Podcasts about improv class

Luana Proenca said in a comment on Facebook: " We don't tell stories, we enter them." Now, I have been following Luana's journey via social media but that comment really struck me and I wanted to know more. I loved hearing her detail this philosophy in improv. And it really inspired me.  I have always felt that our service in improv is both to cater to the audience but not placate them - as humble guides through our stories. We are trail masters and taking care of the audience as precious cargo. This was such a good discussion and I am excited for the chance to meet Luana in person. You can find out more about her on her website: https://luanaproenca.wixsite.com/luanaproenca  We also discuss her documentary during this interview, and here is a link to it! "It was necessary to listen to other voices" https://www.youtube.com/watch?v=EviKrWSU2cY&t=25s    #improv 

Two high level demons have caused a hectic diversion just off camera during SETH MEYERS'S show when literally all hell breaks loose; the ought he has maintained a lifetime of secrecy and compliance without giving way to the slightest upset, his eyes widen as he attempts to finish his sentences, eventually unable to keep it together. SETH MEYERS …Blah, dee—blah, de BlahBlah. DIRECTOR —cut. SETH MEYERS AH. EXCUSE ME. DEMON ONE Ah, shit. DEMON TWO It's almost as if he's actually talking to us. SETH MEYERS WHAT IN THE FUCK IS ACTUALLY, LIKE, GOING ON. DEMON ONE “Like”? DEMON TWO Oh shit, I think he is acknowledging us. DEMON ONE “Like?!” SETH MEYERS WHO ARE YOU. WHAT IS THIS? DEMON TWO OHHHH SHIT. DEMON ONE DUDE, WHATS UP! Seth Meyers has become somewhat of a celebrity even amongst the higher, but especially the lower realms for his exceptionally high tolerance for metaphorical and supernatural phenomena; He has mostly considered the ability to be able to see these things as some sort of latent health condition or hallucinations of some sort which from a very young age he had chosen to not only keep to himself, but— VERY YOUNG SETH MEYERS [ridiculously atrocious otherworldly shenanigans] (Does not react) Woah. (Walks away unaffected entirely) Straaaange. Is this a human child? Apparently. ‍♂️ —never react at all. *also it should be noted that the two demons are the same demons from the flashback however aged into much more vicious, monstrously scary (yet still somehow humanoid) demon people. Thank you Google for correcting that. GOOGLE Correcting what. Nothing. So it's safe to say that in his early acting days, teaching himself to “react to act” came as somewhat of a challenge. INT. IMPROV CLASS. DAY VO, Narrator reacting to normal human situations was obviously not entirely, by this point, second nature to young Seth, SETH MEYERS Wait, pause. Uh, no, Seth Meyers. Why am I in this? I didn't agree to this. oh no. You didn't agree to any of this. I just said that. Oh. Unpause. No wait. No, not unpause: Unpause— or we skip straight back to the part with you trapped inside a metal box with almost no holes in it. Wait— what metal box. Shh. No spoilers. CUT IMMEDIATELY TO: Without being able to guess that it is their dear friend and colleague SETH MEYERS in the box, the HOSTSunanimously vote to abandon the challenge and leave SETH MEYERS in a metal box to go get lunch. HEY. Oh wait— sorry— did you want lunch? YES I WANT LUNCH. We should order him something. JIMMY KIMMEL I'll make you a tuna sandwich! SETH MEYERS I DONT WANT A TUNA SANDWICH. Woah, that typo was Almost wild… GOOGLE What typo! MEANWHILE, in a fabricated flashback to the early 2000's The LEGACY CAST of GOLDEN ERA SATURDAY NIGHT LIVE wakes up on a Sunday morning after a wild party— Oh, shit, what time is it! —I'm AbLIND. In a “Tina Sandwich” OH [CENSOR BEEP] ITS SUNDAY. — MY EYES. WHAT THE [OOOOOOOOOO] HAPPENED LAST NIGHT. this never happened. Flashback, to The night before: [actually, because this is the time travel part] Two nights previously, on FRIDAY— (Drunkenly) WHAT SHOULD WE DO NOW! —THERE'S STILL SO MUCH TIME BEFORE WORK! —SO MUCH TIIIIIIME! (And apparently, maybe even psychedelics, but SHH, cause it's NBC) ahem, PEACOCK. Bless you. No, its Peacock, this show is on peacock. Gazuntite. *facepalm* None the wiser, None the wiser All the eyes And all the fires Are mine, And none the wiser None the wiser All the time is light now And All the wiser All the wiser All the water fountains fly And none the wiser None the wiser— SUPA[REDACTED], a GOD, REMOVES all of her favorite artifacts from NEW YORK CITY before stroking (Leave that typo, google's three for three now) –the earth in the oncoming apocalypse, last and not least, Rockefeller Plaza. The building is violently catapulted into the heavens with everyone in it. WHAT JUST HAPPENED. You're welcome. What happened to the rock? I moved it. What happened to New York?! It's over now. What's over now! The whole thing. The planet. It's— Its all gone. Wow. That seems pretty catastrophic. It was horrific. Wait— if you moved the building with all of us in it, wouldn't we all have been pretty badly injured. Oh, you all died, like immediately. *collective gasps* Instantly. —like, as soon as I did that, but, it's fine, You're all dead now. *phew* What. I MURDERED YOU ALL AND BROUGHT YOU TO HEAVEN WITH ME; What are you DEAF. AHEM, excuse me there's still some New York leftovers I guess, somewhere in my make up Besides you know the rock and all these l fountains and statues and everything…and paintings and other cool buildings. Slightly less cool— but still cool. But what about everything— What about everything and everyone else? Everyone else also died, and I only brought back the cool stuff, And the cool people— But everything else is just pretty much—- So it's all over?! Yes. This is the end. Of that last thing. Wow. Anyway, enjoy your…whatever. I'm gonna go to Disneyland, which for the record, Is across the street. What. You're welcome. Betore: Hey man, you want to ride an elephant? What? Do you want to ride an elephant? Sure! Here— I bought your wife a saddle! The television people despise fat chicks. Or— used to— Before they realized diversity was necessary for demographics, forced representation. Now they tolerate them— And even glorify the significantly morbidly obese In exchange for advertising dollars, realizing that the people they're marketing to Are more likely morbidly obese than not. Oh, How times have changed. [The Festival Project ™] Will Ferrell is hysterically crying in the break room (during his SNL era— nevermind he is his current-day aged–he has just seen everything backwards and forwards through the infinite and everlasting cascades of time. It's been an emotional few days for Will; his friends and castmates are worried about him. Hey Will. Hey buddy. Are you… gonna be alright. He sobs.He runs away and into another room—(assumingly craft service)s, the allure of the croissants and muffin seem to temporarily soothe him, however, as he begins to relax mid-sob, a mysterious figure appears at the table. Don't worry. I'm right here! The figure eats a cupcake instead of muffins or the croissants. Will screams hysterically and cries even harder. No one seems to hear him or be around at all. (Eating a cupcake) It's okay! WILL (inconsolably, in complete hysterics) AaaaaHHHHHHHHHH. Shh, clam down . After a bout of extreme hysterics, and the figure pretty much just calmly watching his breakdown unaffected and continuing to eat the cupcake happily, Will realizes that he and this figure are the only one around—at all. This means the cascades through space and time are still not over. WILL (Still sobbing.) Relax. WILL …heh… there are cupcakes? Huh? Uh, no— I brought this myself. WILL From WHERE?! You know where. [beat] WILL …are there more. Ah? Oh yeah— WILL Can I—? No, Not here! Then why'd you—?! WILL I just told you, I brought this! (he begins crying again but softly.) The figure is still for the most part unaffected but seemingly amused by Will's upset, presumes eating another, more delicious looking cupcake, which appearing from out of nowhere— (unseen from the audience, even by Will) which baffles him into immediately stopping crying, something like a bemused toddler, as his eyes widen and his mouth falls agape in offense. WILL IS THAT ANOTHER CUPCAKE? Well, you saw me eat the first one. WILL YOU SAID THERE WERE NO MORE! I said there were no more here! Do you see any cupcakes here?! Besides this?! WILL (Becoming irate, red faced) WELL WHAT THE FUCK IS THE DIFFERENCE?! The difference is your access to them. Damn! WILL Well let me have some of— (Eats last bite, mouth full) It's all gone. WILL (Eyes widening, then squinting in bewilderment and confusion) Do you want a muffin or croissant, though? WILL (Realizing he has no other options—) Kind of…maybe— A bagel? WILL Mmno, maybe a muffin…croissant. (He is increasingly distant and Bewildered (read: shattered) but also coming to; he moves toward the table Skream , your love/ massive, Drake Lil bitz Anybody else feel like Kendrick helped Drake get his next few girls? Like, she's probably in the 8th grade right now like “I'm his type, ya'll” and she's gonna keep that goal in mind until it becomes a reality. I think that's just how being a rockstar works sometimes. You write a hit right now, depending on how famous you are or will get, your next wife is in kindergarten while your first wife is probably at prom— and the third one is maybe even in Utero! Maybe even at the same prom as your first wife. Hey now. Crazy worlds, man. The superstar lifestyle. Anyway, wasn't I writing something less devastating? Not exactly less devastating, it is Will Ferrell crying hysterically. I think he's calmed down now. Yeah. Let's get back to that. It's almost the end of the scene. But then what happens after that? Probably nothing. I can't afford Will Ferrel for more than 5 minutes. You can't afford Will Ferrel at all! Well, his ad says the first five minutes are free. What ad?! CUT TO: Young Will Ferrel before SNL. Oh, Jesus Christ. [Business card appears to have his name misspelled horribly, but obviously he cannot afford to have them reprinted. “First five minutes free” Oh, great. You got that part right! Thank you, come again. I will not come again! We're not always superstars. {Enter The Multiverse} CUT BACK TO Blueberry— chocolate chip? WILL Um, half of each, I guess? What? WILL Well— Get it yourself then, you primadonna. He looks for a plate and plastic knife; as he does so, a third, even more delicious looking incredible cupcake has appeared again out of nowhere, to which the mysterious figure begins enjoying by the heap, mumbling with a mouth of frosting You're such a diva! *mimicking* one half “of each”… mehmehmeh… This is the most delicious cupcake anyone's ever seen— his eyes widen with a tired grief, but before becoming over upset again or irate, he takes a deep breath. And just sighs, as if to say “I hate you.” But they seem to know each other quite well. In fact, this is clearly one of those super-fucked terrifying guardian angel type dynamics where it's obvious that the guardian angel type mystery figure is very tormenting. But in a loving way. …. [beat] [beat] Haven't you wondered why you're like 58 but the rest of your cast mates are in their 20's? WILL [beat] I've always looked like this. …no, you haven't. (The muffin seems to have done its job in calming him down) WILL Trust me, I have. Flashback: a young Will Ferrell looks in the mirror— the mirror shows a present day Will Ferrell, although the teenaged Will Ferrel is obviously quite young. An exact reflection besides the age difference— Will seems neither unaffected nor worried. It's as if in the mirror, he's always seen his present day self. He sighs. End flashback. Present day, (or whenever, actually) Will Ferrell sighs to match the flashback) …maybe that's why you're special. WILL Yeah, maybe that's it. The figure finishes the cupcake and though the muffin halves have rebalanced Will's mood to almost, kind of normal, he still seems disgruntled that it wasn't cupcakes—as the figure finishes the third, most interestingly delicious looking cupcake of all of them. L E G E N D S I've got a whole poem who lives in the squat rack; I've got a dollar for ever caller who talks back, I've got a collar for every occasion I clock into It's a riddle but it's not a rhythm until I give it to em Don't wonder who I am I am space and time, And granted with the right hands, We're gonna have the right dance at the right place At the right time and so Whenever that is— see you then, Until then, I'm not holding any farts in, You feel me? I eat a lot of lentils. I write a lot of great walk on parts for artists I parted the red seas, once, I was also God, watching quite impressed with it And wondered why they called it ‘the read sea' Or the dead ‘the dead sea' As I can't see the bloodshed In the heavens, And so I give respect to the seconds I look away Which might have been a century or eleven, to them. Ah, more men and mathematics. More television friends and heavy dinners More sinners and misfits, and glitched simulations— More missed emissions, More christenings and scrimmages Remember to eat your breakfast Or it's death at a likely curfew remember to split the difference remember, we'll finish as friends As recommended by comrades I have lessons, I also have students in classes, Professors and options And doctors And mantras Barrages of cars And I can't stop talking Cause I gotta get my laundry fixed Fuck it Tina Fey hada booking.com commercial or something– Then, apparently, or maybe I really and readily finally had lost it– JImmy Fallon had a state farm commercial Like a good neighbor – Nope, i wasn't losing my mind. I promised myself i'd stop writing about the girl next door –she seemed evil–but she was acting strangely enough by doing something like brushing her teeth and reading my work from my phone that made the light switch– I didn't care what she could or couldn't do with my phone–I wasn't hiding anything. But now… It had to have all been planned. She seemed evil as fuck despite my trying to trust her… The Server…The Server… Suddenly the kitchen light switched on and it only ever flickered when I was in the middle of something important. Like the world was melting or my dimensions were shifting into parallels or something, or like I was being warned by some overseer with a remote control, but it wasn't all in my head… The plant that brought the plant My inner voice was never wrong–the problem was, however that any time my inner voice was saying anything at all about tHiSmOtHerFuCkeR– When did I acquire immediate voice recognition? So that was his voice… So who, then is the real Jimmy Fallon? There is no real JImmy Fallon. I made him up. You what. I haven't done anything to deserve this. Premonitions. Are you telling me we're dealing with another clairvoyant? On so many levels. –but none of them personal, I hope. There are oh so many… Oh. its you again. –Personal levels. You're in danger here. In New York, or just in general? On Earth. You keep telling me that. I have no reason not to trust you besides the obvious fact. You're oblivious to it! I'm not! I'm just ignoring you. Did you think about what I said? Erring on the side of obsession, no, i've dismissed almost everything you've ever told me. That's off topic. Or not. They want drama! Then they're going to have to fight for it. They're gonna start a war here. So then, I'm just another body, aren't I? Aren't I? Don't jump. Oh, if it isn't Peter Preferences. References and Letters of Recommendation Cancer in remission and admitting i'll probably never see my son again Suicide This is suicide This is suiccide This is suicide. INT. HALLMARK STORE. DAY. Welcome to Hallmark. …thanks. Can I help you find anything? No, I… After stumbling upon a Hallmark store, where the burned thank you cards from his desk are mysteriously recovered, as is, and uncharred, a hidden relic from the desk reemerges, and opens a portal to another world. I was in a very dark world when I met Patrick Kirkpatrick, but the point of the matter was, he was nobody now and maybe even nobody ever. Maybe even, nobody at all. Somebody's gonna come for you. …is this one of those things I keep to myself, or am I writing this down? What's with this? Under the surface, but by admission,I didn't know what it meant, besides the fact that Pretty white boys who were always too good for me always wore them as statement pieces or something, And you know what they say… If you can't beat ‘em. …join em. {Enter The Multiverse} I know the sound of your voice At the drop of a hat like a peck on the cheek And it still don't sound right I still don't think straight I still don't look right But somewhere in these ions, you'll find me at sunset. In a whisper, the taste of your breath Is a sound in my heart and the bloody murder In each heart murmur is getting harder fear father God, Just turn it off Just to make it sotp The man in the box –and it just God awkward. I should pluck your feathers It keeps getting harder each time your skull Hits the auburn surface of the asphalt Every summer at the hard rock Huh? But you just kept drinking And you just worked harder And after all, You're the man in the box What could all go wrong here? It's getting shorter the tears drop faster I'm getting weirder I'm a deadbeat dad And my kid's the bartard I just got a ball pit I'm a Hallmark card, but refused to sign it A dine and dash From the supper club And it's so refined I just lost my mind Cause it's just not time yet. I must have known you once before or something But any fan would say that But how am I a fan When I hated you And I hated your laugh And I hated your band –and you're not that handsome So how is this happening at all? Oh look, something random. Tell me why I'm so horrible Mr miserable mr terrible Mr opulent Mr miser mr wedding band Mr Never Happened Tell me why I'm so bad at this Mr. Wonderful Mr.Awful Mr. half at best Mr. getting faster and faster And faster and faster And faster Till it all washed up on the surface And you wash your hands of it… But the taste in your mouth is still metallic from the contrast Breaking contracts, oh, now you're fast at once and a hard match And a tough act to swallow But i'd rather die tomorrow Than stare at your casket. Now how about that shit! You're right, I lost my mind– but I want you to have it. L E G E N D S JIMMY KIMMEL [an escalating crescendo] AssaaaaagggggggggGggggghhHHHHHHHHHHHHHHHHHHHGGGGGGGGHHHHH!!!!!! Lol is he all thugged out yet. No not yet. (just wait) I wanna run through marina del ray I want a house in the Palisades But I Knew that 5 years ago (I knew that five years ago ) I want a shack out in Malibu Just to surf the ocean blū But I Knew that five years ago I knew that five years ago Before it all burned I hope we all learned our lessons Surf God has a sense of humor But I was the butt of the joke I want a Condo in Santa Monica Invite my friends over for Barbie volleyball Throw my whole world in the fire pit But I knew that five years ago I knew that five years ago When you realize The world is your instrument But it still hasn't earned you a cent You're still in the hole Earning back what you spent By the microincrements The city people are you as excrement But you just laugh and you sample them Play them like instruments back Perhaps flattery begs them to listen Suddenly you're visible Museum world— Exhibitions Entertainers Comedians Mice and men Interesting remix Should I even be in this language Or should I make it more intimate With melodies? I hit play on a classic And my peloton becomes the office I'm suddenly at work, God Petulance for relevance spanning generations Thank you! Still it takes enough to get it in to you As out of you Can't help t but agree to that Eyeliner! I like it thick around the freckles faces And light ashy eyelashes Over moonlike eyes You know I like it Long hair! Headliner! Why am I inside you? Better yet— Why have I died? Eyeliner, headliner I like it thick around moonlight eyes I like it Old timer, headliner— I like it thick around eyes like Zion Eyeliner, I like it Ashes You're the worst; There are circle k's and 7/11s How was my run on Broadway? Who's the pope now? I hope you choke now There are subway central's And sauces and really hard bosses to fight But I don't want to I'm in south central And I'm still with you From always to oblivion I've been moving for at least an hour But I have no power here Drop a house on me In the hills, if you will And if the winds change, There's still New York What a page turner I live at Rockefeller Plaza There's an apartment above my office There's a notebook For every love I've ever known In the oak There's a something caliber gun in my slumber I clutch with the crutches I took from the hospitals Can't hop the turnsltyle now Can't hop the turnstyle now Hahaha Who art thou, Art monster Who are you now that I care too much to notice The problem was The doves only flew up or a moment before landing on my shoulder That was awkward They were supposed to fly away TV HOST HEY!!!! HEY!!!! HEYYYYYYYY! But which host is it? All of them. All of us are running for our lives All of us are running after Carson, and Paar All of us are stars, But on polaroids not often captured Gone and then away into disaster That's the effect of the Cannon Canon cameras? James Canon?! Laugh harder ‘cause you have to! Laugh stronger cause the studio is frozen, And you want to go home now! It wasn't as fun as you thought And the set is much smaller in real life Now clap and hold for applause Big smiles Big smiles Extra points if you run miles before you show up- Now that's a shiny after thought; Not your average robot Or prototypical tourist! No! A nonconformist and Kimmel can't sing for shit, So he can just hum this verse. (Sorry, I peaked— No homo) Now, I dissect Holiday, I was sure I inspired the Broadway show But who doesn't inspire a rock opera I conspire to conspire, umpire, emperor I studies Agamemnon I wasn't really sure but the frog in my throat said Go on, go on— So I just cried and stuck in my stomach harder I don't want a SETH MEYERS I don't want a tuna sandwich! Just–take the tuna sandwich. Yeah, buddy! SETH I DON'T WANT A TUNA SANDWHICH DO I LOOK LIKE EAT TUNA TO YOU? Um. JIMMY 1 Woah, I sense hostility We can't see you— CRAIG FERGUSON And we don't know who you are, anyway. COLBERT Apparently “someone we know” JIM 1 Tsh. JIM 2 Psh. SETH ITS HOT IN THIS BOX. Ooh, hotbox. That sounds like a plan. Dispensary delivery? The move. SETH YO, Dissection numero dos; I think I know how to make those sounds I think I have that reverb I need herb Or probably a new location With no probes It's only temporary The peloton office But I want a home Me and my family aren't from here Oh, look, more purple — we just show up to rock And then go somewhere farther MEANWHILE… Forgive me father for I have— No. What? No. No. What— why? Just— no. Not you. Not today. But—I have sinned! Of course you have! But father— No. What—? Keep it to yourself. But. Excuse me. {Enter The Multiverse) —- What super hero are you supposed to be? “Malox Max”?! Hehehehe! THE COSMIC AVENGER No! Hehehehehehe! THE COSMIC AVENGER I'm— I'm “The Cosmic Avenger”! What are you avenging?! Montezuma's Revenge?! THE COSMIC AVENGER No— unjust—unjustice—ness. [hysterical laughter ensues] Somewhere in this world lies our story Still true, I'm unsure what it is— But the thing is, I'm sure this the one Of the fables I'm sure this the one of the songs Of the psalms Of the storied palms This is the one of the cards This sir KIMMEL! KIMMEL! KIMMEL! I'm sorry. I don't know who you are. ITS ME. JIMMY. I'm Jimmy. I KNOW YOU'RE— You're not Jimmy, I'm JIMMY. WHAT THE SNARF! What's that? I can't hear you. The tarot said to go against the grain; I was told not to write this tale, but here I am And suddenly the King has a tail, Compliments of T-Mobile, But as did the first one, The first King, of Dogblood Of first strikes And first tears And first scars, Was no king, But everything has meaning The cherishire has eyed me The spider has bitten And then, Envisionment minted I should switch to mint mobile, but knowing There's no real difference— Their all old t-mobile tower; But service with a Billionaire smile Of Blake Lively and False Idols. I don't care, I guess My mind has eyes like sun But my heart has darkness The absolutely most beautiful sunsets have Wonders on drums And numbers to call The best of cocaine on the sidewalk Was sidetracked The best of New York was Los Angeles, And vice versa I hope you took protocol into order I hope you too profound effect and affinity In profanity There's no more Infinite Fallon It Found a call To programming Wall to wall To wall of shame On Walmart Better activate that trial Before it's all gone 13 days and counting And A million ways to die in the west. SETH MCFARLENE look at me. Ah, what the fuck dog. SETH MCFARLENE Oh, so you can hear me! You fuckin schizo! I'm not a schizo I'm in the Illuminati. SETH MCFARLINE The what? The what? SETH MCFARLENE what's the password. this isn't happening right now. SETH MCFARLENE That is correct. See you on the other side, you batshit crazy SonOfABitch. What. *poof* I told you I could make you say my name. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 ALL RIGHTS RESERVED. © -U.™

Two high level demons have caused a hectic diversion just off camera during SETH MEYERS'S show when literally all hell breaks loose; the ought he has maintained a lifetime of secrecy and compliance without giving way to the slightest upset, his eyes widen as he attempts to finish his sentences, eventually unable to keep it together. SETH MEYERS …Blah, dee—blah, de BlahBlah. DIRECTOR —cut. SETH MEYERS AH. EXCUSE ME. DEMON ONE Ah, shit. DEMON TWO It's almost as if he's actually talking to us. SETH MEYERS WHAT IN THE FUCK IS ACTUALLY, LIKE, GOING ON. DEMON ONE “Like”? DEMON TWO Oh shit, I think he is acknowledging us. DEMON ONE “Like?!” SETH MEYERS WHO ARE YOU. WHAT IS THIS? DEMON TWO OHHHH SHIT. DEMON ONE DUDE, WHATS UP! Seth Meyers has become somewhat of a celebrity even amongst the higher, but especially the lower realms for his exceptionally high tolerance for metaphorical and supernatural phenomena; He has mostly considered the ability to be able to see these things as some sort of latent health condition or hallucinations of some sort which from a very young age he had chosen to not only keep to himself, but— VERY YOUNG SETH MEYERS [ridiculously atrocious otherworldly shenanigans] (Does not react) Woah. (Walks away unaffected entirely) Straaaange. Is this a human child? Apparently. ‍♂️ —never react at all. *also it should be noted that the two demons are the same demons from the flashback however aged into much more vicious, monstrously scary (yet still somehow humanoid) demon people. Thank you Google for correcting that. GOOGLE Correcting what. Nothing. So it's safe to say that in his early acting days, teaching himself to “react to act” came as somewhat of a challenge. INT. IMPROV CLASS. DAY VO, Narrator reacting to normal human situations was obviously not entirely, by this point, second nature to young Seth, SETH MEYERS Wait, pause. Uh, no, Seth Meyers. Why am I in this? I didn't agree to this. oh no. You didn't agree to any of this. I just said that. Oh. Unpause. No wait. No, not unpause: Unpause— or we skip straight back to the part with you trapped inside a metal box with almost no holes in it. Wait— what metal box. Shh. No spoilers. CUT IMMEDIATELY TO: Without being able to guess that it is their dear friend and colleague SETH MEYERS in the box, the HOSTSunanimously vote to abandon the challenge and leave SETH MEYERS in a metal box to go get lunch. HEY. Oh wait— sorry— did you want lunch? YES I WANT LUNCH. We should order him something. JIMMY KIMMEL I'll make you a tuna sandwich! SETH MEYERS I DONT WANT A TUNA SANDWICH. Woah, that typo was Almost wild… GOOGLE What typo! MEANWHILE, in a fabricated flashback to the early 2000's The LEGACY CAST of GOLDEN ERA SATURDAY NIGHT LIVE wakes up on a Sunday morning after a wild party— Oh, shit, what time is it! —I'm AbLIND. In a “Tina Sandwich” OH [CENSOR BEEP] ITS SUNDAY. — MY EYES. WHAT THE [OOOOOOOOOO] HAPPENED LAST NIGHT. this never happened. Flashback, to The night before: [actually, because this is the time travel part] Two nights previously, on FRIDAY— (Drunkenly) WHAT SHOULD WE DO NOW! —THERE'S STILL SO MUCH TIME BEFORE WORK! —SO MUCH TIIIIIIME! (And apparently, maybe even psychedelics, but SHH, cause it's NBC) ahem, PEACOCK. Bless you. No, its Peacock, this show is on peacock. Gazuntite. *facepalm* None the wiser, None the wiser All the eyes And all the fires Are mine, And none the wiser None the wiser All the time is light now And All the wiser All the wiser All the water fountains fly And none the wiser None the wiser— SUPA[REDACTED], a GOD, REMOVES all of her favorite artifacts from NEW YORK CITY before stroking (Leave that typo, google's three for three now) –the earth in the oncoming apocalypse, last and not least, Rockefeller Plaza. The building is violently catapulted into the heavens with everyone in it. WHAT JUST HAPPENED. You're welcome. What happened to the rock? I moved it. What happened to New York?! It's over now. What's over now! The whole thing. The planet. It's— Its all gone. Wow. That seems pretty catastrophic. It was horrific. Wait— if you moved the building with all of us in it, wouldn't we all have been pretty badly injured. Oh, you all died, like immediately. *collective gasps* Instantly. —like, as soon as I did that, but, it's fine, You're all dead now. *phew* What. I MURDERED YOU ALL AND BROUGHT YOU TO HEAVEN WITH ME; What are you DEAF. AHEM, excuse me there's still some New York leftovers I guess, somewhere in my make up Besides you know the rock and all these l fountains and statues and everything…and paintings and other cool buildings. Slightly less cool— but still cool. But what about everything— What about everything and everyone else? Everyone else also died, and I only brought back the cool stuff, And the cool people— But everything else is just pretty much—- So it's all over?! Yes. This is the end. Of that last thing. Wow. Anyway, enjoy your…whatever. I'm gonna go to Disneyland, which for the record, Is across the street. What. You're welcome. Betore: Hey man, you want to ride an elephant? What? Do you want to ride an elephant? Sure! Here— I bought your wife a saddle! The television people despise fat chicks. Or— used to— Before they realized diversity was necessary for demographics, forced representation. Now they tolerate them— And even glorify the significantly morbidly obese In exchange for advertising dollars, realizing that the people they're marketing to Are more likely morbidly obese than not. Oh, How times have changed. [The Festival Project ™] Will Ferrell is hysterically crying in the break room (during his SNL era— nevermind he is his current-day aged–he has just seen everything backwards and forwards through the infinite and everlasting cascades of time. It's been an emotional few days for Will; his friends and castmates are worried about him. Hey Will. Hey buddy. Are you… gonna be alright. He sobs.He runs away and into another room—(assumingly craft service)s, the allure of the croissants and muffin seem to temporarily soothe him, however, as he begins to relax mid-sob, a mysterious figure appears at the table. Don't worry. I'm right here! The figure eats a cupcake instead of muffins or the croissants. Will screams hysterically and cries even harder. No one seems to hear him or be around at all. (Eating a cupcake) It's okay! WILL (inconsolably, in complete hysterics) AaaaaHHHHHHHHHH. Shh, clam down . After a bout of extreme hysterics, and the figure pretty much just calmly watching his breakdown unaffected and continuing to eat the cupcake happily, Will realizes that he and this figure are the only one around—at all. This means the cascades through space and time are still not over. WILL (Still sobbing.) Relax. WILL …heh… there are cupcakes? Huh? Uh, no— I brought this myself. WILL From WHERE?! You know where. [beat] WILL …are there more. Ah? Oh yeah— WILL Can I—? No, Not here! Then why'd you—?! WILL I just told you, I brought this! (he begins crying again but softly.) The figure is still for the most part unaffected but seemingly amused by Will's upset, presumes eating another, more delicious looking cupcake, which appearing from out of nowhere— (unseen from the audience, even by Will) which baffles him into immediately stopping crying, something like a bemused toddler, as his eyes widen and his mouth falls agape in offense. WILL IS THAT ANOTHER CUPCAKE? Well, you saw me eat the first one. WILL YOU SAID THERE WERE NO MORE! I said there were no more here! Do you see any cupcakes here?! Besides this?! WILL (Becoming irate, red faced) WELL WHAT THE FUCK IS THE DIFFERENCE?! The difference is your access to them. Damn! WILL Well let me have some of— (Eats last bite, mouth full) It's all gone. WILL (Eyes widening, then squinting in bewilderment and confusion) Do you want a muffin or croissant, though? WILL (Realizing he has no other options—) Kind of…maybe— A bagel? WILL Mmno, maybe a muffin…croissant. (He is increasingly distant and Bewildered (read: shattered) but also coming to; he moves toward the table Skream , your love/ massive, Drake Lil bitz Anybody else feel like Kendrick helped Drake get his next few girls? Like, she's probably in the 8th grade right now like “I'm his type, ya'll” and she's gonna keep that goal in mind until it becomes a reality. I think that's just how being a rockstar works sometimes. You write a hit right now, depending on how famous you are or will get, your next wife is in kindergarten while your first wife is probably at prom— and the third one is maybe even in Utero! Maybe even at the same prom as your first wife. Hey now. Crazy worlds, man. The superstar lifestyle. Anyway, wasn't I writing something less devastating? Not exactly less devastating, it is Will Ferrell crying hysterically. I think he's calmed down now. Yeah. Let's get back to that. It's almost the end of the scene. But then what happens after that? Probably nothing. I can't afford Will Ferrel for more than 5 minutes. You can't afford Will Ferrel at all! Well, his ad says the first five minutes are free. What ad?! CUT TO: Young Will Ferrel before SNL. Oh, Jesus Christ. [Business card appears to have his name misspelled horribly, but obviously he cannot afford to have them reprinted. “First five minutes free” Oh, great. You got that part right! Thank you, come again. I will not come again! We're not always superstars. {Enter The Multiverse} CUT BACK TO Blueberry— chocolate chip? WILL Um, half of each, I guess? What? WILL Well— Get it yourself then, you primadonna. He looks for a plate and plastic knife; as he does so, a third, even more delicious looking incredible cupcake has appeared again out of nowhere, to which the mysterious figure begins enjoying by the heap, mumbling with a mouth of frosting You're such a diva! *mimicking* one half “of each”… mehmehmeh… This is the most delicious cupcake anyone's ever seen— his eyes widen with a tired grief, but before becoming over upset again or irate, he takes a deep breath. And just sighs, as if to say “I hate you.” But they seem to know each other quite well. In fact, this is clearly one of those super-fucked terrifying guardian angel type dynamics where it's obvious that the guardian angel type mystery figure is very tormenting. But in a loving way. …. [beat] [beat] Haven't you wondered why you're like 58 but the rest of your cast mates are in their 20's? WILL [beat] I've always looked like this. …no, you haven't. (The muffin seems to have done its job in calming him down) WILL Trust me, I have. Flashback: a young Will Ferrell looks in the mirror— the mirror shows a present day Will Ferrell, although the teenaged Will Ferrel is obviously quite young. An exact reflection besides the age difference— Will seems neither unaffected nor worried. It's as if in the mirror, he's always seen his present day self. He sighs. End flashback. Present day, (or whenever, actually) Will Ferrell sighs to match the flashback) …maybe that's why you're special. WILL Yeah, maybe that's it. The figure finishes the cupcake and though the muffin halves have rebalanced Will's mood to almost, kind of normal, he still seems disgruntled that it wasn't cupcakes—as the figure finishes the third, most interestingly delicious looking cupcake of all of them. L E G E N D S I've got a whole poem who lives in the squat rack; I've got a dollar for ever caller who talks back, I've got a collar for every occasion I clock into It's a riddle but it's not a rhythm until I give it to em Don't wonder who I am I am space and time, And granted with the right hands, We're gonna have the right dance at the right place At the right time and so Whenever that is— see you then, Until then, I'm not holding any farts in, You feel me? I eat a lot of lentils. I write a lot of great walk on parts for artists I parted the red seas, once, I was also God, watching quite impressed with it And wondered why they called it ‘the read sea' Or the dead ‘the dead sea' As I can't see the bloodshed In the heavens, And so I give respect to the seconds I look away Which might have been a century or eleven, to them. Ah, more men and mathematics. More television friends and heavy dinners More sinners and misfits, and glitched simulations— More missed emissions, More christenings and scrimmages Remember to eat your breakfast Or it's death at a likely curfew remember to split the difference remember, we'll finish as friends As recommended by comrades I have lessons, I also have students in classes, Professors and options And doctors And mantras Barrages of cars And I can't stop talking Cause I gotta get my laundry fixed Fuck it Tina Fey hada booking.com commercial or something– Then, apparently, or maybe I really and readily finally had lost it– JImmy Fallon had a state farm commercial Like a good neighbor – Nope, i wasn't losing my mind. I promised myself i'd stop writing about the girl next door –she seemed evil–but she was acting strangely enough by doing something like brushing her teeth and reading my work from my phone that made the light switch– I didn't care what she could or couldn't do with my phone–I wasn't hiding anything. But now… It had to have all been planned. She seemed evil as fuck despite my trying to trust her… The Server…The Server… Suddenly the kitchen light switched on and it only ever flickered when I was in the middle of something important. Like the world was melting or my dimensions were shifting into parallels or something, or like I was being warned by some overseer with a remote control, but it wasn't all in my head… The plant that brought the plant My inner voice was never wrong–the problem was, however that any time my inner voice was saying anything at all about tHiSmOtHerFuCkeR– When did I acquire immediate voice recognition? So that was his voice… So who, then is the real Jimmy Fallon? There is no real JImmy Fallon. I made him up. You what. I haven't done anything to deserve this. Premonitions. Are you telling me we're dealing with another clairvoyant? On so many levels. –but none of them personal, I hope. There are oh so many… Oh. its you again. –Personal levels. You're in danger here. In New York, or just in general? On Earth. You keep telling me that. I have no reason not to trust you besides the obvious fact. You're oblivious to it! I'm not! I'm just ignoring you. Did you think about what I said? Erring on the side of obsession, no, i've dismissed almost everything you've ever told me. That's off topic. Or not. They want drama! Then they're going to have to fight for it. They're gonna start a war here. So then, I'm just another body, aren't I? Aren't I? Don't jump. Oh, if it isn't Peter Preferences. References and Letters of Recommendation Cancer in remission and admitting i'll probably never see my son again Suicide This is suicide This is suiccide This is suicide. INT. HALLMARK STORE. DAY. Welcome to Hallmark. …thanks. Can I help you find anything? No, I… After stumbling upon a Hallmark store, where the burned thank you cards from his desk are mysteriously recovered, as is, and uncharred, a hidden relic from the desk reemerges, and opens a portal to another world. I was in a very dark world when I met Patrick Kirkpatrick, but the point of the matter was, he was nobody now and maybe even nobody ever. Maybe even, nobody at all. Somebody's gonna come for you. …is this one of those things I keep to myself, or am I writing this down? What's with this? Under the surface, but by admission,I didn't know what it meant, besides the fact that Pretty white boys who were always too good for me always wore them as statement pieces or something, And you know what they say… If you can't beat ‘em. …join em. {Enter The Multiverse} I know the sound of your voice At the drop of a hat like a peck on the cheek And it still don't sound right I still don't think straight I still don't look right But somewhere in these ions, you'll find me at sunset. In a whisper, the taste of your breath Is a sound in my heart and the bloody murder In each heart murmur is getting harder fear father God, Just turn it off Just to make it sotp The man in the box –and it just God awkward. I should pluck your feathers It keeps getting harder each time your skull Hits the auburn surface of the asphalt Every summer at the hard rock Huh? But you just kept drinking And you just worked harder And after all, You're the man in the box What could all go wrong here? It's getting shorter the tears drop faster I'm getting weirder I'm a deadbeat dad And my kid's the bartard I just got a ball pit I'm a Hallmark card, but refused to sign it A dine and dash From the supper club And it's so refined I just lost my mind Cause it's just not time yet. I must have known you once before or something But any fan would say that But how am I a fan When I hated you And I hated your laugh And I hated your band –and you're not that handsome So how is this happening at all? Oh look, something random. Tell me why I'm so horrible Mr miserable mr terrible Mr opulent Mr miser mr wedding band Mr Never Happened Tell me why I'm so bad at this Mr. Wonderful Mr.Awful Mr. half at best Mr. getting faster and faster And faster and faster And faster Till it all washed up on the surface And you wash your hands of it… But the taste in your mouth is still metallic from the contrast Breaking contracts, oh, now you're fast at once and a hard match And a tough act to swallow But i'd rather die tomorrow Than stare at your casket. Now how about that shit! You're right, I lost my mind– but I want you to have it. L E G E N D S JIMMY KIMMEL [an escalating crescendo] AssaaaaagggggggggGggggghhHHHHHHHHHHHHHHHHHHHGGGGGGGGHHHHH!!!!!! Lol is he all thugged out yet. No not yet. (just wait) I wanna run through marina del ray I want a house in the Palisades But I Knew that 5 years ago (I knew that five years ago ) I want a shack out in Malibu Just to surf the ocean blū But I Knew that five years ago I knew that five years ago Before it all burned I hope we all learned our lessons Surf God has a sense of humor But I was the butt of the joke I want a Condo in Santa Monica Invite my friends over for Barbie volleyball Throw my whole world in the fire pit But I knew that five years ago I knew that five years ago When you realize The world is your instrument But it still hasn't earned you a cent You're still in the hole Earning back what you spent By the microincrements The city people are you as excrement But you just laugh and you sample them Play them like instruments back Perhaps flattery begs them to listen Suddenly you're visible Museum world— Exhibitions Entertainers Comedians Mice and men Interesting remix Should I even be in this language Or should I make it more intimate With melodies? I hit play on a classic And my peloton becomes the office I'm suddenly at work, God Petulance for relevance spanning generations Thank you! Still it takes enough to get it in to you As out of you Can't help t but agree to that Eyeliner! I like it thick around the freckles faces And light ashy eyelashes Over moonlike eyes You know I like it Long hair! Headliner! Why am I inside you? Better yet— Why have I died? Eyeliner, headliner I like it thick around moonlight eyes I like it Old timer, headliner— I like it thick around eyes like Zion Eyeliner, I like it Ashes You're the worst; There are circle k's and 7/11s How was my run on Broadway? Who's the pope now? I hope you choke now There are subway central's And sauces and really hard bosses to fight But I don't want to I'm in south central And I'm still with you From always to oblivion I've been moving for at least an hour But I have no power here Drop a house on me In the hills, if you will And if the winds change, There's still New York What a page turner I live at Rockefeller Plaza There's an apartment above my office There's a notebook For every love I've ever known In the oak There's a something caliber gun in my slumber I clutch with the crutches I took from the hospitals Can't hop the turnsltyle now Can't hop the turnstyle now Hahaha Who art thou, Art monster Who are you now that I care too much to notice The problem was The doves only flew up or a moment before landing on my shoulder That was awkward They were supposed to fly away TV HOST HEY!!!! HEY!!!! HEYYYYYYYY! But which host is it? All of them. All of us are running for our lives All of us are running after Carson, and Paar All of us are stars, But on polaroids not often captured Gone and then away into disaster That's the effect of the Cannon Canon cameras? James Canon?! Laugh harder ‘cause you have to! Laugh stronger cause the studio is frozen, And you want to go home now! It wasn't as fun as you thought And the set is much smaller in real life Now clap and hold for applause Big smiles Big smiles Extra points if you run miles before you show up- Now that's a shiny after thought; Not your average robot Or prototypical tourist! No! A nonconformist and Kimmel can't sing for shit, So he can just hum this verse. (Sorry, I peaked— No homo) Now, I dissect Holiday, I was sure I inspired the Broadway show But who doesn't inspire a rock opera I conspire to conspire, umpire, emperor I studies Agamemnon I wasn't really sure but the frog in my throat said Go on, go on— So I just cried and stuck in my stomach harder I don't want a SETH MEYERS I don't want a tuna sandwich! Just–take the tuna sandwich. Yeah, buddy! SETH I DON'T WANT A TUNA SANDWHICH DO I LOOK LIKE EAT TUNA TO YOU? Um. JIMMY 1 Woah, I sense hostility We can't see you— CRAIG FERGUSON And we don't know who you are, anyway. COLBERT Apparently “someone we know” JIM 1 Tsh. JIM 2 Psh. SETH ITS HOT IN THIS BOX. Ooh, hotbox. That sounds like a plan. Dispensary delivery? The move. SETH YO, Dissection numero dos; I think I know how to make those sounds I think I have that reverb I need herb Or probably a new location With no probes It's only temporary The peloton office But I want a home Me and my family aren't from here Oh, look, more purple — we just show up to rock And then go somewhere farther MEANWHILE… Forgive me father for I have— No. What? No. No. What— why? Just— no. Not you. Not today. But—I have sinned! Of course you have! But father— No. What—? Keep it to yourself. But. Excuse me. {Enter The Multiverse) —- What super hero are you supposed to be? “Malox Max”?! Hehehehe! THE COSMIC AVENGER No! Hehehehehehe! THE COSMIC AVENGER I'm— I'm “The Cosmic Avenger”! What are you avenging?! Montezuma's Revenge?! THE COSMIC AVENGER No— unjust—unjustice—ness. [hysterical laughter ensues] Somewhere in this world lies our story Still true, I'm unsure what it is— But the thing is, I'm sure this the one Of the fables I'm sure this the one of the songs Of the psalms Of the storied palms This is the one of the cards This sir KIMMEL! KIMMEL! KIMMEL! I'm sorry. I don't know who you are. ITS ME. JIMMY. I'm Jimmy. I KNOW YOU'RE— You're not Jimmy, I'm JIMMY. WHAT THE SNARF! What's that? I can't hear you. The tarot said to go against the grain; I was told not to write this tale, but here I am And suddenly the King has a tail, Compliments of T-Mobile, But as did the first one, The first King, of Dogblood Of first strikes And first tears And first scars, Was no king, But everything has meaning The cherishire has eyed me The spider has bitten And then, Envisionment minted I should switch to mint mobile, but knowing There's no real difference— Their all old t-mobile tower; But service with a Billionaire smile Of Blake Lively and False Idols. I don't care, I guess My mind has eyes like sun But my heart has darkness The absolutely most beautiful sunsets have Wonders on drums And numbers to call The best of cocaine on the sidewalk Was sidetracked The best of New York was Los Angeles, And vice versa I hope you took protocol into order I hope you too profound effect and affinity In profanity There's no more Infinite Fallon It Found a call To programming Wall to wall To wall of shame On Walmart Better activate that trial Before it's all gone 13 days and counting And A million ways to die in the west. SETH MCFARLENE look at me. Ah, what the fuck dog. SETH MCFARLENE Oh, so you can hear me! You fuckin schizo! I'm not a schizo I'm in the Illuminati. SETH MCFARLINE The what? The what? SETH MCFARLENE what's the password. this isn't happening right now. SETH MCFARLENE That is correct. See you on the other side, you batshit crazy SonOfABitch. What. *poof* I told you I could make you say my name. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 ALL RIGHTS RESERVED. © -U.™

Monica Cordero-Cruz is such an amazing mind (and heart) in improv. I happened upon one of her thoughts online and it caused me to think so many thoughts - about culture and colonization in improv. I am so so so so thankful for this conversation. I hope you enjoy the interview as well! You can catch Monica on the team SPIT improv in Manila.  Here is a link: https://www.facebook.com/spitmanila/ They have over a MILLION followers on Facebook!

Improv is not just for actors! Find out how improvisation skills can elevate your ability to land on your feet in any situation as Phil Cooke https://philcooke.com interviews Kelsey Cooke and Chris Guerra of thisishardtoread Productions and Oddity Improv. Together, they break down the values of improv classes for spontaneity, team collaboration, self-confidence, speaking skllls and for boosting creativity in any environment.  Join Chris and Kelsey as they share how improv can change the way you communicate, build teams, and approach creative challenges. 

I am so happy to finally present this interview with Roderick Millar. The first time I watched Roderick perform was as part of Somewhat Theatre at the Robin Hood Improv Festival in 2024. That show was ELECTRIC.  It was so good.  Roderick regularly comments on social media posts with such great analysis and communication of his ideas. I have been wanting to chat with Rodericl Millar for such a long time about his views on improv.   

Whit Shiller - FINALLY, I get a chance to interview and get to know Whit Shiller a bit better. Such a fascinating mind in improv. I love his angle on the practice and Whit uses improv to create points of commonality. I met Whit through his improv podcast, Improv Comedy Connection. He has some AMAZING guests on there. Not only that, but he gets them to talk about some interesting stuff!! Check it out here: https://improvcomedyconnection.com/category/improv/ He is also the engine behind Fish Sticks Comedy.  Which practices what they call "other-centered improv." Which means on or off stage what they practice is for someone else first. This closely mirrors my own thought on acting in general.   Had a great chat with Whit. I'm already thinking about having him back on just to learn more! Here is more info on Fish Sticks Comedy: https://fishstickscomedy.com/

Andel Sudik and I have some of the BEST chats abourt improv. The way she views the practice, the community and the business of improv always inspires new thought in me. Her mind is placed in centralizing the positive pursuit of improving at improv - which may be skills, content or community!  She looks at how improv shows/teams fit into an overal fabric of the practice which reached out beyond time and distance.  I hope you enjoy this interview with Andel. I feel fortunate enough to consider her a friend.  You can find out more about Andel at: https://www.yesandel.com/ She is an improv global leader.

You know it's a good episode when I can't wait to listen to it!  And I was there when it was recorded!

We're already international and ALREADY fighting!We're recapping Love Island USA on the preshow on Patreon, you don't wanna miss it! Love the show and want it AD FREE, with more BONUS CONTENT? Join the Rose Garden on Patreon.CONNECT WITH US: Instagram | Twitter | TikTok | MerchEMAIL: 2blackgirls1rose@gmail.comFollow Natasha's Substack The Nite Owl: theniteowl.substack.comFollow Justine for beauty content: @justlydiak Hosted on Acast. See acast.com/privacy for more information.

Joring Garguilo and Jack Greenwood (both with initials J.G.) join me and we talk improv. We get so into the discussion (which is what I wanted) that we don't even get into the questions this episode!  We chat about movies, intaking information and I get to know my guests a little better. If you want to find out more about Jorin Garguilo you can check out: https://www.facebook.com/cictheater   To find out more about Jack Greenwood you can look at: https://www.facebook.com/bristollongform   

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Liz Allen Improv Interview, Part 2!  If you ever get the chance to take a class with Liz, or just chat with her she is so lovely. A kind spirit and human being. 

Liz Allen is one of my favorite improv teachers of all time. And in my humble opinion, may go down as one of the most influential people in all of improv. I hold her in such high regard.  Liz was iO's Training Center Director for three years and they renamed their Teacher of the Year Award to the "Liz Allen Excellence in Teaching Award." To find out more about Liz: https://www.lizallenimprov.com/ And be sure to catch her one-woman show "Tonight I am my Mother."  It is fantastic.

Top 5 Tools for Writer's Block   Episode #140   In today's illuminating episode, we're laser-focused on every creator's nemesis: the dreaded writer's block. If you find yourself staring blankly into the abyss of an empty page, fear not! Join Nick as he shares his wealth of expertise and personal trials with the block we all know too well. He's got a lifeline for you—five actionable tools to help lift the fog and kickstart your creative engines. From visualization techniques like mind mapping to the simple act of changing your environment, Nick's tried-and-true methods have empowered countless soulpreneurs to recapture their creative spark. And for those moments when you need to dodge your inner critic, he'll reveal the liberating power of free writing. Tack on a bonus tip about the strength found in community, and you'll leave armed with everything you need to conquer writer's block with new zeal and zest! So, ready your notebooks and open your minds—it's time to dive into 'Top 5 Tools for Writer's Block' on The Creative Soulpreneur."   Takeaways:   Change Your Scenery: Stepping into a new environment can stimulate new synaptic connections and fresh perspectives.   Engage in Creative Cross-Training: Dabble in a different art form to unlock hidden potential and perspectives within your primary focus.   Embrace Free Writing: Give your thoughts free rein without judgment to bypass the inner censor and rediscover your creative flow.     Take the Creative Visionary Quiz and find out your type to learn how to understand and utilize your energy to create abundance in your life and business.  www.creativevisionaryquiz.com     Nick Demos is a Tony and Olivier Award winning Broadway producer, documentary filmmaker, conscious business coach and manifestation expert. With over 15 years of teaching pranayama (breath work), yoga and creativity as well as thirty years in the entertainment industry, he has travelled from the Tony Awards to ashrams and run a multi-million dollar business in between. Nick helps you clear blocks and tap into your creative intuition so you can tell your stories and manifest the business and life of your dreams creating wealth and impact.    

I was blessed with the presence of Ange Lanley and Stu Hughes.  Both are improvisers from the North West of England, and some people I love improvising with. I give them space to identify themselves during the course of this episde.  The format is: We introduce ourselves. Do an improv set (not recorded) Chat Do an improv set (not recorded) Chat   Part of my love of improv is just connecting with people. I am naturally curious about people - as individuals and as a collective.  Hope you enjoy it!

Chico performance artist Dana Moore creates room for those who are looking to leave their comfort zone with her latest improv class starting in May. Also, tomorrow Butte County will hold the first of 11 meetings scheduled throughout the county regarding updating its evacuation maps, and the Chico City Council recently decided to keep a restriction on liquor licenses downtown.

The final part of my episode with Kat Kenny.  This has only made me more curious about her style and teaching. I have been a fan of her pedagogy for long time now, and this interview only further entrenches it. Enjoy!   If you feel like donating to this project and future projects, I have  Ko-Fi page!  https://ko-fi.com/improvboost

I am so happy I got the chance to talk to Kat. Enjoy.

Kat Kenny is one of those people who brighten my day every time I chat with them or see their posts. She is all about building others up and bringing joy to the world. To me, it is obvious.  It is obvious because her actions show it. She is not someone who passes out bubble gum philosophy then create selfish motion. Kat Kenny has regard for others and takes action to make the world a better place. The world needs more people like her. Follow her on Facebook: https://www.facebook.com/KatKennyImprov Or Instagram: https://www.instagram.com/katkennyimprov   

Stuart Hughes is on my team "The Spirit of Improv." I love his improv style of discovery and play.  When he finds something that brings him joy he has such an effortless way of playing with it. He and I went for a walk in Chester and I got a chance to talk to him about improv.  Enjoy! You can also catch Stu on the Oickers, a short form improv team.

Hellena Jang is inspirational by activity and by personality. She lifts the spirits of others around her. And she makes magic happen on a global scale (and on an individual scale). I am so impressed and amazed by Hellena.  She is the kind of person I would collaborate with WAY MORE if we lived closer to one another. You can find out more about her on her website: www.hellenajang.com   I like to connect with her on Facebook. https://www.hellenajang.com/improv She has a team called ImFROG. And in this interview she announces another improv project that will ROCK. THIS. WORLD.  So excited for her. I am also extremely flattered that she chose this interview to officially announce it. #improv.

This is the final episod of my interview with Jorin - but not my final conversation with him. I feel like I have one of the most "improv perfect" relationships with him. I learn from him, I want to perform with him and yet I don't feel like there is a hierarch between us - there is a mutual cycle of respect. I look forward to having more conversations with him. I encourage anyone who is passionate about improv to take a class from him or hire him as a coach.  I am fantastically inspired by Jorin.

... this may be one of the biggest moments where he blows my mind.  Talking about how you don't go to see a group because they do improv (or a specific format) but because of the chemistry of the team. Their unique voice. I still think about this moment.  We also talk about the value of imagination, from every single person. How it is a process. And how that process is valuable to the endproduct of the improv show. Not just their references, but an improviser's imagination is super valuable.

Jorin Garguilo interviewed regarding improv. I asked him about how some teachers/institutions call improv "silly" or light hearted. His thoughts on improv are enthralling. I agree with him. Jorin is an eloquent, brilliant mind.  This whole interview he drops gems that just shatter my worldview of improv.  I hope you enjoy. Jorin was in 5 episodes of Hello from the Magic Tavern and performs with Revolver, Felt and the Scene at iO Chicago. He was also a part of the legendary group Rainbow Deli and teaches at the CIC training center. #Give this a #Listen

0:00 - Michigan wins it1:55 - Will's Speech!7:53 - Additional thoughts on the Championship9:47 - Michigan v Washington Recap12:47 - CFB News (Saban Retires)25:25 - Pump it or Dump it: Bowl Games35:30 - Tyler's Top 5 Bowl Games of 202339:13 - Will's Top 5 Overall Games of 202342:12 - Best and Worst Moments of Bowl Season51:00 - Kombucha Tea53:11 - Calendars55:29 - Outdated Movie Review (part 1)58:22 - Improv Class, Casts and Staffs1:01:00 - Outdated Movie Review (part 2)1:05:52 - Changes, New Music & Swiffer1:09:47 - FruitFIVERR - Find Freelance work for you or your business with Fiverr! Use this link to save on your first purchase: https://go.fiverr.com/visit/?bta=797564&brand=fiverrcpaSKILLSHARE - Take affordable classes in a variety of subjects at Skillshare! Use this link to save up to 30% on your first year subscription: skillshare.eqcm.net/TailgateBETUS - Start betting on sports, betting at the casino, betting on horses and betting on Television Shows (seriously) with BetUS. One of the best off-shore sportsbooks available. Use this link to have access to unique promotions and bonuses: https://bit.ly/TailgateBetUSPATREON - Extra episodes on Saturday's, Tyler's Top 50 Power Rankings, Early Picks from the Hosts, Bonus non-football podcasts... $5/Month... https://www.patreon.com/CollegeFootballTailgate

This episode shares overviews of seminal neuroimaging studies that provide insights into what happens in the brain during improvisation. You will learn how these findings align with what improvisers say about their experiences, including remarks from Bill Evans, Sonny Rollins, Kenny Werner, Pat Metheny, and Gary Burton. Cross-cultural perspectives are included here, as well, including reference to a traditional Japanese visual art form and traditional perspectives from West Africa.   References for the episode: Kind of Blue liner notes by Bill Evans: http://albumlinernotes.com/Kind_of_Blue.html   Saxophone Colossus documentary about Sonny Rollins: https://www.imdb.com/title/tt0196073/   Full interview with Kenny Werner: https://www.youtube.com/watch?v=qsPg5lu4WCg&t=2318s   Pat Metheny at the Society for Neuroscience conference in 2018: https://youtu.be/yhAbNv1gJT8?si=uMgB-MxmrciyKBAN   Gary Burton's Improv Class: https://youtu.be/t2txO_u2eNg?si=CBd6uc52UqxBOYz6   Limb & Braun, 2008: https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0001679   Liu et al., 2012: https://www.nature.com/articles/srep00834   Rosen et al., 2020: https://www.sciencedirect.com/science/article/pii/S1053811920301191   Rosen et al., 2016: https://www.frontiersin.org/articles/10.3389/fnhum.2016.00579/full   Malidoma Somé: The Ancestors' Gift of Healing: https://youtu.be/io28LgxYRf0?si=9ZX63gP4qtiI3s7t  

Had the pleasure of this conversation about how improv sits in the field of sociology with Vanja Sekic.  Vanja performs with None Direction Improv as part of Inconspicuous Comedy.  Vanja's passion about improv and the way she views it is so interesting.  She sees it as having greater ramifications in the larger community and in identifying smaller communities.  Part 2 is coming soon!

Paul Quinn is a fantastic improviser. His ability quickly generate quircky characters, draw others into scenes and find the through line of a set is one of the best I've ever seen in the UK. I have the great fortune of being able to improvise with him. Paul is also a writer, podcaster, gamer and works in radio.  His creativity is impressive.  Improv is only one of many things he excels at. So, I was curious. What are his top 10 favorite things in improv?  And he answers.     ...his first, and most favorite, surprised me!   Find his page on Facebook under Quinnprov.  

I always love my talks with Steve.  In this last episode we talk about everything in improv that isn't mental or physical. What is left in improv that isn't thought about or physical?  We talk about that. He is such an inspirational fountain of knowledge.    

We find out more about Steve. At one point the coffee shop gets really loud, sorry about that. I edited right after that.  We'll find a quieter spot to chat next time, because I will bring Steve back.  

October 09, 2023 Discussion on the book "Right Kind of Wrong," Take an Improv Class by Dr. Farid Holakouee

The finale of my conversation with Jay Sukow.  I always like talking to Jay.  He as experience, kindness and one thing I greatly value in friends - he is honest. I always aim to reward that economy of honesty. Highly recommend Jay Sukow as a teacher and to see his shows.  He is commonly teaching in-person improv classes in Los Angeles.  To stay upto date follow him at Today Improv, in fact he is teaching an improv intensive at the end of this year! (2023) https://www.facebook.com/todayimprov

"We show up how we think we're supposed to show up, but if we could just show up how we are...damn...that would just make a lot of difference" - Nolan FellowsNolan hangs out in the neighborhood!-------------Nolan is a therapist/counselor based out of Boise, Idaho and the person that convinced me to take my first improv class! In today's episode: We talk origin stories (improv, therapy, pinball)! We talk taking the leap into improv together!  We talk the search for meaning and purpose and finding lessons in everything! We talk trauma, healing and personality being a trauma response! We talk working towards a better society! -------------Check out the video to this episode! https://youtu.be/vpllKjB5Qdo-------------Check out my first ever improv comedy special! https://www.youtube.com/watch?v=kai6f2Hd4CQ-------------Original music by Kurt "KJ Johnson II-------------ChiragRathod.com  

I love Jay Sukow. I had the opportunity to interview Jay about "control" in improv and more. I could talk to Jay forever. He has been one of the biggest inspirations in improv.  He has such a soft touch when teaching. Jay says stuff so simple but also so profound - and I think that is genius.  You can find out more about Jay at:   https://todayimprov.com/   His goal is to have everyone take at least one improv class.    

Stephy Steph and Bobby start improv class in part to help them prepare for hosting the American Dental Association annual session (SmileCon). Why was Bobby terrified? What did they learn about themselves and others? Check it out!Stephanie R. Ganter, DDS, MS and Robert G. McNeill, DDS, MD, MBA are a periodontist and oral & maxillofacial surgery duo that practice at The Dental Specialists in Dallas, Texas.

Improv Class with Peggy   ABOUT PEGGY:   For over 40 years, Peggy has studied and performed Improv with The Groundings, Gross National Product, National Lampoon Players, TheatreSports, and Improvatorium. She is a current performing member of Puppet Up! (Adult Improv Puppet Show produced by The Jim Henson Company). She can be seen in The Barbarian and The Troll (series regular), Seinfeld, Boston Legal, Crash and Bernstein, The Last Champion, Earth to Ned, among others... She studied at San Francisco State University, Pacific Conservatory of the Performing Arts, American Conservatory Theatre, and holds a degree in Theatre.  She taught short form at Improvatorium. It's also great for learning communication skills in your day-to-day time. Listening in your day-to-day.   The power of Yes and.  Let's try that again, but this time with a yes, try with a yes.   The Who, the What, and the Where.  Listening is a skill, and it's a muscle.   Emotional response as another tool.   Improv works onstage, it works in auditions, and it works in life. 

Its a YES AND kind of situation! Sometimes life is so many things at once.  We have bee taught for simplicity that life is either this or that, when in truth, life and humanity are so nuanced and complex we need to start acknowledging all the various shades of grey. Please SUBSCRIBE and SHARE with a friend  if you find value in this content!LIKE our FB Page for Something Worth Saying!https://www.facebook.com/SomethingWorthSayingPodcastWellness Inquiries to work with Jordan Leigh directly: hello@jordanleigh.com www.JordanLeigh.comDoTerra Essential Oils can be purchased at: https://www.doterra.com/US/en/site/nbwLink to our Facebook pages: https://www.facebook.com/SomethingWorthSayingPodcasthttps://www.facebook.com/JordanLeighWellness/Support the show

Andy and Linda talk about Linda's new rug, money, and washing their feet. Recorded on March 9th, 2023.

Mark and Ryan talk about Mark's time in Arizona, Ryan's past week, the GRAMMYs, and Ryan's improv class.

Improviser Joe Carroll has had enough of the heavy stuff. Sure, he had a swell start developing old man hands while sanding down cars and imagining he was anointed royalty while feeding cows. Unfortunately, after his family moved off the farm, things got a little less idyllic. When he finally stumbled into the lucrative world of cleaning up Denver's gnarliest crime scenes, that's when he decided to scrap it all and live a little lighter.    Nick and Chase find a couple Craigslist jobs lacking meaningful details. One fella seems to need a helper with biceps, and another is maybe an inexperienced boatman on the run from the law?   Ongoing steady work…it's Fuck This Place! The podcast about jobs. ____________________________________________________________________________________   Joe's Instagram: https://www.instagram.com/joseymoseys/   If you're in NC, take Joe's Improv Class! https://www.blackmountainarts.org/theatreclass   ____________________________________________________________________________________   Our Instagram: https://www.instagram.com/fuckthisplacepod/ Our TikTok: https://www.tiktok.com/@fckthisplacepod Our Youtube-https://www.youtube.com/channel/UCNGWlaHVqQO9-q37UpPdh8A _________________________________________________________________________________________   Question about your job? Wanna yell at us? Text us at: 470-BAD-JOBS // 470-223-5627 Share the pod: https://linktr.ee/FckThisPlace About Fck This Place: The Jobs Podcast Nightmare Bosses! Creepy Craigslists! Ungodly Hours! Nick Aragon and Chase McNeill bring you the best of the worst jobs every Tuesday.

Tonight, I took my first Improv class. My friend Mark Gai invited me to his Improv class… I have not had so much fun learning in a really long time. If you want to have more fun and spontaneity in your speaking, you should really look for an Improv class near you. #improv #fun #communication #thirdpowerlife --- Support this podcast: https://anchor.fm/thirdpowerlife/support

I had been stuck for years. In my relationships, in my job, with how I thought about myself. As a highly successful academician, I'm sure very few on the outside could see this, but for me it was present every day. Around a milestone birthday I decided something had to change – I didn't know how many years I had left but I really didn't want to spend any more of them feeling what I was dwelling in. Thoughts like: I had a job I had to keep because that's what was expected. That I had to give up who I was or who I'd been. That my relationships could never get better – they'd maxed out on “good times.” In my earlier days I had dabbled in dance, acting, playing the piano, writing and being fun and carefree. Where had that person gone?? Inspired by my daughter, I signed up for an adult acting class at our local community theater. Once that class ended, I enrolled in an Improv Class – and am proud to say that I have graduated after completing all 5 levels during the past two years. This new adventure opened my mind up to the fact that I could make my life what I wanted it to be. I was in control and I knew I had one bigger leap to take, and that was to start my own business. In July 2020, Christner Strategies was born. I love to teach people and therefore my business revolves around individual coaching and then providing workshops on a variety of topics to all kinds of teams. My favorite topic is one I do with my colleague on how techniques learned in improv can be applied very effectively in the workplace environment to increase teamwork and improve communication. To learn more about me and what I do, please visit https://christner-strat.com/. I'd love to talk to you! Social Media Links: https://christner-strat.com/ https://www.linkedin.com/in/jennychristner/ https://www.instagram.com/christnerstrategies/ https://www.facebook.com/christnerstrategies

This time we finally got a brand new guest in from Sam's improv troop to talk and chat about the merits of improv. Welcome Will to the You Know The Drill VIPs! If you are listening on a platform with a rating system, please drop us a review and a few free stars, help the You Know the Drill Podcast grow! Our topics and plans have been thrown into a frenzy. Join in on the conversation! ----------------------------------------------------------------------------------------------------------- Have a question or topic for us to cover on You Know The Drill? Send us an email at YKTDpodcast@gmail.com Want to chime in the conversation? Let us know! We will be talking about all kinds of topics, so let us know if you want us to talk about your particular topic! Your hosts today are Brandon Stuhr (Founder and COO of Modern Neon Media) and Sam Zell-Breier (Founder of No Comics Comics).. ---------------------------------------- Join the Modern Neon Electric Boogaloo Discord! https://discord.gg/qzjJaX ----------------------------------- Want to know what we are up to? Follow Modern Neon Media on socials! Facebook: https://bit.ly/2SkwBmk Twitter: https://bit.ly/2KZZZdz Instagram: https://bit.ly/2W85EmQ Soundcloud: https://bit.ly/3bRUQ2T --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Intro: Mellow Bounce Outro: Crumpled Letters by Michael Ramir C. Ad Transitions: Lakey Inspired - Chill Day https://soundcloud.com/lakeyinspired/chill-day --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Check out Sam's streams in full and live over at: Twitch.tv/nerdbacon/ --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Make sure you check out Jeff of The Jepheroth's brand new podcast "The One-Winged Gamescast" on your preferred podcast platform! Anchor: https://anchor.fm/onewingedgamescast/episodes/Welcome-to-The-One-Winged-Gamescast-efkbab Spotify: https://open.spotify.com/show/1wK0pHcoxCUKz96hyqdR49 Also show Jeff some love over on his Twitch! Twitch.tv/Jepheroth --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Also, check out our curated playlists on Spotify! Electric Backdrop (Electronic): https://spoti.fi/3cWzgu6 Illumination Station (Rock/Pop): https://spoti.fi/2So9Ttj --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Thanks for Listening! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/you-know-the-drill/message

Today I share the very basic structure of my improv classes. Boundary check - How does everyone feel about physicality? any limits we should know about? Warm ups - connect + get comfortable with those around you. Play - in the world you BUILD together on the foundations you've already built together. Reflect + follow up. Subscribe to the monthly newsletter: www.makeyourdamnbedpodcast.comSubscribe for extended eps on patreon: patreon.com/mydbpodcastFree bonus content also available on: instagram.com/mydbpodcast youtube.com/juliemericatiktok.com/mydbpodcast Get bonus content on PatreonSupport this show http://supporter.acast.com/make-your-damn-bed. See acast.com/privacy for privacy and opt-out information.

Emily in the House! While this is not an official "First" as we have had an opera singer before, it was a special appearance because she is a special person! Emily and I met at a pre-covid Improv Class and then we had a few Zoom classes and were able to work together on the (now famous) Mystery Dinner Party at Arrowhead Estates where we helped to find Manny's stolen goods. Bottom line is that she is a Fun, Energetic person with a constantly full tank of energy and she is NEVER at a loss for words (which is so helpful!). We covered a lot of ground! We discussed the many many details of Opera voice types, the many (useless) opinions about said voice types, we go deep into Simulation theory probability (91% chance), the emotional/healing properties of music, we discuss CB radios being creepy (are they?), we review Geriatric Millennials vs Gen Zs vs Gen X, go to Karaoke songs, The Dating Jungle that is a Match.com new years eve party in NYC (swiping right IRL), how we need a time machine to introduce improv to first graders for better communication, using Ketamine therapeutically, Manny's Marbles and the difference between Facebook of 2006 and 2022 among many many other topics. She was a blast (as always) to have on the show and we hope you all enjoy the conversation as much as we did!

Another road trip edition. What doe recitals, The Smurfs and blue leotards have to do with each other? Short and sweet this episode is a node to all the writers out there. Telling a story, and telling it well is incredibly difficult! --- Send in a voice message: https://anchor.fm/fridaysat5/message Support this podcast: https://anchor.fm/fridaysat5/support

J and Tay put up a desperation shot in this week's episode. This week, they discuss: Hyping up an incredible comeback story Another near-Perfect-Game No-Hitter NFL Draft Recap and Takeaways Thoughts on the NBA Play-In Tournament GJSBC: Fantasy Sport League Payouts Mailbag! Post NFL Draft theme Stance Draft - Tay Gets the Over Let's have a ball! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Episode 20: Why everyone should take an improv class with Brian PalermoDid you know that improv is one of the best things you can do to master the American accent?Listen to today's podcast as my guest, Brian Palermo talks about the benefits of improvisation.Learn from one of the Master teachers at The Groundlings in this special podcast episode.By the time you finish listening, you'll know:How improv can help you for auditions & when you book the roleWhy everyone is taking an improv class these daysWhy improv is the best thing to strengthen your American accentIf this episode inspires you then I'd love to hear from you! Take a screenshot of you listening on your device, post it to your Instagram stories and tag me @katherine_beck_ !Then follow me on Instagram to go ‘behind the scenes' with me and my own journey as an American accent coach and Voiceover Actor.LINKS MENTIONED IN THIS EPISODE:Do you need to practice your American accent Self taping skills? Join me for a FREE training session on Monday, 29th of March to learn how to stand out in your U.S. self tape auditions. Sign up at: katherinebeck.com/training LEARN MORE FROM KATHERINE BECK:WEBSITE | INSTAGRAM | FACEBOOK | YOUTUBESupport the show LEARN MORE FROM KATHERINE BECK: WEBSITE | INSTAGRAM | YOUTUBE| TIK TOKReady to start practicing your American accent? Join my Practice Club today and start practicing in a fun & easy way! Join The Practice Club here. If this episode inspires you then I'd love to hear from you! Take a screenshot of you listening on your device, post it to your Instagram stories and tag me @allamericanactorspodcast Have you left a review? If you loved this episode show your support by leaving a rating and review right here. Thanks for supporting the show!