Podcast appearances and mentions of Barbara Strozzi

Er heel veel odes geschreven aan moeders, maar deze week kies ik voor composities dóór moeders. We beginnen met een tedere cantate van de zeventiende-eeuwse Barbara Strozzi. Van deze ongehuwde moeder van vier hoor je een instrumentale versie van een cantate. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst. (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7) 

De Italiaanse componiste Barbara Strozzi was ver vooruit op haar tijd. Ze maakte zichzelf onvergetelijk met een levensverhaal dat genoeg inspiratie geeft voor vier seizoenen van Bridgerton, maar vooral door haar prachtige muziek. Haar aria Che si può fare snijdt door elk hart dat al eens gebroken is door liefdesverdriet. Welkom in de broken hearts club van Clara en Sander!

El Centro Cultural de Música reafirma en 2026 su papel en la inserción de Uruguay en el circuito internacional de la música académica, con una temporada de ocho conciertos divididos entre el primer y segundo semestre en el Teatro Solís y el Auditorio Nacional del Sodre. La programación, según adelantaron Nicolás Etcheverry y Alberto Reyes, combina grandes orquestas con propuestas de cámara, manteniendo un equilibrio que amplía públicos y profundiza la experiencia artística.Uno de los ejes de la temporada será la presencia de conjuntos que trabajan con instrumentos de época, aportando una sonoridad distinta y menos habitual en estas latitudes. El recorrido incluirá figuras consagradas y nuevas revelaciones, con momentos destacados como la versión semiescenificada de Teodora de Georg Friedrich Händel y programas barrocos que recuperan repertorios menos frecuentados, como el de Barbara Strozzi.Más allá de los nombres, los organizadores subrayan el valor de la experiencia en vivo y el rol de un público exigente, capaz de sostener propuestas de alto nivel.

In this episode, we discuss recordings of “Barbara Strozzi. Virtuosissima Sirena” (Arcana) by Laura Catrani & Accademia Dell'annunciata / Riccardo Doni, “Schumann & Moscheles: 1851 Cello Sonatas” (Hyperion) by Steven Isserlis & Connie Shih, “Beyond the Pacific” (Orchid Classics) by Trio Barclay, “Foolin' Myself” (A.MA Records) by the Max Kochetov Quartet, “Familia” (Club del Disco) by Ramiro Zayas & the Basel Jazz Orchestra, and “Baierbaiao” (Hipjazz) by Wolfgang Lackerschmid & The Brazilian Trio.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 246 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Barbara Strozzi. Virtuosissima Sirena” (Arcana) Laura Catrani, Accademia Dell'annunciata / Riccardo Doni https://open.spotify.com/album/2vkW40hjhUGOJEnoAh8y9c https://music.apple.com/us/album/barbara-strozzi-virtuosissima-sirena/1855842806 https://music.amazon.com/albums/B0G4N9M59N   “Schumann & Moscheles: 1851 Cello Sonatas” (Hyperion) Steven Isserlis, Connie Shih https://open.spotify.com/album/2M1PTlcbNHl4G2p31ZtE6N https://music.apple.com/us/album/schumann-moscheles-1851-cello-sonatas/1846422946 https://music.amazon.com/albums/B0FWFLLK9N   “Beyond the Pacific” (Orchid Classics) Trio Barclay https://open.spotify.com/album/0ElTemFdzdxA9xVzfNCpf9 https://music.apple.com/us/album/beyond-the-pacific/1871877616 https://music.amazon.com/albums/B0GJQBB8LY   “Foolin' Myself” (A.MA Records) Max Kochetov Quartet https://open.spotify.com/album/4MW4eTrORlRsOUbGuH3QBJ No Apple Music https://music.amazon.com/albums/B0GGB7RQSP   “Familia” (Club del Disco)  Ramiro Zayas, Basel Jazz Orchestra https://open.spotify.com/album/3dq7LWiLltT4XyCS9KSF6T https://music.apple.com/us/album/familia-feat-basel-jazz-orchestra/1862511556 https://music.amazon.com/albums/B0G8M3KXMH   “Baierbaiao” (Hipjazz)  Wolfgang Lackerschmid, The Brazilian Trio https://open.spotify.com/album/1eHOqWjZ4UCSARynPOGCzL https://music.apple.com/us/album/baierbaiao-feat-helio-alves-nilson-matta-duduka-da/1868751237 https://music.amazon.com/albums/B0GGL2H6FB

durée : 00:23:51 - Le Disque classique du jour du vendredi 30 janvier 2026 - L'Accademia dell'Annunciata, dirigée par Riccardo Doni, nous offre un portrait de Barbara Strozzi, artiste extraordinaire qui fut sans doute la plus grande compositrice italienne de tous les temps. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:08 - En pistes ! du vendredi 30 janvier 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - On fait le plein de baroque pour terminer la semaine avec les Concertos Brandebourgeois de Bach, et un disque de l'Accademia dell'Annunciata qui dresse un portrait de la compositrice italienne Barbara Strozzi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:23:51 - Le Disque classique du jour du vendredi 30 janvier 2026 - L'Accademia dell'Annunciata, dirigée par Riccardo Doni, nous offre un portrait de Barbara Strozzi, artiste extraordinaire qui fut sans doute la plus grande compositrice italienne de tous les temps. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:08 - En pistes ! du vendredi 30 janvier 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - On fait le plein de baroque pour terminer la semaine avec les Concertos Brandebourgeois de Bach, et un disque de l'Accademia dell'Annunciata qui dresse un portrait de la compositrice italienne Barbara Strozzi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:08:44 - Feminine Voices at Christmas - Ensemble Altera, Christopher Lowrey - « Feminine Voices » célèbre la voix féminine et le temps de Noël à travers les œuvres de huit compositrices : Hildegard von Bingen, Imogen Holst, Germaine Tailleferre, Cecilia McDowall, Joanna Marsh, Barbara Strozzi, Elizabeth Poston et Kerensa Briggs. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:08:44 - Feminine Voices at Christmas - Ensemble Altera, Christopher Lowrey - « Feminine Voices » célèbre la voix féminine et le temps de Noël à travers les œuvres de huit compositrices : Hildegard von Bingen, Imogen Holst, Germaine Tailleferre, Cecilia McDowall, Joanna Marsh, Barbara Strozzi, Elizabeth Poston et Kerensa Briggs. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:08:44 - Feminine Voices at Christmas - Ensemble Altera, Christopher Lowrey - « Feminine Voices » célèbre la voix féminine et le temps de Noël à travers les œuvres de huit compositrices : Hildegard von Bingen, Imogen Holst, Germaine Tailleferre, Cecilia McDowall, Joanna Marsh, Barbara Strozzi, Elizabeth Poston et Kerensa Briggs. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Nach seinem Debüt bei den Händel-Festspielen in Halle spricht der Countertenor Constantin Zimmermann offen über seinen Karrierestart und dessen Schwierigkeiten, sowie sein neues Konzertprogramm mit Musik von Henry Purcell und Barbara Strozzi.

Hoje o Mulheres e Música faz uma viagem no tempo até o século XVII, para te apresentar Barbara Strozzi, pessoa que mais compôs cantatas naquele século.

You're all going to laugh at me, but that's okay, cuz I'm I'm the one laughing hardest! I had planned an easy-peasy episode for yesterday, one which focused on two great 20th century bass-baritones who were both valued recitalists as well as composers! I'm talking about the faboo basses, Finnish Kim Borg, and Dutch Robert Holl, who also happened to be fantastic recitalists. I had the recordings on my collection; I just had to put them into an episode. But of course I began meditating on the question of the classical music version of the Singer-Songwriter and suddenly the episode had gone down a very different (and much more complicated) path. I came up with some fascinating examples beyond Borg and Holl (both of whom are still heard performing their songs on the episode!), all the way back to the Renaissance era and through to an incredibly impressive array of modern-day avant garde composer/performers. For starters: Barbara Strozzi and Pauline Viardot from days long past, but also figures like the great French baritone Jean-Baptiste Faure (anyone remember “The Palms”?), and those three intrepid tenors Tito Schipa, Richard Tauber, and Jean-Paul Jeannotte, and along the way not forgetting gay icons Jules Bledsoe and Harry Partch. Moving into the present-day, we encounter astonishing women composer/performers including pathbreakers Cathy Berberian, Joan La Barbara, Diamánda Galás, Laurie Anderson, and Meredith Monk, but also those intrepid women who have both taken inspiration from their models while carving out their own paths: Gilda Lyons, Martha Sullivan, Lisa Bielawa, and Caroline Shaw, among others. I'm thrilled that many of the singers, composers, or composer/performers are also friends of mine. Among those not mentioned above, stellar singers Sarah Pillow (singing Strozzi), and Anna Tonna (singing Viardot). Don't tell anyone, but you might even hear me singing something! Exciting news about this episode: There are more women composers heard here than male! Hope you didn't mind waiting for this one a little longer than usual! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Żaden XVII-wieczny włoski kompozytor nie opublikował tak dużej liczby utworów świeckich, co kompozytorka – La virtuosissima cantatrice, wenecka Safona, czyli Barbara Strozzi. Jej odkrycie w latach 70 minionego wieku sprawiło, że świat muzyki dawnej zadrżał z ekscytacji. Muzyka Strozzi, podobnie jak jej fascynujący, tajemniczy życiorys, doskonale wpisywały się w upodobania ruchu wykonawstwa historycznego. Powstały dziesiątki nagrań, a także dziesiątki mitów na temat jej rzekomego bogactwa lub wyjątkowo rozwiązłego stylu życia. Kim naprawdę była Barbara Strozzi i na czym polega oryginalność jej dorobku? O tym opowiadam w najnowszym odcinku.Podcast powstał dzięki ⁠⁠⁠⁠Mecenasom⁠⁠⁠⁠ Szafy Melomana. Jeśli chcesz stać się jednym z nich i wspierać pierwszy polski podcast o muzyce klasycznej, odwiedź mój profil w serwisie ⁠⁠⁠⁠Patronite.pl⁠⁠⁠⁠.Szafa Melomana to pierwszy polski podcast o muzyce klasycznej, tworzony przez dziennikarza Mateusza Ciupkę. To fascynujące historie kompozytorów, wykonawców i utworów, zawsze wzbogacone o liczne konteksty historyczne i kulturowe. Nowe odcinki w co drugi piątek na popularnych platformach podcastowych.Mateusz Ciupka – publicysta muzyczny, autor Szafy Melomana, pierwszego polskiego niezależnego podcastu o muzyce klasycznej, redaktor w magazynie ⁠⁠⁠⁠Ruch Muzyczny⁠⁠⁠⁠. Pracował w Operze Krakowskiej, współpracował m.in. z Krakowskim Biurem Festiwalowym, Filharmonią Narodową i Filharmonią Śląską, publikował w „Ruchu Muzycznym”, „Dwutygodniku” i magazynie „Glissando”. Przeprowadził rozmowy m.in. z Garrickiem Ohlssonem, Masaakim Suzukim, Ermonelą Jaho i Giovannim Antoninim. Jest autorem Małej Monografii Romualda Twardowskiego, wydanej nakładem Polskiego Wydawnictwa Muzycznego w 2023 roku. Mieszka i pracuje w Pradze, w Czechach.

Associate Conductor of The Sixteen, Eamonn Dougan has built a reputation as an inspirational communicator with a wide-ranging and adventurous repertoire. In addition to his work with The Sixteen, he is the founding director of Britten Sinfonia Voices and Music Director of the Thomas Tallis Society. The website Bachtrack perhaps sums him up best, praising his “remarkable knack for finding the perfect balance between allowing the emotion time to speak, while keeping everything moving.”In this conversation, Eamonn shares his passion for unearthing overlooked musical treasures, including the rich and rarely heard repertoire of the Polish Baroque. He speaks warmly about his educational work with emerging artists, advocating for ensemble singing as a distinct discipline deserving serious attention. We also discuss the origins and impact of his podcast Choral Chihuahua, created during the pandemic and now in its eighth season, as well as his approach to recording, and the lasting emotional power that music holds in his life.Eamonn Dougan is currently in Australia guest directing The Song Company for Love's Four Seasons, a compelling program exploring the cycle of human relationships through madrigals by Monteverdi, Gesualdo, and Barbara Strozzi, alongside modern works. At the time of publication, performances have already taken place in Newcastle, Wollongong and Canberra, with further concerts at the Utzon Room of the Sydney Opera House on Saturday 14 June and at the Blackheath Uniting Church on Sunday 15 June.

Martin Kohlstedt gehört zu den angesagtesten Pianisten des Modern Classical, die akustisches Klavier mit Elektronik verbinden. 04:35 Aktuell: Junge Theatergruppen, in denen Jugendliche selbst Stücke auf die Bühne bringen – das ist in der Schweiz in vielen Städten etabliert. Aber Jugend-Oper? Mit einem Jugend-Opern-Orchester? Das gibt es schweizweit nun zum ersten Mal in Luzern. In einem aufwändigen Bewerbungsprozess wurden Jugendliche ausgewählt, die bereits ein Instrument gut spielen oder gut singen können - um mit ihnen eine neue, junge Version von Giuseppe. Ein Bericht. (Jenny Berg) 14:10 Talk: Martin Kohlstedt hat ein eigenes Kompositionssystem erschaffen, das ans Programmieren eines Computers erinnert. Tatsächlich zieht der Sohn eines Försters aber auch viel Inspiration aus der Natur und engagiert sich für den Wald. Martin Kohlstedt tourt derzeit – auch durch die Schweiz. Und erzählt im Gespräch u.a., warum Bäume liebt. (Fanny Opitz) 26:53 Neuerscheinungen: Schubert, Beethoven, Vořišek: Cellowerke Ursina Maria Braun, Florian Birsak; audite «Vox Feminae», Barockarien und Stücke von Barbara Strozzi, Antonia Bembo, Francesca Caccini u.a. Ensemble «Les Kapsber'girls»; Alpha (Felix Michel) 48:26 Swiss Corner: Feminale Basel: Ein Festival mit Musik von Komponistinnen von der Renaissance bis zur zeitgenössischen Improvisation. Studentinnen der Hochschule für Musik Basel stecken dahinter und stellen mit Workshops, Vorträgen und Podiumsdiskussionen die aktuelle Arbeitsrealität an Musikhochschulen zur Diskussion.

Wir stellen euch anhand des Buches "Komponistinnen. Frauen, Töne, Meisterwerke" von Aliette de Laleu (Reclam 2024) die vergessenen Komponistinnen der Musikgeschichte vor. Dazu zählen Beatriz de Dia, Barbara Strozzi, Maria Anna Mozart, Fanny Mendelssohn und Clara Schuhmann.

Wir stellen euch anhand des Buches "Komponistinnen. Frauen, Töne, Meisterwerke" von Aliette de Laleu (Reclam 2024) die vergessenen Komponistinnen der Musikgeschichte vor. Dazu zählen Beatriz de Dia, Barbara Strozzi, Maria Anna Mozart, Fanny Mendelssohn und Clara Schuhmann.

El divulgador musical Llu

durée : 01:28:17 - En pistes ! du jeudi 23 janvier 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Aujourd'hui, quelques enregistrements rares et des archives issus du catalogue de la BNF, notamment une 5e symphonie de Beethoven électrique par Erich Kleiber et une 40e de Mozart par Thomas Beecham. Egalement au programme : Barbara Strozzi, Schumann et Bach !

durée : 01:28:17 - En pistes ! du jeudi 23 janvier 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Aujourd'hui, quelques enregistrements rares et des archives issus du catalogue de la BNF, notamment une 5e symphonie de Beethoven électrique par Erich Kleiber et une 40e de Mozart par Thomas Beecham. Egalement au programme : Barbara Strozzi, Schumann et Bach !

Retninger skifter som vinden blæser i aftens Natsværmer, hvor både Bernard Hermann, Bent Sørensen, Melina Mercury og Barbara Strozzi stikker retningen ud. Vært: Minna Grooss.

Soprano and composer Héloïse Werner speaks to Gramophone Editor Martin Cullingford about her new album, ‘Close-ups', which features composers Barbara Strozzi, Julie Pinel and Hildegard of Bingen as well as compositions by Werner herself. Her second album sees her collaborating with fellow musicians Colin Alexander, Julian Azkoul, Max Baillie, Kit Downes, Ruth Gibson and Marianne Schofield.  ‘Close-ups' is out now on Delphian.  

durée : 00:13:45 - Disques de légende du mardi 11 juin 2024 - La soprano Susanne Rydén et l'Ensemble Musica Fiorita dirigés par Daniela Dolci interprètent les Cantates de Barbara Strozzi

durée : 01:28:38 - En pistes ! du mercredi 01 mai 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin : les Symphonies n°85 et 62 de Haydn, les Valses nobles et sentimentales de Ravel, mais également le Trio avec piano n°2 de Schubert, la Romance pour violon & piano d'Amy Marcy Beach, le Costume de grandi de Barbara Strozzi et des pièces de Rameau arrangées pour accordéon...

Compositrici femminili del XVI, XVII  e XVIII Sec. 00:04 - Isabella de' Medici (1542-1576) - Lieta vivo et contenta 02:20 - Lucia Quinciani (1566-1611) - Udite lagrimosi spirti 03:58 - Claudia Sessa (1570 – 1613/1619) - Vattene pur lasciva 06:40 - Settimia Caccini (1591-1638) - Core di questo core10:15 - Barbara Strozzi (1619-1677) - Non ti doler mio corEnsemble Laus Concentus******12:15 - Élisabeth-Claude Jacquet de La Guerre (1665-1729) - Le Sommeil d'Ulysse Cantata per soprano, flauto, archi e clavicembalo dedicata a Massimiliano II Emanuele, elettore di Baviera (1715).La cantata “Il Sonno di Ulisse”, il cui testo è di Antoine Houdar de La Motte, è incentrata su quel passo dell'Odissea dove si narra del naufragio di Ulisse presso l'isola dei Feaci e il miracoloso salvataggio operato da Atena (Minerva). Una sinfonia introduce una sequenza alternata di recitativi e arie. I. SinfoniaII. Recitativo: Après mille travauxIII. Aria: Sur une mer orageuse et profonde (Graziosamente e un po' animato)IV. Recitativo: Il en frémitV. Aria: Pour perdre ce guerrier (Tempesta, vivace)VI. Aria: Venez Minerve bienfaisante (Graziosamente)VII. Recitativo: Nos voeux sont exhausséVIII. Aria: Dormez, Dormez, ne vous défendez pas d'un sommeilIX. Recitativo: Mais, quel songe ce mêle à cet enchantementX. Recitativo: Alcinouis ce Roi que l'univers admireXI. Aria: Ulisse que la gloire appelle triomphe (Graziosamente e un po' animato)Judith van Wanroij, sopranoLes Talens Lyriques Christophe Rousset, conductor******30:48 - Maria Margherita Grimani (1680 – c.1720) – Sinfonia da Pallade e MarteAcaddemy of ancient musicConductor and harpsichord - Steven Devine****** 33:56 - Maria Teresa Agnesi (1720-1795) - Concerto per il cembalo ed archi1.       Allegro2.       Andante [3:34]3.       Tempo di minuetto [7:47]Il Quartettone Barbara Petrucci (cembalo) 

Endlich mal ein Album aus der Barock-Ecke, das sich ganz der Musik einer Frau widmet: Il segreto delle muse bringt Arien und Duette von Barbara Strozzi heraus.

Katrin Schumacher empfiehlt diese Woche drei Hörbücher: Tilman Spreckelsens "Otfried Preußler", Elke Heidenreichs "Frau Doktor Moormann und ich" und die Hörbiografie "Barbara Strozzi: Lauscht, ihr Liebenden!"

Natürlich hatte auch sie es in einer von Männern dominierten Welt schwer, gerade im Italien des 17. Jahrhunderts. Dabei hat sie als Komponistin ein umfangreiches Œuvre hinterlassen, darunter acht Bände mit meist weltlicher Vokalmusik, über 120 Einzelwerke insgesamt. Doch es hat bis zum Jahr 1978 gedauert, bis erstmals ein wissenschaftlicher Artikel über Barbara Strozzi erschienen ist. Jetzt hat der Autor Jörg Handstein eine Hör-Biographie über sie veröffentlicht. Christoph Vratz über die neue Folge mit Komponist:innen-Hörbüchern.

Hildegard von Bingen und Barbara Strozzi, dazu hebräische Gesänge und Sufimusik. Die Konzertreihe "Music for the one God" spürt dem gemeinsamen Ursprung von Judentum, Christentum und Islam nach. Am 24. November steht die Musik von Frauen im Mittelpunkt. Beim Konzert im Herkulessaal der Münchner Residenz treten unter anderem der Mädchenchor der Regensburger Domspatzen und Solistinnen aus München, Jerusalem und Istandbul. Initiator des Programms ist Dirigent Mehmet Yesilçay.

Melbourne-based composer and multi-instrumentalist Claire Deak talks about her debut solo album, Sotto Voce, and the two women composers of the Baroque whose music she recovered and reimagined – Francesca Caccini (1587-c. 1645) and Barbara Strozzi (1619-1677). Some of their compositions are intuitively sensed and worked into new neoclassical compositions by Claire using a range of Baroque and modern instruments, as well as innovative modern and analogue recording techniques that bend our concept of time. Claire delves into her compositions and musical practice as we hear some of her atmospheric and imaginative new works throughout the interview. Claire has kindly given us permission to feature her music in the podcast for your listening enjoyment. Sotto Voce is out via Lost Tribe Sound. To listen to her album, visit Claire Deak's Bandcamp page here: https://clairedeak.bandcamp.com/album/sotto-voce Tracklist (in order) as aired in the interview: Claire Deak - Prefigured (Ritornello) Claire Deak - Dolce Tormento Claire Deak - Liberated Sighs Claire Deak - A Million Cloaked Ghosts Broadcast on 17 October 2023.

Don Watson and Chris Wallace analyse the outcome of the Voice to Parliament referendum in-depth. They also examine Australia's response to the Israel-Palestine conflict and humanitarian crisis in Gaza, and Labor's unwavering support of AUKUS, as outlined in Don's recent essay in The Monthly. Don Watson is an award-winning author and former speechwriter to Paul Keating. His books include, Death Sentence: The Decay of Public Language, Recollections of a Bleeding Heart: A Portrait of Paul Keating PM, The Bush, and Watsonia. Professor Chris Wallace is a political historian, commentator, and former member of the Canberra Press Gallery and her books include, Political Lives: Australian prime ministers and their biographers and How To Win An Election. To mark the 70th anniversary of Britain's atomic tests at Emu Field in South Australia – the first on terrestrial land in Australia – author and academic Dr Elizabeth Tynan speaks about her book, The Secret of Emu Field: Britain's forgotten atomic tests in Australia. It was at Emu Field, SA on October 15, 1953 that a terrifying black mist spread across the land after an atomic bomb detonation (Totem 1), bringing death and sickness to Aboriginal people and other people in its path. Secrecy around the testing activities and its effects still exists today. Totem 2 was detonated on October 27, 1953. Elizabeth is an Associate Professor at James Cook University. Her previous book, Atomic Thunder: The Maralinga Story, won the Prime Minister's Literary Award for Australian History and the CHASS Australia Book Prize in 2017. Read about ICAN's Black Mist campaign here. Read Nic Maclellan's long-form article on the Emu Field tests.Melbourne-based composer and multi-instrumentalist Claire Deak talks about her debut solo album, Sotto Voce, and two women composers of the Baroque whose music she explored and drew inspiration from – Francesca Caccini (1587-c.1645) and Barbara Strozzi (1619-1677). Claire delves into her neo-classical compositions and musical practice as we hear some of her atmospheric and imaginative new works throughout the interview. Sotto Voce is out via Lost Tribe Sound.Tracklist (in order) as aired in the last interview:Claire Deak - Prefigured (Ritornello)Claire Deak - Dolce TormentoClaire Deak - Liberated SighsClaire Deak - A Million Cloaked Ghosts

Melbourne-based composer and multi-instrumentalist Claire Deak talks about her debut solo album, Sotto Voce, and the two women composers of the Baroque whose music she recovered and reimagined – Francesca Caccini (1587-c. 1645) and Barbara Strozzi (1619-1677). Some of their compositions are intuitively sensed and worked into new compositions by Claire using a range of Baroque and modern instruments, as well as innovative modern and analogue recording techniques that bend our concept of time. Claire delves into her neo-classical compositions and musical practice as we hear some of her atmospheric and imaginative new works throughout the interview. Claire has kindly given us permission to feature her music in the podcast for your listening enjoyment. Sotto Voce is out via Lost Tribe Sound. Visit Claire Deak's Bandcamp page here.Tracklist (in order) as aired in the interview:Claire Deak - Prefigured (Ritornello)Claire Deak - Dolce TormentoClaire Deak - Liberated SighsClaire Deak - A Million Cloaked Ghosts

Kastljós fjölmiðla beinist um þessar mundir að bókamessunni í Frankfurt. Fjölmargir rithöfundar og útgefendur víðsvegar að saka aðstandendur messunnar um að þagga niður í palestínskum röddum, en athöfn sem verðlauna átti palestínska höfundinum Adaniu Shibli var tekin af dagskránni vegna atburða síðustu daga í Ísrael og Palestínu. Yfir 600 höfundar og útgefendur hafa nú sett nafn sitt undir bréf sem gagnrýnir aðstandendur bókamessunnar og bókmenntaverðlaunanna LiBeraturpreis. Við veltum þessu fyrir okkur í þætti dagsins með Kristjáni B. Jónassyni bókaútgefanda og palestínska skáldinu Mazen Maarouf. Einnig heyrum við af 17.aldar tónskáldinu Barböru Strozzi sem var hyllt sem ein af bestu söngkonum og afkastamestu tónskáldum síns tíma og af listahátíðinni Sequences sem hófst með pompi og prakt síðastliðinn föstudag.

Kastljós fjölmiðla beinist um þessar mundir að bókamessunni í Frankfurt. Fjölmargir rithöfundar og útgefendur víðsvegar að saka aðstandendur messunnar um að þagga niður í palestínskum röddum, en athöfn sem verðlauna átti palestínska höfundinum Adaniu Shibli var tekin af dagskránni vegna atburða síðustu daga í Ísrael og Palestínu. Yfir 600 höfundar og útgefendur hafa nú sett nafn sitt undir bréf sem gagnrýnir aðstandendur bókamessunnar og bókmenntaverðlaunanna LiBeraturpreis. Við veltum þessu fyrir okkur í þætti dagsins með Kristjáni B. Jónassyni bókaútgefanda og palestínska skáldinu Mazen Maarouf. Einnig heyrum við af 17.aldar tónskáldinu Barböru Strozzi sem var hyllt sem ein af bestu söngkonum og afkastamestu tónskáldum síns tíma og af listahátíðinni Sequences sem hófst með pompi og prakt síðastliðinn föstudag.

Interpreten: Federico Fiorio, La Florida Capella, Marian Polin Label: Tiroler Landesmuseen EAN: 9079700700566 Die CD-Reihe musikmuseum der Tiroler Landesmuseen ist mittlerweile auf die beachtliche Anzahl von 64 CDs angewachsen. Also 64 Aufnahmen mit Instrumenten oder Manuskripten aus den Sammlungen bzw. anderer Werke die mit der Stadt Innsbruck oder dem Land Tirol zu tun haben. Die jüngste Ausgabe beschäftigt sich mit Andachtsmusik für die Tiroler Landesfürstin Anna de‘ Medici von Barbara Strozzi. Michael Gmasz ist vor allem von Federico Fiorio fasziniert. Anna de‘ Medici, durch ihre Heirat mit Erzherzog Ferdinand Karl von Österreich-Tirol 1646 zur Tiroler Landesfürstin geworden, war eine kunstsinnige Frau und liebte wie ihr Ehemann die Musik und das Theater. Das ist wohl einer der Gründe, warum der Innsbrucker Hof in der zweiten Hälfte des 17. Jahrhunderts zu einem Musikzentrum von europäischem Rang avancierte. Pietro Antonio Cesti und der spätere Wiener Hofkapellmeister Antonio Pancotti gehörten wohl zu den prominentesten Vertretern der Hofkapelle. Mit der Widmung der „Sacri Musicali Affetti“ erhoffte sich auch die venezianische Komponistin Barbara Strozzi von Anna de‘ Medici eine Anstellung am Hof, zu der es allerdings nie gekommen ist. Immerhin ein kleines goldenes Schatzkästchen und ein Halsband mit Rubinen gab es als Dank für die großzügige musikalische Zueignung. Ergänzt um Instrumentalwerke aus der selben Zeit ist das geistliche Op. 5 von Strozzi nun auf CD nachzuhören. Auf seiner Debüt-CD ist das Ensemble La florida Capella, das bereits im Jahr seiner Gründung 2021 den renommierten Heinrich Ignaz Franz-Biber-Wettbewerb für sich entscheiden konnte, gemeinsam mit dem jungen, international erfolgreichen und von der Kritik gefeierten italienischen Sopranisten Federico Fiorio zu erleben. Und der junge Mann ist wirklich ein Erlebnis. Eine glockenhelle Sopranstimme, die manchmal Zweifel aufkommen lässt, dass es sich tatsächlich um einen jungen Mann handelt. Lupenreine Ansätze in höchsten Höhen. Eine ausgefeilte Technik, mit der Fiorio die schwierigen Koloraturen und Melismen meistert, und doch genug Schmelz, dass er auch in den lyrischen Passagen zu überzeugen weiß. Ein junger Sänger, von dem wir sicher in Zukunft noch einiges hören werden! (mg)

Venedig zur Zeit Monteverdis. Eine Sängerin und Komponistin, die sich selbst und vier uneheliche Kinder durchbringt und zugleich ein Werk von beachtlichem Umfang schafft. Sinnlich, experimentierfreudig und neue Wege beschreitend. Einfach bezaubernd.Ranisch, Axel;Striesow, Devidwww.deutschlandfunkkultur.de, EchtzeitDirekter Link zur Audiodatei

The singer, and composer Barbara Strozzi neither held any position at church or court, nor had a consistant patron, and yet she published eight volumes of her own music, and had more secular music in print than any other composer of the era. Donald Macleod is joined by Professor Laurie Stras to explore the life of this extraordinary musician, and the world of 17th Century Venice in which she lived and worked. This was a world in which, despite the acknowledged successes of female artists in literature and music, being a successful composer seems to have aroused suspicion, and brought accusations of impropriety. Music Featured: Mi fa rider la speranze, Op.7'10 Che si puo fare, Op 8'6 Sonetto Proemio dell'Opera, Op 1'1 Godere in gioventù, Op. 1'12 L'Usignuolo, Op.1'5 Il contrasto di cinque sensi, Op. 1'14 Parla alli suoi pensieri, Op.6'5 L'Amante segreto, Op. 2'16 Sospira respira, Op.6'17 Godere e tacere, Op.1'9 Cuore che reprime alla lingua di manifestare il nome della sua cara, Op.3'1 La sol fa, mi, re, do, Op.2'25 Cor donato, cor rubato, Op. 3'10 Sino alla morte, Op.7'1 E pazzo il mio core, Op.8'9 Fin che tù spiri, spera, Op.7'3 Cristiana Presutti, soprano Ensemble Poiesis La riamata da chi amava, Op.2'18 Silentio nocivo, Op. 1'6 Donne Belle, Op.8'12 Se volete così me ne contento, Op. 6'18 Lagrime Mie, Lamento, Op. 7'4 L'Eraclito amoroso, Op. 2'14 Amante loquace, Op. 6'16 Il Lamento - S'ul rodano severo, Op.3'3 Begl'occhi, Op.2'2 Mater Anna, op.5'1 O Maria, Op.5'7 Tradimento, Op.7'9 Sete pur fastidioso, Op. 7'12 Conclusione dell'opera, Op.1'25 Parasti in dulcedine, Op.5'8 L'Astratto, op.8'4 Salve Regina, Op.5 Gite, o giorni dolenti, Op.2'21 L'amante modesto, Op.1'13 Presented by Donald Macleod Produced by Sam Phillips For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Barbara Strozzi (1619 – 1677) https://www.bbc.co.uk/programmes/m001h57j And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Barbara Strozzi war Mitte des 17. Jahrhunderts in Italien eine der wichtigsten und profiliertesten Komponistinnen, vor allem von weltlicher Vokalmusik. Sie galt zudem als besonders produktiv: Niemand soll im 17. Jahrhundert mehr weltliche Vokalmusik in Venedig geschrieben haben als sie.

In the penultimate episode of this series of Sound Unbound, Josie Long speaks to academic, composer and performer CN Lester. They take us back to the 17th Century and the wonderfully dramatic music of Barbara Strozzi. Hosted on Acast. See acast.com/privacy for more information.

Con “La voz del agua” y “El Alma”, visibiliza a Barbara Strozzi y Alma Mahler

Barbara Strozzi and her brilliant music was lost to time until Dr. Candace Magner, researcher and publisher devoted her life to uncovering Strozzi's music. Please enjoy this re-issue of the conversation from August 2017. Publication Website: www.cordonatoeditions.com Blog Website for info: barbarastrozzi.com Email Dr. Magner: editor@cordonatoeditions.com The music heard in this podcast were Opus 2, number 4, "Costume Dei Grandi" and Opus 2, number 9 "La Vendetta", both performed by Dr. Magner with Adam Pearl, harpsichord; Michael Sponseller, cello; Andre Uhe and Michelle Brians, violins. The duet is Opus 2, number 23, "I Baci", performed by the group Favella Lyrica from their CD "A New Sappho" on Koch . Pamela Murray, soprano; Pamela Dellal, mezzo soprano; Michael Beattie, harpsichord; Daniel Ryan, violone.

Laila Salome Fischer und Magnus Mehl, eine Sopranistin und ein Jazz-Saxophonist, tun sich mit dem Ensemble Il Giratempo zusammen und entdecken gemeinsam die italienische Barockmusik, speziell von Barbara Strozzi. Über die neu erschienene CD „Talkin‘ About Barbara“, das Zusammenwirken von Barock und Jazz und die Besonderheit der Werke von Strozzi spricht Laila Salome Fischer in SWR2.

Helen Charlston and Toby Carr release 'Battle Cry' in May 2022 - available from 27th on Delphian records featuring songs by Barbara Strozzi, Henry Purcell, John Eccles, Claudio Monteverdi & Owain Park. To coincide with the release, both performers appear at the London Festival of Baroque at St John's Smith Square and the Norfolk and Norwich Festival. TICKETS: https://www.lfbm.org.uk/whats-on/helen-charlston-and-toby-carr

Musician-led ensemble Palaver Strings releases its new album of music by diverse female composers, Ready or Not. Works on the album include Grażyna Bacewicz's Concerto for String Orchestra; Non può il mio cuore by Venetian singer, lutenist, and composer Maddalena Casulana; composer Barbara Strozzi's madrigal Lagrime mie featuring a performance by mezzo-soprano Sophie Michaux; Chicago-based multi-genre composer, vocalist, pianist, and producer Akenya Seymour's Fear the Lamb; and a set of fiddle tunes by two Portland-based fiddlers, Liz Knowles and Palaver's own Elizabeth Moore. Purchase the music (without talk) at:Ready or Not (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

Constantine Costi is a director, writer and the co-artistic director of Red Line Productions at the Old Fitz working across opera, film, and theatre. He was named one of the 21 hottest creatives of 2021 by The Australian.Most recently Constantine directed Handa Opera on Sydney Harbour La Traviata for Opera Australia, as well as Verdi's Requiem for Ensemble Apex and Phoenix Central Park, and is currently preparing a Kurt Weill Double Bill for The Old Fitz Theatre of Mahagonny Songspiel and The Seven Deadly Sins.In 2020 he directed the feature film A Delicate Fire for Pinchgut Opera based on the madrigals of Barbara Strozzi, wrote the libretto of a new Australian opera Cassandra for Victorian Opera by composer Simon Bruckard, directed Monochromatic; a video series of piano portraits for Phoenix Central Park, and directed an online Don Giovanni production for the Shanghai Opera with Maestro Xu Zhong.Constantine has also directed Karakorum starring David Wenham (Australian Brandenburg Orchestra); the award-winning production of Bittersweet Obsessions, and Messiah which played to standing ovations and sell-out seasons in Sydney, Melbourne and Brisbane; Puccini's Suor Angelica (Opera Projects Sydney); and Il Tabarro at Alfie's Sydney.Constantine has directed revivals of Harry Kupfer's Otello (OA), Il Viaggio a Reims (Dutch National Opera, OA and Royal Danish Opera), Sir David Mc Vicar's Vienna State Opera production of Falstaff(National Centre of Performing Arts, Beijing); and La Traviata (OA).He also assistant directed productions of Ring Cycle (Chen Shi-Zheng) and Wozzeck (Salzburg Festival, OA, Canadian Opera Company, Metropolitan Opera); Hunde Gottes (Schauspielhaus Vienna); and The Marriage of Figaro (OA). Constantine has also worked with director Chen Shi-Zheng as assistant director of Puccini's Turandot (OA, Handa Opera on Sydney Harbour), as well as co-directing Werther with director Elijah Moshinsky (OA).Other work includes directing and co-creating the world premiere of jazz musical The Overcoat (Belvoir's 25A); co-writing the immersive theatre experience Visiting Hours (Vivid Festival); and directing The Space Between the Fuel and the Fire (NIDA).Constantine is the recipient of The Berlin New Music Opera Award with The Opera Foundation for Young Australians where he worked with Komische Oper Berlin's directing team on the premiere of Tchaikovsky's Eugene Onegin directed by Barrie Kosky.Other directing credits include: The Hypochondriac, The Shewing-up of Blanco Posnet (NIDA); Young Artist's Program Showcase (Opera Australia); Thomas Arne's The Sailor's Return (Nagambie Lakes Opera Festival); The Master and Margarita after Bulgakov (Aboriginal Centre of the Performing Arts); Accidental Death of an Anarchist by Dario Fo (Zenith Theatre); and The Canterbury Tales by Chaucer (George Georgiou Inc). Constantine has previously been a member of the Belvoir Artists' Workshop and was affiliate director with Griffin Theatre.Constantine's screen credits include: music videos, I Know What You're Hiding (Hedge Fund) and Into My Arms (Bloods) for Triple J Unearthed; and the short films Ferguson & Daisy & Ursula, andDonny.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Barbara Strozzi was a Baroque vocal music composer from Venice and definitely ahead of her time.

Hon var en av den tidiga italienska barockens främsta kompositörer av vokalmusik. I år skulle hon ha fyllt 400 år. Hör den fascinerande historien om Barbara Strozzi. Lyssna på alla avsnitt i Sveriges Radio Play. Barbara Strozzi var ett stort namn i 1600-talets Venedig, en superstjärna. Hon gav ut sin musik under eget namn, medan andra kvinnliga kompositörer använde manliga pseudonymer. Det brukar förklaras med att hennes far Giulio Strozzi var en framgångsrik poet och att hon blev en person i sin egen rätt i de intellektuella diskussioner som han brukade ta med henne till i så kallade "akademier". Strozzis musik var dramatisk, känslosam och kvick och hon briljerade med sin sång, men vem var hon egentligen? Vi följer med musikjournalisten Viveca Bladh till dagens Venedig. I dokumentären medverkar också forskarna Ellen Rosand och Giada Viviani med flera. En P2 Dokumentär av Viveca Bladh.

Hon var en av den tidiga italienska barockens främsta kompositörer av vokalmusik. I år skulle hon ha fyllt 400 år. Hör den fascinerande historien om Barbara Strozzi. Lyssna på alla avsnitt i Sveriges Radio Play. Barbara Strozzi var ett stort namn i 1600-talets Venedig, en superstjärna. Hon gav ut sin musik under eget namn, medan andra kvinnliga kompositörer använde manliga pseudonymer. Det brukar förklaras med att hennes far Giulio Strozzi var en framgångsrik poet och att hon blev en person i sin egen rätt i de intellektuella diskussioner som han brukade ta med henne till i så kallade "akademier". Strozzis musik var dramatisk, känslosam och kvick och hon briljerade med sin sång, men vem var hon egentligen? Vi följer med musikjournalisten Viveca Bladh till dagens Venedig. I dokumentären medverkar också forskarna Ellen Rosand och Giada Viviani med flera. En P2 Dokumentär av Viveca Bladh.