Podcast appearances and mentions of fred siegel

Today's guest is Peter Moskos, a professor at John Jay College of Criminal Justice. He spent two years as a police officer in Baltimore. I asked him to come on and talk about his new book, Back from the Brink, Inside the NYPD and New York City's Extraordinary 1990s Crime Drop. It's one of my favorite books I've read this year (and it was one of my three book recommendations on Ezra Klein's show last week).Peter spoke with hundreds of police officers and NYC officials to understand and describe exactly how the city's leaders in the early 1990s managed to drive down crime so successfully.We discussed:* How bad did things get in the 1970s?* Why did processing an arrest take so long?* What did Bill Bratton and other key leaders do differently?* How did police get rid of the squeegee men?I've included my reading list at the bottom of this piece. Thanks to Harry Fletcher-Wood for his judicious transcript edits.Subscribe for one new interview a week.Peter, how would you describe yourself?I would say I'm a criminologist: my background is sociology, but I am not in the sociology department. I'm not so big on theory, and sociology has a lot of theory. I was a grad student at Harvard in sociology and worked as a police officer [in Baltimore] and that became my dissertation and first book, Cop in the Hood. I've somewhat banked my career on those 20 months in the police department.Not a lot of sociologists spend a couple of years working a police beat.It's generally frowned upon, both for methodological reasons and issues of bias. But there is also an ideological opposition in a lot of academia to policing. It's seen as going to the dark side and something to be condemned, not understood.Sociologists said crime can't go down unless we fix society first. It's caused by poverty, racism, unemployment, and social and economic factors — they're called the root causes. But they don't seem to have a great impact on crime, as important as they are. When I'm in grad school, murders dropped 30-40% in New York City. At the same time, Mayor Giuliani is slashing social spending, and poverty is increasing. The whole academic field is just wrong. I thought it an interesting field to get into.We're going to talk about your new book, which is called Back from the Brink, Inside the NYPD and New York City's Extraordinary 1990s Crime Drop. I had a blast reading it. Tell me about the process of writing it.A lot of this is oral history, basically. But supposedly people don't like buying books that are called oral histories. It is told entirely from the perspective of police officers who were on the job at the time. I would not pretend I talked to everyone, because there were 30,000+ cops around, but I spoke to many cops and to all the major players involved in the 1990s crime drop in New York City.I was born in the ‘90s, and I had no idea about a crazy statistic you cite: 25% of the entire national crime decline was attributable to New York City's crime decline.In one year, yeah. One of the things people say to diminish the role of policing is that the crime drop happened everywhere — and it did end up happening almost everywhere. But I think that is partly because what happened in New York City was a lot of hard work, but it wasn't that complicated. It was very easy to propagate, and people came to New York to find out what was going on. You could see results, literally in a matter of months.It happened first in New York City. Really, it happened first in the subways and that's interesting, because if crime goes down in the subways [which, at the time, fell under the separate New York City Transit Police] and not in the rest of the city, you say, “What is going on in the subways that is unique?” It was the exact same strategies and leadership that later transformed the NYPD [New York Police Department].Set the scene: What was the state of crime and disorder in New York in the ‘70s and into the ‘80s?Long story short, it was bad. Crime in New York was a big problem from the late ‘60s up to the mid ‘90s, and the ‘70s is when the people who became the leaders started their careers. So these were defining moments. The city was almost bankrupt in 1975 and laid off 5,000 cops; 3,000 for a long period of time. That was arguably the nadir. It scarred the police department and the city.Eventually, the city got its finances in order and came to the realization that “we've got a big crime problem too.” That crime problem really came to a head with crack cocaine. Robberies peaked in New York City in 1980. There were above 100,000 robberies in 1981, and those are just reported robberies. A lot of people get robbed and just say, “It's not worth it to report,” or, “I'm going to work,” or, “Cops aren't going to do anything.” The number of robberies and car thefts was amazingly high. The trauma, the impact on the city and on urban space, and people's perception of fear, all comes from that. If you're afraid of crime, it's high up on the hierarchy of needs.To some extent, those lessons have been lost or forgotten. Last year there were 16,600 [robberies], which is a huge increase from a few years ago, but we're still talking an 85% reduction compared to the worst years. It supposedly wasn't possible. What I wanted to get into in Back from the Brink was the actual mechanisms of the crime drop. I did about fifty formal interviews and hundreds of informal interviews building the story. By and large, people were telling the same story.In 1975, the city almost goes bankrupt. It's cutting costs everywhere, and it lays off more than 5,000 cops, about 20% of the force, in one day. There's not a new police academy class until 1979, four years later. Talk to me about where the NYPD was at that time.They were retrenched, and the cops were demoralized because “This is how the city treats us?” The actual process of laying off the cops itself was just brutal: they went to work, and were told once they got to work that they were no longer cops. “Give me your badge, give me your gun."The city also was dealing with crime, disorder, and racial unrest. The police department was worried about corruption, which was a legacy of the Knapp Commission [which investigated NYPD corruption] and [Frank] Serpico [a whistleblowing officer]. It's an old police adage, that if you don't work, you can't get in trouble. That became very much the standard way of doing things. Keep your head low, stay out of trouble, and you'll collect your paycheck and go home.You talk about the blackout in 1977, when much of the city lost power and you have widespread looting and arson. 13,000 off-duty cops get called in during the emergency, and only about 5,000 show up, which is a remarkable sign of the state of morale.The person in my book who's talking about that is Louis Anemone. He showed up because his neighbor and friend and partner was there, and he's got to help him. It was very much an in-the-foxholes experience. I contrast that with the more recent blackout, in which the city went and had a big block party instead. That is reflective of the change that happened in the city.In the mid-80s you get the crack cocaine epidemic. Talk to me about how police respond.From a political perspective, that era coincided with David Dinkins as [New York City's first black] mayor. He was universally disliked, to put it mildly, by white and black police officers alike. He was seen as hands off. He was elected in part to improve racial relations in New York City, to mitigate racial strife, but in Crown Heights and Washington Heights, there were riots, and racial relations got worse. He failed at the level he was supposed to be good at. Crime and quality of life were the major issues in that election.Dinkins's approach to the violence is centered around what they called “community policing.” Will you describe how Dinkins and political leaders in the late ‘80s and early ‘90s thought about policing?This is under Ben Ward, the [NYPD] Commissioner at the time. The mayor appoints the police commissioner — and the buck does stop with the mayor — but the mayor is not actively involved in day-to-day operations. That part does go down to the police department.Community policing was seen as an attempt to improve relations between the police and the community. The real goal was to lessen racial strife and unrest between black (and to a lesser extent Hispanic) communities and the NYPD. Going back to the ‘60s, New York had been rocked by continued unrest in neighborhoods like Central Harlem, East New York, and Bushwick. Community policing was seen as saying that police are partly to blame, and we want to improve relations. Some of it was an attempt to get the community more involved in crime fighting.It's tough. It involves a certain rosy view of the community, but that part of the community isn't causing the problems. It avoids the fact there are people who are actively criming and are willing to hurt people who get in their way. Community policing doesn't really address the active criminal element, that is a small part of any community, including high-crime communities.Arrests increased drastically during this era, more than in the ‘90s with broken windows policing. If the idea is to have fewer arrests, it didn't happen in the ‘80s. Some good came out of it, because it did encourage cops to be a bit more active and cops are incentivized by overtime. Arrests were so incredibly time-consuming, which kind of defeated the purpose of community policing. If you made an arrest in that era, there was a good chance you might spend literally 24 hours processing the arrest.Will you describe what goes into that 24 hours?From my experience policing in Baltimore, I knew arrests were time-consuming and paperwork redundant, but I could process a simple arrest in an hour or two. Even a complicated one that involved juveniles and guns and drugs, we're talking six to eight hours.In the ‘80s, Bob Davin, [in the] Transit Police, would say they'd make an arrest, process at the local precinct, search him in front of a desk officer, print him, and then they would have to get a radio car off patrol to drive you down to central booking at 100 Centre Street [New York City Criminal Court]. Then they would fingerprint him. They didn't have the live scan fingerprints machine, it was all ink. It had to be faxed up to Albany and the FBI to see if it hit on any warrant federally and for positive identification of the person. Sometimes it took 12 hours to have the prints come back and the perp would be remanded until that time. Then you'd have to wait for the prosecutor to get their act together and to review all the paperwork. You couldn't consider bail unless the prints came back either positive or negative and then you would have that initial arraignment and the cop could then go home. There are a lot of moving parts, and they moved at a glacial pace.The system often doesn't work 24/7. A lot of this has changed, but some of it was having to wait until 9 am for people to show up to go to work, because it's not a single system. The courts, the jails, and policing all march to their own drummer, and that created a level of inefficiency.So much of the nitty-gritty of what cops actually do is boring, behind-the-scenes stuff: How do we speed up the paperwork? Can we group prisoners together? Can we do some of this at the police station instead of taking it downtown? Is all of this necessary? Can we cooperate with the various prosecutors? There are five different prosecutors in New York City, one for each borough.There's not a great incentive to streamline this. Cops enjoyed the overtime. That's one of the reasons they would make arrests. So during this time, if a cop makes an arrest for drug dealing, that cop is gone and no cop was there to replace him. If it's a minor arrest, there's a good chance in the long run charges will be dropped anyway. And you're taking cops off the street. In that sense, it's lose-lose. But, you have to think, “What's the alternative?”Bob Davin is a fascinating guy. There's a famous picture from 1981 by Martha Cooper of two cops on a subway train. It's graffitied up and they're in their leather jackets and look like cops from the ‘70s. Martha Cooper graciously gave me permission to use the picture, but she said, "You have to indemnify me because I don't have a release form. I don't know who the cops are." I said, "Martha, I do know who the cop is, because he's in my book and he loves the picture.” Bob Davin is the cop on the right.Davin says that things started to get more efficient. They had hub sites in the late ‘80s or ‘90s, so precincts in the north of Manhattan could bring their prisoners there, and you wouldn't have to take a car out of service to go back to Central Booking and deal with traffic. They started collecting prisoners and bringing them en masse on a small school bus, and that would cut into overtime. Then moving to electronic scan fingerprints drastically saves time waiting for those to come back.These improvements were made, but some of them involve collective bargaining with unions, to limit overtime and arrests that are made for the pure purpose of overtime. You want cops making arrests for the right reason and not simply to make money. But boy, there was a lot of money made in arrests.In 1991, you have the infamous Crown Heights riot in Brooklyn. Racial tensions kick off. It's a nightmare for the mayor, there's this sense that he has lost control. The following year, you have this infamous police protest at City Hall where it becomes clear the relationship between the cops and the mayor has totally evaporated. How does all that play into the mayoral race between Dinkins and Giuliani?It was unintentional, but a lot of the blame for Crown Heights falls on the police department. The part of the story that is better known is that there was a procession for a Hasidic rabbi that was led by a police car. He would go to his wife's grave, and he got a little three-car motorcade. At some point, the police look at this and go "Why are we doing this? We're going to change it." The man who made the deal said ‘I"m retiring in a couple weeks, can we just leave it till then? Because I gave him my word." They're like, "Alright, whatever."This motor car procession is then involved in a car crash, and a young child named Gavin Cato is killed, and another girl is severely injured. The volunteer, Jewish-run ambulance shows up and decides they don't have the equipment: they call for a professional city ambulance. Once that ambulance is on the way, they take the mildly-injured Jewish people to the hospital. The rumor starts that the Jewish ambulance abandoned the black children to die.This isn't the first incident. There's long been strife over property and who the landlord is. But this was the spark that set off riots. A young Jewish man was randomly attacked on the street and was killed.As an aside, he also shouldn't have died, but at the hospital they missed internal bleeding.Meanwhile, the police department has no real leadership at the time. One chief is going to retire, another is on vacation, a third doesn't know what he's doing, and basically everyone is afraid to do anything. So police do nothing. They pull back, and you have three days of very anti-Semitic riots. Crowds chanting "Kill the Jews" and marching on the Lubavitch Hasidic Headquarters. Al Sharpton shows up. The riots are blamed on Dinkins, which is partly fair, but a lot of that's on the NYPD. Finally, the mayor and the police commissioner go to see what's going on and they get attacked. It's the only time in New York City history that there's ever been an emergency call from the police commissioner's car. People are throwing rocks at it.It took three days to realise this, but that's when they say “We have to do something here,” and they gather a group of officers who later become many of Bratton's main chiefs at the time [Bill Bratton was Commissioner of the NYPD from 1994-1996, under Giuliani]: Mike Julian, Louis Anemone, Ray Kelly, and [John] Timoney. They end the unrest in a day. They allow people to march, they get the police department to set rules. It still goes on for a bit, but no one gets hurt after that, and that's it.It was a huge, national story at the time, but a lot of the details were not covered. Reporters were taken from their car and beaten and stripped. The significance was downplayed at the time, especially by the New York Times, I would say.That's followed by the Washington Heights riots, which is a different story. A drug dealer was shot and killed by cops. There were rumors, which were proven to be false, that he was executed and unarmed. Then there were three days of rioting there. It wasn't quite as severe, but 53 cops were hurt, 120 stores were set on fire, and Mayor Dinkins paid for the victim's family to go to the Dominican Republic for the funeral. The police perspective again was, “You're picking the wrong side here.”Then there's the so-called Police Riot at City Hall. Nominally, it was about the CCRB, the Civilian Complaint Review Board, and setting up an accountability mechanism to control cops. But really it was just an anti-Dinkins protest. It was drunken and unruly. The cops stormed the steps of City Hall. I have the account of one of the cops who was on the top of those steps looking at this mob of cops storming to him, and he's getting worried he's going to be killed in a crush. There were racist chants from off-duty cops in the crowd. It did not reflect well on police officers. But it showed this hatred of David Dinkins, who was seen as siding with criminals and being anti-police. The irony is that Dinkins is the one who ends up hiring all the cops that Giuliani gets credit for.In the “Safe Streets, Safe City” program?Yes. That was because a white tourist, Brian Watkins, was killed in a subway station protecting his parents who were getting robbed. That led to the famous headline [in the New York Post] of “Dave, do something! Crime-ravaged city cries out for help.” He, with City Council President Peter Vallone, Sr., drafted and pushed through this massive hiring of police officers, “Safe Streets, Safe City.”The hiring wasn't fast-tracked. It might be because Dinkins's people didn't really want more cops. But it was a Dinkins push that got a massive hiring of cops. When the first huge class of police officers graduated, Bill Bratton was there and not David Dinkins.Some interviewees in your book talk about how there's physically not enough room in the police academies at this time, so they have to run classes 24/7. You cycle cohorts in and out of the same classroom, because there are too many new cops for the facilities.You have thousands of cops going through it at once. Everyone describes it as quite a chaotic scene. But it would have been hard to do what the NYPD did without those cops. Ray Kelly, who was police commissioner under Dinkins at the end [from 1992 to 1994] before he became police commissioner for 12 years under Bloomberg [from 2002 to 2013] probably could have done something with those cops too, but he never had the chance, because the mayoral leadership at the time was much more limiting in what they wanted cops to do.Crime starts declining slowly in the first few years of the ‘90s under Dinkins, and then in ‘93 Giuliani wins a squeaker of a mayoral election against Dinkins.One of the major issues was the then-notorious “squeegee men” of New York City. These were guys who would go to cars stopped at bridges and tunnel entrances and would rub a squeegee over the windshield asking for money. It was unpleasant, intimidating, and unwanted, and it was seen as one of those things that were just inevitable. Like graffiti on the subway in the ‘80s. Nothing we can do about it because these poor people don't have jobs or housing or whatever.The irony is that Bratton and Giuliani were happy to take credit for that, and it was an issue in the mayoral campaign, but it was solved under David Dinkins and Ray Kelly and Mike Julian with the help of George Kelling [who, with James Wilson, came up with broken windows theory]. But they never got credit for it. One wonders if, had they done that just a few months earlier, it would have shifted the entire campaign and we'd have a different course of history in New York City.It's a great example of a couple of things that several people in your book talk about. One is that disorder is often caused by a very small set of individuals. There's only like 70 squeegee men, yet everybody sees them, because they're posted up at the main tunnel and bridge entrances to Manhattan. And getting them off the streets solves the problem entirely.Another emphasis in the book is how perceptions of crime are central. You quote Jack Maple, the father of Compstat, as saying, “A murder on the subway counts as a multiple murder up on the street, because everybody feels like that's their subway.” The particular locations of crimes really affect public perception.Absolutely. Perception is reality for a lot of these things, because most people aren't victimized by crime. But when people perceive that no one is in control they feel less safe. It's not that this perception is false, it just might not be directly related to an actual criminal act.The other thing I try to show is that it's not just saying, “We've got to get rid of squeegee men. How do you do it?” They had tried before, but this is why you need smart cops and good leadership, because it's a problem-solving technique, and the way to get rid of graffiti is different to the way you get rid of squeegee men.This book is in opposition to those who just say, “We can't police our way out of this problem.” No, we can. We can't police our way out of every problem. But if you define the problem as, we don't want people at intersections with squeegees, of course we can police our way out of the problem, using legal constitutional tools. You need the political will. And then the hard work starts, because you have to figure out how to actually do it.Will you describe how they tackle the squeegee men problem?Mike Julian was behind it. They hired George Kelling, who's known for broken windows. They said, “These people are here to make money. So to just go there and make a few arrests isn't going to solve the problem.” First of all, he had to figure out what legal authority [to use], and he used Traffic Reg 44 [which prohibits pedestrians from soliciting vehicle occupants]. He talked to Norm Siegel of the NYCLU [New York Civil Liberties Union] about this, who did not want this crackdown to happen. But Norman said, “Okay, this is the law, I can't fight that one. You're doing it legally. It's all in the books.” And So that took away that opposition.But the relentless part of it is key. First they filmed people. Then, when it came to enforcement, they warned people. Then they cited people, and anybody that was left they arrested. They did not have to arrest many people, because the key is they did this every four hours. It was that that changed behavior, because even a simple arrest isn't going to necessarily deter someone if it's a productive way to make money. But being out there every four hours for a couple of weeks or months was enough to get people to do something else. What that something else is, we still don't know, but we solved the squeegee problem.So in 93, Giuliani is elected by something like 50,000 votes overall. Just as an aside, in Prince of the City, Fred Siegel describes something I had no idea about. There's a Puerto Rican Democratic Councilman who flips and supports Giuliani. Mayor Eric Adams, who at the time was the head of a nonprofit for black men in law enforcement, calls him a race traitor for doing that and for being married to a white woman. There was a remarkable level of racial vitriol in that race that I totally missed.10 years ago when I started this, I asked if I could interview then-Brooklyn borough president Eric Adams, and he said yes, and the interview kept getting rescheduled, and I said, “Eh, I don't need him.” It's a regret of mine. I should have pursued that, but coulda, woulda, shoulda.Giuliani is elected, and he campaigns very explicitly on a reducing crime and disorder platform. And he hires Bill Bratton. Tell me about Bratton coming on board as NYPD commissioner.Bratton grew up in Boston, was a police officer there, became head of the New York City Transit Police when that was a separate police department. Right before he becomes NYPD Commissioner, he's back in Boston, as the Chief of Police there, and there is a movement among certain people to get Bratton the NYC job. They succeed in that, and Bratton is a very confident man. He very much took a broken windows approach and said, “We are going to focus on crime.” He has a right-hand man by the name of Jack Maple who he knows from the Transit Police. Maple is just a lieutenant in transit, and Bratton makes him the de facto number two man in the police department.Jack Maple passed away in 2001 and I didn't know what I was going to do, because it's hard to interview a man who's no longer alive. Chris Mitchell co-wrote Jack Maple's autobiography called Crime Fighter and he graciously gave me all the micro-cassettes of the original interviews he conducted with Maple around 1998. Everyone has a Jack Maple story. He's probably the most important character in Back from the Brink.Jack Maple comes in, no one really knows who he is, no one respects him because he was just a lieutenant in Transit. He goes around and asks a basic question — this is 1994 — he says, “How many people were shot in New York City in 1993?” And nobody knows. That is the state of crime-fighting in New York City before this era. There might have been 7,000 people shot in New York City in 1990 and we just don't know, even to this day.One citation from your book: in 1993, an average of 16 people were shot every day. Which is just remarkable.And remember, shootings have been declining for two or three years before that! But nobody knew, because they weren't keeping track of shootings, because it's not one of the FBI Uniform Crime Report [which tracks crime data nationally] index crimes. But wouldn't you be curious? It took Jack Maple to be curious, so he made people count, and it was findable, but you had to go through every aggravated assault and see if a gun was involved. You had to go through every murder from the previous year and see if it was a shooting. He did this. So we only have shooting data in New York City going back to 1993. It's just a simple process of caring.The super-short version of Back from the Brink is it was a change in mission statement: “We're going to care about crime.” Because they hadn't before. They cared about corruption, racial unrest, brutality, and scandal. They cared about the clearance rate for robbery a bit. You were supposed to make three arrests for every ten robberies. It didn't matter so much that you were stopping a pattern or arresting the right person, as long as you had three arrests for every ten reported crimes, that was fine.This is a story about people who cared. They're from this city — Bratton wasn't, but most of the rest are. They understood the trauma of violence and the fact that people with families were afraid to go outside, and nobody in the power structure seemed to care. So they made the NYPD care about this. Suddenly, the mid-level police executives, the precinct commanders, had to care. and the meetings weren't about keeping overtime down, instead they were about ”What are you doing to stop this shooting?”Tell listeners a little bit more about Jack Maple, because he's a remarkable character, and folks may not know what a kook he was.I think he was a little less kooky than he liked to present. His public persona was wearing a snazzy cat and spats and dressing like a fictional cartoon detective from his own mind, but he's a working-class guy from Queens who becomes a transit cop.When Bratton takes over, he writes a letter up the chain of command saying this is what we should do. Bratton read it and said, “This guy is smart.” Listening to 80 hours of Jack Maple, everyone correctly says he was a smart guy, but he had a very working-class demeanor and took to the elite lifestyle. He loved hanging out and getting fancy drinks at the Plaza Hotel. He was the idea man of the NYPD. Everyone has a Jack Maple imitation. “You're talking to the Jackster,” he'd say. He had smart people working under him who were supportive of this. But it was very much trying to figure out as they went along, because the city doesn't stop nor does it sleep.He was a bulls***er, but he's the one who came up with the basic outline of the strategy of crime reduction in New York City. He famously wrote it on a napkin at Elaine's, and it said, “First, we need to gather accurate and timely intelligence.” And that was, in essence, CompStat. “Then, we need to deploy our cops to where they need to be.” That was a big thing. He found out that cops weren't working: specialized units weren't working weekends and nights when the actual crime was happening. They had their excuses, but basically they wanted a cushy schedule. He changed that. Then, of course, you have to figure out what you're doing, what the effective tactics are. Then, constant follow up and assessment.You can't give up. You can't say “Problem solved.” A lot of people say it wasn't so much if your plan didn't work, you just needed a Plan B. It was the idea that throwing your hands in the air and saying, “What are you going to do?” that became notoriously unacceptable under Chief Anemone's stern demeanor at CompStat. These were not pleasant meetings. Those are the meetings that both propagated policies that work and held officers accountable. There was some humiliation going on, so CompStat was feared.Lots of folks hear CompStat and think about better tracking of crime locations and incidents. But as you flesh out, the meat on the bones of CompStat was this relentless follow-up. You'd have these weekly meetings early in the morning with all the precinct heads. There were relentless asks from the bosses, “What's going on in your district or in your precinct? Can you explain why this is happening? What are you doing to get these numbers down?” And follow-ups the following week or month. It was constant.CompStat is often thought of as high-tech computer stuff. It wasn't. There was nothing that couldn't have been done with old overhead projectors. It's just that no one had done it before. Billy Gorta says it's a glorified accountability system at a time when nobody knew anything about computers. Everyone now has access to crime maps on a computer. It was about actually gathering accurate, timely data.Bratton was very concerned that these numbers had to be right. It was getting everyone in the same room and saying, “This is what our focus is going to be now.” And getting people to care about crime victims, especially when those crime victims might be unsympathetic because of their demeanor, criminal activity, or a long arrest record. “We're going to care about every shooting, we're going to care about every murder.”Part of it was cracking down on illegal guns. There were hundreds of tactics. The federal prosecutors also played a key role. It was getting this cooperation. Once it started working and Giuliani made it a major part of claiming success as mayor, suddenly everyone wanted to be part of this, and you had other city agencies trying to figure it out. So it was a very positive feedback loop, once it was seen as a success.When Bratton came on the job, he said, “I'm going to bring down crime 15%.” No police commissioner had ever said that before. In the history of policing before 1994, no police commissioner ever promised a double-digit reduction in crime or even talked about it. People said “That's crazy.” It was done, and then year after year. That's the type of confidence that they had. They were surprised it worked as well as it did, but they all had the sense that there's a new captain on this ship, and we're trying new things. It was an age of ideas and experiment.And it was a very short time.That's the other thing that surprised me. Giuliani fired Bratton in the middle of ‘96.It's remarkable. Bratton comes in ‘94, and August 1994 is where you see crime drop off a cliff. You have this massive beginning of the reduction that continues.That inflection point is important for historical knowledge. I don't address alternatives that other people have proposed [to explain the fall in crime] — For example, the reduction in lead [in gasoline, paint, and water pipes] or legalized abortion with Roe v. Wade [proposed by Stephen Dubner].Reasonable people can differ. Back from the Brink focuses on the police part of the equation. Today, almost nobody, except for a few academics, says that police had nothing to do with the crime drop. That August inflection is key, because there is nothing in a lagged time analysis going back 20 years that is going to say that is the magic month where things happened. Yet if you look at what happened in CompStat, that's the month they started getting individual officer data, and noticing that most cops made zero arrests, and said, “Let's get them in the game as well.” And that seemed to be the key; that's when crime fell off the table. The meetings started in April, I believe, but August is really when the massive crime drop began.To your point about the confidence that crime could be driven down double digits year over year, there's a great quote you have from Jack Maple, where he says to a fellow cop, “This is going to be like shooting fish in a barrel. As long as we have absolute control, we can absolutely drive this number into the floor.”One detail I enjoyed was that Jack Maple, when he was a transit cop, would camp out under a big refrigerator box with little holes cut out for eyes and sit on the subway platform waiting for crooks.For people who are interested in Jack Maple, it is worth reading his autobiography, Crime Fighter. Mike Daly wrote New York's Finest, which uses the same tapes that I had access to, and he is much more focused on that. He's actually the godfather of Jack Maple's son, who is currently a New York City police officer. But Maple and co were confident, and it turned out they were right.As well as having changes in tactics and approach and accountability across the NYPD, you also have a series of specific location cleanups. You have a specific initiative focused on the Port Authority, which is a cesspool at the time, an initiative in Times Square, the Bryant Park cleanup, and then Giuliani also focuses on organized crime on the Fulton Fish Market, and this open-air market in Harlem.I was struck that there was both this general accountability push in the NYPD through CompStat, and a relentless focus on cleaning up individual places that were hubs of disorder.I'm not certain the crime drop would have happened without reclamation of public spaces and business improvement districts. Bryant Park's a fascinating story because Dan Biederman, who heads the Corporation, said, “People just thought it was like a lost cause, this park can't be saved. The city is in a spiral of decline.” He uses Jane Jacobs' “eyes on the street” theory and then George Kelling and James Q. Wilson's broken windows theory. The park has money — not city money, but from local property owners — and it reopens in 1991 to great acclaim and is still a fabulous place to be. It showed for the first time that public space was worth saving and could be saved. New York City at the time needed that lesson. It's interesting that today, Bryant Park has no permanent police presence and less crime. Back in the ‘80s, Bryant Park had an active police presence and a lot more crime.The first class I ever taught when I started at John Jay College in 2004, I was talking about broken windows. A student in the class named Jeff Marshall, who is in my book, told me about Operation Alternatives at the Port Authority. He had been a Port Authority police officer at the time, and I had not heard of this. People are just unaware of this part of history. It very much has lessons for today, because in policing often there's nothing new under the sun. It's just repackaged, dusted off, and done again. The issue was, how do we make the Port Authority safe for passengers? How do we both help and get rid of people living in the bus terminal? It's a semi-public space, so it makes it difficult. There was a social services element about it, that was Operational Alternatives. A lot of people took advantage of that and got help. But the flip side was, you don't have to take services, but you can't stay here.I interviewed the manager of the bus terminal. He was so proud of what he did. He's a bureaucrat, a high-ranking one, but a port authority manager. He came from the George Washington Bridge, which he loved. And he wonders, what the hell am I going to do with this bus terminal? But the Port Authority cared, because they're a huge organization and that's the only thing with their name on it — They also control JFK Airport and bridges and tunnels and all the airports, but people call the bus terminal Port Authority.They gave him almost unlimited money and power and said, “Fix it please, do what you've got to do,” and he did. It was environmental design, giving police overtime so they'd be part of this, a big part of it was having a social service element so it wasn't just kicking people out with nowhere to go.Some of it was also setting up rules. This also helped Bratton in the subway, because this happened at the same time. The court ruled that you can enforce certain rules in the semi-public spaces. It was not clear until this moment whether it was constitutional or not. To be specific, you have a constitutional right to beg on the street, but you do not have a constitutional right to beg on the subway. That came down to a court decision. Had that not happened, I don't know if in the long run the crime drop would have happened.That court decision comes down to the specific point that it's not a free-speech right on the subway to panhandle, because people can't leave, because you've got them trapped in that space.You can't cross the street to get away from it. But it also recognized that it wasn't pure begging, that there was a gray area between aggressive begging and extortion and robbery.You note that in the early 1990s, one-third of subway commuters said they consciously avoided certain stations because of safety, and two thirds felt coerced to give money by aggressive panhandling.The folks in your book talk a lot about the 80/20 rule applying all over the place. That something like 20% of the people you catch are committing 80% of the crimes.There's a similar dynamic that you talk about on the subways, both in the book and in your commentary over the past couple years about disorder in New York. You say approximately 2,000 people with serious mental illness are at risk for street homelessness, and these people cycle through the cities, streets, subways, jails, and hospitals.What lessons from the ‘90s can be applied today for both helping those people and stopping them being a threat to others?Before the ‘80s and Reagan budget cuts there had been a psychiatric system that could help people. That largely got defunded. [Deinstitutionalization began in New York State earlier, in the 1960s.] We did not solve the problem of mental health or homelessness in the ‘90s, but we solved the problem of behavior. George Kelling [of broken windows theory] emphasized this repeatedly, and people would ignore it. We are not criminalizing homelessness or poverty. We're focusing on behavior that we are trying to change. People who willfully ignore that distinction almost assume that poor people are naturally disorderly or criminal, or that all homeless people are twitching and threatening other people. Even people with mental illness can behave in a public space.Times have changed a bit. I think there are different drugs now that make things arguably a bit worse. I am not a mental health expert, but we do need more involuntary commitment, not just for our sake, but for theirs, people who need help. I pass people daily, often the same person, basically decomposing on a subway stop in the cold. They are offered help by social services, and they say no. They should not be allowed to make that choice because they're literally dying on the street in front of us. Basic humanity demands that we be a little more aggressive in forcing people who are not making rational decisions, because now you have to be an imminent threat to yourself or others. That standard does need to change. But there also need to be mental health beds available for people in this condition.I don't know what the solution is to homelessness or mental health. But I do know the solution to public disorder on the subway and that's, regardless of your mental state or housing status, enforcing legal, constitutional rules, policing behavior. It does not involve locking everybody up. It involves drawing the line between acceptable and unacceptable behavior. It's amazing how much people will comply with those rules.That presents the idea that someone's in charge, it's not a free-for-all. You get that virtuous loop, which New York had achieved in 2014–2016, when crime was at an all-time low in the city. Then the politicians decided public order wasn't worth preserving anymore. These are political choices.I had a similar version of this conversation with a friend who was shocked that there were zero murders on the subway in 2017 and that that number was stable: you had one or two a year for several years in the mid-2010s.It was five or fewer a year from 1997 to 2019, and often one or two. Then you have zero in 2017. There were [ten in 2022]. It coincides perfectly with an order from [Mayor] de Blasio's office and the homeless czar [Director of Homeless Services Steven] Banks [which] told police to stop enforcing subway rules against loitering. The subways became — once again — a de facto homeless shelter. Getting rule-violating homeless people out of the subway in the late ‘80s was such a difficult and major accomplishment at the time, and to be fair it's not as bad as it was.The alternative was that homeless outreach was supposed to offer people services. When they decline, which 95% of people do, you're to leave them be. I would argue again, I don't think that's a more humane stance to take. But it's not just about them, it's about subway riders.There's one story that I think was relevant for you to tell. You were attacked this fall on a subway platform by a guy threatening to kill you. It turns out he's had a number of run-ins with the criminal justice system. Can you tell us where that guy is now?I believe he's in prison now. The only reason I know who it is is because I said, one day I'm going to see his picture in the New York Post because he's going to hurt somebody. Am I 100 percent certain it's Michael Blount who attacked me? No, but I'm willing to call him out by name because I believe it is. He was out of prison for raping a child, and he slashed his ex-girlfriend and pushed her on the subway tracks. And then was on the lam for a while. I look at him and the shape of his face, his height, age, build, complexion, and I go, that's got to be him.I wasn't hurt, but he gave me a sucker punch trying to knock me out and then chased me a bit threatening to kill me, and I believe he wanted to. It's the only time I ever was confronted by a person who I really believe wanted to kill me, and this includes policing in the Eastern District in Baltimore. It was an attempted misdemeanor assault in the long run. But I knew it wasn't about me. It was him. I assume he's going to stay in prison longer for what he did to his ex-girlfriend. But I never thought it would happen to me. I was lucky the punch didn't connect.Peter Moskos's new book is Back from the Brink, Inside the NYPD and New York City's Extraordinary 1990s Crime Drop.My reading listEssays:Johnny Hirschauer's reporting, including “A Failed 'Solution' to 'America's Mental Health Crisis',“ “Return to the Roots,” and “The Last Institutions.” “Broken Windows: The Police and Neighborhood Safety,” by George L. Kelling and James Q. Wilson. ​“It's Time to Talk About America's Disorder Problem,” Charles Lehman.Books:Ghettoside: A True Story of Murder in America, Jill Leovy.​Prince of the City: Giuliani, New York, and the Genius of American Life, Fred Siegel.​ Cop in the Hood: My Year Policing Baltimore's Eastern District, Peter Moskos.​Dreamland: The True Tale of America's Opiate Epidemic, Sam Quinones.​Bonfire of the Vanities, Tom Wolfe. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.statecraft.pub

Fred Siegel is an indie film, tax, and business consultant and founder of Fred Siegel, CPA (1997, NYC), a premium, boutique consulting/CPA firm specializing in key tax and business issues for producers and dealing with the business of film, from development through distribution.  Primary practice areas are Consulting, Financing, Deal Structures, Film Tax Credits, Taxation, Accounting.  Working almost entirely with indie filmmakers and their production and development companies, and with a focus on consulting, the firm provides a range of "niche" film tax, tax credit, accounting, and business services for indie filmmakers throughout the U.S.. Fred has worked with indie filmmakers for over 30 years, including highly acclaimed filmmakers such as Christine Vachon ("Past Lives;" "Still Alice;" "Boys Don't Cry"); Chris Smith ("Branson;" "Sr.;" "Tiger King;" "100 Foot Wave;" "Fyre;" "American Movie");  Debra Granik ("Winters Bone,") and many others, as well as filmmakers in the earlier stages of their careers.  Fred is a graduate of Columbia University and began his public accounting career at a "Big 4" firm. Earlier in his professional life, Fred was a jazz musician and an entrepreneur, those experiences infusing his professional work today with an independent spirit, conceptual approach, and artistic bent and an understanding of the life of an artist/producer and the world of business and the interplay between the two.  To learn more about Fred Siegel visit www.fredsiegelcpa.com For more info about Carole Dean and From the Heart Productions please visit www.FromtheHeartProductions.com 

Keith graduated from San Jose State University with a degree in Business Management. After his graduation pursuit of his real dream began; Keith moved to Los Angeles to become a fashion designer. While studying at the Los Angeles Trade and Technical College, he met and became an assistant designer to his mentor the late Bill Whitten. With the help and support of Bill Whitten, Stella Ruata, Bessie Nelson, Warren R. Caton- he reached his goal rather quickly. Keith was working with entertainers such as Don Cornelius, Dolly Parton, Jermaine Stewart, Chico Debarge, Blair Underwood, Bobby Brown, Whitney Huston, Michael Jackson, Heavy D, Boyz II Men, GUY, New Edition, Johnny Gill, LSG, Patti Labelle, The Body Sisters, Sam Kinison, Little Richard, The Temptations, Surface, Barry White, Chante Moore and Latin super star Juan Gabriel. Some of his memorable and stylish pieces were displayed for “A Renaissance Gypse Affair” gala at Cielo Celeste Farm hosted by Celeste Huston and attended by Angelica Huston, Bo Derek, Jacqueline Stallone and other celebrities and dignitaries from around the world. Recently at Keith Holman Presents “7 Decades in Hollywood,” costumes and archives were presented from Michael Jackson, Dame Elizabeth Taylor, the 1939 Judy Garland version of “The Wizard of Oz” and other legendary performers. The next natural step for Keith was to branch out and produce a clothing line, Holman Harper Designs, which was picked up by major retailers and specialty boutiques including Macy's, H. Lorenzo, Exclusive, Fred Siegel and others. Shortly after, Keith took his creativity to music, television and movies. He designed clothing and wardrobe for more than two hundred music videos designed for special episodes of hit TV shows, such as LA Law and Doogie Howser, M.D., for various award shows including the Grammy's, Soul Train Music Awards, Academy Awards, and American Music Awards. Keith's designs also were showcased on major artists' tours including Michael Jackson's, Victory, Bad, Dangerous and History tours; Dolly Parton's Treasures tour; New Edition's Tours; Bobby Brown; Johnny Gill; L.S.G; Heavy D and Boys to Men; Guy; Cassandra Pierson “Elvira Mistress of the Dark;” the late Sam Kinison and others. Wanting to strengthen and expand his talent and creativity into the interior/exterior design industry, Keith studied at Thomas Schoos Designs. His unerring eye moved from the body to the home in the design of custom water features, indoor and outdoor furniture pieces, furniture accessories and landscaping. The list of celebrities that have put their home decorating into Keith's capable hands includes Bernadette Peters, Eddie and Nicole Murphy, Mary Kate and Ashley Olsen, Jamie and StevenTisch, Tracey Bregman-Recht, Kim Novak, Mrs. John Huston, Will and Jada Smith, and Countess Maria Cortez. During this time, he also began facilitating the sale of antiques and designing meditation gardens for his top clients. Effortlessly moving between personal and commercial spaces, Keith's restaurantdesigns include Koi Restaurant in Las Vegas and Los Angeles. Working alongside Icrave Design, Keith decorated and designed for casual elegance One Sunset on the Sunset Strip, STK Restaurant in West Hollywood, Coco De Ville in West Hollywood and Boudoir West Hollywood. During this time, Keithcontinued to create costume masterpieces for his celebrity clientele for events, premiers and their personal wardrobes. Keith has been featured in television and radio on shows like Entertainment Tonight, the Arsenio Hall Show and more. He's been written about in articles for Ebony Man, GQ, Boston Globe, LA Times, The London Mail, and more. He has received several awards such as the coveted Gold Thimble Award and the humanitarian NAACP Image Award for Black Designers, Humanitarian Award “Kids Feeding The World,” RSMA Legends Award, and the 30th Anniversary Thriller Award. Keith donates his time and money to various charities and foundations. --- Support this podcast: https://podcasters.spotify.com/pod/show/moviemakingpod/support

Magic has a way of (abracadabra!) appearing ubiquitously throughout popular culture. Integrated with mysticism and illusion is the core element of performance, transcending the carnival atmosphere and stage into other arenas of human life and interaction. Host Dr. Melinda Lewis talks with magician, improv comedian, Drexel University English writing professor, and overall “Man of Mystery” Dr. Fred Siegel to uncover the allure of the magic genre, its evolution, and its performative relevance to life on stage and in the classroom. "Pop, the Question" is a production of Marketing & Media in Pennoni Honors College at Drexel University. Recorded September 29, 2022 through virtual conferencing (Philadelphia, PA, USA). Featured Guest: Fred Siegel, PhD (Teaching Professor of English and Director, First-Year Writing Program, Department of English & Philosophy, College of Arts and Sciences, Drexel University) Host and Producer: Melinda Lewis, PhD (Associate Director, Marketing & Media) Dean: Paula Marantz Cohen, PhD Executive Producer: Erica Levi Zelinger (Director, Marketing & Media) Producer: Brian Kantorek (Assistant Director, Marketing & Media) Research and Script: Melinda Lewis, PhD Audio Engineering and Editing: Brian Kantorek Original Theme Music: Brian Kantorek Production Assistance: Noah Levine Social Media Outreach: Jaelynn Vesey Graphic Design: Kat Heller Logo Design: Michal Anderson Additional Voiceover: Malia Lewis The views expressed in this podcast are not necessarily those of Drexel University or Pennoni Honors College. Visit "The Smart Set" at https://www.thesmartset.com/magic-class for a related essay by Fred Siegel. Copyright © 2022 Drexel University

A panel discussion of Timothy W. Luke's new book, The Travails of Trumpification (Telos Press, 2021), with Timothy Luke, David Pan, Fred Siegel, and Mark S. Weiner.

We deploy misdirection to steal a precious sapphire in Magic Kaito Episode 2, joined by mystery magic expert, Fred Siegel. The Dying Message Podcast is still missing! This week we track down the elusive Kaito Kid, a Detective Conan character who has a spin-off origin-story series. He uses flashy magic in his heists, and we are bringing it to you via the magic (haha) of podcasting. Plus: Fred reports on the anime he remembers from the local Philadelphia TV program "Wee Willie Weber's Colorful Cartoon Club", including Speed Racer and Astro Boy. Oh, and much more! Podcast cover art by Myriam Bloom. Theme music excerpted from "Solve the Damn Mystery!" by Jesse Spillane. Thank you to our mystery guest, Fred Siegel. Find Fred's weekly magic tricks, "Fred Does A Trick", on the fredasiegel YouTube channel: https://www.youtube.com/user/fredasiegel/videos.

Enter the world of magical entertainment with Fred Siegel as he talks about his audition for television at the mere age of 14!!! With Eoin O'Shea, Jessie Preisendorfer, Kevin Regan, and Steve Roney

Fred Siegel is a historian and the author of multiple books including his most recent, The Crisis of Liberalism: Prelude to Trump. 

Fred Siegel is a historian and the author of multiple books including his most recent, The Crisis of Liberalism: Prelude to Trump. 

On this episode, Fred Siegel discusses his new book, “The Crisis of Liberalism: Prelude to Trump.”

Fred Siegel joins Brian Anderson to discuss the history of modern American liberalism and its architects, how the 1960s mirrors today's politics, the uncertain future of New York City, and more. Siegel's new book is The Crisis of Liberalism: Prelude to Trump.

Fred Siegel, a senior fellow at the Manhattan Institute and a City Journal contributing editor, talks about his new collection of essays: The Crisis of Liberalism: Prelude to Trump.

@itshoneyy on Instagram

On this episode of Feudal Future, hosts, Joel Kotkin and Marshall Toplansky are joined by guests Harry and Fred Siegel. Fred is a senior fellow at the Manhattan Institute for Policy Research. His son, Harry is a senior editor at the Daily Beast. Their conversation covers the future trends of cities, the workforce, and Manhattan. Learn more about Fred and Harry’s book, The Prince of the City: https://amzn.to/33h9Aqg Show Notes: http://joelkotkin.com/feudal-future-podcast/ Join the 'Beyond Feudalism' Facebook group to share your story, ask questions and connect with other citizen leaders: https://www.facebook.com/groups/beyondfeudalism Tweet thoughts: @joelkotkin, @mtoplansky, #FeudalFuture #BeyondFeudalism Learn more about Joel's book 'The Coming of Neo-Feudalism': https://amzn.to/3a1VV87 Sign Up For News & Alerts: http://joelkotkin.com/#subscribe This show is presented by the Chapman Center for Demographics and Policy, which focuses on research and analysis of global, national and regional demographic trends and explores policies that might produce favorable demographic results over time.

Telos editor David Pan and Russell Berman talk with author Fred Siegel about his forthcoming book The Crisis of Liberalism: Prelude to Trump, published by Telos Press Publishing. Siegel discusses the growth of the administrative state, the similarities between former New York City mayor John Lindsay and Barack Obama, the Black Lives Matter movement, the echoes of the 1960s in today's politics, and the rise of left-wing fascism. Order your copy of The Crisis of Liberalism today at www.telospress.com and save 20% off the list price. Also available in Kindle ebook format.

1 play1 View all likes1 More stats The Punch Up Podcast Pro Unlimited 60 followers60 118 tracks118 Learn to eat fire with Fred Siegel, Magician Extraordinaire! (Don't try this at home, and if you do, send us photos!) With host Steve Roney, and panelists Eoin O'Shea, Jessie Preisendorfer, and Kevin Regan.

When our cities start to come apart and people say it seems like 1968 all over again, that can only mean one thing: time to get in touch with Fred Siegel. Among Fred's many fine books is The Future Once Happened Here: New York, LA, DC, and the Fate of America's Big Cities, which explained the high cost of incompetent liberal rule of our major cities in the 1960s and 1970s... Source

When our cities start to come apart and people say it seems like 1968 all over again, that can only mean one thing: time to get in touch with Fred Siegel. Among Fred’s many fine books is The Future Once Happened Here: New York, LA, DC, and the Fate of America’s Big Cities, which explained the […]Join the conversation and comment on this podcast episode: https://ricochet.com/podcast/powerline/the-sixties-never-ended-fred-siegel-reflects-on-our-mob-rule-moment/.Now become a Ricochet member for only $5.00 a month! Join and see what you’ve been missing: https://ricochet.com/membership/.Subscribe to Power Line in Apple Podcasts (and leave a 5-star review, please!), or by RSS feed. For all our podcasts in one place, subscribe to the Ricochet Audio Network Superfeed in Apple Podcasts or by RSS feed.

on this podcast I discuss Fred Siegel's book, "The Revolt Against the Masses. How liberalism has undermined the middle class."

How are lifestyles and attitudes changing the way we speak to and represent older adults? How can we avoid ageism and unconscious bias in our messaging? Learn from our panel of experts: Helen Dennis, Syndicated Columnist at the Southern California Newspaper Group, and Fred Siegel, Managing Partner at Fred Siegel Partners, moderated by Cameron Tuttle, Editorial Director at Honor. This episode was recorded live at SAGE/2019. 

I discuss Fred Siegel's book Revolt Against The Masses, and the modern Democrat Party from 1968 to today.

I discuss Fred Siegel's book Revolt Against The Masses, and the modern Democrat Party from 1968 to today.

The Revolt Against The Masses, by Fred Siegel. Liberalism as an elitist, anti-masses movement.

In this second part of our long conversation with Fred Siegel, Steve Hayward walks him through the final decay of New York in the 1980s after four decades of unrelenting liberal governance, how Rudy Giuliani turned it around in the 1990s, and what the prospects are for Mayor de Blasio. (Remember that this interview was originally recorded for video four years ago). From there we have a long... Source

Steve Hayward goes back into the archives for an audio file from a video interview he conducted with Fred Siegel a few years back in which Fred explains how he came to shed the liberalism of his youth. Along the way, he provides a grand tour of some of the leading intellectuals he knew or read in the 1960s and 1970s, how he regarded the Vietnam War, what it was like working as a field rep for... Source

Steve Hayward sits down with author Fred Siegel about a wide range of topics, from Trump and the Democrats, to how to think about leading intellectuals including H.L. Mencken, Arthur Schlesinger, Richard Rorty, Michel Foucault, and Mark Lilla, and the problems of the coastal elites in California and New York. Source

It's time for another Punch Out episode. We haven't done one since episode 19 This is where we put a bunch of "deleted scenes" from previous Punch Up episodes that we call "Punch Outs." This episode includes conversations about Rusty Trombones, Halloween costumes, death & barbers, Jesus pictures, "the bile high club," Mos Def & Dexter, and ANOTHER fight from Repetitive Racism. With Host Steve Roney, panelists Eoin O'Shea, Jessie Pi, and Kevin Regan. Guests: Mary Carpenter, Darryl Charles, Sean Curran, Kevin Dougherty, Kristin Finger, Dave Jadico, Fred Siegel, and Alli Soowal

Guest storyteller Fred Siegel returns to discuss his carny days at Coney Island and his friend, Otis Jordan the Human Cigarette Factory. With host Steve Roney, as well as Kevin Dougherty, Jessie Preisendorfer and Kevin Regan.

Fred Siegel joins senior editor Mark Bauerlein to discuss the origins of contemporary conflicts between mass and elite in American history.

In honor of the 29th National Coming Out Day on October 11, Jessie Pi tells her "coming out" story which coincides with the 10th anniversary of Earth day. Jessie is joined by host Steve Roney, as well as Kevin Dougherty, Kevin Regan and special guest Fred Siegel.

Come be enchanted by the great magician and storyteller, Dr. Fred Siegel, as he transports us all through time to a magic experience with girls! With host Steve Roney as well as panelists Jessie Pi, Kevin Regan, and guest Kevin Dougherty.

Who is Fred Siegel? We try our best to find out. I can say that he is a magician and comedian, but beyond that is a mystery. This week we talk about working in a side show at Cony Island, Agents of Shield, and Celebrity genitalia. Plus we play another round of Reddit Says on Host vs Guest vs Audience.For more Fred:WebsiteThis episode of the +2 Comedy Podcast is brought to you by the Hillbilly Horror show. Check them out at www.hillbillyhorrorshow.comIf you want to sponsor the +2 Comedy podcast, click here to access out Fiverr account.

A brief question and answer session about JKF, his assassination, and his legacy with Roger Kimball, Fred Siegel, James Piereson, and Ira Stoll. First broadcast 11/21/2013.

Fred Siegel discusses his new book The Revolt against the Masses and the myriad oversights of the historian Richard Hofstadter. First broadcast 11/22/13.

Chuck Morse is joined by Fred Siegel, author of THE REVOLT AGAINST THE MASSES - How Liberalism has Undermined the Middle Class. This short book rewrites the history of modern American liberalism. It shows that what we think of liberalism today—the top-and-bottom coalition we associate with President Obama—began not with Progressivism or the New Deal but rather in the wake of the post-WWI disillusionment with American society. In the Twenties, the first writers and thinkers to call themselves liberals adopted the hostility to bourgeois life that had long characterized European intellectuals of both the left and the right. The aim of liberalism’s founding writers and thinkers—such as Herbert Croly, Randolph Bourne, H.G. Wells, Sinclair Lewis, and H.L Mencken—was to create an American aristocracy of sorts, to provide the sense of hierarchy and order that had long been associated with European statism. Like communism, Fabianism, and fascism, modern liberalism was born of a new class of politically self-conscious intellectuals. Critical of mass democracy and middle-class capitalism, liberals despised the individual businessman’s pursuit of profit as well as the conventional individual’s pursuit of pleasure, both of which were made possible by the lineaments of the limited nineteenth-century state. Temporarily waylaid by the heroism of the WWII generation, liberalism expressed itself in the 1950s as a critique of popular culture. It was precisely the success of a recently elevated middle-class culture that frightened foppish characters such as Dwight Macdonald and Aldous Huxley, crucial influences on what was mistakenly called the New Left. There was no New Left in the 1960s, but there was a New Class that in the midst of Vietnam and race riots took up the priestly task of de-democratizing America in the name of administering newly developed rights The neo-Malthusianism that emerged from the 1960s did not aim to control the breeding habits of the lower classes, as its eugenicist precursors had done, but to mock and restrain the buying habits of the middle class. Today’s Barack Obama brand of liberalism has displaced the old Main Street private-sector middle class with a new middle class composed of public-sector workers allied with crony capitalists and the country’s arbiters of style and taste. Link: http://amzn.com/B00F21VXXK

"Mali to New York" with Cheick Sidi Diarre, Mali’s Ambassador at the UN and Bakary Tandia from the African Services Committee. Fred Siegel, professor at Cooper Union discusses his book "Prince of the City." Plus, an online video review.