Podcast appearances and mentions of Michael York

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

Buzzin Frog... förlåt, Leslie Nielsen har blivit falskt anklagad! (Vilket filmen påminner oss om var femte minut). Det är dags att ta oss an kultrullen Wrongfully Accused. Det blir allt från Riverdance i bar överkropp till Keyser Söze, Dirty Harry och Braveheart i veckans avsnitt. Wrongfully Accused är en satirisk komedifilm och spoof av Jagad eller The Fugutive med Harrison Ford. Filmen kom ut från 1998 och är skriven, producerad och regisserad av Pat Proft och med Leslie Nielsen i huvudrollen som en man som har anklagats för mord och desperat försöker avslöja de sanna gärningsmännen. Mycket nöje! Superlänk till alla plattformar: https://linktr.ee/Filmsmakarna #filmsmakarna #wrongfullyaccused #leslienielsen #jagad 

The Little Prince has been enchanting readers of all ages since 1943, when French aviator Antoine de Saint-Exupéry first introduced the boy from a distant planet. Inspired by his own life and a desert crash landing, this poetic tale has become one of the most translated and best-selling books in the world. In this episode, we begin a two-part look at The Little Prince on stage and screen—both versions produced by Joseph Tandet. There's the ambitious 1982 Broadway-bound musical starring Michael York and a young Anthony Rapp, which never made it past previews. And before that, the 1974 movie musical directed by Stanley Donen and featuring Lerner and Loewe's final collaboration—complete with Bob Fosse, Gene Wilder, and a surprisingly rocky production history. Theme Music created by Blake Stadnik. Click here for a transcript and list of all resources used. Produced by Patrick Oliver Jones and WINMI Media with Dan Delgado as co-producer. Learn more about your ad choices. Visit megaphone.fm/adchoices

I had an engaging and insightful conversation with rheumatologist, Dr. Michael York, a highly knowledgeable expert with a great sense of humor, on my latest podcast episode. We explored the key challenges affecting the hands, including Raynaud's, digital ulcers, and calcinosis, and their impact on patients. Dr. York also provided a fascinating explanation of why scleroderma research presents such unique difficulties.

National Joe day.  Entertainment from 2001.  Biggest earthquake in US history, Viagra went on sale, Urinal invented.  Todays birthdays - Patty Smith Hill, Michael York, Quentin Tarantino, Pauley Perrette, Mariah Carey, Nathan Fillion, Fergie.  Milton Berle died.Intro - God did good - Dianna Corcoran     https://www.diannacorcoran.com/Bumping up and down on my little red wagon - The KiboomersButterfly - CrazytownOne more day - Diamond RioBirthdays - In da club - 50 Cent   http://50cent.com/Happy birthday to you - Patty Smith HillVision of love - Mariah CareyBig girls don't cry - FergieExit - 18 days & 18 wheels - Gin Hous Jesters    https://gin-palace-jesters.com/countryundergroundradio.comhttps://coolcasts.cooolmedia.com/

Willkommen, bienvenue, and welcome to the High & Low Movie Show stranger! So life is disappointing? Society is crumbling due to the machinations of fascist oligarchs? Forget it! Here life is beautiful... Herr Luke is beautiful! Herr Vonn is beautiful! Even Herr Mitchell is beautiful! Join them as they dive into two films where music serves as an escape from the drumbeats of fascism, Cabaret and Swing Kids!In this week's episode the gang take a trip to the Kit Kat Club in 1930s Berlin for an evening of decadent fun with Bob Fosse's Cabaret (1972), starring Liza Minnelli, Michael York, Helmut Griem, Joel Grey, and Fritz Wepper, and Marisa Berenson!Get social with High & Low!Instagram @HighLowMovieShowThreads @ HighLowMovieShowJoin our Facebook Group The High & Low DungeonBuy Us a Coffee Twitter @HighLowMovieSho

Round 2 of Movie Matchup March is here, and this time, it's a battle of Leslie Nielsen comedies! First up: Spy Hard, a James Bond parody—though if you asked this crew to define “parody,” you'd be in for a very long night. Then, it's Wrongfully Accused, a Fugitive spoof that throws subtlety out the window… and then crashes through that window on a runaway train.To help dissect the chaos, Troy and Brad are dragging their good pal Nate back into the madness for his expert opinions on slapstick and spoofs.Will this episode turn into another round of Breaking Brad? And does Leslie Nielsen's comedy still hold up in 2025, or has the world moved on from guys getting hit in the face with frying pans? Download now and find out!Spy Hard is directed by Rick Friedberg and stars Leslie Nielsen, Nicollette Sheridan, Charles Durning, Marcia Gay Harden, Barry Bostwick, and Andy GriffithWrongfully Accused is directed Pat Proft and stars Leslie Nielsen, Richard Crenna, Kelly LeBrock, Sandra Bernhard, Michael York, and Melinda McGrawNot A Bomb has has plenty of spooky designs in our Merch store! Head over to the Not A Bomb Tee Public store and check them out. Special thanks to Ted Blair for the amazing designs!We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.Cast: Brad, Troy, Nate

From a working-class family in 1930s London emerged one of the greatest actors of our time: Sir Michael Caine. in this 1992 interview Caine talks about his early life, his unusual marriage, and the family secret kept from him for decades.Get your copy of What's It All About? by Michael CaineAs an Amazon Associate, Now I've Heard Everything earns from qualifying purchases.You may also enjoy my interviews with Michael York and Charlton Heston For more vintage interviews with celebrities, leaders, and influencers, subscribe to Now I've Heard Everything on Spotify, Apple Podcasts. and now on YouTube#Actors #Memoir #1960s #Academy Award

Tom and Jenny talk about a strange quasi-giallo film from 1988, directed by Ruggero Deodato and starring Michael York, Donald Pleasence, and Edwige Fenech. It’s about a killer who suffers from a disease that causes him to age rapidly. Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like … Continue reading Movie Time: Phantom of Death (1988)

Joe, Brennan, and Rick review the musical period drama, Cabaret. Directed by Bob Fosse, and written by Jay Presson Allen, with music from John Kander, Fred Ebb, and Ralph Burns. The film stars Liza Minnelli, Michael York, Helmut Griem, and Joel Grey. We ranked 10 of the songs from the soundtrack, as well as picked our favorite lines, characters, performers, and scenes. Enjoy!

In this episode of The Rewatch Party, Nick, Anthony, and Nick's brother Loren reunite to explore the rewatchability of the 1976 sci-fi classic Logan's Run. Loren, returning for his first appearance since the Gladiator episode—fondly remembered for its unexpected deep dive into hats—brings his trademark wit and unique perspective to the discussion. Together, the trio navigates the dystopian world of Logan's Run, where society's utopia comes at the cost of life beyond 30 years old. Nick opens the conversation by highlighting the film's ambitious vision of the future, its dazzling production design, and its relevance in the context of 1970s sci-fi. He notes the movie's exploration of themes like freedom, control, and the value of human life, sparking a thoughtful discussion. Loren, however, can't resist taking the conversation in unexpected directions, weaving in humor and a callback to his infamous Gladiator hat commentary by questioning the practicality of the film's futuristic wardrobe choices. Anthony balances the conversation with his steady insights, focusing on the performances of Michael York as Logan and Jenny Agutter as Jessica. He praises the movie's ability to tackle weighty themes while still delivering an entertaining and visually captivating experience. Loren, true to form, adds levity by pointing out some of the more dated aspects of the film, including its special effects and occasionally campy tone, sparking laughter and friendly debate among the hosts. As they wrap up, the group assesses Logan's Run's rewatchability. While Nick and Anthony appreciate its place in sci-fi history and its thought-provoking narrative, Loren contends that the movie's charm lies in its mix of ambition and nostalgia, making it an enjoyable, if occasionally quirky, watch. The trio agrees that Logan's Run remains a fascinating time capsule of 1970s filmmaking and a worthy addition to the Rewatch Party roster. Loren's return, filled with humor and sibling banter, makes for a memorable episode that fans won't want to miss.   https://www.imdb.com/title/tt0074812/

In which the Mister joins me in reviewing LOGAN'S RUN (1976), from the novel by William F. Nolan and George Clayton Johnson and a screenplay by David Zelag Goodman, the film is directed by Michael Anderson.  In a futuristic society where everyone is assigned a lifespan of 30 years, a Sandman named Logan 5 (Michael York) is tasked with hunting down "Runners" who defy this mandate. During an investigation he is forced by the computer systems controlling society to become a Runner himself so that he may find and destroy the place Runners call "Sanctuary".  The film clocks in at 1 h and 59 m, is rated PG and is currently streaming on Tubi but also available to buy/rent from Prime Video.  Please note there are SPOILERS in this review.#LogansRun  #WilliamFNolan  #GeorgeClaytonJohnson  #DavidZelagGoodman  #MichaelAnderson  #MichaelYork  #Logan  #Logan5  #JennyAgutter  #Jessica  #RichardJordan  #Francis  #RoscoeLeeBrown  #Box  #FarrahFawcett  #Holly  #MichaelAndersonJr  #Doc  #PeterUstinov  #OldMan  #Dystopian  #SciFi  @Tubi  @PrimeVideo  #FridayFamilyFilmNight Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library  --- Support this podcast: https://podcasters.spotify.com/pod/show/jokagoge/support

Open almost any newspaper and you'll find your horoscope. But this form of Western astrology has a long and complex history. It began thousands of years ago in Mesopotamia before European settlers brought it to North America, where they used it in farming and for answering questions. In this episode, we learn how astrology has survived and evolved in the United States and ask: is astrology a science or pseudoscience? Magic or art? Psychological tool or a divination method? The answer might just be like the stars: all of the above. Featuring Nicholas Campion, Tres Henry, Michael York, and Jake Zukowski.

Let me tell you something about life, old chum. It's only a cabaret. Kill Nazis. November is for the musicals and we're RAISING THE CURTAIN & BELTING THE CHORUS all month long and it's time to hit up a Bob Fosse joint in this iconic adaptation starring stage legend and Queen of the Theatre Nerds, Liza Minelli. Bob is learning this shit for the first time but you theater nerds already know about the most prolific film in Minelli's life and career and it's none other than Fosse's 1961 hit “CABARET” also starring Michael York, Joel Grey and more. There is no richer era to strike negative social parallels than early to mid-century Germany. The Kit Kat Club seems like a grand ‘ol time but it's only a matter of time before the audience turns on their entertainment. In the thick of it is Sally Bowls, lore accurate OG Manic Pixie Dream Girl, and her timid soon-to-be lover, Brian. It's a freewheeling, song slinging, sugar baby life. Love has its ups and downs and sometimes you end hooking up with your girlfriend's sugar daddy. It's a rather unique story to tell to a broad audience in 1972 (and before). Let's talk Sally Bowls, old chum. It's only a cabaret and here's a link we found: https://archive.org/details/cabaret-1972_202208 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

This week Gary and Iain review and discuss, Cabaret (1972) by Director, Bob Fosse. Starring, Liza Minnelli, Michael York and Joel Grey. For more Off The Shelf Reviews: Merch: https://off-the-shelf-reviews.creator-spring.com https://www.youtube.com/channel/UChWxkAz-n2-5Nae-IDpxBZQ/join Podcasts: https://offtheshelfreviews.podbean.com/ Follow us on Twitter: https://twitter.com/@OTSReviews Youtube: https://www.youtube.com/c/OffTheShelfReviews Facebook: https://www.facebook.com/OffTheShelfReviews Support us: http://www.patreon.com/offtheshelfreviews Twitch: https://www.twitch.tv/offtheshelfreviews Discord: https://discord.gg/Dyw8ctf

Jeff and Susie discuss “The Corpse-Sniffing Dog” from Season 3 with a special appearance from Michael York. See omnystudio.com/listener for privacy information.

Wilkommen, Bienvenue & Welcome to It's A Wonderful Podcast!! Closing out our journey through musicals in brash, garish, and poetically poignant fashion on this week's show as Morgan and Jeannine talk Bob Fosse's 8x Oscar winning CABARET (1972) starring Liza Minnelli, Michael York & Joel Grey! A maturing of the musical with a grim, gloomy undercurrent behind its bisexual brilliance and enticing show performances! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_ Keep being wonderful!! --- Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

They boys get wild today (pun intended) as they review The Island of Dr. Moreau in this week's movie remake showdown. While there are in fact 3 versions of this movie, we'll be focusing on the 1977 and 1996 film adaptations of this H.G. Wells novel. Support the Show.Catch new episodes of the Where to Stick It Podcast every Tuesday and Thursday. If you like the show, please consider supporting us on Patreon where we upload exclusive content each month for only $3 a month.

Welcome to Cyberpunk Cinema – the Definitive Dive into the Dark Future of Science Fiction. I am your host, Anthony La Pira, and I will be taking you on a cinematic journey through the sprawling cityscapes, the crippling datastorms, and the cybernetic implants that encompass all things Cyberpunk.In this week's episode, I will be breaking-down the 1976 protopunk thriller, Logan's Run  – directed by Michael Anderson, starring Michael York, Jenny Agutter, Richard Jordan, Farah Fawcett, Peter Ustinov, and Roscoe Lee Browne.A police officer in the future uncovers the deadly secret behind a society that worships youth.Logan's Run was a landmark science-fiction film of the mid-1970s that posed the question – would you live in a utopian society where you didn't have to work or struggle but the payoff is that you'd have to sacrifice your life by the time you reach 30? That's the dilemma that haunts Logan and Jessica, as they decide to press their luck and see what remains outside the dome. It is a fascinating exploration on how we create the walls that imprison us from reality, the laws that govern us with fear, and the lies we tell each other that blind us from the truth. This is at the very core of Logan's Run.So, do me a favor – it's time to access your cranial jacks, boot up your Ono-Sendai Cyberspace 7, and slap on your damn mirror-shades. You know what time it is! Cyberpunk Cinema starts…now!Anthony's IG - https://www.instagram.com/stormgiantproductionsCyberpunk Cinema IG - https://www.instagram.com/cyberpunk.cinemaSignal Fragment SoundCloud - https://soundcloud.com/signalfragmentSend us a Text Message.

Show Notes Free Palestine   This week we follow Michael York's D'artanan into Paris to meet The Three Musketeers! Four silly men vs. Captain Hook, or rather Rochforte and a Cardinal with more interest in the court than the pulpit. A world of excess, adultery and swordfights awaits.   Recommendations: Watch some Roger Corman movies in remembrance. Here's a list.   Next up: Coma (1978) Rentable   Email us at latecomers@gmail.com Find Amity @ www.amityarmstrong.com Our Facebook group is here for those who consent: https://www.facebook.com/groups/1754020081574479/

Send us a Text Message.It's a sequel.  Sort of.  We're joined by Tyler Adams of the brilliant Goon Pod, where we whip out our foils and exchange words about the 1974 swashbuckler THE FOUR MUSKETEERS: MILADY'S REVENGE.  If you want to listen to us chat about The Three Musketeers, go and have a listen to our guest slot on Tyler's show!END CREDITS- Presented by Robert Johnson and Christopher Webb- Produced/edited by Christopher Webb- "Still Any Good?" logo designed by Graham Wood & Robert Johnson- Crap poster mock-up by Christopher Webb- Theme music ("The Slide Of Time") by The Sonic Jewels, used with kind permission(c) 2023 Tiger Feet ProductionsFind us:Twitter @stillanygoodpodInstagram @stillanygoodpodEmail stillanygood@gmail.comFind Tyler:Twitter @goonshowpodSupport the Show.

Steve and Alejandro are going to a future utopia that looks a lot like a mall in this 1976 American science fiction action film directed by Michael Anderson and starring Michael York, Jenny Agutter, Richard Jordan, and Peter Ustinov. What will they think of this “Must be under 30” future where you either run for your life or ride the doom carousel made from Alejandro's nightmares? Find out.   -- Theme music by Daddy Lacus --- Send in a voice message: https://podcasters.spotify.com/pod/show/rememberthatmovie/message

National Little red wagon day.  National Joe day.  Entertainment from 1979.  Biggest earthquake in US history, Viagra went on sale, Urinal invented.  Todays birthdays - Patty Smith Hill, Michael York, Quentin Tarantino, Pauley Perrette, Mariah Carey, Nathan Fillion, Fergie.  Milton Berle died.Intro - Pour some sugar on me - Def Leppard   http://defleppard.com/Geico commercialBumping up and down on my little red wagon - The KiboomersTragedy - Bee GeesI just fall in love again - Anne MurrayBirthdays - In da club - 50 Cent   http://50cent.com/Happy birthday to you - Patty Smith HillVision of love - Mariah CareyBig girls don't cry - FergieExit - Its not love - Dokken    http://dokken.net/https://coolcasts.cooolmedia.com/ 

Things are scandalous, kinky and Nazis are threatening everyone. In addition, your Junk Food Supper boys will be discussing Cabaret! Sean and Parker discuss the 1972 movie directed by Bob Fosse and starring Liza Minnelli, Joel Gray and Michael York. Liza plays a swinging socialite who performs in a cool cabaret in Berlin shortly before the Nazis rise to power. Before that, though, the boys discuss what they've been up to, what they've been watching and much more. This week's segment is a preview of what's coming to theaters in March. There's also junk mails from some of the hall of famers and Spookies Chat! Direct Donloyd Here. Go sign up for the patreon, too!

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Jake Serwin & Ian Rhine, hosts of the preeminent Clint Eastwood podcast Pod Casty For Me return to discuss one of the finest studio comedies of the 90s, "Austin Powers: International Man of Mystery" starring Mike Myers. We discuss the film as both a product of broader ambient 60s nostalgia in the decade and an extension of Mike Myers deep personal affinity for the cultural output of the era. Then, we talk about the film itself as cultural juggernaut, and why Austin Powers and the Mike Myers brand felt inescapable. Finally, we talk about the film's lasting legacy and the way it in no small part shaped the trajectory of the James Bond franchise (and maybe a few others). Listen and Subcribe to Pod Casty For Me.Follow Pod Casty for Me on Twitter. ....Our theme song is "Mirror" by Chris Fish 

"Run, Runner!"Jason Colvin of The Surely You Can't Be Serious Podcast joins Jeff in the 23rd century to discuss the last film in our limited "1976" series, Logan's Run; starring Michael York, and Jenny Agutter!For plenty of exclusive episodes and content, check out A Film By... on Patreon! with a FREE 7-day trial!Check out www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on X Twitter, Instagram, and Facebook @afilmbypodcast.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4933588/advertisement

Musical month continues with Indy's favourite, the 1972 film Cabaret! It's a long one, but a good one as we discuss; the performance of Liza Minnelli, thoughts of political apathy, the amazing songs, the insidious spread of fascism, disturbing visuals, and how it is the perfect version of a 1970s musical. Cabaret is a 1972 American musical period drama film directed by Bob Fosse from a screenplay by Jay Presson Allen, based on the stage musical of the same name by John Kander, Fred Ebb, and Joe Masteroff, which in turn was based on the 1951 play I Am a Camera by John Van Druten and the 1939 novel Goodbye to Berlin by Christopher Isherwood. It stars Liza Minnelli, Michael York, Helmut Griem, Marisa Berenson, Fritz Wepper, and Joel Grey. Multiple numbers from the stage score were used for the film, which also featured three other songs by Kander and Ebb, including two written for the adaptation.   Cabaret Trailer: https://www.youtube.com/watch?v=uhbq2WFctBM&ab_channel=EduardoBarauna

In 1973 Richard Lester's rollicking romp The Three Musketeers was released - subtitled 'The Queen's Diamonds' (The Four Musketeers was filmed at the same time and followed a year after) the movie starred Michael York as D'Artagnan, Oliver Reed as Athos, Frank Finlay as Porthos and Richard Chamberlain as Aramis. Perhaps most memorable was the pairing of Raquel Welch with Spike Milligan, as Monsieur and Madame Bonacieux - she the close confidante to the Queen of France and he an easily-bought informant to the villainous Cardinal Richelieu (Charlton Heston). The movie also featured Lester regular Roy Kinnear, the (recently) late Joss Ackland, Faye Dunaway and Christopher Lee. It's a joyous adaptation of the Dumas novel with a script that pops and fizzes courtesy of Flashman author George MacDonald Fraser. Featuring the stylistic flourishes that always mark out a good Richard Lester film, plus realistic depictions of early 17th Century Paris - the squalor as well as the wealth - edge-of-your-seat sword fights and shot through with bawdy humour, The Three Musketeers was a commercial and critical triumph upon release and it is the topic of this week's edition of Goon Pod. Joining Tyler once again are the hosts of Still Any Good podcast - Christopher Webb and Robert Johnson, live from a shed somewhere in the Antipodes during a noisy Guy Fawkes celebration - appropriate for discussing a film which culminates in a grand fireworks display! Still Any Good can be found here: https://linktr.ee/stillanygood

Ron Destro is an award-winning writer, actor, director, and teacher. Trained in the US and UK, his mentors have included Royal Shakespeare Company founder John Barton, Oscar-winner F Murray Abraham, TV legend Lucille Ball, painter Pierre Matisse, and teachers at the Iowa Writers Workshop. He received the Kennedy Center New American Play Award for his work, Hiroshima, for which Yoko Ono wrote the original score.             He runs the nonprofit New York and London summer-based Oxford Shakespeare Company, which trains actors and presents Shakespeare plays in historic locations, including Hamlet in Elsinore, Macbeth in Birnam Wood, and Richard III on Bosworth Field.             He's lectured on the Shakespeare authorship question at Harvard University, Chautauqua Institution and the Edinburgh Skeptics Society.             His new book, The Starre, The Moone, The Sunne, is an Elizabethan murder mystery, the solving of which just happens to reveal the identity of the real “William Shakespeare.” I've read The Starre, The Moone, The Sunne and can tell you it's uniquely entertaining, especially as Ron has written it as if he was an author living in the Elizabethan era. Funny, dramatic, raucous, and filled with an amazing theatrical energy, I highly recommend it to you.             And if you're into the Bard of Avon, please check out Ron's excellent book, The Shakespeare Masterclasses, featuring fantastic insights from 13 of the world's greatest classical actors.            Among some of Ron's more unusual achievements, he taught Christopher Reeve to smoke, was told by Groucho Marx to give somebody the finger, and nearly ran Michael York off a mountaintop in a toboggan.www.rondestro.com

We're thrilled to be joined once more by the wonderful Marek Larwood to chat about the 1976 futuristic death-cult sci-fi thriller, LOGAN'S RUN.Support the show

We are continuing musical month! Indy recommends the brutality of Metalocalypse, and the blacker than the blackest black times infinity music of Dethklok, Samantha loves the musical Wicked, and we preview next week's deep dive, Cabaret! Dethklok is a fictional melodic death metal band featured in the Adult Swim animated television series Metalocalypse, known for its satirical or parodic lyrical themes. The first official Dethklok album was released on September 25, 2007, entitled The Dethalbum. The album debuted at number 21 on Billboard magazine's Top 200 list. The band released Dethalbum II on September 29, 2009, and toured with Mastodon, High on Fire, and Converge. The band's third album, Dethalbum III, was released on October 16, 2012. The soundtrack to the special episode, Metalocalypse: The Doomstar Requiem was released on October 29, 2013. A real band was set up in order to perform the band's music in live shows. Both bands were created by Brendon Small and Tommy Blacha. The music heard on Metalocalypse is performed by Brendon Small, with others needed for live concerts and albums.    Metalocalypse is an American musical adult animated television series created by Brendon Small and Tommy Blacha for Adult Swim. It premiered on August 6, 2006. The television program centers on the larger-than-life melodic death metal band Dethklok, and often portrays dark and macabre content, including such subjects as violence, death, and the drawbacks of fame, with hyperbolic black comedy. The show was widely heralded as both a parody and a pastiche of heavy metal culture. Dethklok on Spotify: https://open.spotify.com/artist/7u12AuhJ5AaJIgZAZe0US8   Wicked is a musical with music and lyrics by Stephen Schwartz and book by Winnie Holzman. It is based on the 1995 Gregory Maguire novel Wicked: The Life and Times of the Wicked Witch of the West, in turn based on L. Frank Baum's 1900 novel The Wonderful Wizard of Oz and its 1939 Metro-Goldwyn-Mayer film adaptation.   Cabaret is a 1972 American musical period drama film directed by Bob Fosse from a screenplay by Jay Presson Allen, based on the stage musical of the same name by John Kander, Fred Ebb, and Joe Masteroff,[3] which in turn was based on the 1951 play I Am a Camera by John Van Druten and the 1939 novel Goodbye to Berlin by Christopher Isherwood. It stars Liza Minnelli, Michael York, Helmut Griem, Marisa Berenson, Fritz Wepper, and Joel Grey. Multiple numbers from the stage score were used for the film, which also featured three other songs by Kander and Ebb, including two written for the adaptation.   Cabaret Trailer: https://www.youtube.com/watch?v=uhbq2WFctBM&ab_channel=EduardoBarauna I Love This You Should Too is hosted by Samantha & Indy Randhawa

Here's a short teaser of our brand new Patreon-exclusive episode of Uncut Gems Tie-ins, a monthly series where we take a classic movie and connect it to a film discussed on our main show. This month we are gathering to talk about Cabaret, arguably Bob Fosse's most universally acclaimed directorial effort. Over the course of our conversation you will hear us wonder if it is a musical, an evolved musical or an anti-musical, how it comments on world history and whether it is still just as timely as it was when it was released. We also talk about the chemistry (or lack thereof) between Liza Minelli and Michael York, the revolutionary idea of taking the camera onto the stage and much more! ⁠THIS EPISODE IS AVAILABLE IN FULL FOR FREE ON OUR PATREON! ⁠ Tune in and enjoy! Hosts: Jakub Flasz & Randy Burrows Featuring: Randy Perry & Jak-Luke Sharp ⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠ Follow us on Twitter (⁠@UncutGemsPod⁠) and IG (⁠@UncutGemsPod⁠) ⁠Buy us a coffee over at Ko-Fi.com⁠ (ko-fi.com/uncutgemspod) ⁠Subscribe to our Patreon⁠ (patreon.com/uncutgemspod)

One doesn't often have the chance to ask a Professor of comparative mythology to do an assignment. Well, the Gardener of Doom does! I asked Prof. Michael York if the angels of the Bible were cognates, or shared attributes, with the gods of the polytheistic panteons. It turns out maybe not the angels, but perhaps the Fallen Angels. The Watchers. The Nephilim? Or the fathers of the Nephlim. During this adventure, we discuss dark matter, female angels, the uniqueness of Aphrodite, and whether Ba'el has gotten a bad rap. A lot of generational strife and power shifting. And we are there to guide you through this fascinating discussion.Don't forget to get your virtual tickets to the Nephilim Anthropology Conference 10/28-29.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4863095/advertisement

Steve Lange with Rochester Magazine talks about the time he has spent with Rochester resident Pat York, world famous photographer and author, wife of renowned actor Michael York.

Lou @LouWSytsma, Karen @aleveria and Jesse @JessejacksonDFW  are gathered around the Round Table discussing the 13th episode of the 3rd season of Babylon 5.  We talk Post Offices, treaties and the performance of guest star Michael York.  

#paganism #witchcraft #magic CONNECT & SUPPORT

On this swashbuckling episode of FURTHER REEDING we're diving into Richard Lester's incredibly entertaining 1973 action comedy THE THREE MUSKETEERS, starring Michael York, Frank Finlay, Richard Chamberlain, Raquel Welch, Christopher Lee, Charlton Heston and - of course - Oliver Reed as Athos. Playing a character who is a heavy drinker and fighter might not have been a stretch for Reed, but he still got up to plenty of trouble on-set and we go through some of the more memorable stories and incidents that occurred during filming. We also chat about sword-fighting, blunderbusses, the origins of the term "musketeer" and so much more. CHECK IT OUT!  The post Episode 179 – Further Reeding – The Three Musketeers (1973) first appeared on Cinema Smorgasbord.

Whodunit Month continues with our first Poirot film - Murder on the Orient Express! Ben and Anthony discuss the twists and turns of this star-studded, 1974 Agatha Christie adaptation. Directed by Sidney Lumet, screenplay by Paul Dehn, and starring (deep breath) Albert Finney as Hercule Poirot, Lauren Bacall, Ingrid Bergman, Sean Connery, John Gielgud, Jean-Pierre Cassel, Vanessa Redgrave, Michael York, Rachel Roberts, Jacqueline Bisset, Anthony Perkins, Richard Widmark and Wendy Hiller.

EPISODE #388-- We belatedly round out Pride Month with an examination of Bob Fosse's complex musical masterpiece and ode to a bygone era, CABARET (1972, starting Liza Minnelli and Michael York). It's a great movie and a great episode. We also talk about decidedly straight films, Sergio Leone's THE GOOD, THE BAD, AND THE UGLY (1968), John Woo's MISSION: IMPOSSIBLE 2 (2000), Wes Anderson's ASTEROID CITY (2023 and in theaters now!), Philip Falardeau's CHUCK (2014), and Istvan Szabo's MEPHISTO (1981). Lots of good stuff here. Donate to the cause at Patreon.com/Quality. Follow the show on Twitter @AQualityInterruption, and James on Twitter @kislingtwits, on Instagram @kislingwhatsit and @kislingkino on Tiktok. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, please leave us a review on iTunes or whatever podcatcher you listened to us on!

One of the first projects Orson Welles undertook after moving to Europe was a film version of Othello. Despite Macbeth's criticism, he was still confident he could produce a successful Shakespearean film. However, filming was erratic. Its original Italian producer announced on one of the first days of shooting that he was bankrupt. Instead of abandoning filming altogether, Welles as director began pouring his own money into the project. He took acting jobs to ensure continued production. He also raised money by going on the stage. In the summer of 1950 Welles appeared in Paris in his own play called The Blessed and The Damned, which consisted of a short film, called The Miracle of St. Anne, and two one-act plays. It received positive reviews. In August he traveled to Frankfurt, Hamburg, and Munich, where he starred in An Evening With Orson Welles. Filming of Othello stopped for months at a time to raise money. It took more than two years to complete and was shot in Morocco, Venice, Tuscany and Rome. Before the film's release, Welles played the Shakespearean drama on stage to audiences in Newcastle and London. A dubbed version of Othello premiered in Rome In November of 1951. Welles' original English-language version premiered at the Cannes Film Festival in May of 1952. It won the Grand Prix and was released in Europe thereafter. When David O'Selznick got word that Harry Alan Towers had distributed The Adventures of Harry Lime to MGM, he refused to air it, so Towers took the series elsewhere. He quickly found out that MGM was now contractually obligated to provide a series with Welles to the Mutual Broadcasting System. So, in 1951 Towers went to Welles with another radio series. He'd already produced a series called The Secrets of Scotland Yard with Clive Brook. The new series would be called The Black Museum. It was based on real-life cases from the files of Scotland Yard. Walking through the museum, Welles would pause at one of the exhibits, describing an artifact that led into a dramatized tale of a brutal murder or a vicious crime. Towers visited Australia in the late 1940s and set up production facilities in Sydney. The Black Museum was produced there by Creswick Jenkinson. Ira Marion was scriptwriter and music for the series was composed and conducted by Sidney Torch. Orson Welles's introductions were recorded on tape in London, then flown to Australia to be added to the locally recorded performances. This was the first series to be produced in Australia in this way. The program was transcribed in 1951. In the U.S. Mutual Broadcasting carried the series, with more than five-hundred stations airing it. In New York it began airing Tuesdays at 8PM on New Year's Day, 1952. Episode twenty-seven was called “The Notes” or “Kilroy Was Here.” “Kilroy Was Here” is a graffiti scrawl or meme of debated origin that became popular during World War II. It was associated with GIs stationed in Europe, depicting a bald-headed man with prominent nose clutching at and peeking over a wall. Next to him was the phrase. Robert Rietti played leads and Keith Pyott was often in the cast. Beginning In May of 1953, The Black Museum was also broadcast over Radio Luxembourg, a commercial radio station, and was not broadcast by the BBC until 1991. The Black Museum aired for the calendar year of 1952 over Mutual. It was rebroadcast on KABC, Los Angeles, in 1963 and 1964, and on KUAC—FM in Fairbanks, Alaska, in 1967. In 2002, Harry Alan Towers produced The Black Museum for TV, hiring Gregory Mackenzie to be director and showrunner. The anthology series used Welles' original narration. The adaptation was shot on location in London in a film noir style and the pilot starred Michael York as Scotland Yard Inspector Russell.

Director:  Franco Zeffirelli Producers:  John Brabourne, Anthony Havelock-Allan Screenplay:  Franco Brusati, Masolino D'Amico, Franco Zeffirelli Photography:  Pasqualino De Santis Music:  Nino Rota Cast:  Leonard Whiting, Olivia Hussey, Michael York, Pat Heywood, John McEnery Rotten Tomatoes:  Critics: 95%/Audience: 74%

Imagine a world where nobody lives beyond age 30.  There'd be no me, for one thing, so that world already sucks!  However, if you've somehow managed to live longer than that, you just might remember seeing this 1976 visionary sci-fi classic starring Michael York.  What?  Never heard of him?  Shame on you!  Just because he didn't play Iron Man or Thor doesn't make him irrelevant.  He did play Austin Powers' boss, though.  This movie, while kind of dated and futuristic at the same time, was quite a blast and lucky to have come out a year before Star Wars.  Now hurry up and see it.  Run, Runner!

Willkommen, bienvenue, welcome! Hilary and Julie dissect the 1972 film adaptation of Cabaret starring Liza Minnelli, Joey Grey and Michael York. We analyze how the themes of queerness, expression and encroaching fascism are more relevant today than ever. This classic film inspires a rich conversation about the beauty of adaptation and the interpretive nature of live theater, leading to a discussion about how the character of Sally Bowles can be performed in a myriad of different ways. For all this and more, come to the Cabaret! --- Support this podcast: https://podcasters.spotify.com/pod/show/we-are-the-weirdos-mister/support

Today on The Neil Haley Show, Neil "The Media Giant" Haley and Greg Hanna, The founder of TOSS C3 will interview Joan Van Ark. Tony nominee Joan van Ark's most recent television role was in the movie “The Wedding Stalker” airing on Lifetime with “Glee”s Heather Morris. She is best known for her role as Valene Ewing on television's iconic Dallas and Knots Landing for 14 years. She earned her Tony nomination for her Broadway role in The School for Wives and won Broadway's Theater World Award for The Rules of the Game. In 2005 she appeared at the Kennedy Center in the world première of Tennessee Williams' Five by Tenn as part of the Center's Williams celebration with Sally Field, Patricia Clarkson and Kathleen Chalfant. She co-starred in the Feydeau farce Private Fittings at the La Jolla Playhouse, the New York theatre production of The Exonerated as well as the West Coast production of the off Broadway hit Vagina Monologues by award-winning playwright Eve Ensler. Her most recent theater appearance was in Tennessee Williams' A Lovely Sunday for Creve Coeur at Hartford Stage directed by Michael Wilson. She also appeared off- Broadway in Love Letters and co-starred in the New York production of Edward Albee's Pulitzer Prize-winning play Three Tall Women. Her Los Angeles theater credits include Cyrano de Bergerac, playing Roxanne opposite Richard Chamberlain's Cyrano, Ring Around the Moon with Michael York, Chemin de Fer, Heartbreak House and As You Like It, for which she won a Los Angeles Drama Critics Award.       

Stories in this episode: Day in History: 1998: Sheila Kiscaden named one of the legislators of the year Michael York: 'I have not lost anything. In fact, I think I've gained' Along program make Rochester Public Schools a case study in 'changed perspectives' It's the end of the road for Fury Motors in Rochester Stewartville girls basketball having special, spectacular season under head coach Liffrig

In this epic, militaristic episode of Tubi or Not Tubi, we find ourselves conned into an unexpected production of satanic chaos in the 2001 film, Megiddo: The Omega Code 2, directed by Brian Trenchard-Smith and starring Michael York. Once again, Tubi has offered us a strange situation of a film to dissect. What is an Omega Code? Why is Michael York always caterwauling all the time? Will this movie provide answers or more questions? Guess we gotta go to Megiddo to find out...

That's right. Once again it's time for a brand new episode of The Flickcast. The podcast about stuff nerds love. This week it's Episode 517: Keep On Running. This week on the show the boys get into it with several new and recurring topics. Some of these include The Last of Us, the recent Oscar nominations, Wizards of the Coast and D&D, The Rig on Amazon and a whole lot more. There's also yet another installment of the new "The things that made us" segment. Like we said before, we know that name is already taken, but it's just so darn good we're gonna keep using it until someone says otherwise. This week we take a look at the 1976 sci-fi classic Logan's Run, starring Michael York, Jenny Agutter, Farrah Fawcett-Majors and Richard Jordon. Picks this week include Chris' pick of the terrific film The Banshees of Inisherin and Joe's pick of the Amazon series The Rig. If you like the show, please give it a rating or review on Apple Podcasts, or your app of choice. Every rating and review helps. And if you're really feeling it, consider becoming a Patron and supporting the show on Patreon. That would be super cool.  Thanks for listening! As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, Twitter, Instagram or, yes, even Facebook. Plus, our newest Discord Channel is now live. Click the link for an invite and be sure to check it out.   Opening music by GoodB Music under Creative Commons License End music by Kevin MacLeod under Creative Commons License Image: MGM/Amazon

That's right. Once again it's time for a brand new episode of The Flickcast. The podcast about stuff nerds love. This week it's Episode 517: Keep On Running. This week on the show the boys get into it with several new and recurring topics. Some of these include The Last of Us, the recent Oscar nominations, Wizards of the Coast and D&D, The Rig on Amazon and a whole lot more. There's also yet another installment of the new "The things that made us" segment. Like we said before, we know that name is already taken, but it's just so darn good we're gonna keep using it until someone says otherwise. This week we take a look at the 1976 sci-fi classic Logan's Run, starring Michael York, Jenny Agutter, Farrah Fawcett-Majors and Richard Jordon. Picks this week include Chris' pick of the terrific film The Banshees of Inisherin and Joe's pick of the Amazon series The Rig. If you like the show, please give it a rating or review on Apple Podcasts, or your app of choice. Every rating and review helps. And if you're really feeling it, consider becoming a Patron and supporting the show on Patreon. That would be super cool.  Thanks for listening! As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, Twitter, Instagram or, yes, even Facebook. Plus, our newest Discord Channel is now live. Click the link for an invite and be sure to check it out.   Opening music by GoodB Music under Creative Commons License End music by Kevin MacLeod under Creative Commons License Image: MGM/Amazon

What will happen when the alien ships strike Earth? And later? Who will survive? What will life be like in that latter-day jungle? William F. Nolan pens this grim story of the days and the nights of Lewis Stillman—survivor ...He was running, running down the long tunnels, the shadows hunting him, claws clutching at him, nearer ...  Small World by William F. Nolan, that's next on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.When I recorded Small World at the request of Mike Jones, thanks Mike, I had no idea that the author, William F. Nolan wrote the book, with George Clayton Johnson, that led to one of my favorite sci-fi movies, Logan's Run. The 1976 movie featured Michael York, Jenny Agutter, Farrah Fawcett and Peter Ustinov. I enjoy going to movie locations and when I discovered that the scene where Logan and Jessica discover an old man played by Peter Ustinov, the first elderly person either of them has ever seen, was filmed at the Fort Worth Water Gardens, I had to go see it for myself.So, if it hadn't been for you Mike Jones, requesting the short sci-fi story Small World, I would never have known that William F. Nolan also wrote Logan's Run. Long before Logan, Nolan began writing short fiction stories in 1952 and he would continue to write into his 90s!He is credited with more than 180 short stories, today's story, Small World is the 8th such story written by Nolan. Let's go back in time 65 years to the pages of Fantastic Universe Magazine, August 1957, on page 98 you will discover Small World written by William F. Nolan...Next week on The Lost Sci-Fi Podcast… He knew his wife was dead, because he'd seen her buried. But it was only one possibility out of infinitely many! ... The Other Now, written by Murray Leinster.That's next week onThe Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.

Adapt or Perish is back, and with Episode 118, we're taking an extended look at the adventure classic The Three Musketeers! We've also got a new focus for the show, and we can't wait for you to see what we've got planned! In this episode, we discuss: Alexandre Dumas' original 1844 novel The Three Musketeers, the 1921 movie, directed by Fred Nibble, written by Edward Knoblock, Douglas Fairbanks, and Lotta Woods, and starring Fairbanks, Léon Bary, George Siegmann, and Eugene Pallette The Three Musketeers, the 1935 movie, directed by Rowland V. Lee, written by Lee and Dudley Nichols, and starring Walter Abel, Paul Lukas, Moroni Olsen, and Onslow Stevens The Three Musketeers, the 1939 movie musical, directed by Alan Dwan, written by William A. Drake, M.M. Musselman, Sam Hellman, Ray Golden, and Sid Kuller, and starring Don Ameche and the Ritz Brothers The Three Musketeers, the 1948 movie, directed by George Sidney, written by Robert Ardrey, and starring Gene Kelly, Lana Turner, June Allyson, Vincent Price, and Van Heflin The Three Musketeers, the 1966 series, directed by Peter Hammond, written by Anthony Steven, and starring Jeremy Brett, Brian Blessed, Jeremy Young, Gary Watson, and Richard Pasco The Three Musketeers and The Four Musketeers, the 1973 and 1974 movies, directed by Richard Lester, written by George MacDonald Fraser, and starring Michael York, Oliver Reed, Frank Finlay, Richard Chamberlain, Charlton Heston, Faye Dunaway, Raquel Welch, and Christopher Lee The Three Musketeers, the 1993 movie, directed by Stephen Herek, written by David Loughery, and starring Chris O'Donnell, Charlie Sheen, Kiefer Sutherland, Oliver Platt, and Tim Curry The Musketeer, the 2001 movie, directed by Peter Hyams, written by Gene Quintano, and starring Justin Chambers, Tim Roth, Mena Suvari, Jean-Pierre Castaldi, Stephen Rea, and Catherine Deneuve The Three Musketeers, the 2011 movie, directed by Paul W.S. Anderson, written by Anderson and Andrew Davies, and starring Logan German, Matthew Macfadyen, Ray Stevenson, Luke Evans, Mads Mikkelsen, and Milla Jovovich The Musketeers, the 2014–2016 series, created by Adrian Hodges, and starring Tom Burke, Santiago Cabrera, Howard Charles, and Luke Pasqualino Footnotes: History Tea Time with Lindsay Holiday "Voila" from The Three Musketeers (1939), but seriously, watch the whole thing, it's a delight Frock Flicks "All For Love" performed by Bryan Adams, Rod Stewart, and Sting You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. We're also on Patreon! You can find us at patreon.com/adaptcast. We have multiple reward levels, which include access to a patron-only community and a patron-only, biweekly bonus show! We hope to see you there. If you want to send us a question or comment, you can always email us at adaptorperishcast@gmail.com.