Podcasts about language politics

1984 by George Orwell w/Jesan Sorrells---00:00 Welcome and Introduction - 1984 by George Orwell01:30 Mid-20th Century Cultural Shifts04:56 "Discussing Orwell's 1984 Themes"08:24 George Orwell: Complex Personal Legacy12:08 "1984: Orwell's Protest Literature"18:43 "Revisiting Orwell's Language Politics"23:52 "Living in a Managed Dystopia"26:00 Dystopian Reality and Lost Utopia30:23 "Explore Other Leadership Shows"---Opening and closing themes composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the 2022 Leadership Lessons From the Great Books podcast reading list!--- ★ Support this podcast on Patreon ★ Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out HSCT Publishing at: https://www.hsctpublishing.com/.Check out LeadingKeys at: https://www.leadingkeys.com/Check out Leadership ToolBox at: https://leadershiptoolbox.us/Contact HSCT for more information at 1-833-216-8296 to schedule a full DEMO of LeadingKeys with one of our team members.---Leadership ToolBox website: https://leadershiptoolbox.us/.Leadership ToolBox LinkedIn: https://www.linkedin.com/company/ldrshptlbx/.Leadership ToolBox YouTube: https://www.youtube.com/@leadershiptoolbox/videosLeadership ToolBox Twitter: https://twitter.com/ldrshptlbx.Leadership ToolBox IG: https://www.instagram.com/leadershiptoolboxus/.Leadership ToolBox FB: https://www.facebook.com/LdrshpTl

Saif Samejo is a musician and founder, lead vocalist and songwriter of the Pakistani Sufi folk band The Sketches. Saif Samejo comes on The Pakistan Experience for a detailed discussion on Sindhu Culture, Rawadari, Sufism, Music, Sindhi Poetry, Religious Extremism, the Rawadari March and Folk Stories of Pakistan. The Pakistan Experience is an independently produced podcast looking to tell stories about Pakistan through conversations. Please consider supporting us on Patreon: https://www.patreon.com/thepakistanexperience To support the channel: Jazzcash/Easypaisa - 0325 -2982912 Patreon.com/thepakistanexperience And Please stay in touch: https://twitter.com/ThePakistanExp1 https://www.facebook.com/thepakistanexperience https://instagram.com/thepakistanexpeperience The podcast is hosted by comedian and writer, Shehzad Ghias Shaikh. Shehzad is a Fulbright scholar with a Masters in Theatre from Brooklyn College. He is also one of the foremost Stand-up comedians in Pakistan and frequently writes for numerous publications. Instagram.com/shehzadghiasshaikh Facebook.com/Shehzadghias/ Twitter.com/shehzad89 Join this channel to get access to perks: https://www.youtube.com/channel/UC44l9XMwecN5nSgIF2Dvivg/join Chapters: 0:00 Trailer 2:50 Introduction and Namaste 4:42 Sindh Rawadari March 12:53 Sindh vs Religious Extremism 19:24 Actions of Sindh Police 21:40 PPP, TLP and Religious Extremism 28:56 Sindh kee Saqafat and Sindhu Culture 33:30 Daarya-e-Sindh and Water management 45:22 Sindh ka Sufi Khayal 52:54 Bulleh Shah ka Punjab 56:14 Zia ul Haq tried to suppress local languages 1:02:00 Indigenous Cultures and Languages 1:05:30 Shehzad's severed connection with Sindh 1:13:00 Language Politics in Pakistan 1:15:20 Saif Samejo, Music and Singing in Sindhi 1:23:00 Learning from other Sindhi villages and Shah Abdul Latif Bhitai 1:25:25 The Story of Moomal Rano 1:29:33 - Story of Sohni Mahiwal 1:38:50 Sindhi Shayaree 1:45:00 Audience Questions

Subscribe to Grand Tamasha on Apple Podcasts, Spotify, Overcast, or your favorite podcast app. I spoke with Deepika Padmanabhan, who's a PhD candidate in political science at Yale University. Her research focuses on nationalism, language and self-determination with a regional focus in South Asia. We discussed her job market paper, everyday imposition language promotion as a nation building strategy in Southern India. We talked about how the exposure to dominant national languages like English and Hindi impacts the identity of subnational regional speakers in Tamil Nadu and Karnataka, the politics of language in South Asia, the instrumental versus symbolic characteristics of regional languages and much more.  Recorded September 11th, 2024. Read a full transcript enhanced with helpful links. Connect with Ideas of India Follow us on X Follow Shruti on X Follow Deepika on X Click here for the latest Ideas of India episodes sent straight to your inbox. Timestamps (00:00:00) - Intro (00:01:08) - Grand Tamasha (00:02:47) - Linguistic Diversity and National Identity (00:03:55) - History and Politics of Multilingualism in India (00:06:20) - Language as a Nation-Building Tool with Putative Effects (00:08:53) - Experiencing the Hierarchy of National and Subnational Identities Through Language (00:11:51) - Observing the Discriminatory Effects of Linguistic Imposition (00:15:37) - Bilingualism or Diglossia (00:18:03) - Differences in the Political and Economic Valences of Hindi and English (00:21:18) - Migration and Language Politics (00:22:35) - Linguistic Pluralism in Relation to National Identity and Growing Nativism (00:25:39) - Hindi as the Site of Political and Economic Tensions (00:30:45) - Dialects of Local Languages Provoking a Subnational Identity (00:34:26) - A Linguistic Origin Story (00:38:33) - Politics in Tamil Film (00:43:20) - The Future of Linguistic Diversity with Advancements in Technology (00:45:15) - Outro

Following the NEP 2020, institutes across the country introduced engineering and tech courses in regional languages. However, failing to enrol even a single student last year, some institutes have decided to discontinue these programs raising questions on the relevance of such courses. In episode 1517 of Cut the Clutter Editor-in-Chief Shekhar Gupta and Assistant Editor Fareeha Iftikhar examine enrolment numbers and answer key questions for the way ahead.

Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (U Hawaii Press, 2023) interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries. Christina Yi is associate professor of modern Japanese literature at the University of British Columbia. Her research field is modern and contemporary Japanese literature, with a particular focus on issues of postcoloniality, language politics, genre, and cultural studies. Yi's first monograph, Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea, was published by Columbia University Press in 2018. Andre Haag is associate professor of Japanese literature and culture at the University of Hawai‘i at Mānoa. His research explores how the insecurities and terrors of colonialism attendant to the annexation of Korea and internalization of the “Korea Problem” were inscribed within the literature, culture, and vocabularies that circulated within the Japanese imperial metropole. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (U Hawaii Press, 2023) interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries. Christina Yi is associate professor of modern Japanese literature at the University of British Columbia. Her research field is modern and contemporary Japanese literature, with a particular focus on issues of postcoloniality, language politics, genre, and cultural studies. Yi's first monograph, Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea, was published by Columbia University Press in 2018. Andre Haag is associate professor of Japanese literature and culture at the University of Hawai‘i at Mānoa. His research explores how the insecurities and terrors of colonialism attendant to the annexation of Korea and internalization of the “Korea Problem” were inscribed within the literature, culture, and vocabularies that circulated within the Japanese imperial metropole. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (U Hawaii Press, 2023) interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries. Christina Yi is associate professor of modern Japanese literature at the University of British Columbia. Her research field is modern and contemporary Japanese literature, with a particular focus on issues of postcoloniality, language politics, genre, and cultural studies. Yi's first monograph, Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea, was published by Columbia University Press in 2018. Andre Haag is associate professor of Japanese literature and culture at the University of Hawai‘i at Mānoa. His research explores how the insecurities and terrors of colonialism attendant to the annexation of Korea and internalization of the “Korea Problem” were inscribed within the literature, culture, and vocabularies that circulated within the Japanese imperial metropole. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (U Hawaii Press, 2023) interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries. Christina Yi is associate professor of modern Japanese literature at the University of British Columbia. Her research field is modern and contemporary Japanese literature, with a particular focus on issues of postcoloniality, language politics, genre, and cultural studies. Yi's first monograph, Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea, was published by Columbia University Press in 2018. Andre Haag is associate professor of Japanese literature and culture at the University of Hawai‘i at Mānoa. His research explores how the insecurities and terrors of colonialism attendant to the annexation of Korea and internalization of the “Korea Problem” were inscribed within the literature, culture, and vocabularies that circulated within the Japanese imperial metropole. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (U Hawaii Press, 2023) interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries. Christina Yi is associate professor of modern Japanese literature at the University of British Columbia. Her research field is modern and contemporary Japanese literature, with a particular focus on issues of postcoloniality, language politics, genre, and cultural studies. Yi's first monograph, Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea, was published by Columbia University Press in 2018. Andre Haag is associate professor of Japanese literature and culture at the University of Hawai‘i at Mānoa. His research explores how the insecurities and terrors of colonialism attendant to the annexation of Korea and internalization of the “Korea Problem” were inscribed within the literature, culture, and vocabularies that circulated within the Japanese imperial metropole. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (U Hawaii Press, 2023) interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries. Christina Yi is associate professor of modern Japanese literature at the University of British Columbia. Her research field is modern and contemporary Japanese literature, with a particular focus on issues of postcoloniality, language politics, genre, and cultural studies. Yi's first monograph, Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea, was published by Columbia University Press in 2018. Andre Haag is associate professor of Japanese literature and culture at the University of Hawai‘i at Mānoa. His research explores how the insecurities and terrors of colonialism attendant to the annexation of Korea and internalization of the “Korea Problem” were inscribed within the literature, culture, and vocabularies that circulated within the Japanese imperial metropole. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (U Hawaii Press, 2023) interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries. Christina Yi is associate professor of modern Japanese literature at the University of British Columbia. Her research field is modern and contemporary Japanese literature, with a particular focus on issues of postcoloniality, language politics, genre, and cultural studies. Yi's first monograph, Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea, was published by Columbia University Press in 2018. Andre Haag is associate professor of Japanese literature and culture at the University of Hawai‘i at Mānoa. His research explores how the insecurities and terrors of colonialism attendant to the annexation of Korea and internalization of the “Korea Problem” were inscribed within the literature, culture, and vocabularies that circulated within the Japanese imperial metropole. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies

Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (U Hawaii Press, 2023) interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries. Christina Yi is associate professor of modern Japanese literature at the University of British Columbia. Her research field is modern and contemporary Japanese literature, with a particular focus on issues of postcoloniality, language politics, genre, and cultural studies. Yi's first monograph, Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea, was published by Columbia University Press in 2018. Andre Haag is associate professor of Japanese literature and culture at the University of Hawai‘i at Mānoa. His research explores how the insecurities and terrors of colonialism attendant to the annexation of Korea and internalization of the “Korea Problem” were inscribed within the literature, culture, and vocabularies that circulated within the Japanese imperial metropole. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

For over 157 years, the Canadian federation has derived its legitimacy from a written constitution made up of 31 documents, the majority of which have no legal force in the French language, among them the foundational Constitution Act of 1867, formerly referred to as the British North America Act. While the Constitution Act of 1982 was written and adopted in both official languages, the remaining 71% of the documents, though translated, have yet to be promulgated. 42 years and counting. How did we get here? And what are the consequences of a 71% unilingual constitution? Professor François Larocque, holder of the first Canadian Francophonie Research Chair in Language Rights since 2018, is one of Canada's top experts on language rights and is currently involved in litigation aimed at solving this issue once and for all.The French version of this episode is available here: Canadian Bar Association - Juriste branché (cba.org).Constitution bilingue / Bilingual Constitution (youtube.com)

A favorite political poster hangs on a wall in my office: “Homeland Security” it proclaims in bold letters above a photo of a group of Indigenous elders holding rifles; below it reads, “Fighting Terrorism Since 1492.”It's a reminder of the centuries of settler colonial policy and genocidal terror carried out by the US government against Indigenous peoples and nations and lineages, as well as the natural environment, the trees, the bison, and more. And it's a reminder that resistance goes back to the beginning and continues to this day.This episode of Under the Tree—a conversation with Mneesha Gellman, author of Indigenous Language Politics in the Schoolroom: Cultural Survival in Mexico and the United States which explores the contemporary fight for Indigenous language in the classroom as a site of struggle and resistance against erasure and genocide—was recorded at the courageous, worker-owned bookstore, Pilsen Community Books, a familiar and friendly stop on our Chicago freedom tour.

There are around 170 Indigenous languages spoken in the Philippines, as well as speakers of English, Spanish and several Chinese languages. Most people are multilingual, with more than 90 percent of the population speaking one or more language. Guest: Professor Tuting Hernandez (Department of Linguistics, University of the Philippines) Recorded on 22 November 2022.

Karnataka will be holding Assembly elections in the middle of 2023. This BIC series - Karnataka Votes 2023 – highlights the various elements of state politics, its culture and history that are often unique to this state, and affect the voting pattern. The first in this lecture series is a talk by long-time observer of Karnataka politics, Prof. James Manor, who will discuss the political history of Karnataka bringing it up to date. Among the themes that Prof. Manor will be discussing are the difficulties that ruling parties have faced in winning re-elections in Karnataka since 1985, the social and geographical bases of the main political parties and the promise and limitations of Prime Minister Narendra Modi's popularity in state elections. He will also debate the role of campaign funds and the potential role of social polarisation in the upcoming Legislative Assembly elections. His assessment of the three main parties will go alongside his analysis of the impact of recent changes in the delivery of goods, services and benefits. Subscribe to the BIC Talks Podcast on your favourite podcast app! BIC Talks is available everywhere, including iTunes, Spotify, Google Podcasts, Castbox, Overcast and Stitcher.

Oleksandra Povoroznik is a (⁦@rynkrynk) is a Kyiv-based journalist, film critic and translator, who joins us to discuss the changing politics of language in Ukraine, as well as the country's defiant wartime culture and humor.Support this show http://supporter.acast.com/lawfare. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Oleksandra Povoroznik is a (⁦@rynkrynk) is a Kyiv-based journalist, film critic and translator, who joins us to discuss the changing politics of language in Ukraine, as well as the country's defiant wartime culture and humor. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

What does the 25th anniversary of the Hong Kong handover mean for the people of Hong Kong, the PRC, and the world? Much has changed since 1997, when sovereignty of Hong Kong was transferred from Great Britain to China. Through the lenses of language, politics, and identity, three leading experts discuss the relationship between Hong Kong and Mainland China, how it has evolved over the past 25 years, and what these dynamics tell us about Hong Kong today. The National Committee on U.S.-China Relations held an event on June 20, 2022 with panelists Kris Cheng, Pierre Landry, and Gina Tam discussing the past, present, and future of Hong Kong.

The Chittagong Hill Tracts is in southeast Bangladesh, on the country's border with India and Myanmar, and is home to 14 Indigenous groups. However, the state contests these people's Indigenous status and identity. How will this impact their ability to participate in the UNESCO International Decade of Indigenous Languages, and what does it mean for the future of the languages of the Chittagong Hill Tracts? A three podcast series exploring issues of indigenous languages to mark the beginning of the United Nations International Decade of Indigenous Languages (2022 - 2032). Guest: Dr Maung Ting Nyeu (Research Scientist, New York University). Host: Dr Gerald Roche (Senior Research Fellow, Department of Politics, Media and Philosophy at La Trobe University, La Trobe Asia Fellow). Recorded on 19 March, 2022.

The Inner Mongolian Autonomous Region in northern China has, in recent years, been the site of extensive protests against changes to the education system that have diminished the role of the Mongolian language. What might the UN's Decade of Indigenous Languages mean for the region's Mongols and their struggle to protect their language? A three podcast series exploring issues of indigenous languages to mark the beginning of the United Nations International Decade of Indigenous Languages (2022 - 2032). Guest: Gegentuul Baioud (Postdoctoral Fellow, Hugo Valentin Centre, Uppsala University). Host: Dr Gerald Roche (Senior Research Fellow, Department of Politics, Media and Philosophy at La Trobe University, La Trobe Asia Fellow) Recorded on 17 February, 2022.

The Lepcha community is indigenous to the Himalayan mountains, and can be found across India, Nepal, Bhutan, and Tibet. There's estimated to be less than 70,000 speakers of the Lepcha language, and while it is an official language of Sikkim retention is a challenge. A three podcast series exploring issues of indigenous languages to mark the beginning of the United Nations International Decade of Indigenous Languages (2022 - 2032). Guest: Dr Charisma Lepcha (Assistant Professor, Department of Anthropology, Sikkim University and Visiting Scholar, Harvard Yenching Institute). Host: Dr Gerald Roche (Senior Research Fellow, Department of Politics, Media and Philosophy at La Trobe University, La Trobe Asia Fellow) Recorded on 16 February, 2022.

Asia is a linguistically diverse region, but this diversity is currently under threat. After centuries of colonisation and decades of rapid development, communities throughout Asia are facing distinct and urgent challenges to defend their rights to language in the face of discrimination, exclusion, and violence. How are Indigenous people and languages across Asia responding to this situation? Who decides which languages deserve attention and resources? How can awareness of Indigenous languages be raised and new political agendas promoted? As the world enters what UNESCO has declared as the Decade of Indigenous Languages we will explore these issues with several researchers from Asia - people who speak, advocate for, or research some of the region's many Indigenous languages. Speakers: Assistant Professor Prem Phyak, Applied Linguistics, The Chinese University of Hong Kong Associate Professor Madoka Hammine, International Studies, Meio University Associate Professor Tuting Hernandez, Linguistics, University of Philippines Senior Research Fellow Gerald Roche, Politics, Media & Philosophy, La Trobe University Chair: Associate Professor Bec Strating, Director, La Trobe Asia Recorded on 22 February 2022.

Abhishek Avtans talks about the apabhraṃśa, a word that refers to the middle stage of the Indo-Aryan languages, crucial links between ancient languages like Sanskrit, and modern South Asian languages such as Hindi, Bangla, Bhojpuri, Punjabi, Marathi, Nepali, and others. The first mention of apabhraṃśas is in Mahabhasya, a 2nd century BCE text by Patanjali, […]

ಕಿರಣ್ ಕೊಡ್ಲಾಡಿ ಅವರು ಪವನ್ ಶ್ರೀನಾಥ್ ಅವರೊಂದಿಗೆ ಕರ್ನಾಟಕ ಏಕೀಕರಣಕ್ಕೆ ಕಾರಣವಾದ ಇತಿಹಾಸದ ಕುರಿತು ಮಾತನಾಡುತ್ತಾರೆ.ನವೆಂಬರ್ 1, 2021, ಕರ್ನಾಟಕ ರಾಜ್ತ್ಯೋತ್ಸವಕ್ಕೆ ನಮ್ಮ ರಾಜ್ಯ ಏಕೀಕರಣವಾಗಿ 65 ವರ್ಷಗಳಾಗುತ್ತದೆ. ಈ ಏಕೀಕರಣ ಕರ್ನಾಟಕದ ಅನೇಕ ಭಾಷೆಗಳು, ಗಡಿಗಳು, ಮತ್ತು ಆಡಳಿತ ಪ್ರಕಾರಗಳನ್ನು ಸಂಯೋಜಿಸುವ ಒಂದು ಐತಿಹಾಸಿಕ ಸಂಭವ.ಬ್ರಿಟೀಷರು, ಮೈಸೂರು ಸಾಮ್ರಾಜ್ಯದ ಅರಸರು, ಸಾಮಾನ್ಯ ಜನರು ಮತ್ತು ಚಳುವಳಿಗಾರರು, ಎಲ್ಲರೂ ಈ ರಾಜ್ಯದ ಏಕೀಕರಣದಲ್ಲಿ ಮುಖ್ಯ ಪಾತ್ರಧಾರಿಗಳಾಗಿದ್ದರೆ. ಇವೆಲ್ಲರ ಅಭಿಪ್ರಾಯಗಳು ಭಿನ್ನಾಭಿಪ್ರಾಯಗಳು, ಶೈಕ್ಷಣಿಕ ಪ್ರಭಾವಗಳು, ಮತ್ತು ಭಾಷೆಯ ಆಧಾರದ ರಾಜ್ಯ ವಿಂಗಡಣೆಯ ಪ್ರಯತ್ನಗಳು, ಈ ವೈಶಿಷ್ಯವಾದ ಇತಿಹಾಸದ ಬಗ್ಗೆ ಮಾತನಾಡಲು ನಮ್ಮತಲೆ-ಹರಟೆ 116 ಸಂಚಿಕೆಯಲ್ಲಿ ಕಿರಣ್ ಕೊಡ್ಲಾಡಿ ಅವರು ಇದ್ದಾರೆ.ಕಿರಣ್ ಕೊಡ್ಲಾಡಿ ಅವರು ಒಂದು ಹೆಲ್ತ್ ಕೇರ್ ಕಂಪನಿಯಲ್ಲಿ ಟೆಕ್ ವೃತ್ತಿಪರರು ಹಾಗು ಐವಿಮ್ ಪಾಡ್ಕಾಸ್ಟಿನಲ್ಲಿ ಮುಂಬರುವ ಕನ್ನಡ ಕನ್ನಡಿ ಎಂಬ ಪಾಡ್ಕ್ಯಾಸ್ಟ್ ನಡೆಸಲ್ಲಿದ್ದಾರೆ. ಈ ಚರ್ಚೆ ಕಿರಣ್ ಮತ್ತು ಪವನ್ ಶ್ರೀನಾಥ್ ಅವರ ಜೊತೆ, ಬನ್ನಿ ಕೇಳಿ!Kiran Kodlady talks to host Pavan Srinath about the history leading up to the unification of Karnataka.On 1st November 2021, the state of Karnataka will complete 65 years since its unification into its current territorial boundaries. India's linguistic reorganisation of states is one of the most important political developments in Independent Indian history, but there is little public knowledge of how it happened, and what all events led up to it.On Episode 116 of the Thale-Harate Kannada Podcast, Kiran shares a deep history of the first movements in Kannada-speaking parts of colonial India and the princely states to bring Kannada into education and governance. He details the deep history of organising and mobilising the public on the basis of language, that preceded India's independence by several decades. Over the course of the episode, Kiran brings out the complex set of events that led to the reorganisation of Indian states on linguistic lines, and tells us how this was not just a post-independence phenomenon. Kiran Kodlady is a tech professional working in healthcare, and is the host of an upcoming podcast on the IVM Podcast Network -- Kannada Kannadi, or a mirror to Kannada. Kiran is deeply interested in the role language plays in governance and human development, as well as the role of people's languages in markets. More information about Kannada Kannadi will be out very soon!Related links:Kiran Kodlady on Twitter @Kodlady and Linkedin.ಕರ್ನಾಟಕ ಏಕೀಕರಣ ಇತಿಹಾಸ by HS Gopala Rao (Karnataka Ekikarnada Itihasa, Kannada book, Navakarnataka Prakashana)A Concice History of Karnataka by Suryanath U. Kamath. (English book, MCC Publications)Recommended Listening:ಕರ್ನಾಟಕ ರಾಜಕೀಯದ ಇತಿಹಾಸ. Karnataka's Political History with A Narayana.ಕರ್ನಾಟಕ ರಾಜಕೀಯ ಪಕ್ಷಗಳ ಪಯಣ. Evolution of Political Parties in Karnataka with A Narayana.ಕನ್ನಡ ಗ್ರಾಹಕರ ಶಕ್ತಿ. Kannada and the Consumer with Vasant Shettyಬ್ಯುಖಾನನ್ ರವರ ಕರ್ನಾಟಕ ಪಯಣ. Buchanan's Journey with Lingaraj Jayaprakashಫಾಲೋ ಮಾಡಿ. Follow the Thalé-Haraté Kannada Podcast @haratepod. Facebook: https://facebook.com/HaratePod/ , Twitter: https://twitter.com/HaratePod/ and Instagram: https://instagram.com/haratepod/ .ಈಮೇಲ್ ಕಳಿಸಿ, send us an email at haratepod@gmail.com or send a tweet and tell us what you think of the show!The Thale-Harate Kannada Podcast is made possible thanks to the support of The Takshashila Institution and IPSMF, the Independent Public-Spirited Media Foundation.You can listen to this show and other awesome shows on the new and improved IVM Podcast App on Android: https://ivm.today/android or iOS: https://ivm.today/ios and check out our website at https://ivmpodcasts.com/ .You can also listen to the podcast on Apple Podcasts, Spotify, Google Podcasts, Gaana, Amazon Music Podcasts, JioSaavn, Castbox, or any other podcast app. We also have some video episodes up on YouTube! ಬನ್ನಿ ಕೇಳಿ!

Disclaimer: Copyright Disclaimer Under Section 107 of the Copyright Act 1976 On podcast I have seen this and wondering would it be "Fair Use" if I done a reaction to another podcast video, non-profited it and gave credit would that be fair use? Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non profit, educational or personal use tips the balance in favor of fair use. In our channel |karthikeyan podcast we gonna hear about the inspiring interview of robotic engineer student othisvepisodebis presented by Karthikeyan podtube in anchor fm and pu lished through many apps like radio public breaker spotify google podcasts etc.So kindly share this episode with your friends and family who will be informated through this content in # Karthikeyan podcast . Below we have the links of important podcasts done in our podcast channel. Season 1 episode 1 to episode 5... https://anchor.fm/karthikeyan22/episodes/BRHAMADATHAN---EPISODE-1-ARE-YOU-A-MYSTERY-LOVER-e12lt4r https://anchor.fm/karthikeyan22/episodes/WHO-WAS-THAT-STRANGER-e12n8kk https://anchor.fm/karthikeyan22/episodes/THE-BEGINNER-OF-THE-MYSTERY-e12pepl https://anchor.fm/karthikeyan22/episodes/WHAT-HAPPENED-ACTUALLY-e12rjuk https://anchor.fm/karthikeyan22/episodes/THE-CONCLUSION-e12tqkm Season 2 episode 1 to episode 10 https://anchor.fm/karthikeyan22/episodes/WHAT-IS-THE-PURPOSE-OF-LIFE-----ENGLISH-e12vu12 https://anchor.fm/karthikeyan22/episodes/THINK-BEFORE-YOU-ACT-e13238r https://anchor.fm/karthikeyan22/episodes/PEACEFUL-MINDS-e133g4o https://anchor.fm/karthikeyan22/episodes/WIN-THE-RACE-e1353m9 https://anchor.fm/karthikeyan22/episodes/POWER-OF-SILENCE-e1375v1 https://anchor.fm/karthikeyan22/episodes/LANGUAGE-POLITICS-e1391rg https://anchor.fm/karthikeyan22/episodes/WELCOME-MORE-INSULTS-e13avls https://anchor.fm/karthikeyan22/episodes/WASTE-YOUR-TIME-TO-GET-SUCCESS-e13d47k https://anchor.fm/karthikeyan22/episodes/YOU-ARE-UNDER-ARREST---MOBILE-PHONES-e13etju https://anchor.fm/karthikeyan22/episodes/BE-A-QUALITY-PRODUCT-e13gins Season 3 episode 1 to 3 https://anchor.fm/karthikeyan22/episodes/INSPIRING-HUMANS-S3E1---THE-WORLD-FAMOUS-NOVAL-SERIES-WRITER-e13i5o2 https://anchor.fm/karthikeyan22/episodes/INSPIRING-HUMANS---IF-YOU-ARE-A-CHICKEN-LOVER-YOU-LOVE-THIS-PERSON-TOO-e13k4vt https://anchor.fm/karthikeyan22/episodes/INSPIRING-HUMANS-S3E3--GROWTH-OF-ALIBABA-e13luh5 https://anchor.fm/karthikeyan22/episodes/Inspiring-Humans-S3E4-The-CEO-from-Tamilnadu-e13o1ak https://anchor.fm/karthikeyan22/episodes/Inspiring-Humans-S3E5--Karoly-Tacaks-e13pscd Thank you for visiting our channel Follow...share....and get motivated and informated.... Our channel new name is # karthikeyan podcast and it is changed as | Karthikeyan podcast Subscribe our youtube channel | karthikeyan podtube To contact me mail me at podcastwhy007@gmail.com Thankyou

Disclaimer: Copyright Disclaimer Under Section 107 of the Copyright Act 1976 On podcast I have seen this and wondering would it be "Fair Use" if I done a reaction to another podtube video, non-profited it and gave credit would that be fair use? Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non profit, educational or personal use tips the balance in favor of fair use. In our channel |karthikeyan podcast we gonna hear about the inspiring interview of robotic engineer student othisvepisodebis presented by Karthikeyan podtube in anchor fm and pu lished through many apps like radio public breaker spotify google podcasts etc.So kindly share this episode with your friends and family who will be informated through this content in # Karthikeyan podcast . Below we have the links of important podcasts done in our podcast channel. Season 1 episode 1 to episode 5... https://anchor.fm/karthikeyan22/episodes/BRHAMADATHAN---EPISODE-1-ARE-YOU-A-MYSTERY-LOVER-e12lt4r https://anchor.fm/karthikeyan22/episodes/WHO-WAS-THAT-STRANGER-e12n8kk https://anchor.fm/karthikeyan22/episodes/THE-BEGINNER-OF-THE-MYSTERY-e12pepl https://anchor.fm/karthikeyan22/episodes/WHAT-HAPPENED-ACTUALLY-e12rjuk https://anchor.fm/karthikeyan22/episodes/THE-CONCLUSION-e12tqkm Season 2 episode 1 to episode 10 https://anchor.fm/karthikeyan22/episodes/WHAT-IS-THE-PURPOSE-OF-LIFE-----ENGLISH-e12vu12 https://anchor.fm/karthikeyan22/episodes/THINK-BEFORE-YOU-ACT-e13238r https://anchor.fm/karthikeyan22/episodes/PEACEFUL-MINDS-e133g4o https://anchor.fm/karthikeyan22/episodes/WIN-THE-RACE-e1353m9 https://anchor.fm/karthikeyan22/episodes/POWER-OF-SILENCE-e1375v1 https://anchor.fm/karthikeyan22/episodes/LANGUAGE-POLITICS-e1391rg https://anchor.fm/karthikeyan22/episodes/WELCOME-MORE-INSULTS-e13avls https://anchor.fm/karthikeyan22/episodes/WASTE-YOUR-TIME-TO-GET-SUCCESS-e13d47k https://anchor.fm/karthikeyan22/episodes/YOU-ARE-UNDER-ARREST---MOBILE-PHONES-e13etju https://anchor.fm/karthikeyan22/episodes/BE-A-QUALITY-PRODUCT-e13gins Season 3 episode 1 to 3 https://anchor.fm/karthikeyan22/episodes/INSPIRING-HUMANS-S3E1---THE-WORLD-FAMOUS-NOVAL-SERIES-WRITER-e13i5o2 https://anchor.fm/karthikeyan22/episodes/INSPIRING-HUMANS---IF-YOU-ARE-A-CHICKEN-LOVER-YOU-LOVE-THIS-PERSON-TOO-e13k4vt https://anchor.fm/karthikeyan22/episodes/INSPIRING-HUMANS-S3E3--GROWTH-OF-ALIBABA-e13luh5 https://anchor.fm/karthikeyan22/episodes/Inspiring-Humans-S3E4-The-CEO-from-Tamilnadu-e13o1ak https://anchor.fm/karthikeyan22/episodes/Inspiring-Humans-S3E5--Karoly-Tacaks-e13pscd Thank you for visiting our channel Follow...share....and get motivated and informated.... Our channel new name is # karthikeyan podcast and it is changed as | Karthikeyan podcast Subscribe our youtube channel | karthikeyan podtube To contact me mail me at podcastwhy007@gmail.com Thankyou

Disclaimer: Copyright Disclaimer Under Section 107 of the Copyright Act 1976 On Disclaimer: Copyright Disclaimer Under Section 107 of the Copyright Act 1976 On YouTube I have seen this and wondering would it be "Fair Use" if I done a reaction to another YouTube video, non-profited it and gave credit would that be fair use? Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non profit, educational or personal use tips the balance in favor of fair use. In our channel |karthikeyan podcast we gonna hear about the inspiring interview of robotic engineer student othisvepisodebis presented by Karthikeyan podtube in anchor fm and pu lished through many apps like radio public breaker spotify google podcasts etc.So kindly share this episode with your friends and family who will be informated through this content in # Karthikeyan podcast e a reaction to another podcast video, non-profited it and gave credit would that be fair use? Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non profit, educational or personal use tips the balance in favor of fair use. In our channel |karthikeyan podcast we gonna hear about the inspiring interview of robotic engineer student othisvepisodebis presented by Karthikeyan podtube in anchor fm and pu lished through many apps like radio public breaker spotify google podcasts etc.So kindly share this episode with your friends and family who will be informated through this content in # Karthikeyan podcast . Below we have the links of important podcasts done in our podcast channel. Season 1 episode 1 to episode 5... https://anchor.fm/karthikeyan22/episodes/BRHAMADATHAN---EPISODE-1-ARE-YOU-A-MYSTERY-LOVER-e12lt4r https://anchor.fm/karthikeyan22/episodes/WHO-WAS-THAT-STRANGER-e12n8kk https://anchor.fm/karthikeyan22/episodes/THE-BEGINNER-OF-THE-MYSTERY-e12pepl https://anchor.fm/karthikeyan22/episodes/WHAT-HAPPENED-ACTUALLY-e12rjuk https://anchor.fm/karthikeyan22/episodes/THE-CONCLUSION-e12tqkm Season 2 episode 1 to episode 10 https://anchor.fm/karthikeyan22/episodes/WHAT-IS-THE-PURPOSE-OF-LIFE-----ENGLISH-e12vu12 https://anchor.fm/karthikeyan22/episodes/THINK-BEFORE-YOU-ACT-e13238r https://anchor.fm/karthikeyan22/episodes/PEACEFUL-MINDS-e133g4o https://anchor.fm/karthikeyan22/episodes/WIN-THE-RACE-e1353m9 https://anchor.fm/karthikeyan22/episodes/POWER-OF-SILENCE-e1375v1 https://anchor.fm/karthikeyan22/episodes/LANGUAGE-POLITICS-e1391rg https://anchor.fm/karthikeyan22/episodes/WELCOME-MORE-INSULTS-e13avls https://anchor.fm/karthikeyan22/episodes/WASTE-YOUR-TIME-TO-GET-SUCCESS-e13d47k https://anchor.fm/karthikeyan22/episodes/YOU-ARE-UNDER-ARREST---MOBILE-PHONES-e13etju https://anchor.fm/karthikeyan22/episodes/BE-A-QUALITY-PRODUCT-e13gins Season 3 episode 1 to 3 https://anchor.fm/karthikeyan22/episodes/INSPIRING-HUMANS-S3E1---THE-WORLD-FAMOUS-NOVAL-SERIES-WRITER-e13i5o2 https://anchor.fm/karthikeyan22/episodes/INSPIRING-HUMANS---IF-YOU-ARE-A-CHICKEN-LOVER-YOU-LOVE-THIS-PERSON-TOO-e13k4vt https://anchor.fm/karthikeyan22/episodes/INSPIRING-HUMANS-S3E3--GROWTH-OF-ALIBABA-e13luh5 https://anchor.fm/karthikeyan22/episodes/Inspiring-Humans-S3E4-The-CEO-from-Tamilnadu-e13o1ak https://anchor.fm/karthikeyan22/episodes/Inspiring-Humans-S3E5--Karoly-Tacaks-e13pscd Thank you for visiting our channel Follow...share....and get motivated and informated.... Our channel new name is # karthikeyan podcast and it is changed as | Karthikeyan podcast Subscribe our youtube channel | karthikeyan podtube To contact me mail me at podcastwhy007@gmail.com Thankyou

Disclaimer: Copyright Disclaimer Under Section 107 of the Copyright Act 1976 On YouTube I have seen this and wondering would it be "Fair Use" if I done a reaction to another YouTube video, non-profited it and gave credit would that be fair use? Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non profit, educational or personal use tips the balance in favor of fair use. In our channel |karthikeyan podcast we gonna hear about the inspiring interview of Environmental science student on this episode is presented by Karthikeyan podtube in anchor fm and published through many apps like radio public breaker spotify google podcasts etc.So kindly share this episode with your friends and family who will be informated through this content in # Karthikeyan podcast . Below we have the links of important podcasts done in our podcast channel. Season 1 episode 1 to episode 5... https://anchor.fm/karthikeyan22/episodes/BRHAMADATHAN---EPISODE-1-ARE-YOU-A-MYSTERY-LOVER-e12lt4r https://anchor.fm/karthikeyan22/episodes/WHO-WAS-THAT-STRANGER-e12n8kk https://anchor.fm/karthikeyan22/episodes/THE-BEGINNER-OF-THE-MYSTERY-e12pepl https://anchor.fm/karthikeyan22/episodes/WHAT-HAPPENED-ACTUALLY-e12rjuk https://anchor.fm/karthikeyan22/episodes/THE-CONCLUSION-e12tqkm Season 2 episode 1 to episode 10 https://anchor.fm/karthikeyan22/episodes/WHAT-IS-THE-PURPOSE-OF-LIFE-----ENGLISH-e12vu12 https://anchor.fm/karthikeyan22/episodes/THINK-BEFORE-YOU-ACT-e13238r https://anchor.fm/karthikeyan22/episodes/PEACEFUL-MINDS-e133g4o https://anchor.fm/karthikeyan22/episodes/WIN-THE-RACE-e1353m9 https://anchor.fm/karthikeyan22/episodes/POWER-OF-SILENCE-e1375v1 https://anchor.fm/karthikeyan22/episodes/LANGUAGE-POLITICS-e1391rg https://anchor.fm/karthikeyan22/episodes/WELCOME-MORE-INSULTS-e13avls https://anchor.fm/karthikeyan22/episodes/WASTE-YOUR-TIME-TO-GET-SUCCESS-e13d47k https://anchor.fm/karthikeyan22/episodes/YOU-ARE-UNDER-ARREST---MOBILE-PHONES-e13etju https://anchor.fm/karthikeyan22/episodes/BE-A-QUALITY-PRODUCT-e13gins Season 3 episode 1 to 3 https://anchor.fm/karthikeyan22/episodes/INSPIRING-HUMANS-S3E1---THE-WORLD-FAMOUS-NOVAL-SERIES-WRITER-e13i5o2 https://anchor.fm/karthikeyan22/episodes/INSPIRING-HUMANS---IF-YOU-ARE-A-CHICKEN-LOVER-YOU-LOVE-THIS-PERSON-TOO-e13k4vt https://anchor.fm/karthikeyan22/episodes/INSPIRING-HUMANS-S3E3--GROWTH-OF-ALIBABA-e13luh5 https://anchor.fm/karthikeyan22/episodes/Inspiring-Humans-S3E4-The-CEO-from-Tamilnadu-e13o1ak https://anchor.fm/karthikeyan22/episodes/Inspiring-Humans-S3E5--Karoly-Tacaks-e13pscd Thank you for visiting our channel Follow...share....and get motivated and informated.... Our channel new name is # karthikeyan podcast and it is changed as | Karthikeyan podcast Subscribe our youtube channel | karthikeyan podtube To contact me mail me at podcastwhy007@gmail.com Thankyou

Disclaimer: Copyright Disclaimer Under Section 107 of the Copyright Act 1976 On YouTube I have seen this and wondering would it be "Fair Use" if I done a reaction to another YouTube video, non-profited it and gave credit would that be fair use? Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non profit, educational or personal use tips the balance in favor of fair use. In our channel |karthikeyan podcast we gonna hear about the inspiring interview of robotic engineer student othisvepisodebis presented by Karthikeyan podtube in anchor fm and pu lished through many apps like radio public breaker spotify google podcasts etc.So kindly share this episode with your friends and family who will be informated through this content in # Karthikeyan podcast . Below we have the links of important podcasts done in our podcast channel. Season 1 episode 1 to episode 5... https://anchor.fm/karthikeyan22/episodes/BRHAMADATHAN---EPISODE-1-ARE-YOU-A-MYSTERY-LOVER-e12lt4r https://anchor.fm/karthikeyan22/episodes/WHO-WAS-THAT-STRANGER-e12n8kk https://anchor.fm/karthikeyan22/episodes/THE-BEGINNER-OF-THE-MYSTERY-e12pepl https://anchor.fm/karthikeyan22/episodes/WHAT-HAPPENED-ACTUALLY-e12rjuk https://anchor.fm/karthikeyan22/episodes/THE-CONCLUSION-e12tqkm Season 2 episode 1 to episode 10 https://anchor.fm/karthikeyan22/episodes/WHAT-IS-THE-PURPOSE-OF-LIFE-----ENGLISH-e12vu12 https://anchor.fm/karthikeyan22/episodes/THINK-BEFORE-YOU-ACT-e13238r https://anchor.fm/karthikeyan22/episodes/PEACEFUL-MINDS-e133g4o https://anchor.fm/karthikeyan22/episodes/WIN-THE-RACE-e1353m9 https://anchor.fm/karthikeyan22/episodes/POWER-OF-SILENCE-e1375v1 https://anchor.fm/karthikeyan22/episodes/LANGUAGE-POLITICS-e1391rg https://anchor.fm/karthikeyan22/episodes/WELCOME-MORE-INSULTS-e13avls https://anchor.fm/karthikeyan22/episodes/WASTE-YOUR-TIME-TO-GET-SUCCESS-e13d47k https://anchor.fm/karthikeyan22/episodes/YOU-ARE-UNDER-ARREST---MOBILE-PHONES-e13etju https://anchor.fm/karthikeyan22/episodes/BE-A-QUALITY-PRODUCT-e13gins Season 3 episode 1 to 3 https://anchor.fm/karthikeyan22/episodes/INSPIRING-HUMANS-S3E1---THE-WORLD-FAMOUS-NOVAL-SERIES-WRITER-e13i5o2 https://anchor.fm/karthikeyan22/episodes/INSPIRING-HUMANS---IF-YOU-ARE-A-CHICKEN-LOVER-YOU-LOVE-THIS-PERSON-TOO-e13k4vt https://anchor.fm/karthikeyan22/episodes/INSPIRING-HUMANS-S3E3--GROWTH-OF-ALIBABA-e13luh5 https://anchor.fm/karthikeyan22/episodes/Inspiring-Humans-S3E4-The-CEO-from-Tamilnadu-e13o1ak https://anchor.fm/karthikeyan22/episodes/Inspiring-Humans-S3E5--Karoly-Tacaks-e13pscd Thank you for visiting our channel Follow...share....and get motivated and informated.... Our channel new name is # karthikeyan podcast and it is changed as | Karthikeyan podcast Subscribe our youtube channel | karthikeyan podtube To contact me mail me at podcastwhy007@gmail.com Thankyou

This podcast is about the languages we use for communication.Are you a mystery lover is a channel with audios of mystery detetive crime thriller investigating stories podcast and alsk life changing stories podcast. This story is for the mystery lovers who love to hear mystery investigation stories. After Brahama statue position,Arun Shaked Brahamas shoulder and said about that stranger in crime scene.So,Brahama came to conclusion that we can make that stranger as suspect.Now,According to outer world people searching one killer for three murders but Brahama is searching 1 killer for 1 murder.During this discussion Dr.Sathasivam called them to hospital to collect atopsy.They rushed hospital,before collectong it,there is a emerfency accidental case and that was that stranger,so Brahama cuffed him and sended him to treatment before treatment He said to Dr in drowsy mode that something about Brahama so All of the sudden Dr. Came to his room and changed the atopsy and gave to him.After lunch in police station they opened the atopsy,it is another document so Brahama went to collect atopsy,Arun doing the need full for arest,In Hospital Stranger was telling about Brahama is killer or something about him. - Let the murders be continued. ARE YOU A MYSTERY LOVER,EPISODE 2. KARTHIKEYAN. Are you a mystery lover podcast is also available in Anchor spotify and google podcast etc apps to see the rest of the 4 episodes download anchor app and search Are you a mystery lover? you will get other episodes of season one. Are you a mystery thriller other episode links My anchor app podcast link https://anchor.fm/karthikeyan22 My Google podcast link https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy81ZjJkNjI0OC9wb2RjYXN0L3Jzcw== My spotify link https://open.spotify.com/show/6B0UgfiXizg4C0T1ZYhiPP My Breaker app link https://www.breaker.audio/are-you-a-mystery-lover My pocketcasts link https://pca.st/w2p97eoo My radiopublic link https://pca.st/w2p97eoo If you are busy now just clicj below links and download those episodes on your mobile and hear it later Episode 1 link https://anchor.fm/karthikeyan22/episodes/BRHAMADATHAN---EPISODE-1-ARE-YOU-A-MYSTERY-LOVER-e12lt4r Episode 2 link https://anchor.fm/karthikeyan22/episodes/WHO-WAS-THAT-STRANGER-e12n8kk Episode 3 link https://anchor.fm/karthikeyan22/episodes/THE-BEGINNER-OF-THE-MYSTERY-e12pepl Episode 4 link https://anchor.fm/karthikeyan22/episodes/WHAT-HAPPENED-ACTUALLY-e12rjuk Episode 5 link https://anchor.fm/karthikeyan22/episodes/THE-CONCLUSION-e12tqkm with in a month these stories will be also available in Kindle e book to contact me mail me at this mail id podcastwhy007@gmail.com please do subscirbe,like,dislike,share,comment to motivate me Finally this is Are you a mystery lover ? And myself Karthick shing off... # Are you a mystery lover ?

Ahmed Khanani of Earlham College talks about his latest book, All Politics are God’s Politics: Moroccan Islamism and the Sacralization of Democracy, with Marc Lynch on this week's podcast. The book enables readers to understand and appreciate the significance of dimuqrāṭiyya [democracy] as a concept alongside new prospects for Islam and democracy in the Arab Middle East and North Africa (MENA) (Starts at 22:49). Kaoutar Ghilani of Oxford University speaks about her new article, "The legitimate’ after the uprisings: justice, equity, and language politics in Morocco," published in the British Journal of Middle Eastern Studies. (Starts at 0:56). Chantal Berman of Georgetown University discusses her new article, "Policing the Organizational Threat in Morocco: Protest and Public Violence in Liberal Autocracies," published in the American Journal of Political Science. (Starts at 11:41). Music for this season's podcast was created by Feras Arrabi. You can find more of his work on his Facebook and Instagram page.

On 9 August, an official at an airport questioned the Indian identity of Dravida Munnetra Kazhagam (DMK) leader Kanimozhi Karunanidhi because she did not know Hindi. In response, Kanimozhi tweeted “I would like to know from when being Indian is equal to knowing Hindi” with the hashtag #hindiimposition. The incident triggered viral responses on social media. Actors and politicians wore T-shirts with the slogan ‘I am Indian, I don’t speak Hindi’. On 2 September, the central government also proposed legislation in parliament under which Jammu and Kashmir (J&K) will have five official languages – Urdu, Hindi, Kashmiri, Dogri and English – even though Urdu has been J&K’s sole official language for 131 years. Ethnic minority groups demanded that the proposed bill include Gojri and Pahari, with some claiming that the exclusion of Punjabi from the bill was an “anti- minority move.” To discuss language politics in India, Himal Southasian speaks to Mithilesh Kumar Jha, author of ‘Language Politics and Public Sphere in North India: Making of the Maithili Movement’. By looking at the trajectory of the Maithili language movement and its struggle for recognition as an independent language, Jha offers important insights into how communities navigate their linguistic identities and resist ‘Hindi imposition.’

Does it matter if our language is not as sophisticated as it once was? What is the connection between language and thought, between thought and humanity? Does our language affect our understanding, and how might this affect political participation? I'll start a conversation about these topics using a 1946 essay by George Orwell, who is best known for his novels 1984 and Animal Farm.

A lecture by Lital Levy (Princeton University)

A lecture by Lital Levy (Princeton University)

The fact that Korea's experience of Japanese imperialism plays a role in present-day Japan-Korea relations is no secret to anyone. Questions of guilt, responsibility and atonement continue to bubble below, and occasionally break through, the surface of ties between two countries which otherwise have much in common culturally and in... Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies

The fact that Korea's experience of Japanese imperialism plays a role in present-day Japan-Korea relations is no secret to anyone. Questions of guilt, responsibility and atonement continue to bubble below, and occasionally break through, the surface of ties between two countries which otherwise have much in common culturally and in terms of interests. Addressing many of these complexities, Christina Yi's Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea (Columbia University Press, 2018) adds greatly to our understanding of imperial experience and its personal, linguistic and political legacies. In this ‘discursive history of modern Japanese-language literature from Korea and Japan' (xvi), Yi forges a narrative which is itself expressive of colonialism's tangled and irresolvable traces. Led nimbly back and forth between the Japanese metropole and the colonies and postcolonies, we enter deep into the worlds of writers considered both 'Korean' and 'Japanese' based in both past and present incarnations of 'Korea' and 'Japan.' If it is difficult to pin any single identity - other than shared use of Japanese language - on these figures and their works, then this very fact is an invitation to broaden our understanding of Japanophone literature beyond today's troublesome nation states. As Yi makes poignantly clear, issues of identity and voice are still shaped by imperial experience even long after the formal end of empire in 1945. Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.

The fact that Korea’s experience of Japanese imperialism plays a role in present-day Japan-Korea relations is no secret to anyone. Questions of guilt, responsibility and atonement continue to bubble below, and occasionally break through, the surface of ties between two countries which otherwise have much in common culturally and in terms of interests. Addressing many of these complexities, Christina Yi’s Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea (Columbia University Press, 2018) adds greatly to our understanding of imperial experience and its personal, linguistic and political legacies. In this ‘discursive history of modern Japanese-language literature from Korea and Japan’ (xvi), Yi forges a narrative which is itself expressive of colonialism's tangled and irresolvable traces. Led nimbly back and forth between the Japanese metropole and the colonies and postcolonies, we enter deep into the worlds of writers considered both 'Korean' and 'Japanese' based in both past and present incarnations of 'Korea' and 'Japan.' If it is difficult to pin any single identity - other than shared use of Japanese language - on these figures and their works, then this very fact is an invitation to broaden our understanding of Japanophone literature beyond today's troublesome nation states. As Yi makes poignantly clear, issues of identity and voice are still shaped by imperial experience even long after the formal end of empire in 1945. Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices

The fact that Korea’s experience of Japanese imperialism plays a role in present-day Japan-Korea relations is no secret to anyone. Questions of guilt, responsibility and atonement continue to bubble below, and occasionally break through, the surface of ties between two countries which otherwise have much in common culturally and in... Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

The fact that Korea’s experience of Japanese imperialism plays a role in present-day Japan-Korea relations is no secret to anyone. Questions of guilt, responsibility and atonement continue to bubble below, and occasionally break through, the surface of ties between two countries which otherwise have much in common culturally and in terms of interests. Addressing many of these complexities, Christina Yi’s Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea (Columbia University Press, 2018) adds greatly to our understanding of imperial experience and its personal, linguistic and political legacies. In this ‘discursive history of modern Japanese-language literature from Korea and Japan’ (xvi), Yi forges a narrative which is itself expressive of colonialism's tangled and irresolvable traces. Led nimbly back and forth between the Japanese metropole and the colonies and postcolonies, we enter deep into the worlds of writers considered both 'Korean' and 'Japanese' based in both past and present incarnations of 'Korea' and 'Japan.' If it is difficult to pin any single identity - other than shared use of Japanese language - on these figures and their works, then this very fact is an invitation to broaden our understanding of Japanophone literature beyond today's troublesome nation states. As Yi makes poignantly clear, issues of identity and voice are still shaped by imperial experience even long after the formal end of empire in 1945. Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices

The fact that Korea’s experience of Japanese imperialism plays a role in present-day Japan-Korea relations is no secret to anyone. Questions of guilt, responsibility and atonement continue to bubble below, and occasionally break through, the surface of ties between two countries which otherwise have much in common culturally and in terms of interests. Addressing many of these complexities, Christina Yi’s Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea (Columbia University Press, 2018) adds greatly to our understanding of imperial experience and its personal, linguistic and political legacies. In this ‘discursive history of modern Japanese-language literature from Korea and Japan’ (xvi), Yi forges a narrative which is itself expressive of colonialism's tangled and irresolvable traces. Led nimbly back and forth between the Japanese metropole and the colonies and postcolonies, we enter deep into the worlds of writers considered both 'Korean' and 'Japanese' based in both past and present incarnations of 'Korea' and 'Japan.' If it is difficult to pin any single identity - other than shared use of Japanese language - on these figures and their works, then this very fact is an invitation to broaden our understanding of Japanophone literature beyond today's troublesome nation states. As Yi makes poignantly clear, issues of identity and voice are still shaped by imperial experience even long after the formal end of empire in 1945. Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices

The fact that Korea’s experience of Japanese imperialism plays a role in present-day Japan-Korea relations is no secret to anyone. Questions of guilt, responsibility and atonement continue to bubble below, and occasionally break through, the surface of ties between two countries which otherwise have much in common culturally and in terms of interests. Addressing many of these complexities, Christina Yi’s Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea (Columbia University Press, 2018) adds greatly to our understanding of imperial experience and its personal, linguistic and political legacies. In this ‘discursive history of modern Japanese-language literature from Korea and Japan’ (xvi), Yi forges a narrative which is itself expressive of colonialism's tangled and irresolvable traces. Led nimbly back and forth between the Japanese metropole and the colonies and postcolonies, we enter deep into the worlds of writers considered both 'Korean' and 'Japanese' based in both past and present incarnations of 'Korea' and 'Japan.' If it is difficult to pin any single identity - other than shared use of Japanese language - on these figures and their works, then this very fact is an invitation to broaden our understanding of Japanophone literature beyond today's troublesome nation states. As Yi makes poignantly clear, issues of identity and voice are still shaped by imperial experience even long after the formal end of empire in 1945. Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices

a chit chat musical program 

How Canadian culture is shaped by its bilingualism

How Canadian culture is shaped by its bilingualism

UCSD Sociologist April Linton describes how the politics of language have become part of the national debate over immigration in this talk sponsored by the Center for Comparative Immigration Studies at the University of California San Diego. Series: "Center for Comparative Immigration Studies " [Public Affairs] [Show ID: 11986]