri contenuti, diversamente da quelli solitamente diffusi, sono ben altri. Bisogna dare l'esempio giusto. Noi tocchiamo il telefono mediamente 1300 volte al giorno, per questo bisogna capire a quali contenuti sui social è bene prestare attenzione. Bisogna farlo con coscienza» - conclude Aldasio. 

Maria Nadia Covini"Ludovico Maria Sforza"Salerno Editricewww.salernoeditrice.itFesta del libro antico e medievale di Saluzzo (Cuneo)Sabato 26 ottobre 2024con Maria Nadia CoviniUn potere dai riflessi blu e neri con bagliori dorati, ispirandosi al suo libro Ludovico Maria Sforza. La scalata al potere del "Moro" e gli splendori della corte milanese a fine Quattrocento (Salerno editrice).Ludovico Maria Sforza detto “il Moro” (1452-1508) fu un personaggio di primo piano nella politica e nella cultura del suo tempo. La scalata al potere dello Sforza, la sua personalità e i suoi progetti in campo culturale e artistico sono all'origine dello splendore della corte milanese a fine Quattrocento. Da cadetto destinato a un profilo politico minore, diventò il settimo duca di Milano grazie a una strategia abile, paziente e talvolta spregiudicata, rimuovendo insidie e ostacoli provenienti da molti avversari e nemici. Tra coloro che cercarono di chiudere la strada alle sue ambizioni, l'ultimo e fatale fu Luigi di Orléans, che nel 1495 lo contrastò in Lombardia e nel 1500, diventato re di Francia, lo sconfisse e lo relegò in una prigione presso Tours, dove restò fino alla fine dei suoi giorni.Maria Nadia Covini, insegna Storia medievale all'Università degli Studi di Milano. Ha dedicato vari studi alle istituzioni del Rinascimento lombardo, dai Visconti agli Sforza. Tra le sue più recenti pubblicazioni, Potere, ricchezza e distinzione a Milano nel Quattrocento. Nuove ricerche su Cicco Simonetta (2018); Donne, emozioni e potere alla corte degli Sforza. Da Bianca Maria a Cecilia Gallerani (2012); «La balanza drita». Pratiche di governo, leggi e ordinamenti nel ducato sforzesco (2007). IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Eccoci qua! Vi siamo mancati? Beh, per ricominciare "in corsa" vi abbiamo portato addirittura un olimpionico. Ludovico è un atleta di speed climbing tra i più forti al mondo e ha avuto l'onore di partecipare alle olimpiadi di Tokyo. Anzi è stato il primo italiano di sempre a qualificarsi per l'arrampicata. Un episodio bello carico in cui abbiamo sviscerato demoni e dettagli di questa disciplina aliena che pochi hanno provato, ma che tutti hanno guardato a bocca aperta almeno una volta. Inizia una stagione esplosiva che vi farà appassionare all'arrampicata e all'outdoor ancora di più! Sigla! ............................................................................ VERTIGINI è un podcast originale di Matteo Pilon e Alessandro Zanchetta . SE VUOI SOSTENERE QUESTO PROGETTO PUOI FARLO SUL NOSTRO PATREON A QUESTO LINK: https://www.patreon.com/vertiginipodcast/membership ............................................................................ Music: When We Were Still Alive by Bryo is licensed under a Creative Commons License. https://creativecommons.org/licenses/... Support by RFM - NCM: https://bit.ly/3KchqWp

durée : 00:07:56 - " Fantasia que contrahaze la harpe en la manera de Ludovico " d'Alonso Mudarra - "Compositeur, joueur de vihuela, Mudarra est un musicien phare du siècle d'or espagnol. Il a passé une grande partie de sa vie à Séville, la musique qu'il a composé se trouve dans son œuvre unique "Los Tres libros de música en cifra para vihuela" publié de son vivant en 1546" Sébastien Llinarès

In Marx's Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx's work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx's oeuvre, Silva isolates the key elements of his style: his search for an “architectonic” unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva's unique sensitivity to Marx's literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx's most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva's book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once. Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva's works in English, features an introduction by Alberto Toscano. Alberto Toscano is an Italian cultural critic, social theorist, philosopher, and translator. He has translated the work of Alain Badiou, including Badiou's The Century and Logics of Worlds. He served as both editor and translator of Badiou's Theoretical Writings and On Beckett Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Marx's Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx's work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx's oeuvre, Silva isolates the key elements of his style: his search for an “architectonic” unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva's unique sensitivity to Marx's literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx's most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva's book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once. Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva's works in English, features an introduction by Alberto Toscano. Alberto Toscano is an Italian cultural critic, social theorist, philosopher, and translator. He has translated the work of Alain Badiou, including Badiou's The Century and Logics of Worlds. He served as both editor and translator of Badiou's Theoretical Writings and On Beckett Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Marx's Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx's work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx's oeuvre, Silva isolates the key elements of his style: his search for an “architectonic” unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva's unique sensitivity to Marx's literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx's most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva's book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once. Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva's works in English, features an introduction by Alberto Toscano. Alberto Toscano is an Italian cultural critic, social theorist, philosopher, and translator. He has translated the work of Alain Badiou, including Badiou's The Century and Logics of Worlds. He served as both editor and translator of Badiou's Theoretical Writings and On Beckett Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Marx's Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx's work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx's oeuvre, Silva isolates the key elements of his style: his search for an “architectonic” unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva's unique sensitivity to Marx's literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx's most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva's book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once. Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva's works in English, features an introduction by Alberto Toscano. Alberto Toscano is an Italian cultural critic, social theorist, philosopher, and translator. He has translated the work of Alain Badiou, including Badiou's The Century and Logics of Worlds. He served as both editor and translator of Badiou's Theoretical Writings and On Beckett Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

In Marx's Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx's work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx's oeuvre, Silva isolates the key elements of his style: his search for an “architectonic” unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva's unique sensitivity to Marx's literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx's most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva's book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once. Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva's works in English, features an introduction by Alberto Toscano. Alberto Toscano is an Italian cultural critic, social theorist, philosopher, and translator. He has translated the work of Alain Badiou, including Badiou's The Century and Logics of Worlds. He served as both editor and translator of Badiou's Theoretical Writings and On Beckett Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Marx's Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx's work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx's oeuvre, Silva isolates the key elements of his style: his search for an “architectonic” unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva's unique sensitivity to Marx's literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx's most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva's book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once. Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva's works in English, features an introduction by Alberto Toscano. Alberto Toscano is an Italian cultural critic, social theorist, philosopher, and translator. He has translated the work of Alain Badiou, including Badiou's The Century and Logics of Worlds. He served as both editor and translator of Badiou's Theoretical Writings and On Beckett Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In Marx's Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx's work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx's oeuvre, Silva isolates the key elements of his style: his search for an “architectonic” unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva's unique sensitivity to Marx's literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx's most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva's book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once. Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva's works in English, features an introduction by Alberto Toscano. Alberto Toscano is an Italian cultural critic, social theorist, philosopher, and translator. He has translated the work of Alain Badiou, including Badiou's The Century and Logics of Worlds. He served as both editor and translator of Badiou's Theoretical Writings and On Beckett Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Marx's Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx's work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx's oeuvre, Silva isolates the key elements of his style: his search for an “architectonic” unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva's unique sensitivity to Marx's literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx's most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva's book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once. Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva's works in English, features an introduction by Alberto Toscano. Alberto Toscano is an Italian cultural critic, social theorist, philosopher, and translator. He has translated the work of Alain Badiou, including Badiou's The Century and Logics of Worlds. He served as both editor and translator of Badiou's Theoretical Writings and On Beckett Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In Marx's Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx's work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx's oeuvre, Silva isolates the key elements of his style: his search for an “architectonic” unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva's unique sensitivity to Marx's literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx's most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva's book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once. Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva's works in English, features an introduction by Alberto Toscano. Alberto Toscano is an Italian cultural critic, social theorist, philosopher, and translator. He has translated the work of Alain Badiou, including Badiou's The Century and Logics of Worlds. He served as both editor and translator of Badiou's Theoretical Writings and On Beckett Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

It's tournament time again! This week we are joined by Alex Ludovico and friend of the pod Seaforeex. You can find Alex Ludovico here:https://x.com/alexludovico And you can find Seaforeex here:https://x.com/seaforeex For exclusive content and all sort of perks support our patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/calloutculturepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can find our music here: Zilla Rocca: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://5oclockshadowboxers.bandcamp.com/music⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Curly Castro: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://curlycastro.bandcamp.com/album/little-robert-hutton⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shrapknel.bandcamp.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alaska: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thatrapperalaska.bandcamp.com/⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/calloutculture/support

Giovanni Ludovico Montagnani"Dopo l'incidente"E se andasse tutto molto meglio del previsto?MonteRosa Edizioniwww.monterosaedizioni.itÈ una luminosa giornata estiva quella del 3 luglio 2022.Due amici si apprestano a scalare lo scudo del Mittelruck, una bella e impegnativa parete di roccia nella remota Valle Antrona.Giovanni e Boz sono due atleti esperti e affiatati, eppure qualcosa va storto.Uno spaventoso volo di Giovanni, che precipita per quaranta metri lungo la parete, mette fine alla loro avventura di quel giorno. Giovanni dovrà fare i conti con una diagnosi infausta di paraplegia e invalidità al 100% e i medici non daranno speranze sulle possibilità di tornare a camminare. Ma che cosa accade quando si accetta sì la diagnosi, ma ci si ribella al verdetto?Questo libro prova a dare una risposta raccontando la storia di un recupero prodigioso, una storia che si intreccia con una serie di riflessioni sul futuro del pianeta, lui pure affetto da una diagnosi infausta a causa dell'emergenza climatica.È il racconto di un'avventura non ancora finita, o forse appena iniziata.Giovanni Ludovico Montagnani si definisce “ingegnere pasticcione, creativo pragmatico, esploratore sedentario, ateo fiducioso”. Mangia di tutto ma prende la forza dai vegetali. Attivista ambientale, guarda il mondo che va a rotoli ma insegna alle sue bambine a guardare avanti. Dice di essere un narcisista ma ama sua moglie più di se stesso.Con sicurezza, dice sempre cose sbagliate.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Scott Rettberg has a conversation with Alessandro Ludovico about his new MIT Press book: Tactical Publishing: Using Senses, Software, and Archives in the Twenty-First Century, and about 30 years of tracking digital culture as publisher of Neural magazine. References Ludovico, Alessandro. 2012. Post-Digital Print: The Mutation of Publishing since 1894. Onomatopee. Ludovico, Alessandro. 2023. Tactical Publishing: Using Senses, Software, and Archives in the Twenty-First Century. The MIT Press. Ludovico, Alessandro. 1992. Virtual Reality Handbook. Minus Habens Records. Neural. 1993. Neural Magazine. https://neural.it/ Rosetto, Louis, & Metcalfe, Jane. 1993. Wired Magazine. Issue 1. Swift, Johnathan. 1726. Gulliver's Travels. Benjamin Motte.

Full Text of ReadingsGood Friday of the Lord's Passion Lectionary: 40The Saint of the day is Saint Ludovico of CasoriaSaint Ludovico of Casoria's Story Born in Casoria, near Naples, Arcangelo Palmentieri was a cabinet-maker before entering the Friars Minor in 1832, taking the name Ludovico. After his ordination five years later, he taught chemistry, physics, and mathematics to younger members of his province for several years. In 1847, he had a mystical experience which he later described as a cleansing. After that, he dedicated his life to the poor and the infirm, establishing a dispensary for the poor, two schools for African children, an institute for the children of nobility, as well as an institution for orphans, the deaf, and the speechless, and other institutes for the blind, elderly, and for travelers. In addition to an infirmary for friars of his province, he began charitable institutes in Naples, Florence, and Assisi. He once said, “Christ's love has wounded my heart.” This love prompted him to great acts of charity. To help continue these works of mercy, in 1859 he established the Gray Brothers, a religious community composed of men who formerly belonged to the Secular Franciscan Order. Three years later, he founded the Gray Sisters of St. Elizabeth for the same purpose. Toward the beginning of his final, nine-year illness, Ludovico wrote a spiritual testament which described faith as “light in the darkness, help in sickness, blessing in tribulations, paradise in the crucifixion, and life amid death.” The local work for his beatification began within five months of Ludovico's death. He was beatified in 1993 and canonized in 2014. Reflection Saintly people are not protected from suffering, but with God's help they learn how to develop compassion from it. In the face of great suffering, we move either toward compassion or indifference. Saintly men and women show us the path toward compassion. Saint of the Day, Copyright Franciscan Media

Today we explore a story of one woman whose family legacy—in particular her close relationship with her mother whom she lost suddenly to cancer—brought about a life pivot that she was never expecting. Kaila Merrill joins us today to tell her moving story, from growing up in tiny island town in northern Vermont to a carefree life on the beaches of Australia where she met her future husband, to her whirlwind wedding on Lake Como—one of the last joyful moments she was able to share with her mom—to realizing, while she greived her loss, that her destiny was to run an agrigurismo in Umbria with her Italian husband. Join us for this insightful, vulnerable, and touching interview.  Stay at Kaila and her husband Ludovico's agritursimo, Poggio Belvedere, or let hem help you plan the most unforgettable Umbrian vacation at Vero in Italy. ------------------------------------- ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. BECOME A PATRON: Pledge your monthly support of The Bittersweet Life and receive awesome prizes in return for your generosity! Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!  

This week we finally figured out what song is the greatest pop song of the past 40 years. We are joined by an esteemed panel of experts including COC tournament stalwarts Alex Ludovico and Jesse The Tree and upstart bracketologist Steel Tipped Dove. One song to rule them all, who will it be??? You can find the full playlist here: https://open.spotify.com/playlist/3L4MNXMuCmjGAGjoa7XWZW?si=237987c74c5942a6 And you can find the entire bracket here: https://docs.google.com/spreadsheets/d/1Z_M2medr8ItnlvJg98Tb24lC-CF3Y8c7-wNHD7uGLOo/edit?usp=sharing For exclusive content and all sort of perks support our patreon: ⁠https://www.patreon.com/calloutculturepodcast⁠ You can find our music here: Zilla Rocca: ⁠https://5oclockshadowboxers.bandcamp.com/music⁠ Curly Castro: ⁠https://curlycastro.bandcamp.com/album/little-robert-hutton⁠ ⁠https://shrapknel.bandcamp.com/⁠ Alaska: ⁠https://thatrapperalaska.bandcamp.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/calloutculture/support

Bir grubun üyesi olmak ve grupça hareket etmek, iletişim becerimizi geliştirmenin yanı sıra bize kendimizi güvende de hissettirir. Ne var ki bu ihtiyacımız bazen kendi düşüncelerimizden taviz vermemize sebep olabilir. 111 Hz'in bu bölümünde soluğu, her şeyi yapmakta özgür olduğumuz ıssız bir adada alıyoruz. Fakat bu macerada bizi bilinmez bir tehlike de bekliyor. Karanlık ve aydınlık arasında nerede durduğumuzuysa seçimlerimiz belirliyor.Sunan: Barış ÖzcanHazırlayan: Gülşah DimSes Tasarım ve Kurgu: Metin BozkurtYapımcı: Podbee Media------- Podbee Sunar -------Bu podcast, GetirAraç hakkında reklam içerir.GetirAraç'ı indirmek ve ilk kullanımda 500 TL indirimden faydalanmak için, tıklayın.Bu podcast, Hiwell hakkında reklam içerir.Hiwell'i indirmek ve "pod10" koduyla %10 indirimden faydalanmak için tıklayın.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Wes and Nick watch this awesome Vincent Price film that has him being he most evil self lording over the land and avoiding the Red Death. Plot:The evil Prince Prospero is riding through the Catania village when he sees that the peasants are dying of Red Death plague. Prospero asks to burn down the village and he is offended by the villagers Gino and his father-in-law Ludovico. He decides to kill them, but Gino's wife, the young and beautiful Francesca, begs for the lives of her husband and her father and Prospero brings them alive to his castle expecting to corrupt Francesca. Propero worships Satan and invites his noble friends to stay in his castle that is a shelter of depravity against the plague. When Prospero invites his guests to attend a masked ball, he sees a red hooded stranger and he believes that Satan himself has attended his party. But soon he learns who his mysterious guest is.Support the show:

Fluent Fiction - Italian: The Spaghetti Incident: A Legendary Encounter in Rome Find the full episode transcript, vocabulary words, and more:fluentfiction.org/the-spaghetti-incident-a-legendary-encounter-in-rome Story Transcript:It: Il cielo di Roma aveva quel colore rosato, unico, tipico di una fresca giornata di fine estate.En: The sky in Rome had that pinkish color, unique, typical of a fresh late summer day.It: In Piazza Navona, cuore pulsante della città, la vita scorreva come al solito.En: In Piazza Navona, the pulsating heart of the city, life flowed as usual.It: Ludovico, un apprezzato artista di strada, indossava il suo costume da statua, rappresentando un centurione romano imbronciato.En: Ludovico, a well-appreciated street artist, wore his statue costume, portraying a grumpy Roman centurion.It: Non si era mai mosso, neanche di un pollice.En: He hadn't moved, not even an inch.It: O, almeno, non fino a quel giorno.En: Or at least, not until that day.It: Vicino alla Fontana dei Quattro Fiumi, c'era Giovanni, un nonno alto e magro con occhiali spessi.En: Near the Fountain of the Four Rivers, there was Giovanni, a tall and thin grandfather with thick glasses.It: Con lui, c'erano i suoi nipoti adorati, Sofia e Alessandro, che ridevano e giocavano.En: With him were his beloved grandchildren, Sofia and Alessandro, laughing and playing.It: Giovanni aveva preparato per loro un piatto di spaghetti, il loro preferito.En: Giovanni had prepared a plate of spaghetti for them, their favorite.It: Una ricetta antica di famiglia, che solo lui sapeva fare così bene.En: It was an old family recipe, which only he knew how to make so well.It: Con una sicurezza acquisita dall'età e dal fare le cose mille volte, Giovanni iniziò a servire i spaghetti.En: With a confidence acquired from age and doing things a thousand times, Giovanni began serving the spaghetti.It: Ma proprio in quel momento, un piccione, spaventato da un gatto randagio, volò via rapidamente, sbattendo le ali rumorosamente.En: But right at that moment, a pigeon, frightened by a stray cat, flew away quickly, flapping its wings noisily.It: Il piccolo Alessandro diede un balzo, urtando il tavolo improvvisato da picnic.En: Little Alessandro startled and bumped into the impromptu picnic table.It: La pentola di spaghetti che Giovanni teneva in mano scivolò via, e gli spaghetti finirono addosso a Ludovico, l'artista di strada.En: The pot of spaghetti that Giovanni held slipped away, and the spaghetti ended up on Ludovico, the street artist.It: C'era silenzio.En: There was silence.It: Tutti in Piazza Navona erano scioccati.En: Everyone in Piazza Navona was shocked.It: Poi, la piccola Sofia rise.En: Then, little Sofia laughed.It: Un riso chiaro e sonoro, puro e contagioso.En: A clear and resonant laughter, pure and contagious.It: Presto, tutti iniziarono a ridere, compreso Ludovico.En: Soon, everyone started laughing, including Ludovico.It: Ma non si muoveva ancora, nonostante i fili di spaghetti appesi al suo abito da centurione.En: But he still didn't move, despite the strands of spaghetti hanging from his centurion outfit.It: Giovanni si scusò, ma Ludovico gli fece un cenno di sì con la testa, senza smettere di sorridere.En: Giovanni apologized, but Ludovico nodded in agreement, still smiling.It: La performance, inaspettatamente, era andata avanti.En: The performance, unexpectedly, continued.It: Gli spettatori erano divertiti, e quel giorno, Ludovico ricevette più monete del solito nel suo cappello.En: The spectators were amused, and on that day, Ludovico received more coins than usual in his hat.It: Giovanni, Sofia e Alessandro continuarono le loro avventure, con il ricordo di quella giornata speciale a Roma.En: Giovanni, Sofia, and Alessandro continued their adventures, with the memory of that special day in Rome.It: La storia di quel giorno, con l'artista imbrattato di spaghetti, divenne una delle loro storie preferite da raccontare.En: The story of that day, with the spaghetti-smeared artist, became one of their favorite stories to tell.It: E così, anche la Piazza Navona aveva un nuovo racconto, una nuova vita nel suo lungo corso di storia.En: And so, even Piazza Navona had a new tale, a new life in its long history.It: E così è Roma, dove ogni pietra, ogni angolo ha una storia da raccontare, e basta un nonno, una pentola di spaghetti e un artista di strada per farla diventare leggenda.En: And this is Rome, where every stone, every corner has a story to tell, and all it takes is a grandfather, a pot of spaghetti, and a street artist to turn it into a legend. Vocabulary Words:sky: cieloRome: Romapinkish: rosatocolor: coloreunique: unicotypical: tipicolate summer: fine estatepulsating: pulsanteheart: cuorecity: cittàstreet artist: artista di stradastatue: statuacostume: costumegrumpy: imbronciatoRoman centurion: centurione romanoinch: pollicegrandfather: nonnothick glasses: occhiali spessibeloved: adoratigrandchildren: nipotilaughing: ridereplaying: giocarespaghetti: spaghettirecipe: ricettafamily: famigliaconfidence: sicurezzaage: etàbumped into: urtandopot: pentolaperformance: performance

Dicembre è il mese di Natale e, in Italia, ogni regione lo festeggia con delle tradizioni e delle abitudini molto particolari. In questa lezione scopriremo quali sono! Natale nelle diverse Regioni italiane: un mosaico culturale festivo 1. VALLE D'AOSTA Tra le tradizioni più interessanti del Natale in Valle d'Aosta c'è la sagra del pane micooula (in dialetto, “un po' piccolo e un po' speciale”), preparato proprio nel periodo natalizio e fatto con castagne, noci, uva passa e fichi secchi. La tradizione ha origine da una leggenda: come consuetudine, la sera della Vigilia di Natale, una donna di nome Rosa si stava dirigendo in chiesa per la Messa. Poiché era in ritardo, prese una scorciatoia attraverso il bosco e si trovò di fronte a un vecchio mulino abbandonato, noto per essere la dimora di spiriti, streghe e altre creature maligne. Tuttavia, la donna non era spaventata perché sapeva che Dio vegliava su di lei. Così, quando le comparve davanti un enorme serpente minacciandola, Rosa gli chiese cosa volesse per ritrovare la retta via smarrita. Il serpente le chiese un pezzo di pane dalla chiesa in cambio della sua vita salva. Rosa accettò e, tornando dalla Chiesa, diede al serpente il pane benedetto. Dopo averlo mangiato, il serpente si trasformò in una colomba bianca, che spiccò il volo verso il cielo. 2. PIEMONTE In Piemonte la tradizione del Ceppo di Natale è molto conosciuta. Si tratta di un tronco d'albero decorato con candele, che viene acceso la sera della Vigilia di Natale. Ma era così popolare che… è diventato anche dolce! Infatti, è molto comune preparare un tronchetto dolce per il pranzo natalizio, fatto con cioccolato, panna, brandy… Probabilmente, questa tradizione è stata influenzata dalla Francia (vicina al Piemonte), dove è molto comune la Bûche de Noël per Natale. 3. LOMBARDIA Il famosissimo panettone natalizio, un dolce lievitato ricco di canditi e uvetta, è nato proprio in Lombardia e qui, ancor più che nel resto d'Italia, è un must per il cenone (e il pranzo) natalizio. Ma come è nato il panettone? Ci sono varie leggende al riguardo. La più accreditata narra che il panettone sia nato per errore durante il pranzo di Natale preparato per Ludovico il Moro (XV secolo). Il cuoco di corte avrebbe infatti scordato nel forno il dolce che stava preparando, facendolo bruciare. Lo sguattero Toni, però, trovò la soluzione per servirlo lo stesso: unì all'impasto salvabile burro, uvetta e canditi! Diede così origine al “Pan di Toni”, poi divenuto “panettone”. 4. TRENTINO-ALTO ADIGE In Trentino si festeggia il Krampuslauf, una parata di Krampus (figure demoniache dai denti aguzzi e dalle lunghe corna). Queste figure sfilano per le vie delle città, spaventando grandi e piccini ma soprattutto scoraggiando i cattivi comportamenti dei bambini durante il periodo natalizio. 5. VENETO A Venezia, soprattutto nel passato, la figura della Befana era più popolare di quella di Babbo Natale. I bambini, infatti, non aspettavano i regali da Babbo Natale, ma proprio dalla vecchina, la “Marantega”, che, nella notte tra il 5 e il 6 gennaio, riempiva le loro calze con piccoli doni, dolci, caramelle, frutta secca, mandarini e, per i più monelli, anche qualche pezzo di carbone. Perciò ancora oggi, ogni anno, a Venezia, viene organizzata la Regata della Befana, una cerimonia decisamente unica nel suo genere rispetto alle celebrazioni per la Befana nel resto d'Italia. 6. FRIULI-VENEZIA GIULIA La tradizione più affascinante, antichissima ma ancora oggi viva e sentita, è quella dei Pignarûi. Il Pignarûl sembrerebbe legato all'adorazione di Beleno (o Belanu), antica divinità della luce. Beleno era uno dei principali dei pagani per il quale si eseguivano sacrifici e riti. Tra questi vi era l'accensione di falò sulla cima dei colli, forse anche in onore della sua compagna, Belisma, dea del fuoco. Così ancora oggi, dopo secoli, la sera del 5 gennaio e soprattutto la sera del 6 gennaio...

In Brother Maria, poet and playwright who writes under the pseudonym of Brother Ludovico, tells a story set in 14th century Italy during the time of the largest and most fatal pandemic in recorded human history, the Black Death. Nominated for a Pulitzer Prize by publisher Rodney Charles, the tome is a medieval historical fiction Read More

Charles VIII of France starts to head into Italy, beginning with the lands of Savoy where a 2-year-old duke leaves things to his mum to deal with the expensive guest who also asks her for a loan.Meanwhile, the Neapolitans try to go on the offensive by attacking locations along the Tuscan and Ligurian coast to no avail.Charles then meets with Ludovico il Moro, then the real duke of Milan Gian Galeazzo Sforza, who then dies a week after the meeting, saying goodbye to his dogs and horses at his deathbed.Then it is to Florence, where the son of Lorenzo the Magnificent, Piero, after sitting on the fence for a while, rolls over and gives Charles more than necessary and hets kicked out of Florence for it.Charles, however, fares no better with the new Florentine government and after a confusing argument about horns and bells, he makes his way to Rome with reduced results from the negotiation.

We look at the background to the expedition by King Charles VIII of France into Italy to claim the throne of Naples. This takes us to explore the situation i Milan, with Duke Gian Galeazzo Sforza and his uncle Ludovico il Moro, then to Naples, where king Alphonse II has just succeeded his father Ferrante. We see the diplomatic and military preparation that once again sees the Italian powers, Milan, Venice, Florence, the Papal States and Naples have to decide which side to line up on, with the novelty of the most powerful army in Europe heading into the peninsula.This is the start of the Italian Wars, the conflict that really took Europe into the Modern Age.

The answer to the Soft White Boy Rock Tournament, the Wine Mom Anthem Field of 64 includes such Barefoot wine approved pre-game/karaoke jams from Cher, Cheryl Crow, Lisa Loeb, Pink, Kelly Clarkson, The Cranberries, and many many more in a battle for the championship! Noted wine mom experts Alex Ludovico, Blockhead and Jesse the Tree join us to answer this pressing question! As always you can get exclusive and early content through our Patreon: ⁠⁠https://www.patreon.com/calloutculturepodcast⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/calloutculture/support

“Everyone likes a comic on the bog” The panel of peril dress entirely in green, mutter something about being afraid of something or something, and strap themselves into the Ludovico chair to watch Green Lantern (Martin Campbell, 2011). Hal Jordan (Ryan Reynolds) is your standard authority-bucking, secretly fearful, movie fighter pilot. His relationship with childhood friends Carol (Blake Lively) and Hector (Peter Sarsgaard) is as strained as his attempts at improvised sass. But when a space alien gives Hal a magic ring that harnesses the power of the colour green… well, you can be sure that a bunch of stuff happens in a serviceable fashion, and no mistake. Watch the trailer here: https://www.youtube.com/watch?v=7-GO9fo9DtM ********PLOT SPOILER ALERT******** Right, the bad guy is a big cloudy CG fella named Parallax. He can use the power of the colour YELLOW to harness fear, power up and go ham on whoever or whatever he wants! And he wants to go ham on the Green Lantern home planet of Oa and take out the Lantern Corps (all 3600 of them) and the all-knowing Guardians. Will Parallax reign supreme, or will Hal be able to confront his fear, overcome his fear, harness his fear, and defeat the fear that Parallax conjures. For God's sake, we really, really hope so. Just what did the panel think of this week's movie, pray tell? How can they improve upon the villain's masterplan? And who will be christened this week's most diabolical? Music by Luis Humanoide from Pixabay Music by Grand_Project from Pixabay Sound Effect from Pixabay

PARDON ME WHILE I POD! Alex Ludovico is back for part 2 of the Incubus trilogy on Used Records to discuss the 2001 album "Morning View". Wait till you hear the absolutely WILD Rolling Stone review of the album on top of the guys talking Brandon Boyd's devastatingly good looks in the world of nu metal, the divisive nature of "Aqueous Transmission" as an album closer, and what song from this album is genuinely perfect! And as always for early access and exclusive content check out our patreon:https://www.patreon.com/calloutculturepodcast --- Support this podcast: https://podcasters.spotify.com/pod/show/calloutculture/support

It's what the streets have been begging for: Alex Ludovico and Zilla talking Incubus! This is a special Used Records about the nu-metal, Clinton-era, mild mannered, and agreeable " beta-male band" (as stated by Rolling Stone) and their breakthrough LP "Make Yourself" from 1999! And as always for early access and exclusive content check out our patreon:https://www.patreon.com/calloutculturepodcast --- Support this podcast: https://podcasters.spotify.com/pod/show/calloutculture/support

On this episode we have Ludovico on and talk about this incredible Napoli season! --- Support this podcast: https://podcasters.spotify.com/pod/show/italianfootballtv/support

John J. Miller is joined by David R. Slavitt to discuss Ludovico Ariosto's 'Orlando Furioso.'