Podcasts about james mcneill whistler

Yvette's stay at the Pont Royal Hotel, a former “writer's residence” turned hotel and later expanded to its impressive destination status, was enhanced by her opportunity to interview the general manager, Frederic Legallois.    The hotel is located on the Left Bank of the Seine River, where artists and intellectuals of the early and mid-20th century held court on café terraces in Saint-Germain-des-Prés. This neighborhood is a postcard-perfect vision of Paris: a grand, boutique-filled boulevard; café terraces practically made for people-watching; former residences turned into hotels; antique shops and bookstores spilling out on cobblestoned squares.    Yvette enjoyed the hotel staff's attentiveness to quality service, the art on display and the jazz performance in the hotel's well-appointed bar and lounge. The hotel's proximity to museums and gardens allowed Yvette to enjoy the beautifully manicured Jardin du Luxembourg, which dates back 400 years, and the Musee d'Orsay.   The Musee d'Orsay, which was originally established with loans from the Louvre, now claims the largest collection of impressionist and post-impressionist art in the world. Taking over a former Beaux-Arts railway station along the Seine River, this Museum holds masterpieces, which Yvette had an opportunity to enjoy, like Vincent van Gogh's “The Starry Night” and Edouard Manet's “The Luncheon on the Grass” and a very special find for Yvette, the American artist's James McNeill Whistler's “Whistler Mother.”

Welcome back! I hope you all had a great summer. We'll be spending the rest of 2024 at the National Gallery of Art in Washington DC, starting off with a stunning portrait of a red-headed Irish beauty that shocked London society. We'll find out who she is and how she was much more than a pretty face.  Then we'll learn about the very mercurial artist she had to put up with, James McNeill Whistler and the chaos he caused in his own life and others!   SHOW NOTES “A Long Look” opening and closing themes are by Ron Gelinas:  “Ascension” https://youtu.be/jGEdNSNkZoo and “Easy” https://youtu.be/2QGe6skVzSs Episode music “Chopin Waltz in A Minor, B. 150.” Performed by Aya Higuchi String Quartet no. 2 in B minor - II. Minuetto moderato.” Composed by Joseph Miroslav Weber, Performed by Steves Bedroom Band. Courtesy of musopen.org Artwork information https://www.nga.gov/collection/art-object-page.12198.html https://www.nga.gov/features/joanna-hiffernan-the-white-girl.html https://www.nga.gov/collection/art-object-page.12198.html#relatedpages https://www.nga.gov/exhibitions/2022/woman-in-white.html https://www.nga.gov/collection/highlights/whistler-symphony-in-white-no-1-the-white-girl.html https://www.nga.gov/blog/how-whistler-painted-white-in-full-color.html James McNeill Whistler info https://www.theartstory.org/artist/whistler-james-abbott-mcneill Joanna Hiffernan Bio https://www.dib.ie/biography/hiffernan-joanna-jo-a9605 The Peacock Room https://asia.si.edu/explore-art-culture/interactives/peacock-room/making-the-peacock-room/ Transcript available at https://alonglookpodcast.com/symphony-in-white/

Welcome back! I hope you all had a great summer. We'll be spending the rest of 2024 at the National Gallery of Art in Washington DC, starting off with a stunning portrait of a red-headed Irish beauty that shocked London society. We'll find out who she is and how she was much more than a pretty face.  Then we'll learn about the very mercurial artist she had to put up with, James McNeill Whistler and the chaos he caused in his own life and others!  SHOW NOTES “A Long Look” opening and closing themes are by Ron Gelinas:  “Ascension” https://youtu.be/jGEdNSNkZoo and “Easy” https://youtu.be/2QGe6skVzSs Episode music “Chopin Waltz in A Minor, B. 150.” Performed by Aya Higuchi String Quartet no. 2 in B minor - II. Minuetto moderato.” Composed by Joseph Miroslav Weber, Performed by Steves Bedroom Band Courtesy of musopen.org Artwork information https://www.nga.gov/collection/art-object-page.12198.html https://www.nga.gov/features/joanna-hiffernan-the-white-girl.html https://www.nga.gov/collection/art-object-page.12198.html#relatedpages https://www.nga.gov/exhibitions/2022/woman-in-white.html https://www.nga.gov/collection/highlights/whistler-symphony-in-white-no-1-the-white-girl.html https://www.nga.gov/blog/how-whistler-painted-white-in-full-color.html James McNeill Whistler info https://www.theartstory.org/artist/whistler-james-abbott-mcneill Joanna Hiffernan Bio https://www.dib.ie/biography/hiffernan-joanna-jo-a9605 The Peacock Room https://asia.si.edu/explore-art-culture/interactives/peacock-room/making-the-peacock-room/ Transcript available at https://alonglookpodcast.com/symphony-in-white/

Today's poem–benign anthem of the resilient human spirit or a hymn to radical autonomy?–has divided audiences for more than a century.Born in Gloucester, England, poet, editor, and critic William Ernest Henley was educated at Crypt Grammar School, where he studied with the poet T.E. Brown, and the University of St. Andrews. His father was a struggling bookseller who died when Henley was a teenager. At age 12 Henley was diagnosed with tubercular arthritis that necessitated the amputation of one of his legs just below the knee; the other foot was saved only through a radical surgery performed by Joseph Lister. As he healed in the infirmary, Henley began to write poems, including “Invictus,” which concludes with the oft-referenced lines “I am the master of my fate; / I am the captain of my soul.” Henley's poems often engage themes of inner strength and perseverance. His numerous collections of poetry include A Book of Verses (1888), London Voluntaries (1893), and Hawthorn and Lavender (1899).Henley edited the Scots Observer (which later became the National Observer), through which he befriended writer Rudyard Kipling, and the Magazine of Art, in which he lauded the work of emerging artists James McNeill Whistler and Auguste Rodin. Henley was a close friend of Robert Louis Stevenson, who reportedly based his Long John Silver character in Treasure Island in part on Henley.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Described by some as a, “charming rogue,” Charles Augustus Howell was a dodgy figure in Victorian art circles, in particular London's Pre-Raphaelite Brotherhood movement. There was extortion. There was forgery. And just a whole lot of unsavory bits. Howell was an art dealer by trade who was also known to manipulate those around him so he could acquire works that would establish and increase his reputation – and his financial security. When that didn't work, in the words of biographer Humphrey Hare, "Howell did not hesitate to blackmail." So let's get to know this charming-yet-unsavory character.See omnystudio.com/listener for privacy information.

While Whistler's Mother has continued to captivate the imagination of viewers through the centuries, the name and story of Whistler's real mother has been wrongfully overlooked. Who was Whistler's mother? And how would she have liked to be remembered?  Listen to ArtMuse's episode on Anna McNeill Whistler, not only the mother of James McNeill Whistler, but also his artistic manager and agent. One may judge by her portrait that Anna was a stern woman who lived a simple life, but doing so would be a great injustice, for Anna was a far from ordinary woman, who lived a far from simple life. She was Whistler's mother, but she was also so much more. Please FOLLOW and RATE ArtMuse on Spotify and SUBSCRIBE and REVIEW our show on Apple Podcasts. Instagram/ Website/BuyMeACoffee

Welcome to episode 124 of the London History Podcast. I'm Hazel, your navigator through the winding lanes of London's rich tapestry of time. Today, we're peeling back the layers of history in one of Chelsea's most renowned streets — Tite Street with City of Westminster tour guide Dr Stephen King. A street synonymous with cultural luminaries and architectural beauty, Tite Street is a prism through which we can explore the artistic soul of Chelsea. Once the stomping ground for the likes of Oscar Wilde and James McNeill Whistler, Tite Street has long been a magnet for those who dare to dream and dare to disrupt the status quo. In this episode, we'll amble through the Victorian era when Tite Street became the epicentre of an aesthetic revolution, housing a tapestry of artists and thinkers who would leave an indelible mark on the art world. We'll discover the hidden narratives of the street's residents, the stories behind the iconic facades, and the spirit of a community that thrived on creativity and rebellion. So, whether you're a lifelong Londoner or an admirer of history from afar, join us as we take a journey down the cobblestones of Tite Street and unravel the stories that have made it an enduring emblem of London's artistic heritage. Let's step back in time together on the London History Podcast. https://londonguidedwalks.co.uk/podcast/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/londonguidedwalks/message

Venice by the end of the 19th century had lost much of the glory it once had known. Crumbling palazzi, a bad economy and an overall sense of decay permeated the city. New writings published on the long-forgotten Venetian Renaissance painters and artists brought a new stream of visitors to the city including Henry James, John Singer Sargent and James McNeill Whistler among others. American expatriate art connoisseurs such as Daniel and Ariana Curtis and the great Isabella Stewart Gardner all made Venice home for a time. Much of the activity centered around the majestic Palazzo Barbaro on the Grand Canal which the Curtises bought, becoming the scene of much entertaining and socializing among artists. This episode takes a look at what the city meant to James on his many visits since his first in 1869 to his last in 1907. In addition, the show considers what it meant to other artists and how they interpreted it amidst a fascinating, eccentric, educated community of people flowing into the city. We will also take a look at the two great works in which James captured the city and this community, The Aspern Papers (1888) and The Wings of the Dove (1902).  Visit the Gilded Gentleman website for more episodes 

This one has it all: sibling rivalry, country club politics, adultery, duels, the Civil War, Spanish colonial policy, three giant piles of bird poop, all connected by the greatest American painter of the 19th Century: James McNeill Whistler. Transcript, sources, links and more at https://order-of-the-jackalope.com/crepuscule-in-blood-and-guts/ Key sources for this episode include Daniel E. Sutherland's Whistler: A Life for Art's Sake; Nikolaus Pevsner's "Whistler's Valparaiso Harbour at the Tate Gallery"; William Columbus Davis's The Last Conquistadores: The Spanish Intervention in Peru and Chile, 1863-1866; and the personal correspondence of James McNeill Whistler. Part of the That's Not Canon Productions podcast network. https://thatsnotcanon.com/ This week we're co-promoting with fellow TNC podcast Art Slice. Join artists Stephanie Dueñas and Russell Shoemaker as they approach art history from an artist's perspective, without all the technical gibberish getting in the way. https://www.artslicepod.com/ Discord: https://discord.gg/Mbap3UQyCB Twitter: https://twitter.com/orderjackalope Tumblr: https://orderjackalope.tumblr.com Email: jackalope@order-of-the-jackalope.com

XVI. Independent scholar and author Eve Kahn, today's guest on The Gilded Gentleman, calls Mary Rogers Williams "the Mary Cassatt you never heard of". While Cassatt and Rogers lives differed and they likely never met, the rediscovered life of Gilded Age painter Mary Rogers Williams is a fascinating tale of late 19th century artistic circles. Originally from the farmlands of Connecticut, Williams lived and painted among famous artists in New York, London and Paris, and her studies included time with artists such as William Merritt Chase and James McNeill Whistler. A mysterious painting and an extraordinary discovery in 2012 led Kahn to reconstruct the life and world of a unique, innovative -- yet little known until now -- female artist of the Gilded Age. Visit the Gilded Gentleman website for more information.

Randall talks to Chris about the transition to modernism in painting. slideshow download: https://traffic.libsyn.com/secure/chrisandrandall/ep90slideshow.zip Timeline: 1863 -- Salon des Refusés 1874 -- Impression, Sunrise by Monet 1875 -- James Abbott McNeill Whistler paints Nocturne in Black and Gold -- The Falling Rocket 1877 -- John Ruskin published his attack on the paintings of James McNeill Whistler exhibited at the Grosvenor Gallery 1878 -- Whistler v Ruskin trial (https://gutenberg.org/ebooks/24650) 1881 -- Paul Gauguin moves to Tahiti. His avowed intent was to escape European civilization and "everything that is artificial and conventional" 1884 -- Georges Seurat founds theory of chromoluminarism, divisionism 1886 -- Symbolism coined 1888 -- Cloisonnism coined 1889 -- Synthetism coined 1890 -- Whistler publishes The Gentle Art of Making Enemies with full transcript of case 1903 -- Gauguin dies 1903 - 1906 -- Gauguin retrospectives in Paris 1903 -- Kandinsky paints the Blue Rider Topics discussed include: "alternative" art alternative music Camille Pisarro Impressionism Eugène Delacroix Islamic art Zen art Alexander Cozens inkblots traditional African art James Abbott McNeill Whistler Positivism recorded March 7, 2022 Visit us at https://chrisandrandall.com/

Moe Dunford stars in Nightride, about a drug dealer desperate to go straight. The Woman in White Joanna Hiffernan and James McNeill Whistler, an exhibition running at the Royal Academy in London. Living Canvas, digital art at Dublin's Wilton Park.

Le Musée d'Orsay présente jusqu'à début mai un ensemble exceptionnel d'œuvres du peintre américain de la fin du XIXe siècle James McNeill Whistler. La plupart viennent de la Frick collection à New York, et certaines n'ont jamais été montrées en France. Peintures, pastels, eaux fortes ont, pour la plupart, été réalisées en Europe par l'artiste américain, très attaché aux scènes artistiques parisienne et londonienne.

The red-haired Joanna Hiffernan was James McNeill Whistler's Woman in White. An exhibition curated by Margaret MacDonald for the Royal Academy of Arts, London and the National Gallery of Art, Washington uncovers the role she played in his career. An instagram account about the women painted by Viennese artist Egon Schiele has amassed over 100,000 followers. Now Sophie Haydock is publishing a novel called The Flames, which imagines the story of Schiele's wife and three other women who modelled for him. Ilona Sagar has been working for over 2 years in social care services and community settings in the London Borough of Barking and Dagenham to make art reflecting the consequences of asbestos exposure involving social workers, carers, organisers and residents. Shahidha Bari hosts a conversation about famous artists and their sometimes less famous models. Whistler's Woman in White: Joanna Hiffernan runs at the Royal Academy in London from 26 February — 22 May 2022 https://www.ilonasagar.com/ https://www.serpentinegalleries.org/whats-on/radio-ballads/ On view at Serpentine (31 March – 29 May) and Barking Town Hall and Learning Centre (2-17 April), Radio Ballads presents new film commissions alongside paintings, drawings and contextual materials that share each project's collaborative research process. The original documentary series Radio Ballads produced by musicians Ewan MacColl and Peggy Seeger, working with radio producer Charlie Parker, were broadcast by the BBC from 1957–64. Sophie Haydock's novel The Flames is published in March 2022. Producer: Torquil MacLeod You can find a playlist on the Free Thinking website exploring Art, Architecture, Photography and Museums with discussions on colour, trompe l'oeil, world's fairs, and guests including Veronica Ryan, Jennifer Higgie, Eric Parry and Alison Brooks, the directors of museums in London, Paris, Singapore, Los Angeles, Washington https://www.bbc.co.uk/programmes/p026wnjl

“James McNeill Whistler (1834-1903)“Chefs-d'oeuvre de la Frick Collection, New Yorkau Musée d'Orsay, Parisdu 8 février au 8 mai 2022Interview de Paul Perrin, conservateur peinture au musée d'Orsay et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 7 février 2022, durée 18'31.© FranceFineArt.Communiqué de presseCommissariat : Paul Perrin, conservateur peinture au musée d'OrsayLa Frick Collection, ouverte au public en 1935 dans la « mansion » new-yorkaise du magnat de l'industrie et grand collectionneur Henry Clay Frick (1849-1919), est l'un des plus importants musées d'art européen des États-Unis.À la faveur de la fermeture de l'institution pour travaux et de la présentation temporaire des collections au « Frick Madison » entre 2021 et 2023, un important ensemble d'oeuvres du peintre américain James Abbott McNeill Whistler (1834-1903) quitte New York pour la première fois depuis plus d'un siècle pour être présenté au Musée d'Orsay au début de l'année 2022.Avec les États-Unis et le Royaume-Uni, la France est une des trois patries du peintre. Né en 1834 dans le Massachussetts, Whistler fait son apprentissage et ses débuts à Paris entre 1855 et 1859. Après son installation à Londres, l'artiste garde un lien privilégié avec la scène artistique parisienne, exposant aux côtés des refusés en 1863 et devenant dans les années 1890 l'un des « phares » de la nouvelle génération symboliste. En 1891, l'État achète son chef-d'oeuvre : Arrangement en gris et noir : portrait de la mère de l'artiste. À la même date, Henry Clay Frick bâtit sa collection, et au début des années 1910, l'ouvre à l'art de la fin du XIXe siècle. Il achète vingt oeuvres de Whistler – peintures et arts graphiques – faisant ainsi de cet artiste l‘un des mieux représentés dans sa collection. Aujourd'hui, les grands portraits en pieds de Whistler de la Frick Collection comptent parmi les oeuvres les plus admirées des visiteurs au côté des remarquables peintures d'Holbein, Rembrandt, Van Dyck ou Gainsborough.Au Musée d'Orsay seront présentés l'étonnant paysage L'Océan, peint par Whistler lors d'un voyage au Chili, trois pastels et douze estampes à sujets vénitiens, et trois grands portraits représentatifs de ses célèbres « symphonies en blanc » et « arrangements en noir » : le portrait de Mrs Frederick Leyland (chef-d'oeuvre de l'Aesthetic Movement), le portrait de Rosa Corder, et enfin celui de l'extravagant esthète Robert de Montesquiou-Fezensac. Ce dernier, l'un des ultimes tableaux peints par Whistler, est probablement l'œuvre la plus moderne de la collection de Frick. Alors que l'année 2022 sera placée sous le signe de Marcel Proust, dont nous célébrerons le centenaire de la mort, cette effigie nous rappellera aussi l'influence de Montesquiou et de Whistler dans l'élaboration de La Recherche et la création des personnages du baron de Charlus et du peintre Elstir.Cette présentation exceptionnelle rassemble 22 oeuvres dont 4 peintures, 3 pastels et 12 eaux-fortes de la Frick Collection ainsi que 3 peintures des collections du musée d'Orsay. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Lisa Molina, Melinda Thomsen, and Meg Pokrass share this week. TERcets is a literary podcast by The Ekphrastic Review. Each episode features three pieces selected by the host, Brian Salmons, from our website, ekphrastic.net. melindathomsen.com megpokrass.com The Ekphrastic Review is an online journal devoted entirely to writing inspired by visual art. Our objective is to promote ekphrastic writing and art appreciation, and to experience how the two strengthen each other and bring enrichment to every facet of life. We want to inspire more ekphrastic writing and promote the best in ekphrasis far and wide. Intro music is "Far-Away Planet" by Curtis Hasselbring (https://curtishasselbring.bandcamp.com/), outro is "Hopp" by Judadi (https://soundcloud.com/judadi/), bumpers by Robert Tilly & Wooden Ambulance ("Baby, Come On Home"), Boris & Oliver ("Mary Wants My Beat"), and Zühn ("La Sainte Chapelle"). The art is a detail of "Nocturne, Grey and Silver" (1873), by James McNeill Whistler.

This episode shares one story about the artist James McNeill Whistler and another about the singer and dancer Josephine Baker.

This episode shares one story about the artist James McNeill Whistler and another about the singer and dancer Josephine Baker.

On Today's Trivia Podcast Episode Annie and David discuss James McNeill Whistler's famous work - Arrangement in Grey and Black No. 1, best known under its colloquial name Whistler's Mother. We learned a lot of new fun facts about this painting with wisegest. We bring twenty new trivia questions for you to answer like: The time needed for a planet to make one complete rotation on its axis is called a what? Who was the first US President to travel to Europe while in office? In what Italian city did the Renaissance begin? Which medieval philosopher fused the ideas of Aristotle with the teachings of the Christian Church? Which Latin term, probably well-known to Superman and Batman, means "another self?" Be it a wheel, tiller or joystick, what is the term for any equipment associated with the steering of a boat or ship? What country has produced some of the top pop song producers along with the bands Ace of Base and Roxette? Though not very scandalous, nor short and stout, Laddie Boy was the name of which U.S. President's dog? Which Broadway musical features a song about the syllable tones of the musical scale? Music Hot Swing, Fast Talkin, Bass Walker, Dances and Dames by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Don't forget to follow us on social media for more trivia at home: Patreon - patreon.com/quizbang - Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support! Website - quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question! Facebook - @quizbangpodcast - we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess. Instagram - Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess. Twitter - @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia - stay for the trivia. Ko-Fi - ko-fi.com/quizbangpod - Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

Whistler's Mother is an iconic painting by James McNeill Whistler, a bohemian who rejected the conventional.

One of the world's most famous paintings is "Whistler's Mother" by James McNeill Whistler, except that it isn't, even though she is.

For the purpose of this episode, when we say “props” we mean any additional implements that you add to your game that are not an inherent part of the gaming mechanics. ### Handouts (3:07) These are basically just pieces of paper with a depiction of the information or images that the characters are exposed to. [Etchings by James McNeill Whistler](https://en.wikipedia.org/wiki/James_Abbott_McNeill_Whistler#Printmaking) ### Actual Props (6:08) Riddle devices like a locking puzzle box or a representation of some important in-game item. [Relics and Rarities](https://geekandsundry.com/shows/relics-rarities/) ### Apparels (9:55) ### Mood Setters (12:10) Change the lighting of the room: make the room a little bit lighter or darker than usual. You can even go as far as lighting candles or changing one of the lightbulbs to a colored bulb. Music: [TabletopAudio.com](https://tabletopaudio.com/), [SyrinScape](https://syrinscape.com/), [Melodice.org](Melodice.org) Smell: Scented candle or Incense are a dime a dozen and have a great effect, especially if used sparingly. ### Marker vs one-time experience (16:35) ### Food and snacks (18:15) ### Taking the Load Off (22:50) ----- Email us at show@dwarfcast.net with questions, topic suggestions, and comments on this episode, and check out [our Facebook group](https://www.facebook.com/groups/dwarfpodcast) [We have a Patreon page](https://www.patreon.com/dwarfcast), in case you'd like to support us in a monetary fashion. Also, most links to [DriveThruRPG are affiliate](http://drivethrurpg.com/?affiliate_id=29668), which means we get a bit of money if you buy through them, with no added cost to you. Intro and outro based on On the Shoulders of Dwarves by the Cliches Duo. On the Shoulders of Dwarves is shared under [Creative Commons Attribution-NonCommercial 4.0 International](https://creativecommons.org/licenses/by-nc/4.0/)

It’s often said that cooking is an art. But what can art tell us about cooking? Hear about food etiquette in medieval Iran, tea-drinking in Japan, the development of wine in Eurasia, and artist James McNeill Whistler’s distinctive breakfast parties.

It’s often said that cooking is an art. But what can art tell us about cooking? Hear about food etiquette in medieval Iran, tea-drinking in Japan, the development of wine in Eurasia, and artist James McNeill Whistler’s distinctive breakfast parties.

U of A Professor Daniel Sutherland has published Whistler: A Life for Art’s Sake. It's the first biography of artist James McNeill Whistler in more than 20 years, and the first to use Whistler’s private correspondence to tell the story of his life & work.

In this video podcast, produced in conjunction with the exhibition Tête-à-tête: Three Masterpieces from the Museé d’Orsay, Associate Curator Emily A. Beeny discusses James McNeill Whistler’s Arrangement in Grey and Black No.1, also called "Portrait of the Artist’s Mother," widely regarded as one of the greatest works of American art to date. The painting is on view at the Norton Simon Museum from March 27 through June 22, 2015.

James McNeill Whistler (1834 ‑ 1903) Green and Violet: The Evening Walk, 1896 Oil on panel 5 x 8 1/2 in.

Greg celebrates the hundredth episode of Smartest Man back in West Hollywood's Bar Lubitch, with japes on James McNeill Whistler, jasmine and Johnny Cash.

In this episode Nicholas Daly reads from the Introduction to his book Sensation and Modernity in the 1860's published by Cambridge University Press. This is a study of high and low culture in the years before the Reform Act of 1867, which vastly increased the number of voters in Victorian Britain. As many commentators worried about the political consequences of this 'Leap in the Dark', authors and artists began to re-evaluate their own role in a democratic society that was also becoming more urban and more anonymous. While some fantasized about ways of capturing and holding the attention of the masses, others preferred to make art and literature more exclusive, to shut out the crowd. One path led to 'Sensation'; the other to aestheticism, though there were also efforts to evade this opposition. This book examines the fiction, drama, fine art, and ephemeral forms of these years against the backdrop of Reform. Authors and artists studied include Wilkie Collins, Dion Boucicault, Charles Dickens, James McNeill Whistler, and the popular illustrator, Alfred Concanen.

In this episode Nicholas Daly reads from the Introduction to his book Sensation and Modernity in the 1860's published by Cambridge University Press. This is a study of high and low culture in the years before the Reform Act of 1867, which vastly increased the number of voters in Victorian Britain. As many commentators worried about the political consequences of this 'Leap in the Dark', authors and artists began to re-evaluate their own role in a democratic society that was also becoming more urban and more anonymous. While some fantasized about ways of capturing and holding the attention of the masses, others preferred to make art and literature more exclusive, to shut out the crowd. One path led to 'Sensation'; the other to aestheticism, though there were also efforts to evade this opposition. This book examines the fiction, drama, fine art, and ephemeral forms of these years against the backdrop of Reform. Authors and artists studied include Wilkie Collins, Dion Boucicault, Charles Dickens, James McNeill Whistler, and the popular illustrator, Alfred Concanen.