Podcast appearances and mentions of george sidney

Jaume Segalés y su equipo hablan de cine clásico, del proyecto In3ator y de robos en Valdemoro. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: Incubadoras soIidarias In3ator Un proyecto muy especial que ha sido galardonado con el "Premio Princesa de Girona Social 2025". El jurado ha valorado el profundo compromiso social de su creador al aplicar el conocimiento y la innovación al servicio de la humanidad. Hablamos de la incubadora de bajo coste In3ator. Entrevistamos al artífice de este logro, el joven ingeniero navarro Pablo Sánchez Bergasa, fundador y director de la ONG Medicina Abierta al Mundo, a través de la cuál lleva fabricando y haciendo llegar, desde hace siete años, las cunas neonatales (de bajo coste, plegables y de código abierto que ha diseñado y desarrollado) a una treintena de países con bajos recursos. Lugares en los que, según entidades como la Organización Mundial de la Salud sólo uno de cada diez bebés extremadamente prematuros (nacidos con menos de 28 semanas de gestación) logra sobrevivir. En las naciones ricas lo consiguen al menos nueve. En España, las incubadoras tienen un coste medio de unos 35.000 euros. Las de Medicina Abierta al Mundo reducen su precio hasta 350 euros, 100 veces menos. Robos en el campo de fútbol de Valdemoro El fútbol base está indignado y alarmado por los robos que están teniendo lugar en el barrio de El Prado de Valdemoro. Hechos han sido denunciados a la Guardia Civil. Es el segundo robo, en un mes, que se produce en el vestuario visitante de los campos del barrio de El Prado en partidos contra el equipo Escuela de Fútbol de Valdemoro C. Los primeros jugadores en sufrirlo, en febrero, fueron los juveniles del Trival Valderas de Alcorcón y, los segundos en lamentar un saqueo prácticamente idéntico, han sido, este pasado domingo 23 de marzo, los chavales del juvenil C del Ciudad de Pinto. En ambas ocasiones, los robos se produjeron en los vestuarios del equipo visitante alrededor de las 13:00 horas mientras se disputaban los partidos, momento en el que los ladrones aprovecharon para reventar los candados con cizallas y sustraer móviles y carteras de los jóvenes deportistas. El Ayuntamiento de Valdemoroderiva la responsabilidad a los equipos a los que ceden las instalaciones municipales mientras que el equipo afirma no haber sacado aún nada en claro. Entrevistamos a Javier Melones, integrante de la directiva del club de fútbol Ciudad de Pinto. Sección de cine clásico "Es sesión continua" Antolín de la Torre hoy nos habla sobre Escuela de sirenas (Bathing Beauty). Comedia romántica musical estadounidense de 1944 dirigida por George Sidney y protagonizada por Esther Williams, quien fue presentada por primera vez en un papel estelar, y que a partir de entonces fue conocida como la sirena de América (aunque había protagonizado películas antes, esta fue su primera superproducción en Technicolor). La utilización de coreografías acuáticas hizo que la película se convirtiese enseguida en un referente muy popular (el tercer éxito de taquilla del estudio, tras Ben-Hur de 1925 y Lo que el viento se llevó de 1939), inaugurando un subgénero de cine musical cuyo escenario era la piscina. Colaboró musicalmente Xavier Cugat.

Kids. What is wrong with kids these days? They're not perfect like we were. It's musicals month and we've arrived at a 60s musical and the only musical Bob already saw prior to this month. This musical, inspired by Elvis getting drafted into the army, is a pop culture spoof and a launchpad for a young Ann-Margret who mesmerizes in this 1963 George Sidney adaptation of “BYE BYE BIRDIE”. A popular singer gets to kiss a small tawn girl in small town Ohio and if this works out then 5 or 6 people could be set for life! It's an extensive cast that also stars Dick Van Dyke as a speed dealer, Janet Leigh as a withered old marm, Bobby Rydell who is being cucked by a teen idol despite being one in real life, Paul Lynde as the perfect father and Maureen Stapleton as the perfect mother. It also stars Ed Sullivan as himself. A crafty musical comedy that rightly deserves its place as one of the great teen movies and the best movie ever featuring a turtle high on speed. JFK would be dead later this same year. Just thought I'd mention that. Here's a link: https://archive.org/details/ByBBd1963 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

This week on S&A Lindsay is joined by Rachel for a Gene Genie Double of George Sidney's The Three Musketeers (1948) & Gene Kelly & Stanley Donen's It's Always Fair Weather (1955). Before Scott Adkins was the Human Special Effect there was Gene Kelly Graphics Made by Nadine Whitney Orginal Music by Anthony King Listen to Schlock & Awe on your favourite Podcast App

Los tres mosqueteros (Les trois mousquetaires) Alexandre Dumas, 1844 D'Artagnan, un joven gascón de familia noble venida a menos, parte a París para cumplir su sueño de convertirse en Mosquetero. Allí entabla una fuerte amistad con tres de ellos: Athos, Porthos y Aramis. Juntos se verán envueltos en todo tipo de peripecias, romances e intrigas políticas en contra del Cardenal Richelieu. La obra, prototípica de las novelas de aventuras de capa y espada, tiene su continuación en dos títulos posteriores: Veinte años después y El vizconde de Braguelonne. Ha sido adaptada en numerosas ocasiones: desde una primera versión cinematográfica de 1921 protagonizada por Douglas Fairbanks, el clásico de 1948 dirigido por George Sidney (en el que pudimos ver al bailarín Gene Kelly interpretando a D'Artagnan), hasta otras más recientes, sin olvidar la famosa serie de animación protagonizada por perros que TVE emitió en la década de los 80. Para la historia ha quedado el famoso lema de los mosqueteros que expresa los ideales de amistad, honor y lealtad que Dumas deja patentes en la novela: “¡Uno para todos y todos para uno!”

Front Row Classics has "got a lot of livin' to do" this week. Brandon is joined by Larry Aubrey to pay tribute to 1963's Bye Bye Birdie. Brandon and Larry discuss this fun and vibrant adaptation of the classis Broadway musical. The two talk the differences between the film and stage versions. Much of the conversation is spent lauding the star-making performance of Ann-Margret. We'll also pay tribute to the talents of Dick Van Dyke. Janet Leigh, Paul Lynde and director George Sidney.

"Next time I have a daughter, I hope it's a boy!" Bye Bye Birdie (1963) directed by George Sidney and starring Janet Leigh, Dick Van Dyke, Ann-Margaret, Maureen Stapleton, Bobby Rydell and Paul Lynde   Next Time: New Orleans (1947)

Let's journey back to an economy that values racecar engines and houseboat prices as financial equals (maybe they are?) and then blow some cash on the old strip. Elvis is here, and he's bringing his hair, so strap in for the musical romance that is 1964's Viva Las Vegas! Featuring Carolyn Naoroz and Justin Zeppa. Viva Las Vegas was directed by George Sidney and stars Elvis Presley and Ann-Margret.Join us on Patreon at the Boom Room for exclusive, ad-free bonus content in the form of super-deluxe length episodes: patreon.com/oldmovietimemachine We appreciate your support, so please subscribe, rate, review, and follow the show: Instagram: @timemachinepodcasts Facebook: facebook.com/oldmovietimemachine Email: partyline@oldmovietimemachine.com  ★ Support this podcast on Patreon ★

Demain, sort au cinéma un film RTL qui est parmi les plus attendus de l'année : "Les Trois Mousquetaires : D'Artagnan", réalisé par Martin Bourboulon. C'est une nouvelle adaptation du roman d'Alexandre Dumas, qui a beaucoup inspiré les cinéastes ... "The Three Musketeers", l'adaptation américaine par George Sidney en 1948 coche toutes les cases du film d'époque : costumes, blonde vénéneuse incarnée par la très glamour Lara Turner, cheveux longs et moustaches pour les hommes. Mais la petite pépite, c'est la personne qui incarne D'Artagnan : Gene Kelly, celui qui chante "Singing in the Rain" ! Un film mythique et ... kitsch. En béret à plumes, c'est un peu D'Artagnan à Hollywood, mais les cascades, les scènes de duel, les coups de fleuret donnent au roman de Dumas toute sa flamboyance très XVIIème siècle.

On this episode of The Snub Club, our crew discusses 1960's Pepe. Directed by George Sidney and starring Cantinflas, Pepe was nominated for seven Academy Awards but flopped on awards night. In this episode, Danny, Sarah and Caleb discuss cameos, the 1960s writer's strike, and M3GAN.   The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Frisbeat by Blue Wave Theory

Adapt or Perish is back, and with Episode 118, we're taking an extended look at the adventure classic The Three Musketeers! We've also got a new focus for the show, and we can't wait for you to see what we've got planned! In this episode, we discuss: Alexandre Dumas' original 1844 novel The Three Musketeers, the 1921 movie, directed by Fred Nibble, written by Edward Knoblock, Douglas Fairbanks, and Lotta Woods, and starring Fairbanks, Léon Bary, George Siegmann, and Eugene Pallette The Three Musketeers, the 1935 movie, directed by Rowland V. Lee, written by Lee and Dudley Nichols, and starring Walter Abel, Paul Lukas, Moroni Olsen, and Onslow Stevens The Three Musketeers, the 1939 movie musical, directed by Alan Dwan, written by William A. Drake, M.M. Musselman, Sam Hellman, Ray Golden, and Sid Kuller, and starring Don Ameche and the Ritz Brothers The Three Musketeers, the 1948 movie, directed by George Sidney, written by Robert Ardrey, and starring Gene Kelly, Lana Turner, June Allyson, Vincent Price, and Van Heflin The Three Musketeers, the 1966 series, directed by Peter Hammond, written by Anthony Steven, and starring Jeremy Brett, Brian Blessed, Jeremy Young, Gary Watson, and Richard Pasco The Three Musketeers and The Four Musketeers, the 1973 and 1974 movies, directed by Richard Lester, written by George MacDonald Fraser, and starring Michael York, Oliver Reed, Frank Finlay, Richard Chamberlain, Charlton Heston, Faye Dunaway, Raquel Welch, and Christopher Lee The Three Musketeers, the 1993 movie, directed by Stephen Herek, written by David Loughery, and starring Chris O'Donnell, Charlie Sheen, Kiefer Sutherland, Oliver Platt, and Tim Curry The Musketeer, the 2001 movie, directed by Peter Hyams, written by Gene Quintano, and starring Justin Chambers, Tim Roth, Mena Suvari, Jean-Pierre Castaldi, Stephen Rea, and Catherine Deneuve The Three Musketeers, the 2011 movie, directed by Paul W.S. Anderson, written by Anderson and Andrew Davies, and starring Logan German, Matthew Macfadyen, Ray Stevenson, Luke Evans, Mads Mikkelsen, and Milla Jovovich The Musketeers, the 2014–2016 series, created by Adrian Hodges, and starring Tom Burke, Santiago Cabrera, Howard Charles, and Luke Pasqualino Footnotes: History Tea Time with Lindsay Holiday "Voila" from The Three Musketeers (1939), but seriously, watch the whole thing, it's a delight Frock Flicks "All For Love" performed by Bryan Adams, Rod Stewart, and Sting You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. We're also on Patreon! You can find us at patreon.com/adaptcast. We have multiple reward levels, which include access to a patron-only community and a patron-only, biweekly bonus show! We hope to see you there. If you want to send us a question or comment, you can always email us at adaptorperishcast@gmail.com.

PAL JOEY COMPOSER: Richard Rodgers LYRICIST: Lorenz Hart BOOK: John O'Hara SOURCE: John O'Hara's short stories (1930s) DIRECTOR: George Abbott CHOREOGRAPHER: Robert Alton PRINCIPLE CAST: Leila Ernst (Linda), Gene Kelly (Joey), Vivienne Segal (Vera),  OPENING DATE: Dec 25, 1940 CLOSING DATE: Nov 29, 1941 PERFORMANCES: 374 SYNOPSIS: John O'Hara's short stories tell the tale of Chicago huckster Joey Evans who has dreams of opening up his own nightclub. Penniless, he seduces Vera, a wealthy socialite, while at the same time stringing along the naïve lovestruck Linda.  John O'Hara's adaptation of his own serialized characters with Richard Rodgers and Lorenz Hart engrossed audiences in the disreputable universe of its titular character. Pal Joey's unsentimental treatment of nightclub life and uncensored sex appeal were controversial and divided the opinions of critics and audiences in 1940. Though a relative success by contemporary standards, it was only decades later that the score resurfaced in the zeitgeist thanks to hit versions of “Bewitched, Bothered, and Bewildered”. A new generation of popular recordings and a studio album led to a revival which, thanks to the developing scope of narratives told through musical theatre, was warmly received. Laurence Maslon places Pal Joey in the timeline of musicals with dark subjects.This chapter places Pal Joey in the timeline of musicals with dark subjects. Laurence Maslon is an arts professor at New York University's Tisch School of the Arts, as well as associate chair of the Graduate Acting Program. He is the writer and coproducer of the American Masters/PBS documentary, Sammy Davis, Jr.: I've Gotta Be Me. He is also the host and producer of Broadway to Main Street (winner of the 2019 ASCAP Foundation/Deems Taylor Award for Radio Broadcast). His books include Broadway to Main Street: How Show Music Enchanted America (Oxford University Press) and the updated third edition companion volume to the PBS series Broadway: The American Musical. He edited the two-volume set American Musicals (1927-1969), published by the Library of America. He was written for the New York Times, the Washington Post, and the New Yorker.  SOURCES Pal Joey, Studio Cast Recording, Columbia Records (1950) Pal Joey by Lorenz Hart, John O'Hara, Richard Rodgers, published by Penguin Classics (2016) Pal Joey starring Rita Hayworth and Frank Sinatra, directed by George Sidney, Columbia Pictures (1957) Pal Joey: The History of a Heel by Julianne Lindberg, published by Oxford University Press (2020) Learn more about your ad choices. Visit megaphone.fm/adchoices

SHOW BOAT COMPOSER: Jerome Kern LYRICIST: Oscar Hammerstein II BOOK: Oscar Hammerstein II SOURCE: Edna Ferber's novel Show Boat (1926) DIRECTOR: Zeke Colvan, Oscar Hammerstein II CHOREOGRAPHER: Sammy Lee PRINCIPLE CAST: Jules Bledsoe (Joe), Howard Marsh (Gaylord), Helen Morgan (Julie) OPENING DATE: Dec 27, 1927 CLOSING DATE: May 04, 1929 PERFORMANCES: 572 SYNOPSIS: Spanning fifty years, a show boat, The Cotton Blossom, goes up and down the Mississippi River, chronicling the lives of the boat's performers, owners, and stagehands. As American society changes, so do the ideologies of those on the Cotton Blossom. Show Boat departed from the standard fare of musical comedies, comic operetta, and vaudeville revues, definitively envisioning a style of musical theatre in which dances, song, and dialogue served a unified dramatic arch. The serious subject matter, dealing with racism and unrequited love, was also a departure from the frivolous subject matter on musical theatre stages, establishing a new genre of musical storytelling. Susan Stroman, the choreographer for the 1994 revival, delves into the impetus behind musicalizing Edna Ferber's novel, the collaboration between Jerome Kern and Oscar Hammerstein II, Florenz Ziegfeld's concern about the show's success, and the reaction to the story in the 21st Century. Susan Stroman is a five-time Tony Award-winning director and choreographer most known for Crazy For You, Contact, The Scottsboro Boys, and The Producers. Her work has been honored with Olivier, Drama Desk, Outer Critics Circle, Lucille Lortel and a record six Astaire Awards. She directed and choreographed The Producers, winner of a record-making 12 Tony Awards including Best Direction and Best Choreography. SOURCES Block, Geoffrey Holden. “Show Boat: In the Beginning.” Enchanted Evenings: The Broadway Musical from Show Boat to Sondheim, Oxford University Press, 2004. Stempel, Larry. Showtime: A History of the Broadway Musical Theater, W.W. Norton, 2010. Culwell-Block, Logan. “5 Musicals That Got Major Revisions When They Returned to Broadway.” Playbill, 20 Apr. 2017. Davis, F. James. “Mixed Race America - Who Is Black? One Nation's Definition.” PBS, Public Broadcasting Service. Decker, Todd. Show Boat: Performing Race in an American Musical, Oxford University Press, 2015. Decker, Todd. Who Should Sing ‘Ol Man River'? The Lives of an American Song by Todd Decker, Oxford University Press, 2014. Kantor, Michael, director. Broadway: The American Musical. PBS, Public Broadcasting Service, 12 Oct. 2004. Kruger, Miles. Show Boat: The Story of a Classic American Musical. New York: Oxford University Press, 1977. (Updated soft cover edition - New York: Da Capo, 1990)  Lunden, Jeff. “'Showboat'.” NPR, NPR, 17 Apr. 2000. Maslon, Laurence. American Musicals: The Complete Book and Lyrics of Eight Broadway Classics 1927-1949. Library of America, 2014. Rich, Frank. “A Musical Theater Breakthrough.” The New York Times, 21 Oct. 1984. Swardson, Anne. “Showdown Over 'Show Boat'.” The Washington Post, 17 May 1993. “Ziegfeld Follies | History Detectives.” PBS, Public Broadcasting Service. Show Boat, Studio Cast Recording, EMI (1988) Show Boat starring Irene Dunn and Paul Robeson, directed by James Whale, Universal Pictures (1936) Show Boat starring Kathryn Grayson and Howard Keel, directed by George Sidney, MGM Studios (1951) Learn more about your ad choices. Visit megaphone.fm/adchoices

Por fin le ha tocado el turno a “SHOW BOAT”, el musical basado en la novela de Edna Ferber, autora de novelas río llevadas también al cine como “Cimarron” o “Gigante” y conocido en España por la película que dirigió George Sidney en 1951 con Howard Keel, Kathryne Grayson, Ava Gardner, Agnes Moorehead y el matrimonio Marge y Gower Champion. El musical se estrenó en 1927 y fue un punto de inflexión en la historia del musical ya que por primera vez las canciones, los números cómicos y los bailes ayudaban a avanzar la historia y estaban integrados en la misma, una propuesta de Oscar Hammerstein que se atrevió a poner en escena el tema del racismo y que volvería a tratar en musicales como “Carmen Jones” o “South Pacific”. “Show Boat” abrió una vía al musical lejos de la ópera o la operetta y trataba temas serios que hicieron cuestionar el término de “comedia musical” y que a pesar de estar escrito hace más de noventa años, sigue subiendo a escena en forma de ópera o de musical. En el podcast hemos utilizado la grabación de estudio que se hizo en 1988 con Frederica Von Stade (Magnolia y Kim), Jerry Hadley (Ravenal), Karla Burns (Queenie, la cocinera negra), Bruce Hubbard (Joe, el marido de Queenie), Teresa Stratas (Julie Laverne), Steve Barton (Steve el marido de Julie), David Garrison y Paige O’Hara (Frank y Ellie, los actores de comedia) con The Ambrosian Chorus y la London Sinfonietta dirigidos por John McGlinn. 00h 00'00" Old man river 00h 02'19" Presentación 00h 04'17" Cabecera 00h 05'24" Inicio 00h 05'57" Obertura 00h 12'25" Cotton Blossom 00h 18'23" Captain Andy's ballyhoo / Hey Julie... 00h 25'05" Where's the mate for me? / Make believe 00h 34'16" Old man river 00h 40'34" Can't help lovin' that man 00h 48'10" Life upon the wiked stage 00h 52'07" 'Til good luck comes my way 00h 54'50" Misery comin' around 01h 02'10" Looks like a swell 01h 08'22" You are love 01h 15'46" Oh tell me did you ever 01h 22'12" At the fair 01h 26'56" Why do I love you? 01h 36'17" Make believe (Reprise) 01h 38'08" Bill 01h 42'53" Can't Help Lovin that Man (Reprise) 01h 44'56" I might fall back on you 01h 48'46" After the ball 01h 52'38" Hey feller 01h 55'30" Old man river (Reprise) 01h 58'00" You are love (Reprise) 02h 00'05" Why do I love you 02h 04'05" Finale ultimo 02h 06'52" Curiosidades 02h 08'51" I have the room above her 02h 13'55" Ah, still suits me 02h 18'40" Can't help lovin’ that man (Ava Gardner) 02h 22'50" Nobody else but me

Do you love catchy songs about trains? Are you into old-timey railroad franchise restaurants? Do you like seeing Judy Garland in period costumes? Then The Harvey Girls is the movie musical for you! This charming and often overlooked George Sidney directed classic deserves another glance. It features an enchanting performance by Judy Garland and a strong supporting cast that includes the likes of Angela Lansbury, Cyd Charisse, Virginia O'Brien, John Hodiak, and Ray Bolger. Join Host, Sara Greenfield and her guests, Zoe Palko and Kyle Serilla as they chat about all this and more on Talk Classic To Me. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/sara-greenfield/support

  Au programme ce mercredi !   Pendant les vacances d'automne, du 26 au 30 octobre 2020, plusieurs groupes d'enfants de 6-12 ans du centre Dominique Savio ont participé à un parcours culturel associant La Criée et L'Armada Productions.   Ce parcours, intitulé "Vacances Fictions" a été l'occasion de découvrir l'exposition de Mathis Collins et de se raconter des histoires autour de ses œuvres et son univers peuplé de figures qui renvoient à la naissance des arts forains, au conflit historique entre la Comédie Française et la Commedia Dell’arte, à l’imagerie des carnavals, des cafés de Montmartre ou des théâtres de rue.   Les musiques de l’émission : Kristofer Maddigan - Forest Follies (Cuphead OST) Kristofer Maddigan - Legendary Ghost (Cuphead OST) Kristofer Maddigan - Introduction (Cuphead OST) Christopher Larkin - Dung Defender (Hollow Knight OST) Christopher Larkin - Greenpath (Hollow Knight OST) Wojciech Kilar - Le Petit Clown (Musique du film Le Roi et L’Oiseau de Paul Grimault) Portico Quartet - Pompidou Beirut - Vagabond Extrait de Film Scaramouche 1952 - George Sidney     Visuel réalisé avec icone8.com

Au programme ce mercredi ! Pendant les vacances d'automne, du 26 au 30 octobre 2020, plusieurs groupes d'enfants de 6-12 ans du centre Dominique Savio ont participé à un parcours culturel associant La Criée et L'Armada Productions. Ce parcours, intitulé "Vacances Fictions" a été l'occasion de découvrir l'exposition de Mathis Collins et de se raconter des histoires autour de ses œuvres et son univers peuplé de figures qui renvoient à la naissance des arts forains, au conflit historique entre la Comédie Française et la Commedia Dell’arte, à l’imagerie des carnavals, des cafés de Montmartre ou des théâtres de rue. Les musiques de l’émission : Kristofer Maddigan - Forest Follies (Cuphead OST)Kristofer Maddigan - Legendary Ghost (Cuphead OST)Kristofer Maddigan - Introduction (Cuphead OST)Christopher Larkin - Dung Defender (Hollow Knight OST)Christopher Larkin - Greenpath (Hollow Knight OST)Wojciech Kilar - Le Petit Clown (Musique du film Le Roi et L’Oiseau de Paul Grimault)Portico Quartet - PompidouBeirut - Vagabond Extrait de FilmScaramouche 1952 - George Sidney

This week on Heavenly Shows and Unnecessary Letters: Kiss Me Kate, directed by George Sidney in 1953 with screenplay written by Dorothy Kingsley adapted from the stage musical by Cole Porter, and Ten Things I Hate About You, directed by Gil Junger in 1999 and written by Karen McCullah and Kirsten Smith, both based on Taming of the Shrew, written by William Shakespeare in 1603.EPISODE NOTES: It is well said that Shakespeare’s stories are timeless in their core themes and so it comes as no surprise that his works have been re-told and re-fashioned time and time again. We thought to ourselves, you know what, 39 standard tellings of Shakespeare just aren’t enough for us - we are going to add some BONUS content! And so here we are on our tenth episode bringing you a taste of the modern bard. The two shows we watched this week are re-tellings of last episode’s Taming of the Shrew, and I have to say these two movies are some of my favourites. One is a classic MGM Studio 1950’s era movie musical and the other is a classic Hollywood 1990’s era teen movie. If you’ve ever thought you would like to participate in the friendly banter about our takes on the productions we watch, this might be a readily accessible version of Shakespeare’s story for you to dip your toe!Email Address: hsaulpodcast@gmail.com Facebook: https://www.facebook.com/hsaulpodcast/ Instagram: @hsaulpodcast Twitter: @hsaulpodcast Editing by Tammy Sarah Linde and Luke O'Hagan Music by Luke O'Hagan Audio excerpt from Henry V used under a Creative Commons License from Archive.org - license available here: https://creativecommons.org/licenses/by-nc-sa/3.0/ See acast.com/privacy for privacy and opt-out information.

The Dope King's Last Stand (1977) Side 2 From Otis F Odder's WFMU page: The record sports an all star cast featuring the talents of President Jimmy Carter, Lily Tomlin, Arlo Guthrie, Pat Boone, Jayne Kennedy, The Great Senator Hubert H. Humphrey, Billie Jean King, Hoyt Axton, Rosey Sheldon, Frank Sinatra, Arthur Morrison, Karen Hall, , Yolanda King, Paul Hampton, and Muhammad Ali.  Could you imagine Trump doing this today? He'd have to learn how to read, first.  Ann-Margret - What I Do To Men (1980) Ann-Margret - Love Rush (1980) Charo - Cuchi-Cuchi (12" Mix) (1974)  Eddie Noack - Poor Chinee (196?)  George Jones - Poor Chinee (1968) Joey Heatherton - God Only Knows (1972) Helen Reddy - Consulate Cigarette Ad (1963) Helen Reddy - Handsome Dudes (1983)  Joey Heatherton - Hullabaloo (1965)  Joey Heatherton - Gone (1972)  Lola Falana - Coconut Grove (1967) Lola Falana - There's A Man Out There Somewhere (1975)  Lola Falana - Working In A Coal Mine (1967)  Helen Reddy - One Way Ticket (1968)  Raquel Welch - Games People Play (1970) Raquel Welch - California Dreamin' (1970)  Raquel Welch - Aquarius/Let The Sun Shine (1970) Ann-Margret - The Swinger (1966) From "The Swinger" Kelly Olsson is an aspiring writer, but Girl-Lure magazine keeps rejecting her racy submissions. Kelly decides to show the magazine boys what they are missing. She creates a fake identity for herself, pretending that a story about a young woman's wild ways is actually about herself. Girl-Lure's lecherous editor, Sir Hubert, and his suave editor, Ric Colby, like the concept but aren't sure they trust the facts. Kelly tries to fool them by staging an orgy in her apartment building, asking friendly tenants to go along with her scheme. Sgt. Hooker of the vice squad does not feel she is fooling, however, and places Kelly under arrest. Ric comes to her rescue. But when her hoax is revealed, he decides to get revenge by insisting that Kelly pose for a provocative layout for the magazine to prove she is as wild as she claims. By the time his car and her motorcycle meet head-on in the end, they're in love. George Sidney had previously made Bye Bye Birdie and Viva Las Vegas with Ann Margret. Sidney says the script for Viva Las Vegas had been written in eleven days in order to meet a commitment and The Swinger was similar.  Sidney called the film "a wild, outrageous 'in', what's-happening-in-the-world-today kind of picture. Winston Cigarettes Ad (1967?)  Helen Reddy - Killer Barracuda (1980) Lawrence Hilton-Jacobs - Larry's Theme (1977)   Amboy Dukes - Marriage (1970) Led Zeppelin - Royal Orleans (1976) You'd think this was the only Zep song I liked.  Serge Gainsbourg - Melody (1970) Stoney and Meatloaf - Game of Love (1971)  Jackie Lynton - Ballad of Hank McCain (1969)

Welcome back for another episode of the GGtMC!!! This week we cover two films starring the one and only, Elvis Presley!!! Todd and Sammy discuss Follow That Dream (1962) directed by Gordon Douglas and Viva Las Vegas (1964) directed by George Sidney!!! We hope you enjoy our jump-suited and rhinestone bespeckled coverage of the King!!! Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message

Even before director George Sidney and stars Judy Garland, John Hodiak and Angela Lansbury finished shooting 1946's The Harvey Girls, it's signature song, On The Atchison, Topeka and the Santa Fe, was burning up the music charts in the summer and fall of 1945. No fewer than six artists recorded the song, the most successful being the version created by Johnny Mercer and the Pied Pipers.  It's no wonder than that the scene in the film that introduces the song is one of the longest and most complex musical numbers in motion picture history.  Dan and Vicky jump on the Harvey Girls train to discuss the delightful musical that cemented Judy Garland as a bona fide musical movie star.  In the recently seen section of the podcast your hosts talk about the ABC special Live in Front of a Studio Audience: All in the Family and The Jeffersons, Dario Argento's Dracula, Long Shot, 2018's Mom & Dad, and the Lifetime TV's dud 2014 take on Flowers in the Attic.   Have a listen to Hot Date 89: The Harvey Girls and leave us some feedback.  Visit our website at hotdatepod.com

EP33 - On this episode of Pipe and Tamper. QTR: Cult Conspiracy. Featured interview: Dodif Rendon of Dodif Pipes. Last but not least, Behind the Pipe featuring Hollywood movie director George Sidney.

Viva Elvis! Viva Ann-Margret! Viva TCBCast! The conclusion of our review of 1964's Viva Las Vegas is here, featuring Ryan Droste! We discuss our takes on director George Sidney, Col. Parker's interference with production, and muses before diving into Song of the Week, in which all three decades of Elvis' career are featured as Ryan heads down the bayou to find some "crawfish," Gurdip "slowly but surely" makes his way to the 60s, and Justin "just pretends" a 1970 recording was a bigger hit than it really was. Featured Songs of the Week: Gurdip: Slowly But Surely Justin: Just Pretend Ryan: Crawfish

Justin & Gurdip are joined by Ryan Droste for a lively discussion of 1964's MGM film "Viva Las Vegas." Does the fiery chemistry between its leads and traditional musical lineage with director George Sidney help it hold up as one of Elvis' better films, or has the dated acting and weak plotting been overlooked for too many years? This episode's discussion (including Songs of the Week) will be concluded in TCBCast 37.

Desgranamos en nuestro cuarto programa la actualidad de estrenos con especial mención a 'Madre!' y 'La llamada'; recibimos la visita de F. Javier Millán ante el inminente lanzamiento de su libro 'Galaxia Lucas', el mayor y más completo repaso al trabajo de George Lucas; y en la sección de cine clásico hablamos de 'Scaramouche' de George Sidney.

Old Hollywood REALNESS - Join Kathleen Noll and Philip Estrada as they gab, gush and recap the classic MGM musical "Anchors Aweigh" (1945) starring Gene Kelly, Frank Sinatra, Kathryn Grayson and Dean Stockwell. On a four day shore leave two sailors look for love, babysit a wannabe junior sailor and teach Jerry the Mouse to tap dance. Directed by George Sidney and costumes by Irene.

Today is the first installment of Reel Change, an ongoing series of episodes in between films. To hopefully cleanse the palate and prepare for our next subject, this week we focus on a musical device relevant to all eras of cinema: The Ostinato. Join us on a brief exploration of this musical mechanism as we track its development in films from the golden age to the present. Off we go!Listen to Reel Change: The OstinatoCaptain Blood - Erich Wolfgang Korngold - Warner Bros - 1935 (Michael Curtiz, dir.)King Kong - Max Steiner - Radio Pictures - 1933 (M. Cooper, E. Schoedsack, dir.)Scaramouche - Victor Young -  MGM - 1952 (George Sidney, dir.)Peter Gunn - Henry Mancini - NBC - Official Films  - 1958-61 (Blake Edwards, creator)The Magnificent Seven - Elmer Berstein - United Artists - 1960 (John Sturges, dir.)Taras Bulba - Franz Waxman - United Artists - 1962 (J. Lee Thompson, dir.)The Good, the Bad and the Ugly - Ennio Morricone - United Artists - 1966 (Sergio Leone, dir.)Midnight Cowboy - John Barry - United Artists - 1969 (John Schlesinger, dir.)-Everybody's Talkin' (Song) Performed by Harry Nilsson, Written by Fred NeilSuperman - John Williams - Warner Bros. - 1978 (Richard Donner, dir.)Conan the Barbarian - Basil Poledouris - Universal Pictures - 1982 (John Milius, dir.)The Terminator - Brad Fidel - Orion Pictures - 1984 (James Cameron, dir.)Brazil - Michael Kamen - 20th Century Fox, Universal Pictures - 1985 (Terry Gilliam, dir.)Total Recall - Jerry Goldsmith - TriStar Pictures - 1990 (Paul Verhoeven, dir.)The Simpsons - Danny Elfman - 20th Century Fox Television - 1989-2017 (Matt Groening, creator)Robin Hood Prince of Thieves - Michael Kamen - Warner Bros. - 1991 (Kevin Reynolds, dir.)Sneakers - James Horner - Universal Studios - 1992 (Phil Alden Robinson, dir.)Crimson Tide - Hans Zimmer - Buena Vista Pictures - 1995 (Tony Scott, dir.)Star Wars Episode I: The Phantom Menace - John Williams - Lucasfilm - 1999 (George Lucas, dir.)Finding Nemo - Thomas Newman - Walt Disney Pictures, Pixar - 2003 (Andrew Stanton, dir.) The Dark Knight - Hans Zimmer/James Newton Howard - Legendary Pictures - 2008 (Christopher Nolan, dir.)The Expendables - Brian Tyler - Lionsgate - 2010 (Sylvester Stallone, dir.)Star Trek - Michael Giacchino - Paramount Pictures - 2009 (J.J. Abrams, dir.)The Last Airbender - James Newton Howard - Parmount Pictures - 2010 (M. Night Shyamalan, dir.) Harry Potter and the Deathly Hallows: Part 1 - Alexandre Desplat - Warner Bros. - 2010 (David Yates, dir.)Puss in Boots - Henry Jackman - Paramount Pictures - 2011 (Chris Miller, dir.)MI: Rogue Nation - Joe Kraemer - Paramount Pictures - 2015 (Christopher McQuarrie, dir.)Mad Max: Fury Road - Junkie XL - Warner Bros. - 2015 (George Miller, dir.)Zoolander No. 2 - Theodore Shapiro - Paramount Pictures - 2016 (Ben Stiller, dir.)Arrival - Jóhan Jóhannson - Sony Pictures/Paramount Pictures - 2016 (Denis Villeneuve, dir.)For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com