Podcasts about frederik wiedmann

In diesem Interview spricht Frederik Wiedmann, preisgekrönter Filmkomponist und kreativer Kopf hinter Projekten wie Star Trek: Picard und The Dragon Prince, über seinen beeindruckenden Karriereweg. Von seinen musikalischen Anfängen in Augsburg, über das Studium am Berklee College of Music, bis hin zu 20 Jahren Erfolg in Hollywood – Wiedmann gibt spannende Einblicke in die Welt der Filmmusik. Er erzählt von Herausforderungen, inspirierenden Momenten und der kreativen Vielseitigkeit, die ihn zum gefragten Komponisten in verschiedenen Genres gemacht hat. Ein Muss für alle, die sich für Musik, Filme und die Kunst des Storytellings begeistern! YouTube: https://youtu.be/2PHBTbnom_w Zum kostenlosen Cubase-Stammtisch anmelden: https://t314352df.emailsys1a.net/51/5885/b7d9bfeadc/subscribe/form.html?_g=1723224576 Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Orchestra Guide - Perfekte Orchester-Mockup-Balance: https://payhip.com/b/oRXKh Hier das Episoden-Archiv als PDF runterladen: https://www.sounth.de/media/podcast/sounTHcast.pdf Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de  

In diesem exklusiven Interview spricht Frederik Wiedmann, preisgekrönter Filmkomponist und kreativer Kopf hinter Projekten wie Star Trek: Picard und The Dragon Prince, über seinen beeindruckenden Karriereweg. Von seinen musikalischen Anfängen in Augsburg, über das Studium am Berklee College of Music, bis hin zu 20 Jahren Erfolg in Hollywood – Wiedmann gibt spannende Einblicke in die Welt der Filmmusik. Er erzählt von Herausforderungen, inspirierenden Momenten und der kreativen Vielseitigkeit, die ihn zum gefragten Komponisten in verschiedenen Genres gemacht hat. Ein Muss für alle, die sich für Musik, Filme und die Kunst des Storytellings begeistern! YouTube: https://youtu.be/fdwkYNX0GC4 Zum kostenlosen Cubase-Stammtisch anmelden: https://t314352df.emailsys1a.net/51/5885/b7d9bfeadc/subscribe/form.html?_g=1723224576 Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Orchestra Guide - Perfekte Orchester-Mockup-Balance: https://payhip.com/b/oRXKh Hier das Episoden-Archiv als PDF runterladen: https://www.sounth.de/media/podcast/sounTHcast.pdf Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de  

In diesem Interview spricht Frederik Wiedmann, preisgekrönter Filmkomponist und kreativer Kopf hinter Projekten wie Star Trek: Picard und The Dragon Prince, über seinen beeindruckenden Karriereweg. Von seinen musikalischen Anfängen in Augsburg, über das Studium am Berklee College of Music, bis hin zu 20 Jahren Erfolg in Hollywood – Wiedmann gibt spannende Einblicke in die Welt der Filmmusik. Er erzählt von Herausforderungen, inspirierenden Momenten und der kreativen Vielseitigkeit, die ihn zum gefragten Komponisten in verschiedenen Genres gemacht hat. Ein Muss für alle, die sich für Musik, Filme und die Kunst des Storytellings begeistern! YouTube: https://youtu.be/mqBPs2yClOg Zum kostenlosen Cubase-Stammtisch anmelden: https://t314352df.emailsys1a.net/51/5885/b7d9bfeadc/subscribe/form.html?_g=1723224576 Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Orchestra Guide - Perfekte Orchester-Mockup-Balance: https://payhip.com/b/oRXKh Hier das Episoden-Archiv als PDF runterladen: https://www.sounth.de/media/podcast/sounTHcast.pdf Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de  

In diesem exklusiven Interview spricht Frederik Wiedmann, preisgekrönter Filmkomponist und kreativer Kopf hinter Projekten wie Star Trek: Picard und The Dragon Prince, über seinen beeindruckenden Karriereweg. Von seinen musikalischen Anfängen in Augsburg, über das Studium am Berklee College of Music, bis hin zu 20 Jahren Erfolg in Hollywood – Wiedmann gibt spannende Einblicke in die Welt der Filmmusik. Er erzählt von Herausforderungen, inspirierenden Momenten und der kreativen Vielseitigkeit, die ihn zum gefragten Komponisten in verschiedenen Genres gemacht hat. Ein Muss für alle, die sich für Musik, Filme und die Kunst des Storytellings begeistern! YouTube: https://youtu.be/n2koTx1_MPQ Zum kostenlosen Cubase-Stammtisch anmelden: https://t314352df.emailsys1a.net/51/5885/b7d9bfeadc/subscribe/form.html?_g=1723224576 Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Orchestra Guide - Perfekte Orchester-Mockup-Balance: https://payhip.com/b/oRXKh Hier das Episoden-Archiv als PDF runterladen: https://www.sounth.de/media/podcast/sounTHcast.pdf Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de  

In diesem exklusiven Interview spricht Frederik Wiedmann, preisgekrönter Filmkomponist und kreativer Kopf hinter Projekten wie Star Trek: Picard und The Dragon Prince, über seinen beeindruckenden Karriereweg. Von seinen musikalischen Anfängen in Augsburg, über das Studium am Berklee College of Music, bis hin zu 20 Jahren Erfolg in Hollywood – Wiedmann gibt spannende Einblicke in die Welt der Filmmusik. Er erzählt von Herausforderungen, inspirierenden Momenten und der kreativen Vielseitigkeit, die ihn zum gefragten Komponisten in verschiedenen Genres gemacht hat. Ein Muss für alle, die sich für Musik, Filme und die Kunst des Storytellings begeistern! YouTube: https://youtu.be/5K4NOLaedP4 Zum kostenlosen Cubase-Stammtisch anmelden: https://t314352df.emailsys1a.net/51/5885/b7d9bfeadc/subscribe/form.html?_g=1723224576 Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Orchestra Guide - Perfekte Orchester-Mockup-Balance: https://payhip.com/b/oRXKh Hier das Episoden-Archiv als PDF runterladen: https://www.sounth.de/media/podcast/sounTHcast.pdf Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de  

¡Vótame en los Premios iVoox 2024! Nos ponemos la capa y la máscara... o sin máscara, pero nos sacamos los lentes, pero es importantísimo tener los calzoncillos por encima del pantalón, porque vamos a hablar de series animadas de superhéroes. Y no cualquier superhéroe, sino dos de los pilares del género, porque MaGnUs y Eze reciben a Lala para hablar de dos series de animación de DC actuales. Primero, las dos temporadas hasta el momento de My Adventures With Superman, una versión en clave de animé del Hombre de Acero y sus amigos más cercanos. Después, Batman: Cape Crusader, el hijo aún más pulp y retro de Batman: The Animated Series, de la mano de uno de los padres de la misma, Bruce Timm, pero con un equipo que incluye historietistas con bastante experiencia con el Mejor Detective del Mundo. Sientense en el sillón, y disfruten de animacion de excelente calidad, y luego escuchen nuestras RE: señas. Con música de Kyle Troop & The Heretics, Spin Doctors, Frederik Wiedmann, y Gustavo Cerati. Próximo programa: Hellboy - The Crooked Man (Cine y Comics).

After years of anticipation, a new day has dawned in DC Animation with the series debut of Batman Caped Crusader on Prime Video. Cal & Liam take a break from their typical nostalgia fare to bring their thoughts on the first four episodes of the series and kick things off with Episode 1 titled "In Treacherous Waters." The Good Brothers break down a plot that has the herculean task of establishing a new universe while differentiating itself from its Bruce Timm helmed predecessor. The hosts of course discuss the look of the cartoon, how modern cartoon animated projects compare to the older DC Comics projects, a live orchestral soundtrack from composer Frederik Wiedmann and a rather large voice cast. All of this and plenty of comparisons and contrasts to Batman The Animated Series and why our hosts don't think making The Penguin a woman is a big deal on this week's all new DCAU Review! Check out Bonus Episode 54 for more insight on the look of the show Please Consider Supporting the Podcast: Subscribe to the DCAU Review on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Google Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and please consider leaving us a 5-star review Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Podtower on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and like the videos Buy the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠a coffee or grab some ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Final Scores: Plot: Cal: 7/10 – Liam: 5/10 Visuals/Animation: Cal: 6/10 – Liam: 7/10 Music: Cal: 6/10 – Liam: 6/10 Voice Acting: Cal: 8/10 – Liam: 7/10 Bonus Point: None Final Tally: Cal: 27/40 – Liam: 25/40 --- Support this podcast: https://podcasters.spotify.com/pod/show/dcaureview/support

SUPERMEN FOR ALL SEASONS! This week, we're diving into the Multiverse as we count down the Top 5 Superman Elseworld Stories! Across the wide history of the character, alternate timelines and brand new realities have given creators room to tell some incredible tales of the Man of Steel. But which ones are the BEST? Find out as Aeric counts down his favorites and explains why these stories stand tall as the premiere multiverse adventures of Superman! Plus more multiverse shenanigans in our latest Weekly Review on MY ADVENTURES WITH SUPERMAN, this week's Comics Countdown, and more! Time Stamps: 00:00:43 Intro 00:04:05 Top 5 Superman Elseworlds Stories 00:49:59 Weekly Review 00:58:12 Comics Countdown 01:07:48 Wrap-Up Follow us! Twitter: twitter.com/geeksplainedpod?lang=en Instagram: www.instagram.com/geeksplainedpod/?hl=en Send us your questions for the Geeksplained Mailbag! Email: Geeksplained@gmail.com Music Sampled: "Sayonara" by SAKEROCK “Up and Away” by Kyle Troop and the Heretics “Red Son” by Frederik Wiedmann

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. FREDERIK WIEDMANNEmmy-award winning Frederik Wiedmann is one of the most diverse and cultivated composers working in motion pictures today. With over 150 titles to his name in all realms and genres, Wiedmann has established himself as insightful artist with an enduring passion for storytelling. Recently, Wiedmann composed music for Star Trek: Picard (Season 3) for Paramount+, Women is Losers starring Simu Liu, which premiered at SXWX in early 2021. Wiedmann is the composer behind the acclaimed Netflix animated fantasy series The Dragon Prince, which is from the writers of the popular series Avatar: The Last Airbender, for which he earned an Emmy nomination in the original score category. In 2016, he won a Daytime Emmy Award in the category of “Outstanding Original Song” alongside lyricist Mitch Watson, for the song “True Bromance” from Dreamworks Animation's Madagascar spinoff All Hail King Julien. Wiedmann has been a main stay in the DC cinematic universe, starting with his work onGreen Lantern: The Animated Series, for which he earned two consecutive Annie Awards nominations. His success on the series led to further popular Warner Bros' DC projects such as,Justice League: The Flashpoint Paradox, Son of Batman, Death of Superman, Justice League: Gods and Monsters, Batman: Gotham by Gaslight among others. He currently lives in LA with his wife and two wonderful children. STEPHEN BARTONStephen Barton's extensive credits in film, television and video games include Star Trek: Picard, writing the music for all sixteen seasons of Apex Legends; and penning the scores for both Star Wars: Jedi games, Multiversus, Call of Duty: Modern Warfare, 12 Monkeys, and Unlocked, amongst over four dozen other projects. The live service games he has scored (Apex, Multiversus) have over 300 million regular players worldwide. Born in 1982, at the age of eight he won a prestigious scholarship to sing in Winchester Cathedral Choir, touring the world and performing with numerous orchestras and soloists at venues such as Sydney Opera House, Carnegie Hall and the Royal Albert Hall; and appearing on more than a dozen albums. He began his composing career at 19, as an assistant to Harry Gregson-Williams (Shrek, The Chronicles of Narnia, Kingdom of Heaven), moving to Los Angeles from his native UK, in 2001 GORDY HAABGordy Haab is a multi-award-winning film, video game, and television composer who has written music for many well-known titles, including Star Wars: Squadrons, Star Wars Jedi: Fallen Order, Microsoft's Halo Wars 2, and Star Wars: Battlefront I and II, among others. In 2022, Haab was nominated for an International Film Music Critics award for his work on the feature film My Country, My Parents, and was bestowed the inaugural “Music City Maestro” Award by the Society of Composers and Lyricists for his ongoing support of the Nashville music and recording community. In October 2022, his music from Star Wars: Battlefront I and II was featured as part of DICE's 30th anniversary concert series and performed by the Royal Swedish Opera in Stockholm. Haab is known for his unsurpassed understanding of the orchestra as well as his unique ability to blend contemporary and traditional sounds into one – oftentimes conceiving and creating brand new musical instruments to feature in his scores. He has recorded and conducted his music with orchestras from all around the world, including The London Symphony Orchestra, The San Francisco Symphony, The Nashville Symphony and the Hollywood Studio Orchestra.

The third season of Star Trek: Picard had a lot on its shoulders: It was the final season of its show, as well as a bombastic, blockbuster-level bow for the cast of Star Trek: The Next Generation. For its first two seasons, Patrick Stewart and the showrunners shied away from Starfleet uniforms and shiny utopias, and Jeff Russo's score reflected that (as we've discussed with him on this very show). But showrunner Terry Matalas had a different vision in mind for Season 3: Celebrate the crew whose adventures captured generations of fans, with a big, brassy sendoff meant to give them the finale they finally deserved.   And that they did, thanks to the tireless work of composers Stephen Barton and Frederik Wiedmann. Together, they handled hours of big orchestral sounds, crafting new themes for ships and characters like the Titan and Jack Crusher. At the same time, there was decades' worth of callbacks to Star Trek's musical legacy that needed acknowledgment, from Jerry Goldsmith's TNG theme to the movie-esque sweep of James Horner and Dennis McCarthy. Through plenty of blood, sweat, and tears, they pulled it off, crafting an immense body of work that fit snugly within the legacy of Star Trek while incorporating musical Easter eggs big and small into its superstructure.   This week on the podcast, Barton and Wiedmann join me for a nice long chat about the hectic production process, the many Trekkian cues they had to blend together, and the value of having creative collaborators (like Matalas) who know exactly what they want.   You can find Stephen Barton and Frederik Wiedmann at their official websites.   The entirety of Picard Season 3 is available for streaming on Paramount+. You can also listen to the score on your preferred music streaming service courtesy of Lakeshore Records.

Tratando de ser lo más positivos posible, y fallando, nos juntamos para hablar de la tercera y última temporada de Picard. Con nuestra invitada Lala; Carlitos, Mael, Eze, y MaGnUs hacen una RE: seña de la ¿última? aventura de la tripulación original del Capitán Picard, de la octava temporada oficial no oficial de TNG... y terminan hablando de Star Wars, Babylon 5, Battlestar Galactica, y bueno, Star Trek. Con música de Stephen Barton & Frederik Wiedmann, y Will Grove-Wright Próximo programa: The Last Of Us (Temporada 1).

Join Erik and Julian for this very special edition of SNP as they sit down with Freddie Wiedmann and Stephen Barton, who composed the epic score for Star Trek Picard's final season.They deep dive and geek out about how Picard season three's cinematic score came to be, and how Freddie ended up joining the team late on in the process. Plus, an intimate look into some tracks on the album, including "Dominion, "Leaving Spackdock," and many more. All on episode 133 of Strange New Pod!Track Credits:"Welcome Aboard" - Jerry Goldsmith, Star Trek First Contact"Leaving Spacedock" - Stephen Barton, Star Trek Picard"Star Trek: Voyager Main Title" - Jerry Goldsmith, Star Trek: Voyager"Legacies" - Stephen Barton, Star Trek Picard"Dominion" - Frederik Wiedmann, Star Trek Picard"Legacy and Future" - Stephen Barton & Frederik Wiedmann, Star Trek PicardSupport the show

Dans une dernière bataille désespérée, Jean-Luc Picard et des générations entières d'équipages, anciens et nouveaux, se battent ensemble pour sauver la galaxie de la plus grande menace à laquelle ils aient jamais été confrontés alors que la saga de The Next Generation arrive à une conclusion épique et palpitante… bien meilleure que ce qu'avait été le film NEMESIS. On analyse ça avec notre capitaine au cerveau positronique bientôt senior Manu, notre romulien relou senior Reman Brami, notre lieutenant senior bajoran Marina, notre expert senior Romain Nigita, notre enseigne senior Marie-Paule et notre commandeur senior Guigui.  Mais aussi avec les journaux de bord de tout(e)s les intervenant(e)s qui sont venu parler de Picard avec nous : Manon, Mehdi, Noémie, Quentin, Vulcaro, David, Ugo, Céline et Cyril-Mickaël. Musique : générique de la série (Stephen Barton & Frederik Wiedmann).

Enjoy this fantastic interview with Stephen Barton and Frederik Wiedmann! They are the composers for the third season of Star Trek Picard. We discuss the scoring and nostalgia, and they drop some fun Easter eggs.   #stephenbarton #frederikwiedmann #startrek #picard #startrekpicardsoundtrack #picardseason3 #startrekpicards3 #composers

Hora de algo que, tras larga deliberación, fue declarado oficialmente un Ni El Loro. Estamos hablando de la serie animada de Netflix llamada The Dragon Prince, una saga de fantasía medieval de la mano de un par de los creativos detrás e Avatar: The Last Airbender, pero esta vez en clave más occidental. Igual, tiene subversiones de lugares narrativos comunes, giros ingeniosos, reintrepretaciones de elementos fantásticos clásicos, diversidad, buenas actuaciones, acción, y humor. Subánse al dragon, que Carlitos, Eze, y MaGnUs les traen esta RE: seña. Con música de Frederik Wiedmann, y Prince and The New Power Generation. Próximo programa: Shazam - Fury of the Gods, y The Power of Shazam.

Take a trip back in time and behind the scenes of DC Comics in the 1970s, as Professor Xum Yukinori reads more of his favorite pieces from THE AMAZING WORLD OF DC COMICS, DC’s self-published mail-order fan magazine. Originally recorded in 2018 by Xum Yukinori; edited in 2020 by Isamu Hideaki-Yukinori and Adrian Zet. CONTENTS: 00:00 – “Short Circuits”. Music composed by Jeremy Zuckerman and Benjamin Wynn, Frederik Wiedmann, Ike Yoshihiro, and Alan Taylor. 08:25 – "Follow that Space Cabby". Music composed by Kevin Riepl. 27:27 – Promo Break 1. 30:36 – "The War Between the Fox and the Crow". Music composed by Kevin MacLeod. 49:44– Promo Break 2. 52:39 – "Badges, Buttons, and Secret Codes Too". Music composed by Ike Yoshihiro. Main show titles and interstitial music composed by Carl Johnson. Images from this episode: http://fireandwaterpodcast.com/podcast/fwp_awodcc2-gallery/ Xum Yukinori (1963-2019) Please feel free to leave comments below Learn more (than you need to know) about XUM YUKINORI at http://xum-yukinori.blogspot.com Subscribe to FW PRESENTS on iTunes: https://itunes.apple.com/us/podcast/fw-presents/id1207382042 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Thanks for listening!

Ocho décadas de un comic muy cercano al corazón de MaGnUs, y por eso, los gladiadores esmeralda se merecen este programa especial. Primero, un Orígenes Secretos sobre la creación y publicación de los primeros Green Lanterns (Alan Scott y Hal Jordan), más algunas de las actualizaciones que ha tenido la saga a lo largo de los años. Luego, MaGnUs y Ezequiel recomiendan sagas y arcos argumentales para leer, tanto para quienes se acercan a Green Lantern por primera vez, como para aquellos que ya han leído algo. Por último, MaGnUs RE: seña la serie animada de la franquicia de hace unos años. Con música de Lizzie Tupman (interpretando a Green Day), Earlene Bentley, Frederik Wiedmann, y Life of Pi. Escuchalo o bajalo de acá: http://bit.ly/perdidos398 Próximo programa: Kevin Smith Reboot.

Hoy en la Banda animada: Superman Hijo Rojo, la película que adapta el cómic de Mark Millar, Dave Johnson y Kilian Plunkett.  Junto a Mónica Viveros, una superfan de DC Cómics, analizamos la representación que se hace del Superman soviético y la discusión política que plantea en el fondo.  ¿Qué tal son las versiones de Batman, Wonder Woman y Linterna Verde? También lo charlamos al ritmo de la música de Frederik Wiedmann.  ¡Bienvenidos al mejor toque de su vida, bienvenidos a la Banda del Cómic! Conducen: Carlos Mario Ríos (Bob) - @carlosmariorios- y Carlos Londoño -@calondon en Twitter. Edición: Miguel Castro - @domuagencia Producción: Juan Camilo Hernández - @juank__92 Canciones – todos los derechos reservados Justice League Unlimited Theme - Michael McCuistion Superman Red Son OST - Frederik Wiedmann

Asian Jon returns for a special look back at all the comic book movies released in theatres during the year 2019. How many of these movies did Asian Jon actually see this year? How many of these movies are actually any good? Which cinematic depiction of comic book characters comes out on top? Full SPOILERS for all comic book movies that were released this year. If you haven't seen any of these movies, there will be spoilers. Music and audio from "Alita: Battle Angel" is the property of Tom Holkenborg, James Cameron, Jon Landau, 20th Century Fox, Lightstorm Entertainment, and TSG Entertainment. Music and audio from "Avengers: Endgame" and "Captain Marvel" are the property of Alan Silvestri, Pinar Toprack, Kevin Feige, and Marvel Studios. Music and audio from "Dark Phoenix" is the property of Hans Zimmer, Simon Kinberg, Hutch Parker, Laura Shuler-Donner, 20th Century Fox, The Donners' Company, TSG Entertainment, and Marvel Entertainment. Music and audio from "Dragon Ball Super: Broly" is the property of Norihito Sumitomo, Akira Toriyama, Toei Animation, and Funimation. Music and audio from "Glass (2019)" is the property of West Dylan Thordson, M. Night Shyamalan, Jason Blum, Marc Bienstock, Ashwin Rajan, Blinding Edge Pictures, and Blumhouse Productions. Music and audio from "Hellboy (2019)" is the property of Benjamin Wallfisch, Lawrence Gordon, Lloyd Levin, Mike Richardson, Philip Westgren, Carl Hampe, Matt O'Toole, Les Weldon, Yariv Lerner, Summit Entertainment, Millennium Media, Lawrence Gordon Productions, Dark Horse Entertainment, Nu Boyana, and Campbell Grobman Films. Music and audio from "Joker (2019)" is the property of Hildur Guenadottir, Todd Phillips, Bradley Cooper, Emma Tillinger Koskoff, Warner Bros. Pictures, DC Films, Joint Effort, Bron Creative, and Village Roadshow Pictures. Music and audio from "The Kitchen (2019)" is the property of Bryce Dessner, Michael De Luca, Marcus Viscidi, New Line Cinema, Bron Creative, and Michael De Luca Productions. Music and audio from "Men in Black: International" is the property of Danny Elfman, Chris Bacon, Walter F. Parkes, Laurie MacDonald, Columbia Pictures, Amblin Entertainment, Parkes + Macdonald, Tencent Pictures, and Image Nation. Music and audio from "One Piece: Stampede" is the property of Kohei Tanaka, Hiroki Koyama, Eiichiro Oda, Toei Animation, and Funimation. Music and audio from "Reign of the Supermen" is the property of Frederik Wiedmann, James Tucker, Warner Bros. Animation, and DC Entertainment. Music and audio from "Shazam!" is the property of Benjamin Wallfisch, Peter Safran, New Line Cinema, DC Films, The Safran Company, Mad Ghost Productions, and Seven Buck Productions. Music and audio from "Spider-Man: Far From Home" is the property of Michael Giacchino, Kevin Feige, Amy Pascal, Columbia Pictures, Marvel Studios, and Pascal Pictures. The intro and outro music was created by Rob Koechl and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.

With "Green Lantern" coming to HBOMAX in the near future, we're taking a look at the most important space sector to be patrolled by the Green Lantern Corps: Sector 2814! Join host Aeric Azana on a deep dive into the history of 2814's protectors, as we rank every single man, woman, and space creature to wear the ring EVER. Plus our Weekly Review on Season 8 of Arrow, this weeks Comics Countdown, and more! Connect with us! IG & Twitter - @GeeksplainedPod Email - Geeksplained@gmail.com Music Sampled: "Sayonara" by SAKEROCK "Green Lantern Main Theme" by Frederik Wiedmann "The Flag Still Stands" by Blake Neely

Composer Frederik Wiedmann, who has composed original scores for over 40 projects, including animated films and TV shows such as: SON OF BATMAN, JUSTICE LEAGUE: FLASHPOINT and the GREEN LANTERN animated series, returns to continue his musical story behind The Dragon Prince.In our last episode, Wiedmann shared about how he originally came onto the Netflix project, his unique musical approach, making eclectic instrument choices from around the world, and the fan reaction to his season 1 score.In this episode, Frederik Wiedmann shares how decided to build on the musical foundation that was laid for season one. He reveals how he employs and develops two important, character, thematic elements from season 1 and lastly, his lofty musical goals for the climactic piece in the season 2 finale of The Dragon Prince.ANNOTATED TRACKS04:35 - "Encounter at the Breach"07:16 - "The Letter"09:14 - "How May I Serve You?"11:09 - "Into Your Heart and Mind"12:56 - "Wings"OTHER TRACKS00:05 - "In the Moon Temple"01:35 - "Only Human"15:35 - "Lady Justice: The Queens of Dure"17:29 - "I Can't Let You Go"If you haven't already, please listen to our previous episode (67), where Frederik Wiedmann talks about his work on season one of THE DRAGON PRINCE.SOUNDTRACKThe original score was released on February 22, 2019 by Lakeshore Records. You can purchase it at Amazon.com, iTunes and stream it on Spotify and Apple Music. MORE ABOUT THE COMPOSERYou can find out more about and hear more music by Frederik Wiedmann at his official site http://www.frederikwiedmann.com/ or follow him on Twitter @freddiewiedmannABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioRadioPublicGoogle Play PodcastsRSS Feed

Frederik Wiedmann has composed for over 40 projects spanning multiple genres. He has written music for films such as HANGMAN (starring Al Pacino), Stoic (with Antonio Banderas) and the civil war epic FIELD OF LOST SHOES. He has also written original scores for countless DC animated shows and features such as: GREEN LANTERN: THE ANIMATED SERIES, JUSTICE LEAGUE: THE FLASHPOINT PARADOX, SON OF BATMAN and many others. One of his latest musical projects is for Netflix's popular original animated series, THE DRAGON PRINCE.Netflix debuted its exclusive series in late 2018. The story is set in the magical land of Xadia, where magic comes from six primal sources: the sun, moon, stars, sky, earth and ocean. When humans create a seventh -- dark magic -- war is sparked between Xadia and the Human Kingdoms. Three children from opposite sides of the conflict discover a secret that could change everything and decide to join forces and go on an epic journey. That trek could be their only hope of ending the war and restoring peace to both worlds.In this episode, Frederik Wiedmann talks about what project opened the door for him into the world of animation and eventually to THE DRAGON PRINCE. He also reveals the importance of the series' main theme and the palette of instruments he would use to convey this fantastic world. Lastly, he walks us through one of his original demo-pieces and the climactic piece for season one.ANNOTATED TRACKS04:19 - "Long Ago, In Xadia"07:45 - "Not That Simple"09:47 - "Fading Quickly"OTHER TRACKS00:13 - "The Dragon Prince (Main Theme)"00:42 - "Mercy"01:55 - "My Heart for Xadia"02:17 - "Azymondias"13:58 - "Brothers"14:53 - "Azymondias"SOUNDTRACKThe original score was released on February 22, 2019 by Lakeshore Records. You can purchase it at Amazon.com, iTunes and stream it on Spotify and Apple Music. MORE ABOUT THE COMPOSERYou can find out more about and hear more music by Frederik Wiedmann at his official site http://www.frederikwiedmann.com/ or follow him on Twitter @freddiewiedmannABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioRadioPublicGoogle Play PodcastsRSS Feed

Composer Frederik Wiedmann discusses his various film scores for projects like The Dragon Prince, Green Lantern The Animated Series, All Hail King Julien, and more! Discover Frederik's music here: https://tinyurl.com/y6wa92xw As well as here: https://lalalandrecords.com/releases/dc-universe/ And also, here: https://www.varesesarabande.com/search?q=frederik+wiedmann ☁ On Twitch: http://twitch.tv/philmachi ☁ On Patreon: http://www.patreon.com/philmachi ☁ Subscribe: https://tinyurl.com/yxcdq4tt ☁ Animated News via Facebook: http://www.facebook.com/StayToonedShow ☁ Phil's comics: http://www.retailsunshine.com/StayTooned Thank you for all your support and please spread this show around! All images seen and music heard are TM and copyright of their respective owners. Phil Machi & Livestock Productions do not claim ownership to any of these properties. Stay 'Tooned! and its logo are TM and copyright Phil Machi & Livestock Productions. All rights reserved. Share on social media using: #StayToonedShow --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/philmachi/message Support this podcast: https://anchor.fm/philmachi/support

Episode four of CINEMATIC SOUND RADIO ON WROCK is a Batman/Superman themed program. The show opens up with new music by Hans Zimmer and Tom Holkenborg (Junkie XL) from BATMAN v SUPERMAN: DAWN OF THE JUSTICE. Our John Williams album of the week comes from 1978’s SUPERMAN: THE MOVIE. Our re-recording of the week is Danny Elfman’s BATMAN from the album FANTASTIC JOURNEY featuring conductor Erich Kunzel and the Cincinnati Pops Orchestra. Our video game score of the week is BATMAN: ARKHAM ORIGINS with music by Christopher Drake. And we’ll end the program with three end title pieces from SUPERMAN: THE ANIMATED SERIES by Shirley Walker, BATMAN: THE ANIMATED SERIES by Shirley Walker & Danny Elfman and SON OF BATMAN by Frederik Wiedmann.We’ll also be playing new music from non-Batman/Superman themed films including Bear McCreary’s brilliant score to 10 CLOVERFIELD LANE and Clint Mansell’s impressive score to HIGH-RISE.

Episode four of CINEMATIC SOUND RADIO ON WROCK is a Batman/Superman themed program. The show opens up with new music by Hans Zimmer and Tom Holkenborg (Junkie XL) from BATMAN v SUPERMAN: DAWN OF THE JUSTICE. Our John Williams album of the week comes from 1978’s SUPERMAN: THE MOVIE. Our re-recording of the week is Danny Elfman’s BATMAN from the album FANTASTIC JOURNEY featuring conductor Erich Kunzel and the Cincinnati Pops Orchestra. Our video game score of the week is BATMAN: ARKHAM ORIGINS with music by Christopher Drake. And we’ll end the program with three end title pieces from SUPERMAN: THE ANIMATED SERIES by Shirley Walker, BATMAN: THE ANIMATED SERIES by Shirley Walker & Danny Elfman and SON OF BATMAN by Frederik Wiedmann.We’ll also be playing new music from non-Batman/Superman themed films including Bear McCreary’s brilliant score to 10 CLOVERFIELD LANE and Clint Mansell’s impressive score to HIGH-RISE.

Major Spoilers Hotline - 785-727-1939 Podcast Posting Page - http://wp.me/p8YAd-1rFk Support this show! https://members.majorspoilers.com He’s been creating great music for many films, including Bruce Timm’s Justice League: Gods and Monsters. During episode 192, Frederik Wiedmann and I talk about scoring this latest direct-to-disc animation film as well as his other projects for DC/Warner Bros. You’ll also find out how you can purchase his wonderful music from LaLaLandrecords.com and what makes this latest project different from his other work.  Freddie also gives us some hints as to what other films he’s working on, so don’t miss it! And be sure to watch Gods and Monsters!

After apprenticing under John Frizzell (Legion, Whiteout), Frederik Wiedmann has maintained multiple careers as an orchestrator, mixer, and composer of several graphic horror films, including Return to House on Haunted Hill (2007), The Hills Run Red (2009), and Mirrors 2 (2010), but with Green Lantern: The Animated Series (2011-2012), he’s written a multi-thematic, almost classic orchestral score, with organically blended electronics and sound samples. Special thanks to Frederik Wiedmann for discussing his latest work, and Beth Krakower at CineMedia Promotions. Volumes 1 and 2 of Green Lantern: The Animated Series are available from La-La Land Records. A 2009 print interview with Frederik Wiedmann is also available.   If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter. Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links. All podcast editing, mixing, and audio restoration produced in-house. For inquiries and demo reels, please visit Mondomark.com.