Podcasts about Plaza Hotel

Buckle up Fans! We're kicking off Mass-Mass a little early with our latest & greatest/ most-unhinged fan theories from the SJM Universe! Buckle up Fans! The Fan Girls are ready to Dish & Spill the Tea on the hit Marvel Movie "Thunderbolts"! Buckle up fans! The Fan Girls Podcast is headed to Amazing Comic Con Las Vegas at the Plaza Hotel, June 20–22, 2025! And I'm over the moon to announce that I'm hosting my first ever Comic Con panel! ✨ Fandom Forensics: The Art & Science of the Fandom Fan Theory ✨ Get ready for a TED Talk-style interactive panel where we'll dive into how fan theories are born, how they blow up online, and how they bring fandom communities together. Expect fun games, prizes, creative TikTok + Instagram tips, and a whole lot of fandom chaos. Come for the crazy theories, stay for the community — and maybe leave with a few new ideas (and friends) of your own! Get your tickets today at the Amazing Comicon.com for an Amazing weekend of fun and fandom! https://www.amazingcomiccon.com/

Please visit: The final SiriusXM Show at the Plaza Hotel in Las Vegas NEW SHOWS COMING VERY SOON! CALL 347 766 4323 TO GET YOUR CALLS IN! ⁠⁠simplyherbals.net/cbd-sinus-rinse⁠⁠ (the best he's ever made. Seriously.) ⁠⁠instagram.com/weirdmedicine⁠⁠ ⁠⁠x.com/weirdmedicine⁠⁠ ⁠⁠stuff.doctorsteve.com⁠⁠ (get your copy of WET BRAIN the CARD GAME) ⁠⁠youtube.com/@weirdmedicine ⁠⁠(click JOIN and ACCEPT GIFTED MEMBERSHIPS. Join the "Fluid Family" for live recordings!) ⁠⁠youtube.com/@normalworld ⁠⁠(Check out Dave and crew, and occasionally see your old pal!) CHECK OUT THE ROADIE COACH stringed instrument trainer! ⁠⁠roadie.doctorsteve.com⁠⁠ (the greatest gift for a guitarist or bassist! The robotic tuner!) see it here: ⁠⁠stuff.doctorsteve.com/#roadie⁠⁠ Also don't forget: ⁠⁠Cameo.com/weirdmedicine⁠⁠ (Book your old pal right now because he's cheap! "FLUID!") Most importantly! ⁠⁠CHECK US OUT ON PATREON! ⁠⁠ ALL NEW CONTENT! Robert Kelly, Mark Normand, Jim Norton, Gregg Hughes, Anthony Cumia, Joe DeRosa, Pete Davidson, Geno Bisconte, Cassie Black ("Safe Slut"). Stuff you will never hear on the main show ;-) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join us for an insightful episode of the Las Vegas Advisor interview series featuring Jonathan Jossel, the visionary CEO of the Plaza Hotel and Casino. Jonathan shares his journey from South Africa to Las Vegas, navigating through the Great Recession, and becoming one of the youngest licensees in Nevada at 29. We delve into the Plaza's unique strategies like looser games, single zero roulette, and innovative promotions. Jonathan also discusses the challenges and successes of the Las Vegas casino industry, including the impact of influencers, the importance of customer satisfaction, and the future plans for the Plaza. Don't miss out on this engaging conversation packed with industry insights and behind-the-scenes stories!

Shea and Stacy's plane just landed and they are on their way to the Plaza Hotel in HOME ALONE 2: LOST IN NEW YORK [1992]!Join the Discord! https://discord.gg/MSqHPBVRzxShow some love for Ebert: https://shorturl.at/vBFU5 Check out our website: https://www.blockbusterwivespodcast.com/home Subscribe to our Patreon for our first ever Side Quest; Laguna Beach! https://www.patreon.com/blockbusterwives Support this podcast: https://podcasters.spotify.com/pod/show/blockbuster-wives/support

Buckle up Fans! The Fan Girls are ready to Dish & Spill the Tea on the hit Marvel Movie "Thunderbolts"! Buckle up fans! The Fan Girls Podcast is headed to Amazing Comic Con Las Vegas at the Plaza Hotel, June 20–22, 2025! And I'm over the moon to announce that I'm hosting my first ever Comic Con panel! ✨ Fandom Forensics: The Art & Science of the Fandom Fan Theory ✨ Get ready for a TED Talk-style interactive panel where we'll dive into how fan theories are born, how they blow up online, and how they bring fandom communities together. Expect fun games, prizes, creative TikTok + Instagram tips, and a whole lot of fandom chaos. Come for the crazy theories, stay for the community — and maybe leave with a few new ideas (and friends) of your own! Get your tickets today at the Amazing Comicon.com for an Amazing weekend of fun and fandom! https://www.amazingcomiccon.com/

Tune in today as The Fan Girls dish and spill the tea about "Another Simple Favor". Buckle up fans! The Fan Girls Podcast is headed to Amazing Comic Con Las Vegas at the Plaza Hotel, June 20–22, 2025! And I'm over the moon to announce that I'm hosting my first ever Comic Con panel! ✨ Fandom Forensics: The Art & Science of the Fandom Fan Theory ✨ Get ready for a TED Talk-style interactive panel where we'll dive into how fan theories are born, how they blow up online, and how they bring fandom communities together. Expect fun games, prizes, creative TikTok + Instagram tips, and a whole lot of fandom chaos. Come for the crazy theories, stay for the community — and maybe leave with a few new ideas (and friends) of your own! Get your tickets today at the Amazing Comicon.com for an Amazing weekend of fun and fandom! https://www.amazingcomiccon.com/

 Karl & Vinnie are live from the Plaza Hotel for an all-out showdown to name the biggest creep in Sin City. It's the Hackamania Battle you've been waiting for — featuring the “Vegas Scum Parade All-Stars” and a wild new edition of Karl's Cop Cam and the segment we can only show you on Patreon Pedo-Hunter Theater! With special guests Mahalia, Lucy Tightbox, Bryan Johnson, and Dick Masterson! 

Buckle up Fans & Tune in today as we dish & spill the tea about the most magical fantasy ball across the pond! Buckle up fans! The Fan Girls Podcast is headed to Amazing Comic Con Las Vegas at the Plaza Hotel, June 20–22, 2025! And I'm over the moon to announce that I'm hosting my first ever Comic Con panel! ✨ Fandom Forensics: The Art & Science of the Fandom Fan Theory ✨ Get ready for a TED Talk-style interactive panel where we'll dive into how fan theories are born, how they blow up online, and how they bring fandom communities together. Expect fun games, prizes, creative TikTok + Instagram tips, and a whole lot of fandom chaos. Come for the crazy theories, stay for the community — and maybe leave with a few new ideas (and friends) of your own! Get your tickets today at the Amazing Comicon.com for an Amazing weekend of fun and fandom! https://www.amazingcomiccon.com/

Patrick and Moody are live from downtown Las Vegas at The Plaza Hotel and Casino. Join the kiwi and the hunchback as they interview Charles Chance about his garage and find out why he hates Karl from Who Are These Podcasts. We go over the incident between Misfit and Mikayla which saw her trespassed from the property. Chad Zumock doesn't want to work with anybody but also wants to work with everyone, and gets pranked by Patrick and Rocco. The crowd is stunned by a surprise victory in our butter-eating contest. Patrick reveals the letter Aaron Imholte wrote to his wife April with several heinous admissions revealed by the Minnesota monster himself. Enjoy! ...

Buckle up Marvel Fans! The Fan Girls are ready to dish & spill the tea on Season 1 of "Daredevil Born Again"! Buckle up fans! Vegas Comic Con season is upon us and we're ready to dish & spill the tea all about it! Buckle up fans! The Fan Girls Podcast is headed to Amazing Comic Con Las Vegas at the Plaza Hotel, June 20–22, 2025! And I'm over the moon to announce that I'm hosting my first ever Comic Con panel! ✨ Fandom Forensics: The Art & Science of the Fandom Fan Theory ✨ Get ready for a TED Talk-style interactive panel where we'll dive into how fan theories are born, how they blow up online, and how they bring fandom communities together. Expect fun games, prizes, creative TikTok + Instagram tips, and a whole lot of fandom chaos. Come for the crazy theories, stay for the community — and maybe leave with a few new ideas (and friends) of your own! Get your tickets today at the Amazing Comicon.com for an Amazing weekend of fun and fandom! https://www.amazingcomiccon.com/

Joanathan Jossel is the CEO of the Plaza Hotel & Casino in Las Vegas, one of the most iconic locations in Las Vegas known for it's classic Vegas charm & dozens of appearances in film, television & entertainment since it's grand opening. We talk his beginnings in South Africa, his university tenure in England that led to his first arrival in Las Vegas & much more on episode 113 of Still Friends Show.Follow us on social media for more updates and behind-the-scenes content:Jonathan Jossel: https://www.instagram.com/jonathanjossel/Plaza Las Vegas: https://www.instagram.com/plazalasvegas/Still Friends Show: https://www.instagram.com/stillfriendsshow/Justin Akoni Hong: https://www.instagram.com/jakonihong/Raleigh Robertson: https://www.instagram.com/gorillastax/

Buckle up fans! Vegas Comic Con season is upon us and we're ready to dish & spill the tea all about it! Buckle up fans! The Fan Girls Podcast is headed to Amazing Comic Con Las Vegas at the Plaza Hotel, June 20–22, 2025! And I'm over the moon to announce that I'm hosting my first ever Comic Con panel! ✨ Fandom Forensics: The Art & Science of the Fandom Fan Theory ✨ Get ready for a TED Talk-style interactive panel where we'll dive into how fan theories are born, how they blow up online, and how they bring fandom communities together. Expect fun games, prizes, creative TikTok + Instagram tips, and a whole lot of fandom chaos. Come for the crazy theories, stay for the community — and maybe leave with a few new ideas (and friends) of your own! Get your tickets today at the Amazing Comicon.com for an Amazing weekend of fun and fandom! https://www.amazingcomiccon.com/

Today's guest is Peter Moskos, a professor at John Jay College of Criminal Justice. He spent two years as a police officer in Baltimore. I asked him to come on and talk about his new book, Back from the Brink, Inside the NYPD and New York City's Extraordinary 1990s Crime Drop. It's one of my favorite books I've read this year (and it was one of my three book recommendations on Ezra Klein's show last week).Peter spoke with hundreds of police officers and NYC officials to understand and describe exactly how the city's leaders in the early 1990s managed to drive down crime so successfully.We discussed:* How bad did things get in the 1970s?* Why did processing an arrest take so long?* What did Bill Bratton and other key leaders do differently?* How did police get rid of the squeegee men?I've included my reading list at the bottom of this piece. Thanks to Harry Fletcher-Wood for his judicious transcript edits.Subscribe for one new interview a week.Peter, how would you describe yourself?I would say I'm a criminologist: my background is sociology, but I am not in the sociology department. I'm not so big on theory, and sociology has a lot of theory. I was a grad student at Harvard in sociology and worked as a police officer [in Baltimore] and that became my dissertation and first book, Cop in the Hood. I've somewhat banked my career on those 20 months in the police department.Not a lot of sociologists spend a couple of years working a police beat.It's generally frowned upon, both for methodological reasons and issues of bias. But there is also an ideological opposition in a lot of academia to policing. It's seen as going to the dark side and something to be condemned, not understood.Sociologists said crime can't go down unless we fix society first. It's caused by poverty, racism, unemployment, and social and economic factors — they're called the root causes. But they don't seem to have a great impact on crime, as important as they are. When I'm in grad school, murders dropped 30-40% in New York City. At the same time, Mayor Giuliani is slashing social spending, and poverty is increasing. The whole academic field is just wrong. I thought it an interesting field to get into.We're going to talk about your new book, which is called Back from the Brink, Inside the NYPD and New York City's Extraordinary 1990s Crime Drop. I had a blast reading it. Tell me about the process of writing it.A lot of this is oral history, basically. But supposedly people don't like buying books that are called oral histories. It is told entirely from the perspective of police officers who were on the job at the time. I would not pretend I talked to everyone, because there were 30,000+ cops around, but I spoke to many cops and to all the major players involved in the 1990s crime drop in New York City.I was born in the ‘90s, and I had no idea about a crazy statistic you cite: 25% of the entire national crime decline was attributable to New York City's crime decline.In one year, yeah. One of the things people say to diminish the role of policing is that the crime drop happened everywhere — and it did end up happening almost everywhere. But I think that is partly because what happened in New York City was a lot of hard work, but it wasn't that complicated. It was very easy to propagate, and people came to New York to find out what was going on. You could see results, literally in a matter of months.It happened first in New York City. Really, it happened first in the subways and that's interesting, because if crime goes down in the subways [which, at the time, fell under the separate New York City Transit Police] and not in the rest of the city, you say, “What is going on in the subways that is unique?” It was the exact same strategies and leadership that later transformed the NYPD [New York Police Department].Set the scene: What was the state of crime and disorder in New York in the ‘70s and into the ‘80s?Long story short, it was bad. Crime in New York was a big problem from the late ‘60s up to the mid ‘90s, and the ‘70s is when the people who became the leaders started their careers. So these were defining moments. The city was almost bankrupt in 1975 and laid off 5,000 cops; 3,000 for a long period of time. That was arguably the nadir. It scarred the police department and the city.Eventually, the city got its finances in order and came to the realization that “we've got a big crime problem too.” That crime problem really came to a head with crack cocaine. Robberies peaked in New York City in 1980. There were above 100,000 robberies in 1981, and those are just reported robberies. A lot of people get robbed and just say, “It's not worth it to report,” or, “I'm going to work,” or, “Cops aren't going to do anything.” The number of robberies and car thefts was amazingly high. The trauma, the impact on the city and on urban space, and people's perception of fear, all comes from that. If you're afraid of crime, it's high up on the hierarchy of needs.To some extent, those lessons have been lost or forgotten. Last year there were 16,600 [robberies], which is a huge increase from a few years ago, but we're still talking an 85% reduction compared to the worst years. It supposedly wasn't possible. What I wanted to get into in Back from the Brink was the actual mechanisms of the crime drop. I did about fifty formal interviews and hundreds of informal interviews building the story. By and large, people were telling the same story.In 1975, the city almost goes bankrupt. It's cutting costs everywhere, and it lays off more than 5,000 cops, about 20% of the force, in one day. There's not a new police academy class until 1979, four years later. Talk to me about where the NYPD was at that time.They were retrenched, and the cops were demoralized because “This is how the city treats us?” The actual process of laying off the cops itself was just brutal: they went to work, and were told once they got to work that they were no longer cops. “Give me your badge, give me your gun."The city also was dealing with crime, disorder, and racial unrest. The police department was worried about corruption, which was a legacy of the Knapp Commission [which investigated NYPD corruption] and [Frank] Serpico [a whistleblowing officer]. It's an old police adage, that if you don't work, you can't get in trouble. That became very much the standard way of doing things. Keep your head low, stay out of trouble, and you'll collect your paycheck and go home.You talk about the blackout in 1977, when much of the city lost power and you have widespread looting and arson. 13,000 off-duty cops get called in during the emergency, and only about 5,000 show up, which is a remarkable sign of the state of morale.The person in my book who's talking about that is Louis Anemone. He showed up because his neighbor and friend and partner was there, and he's got to help him. It was very much an in-the-foxholes experience. I contrast that with the more recent blackout, in which the city went and had a big block party instead. That is reflective of the change that happened in the city.In the mid-80s you get the crack cocaine epidemic. Talk to me about how police respond.From a political perspective, that era coincided with David Dinkins as [New York City's first black] mayor. He was universally disliked, to put it mildly, by white and black police officers alike. He was seen as hands off. He was elected in part to improve racial relations in New York City, to mitigate racial strife, but in Crown Heights and Washington Heights, there were riots, and racial relations got worse. He failed at the level he was supposed to be good at. Crime and quality of life were the major issues in that election.Dinkins's approach to the violence is centered around what they called “community policing.” Will you describe how Dinkins and political leaders in the late ‘80s and early ‘90s thought about policing?This is under Ben Ward, the [NYPD] Commissioner at the time. The mayor appoints the police commissioner — and the buck does stop with the mayor — but the mayor is not actively involved in day-to-day operations. That part does go down to the police department.Community policing was seen as an attempt to improve relations between the police and the community. The real goal was to lessen racial strife and unrest between black (and to a lesser extent Hispanic) communities and the NYPD. Going back to the ‘60s, New York had been rocked by continued unrest in neighborhoods like Central Harlem, East New York, and Bushwick. Community policing was seen as saying that police are partly to blame, and we want to improve relations. Some of it was an attempt to get the community more involved in crime fighting.It's tough. It involves a certain rosy view of the community, but that part of the community isn't causing the problems. It avoids the fact there are people who are actively criming and are willing to hurt people who get in their way. Community policing doesn't really address the active criminal element, that is a small part of any community, including high-crime communities.Arrests increased drastically during this era, more than in the ‘90s with broken windows policing. If the idea is to have fewer arrests, it didn't happen in the ‘80s. Some good came out of it, because it did encourage cops to be a bit more active and cops are incentivized by overtime. Arrests were so incredibly time-consuming, which kind of defeated the purpose of community policing. If you made an arrest in that era, there was a good chance you might spend literally 24 hours processing the arrest.Will you describe what goes into that 24 hours?From my experience policing in Baltimore, I knew arrests were time-consuming and paperwork redundant, but I could process a simple arrest in an hour or two. Even a complicated one that involved juveniles and guns and drugs, we're talking six to eight hours.In the ‘80s, Bob Davin, [in the] Transit Police, would say they'd make an arrest, process at the local precinct, search him in front of a desk officer, print him, and then they would have to get a radio car off patrol to drive you down to central booking at 100 Centre Street [New York City Criminal Court]. Then they would fingerprint him. They didn't have the live scan fingerprints machine, it was all ink. It had to be faxed up to Albany and the FBI to see if it hit on any warrant federally and for positive identification of the person. Sometimes it took 12 hours to have the prints come back and the perp would be remanded until that time. Then you'd have to wait for the prosecutor to get their act together and to review all the paperwork. You couldn't consider bail unless the prints came back either positive or negative and then you would have that initial arraignment and the cop could then go home. There are a lot of moving parts, and they moved at a glacial pace.The system often doesn't work 24/7. A lot of this has changed, but some of it was having to wait until 9 am for people to show up to go to work, because it's not a single system. The courts, the jails, and policing all march to their own drummer, and that created a level of inefficiency.So much of the nitty-gritty of what cops actually do is boring, behind-the-scenes stuff: How do we speed up the paperwork? Can we group prisoners together? Can we do some of this at the police station instead of taking it downtown? Is all of this necessary? Can we cooperate with the various prosecutors? There are five different prosecutors in New York City, one for each borough.There's not a great incentive to streamline this. Cops enjoyed the overtime. That's one of the reasons they would make arrests. So during this time, if a cop makes an arrest for drug dealing, that cop is gone and no cop was there to replace him. If it's a minor arrest, there's a good chance in the long run charges will be dropped anyway. And you're taking cops off the street. In that sense, it's lose-lose. But, you have to think, “What's the alternative?”Bob Davin is a fascinating guy. There's a famous picture from 1981 by Martha Cooper of two cops on a subway train. It's graffitied up and they're in their leather jackets and look like cops from the ‘70s. Martha Cooper graciously gave me permission to use the picture, but she said, "You have to indemnify me because I don't have a release form. I don't know who the cops are." I said, "Martha, I do know who the cop is, because he's in my book and he loves the picture.” Bob Davin is the cop on the right.Davin says that things started to get more efficient. They had hub sites in the late ‘80s or ‘90s, so precincts in the north of Manhattan could bring their prisoners there, and you wouldn't have to take a car out of service to go back to Central Booking and deal with traffic. They started collecting prisoners and bringing them en masse on a small school bus, and that would cut into overtime. Then moving to electronic scan fingerprints drastically saves time waiting for those to come back.These improvements were made, but some of them involve collective bargaining with unions, to limit overtime and arrests that are made for the pure purpose of overtime. You want cops making arrests for the right reason and not simply to make money. But boy, there was a lot of money made in arrests.In 1991, you have the infamous Crown Heights riot in Brooklyn. Racial tensions kick off. It's a nightmare for the mayor, there's this sense that he has lost control. The following year, you have this infamous police protest at City Hall where it becomes clear the relationship between the cops and the mayor has totally evaporated. How does all that play into the mayoral race between Dinkins and Giuliani?It was unintentional, but a lot of the blame for Crown Heights falls on the police department. The part of the story that is better known is that there was a procession for a Hasidic rabbi that was led by a police car. He would go to his wife's grave, and he got a little three-car motorcade. At some point, the police look at this and go "Why are we doing this? We're going to change it." The man who made the deal said ‘I"m retiring in a couple weeks, can we just leave it till then? Because I gave him my word." They're like, "Alright, whatever."This motor car procession is then involved in a car crash, and a young child named Gavin Cato is killed, and another girl is severely injured. The volunteer, Jewish-run ambulance shows up and decides they don't have the equipment: they call for a professional city ambulance. Once that ambulance is on the way, they take the mildly-injured Jewish people to the hospital. The rumor starts that the Jewish ambulance abandoned the black children to die.This isn't the first incident. There's long been strife over property and who the landlord is. But this was the spark that set off riots. A young Jewish man was randomly attacked on the street and was killed.As an aside, he also shouldn't have died, but at the hospital they missed internal bleeding.Meanwhile, the police department has no real leadership at the time. One chief is going to retire, another is on vacation, a third doesn't know what he's doing, and basically everyone is afraid to do anything. So police do nothing. They pull back, and you have three days of very anti-Semitic riots. Crowds chanting "Kill the Jews" and marching on the Lubavitch Hasidic Headquarters. Al Sharpton shows up. The riots are blamed on Dinkins, which is partly fair, but a lot of that's on the NYPD. Finally, the mayor and the police commissioner go to see what's going on and they get attacked. It's the only time in New York City history that there's ever been an emergency call from the police commissioner's car. People are throwing rocks at it.It took three days to realise this, but that's when they say “We have to do something here,” and they gather a group of officers who later become many of Bratton's main chiefs at the time [Bill Bratton was Commissioner of the NYPD from 1994-1996, under Giuliani]: Mike Julian, Louis Anemone, Ray Kelly, and [John] Timoney. They end the unrest in a day. They allow people to march, they get the police department to set rules. It still goes on for a bit, but no one gets hurt after that, and that's it.It was a huge, national story at the time, but a lot of the details were not covered. Reporters were taken from their car and beaten and stripped. The significance was downplayed at the time, especially by the New York Times, I would say.That's followed by the Washington Heights riots, which is a different story. A drug dealer was shot and killed by cops. There were rumors, which were proven to be false, that he was executed and unarmed. Then there were three days of rioting there. It wasn't quite as severe, but 53 cops were hurt, 120 stores were set on fire, and Mayor Dinkins paid for the victim's family to go to the Dominican Republic for the funeral. The police perspective again was, “You're picking the wrong side here.”Then there's the so-called Police Riot at City Hall. Nominally, it was about the CCRB, the Civilian Complaint Review Board, and setting up an accountability mechanism to control cops. But really it was just an anti-Dinkins protest. It was drunken and unruly. The cops stormed the steps of City Hall. I have the account of one of the cops who was on the top of those steps looking at this mob of cops storming to him, and he's getting worried he's going to be killed in a crush. There were racist chants from off-duty cops in the crowd. It did not reflect well on police officers. But it showed this hatred of David Dinkins, who was seen as siding with criminals and being anti-police. The irony is that Dinkins is the one who ends up hiring all the cops that Giuliani gets credit for.In the “Safe Streets, Safe City” program?Yes. That was because a white tourist, Brian Watkins, was killed in a subway station protecting his parents who were getting robbed. That led to the famous headline [in the New York Post] of “Dave, do something! Crime-ravaged city cries out for help.” He, with City Council President Peter Vallone, Sr., drafted and pushed through this massive hiring of police officers, “Safe Streets, Safe City.”The hiring wasn't fast-tracked. It might be because Dinkins's people didn't really want more cops. But it was a Dinkins push that got a massive hiring of cops. When the first huge class of police officers graduated, Bill Bratton was there and not David Dinkins.Some interviewees in your book talk about how there's physically not enough room in the police academies at this time, so they have to run classes 24/7. You cycle cohorts in and out of the same classroom, because there are too many new cops for the facilities.You have thousands of cops going through it at once. Everyone describes it as quite a chaotic scene. But it would have been hard to do what the NYPD did without those cops. Ray Kelly, who was police commissioner under Dinkins at the end [from 1992 to 1994] before he became police commissioner for 12 years under Bloomberg [from 2002 to 2013] probably could have done something with those cops too, but he never had the chance, because the mayoral leadership at the time was much more limiting in what they wanted cops to do.Crime starts declining slowly in the first few years of the ‘90s under Dinkins, and then in ‘93 Giuliani wins a squeaker of a mayoral election against Dinkins.One of the major issues was the then-notorious “squeegee men” of New York City. These were guys who would go to cars stopped at bridges and tunnel entrances and would rub a squeegee over the windshield asking for money. It was unpleasant, intimidating, and unwanted, and it was seen as one of those things that were just inevitable. Like graffiti on the subway in the ‘80s. Nothing we can do about it because these poor people don't have jobs or housing or whatever.The irony is that Bratton and Giuliani were happy to take credit for that, and it was an issue in the mayoral campaign, but it was solved under David Dinkins and Ray Kelly and Mike Julian with the help of George Kelling [who, with James Wilson, came up with broken windows theory]. But they never got credit for it. One wonders if, had they done that just a few months earlier, it would have shifted the entire campaign and we'd have a different course of history in New York City.It's a great example of a couple of things that several people in your book talk about. One is that disorder is often caused by a very small set of individuals. There's only like 70 squeegee men, yet everybody sees them, because they're posted up at the main tunnel and bridge entrances to Manhattan. And getting them off the streets solves the problem entirely.Another emphasis in the book is how perceptions of crime are central. You quote Jack Maple, the father of Compstat, as saying, “A murder on the subway counts as a multiple murder up on the street, because everybody feels like that's their subway.” The particular locations of crimes really affect public perception.Absolutely. Perception is reality for a lot of these things, because most people aren't victimized by crime. But when people perceive that no one is in control they feel less safe. It's not that this perception is false, it just might not be directly related to an actual criminal act.The other thing I try to show is that it's not just saying, “We've got to get rid of squeegee men. How do you do it?” They had tried before, but this is why you need smart cops and good leadership, because it's a problem-solving technique, and the way to get rid of graffiti is different to the way you get rid of squeegee men.This book is in opposition to those who just say, “We can't police our way out of this problem.” No, we can. We can't police our way out of every problem. But if you define the problem as, we don't want people at intersections with squeegees, of course we can police our way out of the problem, using legal constitutional tools. You need the political will. And then the hard work starts, because you have to figure out how to actually do it.Will you describe how they tackle the squeegee men problem?Mike Julian was behind it. They hired George Kelling, who's known for broken windows. They said, “These people are here to make money. So to just go there and make a few arrests isn't going to solve the problem.” First of all, he had to figure out what legal authority [to use], and he used Traffic Reg 44 [which prohibits pedestrians from soliciting vehicle occupants]. He talked to Norm Siegel of the NYCLU [New York Civil Liberties Union] about this, who did not want this crackdown to happen. But Norman said, “Okay, this is the law, I can't fight that one. You're doing it legally. It's all in the books.” And So that took away that opposition.But the relentless part of it is key. First they filmed people. Then, when it came to enforcement, they warned people. Then they cited people, and anybody that was left they arrested. They did not have to arrest many people, because the key is they did this every four hours. It was that that changed behavior, because even a simple arrest isn't going to necessarily deter someone if it's a productive way to make money. But being out there every four hours for a couple of weeks or months was enough to get people to do something else. What that something else is, we still don't know, but we solved the squeegee problem.So in 93, Giuliani is elected by something like 50,000 votes overall. Just as an aside, in Prince of the City, Fred Siegel describes something I had no idea about. There's a Puerto Rican Democratic Councilman who flips and supports Giuliani. Mayor Eric Adams, who at the time was the head of a nonprofit for black men in law enforcement, calls him a race traitor for doing that and for being married to a white woman. There was a remarkable level of racial vitriol in that race that I totally missed.10 years ago when I started this, I asked if I could interview then-Brooklyn borough president Eric Adams, and he said yes, and the interview kept getting rescheduled, and I said, “Eh, I don't need him.” It's a regret of mine. I should have pursued that, but coulda, woulda, shoulda.Giuliani is elected, and he campaigns very explicitly on a reducing crime and disorder platform. And he hires Bill Bratton. Tell me about Bratton coming on board as NYPD commissioner.Bratton grew up in Boston, was a police officer there, became head of the New York City Transit Police when that was a separate police department. Right before he becomes NYPD Commissioner, he's back in Boston, as the Chief of Police there, and there is a movement among certain people to get Bratton the NYC job. They succeed in that, and Bratton is a very confident man. He very much took a broken windows approach and said, “We are going to focus on crime.” He has a right-hand man by the name of Jack Maple who he knows from the Transit Police. Maple is just a lieutenant in transit, and Bratton makes him the de facto number two man in the police department.Jack Maple passed away in 2001 and I didn't know what I was going to do, because it's hard to interview a man who's no longer alive. Chris Mitchell co-wrote Jack Maple's autobiography called Crime Fighter and he graciously gave me all the micro-cassettes of the original interviews he conducted with Maple around 1998. Everyone has a Jack Maple story. He's probably the most important character in Back from the Brink.Jack Maple comes in, no one really knows who he is, no one respects him because he was just a lieutenant in Transit. He goes around and asks a basic question — this is 1994 — he says, “How many people were shot in New York City in 1993?” And nobody knows. That is the state of crime-fighting in New York City before this era. There might have been 7,000 people shot in New York City in 1990 and we just don't know, even to this day.One citation from your book: in 1993, an average of 16 people were shot every day. Which is just remarkable.And remember, shootings have been declining for two or three years before that! But nobody knew, because they weren't keeping track of shootings, because it's not one of the FBI Uniform Crime Report [which tracks crime data nationally] index crimes. But wouldn't you be curious? It took Jack Maple to be curious, so he made people count, and it was findable, but you had to go through every aggravated assault and see if a gun was involved. You had to go through every murder from the previous year and see if it was a shooting. He did this. So we only have shooting data in New York City going back to 1993. It's just a simple process of caring.The super-short version of Back from the Brink is it was a change in mission statement: “We're going to care about crime.” Because they hadn't before. They cared about corruption, racial unrest, brutality, and scandal. They cared about the clearance rate for robbery a bit. You were supposed to make three arrests for every ten robberies. It didn't matter so much that you were stopping a pattern or arresting the right person, as long as you had three arrests for every ten reported crimes, that was fine.This is a story about people who cared. They're from this city — Bratton wasn't, but most of the rest are. They understood the trauma of violence and the fact that people with families were afraid to go outside, and nobody in the power structure seemed to care. So they made the NYPD care about this. Suddenly, the mid-level police executives, the precinct commanders, had to care. and the meetings weren't about keeping overtime down, instead they were about ”What are you doing to stop this shooting?”Tell listeners a little bit more about Jack Maple, because he's a remarkable character, and folks may not know what a kook he was.I think he was a little less kooky than he liked to present. His public persona was wearing a snazzy cat and spats and dressing like a fictional cartoon detective from his own mind, but he's a working-class guy from Queens who becomes a transit cop.When Bratton takes over, he writes a letter up the chain of command saying this is what we should do. Bratton read it and said, “This guy is smart.” Listening to 80 hours of Jack Maple, everyone correctly says he was a smart guy, but he had a very working-class demeanor and took to the elite lifestyle. He loved hanging out and getting fancy drinks at the Plaza Hotel. He was the idea man of the NYPD. Everyone has a Jack Maple imitation. “You're talking to the Jackster,” he'd say. He had smart people working under him who were supportive of this. But it was very much trying to figure out as they went along, because the city doesn't stop nor does it sleep.He was a bulls***er, but he's the one who came up with the basic outline of the strategy of crime reduction in New York City. He famously wrote it on a napkin at Elaine's, and it said, “First, we need to gather accurate and timely intelligence.” And that was, in essence, CompStat. “Then, we need to deploy our cops to where they need to be.” That was a big thing. He found out that cops weren't working: specialized units weren't working weekends and nights when the actual crime was happening. They had their excuses, but basically they wanted a cushy schedule. He changed that. Then, of course, you have to figure out what you're doing, what the effective tactics are. Then, constant follow up and assessment.You can't give up. You can't say “Problem solved.” A lot of people say it wasn't so much if your plan didn't work, you just needed a Plan B. It was the idea that throwing your hands in the air and saying, “What are you going to do?” that became notoriously unacceptable under Chief Anemone's stern demeanor at CompStat. These were not pleasant meetings. Those are the meetings that both propagated policies that work and held officers accountable. There was some humiliation going on, so CompStat was feared.Lots of folks hear CompStat and think about better tracking of crime locations and incidents. But as you flesh out, the meat on the bones of CompStat was this relentless follow-up. You'd have these weekly meetings early in the morning with all the precinct heads. There were relentless asks from the bosses, “What's going on in your district or in your precinct? Can you explain why this is happening? What are you doing to get these numbers down?” And follow-ups the following week or month. It was constant.CompStat is often thought of as high-tech computer stuff. It wasn't. There was nothing that couldn't have been done with old overhead projectors. It's just that no one had done it before. Billy Gorta says it's a glorified accountability system at a time when nobody knew anything about computers. Everyone now has access to crime maps on a computer. It was about actually gathering accurate, timely data.Bratton was very concerned that these numbers had to be right. It was getting everyone in the same room and saying, “This is what our focus is going to be now.” And getting people to care about crime victims, especially when those crime victims might be unsympathetic because of their demeanor, criminal activity, or a long arrest record. “We're going to care about every shooting, we're going to care about every murder.”Part of it was cracking down on illegal guns. There were hundreds of tactics. The federal prosecutors also played a key role. It was getting this cooperation. Once it started working and Giuliani made it a major part of claiming success as mayor, suddenly everyone wanted to be part of this, and you had other city agencies trying to figure it out. So it was a very positive feedback loop, once it was seen as a success.When Bratton came on the job, he said, “I'm going to bring down crime 15%.” No police commissioner had ever said that before. In the history of policing before 1994, no police commissioner ever promised a double-digit reduction in crime or even talked about it. People said “That's crazy.” It was done, and then year after year. That's the type of confidence that they had. They were surprised it worked as well as it did, but they all had the sense that there's a new captain on this ship, and we're trying new things. It was an age of ideas and experiment.And it was a very short time.That's the other thing that surprised me. Giuliani fired Bratton in the middle of ‘96.It's remarkable. Bratton comes in ‘94, and August 1994 is where you see crime drop off a cliff. You have this massive beginning of the reduction that continues.That inflection point is important for historical knowledge. I don't address alternatives that other people have proposed [to explain the fall in crime] — For example, the reduction in lead [in gasoline, paint, and water pipes] or legalized abortion with Roe v. Wade [proposed by Stephen Dubner].Reasonable people can differ. Back from the Brink focuses on the police part of the equation. Today, almost nobody, except for a few academics, says that police had nothing to do with the crime drop. That August inflection is key, because there is nothing in a lagged time analysis going back 20 years that is going to say that is the magic month where things happened. Yet if you look at what happened in CompStat, that's the month they started getting individual officer data, and noticing that most cops made zero arrests, and said, “Let's get them in the game as well.” And that seemed to be the key; that's when crime fell off the table. The meetings started in April, I believe, but August is really when the massive crime drop began.To your point about the confidence that crime could be driven down double digits year over year, there's a great quote you have from Jack Maple, where he says to a fellow cop, “This is going to be like shooting fish in a barrel. As long as we have absolute control, we can absolutely drive this number into the floor.”One detail I enjoyed was that Jack Maple, when he was a transit cop, would camp out under a big refrigerator box with little holes cut out for eyes and sit on the subway platform waiting for crooks.For people who are interested in Jack Maple, it is worth reading his autobiography, Crime Fighter. Mike Daly wrote New York's Finest, which uses the same tapes that I had access to, and he is much more focused on that. He's actually the godfather of Jack Maple's son, who is currently a New York City police officer. But Maple and co were confident, and it turned out they were right.As well as having changes in tactics and approach and accountability across the NYPD, you also have a series of specific location cleanups. You have a specific initiative focused on the Port Authority, which is a cesspool at the time, an initiative in Times Square, the Bryant Park cleanup, and then Giuliani also focuses on organized crime on the Fulton Fish Market, and this open-air market in Harlem.I was struck that there was both this general accountability push in the NYPD through CompStat, and a relentless focus on cleaning up individual places that were hubs of disorder.I'm not certain the crime drop would have happened without reclamation of public spaces and business improvement districts. Bryant Park's a fascinating story because Dan Biederman, who heads the Corporation, said, “People just thought it was like a lost cause, this park can't be saved. The city is in a spiral of decline.” He uses Jane Jacobs' “eyes on the street” theory and then George Kelling and James Q. Wilson's broken windows theory. The park has money — not city money, but from local property owners — and it reopens in 1991 to great acclaim and is still a fabulous place to be. It showed for the first time that public space was worth saving and could be saved. New York City at the time needed that lesson. It's interesting that today, Bryant Park has no permanent police presence and less crime. Back in the ‘80s, Bryant Park had an active police presence and a lot more crime.The first class I ever taught when I started at John Jay College in 2004, I was talking about broken windows. A student in the class named Jeff Marshall, who is in my book, told me about Operation Alternatives at the Port Authority. He had been a Port Authority police officer at the time, and I had not heard of this. People are just unaware of this part of history. It very much has lessons for today, because in policing often there's nothing new under the sun. It's just repackaged, dusted off, and done again. The issue was, how do we make the Port Authority safe for passengers? How do we both help and get rid of people living in the bus terminal? It's a semi-public space, so it makes it difficult. There was a social services element about it, that was Operational Alternatives. A lot of people took advantage of that and got help. But the flip side was, you don't have to take services, but you can't stay here.I interviewed the manager of the bus terminal. He was so proud of what he did. He's a bureaucrat, a high-ranking one, but a port authority manager. He came from the George Washington Bridge, which he loved. And he wonders, what the hell am I going to do with this bus terminal? But the Port Authority cared, because they're a huge organization and that's the only thing with their name on it — They also control JFK Airport and bridges and tunnels and all the airports, but people call the bus terminal Port Authority.They gave him almost unlimited money and power and said, “Fix it please, do what you've got to do,” and he did. It was environmental design, giving police overtime so they'd be part of this, a big part of it was having a social service element so it wasn't just kicking people out with nowhere to go.Some of it was also setting up rules. This also helped Bratton in the subway, because this happened at the same time. The court ruled that you can enforce certain rules in the semi-public spaces. It was not clear until this moment whether it was constitutional or not. To be specific, you have a constitutional right to beg on the street, but you do not have a constitutional right to beg on the subway. That came down to a court decision. Had that not happened, I don't know if in the long run the crime drop would have happened.That court decision comes down to the specific point that it's not a free-speech right on the subway to panhandle, because people can't leave, because you've got them trapped in that space.You can't cross the street to get away from it. But it also recognized that it wasn't pure begging, that there was a gray area between aggressive begging and extortion and robbery.You note that in the early 1990s, one-third of subway commuters said they consciously avoided certain stations because of safety, and two thirds felt coerced to give money by aggressive panhandling.The folks in your book talk a lot about the 80/20 rule applying all over the place. That something like 20% of the people you catch are committing 80% of the crimes.There's a similar dynamic that you talk about on the subways, both in the book and in your commentary over the past couple years about disorder in New York. You say approximately 2,000 people with serious mental illness are at risk for street homelessness, and these people cycle through the cities, streets, subways, jails, and hospitals.What lessons from the ‘90s can be applied today for both helping those people and stopping them being a threat to others?Before the ‘80s and Reagan budget cuts there had been a psychiatric system that could help people. That largely got defunded. [Deinstitutionalization began in New York State earlier, in the 1960s.] We did not solve the problem of mental health or homelessness in the ‘90s, but we solved the problem of behavior. George Kelling [of broken windows theory] emphasized this repeatedly, and people would ignore it. We are not criminalizing homelessness or poverty. We're focusing on behavior that we are trying to change. People who willfully ignore that distinction almost assume that poor people are naturally disorderly or criminal, or that all homeless people are twitching and threatening other people. Even people with mental illness can behave in a public space.Times have changed a bit. I think there are different drugs now that make things arguably a bit worse. I am not a mental health expert, but we do need more involuntary commitment, not just for our sake, but for theirs, people who need help. I pass people daily, often the same person, basically decomposing on a subway stop in the cold. They are offered help by social services, and they say no. They should not be allowed to make that choice because they're literally dying on the street in front of us. Basic humanity demands that we be a little more aggressive in forcing people who are not making rational decisions, because now you have to be an imminent threat to yourself or others. That standard does need to change. But there also need to be mental health beds available for people in this condition.I don't know what the solution is to homelessness or mental health. But I do know the solution to public disorder on the subway and that's, regardless of your mental state or housing status, enforcing legal, constitutional rules, policing behavior. It does not involve locking everybody up. It involves drawing the line between acceptable and unacceptable behavior. It's amazing how much people will comply with those rules.That presents the idea that someone's in charge, it's not a free-for-all. You get that virtuous loop, which New York had achieved in 2014–2016, when crime was at an all-time low in the city. Then the politicians decided public order wasn't worth preserving anymore. These are political choices.I had a similar version of this conversation with a friend who was shocked that there were zero murders on the subway in 2017 and that that number was stable: you had one or two a year for several years in the mid-2010s.It was five or fewer a year from 1997 to 2019, and often one or two. Then you have zero in 2017. There were [ten in 2022]. It coincides perfectly with an order from [Mayor] de Blasio's office and the homeless czar [Director of Homeless Services Steven] Banks [which] told police to stop enforcing subway rules against loitering. The subways became — once again — a de facto homeless shelter. Getting rule-violating homeless people out of the subway in the late ‘80s was such a difficult and major accomplishment at the time, and to be fair it's not as bad as it was.The alternative was that homeless outreach was supposed to offer people services. When they decline, which 95% of people do, you're to leave them be. I would argue again, I don't think that's a more humane stance to take. But it's not just about them, it's about subway riders.There's one story that I think was relevant for you to tell. You were attacked this fall on a subway platform by a guy threatening to kill you. It turns out he's had a number of run-ins with the criminal justice system. Can you tell us where that guy is now?I believe he's in prison now. The only reason I know who it is is because I said, one day I'm going to see his picture in the New York Post because he's going to hurt somebody. Am I 100 percent certain it's Michael Blount who attacked me? No, but I'm willing to call him out by name because I believe it is. He was out of prison for raping a child, and he slashed his ex-girlfriend and pushed her on the subway tracks. And then was on the lam for a while. I look at him and the shape of his face, his height, age, build, complexion, and I go, that's got to be him.I wasn't hurt, but he gave me a sucker punch trying to knock me out and then chased me a bit threatening to kill me, and I believe he wanted to. It's the only time I ever was confronted by a person who I really believe wanted to kill me, and this includes policing in the Eastern District in Baltimore. It was an attempted misdemeanor assault in the long run. But I knew it wasn't about me. It was him. I assume he's going to stay in prison longer for what he did to his ex-girlfriend. But I never thought it would happen to me. I was lucky the punch didn't connect.Peter Moskos's new book is Back from the Brink, Inside the NYPD and New York City's Extraordinary 1990s Crime Drop.My reading listEssays:Johnny Hirschauer's reporting, including “A Failed 'Solution' to 'America's Mental Health Crisis',“ “Return to the Roots,” and “The Last Institutions.” “Broken Windows: The Police and Neighborhood Safety,” by George L. Kelling and James Q. Wilson. ​“It's Time to Talk About America's Disorder Problem,” Charles Lehman.Books:Ghettoside: A True Story of Murder in America, Jill Leovy.​Prince of the City: Giuliani, New York, and the Genius of American Life, Fred Siegel.​ Cop in the Hood: My Year Policing Baltimore's Eastern District, Peter Moskos.​Dreamland: The True Tale of America's Opiate Epidemic, Sam Quinones.​Bonfire of the Vanities, Tom Wolfe. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.statecraft.pub

The best hotels offer so much more than a place to stay. In this episode of Unpacked, go behind the scenes of our Best New Hotels list to discover the hotels that are helping to redefine a destination, setting a new bar for sustainability and design, and bringing travelers into communities where their dollars can really count. Host Aislyn Greene and senior deputy editor Jennifer Flowers—Afar's resident hotel expert—share inspiration for your next great trip. In 2025, Hotels are Becoming Local Heroes On this episode, you'll learn:  How hotels are uplifting local communities and preserving cultural legacies.  What the future of sustainable stays looks like and how to sniff out the real deal. Immersive cultural experiences you can only have when you stay at a hotel.  “Sustainability Has Never Looked So Beautiful.”  Don't miss these transformative moments:  [02:47] This carbon-positive hotel takes sustainability to new heights.  [09:59] Would you forgo electricity for this historic stay? [17:58] Local Discoveries: How a tea towel led to new travel plans.  Resources Read the transcript of this episode. Explore the Best Hotels of 2025 list. Listen to last year's Best New Hotels episode. Listen to our Unpacking ILTM episode. Want more recommendations? Subscribe to Jenn's newsletter: Stay Here Next Follow Jenn on Instagram or read this story about her childhood in the Plaza Hotel.  Learn more about Populus Hotel in Denver, Dar Tantoura the House Hotel, Kibale Lodge, One and Only One Za'beel and other extraordinary stays on afar.com Be sure to subscribe to the show and to sign up for our podcast newsletter, Behind the Mic, where we share upcoming news and behind-the-scenes details of each episode. And explore our second podcast, Travel Tales, which celebrates first-person narratives about the way travel changes us. ** New Opportunity: What's one tricky travel topic you want us to unpack? Send us a voice message here, for a chance to weigh in and be featured in an upcoming episode. **

Niels is een tikkeltje brak van New York en Thijs heeft een nieuwe filmrol te pakken.Luister hier naar de Borrelpraat Extra van deze week.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Send us a textThe Otonomous Hotel opens this summer in Las Vegas. It's near Allegiant Stadium and it will be an Airbnb alternative for those looking for extended stays or large group stays. Of course, you can stay here regardless. This new hotel is powered by AI technology that will give your stay a personal touch and customization. But, how much information about you will they know? Don't worry, that's also up to you. We have a lengthy conversation with the CEO and Founder, Phillipe Ziade. The Plaza Hotel and Casino is bringing back its weekly fireworks! We have the details. Wahlburgers will now be on the menu at Resorts World's Ayu Dayclub. And, Bar Boheme has an opening date in the downtown Las Vegas Arts District. This is another Chef James Trees restaurant. VegasNearMe App If it's fun to do or see, it's on VegasNearMe. The only app you'll need to navigate Las Vegas. Support the showFollow us on Instagram: @vegas.revealedFollow us on Twitter: @vegasrevealedFollow us on TikTok: @vegas.revealedWebsite: Vegas-Revealed.com

From soaking up the sun on Israeli beaches to flipping one of the most iconic hotels in NYC, Miki Naftali's real estate journey is the definition of a wild ride.Miki's story starts in Israel, but things really took off when he landed at USC and pulled off his first off-market deal in Los Angeles—before he even had a business card. After cutting his teeth in Tel Aviv, he set his sights on the U.S. once again, eventually making waves in the ultra-competitive New York City condo market.Then came the power move: buying and transforming the legendary Plaza Hotel. That deal didn't just make headlines—it cemented his status as a real estate heavyweight. Fast forward to today, and Miki's leading Naftali Group, shaping the skylines of NYC and South Florida with high-end residential developments.Talking to Miki felt like stepping into the war room of a real estate empire—big vision, bold strategies, and stories you need to hear about navigating the financial crisis. Connect with usLooking to dive deeper into the Miami commercial real estate scene? Well, you've stumbled upon our favorite topic of conversation. So, whether you're a curious beachcomber or a seasoned investor, drop us a line at info@gridlineproperties.com or dial us up at 305.507.7098. Or if you're feeling social, you can stalk us on LinkedIn and connect with us there. Let's make some waves in the 305 real estate world together! Ben Hoffman's bio & LinkedIn ( linkedin.com/in/ben-hoffman-818a0949/ ) Felipe Azenha's bio & LinkedIn ( linkedin.com/in/felipeazenha/ ) We extend our sincere gratitude to Büro coworking space for generously granting us the opportunity to record all our podcasts at any of their 8 convenient locations across South Florida.

This week, Chris and Saied tackle the latest inflation print that came in hotter than a tiger del fuego—and yes, that's the official economic term now. With prices climbing for consumer staples like eggs (who knew you should've invested in chickens?), we dissect what this means for rate cuts, the Fed's next move, and whether we'll all just resort to eating cardboard to save money. And if you thought the government was on top of things, think again—because even regulators are scratching their heads over the latest CFPB drama. A federal agency created to protect consumers is basically getting ghosted by Washington, and let's just say… crypto bros are very excited about this development.➡️ But wait, there's more! We break down the absurdity of credit card interest rates, why Home Alone 2's Plaza Hotel suite now costs more than a used car, and the potential impact of Elon Musk's secret Visa deal. Plus, Saied relives a scandalous youth basketball championship game that involved bad reffing, technical fouls, and one very dramatic post-game car ride. Oh, and Chris is still bleeding money on his studio construction—send thoughts, prayers, and five-star reviews.

The Princess of Wales has firmly refused to let Prince George, 11, Princess Charlotte, 9, and Prince Louis, 6, take part in a long-standing royal hunting ritual known as “blooding.” Renée Zellweger, 55, is mirroring her beloved rom-com heroine’s journey—finding love after heartbreak and embracing a new chapter of life. Kim Kardashian and Pete Davidson sent the rumor mill into overdrive after reconnecting at SNL 50’s lavish afterparty at the Plaza Hotel. Rob’s best pal Delaina Dixon from DivaGalsDaily's joins him today. Don't forget to vote in today's poll on Twitter at @naughtynicerob or in our Facebook group.See omnystudio.com/listener for privacy information.

Have you ever wondered what it's like to be a debutante? Recently, our reporter Cailin Riley found out for herself when she attended the 70th anniversary International Debutante Ball which was held at the Plaza Hotel in New York City on December 28. Among the several young ladies “coming out” that evening was Southampton summer resident Kelli Ford, daughter of Gerald and Kelli Ford.

The Ringer's Bill Simmons and Kyle Brandt rack up the room service bill at The Plaza Hotel as they rewatch the 1992 comedy ‘Home Alone 2: Lost In New York,' starring Macaulay Culkin, Joe Pesci, and Daniel Stern. Producer: Craig Horlbeck Video Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of the Movies in a Podshall podcast, Jamie and Jon discuss the theme of Christmas films, focusing on 'Home Alone 2: Lost in New York.' We explore the film's plot, characters, and its connection to the original 'Home Alone.' The conversation also touches on other films and TV shows they've been watching, including Hitchcock's works and various streaming recommendations. We share our thoughts on the importance of classic films during the holiday season and the impact of nostalgia on our viewing experiences. In this conversation, we delve into the nuances of 'Home Alone 2', discussing performances, nostalgic memories, and the film's impact on New York tourism. The discussion also touches on the darker elements of the sequel compared to the original and the challenges of maintaining quality in film franchises, including thoughts on reboots and sequels. 00:00 Introduction to the Podcast and Theme 06:20 Streaming Services and Film Availability 12:06 Recent Film Viewings and Recommendations 18:26 Classic Christmas Films 24:21 Industry Insights and Season Reviews 30:29 Home Alone 2: A Christmas Classic 33:33 Plot Overview and Character Dynamics 43:18 Macaulay Culkin's Career and Legacy 49:52 The Magic of The Plaza Hotel 56:48 The Darker Tone of Home Alone 2 01:04:38 Franchise Diminishing Returns and Reboots 01:14:51 Outro and Holiday Greetings

Acclaimed writer, director, and executive producer Ericka Nicole Malone joins Lesley to share her journey of reigniting old dreams and exploring new ones. In this candid conversation, Ericka dives into her latest documentary, The Bucket Wish, and reflects on how embracing life's challenges has deepened her purpose and strengthened her confidence. Through her insights, Ericka encourages others to pursue their passions, overcome perfectionism, and live authentically.If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co. And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe.In this episode you will learn about:The making of The Bucket Wish and Remember Me: The Mahalia Jackson Story.Ericka's “Bucket Wish” framework for uncovering new possibilities.How new experiences can build confidence and resilience.Conquering self-doubt and overcoming perfectionism.Embracing failure as part of the creative and learning journey.The importance of protecting your dreams from negative influences.Episode References/Links:Ericka Nicole Malone Website - https://erickanicolemalone.comEricka Nicole Malone Instagram - https://www.instagram.com/erickanicolemaloneEricka Nicole Malone TikTok - https://www.tiktok.com/@erickanicolemaloneEricka Nicole Malone Twitter - https://x.com/ErickaNMaloneThe Bucket Wish Instagram - https://www.instagram.com/bucketwishofficialThe Mahalia Jackson Story on Hulu - https://www.hulu.com/movie/remember-me-the-mahalia-jackson-storyBackward Wish Documentary - https://erickanicolemalone.com/the-bucketwish/Big Magic by Elizabeth Gilbert - https://a.co/d/6TGbonVGuest Bio:Ericka Nicole Malone is indeed a multifaceted entrepreneur in the entertainment industry. Her roles span from being a playwright, a producer, to a lifestyle expert, each showcasing her diverse skills and expertise. As a playwright, Malone crafts compelling stories, dialogues, and characters for theatrical productions, demonstrating her creativity, storytelling prowess, and understanding of dramatic structure and audience engagement. In her role as a producer, Malone oversees various aspects of bringing a creative project to fruition, whether it's a play, film, or television show. This includes securing funding, assembling talent and crew, managing budgets and schedules, and ensuring the production's overall success. Beyond theater and production, Malone also shines as a lifestyle expert, offering advice and insights into various aspects of living well. This could encompass fashion, beauty, health, wellness, and personal development, leveraging her experience and knowledge to help others enhance their lifestyles. One of her latest and most exciting projects is "The Bucket Wish. This documentary follows her personal quest to live the life she always imagined. It captures her journey and is meant to inspire others to chase their dreams. This project is a testament to her versatility, adaptability, and comprehensive understanding of the entertainment industry. Her multidisciplinary approach allows her to pursue her creative passions and leverage her skills and expertise across various domains, maximizing her impact and success as an entrepreneur in the entertainment field. If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. DEALS! DEALS! DEALS! DEALS!Check out all our Preferred Vendors & Special Deals from Clair Sparrow, Sensate, Lyfefuel BeeKeeper's Naturals, Sauna Space, HigherDose, AG1 and ToeSox Be in the know with all the workshops at OPCBe It Till You See It Podcast SurveyBe a part of Lesley's Pilates MentorshipFREE Ditching Busy Webinar Resources:Watch the Be It Till You See It podcast on YouTube!Lesley Logan websiteBe It Till You See It PodcastOnline Pilates Classes by Lesley LoganOnline Pilates Classes by Lesley Logan on YouTubeProfitable Pilates Follow Us on Social Media:InstagramThe Be It Till You See It Podcast YouTube channelFacebookLinkedInThe OPC YouTube Channel Episode Transcript:Ericka Nicole Malone 0:00  It's just jumping into it, right? Sometimes you don't know that if you just jump into something new what will be on the other side? And how many people have died never tapping, never looking behind the curtain. At the end of it, you may not hold the trophy, you may not get the Oscar, but you tried and there's beauty in it.Lesley Logan 0:24  Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started.  Lesley Logan 1:05  All right, Be It babe. I am so excited for this episode to be in your ears today, and if you're watching on YouTube, you're gonna see that I'm in a different place in the pod room, because our guest is in my seat. Ericka Nicole Malone is our guest today. She is multifaceted. We can add so many different titles to her, but she's a writer, director, producer, executive producer. She is also a singer songwriter. She's doing a lot of amazing things. She's got incredible series out on Hulu right now, and then she's also going to be releasing an incredible documentary called The Bucket Wish. And we talked about confidence and negative people and getting your ideas out in the world and doing things for you. It was just really beautiful and authentic and really fun. I'm excited for you, not only to hear this amazing interview, I'm also excited to watch her girl documentary, which will be out this fall. I hope that you write down your own quotables. You know, we put them on the podcast interview Instagram, and hopefully you save those and share those. But seriously, grab a stack of Post-Its, and every time she says something you want to remember write it down, because you're going to have a bunch of little Post-Its you can put around your room to remind you that you're doing beautiful things in this world and the world needs to see your beautiful things. And that is what Ericka Nicole Malone is here to tell you. Lesley Logan 2:18  All right, Be It babe, I'm really excited. I have a guest in the house today. This is so fun. It's so fun when there's a guest that's local. And I can't believe our paths haven't crossed before. But thank goodness for our dear friend Allison, who made sure I heard all about Ericka Nicole Malone and what she is up to does nothing short of kind of amazing. She is a multifaceted human, singer, writer, director. Forgive me if I put a title in there, you're not doing but I'm sure youre gonna do it soon. Ericka Nicole Malone, will you tell everyone who you are and what you're rocking at?Ericka Nicole Malone 2:48  Yeah. My name is Ericka Nicole Malone. I am a writer, a playwright, a screenwriter, author. I am a woman who is always about reinventing herself and inspiring others to reinvent themselves. And I am also an executive director, executive producer, and just full of life and wanting to live life and wanting other people to live theirs.Lesley Logan 3:12  Yeah. Okay, so you said I want to inspire people to live their life, and we're helping people with that. Where did that kind of come from? Is that something you want to do always? Is that, was there something that happened in your life, and then you're like, I've got to help other people. What's that impetus? What was that beginning? Ericka Nicole Malone 3:27  I feel like it's kind of innate. I remember being little and just really caring about other people. It was. I remember being six or seven and going to the bank with my mother, and they'd hand out these suckers, which I think they still do. So this has been going on a minute, and I just remember they say here honey, here's a sucker, you're so cute. And I was like, but can I have a sucker for my brother? And they were like they give me a sucker. I was like, but I have two brothers. They give me, you know, two suckers. They're like, oh my gosh. You just, you don't care about just getting a sucker for yourself. You care about your brother getting a sucker. And I've always been concerned about other people making it too. And the world and people hurting and just people in bathrooms. Whenever there's a housekeeper or maid in the bathroom, I'm always tipping them. I always, I'm always concerned about people being looked over and forgotten and it's just so important to me that people find I get so shocked when people don't realize when they don't see people, they don't see homeless people, or they don't see people who are around them, or shoe shine man, that I'm always wondering how he's feeling throughout his day. And so yeah, it's always a big part of who I am.Lesley Logan 4:42  Yeah, I understand that we were talking about before we hit record, and it's like, it's really easy for people to put themselves in places where they don't have to see anybody. Yeah, I'm so used to having all the different types of people around that it would make me uncomfortable to not see them. I have this funny story. My dad is really funny. He'll say, I don't want to talk to anybody. I don't wanna go there. I have to talk to people. And the first thing we do when we're out of the car, he talks to everybody. He talks to every, we go to the gym at the Plaza Hotel and Casino, and we park in VIP, and he talks to every security guard always, even if he just said hello to them, because they let us through the gate, he still makes sure to talk to them. And I just laugh so hard because he's always like, I don't want to talk to people. But then he talks to everybody, to everyone, and I but I love it, because he sees everybody. And I think that that's something that like it's hard, it's not hard to do. It's actually quite something we could all do. But we get so busy in our phones and things like that, we don't see every people. And we also get really concerned with what's going on with ourselves that we forget to be concerned with others. You have been, you mentioned all these different amazing things. I also saw that you are learning to play the flute. So I guess what I think a lot of people will wonder when they heard all these things that you do is, how do you have, how did you have the time? Are you doing or are you learning different things at the same time? How did you go from producer, director, executive director, like, what was that line? What was that journey? Ericka Nicole Malone 6:01  Well, when I wrote Remember Me: The Mahalia Jackson Story, my business partner and I, I'm the executive producer of that, along with my business partner, we wanted to finance it ourselves, and so that people could see the story. It's now on Hulu, but at the time, we worked with amazing director her name is Denise Dowse, but at the time we produced it and it was done, it was an amazing feat to see something that you created come to life, but it was like, now, after I did that, before I wrote another script, I've kind of felt in my spirit I needed to create something else, and it was to push the limits within myself. What are some of the things that I could have done that I didn't finish, or things that I did try and I failed at? What are some of the things and as I started writing the documentary for The Bucket Wish and creating the documentary, I realized that even though I have these huge feats that I have accomplished, there were things in my past that I quit on, like playing the flute, and when I was 10, or swimming, when I was around, I think it was eight or nine. What are some of the things that I didn't succeed? And something I realized that when I failed at something, I just pushed it to the side. And I really wanted to explore that. Writing is something I excel in, right? So, of course, I'm not going to push that to the side, because I can do that in my sleep, right? So I'm gonna, I can write something, you know? What do you want? I can get that done tomorrow, but something that you don't do well, you know what I mean, and part of that is where your confidence is, things that you, I'm saying, not everyone's meant to be a botanist. That's not what I'm saying. But I'm saying, if it's something that you yearn to do, say, you yearn to play the guitar, or you yearn to play drums or something, right? It's in your spirit, and it's calling out to you, and maybe you just don't do it as well, it doesn't mean you should stop doing it all together. Right? And I would just stop doing it all together and just focus on what I was good at. And that's not necessarily what builds your confidence. I think what builds your confidence is you have a yearning and a sense of wonder, and you're thinking, I want to try this or that, but maybe you fail, but you get back up and you keep trying. That is what builds your confidence. Doesn't mean you're going to do it as a career. It just means that you're living.Lesley Logan 8:20  Yeah. I think this is really beautiful, because one of the things this podcast is about is ditching perfection. And I think we expect ourselves, we have to be good at the thing we said we're gonna do. We don't allow us to be beginners anymore. Ericka Nicole Malone 8:32  Exactly.Lesley Logan 8:34  And so people. Ericka Nicole Malone 8:35  Or look silly. Lesley Logan 8:36  Look silly. Exactly. So we were, we weren't good at something. And I also think even kids today, they're like, in one sport their whole lives, and I remember playing seven sports, and my dad's like, it's okay that you're not good. You're gonna keep going to practice, and you don't quit until the end of the season, and if you don't like it, (inaudible) you don't have to do it again. So I love what you're talking about, because confidence really is kind of it's about following through. It's not necessarily doing it for your work. And also, since when do we have to make everything we do make money, right? We could just go swimming.Ericka Nicole Malone 9:06  You can just go swimming. And, you know, I use this as a, I don't know if you saw Willy Wonka when it came out. I'm a big Willy Wonka fan from the very first inception, but also the new Wonka. But what I love about Wonka is it's just jumping into it, right? Sometimes you don't know that if you just jump into something new, what will be on the other side. And how many people have died never tapping, never looking behind the curtain. At the end of it, you may not hold the trophy, you may not get the Oscar, but you tried and there's beauty in it.Lesley Logan 9:44  Yeah. Okay, so Bucket Wish is this, is the documentary of you trying things out? Ericka Nicole Malone 9:48  Trying things, you know, the flute, I don't know. And so funny is there's different nuances of flute I don't like, specifically spitting. But, I hate germs and so it's a lot for me, but I'm gonna, I'm gonna finish the lessons, right? Because that's the whole point. But I don't know if I'll do it, but I'm going to finish the lessons, but I might be a drummer. Doesn't seem like there's as much spitting with drums. I'm not sure. There's that and there's swimming. I need to learn to swim, all those kinds of things, photography, I'm really attracted to taking pictures, and so I bought the camera. And so it's just different things. I'm gonna try and hopefully inspire people who have thought about giving up on their life, taking their life, that there's more out there. Don't quit. There's more. Keep walking.Lesley Logan 10:39  Yeah. What is it like to kind of put yourself to be a beginner over and over again, though, because I think that's a special I mean, it does build confidence. But also it's like to be a beginner at swimming, to be a beginner at playing the flute, to do these different things that are in your Bucket Wish. What was that like?Ericka Nicole Malone 10:55  You know, it was, it was scary. That's the best word I can say. I had gotten into The Groundlings in Los Angeles when I auditioned, and I didn't finish. This was about six years ago, but I was, I was like, this is gonna be hard. I'm gonna have to come to class every day and they do these little projects and they, they do experiments. I'm like, this sounds like forever. I just don't have it. And so I did, but I, so I did comedy in the The Bucket Wish because I was like, there was obviously a yearning for me. I graduated from youth performing arts high school in theater. So theater has always been a huge talent of me. So to do the comedy and do stand up was pretty scary to say the least, but because I'm a huge comedy fan. I love Tina Fey, I love all of those people, but I can tell you, it grew my confidence. And again, I thought I was confident because I'm a writer. I have a movie on Hulu. But I wasn't as confident as I thought I was. And that was shocking, because I'm like, I did modeling. What do you mean? I've some passions. What? But I wasn't and it wasn't until I did The Bucket Wish that I really became as confident as I know I could be. And now I'm shooting a new series. It's a lifestyle series I'm the host of, and I don't think I would have been as confident to do this had I not did The Bucket Wish.Lesley Logan 12:18  It's really funny. You may remember that I didn't finish a comedy class. I signed up for one in LA called Pretty Funny Women. Ericka Nicole Malone 12:25  Didn't know that. Lesley Logan 12:26  Uh huh, yeah. So Pretty Funny Women, if you, I mean, you're back and forth in LA, that woman, you have to know her, like, I will find her email and connect to she is amazing. And I went to the comedy class. I was on Monday nights, and I was late. It was, like, at eight something at night, which means, and I was in the valley, so I had to drive. But you know what I mean? Ericka Nicole Malone 12:42  It's such a track. Lesley Logan 12:43  Such a track, right? Which is the thing about trying new things, it's getting the routine around it. Anyways, she was like, yeah, you guys have to go to open mics. And I was like, that's fine. I'm okay because they won't know who I am anyway, so it doesn't really matter to me, but open mics are like, one in the morning, guys, 11 o'clock at night. I'm like, I'm in bed. (inaudible) Yeah. So then I was just like, are there lunchtime comedians? Is this like a thing?Ericka Nicole Malone 13:07  Cafe comedian? It's like, we're drinking morning coffee. Lesley Logan 13:11  Yeah, yeah. I think that maybe this is not the vocation for me. I know because I was just like, I can't even do the homework. And she really, bless her soul, she really, really, really tried to get me come back. She's like, you're really funny, I think you've got some great experiences to share. And I was like, I agree with you, and I'm grateful that you saw that in me. Is there like an 8pm open mic?Ericka Nicole Malone 13:33  I totally, I totally need an 8 pm.Lesley Logan 13:35  I don't care if there's one person in that room, I just can't do two in the morning. I'm not that person. Ericka Nicole Malone 13:42  Yeah, like, what are we doing up? Let's laugh about that. Why are you still up at one in the morning? So it's, you know, but comedy was fun. I mean, I always knew I was funny, but I'm like, bougie funny, you know? Like, I'll be funny depending on how I feel or something. But it was great. That was the hardest thing. Swimming was actually the hardest, but comedy was pretty amazing. Yes, please keep me in contact with that lady. I'll try, I'll try it and finish it. Maybe, maybe.Lesley Logan 14:08  I mean, sounds like you already did, but swimming, I think swimming is really hard, depending on how you were your experience was, if I remember you had a kind of a traumatic swimming experience. Ericka Nicole Malone 14:18  Yeah, it was someone who pushed me in the water, and you just find (inaudible). I gotta tell you, when I was shot at the swimming, it's still hard. You're immersing yourself and it's what it says I have a huge pool in my backyard. I just look at like, I look at it like it's a lake. I enjoy it like a resort, but I don't get in it. It's just like the water is just like you feel like you're, you have no control. I feel like I'm drowning even though I'm not. So it's so definitely psychosomatic. But I am going to keep doing swimming because it's life or death. You know, you have to learn how to swim. Lesley Logan 14:52  Yeah, it's a good skill to have. Okay, so I mentioned a few times, but can you tell everyone a little bit more about Bucket Wish? I mean, it's you trying out new things. What can people expect from it? Are you hoping they try like they start their own Bucket Wish? How do we write a Bucket Wish?Ericka Nicole Malone 15:07  I'm just basically using myself, you know? Because when you think of the bucket list, it's like, here's my last list before God takes me out of here. I'm gonna do all these things, God, I'm gonna jump. But this is not, this is what are your wishes? What are the wishes for your life while you're living? These are wishes for you to complete while you're living. It's a whole other dynamic, because you're gonna live say, I want you to be 20 and do a bucket wish. What are some of the things that you've always imagined you could do? Maybe it's animation. Maybe you want to write a children's book, I don't know, but I want you to believe that you can do it, and I want you to try, yeah, I want you to try, even if you have to put a little pin it, put a little note card in and say okay, I'm gonna need a little break. I'm gonna come back here. Follow through. Follow through on your wishes for you.Lesley Logan 15:59  Okay I really love the way you describe that, because I think it's true. There's the bucket list, which is, like, I want to do this before I die, which means you can kind of postpone it till forever (inaudible).Ericka Nicole Malone 16:08  Yeah. I will be 80, like, I must do my bucket wish. Lesley Logan 16:11  I know people are always people are surprised, because I haven't been to a lot of places in Europe, and I'm like, guys, I've not been to Paris, it looks beautiful. It's on my list. Ericka Nicole Malone 16:19  It's on my list. It's our bucket wish. Lesley Logan 16:22  Yeah. But we, I think if I put it on a bucket wish, it becomes something that's a little bit more like, it's not gonna happen now and I gotta be thinking about it.Ericka Nicole Malone 16:29  Yeah and it's shocking, because when I had those in front of me, by the way, that I was fresh off, I mean, I had no idea what my wishes were. It's like, oh, my God, do I have to do these things? And you're gonna tape them.Lesley Logan 16:43  Yeah. So, okay, so you had people. So here's the thing, because everyone listening here is like, okay, I wanna write my Bucket Wish. You not only wrote The Bucket Wish, you actually then did it, but you had to let people watch you do it, which means you had to do, you couldn't back out. Ericka Nicole Malone 16:56  It was like, it was trauma. And I'm telling you when I was gonna do the comedy in front of that microphone or in the back, I'm in the back dressing room with hair and makeup, and I'm like, I just hope this inspires people. You know, I had no idea how emotional I was because I was so afraid of being you have no idea how private I am. I am so private. So for me to do this, it's my love of humanity that wants to inspire people to jump. I mean, as just so many people, they were like, I feel like taking my life during COVID. I don't know what to do and I didn't recognize people really just don't know what to do. And even now, after the strikes, you had COVID in the strikes in LA, a lot of people are just trying to recapitulate. A lot of crew people trying to recapitulate. It's not the easiest thing to do is to, you know, so make some wishes, and you might not know that in that wish is a career or a path. Yeah, you know the way it is. You never and for me, it's God. For someone else, it might be something else, but for me, it's like you won't know until you take the step, as Dr. King said, take the step and the staircase will appear. Lesley Logan 18:06  Yeah, yeah. I think you're, I think that's true. So many people just do what they did before and then it's scary when there's time on our hands. We don't know what to do with time on our hands, you know. And so. Ericka Nicole Malone 18:17  What do we do? Lesley Logan 18:18  But if you had tried out different things, even if you weren't good at them, even the act of the connections, like my husband, I, everyone's like, how did you raise me? And I'm like, we're in just by a mutual friend, and that friend is not even in our lives now. And she's like, and it wasn't even a bad thing. Nothing bad happened. She was kind of just like in for the season of one summer.  Ericka Nicole Malone 18:38  And then, and then she drifted away. Lesley Logan 18:39  And she drifted away, and I still see what she's doing on Instagram. She got married. Congratulations. It's really funny, but I put myself in a different position, and that year to meet a new friend, and I was trying out new things with her, and that's how I met him. It's just you never not saying you're all gonna meet your husband, but you might meet a future business partner or a best friend, or no. You just don't know. But you have to try out things that are a little scary and a little bit like, what am I doing this for? What's the purpose behind this? Because it helps you find more purpose. Ericka Nicole Malone 19:07  It really does. And so much of my life, I tell people all the time, everybody's like when am I gonna make it? I'm gonna, I just don't know. I don't know if it's gonna happen for me. And no big signs are coming, big movements, but all of my biggest blessings have come in small things. It's the small things that you're like, I don't know, just something like, it's worth my time. I don't know if I'm gonna do this. And you turn things, you turn your nose up, and then wrapped up in that is this big, precious jewel that you'd never see had you not taken a step so just be open to the small things. Don't always think hmm, this, I'm too good for this, because maybe it's not the person, but maybe it's two degrees of separation from this person and the next. Lesley Logan 19:55  Yeah, yeah. So okay, I kind of want to go back to before the Sun Dance before the Hulu story that you wrote, what was it like to try to get your dreams that you had on paper out into the world? Because I think I know from living in LA it is not. There are so many scripts that so many people are going to say, oh, I want to do that. I want to do that, and it can get shelved. All these things would happen. How did you keep going? What was that journey like? And what was, what were you telling yourself to just keep putting one step in front of the other, like you were saying? Ericka Nicole Malone 20:26  I feel like I'm a great manifester. I think it has a lot to do with the fact that I'm from Louisville, Kentucky, originally, and I lived in Los Angeles for a little bit, in Burbank in Glendale when I was selling the sitcom pilot. But I always get my house in Kentucky up till about five years ago. But when you're a black woman writer in Kentucky, so it does kind of help you to be really mentally tough and definitely, when I grew up, there weren't, you know, it's a sports town, and I'm like, yeah, I'm a writer. And they're like, okay, she's strange. Yeah, I mean, that's good, you know, I went to performing arts high school, but I think everyone kind of just thought I had a lot of lofty goals, and they thought I was delusional, I would say, but I just believed it was going to happen. So, you know, after I wrote Remember Me: The Mahalia Jackson Story, my business partner and I, you know, I shopped around Hollywood honestly, and another movie came out. It was in similar vein, but we just believed that it was going to happen, and we would put it in film festivals. It just took off and we ended up winning 40 film festivals, 58, 60 nominations. And from that, then I was able, we were able to get it licensed on Hulu, because it had already gained traction for itself. So I think it's just the belief in your own project and belief in your vision and film festivals are always a plus, especially if you're a new writer, burgeoning writer. For me, I wasn't new, but a lot of people hadn't heard of me. But, you know, I wrote plays to pay for tuition in college, and I believe that people would show up. And they did. I'd have 800 students in college when I was, like, 17 years old, $2 a ticket, and in my 20s, thousands of people would come to the plays. I just believe they would. I guess I just always believe it's gonna happen. And I believe that if I create a project, someone's going to buy it. It just depends on your perspective. I think if you're like, oh God, this is I'm gonna create this I wrote this magazine, or I did this animation, nobody's gonna buy this comic book you know, I'm just wasting my time. I should. Nobody's gonna buy it. Why should I buy your comic book? If you don't like your comic book or your animation or your children's book, you have to believe oh, my God, I wrote something. You just did not understand how amazing this is going to be. It's going to be really earth shattering. It is, and you're gonna love it. And they're like, Well, I mean, I don't know I wish I was gonna be if it's really good. Now, here's the thing, you have to have the quality. You can't over promote and under produce. I'll say that. But if it's really good, you have to believe that what is meant to be will happen for you because it will happen. It is possible. And so I tell people who don't have the money, they're like, I don't have the money. I want to, I'm a writer. I don't have the money. How do I do it? But do you have a phone? Do you have people that are actors that you can produce something on your phone? People have won awards for their phone movies. Then you put it in festivals, and then it'd be all of a sudden, next thing you know, this happens and that happens. Believe it's possible. So my next thing was, like, The Bucket Wish. I'm just gonna do a documentary. Never done one. Let's do it. I want to do it. I want to have this idea about wishes. If it comes to me, I believe it's supposed to manifest. I just believe it. I don't ever not believe it. And something else I don't do is talk to naysayers. If you know your cousin Trudy is always negative. Why are you calling Trudy? Trudy is gonna say the same negative thing no matter how good the idea is. It's okay to believe in your own vision and talk to people who will get behind you because they believe in you. And a lot of times, if those one people who say something negative that are stopping that seed from growing that could be the one they say in everyone's life you come up with 15 million, a million dollar ideas in every single person's life. But what happens to them? And you say, I have had your videos, and nobody's gonna buy that. Nobody's gonna buy that. Lesley Logan 24:44  I mean, everyone needs to rewind that and hear that twice, because it's so true. First of all, the idea came to you because it wants to be born, and, it wants to be born, so in Big Magic, which I've read several times, she, Olivia Gilbert, talks about how ideas come to you because they want to be born, and she shares a story about how an idea came to her, and she did all the research, all the things, and she put it aside. You're a writer, you know, like you can talk about some of the stuff you do, but you keep a lot of the parts that you're writing close to your vest, because you're still writing it, and you're figuring it out. She met this other writer, and she didn't tell her what she was writing on, and the other writer didn't tell her what she was working on. And then eventually, months, months go down the road, and she finally says what are you working on? Just tell me, I'm, you know, whatever it is. And the woman tells her what she's working on. And it's the exact book that Elizabeth Gilbert was writing and had stopped writing because she had other stuff going on. It was to the T every single thing, and she's like do you want my research? Because she didn't steal my idea. The idea was like, I'm jumping from you to her because I want to be born. And so I just want to highlight that, because I fully believe that you're 100% correct. If an idea comes to you, you are meant to make it happen. And also, there was a podcaster who said 98% of people will not act on any idea. So you can actually even tell people your ideas, because only 2% of them will have, people will take action on that, which is so small.Ericka Nicole Malone 26:02  Really, I mean, and, you know, and also, an idea can't be copyright and only the expression of the idea, and they do that because of exactly what you said. A lot of times where you're thinking that someone's took your idea, it's really, is coincidental, believe it or not. But I have had things that I'm like, okay, this is too much like what I created, because it was so new. But you know, the best thing to do is it's okay to not tell everyone your idea, too. But it is okay, like you said, if you don't tell anybody, then at least do yours. Because if you don't gotta give the seed to somebody else, somebody else will think of that idea. So it's really important to, to that's what the Bucket Wish is about, like you said, it's very immediate. I have went ahead and forward and put down payment on all of these things. I've done 12 things in this movie, and I've put a down payment on all these things. Still making payments, still making payments.Lesley Logan 26:06  The documentary is going to be out, y'all can watch it this fall and she's still finishing out these. Ericka Nicole Malone 26:57  I'm still finishing out, because people are holding me to it. What's going on with the flute? I'm like, I'm still doing the flute. What's going on with the photography? Did you finish swimming? I mean, now you got people wanting receipts on things, you know, so it's forcing you. I have people inviting me to comedy clubs now. I mean, I'm like, okay, I said I have a single that's out now. And they're like, so we keep performing. Like, wait a minute. Hold on. Let me just put that (inaudible). It's grew my confidence because I honestly didn't think I was as multi-talented as I think I am. Lesley Logan 27:29  Oh, we, I think we are all creatives. And you got, you get to, you got to test all those different craze and see what you could do. I watched your music video. It's amazing. I was like, she sings too. I remember Alvin telling me she's got a music video. I'm like, as you've done films and shows you already have filmed things before, but filming a music video is a whole different experience.Ericka Nicole Malone 27:49  It's a whole different dynamic. And I honestly it's dope. And it's just, it's performance driven. And there's so many singers I've talked to, and they sound like, Midler and Celine Dion, and they sound amazing. And they're like, yeah, I'm just gonna get out and just sing at home. I'm like, if you don't put this album out so the world can be blessed by your voice. I was like, kind of using myself as a way to inspire all these amazing people to get out there and get back up and sing.Lesley Logan 28:16  Yeah. I want to highlight one more thing that you said. You said you have to believe in your idea, and you can't do that. So it's gonna it's this little thing. It's like, not this big deal, because it is true. We have to believe in our own ideas, because we are the ones. We're gonna fight for them the most. The best. And if you do, then there are other people who will spearhead and make connections because of your excitement. You're so excited about it. People are like, oh my God, so and so has to do that thing. If you keep it to yourself, you're just like, oh, it's this, this little thing I'm working on on the side, no one's gonna take you seriously. So no one's going to tell their friend about it, because why would they make that connection or talk about a thing that you're not excited about?Ericka Nicole Malone 28:57  Yeah, and I honestly, I'm not arrogant or anything, but I always knew I was special, and I think that's okay. I always knew I was different. I wasn't like everyone else in my class. I think people had that. They're like, I'm just like everybody. I don't think I am just like everybody else. I think I'm different. I think everyone's special in their own way, but I think I'm definitely special my way. So I think having the confidence to believe that you have something special, and I want to also say this, because a lot of people deal with depression, you have to stop talking to negative people. If, if you don't stop talking to negative people, you might as well just tell your dreams, just be honest with your dreams, and just tell them, look, we're not going to, we're not going to do anything, because I got to talk to Trudy, and Trudy has gossip, so I got to hear gossip. So I mean, it's more important than my dreams. And also fall to the middle. Don't fall all the way down, because in that it's time, if you are dealing with depression, try to fall to the middle. And tell people fall to the middle. That means it's okay. You're gonna have bad days, but just fall only so much. Don't go all the way down where it takes you don't get out of bed for two weeks and crying for three and. Don't do that because time is our most valuable asset. It wouldn't, money, you can let somebody have every bit of money you have, but just really time and your health. You have those two things you're all right.Lesley Logan 30:12  Oh my gosh. Ericka Nicole Malone, you have so many gems. You have these little quoting moments that I want to like just put on Post-Its to remind myself, because we all will have some bad days, but just fall in the middle.Ericka Nicole Malone 30:23  Fall to the middle. That's it. Don't fall all the way down. You don't belong there. There's nothing down there. Lesley Logan 30:28  Yeah. And I know you're all listening and saying, oh, but it's my mom who's a negative one. I can just not talk to my mom. You can. You can also just not tell her the dream you're working on. Dreams are precious. Tell it to the people who get excited for you and let mom talk to you about the weather.Ericka Nicole Malone 30:42  It's okay to have conversations that you're not giving all of yourself into. Yes, we have to check on our parents and everything, but you don't have to go so deep and tell every emotion just like, good morning, okay, have a good day. All right. Well, I'll talk to you later. Okay. Save the people for the safe space. Be careful on those. Don't tell safe dreams to unsafe people. Be very, very careful. You are your most valued treasure you have. Protect yourself. Protect your heart. Lesley Logan 31:12  Yeah, okay, we are gonna take a brief break, and we're going to come back and find out where people can find you, follow you, watch The Bucket Wish, and your Be It Action Items. Lesley Logan 31:21  All right, Ericka Nicole Malone, where can people follow what you're working on, watch your stuff, where can we send them?Ericka Nicole Malone 31:28  Please follow me in all my grandmother's wisdom, @ErickaNicoleMalone on Instagram and @ErickaNicoleMalone on Facebook, @ErickaNicoleMalone on TikTok, ErickaNicoleMalone on Twitter. You can follow me @ErickaNicoleMalone, that's E-R-I-C-K-A Nicole Malone.Lesley Logan 31:46  I love it. We'll have all those links in the show notes. You can follow her on your favorite social platform. You can watch The Bucket Wish this fall, yes? Ericka Nicole Malone 31:54  Yes. Lesley Logan 31:55  Awesome.Ericka Nicole Malone 31:55  I'm very excited. Lesley Logan 31:56  And do you know which platform it's on yet? Ericka Nicole Malone 31:57  I do not know yet, but it's going to be starting out in film festivals around the world. Lesley Logan 32:01  Perfect. You guys. Go see a film festival. They look so fun, like.Ericka Nicole Malone 32:05  They are amazing. They are blessings. Blessings to creatives. Thank you. Thank you, Film Festival. Lesley Logan 32:10  Go see a film festival. Put that on your Bucket Wish. Ericka Nicole Malone 32:13  That's right. Lesley Logan 32:13  Well, so okay, we always like to tell the listeners, because you gave us so many gems. But just in case they're like the overachiever, perfectionist, they need the action item, bold, executable, intrinsic or targeted steps they can take to be it till they see it. What do you have for us?Ericka Nicole Malone 32:26  Number one, I'm gonna say, be kind to yourself. Start with that. Stop beating yourself up. You are a good person, and you are trying, and you woke up this morning. So start with that. Make clear goals for your life, and don't give up. Don't give up. You do those three things and you'll be on your way. Lesley Logan 32:47  Yeah, yeah. And then they should make a Bucket Wish. Ericka Nicole Malone 32:50  Make a bucket wish. Make a bucket wish today. Lesley Logan 32:53  And tag Ericka Nicole Malone in when you're doing your Bucket Wish, so she can celebrate you. We can celebrate you. Tag the Be It Pod. You guys, share this with a friend who needs it. Share it with a friend who's been saying they want to do something and like, oh, I wish I'm gonna do that thing. Get this to them, because maybe this is a reminder that they need, that they can go try new things, and that's where their confidence is gonna come from. And leave us a review. Of course, we always live off of those. That is currency for us, just so you know. So we'd love that. Share this with a friend or leave a review, or do both, because that would be really helpful, and until next time, Be It Till You See It. Lesley Logan 33:26  That's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day. Be It Till You See It is a production of The Bloom Podcast Network. If you want to leave us a message or a question that we might read on another episode, you can text us at +1-310-905-5534 or send a DM on Instagram @BeItPod. Brad Crowell 34:08  It's written, filmed, and recorded by your host, Lesley Logan, and me, Brad Crowell.Lesley Logan 34:13  It is transcribed, produced and edited by the epic team at Disenyo.co.Brad Crowell 34:18  Our theme music is by Ali at Apex Production Music and our branding by designer and artist, Gianfranco Cioffi.Lesley Logan 34:25  Special thanks to Melissa Solomon for creating our visuals.Brad Crowell 34:28  Also to Angelina Herico for adding all of our content to our website. And finally to Meridith Root for keeping us all on point and on time.Support this podcast at — https://redcircle.com/be-it-till-you-see-it/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Dive into the heart of radio history as Opie and Anthony talk about their tumultuous relationship with the shock jock legend, Howard Stern. This video features never-before-heard audio where they discuss the infamous incident when Howard Stern had O&A kicked out of his Son of a Beach tv show press conference at the Plaza Hotel. This was the talk of the town among radio fans, along with insights into the bad blood that defined their rivalry. Get ready for candid revelations, behind-the-scenes stories, and the raw, unfiltered humor that only Opie and Anthony can deliver. This isn't just talk; it's radio history unfolding. Don't forget to like, subscribe, and hit that bell for more exclusive content that takes you back to the golden age of shock jock radio!See omnystudio.com/listener for privacy information.

On this edition of Joan Eats, Joan discusses various Thanksgiving dining options in New York City, emphasizing the importance of making reservations early due to high demand and prices. She highlights brunch, buffet, and gourmet dinner choices at notable venues such as The Plaza Hotel's Palm Court, Stella 34 Trattoria at Macy's, Boulez Restaurant Danielle, and Tavern on the Green. Specific details about pricing, reservation policies, and seating times are provided for each location. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode I explore the history of the McCamly Plaza Hotel which was built as part of a larger complex in downtown Battle Creek beginning in 1980, and officially opening around November 1981. I review some of the history of the building, and discuss a tour I just had of the new Doubletree which officially opened this month after a 5 year remodeling project. It is a new beautiful hotel in Battle Creek, and this will give you some insight into the early history of the project.

Here is a historic original broadcast of the Pro Wrestling Spotlight, which aired on July 21st, 1991 on 1240 AM - WGBB.  On this explosive show, I cover the Vince McMahon press conference held at the Plaza Hotel in New York City on July 16th, 1991 to discuss his steroid use and plans to implement a steroid testing policy for the WWF. It's the event I had to use an assumed name to access, and I confront McMahon and PR rep Steve Planamenta. Alex Marvez from the Miami Herald joins us as well!   Host - John Arezzi Co-Host and Creative Director - Marsh Patreon Executive Producers: Joseph Holloway and Anthony Pires JOIN THE PATREON PAGE FOR THIS PODCAST AND EXPERIENCE 50 YEARS OF HISTORY FROM THE ARCHIVES OF WRESTLING HISTORIAN AND CO-AUTHOR OF THE BEST SELLING BOOK MAT MEMORIES HERE: https://www.patreon.com/JohnArezzi Subscribe to the show's YouTube Channel Here: https://www.youtube.com/c/ProWrestlingSpotlight Follow John Arezzi Here: https://twitter.com/johnarezzi https://instagram.com/johnarezzi https://www.facebook.com/groups/prowrestlingspotlight https://www.facebook.com/JohnArezzisMatMemories Order a copy of John Arezzi's best selling memoir "MAT MEMORIES, My Wild Ride in Pro Wrestling, Country Music and with the Mets" here: https://a.co/d/gpY5CLN Copyright 2024 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Christopher Hunsberger, co-founder and chief operating officer of Appellation, shares how his family's love of food and hospitality shaped his early passion for the industry, the key lessons he learned from legendary mentors, and why embracing every opportunity can make all the difference in your career.Listeners will learn:How Christopher's mother influenced his love for food and hospitality (01:29)The role his uncle played in his decision to pursue a career in hospitality (03:15)Christopher's experience working in the hospitality industry before college (04:59)The importance of learning through experiences and interacting with people (05:39)Christopher's work-study program at the Boca Raton Hotel and Club (06:31)The impact of mentors like Tom Wicke on Christopher's career (07:46)Advice on selecting roles that maximize learning opportunities (09:48)Mentions:The Mayflower in Washington, D.C. (03:46)The Plaza Hotel in New York (03:56)Cornell University (04:18)Boca Raton Hotel and Club (06:52)John Morrison (07:14)Tom Wicke (07:46)Boca Raton Hotel Beach Club (08:38)A few more resources: If you're new to Hospitality Daily, start here. You can send me a message here with questions, comments, or guest suggestions If you want to get my summary and actionable insights from each episode delivered to your inbox each day, subscribe here for free. Follow Hospitality Daily and join the conversation on YouTube, LinkedIn, and Instagram. If you want to advertise on Hospitality Daily, here are the ways we can work together. If you found this episode interesting or helpful, send it to someone on your team so you can turn the ideas into action and benefit your business and the people you serve! Music for this show is produced by Clay Bassford of Bespoke Sound: Music Identity Design for Hospitality Brands

SINGER SONGWRITER ROSLYN KIND   Roslyn Kind is a dynamic, multi-talented entertainer who has forged a successful career in all facets of entertainment from critically acclaimed recordings to sold-out performances on Broadway and in top concert venues and nightclubs the world over. Ms. Kind recently performed with her sister, Barbra Streisand, during an 8 city US/Canadian tour and a 6 city International tour, which brought her to acclaimed venues including the Hollywood Bowl, The 02 Arena in London and Rogers Arena in Vancouver. In addition to performing historic duets with her sister, Ms. Kind shared the stage with her nephew Jason Gould and famed trumpeteer Chris Botti. A vibrant musical artist, Ms. Kind is familiar to both national and international audiences for her headlining appearances at some of the most prestigious venues including Lincoln Center, The Greek Theater and London's Cafe Royal. The London Times noted "To say she is superb would be an understatement." In 2006 she made her long awaited and rapturously received Carnegie Hall debut with her frequent musical collaborator and friend, Michael Feinstein. She began her performing career while still in her teens with the release of her first album, Give Me You . A whirlwind of performing activity followed including engagements at the nation's top nightclubs, acclaim from Time Magazine and three appearances on The Ed Sullivan Show leading up to her show-stopping New York debut at the Plaza Hotel's legendary Persian Room. Her follow up singles and a second album, This is Roslyn Kind , showcased her growth as a recording artist comfortable in a wide range of musical genres. Ms. Kind's latest CD release, Come What May , which the New York Times described as "splendid and sizzling," further establishes her reputation as a virtuoso vocalist possessing impeccable phrasing, a richness and clarity of tone and an undeniable emotional connection to her always first-rate material. Concurrent with her recording career, Ms. Kind is an accomplished theatrical performer. On Broadway, she starred in the crowd- pleasing musical revue 3 from Brooklyn . Additional theatrical credits include the Off-Broadway production of Show Me Where the Good Times Are, Leader of the Pack and Ferguson the Tailor . She also stopped the show in a critically lauded Los Angeles production of William Finn's Elegies ; The Hollywood Reporter noted, "Roslyn Kind sings like a dream." Ms. Kind's extensive list of television credits include the film Switched at Birth , multiple episodes of NBC's Gimme a Break, Throb starring Jane Leeves and a humorously memorable turn as herself on CBS's The Nanny . This appearance also showcased her talent as a songwriter in a performance of her composition, Light of Love. She also performed the title song for the made-for-TV movie Not Just Another Affair, as well as the song Hold On for the award winning film Tru Loved . She was recently in the Hallmark movie Ladies of the House with Florence Henderson and Donna Mills. Ms. Kind has appeared on virtually every major talk/variety show including the Tonight Show, Saturday Night Live, Entertainment Tonight, Access Hollywood and Good Morning America . Among her international television credits are England's Pebble Mill Show, Canada's Musique Plus , and Unscripted Bio as well as For Me, Formidable , a Charles Aznavour special for European TV co-starring Dusty Springfield. In motion pictures, Ms. Kind has had starring roles in The Underachievers and I'm Going to Be Famous . Ms. Kind also takes pride in her work for various animal welfare, Alzheimer's and AIDS related charitable organizations including HSUS, APLA and Broadway Cares Equity Fights AIDS for which she contributed a song selection to Cabaret Noel, a recent volume in their annual series of holiday CD releases. One of the premiere interpreters of popular song, Roslyn Kind continues to succeed in every new facet of her performing career delighting audiences with her spellbinding talent. Roslyn's unique artistry is equally at home on stage, screen and disc.    

Live from Steve Cyr's Summer Tour at The Plaza, UFC Hall of Famer Randy Couture joins Cofield & Co. to talk about the rise of MMA as a sport, his post-fighting career as an actor and commentator, and teases his next acting role in an upcoming horror film. CEO of the Plaza Hotel and Casino, Jonathan Jossel joins Cofield & Co. to talk about hosting Steve Cyr's Summer Tour, working with Life is Beautiful in hosting the music festivals' 2024 event, and gives his thoughts on the impact Formula 1 has had on Las Vegas. Recap of the Atlanta Falcons' 22-21 upset victory over the Philadelphia Eagles on Monday Night Football  

Root System *** Written by: AM Sutter and Narrated by: Heather Thomas *** Content Warning: Infertility *** Lost And Found At The Plaza Hotel  *** Written by: Lara Hussain and Narrated by: JV Hampton-VanSant *** Support the show at patreon.com/creepypod *** Title music by: Alex Aldea Learn more about your ad choices. Visit megaphone.fm/adchoices

After pre-pandemic plans for a remodeled downtown hotel fell through, then COVID delays, Battle Creek's iconic downtown hotel is set to begin a new life as a DoubleTree by Hilton.Battle Creek Unlimited Chairperson Erick Stewart and Economic Development Associate Heather Ignash join Community Matters to discuss the new project and how it is affecting local development efforts.Episode ResourcesBattle Creek Unlimited websiteSecond Wave: McCamly Plaza Hotel will be place to stay for guests and a place to learn for hospitality studentsCrain's: Transformed Hotel Tower to 'Change the Landscape' in Downtown Battle CreekABOUT COMMUNITY MATTERSFormer WBCK Morning Show host Richard Piet (2014-2017) returns to host Community Matters, an interview program focused on community leaders and newsmakers in and around Battle Creek. Community Matters is heard Saturdays at 8:00 AM Eastern on WBCK-FM (95.3) and anytime at battlecreekpodcast.com.Community Matters is sponsored by Lakeview Ford Lincoln and produced by Livemic Communications.

Sponsored by JCPenney Salon and Beautyhttps://jcp.is/3TTouNZ Interview with Ammon CarverAmmon Carver, a distinguished and award-winning hairstylist celebrated for his sophisticated aesthetic and outstanding portfolio, has crafted a career adorned with 13 nominations and 5 prestigious victories. Notably, he clinched the Master Hairstylist of the Year and Salon Team of the Year awards at the North American Hairstyling Awards in 2015, showcasing his commitment to excellence. His most recent triumph includes the prestigious Leo Passage Award at the Global Image Awards in 2023, underscoring his continued dedication to industry leadership. Hailing from Salt Lake City, Ammon initiated his career in Colorado, where he discovered the transformative power of his scissors. His rise to prominence featured pivotal roles at Warren-Tricomi Salon in the Plaza Hotel, New York, and Mizu Salon, followed by an illustrious 12-year tenure as the Artistic Director at Matrix, a division of L'Oreal. In 2014, Ammon was appointed as the Creative Director at L'ANZA Healing Haircare. Subsequently, he took on the role of Chief Artistic Director at Ulta Beauty, where he influenced salon and services direction, provided guidance, and training to stylists nationwide. During his time in New York, Ammon established the Ammon Carver Studio, a unique blend of a salon and photography studio embodying "likeable luxury." Committed to authenticity, the studio offered a distinctive experience and engaged in philanthropic endeavors worldwide. Ammon's stellar clientele included celebrities such as Kate Beckinsale, Molly Sims, Amanda Seyfried, Kirsten Dunst, and Leighton Meester. Links: https://www.instagram.com/ammoncarver/ https://www.instagram.com/hu.manebeauty/ https://merakihousesalon.com/ammon https://www.linkedin.com/in/ammon-carver-023684265#:~:text=His%20New%20York%20career%20began,Oreal%20for%20over%2012%20years. News from TheTease.com:https://www.thetease.com/i-got-a-bellami-x-andrew-fitzsimons-ponytail-heres-what-to-know/https://www.thetease.com/stylist-angela-meadows-on-how-to-get-serena-williams-winning-espys-blonde/More from TheTease.comInstagram: https://www.instagram.com/readthetease/ (readthetease)Instagram: https://www.instagram.com/volumeupbythetease/ (volumeupbythetease)Instagram: https://www.instagram.com/kellyehlers/ / (KellyEhlers)Instagram: https://www.instagram.com/eljeffreycraig/ (eljeffreycraig)Web:

She stands with her wings spread high above New York City's Municipal Building, greets readers at the entrance to the New York Public Library, welcomes visitors to the Brooklyn Museum, and salutes guests of the Plaza Hotel. New Yorkers pass her sculpted image every day, but few know her name, or that her life story is one of the most riveting and tragic stories to come out of the 20th century.Listen to ArtMuse's episode on Audrey Munson, America's first supermodel, who not only modeled for countless important sculptures in New York City, but all across the United States.Sadly, Audrey Munson is perhaps America's first example of the cruel rise and fall of celebrity status. By the early 1920's, Audrey's life was filled with continuous challenges and tragedies.Today her face, forever immortalized in bronze, stone, and copper throughout New York City, stares back at us, like a ghost from a haunted past.In this episode, we bring her life and legacy the justice she deserves.ArtMuse is produced by Kula Production Company.Please FOLLOW and RATE ArtMuse on Spotify and SUBSCRIBE and REVIEW our show on Apple Podcasts.Instagram/TikTok/ Website/BuyMeACoffee I have included images, resources and suggestions for further reading on the ArtMuse website and Instagram. Today's episode was written by me, your host, Grace Anna.

Chapter 1:Summary of Book The Great Gatsby"The Great Gatsby" by F. Scott Fitzgerald is a novel set in the summer of 1922 on Long Island and in New York City. The story is narrated by Nick Carraway, a young bond salesman from Minnesota who rents a house in the West Egg district of Long Island, an area populated by the newly rich who lack social connections and sophistication.Nick's neighbor is Jay Gatsby, a mysterious and wealthy man who throws extravagant parties every weekend, hoping to attract specific guests. As Nick becomes more acquainted with Gatsby, he learns that Gatsby was born poor and that his real name is James Gatz. Gatsby had previously been in love with Daisy Buchanan, Nick's cousin, when he was a young military officer. Post-war, Gatsby dedicated himself to gaining wealth and social standing to win Daisy back, believing that he could recreate the past through sheer force of will and wealth.Through his connection to Nick, Gatsby rekindles his romance with Daisy, although she is now married to Tom Buchanan, a man of established wealth and social standing, but also arrogant and unfaithful. The reunion leads to an affair between Gatsby and Daisy, which climaxes in a confrontation between Tom and Gatsby in a suite at the Plaza Hotel.The situation becomes tragic when Daisy, driving Gatsby's car, accidentally strikes and kills Tom's mistress, Myrtle Wilson, on their way back from the city. Gatsby decides to take the blame, believing his wealth can shelter him. However, Myrtle's husband, George Wilson, misled by Tom to believe that Gatsby was both his wife's lover and killer, shoots Gatsby dead in his pool before taking his own life.In the wake of the tragedy, Nick is disillusioned with the East Coast's morally corrupt and superficial society. He arranges a poorly-attended funeral for Gatsby, breaks off his relationship with Jordan Baker, a professional golfer and mutual friend, and moves back to the Midwest. The novel concludes with Nick reflecting on the unattainable nature of the American Dream, and how people are relentlessly drawn into a past that is forever out of reach, much like Gatsby with his indomitable hopes and dreams.Chapter 2:The Theme of Book The Great GatsbyCertainly! "The Great Gatsby," written by F. Scott Fitzgerald, is a novel set in the 1920s that explores themes of decadence, idealism, resistance to change, social upheaval, and excess. Here is a brief overview focusing on key plot points, character development, and thematic ideas: Key Plot Points1. Nick Carraway's Arrival: The narrator, Nick Carraway, moves to West Egg, Long Island, to learn about the bond business. He rents a small house next to the mysterious millionaire Jay Gatsby, who throws extravagant parties.2. Daisy Buchanan's Reintroduction: Nick is Daisy Buchanan's cousin and through visiting her, he is reintroduced to her and her husband Tom. Daisy lives in the more fashionable area of East Egg. Daisy and Tom's marriage is troubled, marked by Tom's affair with Myrtle Wilson.3. Gatsby's Parties: Nick attends one of Gatsby's lavish parties and learns that Gatsby is in love with Daisy. They had a romantic relationship before he went to war and she married Tom. Gatsby's primary motive in amassing his wealth and throwing parties was to win Daisy back.4. Gatsby and Daisy's Reunion: Through Nick, Gatsby re-establishes a relationship with Daisy. They begin an affair after Gatsby invites Daisy to his mansion and shows her his wealth.5. The Confrontation: Tensions climax at the Plaza Hotel where Gatsby demands that Daisy declare she never loved Tom, which she cannot do. Gatsby's...

The festival and Rolling Stone CEO said time crunch, former location, and logistics forced the traditional festival to go on pause. This year's new concept moves LIB base to Plaza Hotel, promises more editions focusing on other music genres.

Tom Wilmer visits with retired Las Vegas New Mexico park ranger, architectural historian and restaurateur at the historic Plaza Hotel

Explosive Gossip, Festivals, and Celebrations at Plaza Hotel Join Gary Vickery and Plaza Hotel CEO Jonathan Jossel in a lively discussion with special guests Scott Robin of Vital Vegas and Michael Crandall of PinkBox Donuts. This episode celebrates the first anniversary of the Carousel Bar and the success of the smoke-free slot area at the Plaza Hotel. Discover the story behind PinkBox Donuts' success, hear the latest industry gossip from Scott Robin, and explore the evolving attractions of Main Street and the Life is Beautiful festival's impact on downtown Las Vegas. Tune in for insights into the Las Vegas hospitality landscape, controversy management, and the popularity of new offerings like pickleball and all-inclusive packages at the Plaza. Packed with news, celebrations, and a hint of Vegas intrigue, this episode is not to be missed! 

  In this special episode of "On the Corner of Main Street," we bring you a captivating conversation with Amy Saunders, the creative force behind "Misbehaves Mavericks," set to debut at the Plaza Hotel and Casino's showroom. Plaza CEO Jonathan Jossel and his team, including Bronson and Gary Vickery, join Amy to discuss her journey and the exciting new show. Tune in as Amy shares her fascinating path from the streets of Soho to the stages of Las Vegas, highlighting her unique blend of hospitality and entertainment. Discover her thoughts on the Electric Daisy Carnival, the evolving landscape of downtown Las Vegas, and the importance of intimate, engaging performances. This episode is packed with insights into Amy's creative process, her philosophy on entertainment, and her collaborative efforts to bring fresh, vibrant shows to Las Vegas. Enjoy lively discussions on the challenges and triumphs of independent performers, the significance of affordable entertainment, and the thrilling prospects for the Plaza's showroom. Join us for an entertaining and enlightening look into the world of Amy Saunders and "Mavericks." This is an episode you won't want to miss!

Send us a Text Message.We are one-on-one with the Red Rocker! Sammy Hagar chats with us at the grand opening of Sammy's Island at Palms. The Mirage is closing July 17th for its transformation into the Hard Rock. We have details and answers to some frequently asked questions. We also talk to the Plaza Hotel & Casino CEO, Jonathan Jossel, about the free fireworks show that kicks off Memorial Day Weekend. It will be a weekly event! Lindo Michoacan is a popular restaurant in Las Vegas and it just opened a fourth location. This time, it's in side at hotel casino. We go over to Palace Station to chat with the owner and founder, Javier Barajas. There was a sale inside the now closed Tropicana casino. Sean has details about the crowd that attended! Need an attorney? Call LevelUp Law at 855-LevelUp or visit  LevelUpLaw.comVegasNearMe App If it's fun to do or see, it's on VegasNearMe. The only app you'll need to navigate Las Vegas. Support the Show.Follow us on Instagram: @vegas.revealedFollow us on Twitter: @vegasrevealedFollow us on TikTok: @vegas.revealedWebsite: Vegas-Revealed.com

In this special episode of "On the Corner of Main Street," we take you to the heart of Las Vegas for an unforgettable evening at Oscar's Steakhouse inside the Plaza Hotel and Casino. Plaza CEO Jonathan Jossel and his team welcome the legendary former mayor, Oscar Goodman, for an engaging Dinner Series event. Join us as Oscar shares his most riveting stories, from his efforts to bring sports to Las Vegas to his colorful experiences with the city's infamous characters. Hear about his viral video experience, the exciting new show announcement at the Plaza, and his candid reflections on Las Vegas' dynamic history. This episode is packed with anecdotes about sports history, personal encounters in Rome, and behind-the-scenes tales from the making of "Casino." Plus, don't miss the lively Q&A session where Oscar fields questions from the audience, offering his unique insights and humor. Tune in for an entertaining and insightful glimpse into the life and legacy of one of Las Vegas' most iconic figures. This is a Dinner Series you won't want to miss!

Meg is creeped out by The Sullivanians, Upper West Side psychotherapy cult and real estate trap. Jessica pines for the pre-trump Plaza Hotel of Trader Vic's, the Gold & Silver Ball, and true elegance.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

all local 6a 4.18.24

Get up and get informed! Here's all the local news you need to start your day: New York State lawmakers are switching over to an old, 1990s system to vote on a $237 billion state budget this week after a cyberattack on the Legislative Bill Drafting Commission. Meanwhile, 353 dancers set a new world record for ‘most ballet dancers on pointe simultaneously' on Wednesday in the ballroom of the Plaza Hotel. Plus, it's Poetry Month, and we're playing your poems on our show. Listener Harriet Taub shares a poem with us about the melting pot of languages in her neighborhood.

Barbra Streisand's sister, Roslyn Kind, has been busy over the last few years producing and releasing songs such as "Save the Country," "Light of Love," and "It Only Takes a Moment: Kiss Me Now."  Roslyn is a dynamic, multi-talented entertainer who has forged a successful career in all facets of entertainment, from critically acclaimed recordings to sold-out performances on Broadway and in top concert venues and nightclubs worldwide. She has frequently shared the stage with her sister, Barbra, and her nephew, Jason Gould. Most recently, Roslyn realized a dream of combining two hits, "Look of Love" and "The Island," resulting in a medley that celebrates love in all its forms while reinforcing the belief that love can be found at any age. Roslyn is proud and excited to offer a very special six-minute video short where she stars and serves as producer. The London Times noted, "To say she is superb would be an understatement."  She began her performing career while still in her teens with the release of her first album, “Give Me You.” A whirlwind of performing activity followed, including engagements at the nation's top nightclubs, acclaim from Time Magazine, and three appearances on The Ed Sullivan Show leading up to her show-stopping New York debut at the Plaza Hotel's legendary Persian Room. Roslyn's extensive television credits include a humorously memorable turn as herself on CBS's “The Nanny.” This appearance also showcased her talent as a songwriter in a performance of her composition, “Light of Love.”  She has appeared on virtually every major talk/variety show, including The Tonight Show, Saturday Night Live, Entertainment Tonight, Access Hollywood, and Good Morning America.  Roslyn also takes pride in her work for various animal welfare, Alzheimer's and AIDS-related charitable organizations, including HSUS, APLA and Broadway Cares Equity Fights AIDS, for which she contributed a song selection to Cabaret Noel, a volume in their annual series of holiday CD releases.  Roslyn has recently become a proud member of the She Angels, women supporting women by awarding grants to grassroots, female-founded, non-profit organizations that provide mentorship, funding, and resources to a diverse portfolio of women's and girls' causes. The New York Post summed it up best: "She's so good on so many levels; it's difficult to categorize her. This elegant, beautiful, petite, dynamo delight rules the stage with a royal command that demands adoration from every seat in the house." A native of Brooklyn, New York, she currently resides in Los Angeles. ON THE KNOWS with Randall Kenneth Jones is a podcast featuring host Randall Kenneth Jones (bestselling author, speaker & creative communications consultant) and Susan C. Bennett (the original voice of Siri). ON THE KNOWS is produced and edited by Kevin Randall Jones. ROSLYN KIND Online: X: https://twitter.com/roslynkind  Facebook: https://www.facebook.com/RoslynKind/  Instagram: https://www.instagram.com/roslynkind/  Web: RoslynKind.com   ON THE KNOWS Online:    Join us in the Podcast Lounge on Facebook. X (Randy): https://twitter.com/randallkjones  Instagram (Randy): https://www.instagram.com/randallkennethjones/ Facebook (Randy): https://www.facebook.com/mindzoo/ Web:  RandallKennethJones.com X (Susan): https://twitter.com/SiriouslySusan Instagram (Susan): https://www.instagram.com/siriouslysusan/ Facebook (Susan): https://www.facebook.com/siriouslysusan/ Web: SusanCBennett.com LinkedIn (Kevin): https://www.linkedin.com/in/kevin-randall-jones/  Web: KevinRandallJones.com   www.OnTheKnows.com

PREVIEW: #CHAPLIN: #HOLLYWOOD: From the second hour of conversation with biographer Scott Eyman for his new work, CHARLIE CHAPLIN VS AMERICA, re how Chaplin -- exiled to Europe by the Red Scare  -- was trying to make movies as the business model of Hollywood changes most expensively.  More of this later today. 1920 Plaza Hotel in Hollywood.

FX is debuting a new series created by Ryan Murphy — called Feud: Capote and the Swans -- regarding writer Truman Capote's relationship with several famed New York society women. And it's such a New York story that listeners have asked if we're going to record a tie-in show to that series. Well, here it is! Capote -- who was born 100 years ago this year -- and the "swans" are part of the pivotal cast of this podcast, the story of one of the most exclusive parties ever held in New York. Tom and Greg recorded this show back in November of 2016 but, likely, most of you haven't heard this one.Truman was a true New York character, a Southern boy who wielded his immense writing talents to secure a place within Manhattan high society. Elegant, witty, compact, gay — Capote was a fixture of swanky nightclubs and arm candy to wealthy, well-connected women.One project would entirely change his life — the completion of the classic In Cold Blood, a ‘non-fiction novel' about a horrible murder in Kansas. Retreating from his many years of research, Truman decided to throw a party.But this wasn't ANY party. This soiree — a masquerade ball at the Plaza Hotel — would have the greatest assemblage of famous folks ever gathered for something so entirely frivolous. An invite to the ball was the true golden ticket, coveted by every celebrity and social climber in America.FEATURING: Harper Lee, Lauren Bacall, Leonard Bernstein, Frank Sinatra, Robert Frost, Lillian Hellman, Halston, Katherine Graham and a cast of thousands (well, or just 540)Visit our website for fabulous pictures of this star-studded affairOTHER RECOMMENDED LISTENING:The History of the Plaza HotelThe Beatles Invade New YorkLeonard Bernstein's New York, New YorkAt Home With Lauren Bacall  

Happy Monday and congrats on surviving another week of good and bad times but hopefully mostly good. On today's episode of The Voices In Our Heads: Clapping for people you don't know because they chose to run. Fuck shit up, Ashley!! When your comedy wife is the best gift giver and it lands you at the Plaza Hotel for a night of creative bliss. It's not about having faith, it's about keeping it. Fuckboi Theater: Run-on Edition A reading from Harriet Lerner's “Why Won't You Apologize” on shaming the shamer. Follow me on social media! @KrystynaHutchFollow my other podcast: @GuysWeFckedFollow my dog: @KevinMcCallisterHutchinsonSign up for my Patreon page:www.Patreon.com/KrystynaHutchinsonIf you're in NYC FRIDAY, DEC. 1st come see Guys We Fucked: LIVE at the Midnight Theater.

Happy Monday and congrats on surviving another week of good and bad times but hopefully mostly good. On today's episode of The Voices In Our Heads: Clapping for people you don't know because they chose to run. Fuck shit up, Ashley!! When your comedy wife is the best gift giver and it lands you at the Plaza Hotel for a night of creative bliss. It's not about having faith, it's about keeping it. Fuckboi Theater: Run-on Edition A reading from Harriet Lerner's “Why Won't You Apologize” on shaming the shamer. Follow me on social media! @KrystynaHutch Follow my other podcast: @GuysWeFcked Follow my dog: @KevinMcCallisterHutchinson Sign up for my Patreon page: www.Patreon.com/KrystynaHutchinson If you're in NYC FRIDAY, DEC. 1st come see Guys We Fucked: LIVE at the Midnight Theater. Learn more about your ad choices. Visit megaphone.fm/adchoices