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✨ In This Episode Join us as we travel to meet Ms. Hana Baba to celebrate the beautiful lands of Sudan—home to deserts, jungles, pyramids, and a rich diversity of cultures. Ms Hana introduces us to her homeland with a warm greeting in Sudanese Arabic (“Zeyacomb!”), a fun language lesson, and fascinating insights into geography and traditions. Then we dive into weddings: the month‑long pampering, hand‑made perfumes with natural spices and ingredients, the festive candy‑showering wedding bus with songs, the joyful “Zagaroota”, and the sweet Jirtig ceremony where candy is exchanged seven times to symbolize a sweet week. We learn how these traditions trace back over 2,000 years to ancient Nubian kingdoms, and how even amid conflict, Sudanese communities find strength in celebration and community. This episode reminds us that sharing traditions connects us, fosters empathy, and shows that joy can endure even in hard times. As Ms Hana says, “learning about a person's culture… helps us care more about each other—and when we care more, it's a better world.”
Episode Description Sign up to receive this Unreached of the Day podcast sent to you: https://unreachedoftheday.org/resources/podcast/ People Group Summary: https://joshuaproject.net/people_groups/18895 #PrayforZERO is a podcast Sponsor. https://prayforzero.com/ Take your place in history! We could be the generation to translate God's Word into every language. YOUR prayers can make this happen. Take your first step and sign the Prayer Wall to receive the weekly Pray For Zero Journal: https://prayforzero.com/prayer-wall/#join Pray for the largest Frontier People Groups (FPG): Visit JoshuaProject.net/frontier#podcast provides links to podcast recordings of the prayer guide for the 31 largest FPGs. Go31.org/FREE provides the printed prayer guide for the largest 31 FPGs along with resources to support those wanting to enlist
Join us for a powerful and insightful conversation recorded live from the historic Black Wall Street, where we sit down with Cheryl Poe, a leading education expert and founder of Advocating 4 Kids, Inc. Cheryl dives deep into the critical intersection of neurodivergence, education, and racial equity, exploring the unique challenges and incredible resilience of Black and Brown neurodivergent children. We tackle the dynamics of the current administration's education policies, their impact on special education and DEI initiatives, and how these shifts affect families navigating the system. Discover how the spirit of Black Wall Street continues to inspire advocacy, and what concrete steps are needed to ensure equitable support for all neurodivergent students. This episode is a must-listen for parents, educators, advocates, and anyone passionate about inclusive education and social justice.Interested in sponsoring the podcast? Want to contact Blair orBrian or Black BRAND? Info@BlackBRAND.biz . The Black WallStreet Today (BWST) radio show is focused on all things Black entrepreneurshipand hosted by Virginia Tech alumnae Blair Durham, co-founder and co-Presidentof Black BRAND. The BWST podcast is produced by using selected audio from theradio show and other Black BRAND events. BWST is the media outlet for BlackBRAND. Black BRAND is a 501(c)(3) organization that stands for BusinessResearch Analytics Networking and Development. We are Hampton Roads RegionalBlack Chamber of Commerce. We promote group economics through professionaldevelopment and community empowerment, and we unify the black dollar byproviding financial literacy, entrepreneurship training, and networkingresources! http://blackbrand.biz m.me/blackwallstreettoday + info@blackbrand.biz + (757) 541-2680 Instagram: www.instagram.com/blackbrandbiz/ + Facebook: www.facebook.com/blackbrandbiz/ Produced by Seko Varner for Positive VibesInc. http://www.PositiveVibes.net Find Black Owned Businesses in the 757: www.HRGreenbook.com Invest in Black Excellence! Watch all episodes of www.GenerationalFlip.com now! $20k - $90K of business funding - https://mbcapitalsolutions.com/positive-vibes-consulting/Money for your business: https://davidallencapital.com/equipment-financing?u=&u=PositiveVibesMoney for Real Estate Investments: https://PositiveVibesConsulting.comPurify yourself, house, and environment to remain safe: https://www.vollara.com/PositiveVibesInvest in stocks via STASH: https://get.stashinvest.com/sekosq72j Fix your credit: https://positivevibes.myecon.net/my-credit-system/ Raise money with Republic: https://republic.com/raise/i/jpdajr Melanin, Black History, B1, Black First, ADOS, FoundationalBlack American, African, Indigenous, Virginia, Underground Railroad, Slavery,America, Black Enterprise, Norfolk, Richmond, Africa, Cupid Shuffle, GospelMusic, Moorish, Negro Spirituals, Stay Woke, Black History Month, Christian,Noble Drew Ali, Malcolm X, Ebony, African American, Entrepreneur, #GetOnCode,Tone Talks, Black American, Afrisynergy News, Black People, Nubian, EmpowermentAgenda, BlackWallStreet, Black Wall Street, theWE, Hampton Roads Greenbook
The Nubian Show — created by comedian Kenny Robinson — changed Canadian comedy forever. The Toronto showcase was the very first comedy show in Canada to feature comedians of color. Kenny and his monthly showcase at Yuk Yuk's are also the subject of the new documentary People of Comedy (now streaming on Crave). The Nubian Show helped launch comedians Russell Peters and Kevin Hart, and has welcomed the likes of Dave Chappelle, Chris Rock, and Jamie Foxx through its doors. For over 30 years, The Nubian Show has given voice to comics of color, becoming a launchpad for global stars, a stage for fearless material, and a blueprint for what inclusive comedy can look like. Learn more about your ad choices. Visit podcastchoices.com/adchoices
The Collective Dream: Egyptians Longing For A Better Life (Palgrave Macmillan, 2023) links two seminal moments in Egypt's history – the Revolution of 25th January 2011 and the presidency of Gamal Abdel Nasser – through various cultural manifestations. It conceives the concept of “collective dreaming” to map out the subliminal feeling that runs deep through experiences of socially transformative moments. Sarah Nagaty has extensively studied the structure of feelings that encompasses the experiences not only of activist minorities but the broader mass of revolutionary movements. In certain historical moments, hopes and aspirations bind together millions of people from all walks of life: students, workers, farmers, and middle-class professionals. Nagaty calls this phenomenon the “collective dream”, something which has been carried through generations of Egyptians. In this episode, Ibrahim Fawzy sat down with Sarah Nagaty to discuss the conceptual roots of the collective dream and the overlooked histories of Nubian displacement during the construction of the High Dam. They also explored how thinkers like Raymond Williams and Lauren Berlant shaped Nagaty's method of reading revolutionary time and cultural memory, as well as how vernacular poetry, reportage, and graffiti served as vital archival traces of collective feeling. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Collective Dream: Egyptians Longing For A Better Life (Palgrave Macmillan, 2023) links two seminal moments in Egypt's history – the Revolution of 25th January 2011 and the presidency of Gamal Abdel Nasser – through various cultural manifestations. It conceives the concept of “collective dreaming” to map out the subliminal feeling that runs deep through experiences of socially transformative moments. Sarah Nagaty has extensively studied the structure of feelings that encompasses the experiences not only of activist minorities but the broader mass of revolutionary movements. In certain historical moments, hopes and aspirations bind together millions of people from all walks of life: students, workers, farmers, and middle-class professionals. Nagaty calls this phenomenon the “collective dream”, something which has been carried through generations of Egyptians. In this episode, Ibrahim Fawzy sat down with Sarah Nagaty to discuss the conceptual roots of the collective dream and the overlooked histories of Nubian displacement during the construction of the High Dam. They also explored how thinkers like Raymond Williams and Lauren Berlant shaped Nagaty's method of reading revolutionary time and cultural memory, as well as how vernacular poetry, reportage, and graffiti served as vital archival traces of collective feeling. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies
The Collective Dream: Egyptians Longing For A Better Life (Palgrave Macmillan, 2023) links two seminal moments in Egypt's history – the Revolution of 25th January 2011 and the presidency of Gamal Abdel Nasser – through various cultural manifestations. It conceives the concept of “collective dreaming” to map out the subliminal feeling that runs deep through experiences of socially transformative moments. Sarah Nagaty has extensively studied the structure of feelings that encompasses the experiences not only of activist minorities but the broader mass of revolutionary movements. In certain historical moments, hopes and aspirations bind together millions of people from all walks of life: students, workers, farmers, and middle-class professionals. Nagaty calls this phenomenon the “collective dream”, something which has been carried through generations of Egyptians. In this episode, Ibrahim Fawzy sat down with Sarah Nagaty to discuss the conceptual roots of the collective dream and the overlooked histories of Nubian displacement during the construction of the High Dam. They also explored how thinkers like Raymond Williams and Lauren Berlant shaped Nagaty's method of reading revolutionary time and cultural memory, as well as how vernacular poetry, reportage, and graffiti served as vital archival traces of collective feeling. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
The Collective Dream: Egyptians Longing For A Better Life (Palgrave Macmillan, 2023) links two seminal moments in Egypt's history – the Revolution of 25th January 2011 and the presidency of Gamal Abdel Nasser – through various cultural manifestations. It conceives the concept of “collective dreaming” to map out the subliminal feeling that runs deep through experiences of socially transformative moments. Sarah Nagaty has extensively studied the structure of feelings that encompasses the experiences not only of activist minorities but the broader mass of revolutionary movements. In certain historical moments, hopes and aspirations bind together millions of people from all walks of life: students, workers, farmers, and middle-class professionals. Nagaty calls this phenomenon the “collective dream”, something which has been carried through generations of Egyptians. In this episode, Ibrahim Fawzy sat down with Sarah Nagaty to discuss the conceptual roots of the collective dream and the overlooked histories of Nubian displacement during the construction of the High Dam. They also explored how thinkers like Raymond Williams and Lauren Berlant shaped Nagaty's method of reading revolutionary time and cultural memory, as well as how vernacular poetry, reportage, and graffiti served as vital archival traces of collective feeling. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
The Collective Dream: Egyptians Longing For A Better Life (Palgrave Macmillan, 2023) links two seminal moments in Egypt's history – the Revolution of 25th January 2011 and the presidency of Gamal Abdel Nasser – through various cultural manifestations. It conceives the concept of “collective dreaming” to map out the subliminal feeling that runs deep through experiences of socially transformative moments. Sarah Nagaty has extensively studied the structure of feelings that encompasses the experiences not only of activist minorities but the broader mass of revolutionary movements. In certain historical moments, hopes and aspirations bind together millions of people from all walks of life: students, workers, farmers, and middle-class professionals. Nagaty calls this phenomenon the “collective dream”, something which has been carried through generations of Egyptians. In this episode, Ibrahim Fawzy sat down with Sarah Nagaty to discuss the conceptual roots of the collective dream and the overlooked histories of Nubian displacement during the construction of the High Dam. They also explored how thinkers like Raymond Williams and Lauren Berlant shaped Nagaty's method of reading revolutionary time and cultural memory, as well as how vernacular poetry, reportage, and graffiti served as vital archival traces of collective feeling. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Black Spending, Black Savings, Black Power - Prof' Kimya's Class!On "Get On Code", Professor Kimya Nuru Dennis joins Seko Varner to unpack **Black Spending Power** and introduce the concept of **Black Savings**. They argue that consistent savings and building internal **economic resources** are more impactful than short-term boycotts. The discussion critically examines **DEI** initiatives, suggesting they often serve as distractions or marketing rather than providing tangible benefits for Black people. The focus is on real **wealth building** strategies and outcomes beyond surface-level trends. Discover strategies for **Black Economic Empowerment**! #BlackEconomics #DEI #WealthBuilding #FinancialLiteracy #GetOnCode.Interested in sponsoring the channel? Email OurBlackImprovement@gmail.com. $20k - $90K of business funding - https://mbcapitalsolutions.com/positive-vibes-consulting/ Money for your business: https://davidallencapital.com/equipment-financing?u=&u=PositiveVibes Money for Real Estate Investments: https://PositiveVibesFinancial.com Purify yourself, house, and environment to remain safe: https://www.vollara.com/PositiveVibes Invest in stocks via STASH: https://get.stashinvest.com/sekosq72j Fix your credit: https://positivevibes.myecon.net/my-credit-system/ Raise money with Republic: https://republic.com/raise/i/jpdajr Raise money with WeFunder: https://wefunder.com/sekovarner/raise #GetOnCode #GetOnCodeShow #GetOnCodePodcast #TheFlyGuysShow #OmegaPsiPhi #Ques #Uplift #ConsciousCommunity #PanAfrican #FoundationalBlackAmerican #Indian #BlackIndian #Melanin #Indigenous #BIPOC #CopperColored #Moorish #B1 #FBA #ADOS #BlackAmerican #AfricanAmerican #Investment #WealthMoney, Melanin, Finance, Business, Black Business, B1, Black First, ADOS, Foundational Black American, African, Indigenous, Afro Latinx, Afro-Latino, Mechie X, Tariq Nasheed, Professor Black Truth, The Black Authority, America, Africa, Asiatic, Moorish, Moorish Science Temple, FOI, Christian, Noble Drew Ali, Malcolm X, Ebony, African American, Entrepreneur, #GetOnCode, Tone Talks, Crumb TV, Afrisynergy News, Black People, Nubian, Empowerment Agenda, Black Wall Street, Black Empowerment, Empowerment, Get On Code
Trevor Corboy is the current Agriculture and Natural Resources Educator for OSU Extension Brown County. Trevor resides in Brown County with his wife Rachel on his family's which was establish in the 1850's farm. Here he is active in raising Angus cattle, Boer and Nubian goats, hay, and grain products. Trevor currently provides leadership as […]
Episode Description Sign up to receive this Unreached of the Day podcast sent to you: https://unreachedoftheday.org/resources/podcast/ People Group Summary: https://joshuaproject.net/people_groups/14054/EG #PrayforZERO is a podcast Sponsor. https://prayforzero.com/ Take your place in history! We could be the generation to translate God's Word into every language. YOUR prayers can make this happen. Take your first step and sign the Prayer Wall to receive the weekly Pray For Zero Journal: https://prayforzero.com/prayer-wall/#join Pray for the largest Frontier People Groups (FPG): Visit JoshuaProject.net/frontier#podcast provides links to podcast recordings of the prayer guide for the 31 largest FPGs. Go31.org/FREE provides the printed prayer guide for the largest 31 FPGs along with resources to support those wanting to enlist others in
Welcome to the 94th episode of SWM! In this episode, I have the pleasure of speaking with the outstanding Jazz Browne, CEO of the Nubian Life Resource Day Centre, a provision for Black and Asian elders. Jazz is a passionate community activist with deep roots in her neighbourhood. She shares her journey and how she arrived at Nubian Life, where she leads a dedicated and joyful team that continues providing essential services to the community despite facing significant financial challenges.Throughout our conversation, Jazz discussed the five pillars established by service users: foundation, faith, family, food, and fun. She voiced her concerns about their uncertain future and highlighted the ongoing efforts to fundraise and sustain their vital work.Make sure to listen until the end for exciting details about their upcoming fundraiser in June, which will feature a sponsored walk and celebrate local Black history. Join us as we meet Jazz and dive deeper into the impactful work of Nubian Life Resource Day Centre! Hammersmith & Fulham Sponsored Walk - 22nd June 2025 Do share your feedback at: adosylv@gmail.com Follow us on social media: https://www.facebook.com/groups/412169436067530 Subscribe and leave a review to help us reach more listeners! Join us and remember—social workers matter! See omnystudio.com/listener for privacy information.
The Statue of Liberty was inspired by Nubian funerary statues, making her likeness more akin to ancient Egypt than to more modern Rome, which itself certainly inspired the Lady in the form of their goddess Libertas. Roman and Greek architecture can be seen all throughout the western world, espeially at the U.S. District of Columbia. Egyptian antiquities played, as with many other powerful cultures, a significant role in the forming of now iconic 'American symbols' too, including the Eagle or Phoenix. The pyramid on each dollar harkens to the ancient world, as does the Eye of Providence, and the various latin phrases Annuit cœptis, E Pluribus Unum, and Novus ordo seclorum - 'he favors our undertaking', 'out of many one', and 'new order of the ages'. The masonic influence in the formation of the United States is either confusing, irrelevant, or sensational, but it is rarely if ever viewed in its proper context. *The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.-FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKMAIN WEBSITECashApp: $rdgable EMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.
Send us a textSPRING into New Adventures with BooksLooking for some new adventures this spring? Check out our book haul featuring titles from King Cam Ujumbe Podcast. We will continue to discuss Nubian legacy, our Sankofa Heritage, and more!
*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.Raphael Glucksmann, member of a French center-left party, says he wants the Statue of Liberty back because the US is associating it with tyrants. Some people have no issue giving it back, because they say it is nothing but a symbol of Lucifer, and has nothing to do with US-French friendship going back to the Revolutionary war. Proof of Lucifer is found in a cropped picture of a painting from 1797. However, the image is of Satan, and the crop distorts the actual painting. Lady Liberty is instead baed on Nubian and, essentially, semi-Egypitan iconography. This is important to understand because of what symbols such as these represent. The same can be said about the crest of Ukraine, or the flags of Israel or Japan. What does the flag represent in relation to the behavior of the people? Israel's launching of heavy airstrikes against Gaza, despite a ceasefire, has once again been justified via psychological warfare, which is a tactic of the dazzler Lucifer. He is glamour and grammar, vanity and words that sound nice. The actions of this country are aligned with the hexagram, the symbol of Rempham, Saturn, and Baal or Malek, the bull-horned god who demands human sacrifice. Israel also just announced their Iron Beam defense system, a directed energy weapon of the same technology line like LRAD and microwave weapons. These were deployed in the 1950s in Russia and at the US embassy in Cuba more recently. Now reports are appearing in Serbia about their use on anti-government protestors who just may be organized agitators of the revolutionary type. -FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKWEBSITECashApp: $rdgable EMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/tst-radio--5328407/support.
In this short episode, we are shouting out a couple of progressive black owned tech companies. Please check out the links in the description below:https://www.figgers.com/https://www.tesixwireless.com/
The Nubian Minute crew is back again to discuss the controversy surrounding Coca-Cola's alleged reporting of immigrant workers to ICE, highlighting the lack of a public apology and the potential trend of corporations exploiting undocumented workers. The conversation shifts to the Trump administration's use of Guantanamo Bay to detain undocumented immigrants, criticizing it as akin to a concentration camp. The panel also addresses housing issues at NC State, noting the difficulty in securing housing and the lack of parking, particularly for students who can't afford off-campus housing. Finally, they review the album "Above" by Mad Season, praising its emotional depth and recommending it to listeners. ★ Support this podcast ★
Welcome to another dynamic episode of our podcast! Today, we're diving into the world of music, culture, and creative expression with Nubian Red. Known for presenting the powerful sound of JamRock, Nubian Red takes listeners on a soul-stirring journey through music that is both riveting and timeless.About Nubian Red:Nubian Red delivers a truly Jamaican wave of music that resonates with the mind, heart, and soul. Whether you're a longtime reggae fan or new to the genre, Nubian Red's sound is designed to transport listeners to a timeless existence filled with powerful, meaningful music.Beyond music, Nubian Red Wear offers a graphically edgy selection of clothing and apparel. Each piece is designed to make a bold statement, speaking the truth and saying what's on your mind.Saving Rafael's Leg:In addition to music and fashion, Nubian Red is also passionate about humanitarian efforts. The Saving Rafael's Leg campaign is a cause close to the heart, dedicated to raising funds for her young son Rafael in need of critical medical treatment. If you'd like to contribute to this important cause, please visit:www.gofundme.com/f/savingrafaelslegcampaignhelpsavebabyrafael.wixsite.com/websiteKey Takeaways from the Episode:The unique and compelling sound of Nubian RedHow Jamaican music continues to influence global cultureThe inspiration behind Nubian Red WearThe importance of supporting meaningful causes like Saving Rafael's LegClosing Thoughts:We hope you enjoyed this inspiring conversation with Nubian Red. If you love powerful, meaningful music and bold, expressive fashion, be sure to explore more at newww.nubianred.com.To support the Saving Rafael's Leg campaign, please visit the links above and contribute to this vital cause.Stay tuned for our next episode, where we continue to bring you compelling stories and expert insights from across different industries. Thanks for listening!
Professor Bob Harvey, a distinguished Black historian with impressive credentials in historical studies, engages in a compelling conversation about Black history with Earl. He emphasizes that African Americans were present long before the arrival of the English and Europeans. Notably, he points out that South America boasts the largest Black population, with Brazil standing out as the most densely populated country. Professor Harvey delves into the 15th century, highlighting how Spain and Portugal emerged as explorers, discovering new lands and subsequently enslaving individuals to labor on sugar plantations and in various agricultural sectors. He explores how Catholic influence drove people to seek religious freedom from persecution. Professor Bob Harvey discusses the Nubian descent of the original Egyptians and the forgotten aspects of that history. The Earl Ingram Show is a part of the Civic Media radio network and airs Monday through Friday from 8-10 am across the state. Subscribe to the podcast to be sure not to miss out on a single episode! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast line up. Follow the show on Facebook and X to keep up with Earl and the show! Guest: Bob Harvey
The Nubian Message team is back to discuss the Super Bowl LVI halftime show. The conversation shifted to the evolution of Southern hip-hop, emphasizing its storytelling and resistance to industry pressures. They also discussed the importance of DEI classes, lamenting their removal from UNC's graduation requirements. The segment concluded with a promotion of the Nubian Message's Black History issue, featuring a photo shoot and articles on Southern hip-hop's origins and impact. ★ Support this podcast ★
In this episode of Global Treasures, we cover the Nubian Monuments from Abu Simbel to Philae, located in Egypt. Established as a world heritage site in 1979, it famously contains the Temples of Ramses II at Abu Simbel and the Sanctuary of Isis at Philae. Join us as we discuss the rich history, travel tips for visitors and more.
"Eye on the Triangle" host Emilia Rivadeneira is joined by staff from The Nubian Message to break down news from the previous week. The Nubian Minute News Roundup discussed the Grammys, with differing opinions on Beyoncé's win for "Cowboy Carter." Kristopher argued it was a groundbreaking album, while Emilia believed earlier works deserved recognition. They also highlighted Doja Cat's historic win as the third Black woman to win Best Rap Album, joining Cardi B and Lauryn Hill. The conversation shifted to DEI initiatives, criticizing corporations for pulling back on diversity efforts and emphasizing the broader benefits of DEI, including healthcare representation and education. They stressed the importance of community voice and action against perceived injustices. ★ Support this podcast ★
The Meroitic script remains one of Africa's greatest linguistic mysteries. Used by the Kingdom of Kush, this ancient writing system has yet to be fully deciphered, leaving behind unanswered questions about Nubia's rich cultural and intellectual legacy. In this episode, we explore the origins, structure, and significance of the Meroitic script, uncovering what we know so far and why it remains an enigma to historians and linguists alike.
Springfield Theatre Centre's production Elton John and Tim Rice's Aida runs 2/7/25 - 2/9/24 and 2/14/25 - 2/16/25. Aida is a musical based on the opera of the same name written by Antonio Ghislanzoni with music by Giuseppe Verdi. The musical tells the story of the love triangle between Aida, a Nubian princess stolen from her country, Amneris, an Egyptian princess, and Radames, the soldier they both love. Aida is forced to choose between love and the responsibility that she faces as the leader of her people. Kinsey Poetter and Justin Johnson portray Amneris and Zoser. They spoke to Community Voices about their experiences with local theater and about the story Aida will tell. Find tickets and details here.
In 2008 I started a series of radio shows with fellow Freak and host, Jonny Rock. The original format was based around vinyl. Digital started to creep in, then CD's, then YouTube rips, and so on. But the idea remained the same, that we were sharing our discoveries with an audience.Fast forwarding a couple of years and expanding on the original concept, I will once again be playing dance music that you may or may not have heard, but this time said music will be readily available, if pointed in the right direction of course. The idea is for you to use me as your selector slash shop assistant in a virtual record store. Not only will I be shouting about both old and new music, but I will also be following it up with a series of compilations to be released on my label, Classic throughout the year. I will be your slightly odd, slightly off-centre, guide. But ultimately and most importantly, your friendly on-line record shop assistant. 1. Lisa Hill - I'm On The Real Side2. B Strong3. Soundstream - Just Stop4. Josh Ludlow - New Transition5. Mark Grusane - Acid Hole6. Caserta - Gimme (Main)7. Matisa - 1234 Bisous8. Silver Skylarks - Just Can't Get It Right (Ben Hixon Remix)9. Soundstream - Who Is Die10. The Perpetual Singers - Elena11. B2 TTP Project Restoration (Remix)12. Chez Damier and CAMILLE - GIGOLO13. Truncate - Jerk14. Powerdance - Things To Do
THIS WEEK! We have Aidan Dodson back on the podcast, And we discuss the 25th Dynasty of Egypt, better known as "The Nubian Pharaos". How did they rise to power in Egypt? And how did Egypt change under the Nubian Pharaos? And how have they been viewed by later historians? Find out This week on "Well That Aged Well", with "Erlend Hedegart".Support this show http://supporter.acast.com/well-that-aged-well. Hosted on Acast. See acast.com/privacy for more information.
In this episode, we explore the fascinating civilizations that flourished along the Nile River, focusing on their cultures, traditions, and technological advancements. 00:00:00 - 00:01:05: Introduction The Nile River's role in shaping ancient civilizations Overview of the episode's content 00:01:06 - 00:02:50: The Nile Valley and Ancient Egypt The Nile's impact on agriculture and settlement patterns Development of irrigation systems and flood prediction Ancient Egyptian social structure: Pharaohs, nobility, and commoners Significance of the Nile in Egyptian religion and culture Technological achievements: hieroglyphics, papyrus, and monumental architecture 00:02:51 - 00:04:30: The Nubian Civilization Comparison of Egyptian and Nubian civilizations Legacy of Nile Valley cultures on world history 00:00:00 - 00:01:05: Introduction 00:01:06 - 00:02:50: The Nile Valley and Ancient Egypt 00:02:51 - 00:04:30: The Nubian Civilization Website here Instagram
Of Funerals and Families; Part One In 25 parts, edited from the works of FinalStand. Listen and subscribe to the ► Podcast at Connected.. “Victory is neither pointless, fleeting, nor soon forgotten. It is yours.” I have been warned that my Uncle wants me dead. My Aunts want me for; other things." "What do they want?" E asked. It was the whole 'men as a true asset' problem for her. "The whole repository of nefariousness;” Pamela started to explain, but then, "Double Word Score!" Pamela and I exclaimed excitedly then 'high-fived'. Yes, you spiteful Cosmos, I had found my soul-mate and she was a near-octogenarian with a macabre sense of humor; who also had a telepathic ability to know my mind. E looked totally lost in the exchange. "Yes; the whole repository of nefariousness was created to be sterile," Pamela picked up the conversation. "Which makes the very existence of Cáel here very noteworthy; virtually inexplicable," she mused. "What have the labs at Havenstone think of this?" Rachel worried. "I refused to go back in for any more tests," I met her gaze. "But it could be important," E joined in. "I will make it easy on you both; I'm a horrible person. I'm the Head of House Ishara and I elect to not put my fate in the hands of the same people who leaked my very existence to the Illuminati during the first set of tests," I stated. "Which is why I'm here in Chicago burying my Father, in case any of you missed it." "Certainly knowing what is going on is more important than the risk of further exposure," E persisted. She got kudos for sticking to her guns. "Esmeralda, I work for Katrina Love, Head of Executive Services," I responded. "By that I mean I have this nifty little glass table in a corner of her office. Me stressing over my genetics isn't really important. Katrina is on the case and I haven't been out of college for two months yet. If the difference between Havenstone getting in a fight with the Illuminati and keeping the truce is my blood sample, she'll let me know," I added. "As far as Ishara is concerned, Havenstone had an information leak that got a house member killed." "Do you have other family?" E inquired hesitantly. "Blood kin? Not in this country and certainly not anyone I could name," I sighed. "I case you are wondering, there are a grand total of three members on Ishara's roster." "Is the rest of your family safe?" E was trying to sound upbeat. "Safe? Of course they are not safe. They both work for Executive Services, Esmeralda. They were 'Runners' who I inducted into Ishara. They are Amazons of the Host and that means never being safe this side of the cliffs. Friday morning I presented them to our ancestors and they were welcomed as equals; as sisters to those who have the blood of Mycenaeans on their hands," I turned to look out the window. "What was it like?" Tiger Lily inquired. "The induction." "If you are looking for a vision of a stone hall with thousands of war-like Amazons holding me in judgment, you'll be disappointed," I recalled. "I had to create the ceremony from scratch; ash, tears and blood. "I felt strong enough about that instinct I let Desiree slap me until I cried enough tears. With Desiree's knife, I cut myself, they cut themselves and our blood mixed," I finished. "That is not how it is done," Rachel corrected me. "No," I stopped. "It is not how you do it. House Ishara has come back from the void that waits for all those who are dead and have no one living to recall them," I explained. "We are not the other Houses. We are both Love and Oaths and there is a lack of respect for each of those virtues in this World." "I never considered Amazons as overly romantic, but we are true to our oaths," Esmeralda was starting to bask in the openness of the exchange. "I do not doubt the integrity of anyone in this vehicle, except for me," I gave her a weary grin. "The failure of oaths is mine. Ishara was bound by an Oath and has failed in her pledge. You are wrong about the romance and I am sure you have misunderstood my definition. I live for the day when no sons are sent to the cliffs as newborns; Love, Esmeralda. Love." The hush pressed upon us until Tiger Lily pulled up in front of the Hotel Burnham. Rachel, E, Charlotte (from the second GL) and I went in. I wave the others back as I went to the desk. Rachel and Charlotte had grey duffel bags with 'stuff' inside. E had my minimal kit. "Cáel Nyilas with Havenstone," I introduced myself. Yes, I was in 'prison' gear. "Director Nyilas; welcome to the Burnham," he recovered quickly. "Which rooms do you wish to use?" Thank you, Helena, no I'm a damn Director. He twisted the screen so I could see the list. Eleven doubles and a Lakeview Executive Suite with two adjoining Deluxe Suites. "We'll use those," I indicated the Executive/Deluxe/Deluxe. "Very good, Sir," he nodded. "Will you be ordering room service? I'm afraid the Atwood restaurant has closed for the evening." "Sounds like a plan," I looked at his name tag, "Steve, or do you prefer Mr. McCabe?" "Steve will do fine, Director;” Steve started. "I will make it easy on you Steve," I sighed. "Call me Cáel. All this Director crap is for the benefit of people I barely know. I am here, in my hometown, to bury my Father; who was murdered yesterday." Steve paled. "The FBI gave me these spiffy duds. If any law enforcement shows up asking for me, give me a ring first." "Nyilas; from Burnham? I read about that," Steve seemed bemused. "The day shift Assistant Manager is from Burnham too." How wonderful, I thought sarcastically. Steven sensed my waning interest. "Your keycards, Sir; Cáel and my sympathy for your loss." "Steve, never miss a chance to tell your loved ones how you feel," I took the cards. "That is my biggest regret with my Dad. I didn't think about it the last time we talked." Steve gave a final nod. I rejoined my group and headed for the elevator. The rest was a tired blur. The rest of the group showed up, including Pamela. I called Nicole to tell her the situation then called Timothy despite the late hour to make sure he was okay. Timothy informed me that two 'psycho-chicks' stopped by as a kind of 'meet and greet'. I hit the small hotel fitness center with Mona, the fourth member of Rachel's team. It helped. What helped more was the constant reminder that I worked with smart people. Mona's mother was dead as well, killed on an undisclosed mission with the SD when she was ten. She could understand my sense of grief and confusion. We didn't cry and hug. It wasn't something she could do with a man. Give a decade, or two and she might come around. Instead, "Thank you for Constanza," Mona said quietly to me as we exited the center. "I measure a person's life in the lives we save; as well as the ones we take," I enlightened her. Before that moment, I didn't really consider killing people to be all that praiseworthy an endeavor. Today I had been in a situation where my life had been in immediate danger. I was glad the other guy ended up dead. Since I was prepared to keep acting stupidly, I was grateful for those who would murder people so that I could remain both noble of purpose and alive. "She is close to me; she helped me grow up after Mom was gone," Mona opened up a tiny bit. "Aren't you a bit angry with me?" I asked. "Initially, I was very angry. Then I heard your words and I knew you spoke the truth of the matter," Mona exhaled. "She should have died. She deserved death for what she said." "No one;” I started to comfort Mona. "For a member of a Faith that exults in the harshness of martial conflict, you spend an inordinate amount of energy struggling to keep people alive," Mona noted. "I'm glad I helped deal with those Latin Kings now. It was a mission worth doing." "What?" I stumbled. "Didn't Buffy tell you?" Mona regarded me. She smirked. "Yeah, we hunted them down late Sunday night and into early Monday morning. I doubt the few who escaped will ever be back." "Why haven't I; anybody heard about this?" I worried. Mona looked at me somewhat perplexed. "Cáel of Ishara, we always take the bodies of murder victims, cut them up, place them in large drums of acid and ship them to Canada," Mona informed me. "Ah; thanks for telling me that. Let's both agree to not let Buffy know that I know, okay?" I requested. "She'll get an inordinate thrill thinking she knows something I don't." "As you wish, Cáel of Ishara," Mona nodded gravely. (Tuesday Morning) Sexual addiction is somewhat like military service. It requires you to be alert to your surroundings, think on your feet, follow procedures and; most crucial to me; shows you how to remain functional with minimal sleep. In this case, five hours sufficed to clear out my cobwebs and make me incredibly horny. All of that was despite the layers of upsetting news being placed before me. Executive Services had gone over the feed from the four SD members. Inadvertently, Dad had fought on the 'right' side. The team leader died first. Her back-up put two men in the grave and wounded a third before they tossed a grenade on her. I looked at Charlotte as she gave me the news. We both had a 'what the' expression on our faces. Grenade? I kept doing my calisthenics. The second two-Amazon group killed three attackers on their side of the building then charged the back door. I wondered if Mom's Garden Dragon was okay. It was like a Garden Gnome, except it was a Dragon. Mom was odd that way. The attacking group had blown the front door and entered the first floor. The Amazons in the back decided to shoot out the lock instead. While transiting the kitchen moving forward, the second group took fire; from a Zastava M 21. I was confused. "It is a modern Serbian weapon," Charlotte filled in the blanks. "Dad was killed by Serbians?" I muttered. "No," Charlotte sighed. "No he wasn't." Another look from me as I started my standing push-ups. "That team member was wounded. The shooter was taken down by both of our teammates. At this point, three other attackers moved from your front room to the dining room, pinning our team down. That was when your father broke cover and assaulted the attackers. He had this large lamp and cracked it over the right shoulder of the closest man," Charlotte stated. I knew that light fixture Charlotte was talking about. It was a floor lamp, nearly two meters tall, made of glass and bronze. My physique was from my Father; broad shoulders and powerful arms. That 'large lamp' weighed over 30 kg and, powered by my father's upper body strength, I was betting the guy who was on the receiving end had have some of his bones snapped. "The man screamed in Bulgarian, his two companions turned to see what was happening and the Amazons advanced by fire toward your father," Charlotte continued. "Your father swung again," she looked at me, "connecting with the man's chest. In response, the other two shot him three times. He fell. The second team pressed forward, killing the man your Father wounded and wounding another. The last unhurt Amazon was killed trying to get to your Father while the survivor was concussed by the use of a second grenade. We don't have the video of what happened in the interim. When the last Amazon began moving again, the two remaining attackers had dragged your father out the front door. She pursued and fired. She wounded the undamaged attacker; and one of her bullets ended your Father's life. She was wounded in this last exchange of fire. The two men helped each other to a vehicle and left." I kept working out as I made an acceptable collage of my misery. "Does she know?" I whispered. "Does she; the Amazon? Her name is Sabina. I don't think she's been informed yet," Charlotte answered. "Unless it becomes necessary, don't tell her that her bullet killed my Father," I sighed. "The only thing that is important to me; to Ishara; is that she gave her all as did her sisters. My Father was killed by the men who first shot him. Had they escaped with my Father, they weren't taking him to a hospital, so he was as good as dead anyway. That is all that matters." "Yes Ishara," Charlotte responded with quiet reverence. Knowing nothing of Security Detail's procedure and tradition, I had tossed out an excuse to spare a valiant woman a terrible piece of news. Charlotte's demeanor suggested to me that it would be a kindness conveyed. A few minutes later, Rachel and Tiger Lily came in from their suite. Mona had been my guardian while I slept so she slept now. This was our signal to shower and put on some clothes before the group went downstairs for breakfast. Pamela presented herself as I was getting dressed. Esmeralda's arrival signaled our migration to the ground floor Atwood restaurant. As everyone glided into the elevator, I had a nostalgic moment for Odette. A normal, non-lethal, happy young lady. This all-encompassing seriousness around me was crimping my efforts to find the silver lining in this personal calamity. Ten seconds after exiting the elevator, Nicole angled toward us then we proceeded to breakfast. It took a little jockeying and refereeing by me to get the seating arrangements set. Nicole was on my left then Pamela. Rachel and E were on my right. Charlotte and Tiger Lily were across from me as orders were taken. "How are you holding up, Cáel?" Nicole put a hand on my lap. I had no immediate reply. "Lonely. Sad. Alone. Bereft of anger; it is pointless. I want to scream, rage, tear things up, throw things across the room and hear them shatter; but not really," I confessed. Suddenly, a strange essence infused my core. "No, that's wrong. I am not alone. We have suffered more, lived through worse and never wavered even in the face of death," I said in a ghostly whisper. That was really the last thing I wanted to say. Its origin was from an enigmatic corner of my mind I was resisting venturing into. 'Taking oneself to the cliffs' made a whole lot more sense suddenly. The Amazon prepared her daughters and granddaughters for her absence. She volunteered to make that trek. In her heart, she called out to her Ancestors to prepare them to accompany her on that final journey. That all sounded like comfortable spiritual mumbo-jumbo, safely quoted by a rational man under duress. The abyssal rift in that psycho-babble, makeshift patch over my emotional pain was I felt Vranus and Ishara standing at my shoulders. Vranus because his seemingly endless quest was finally resolved and he and his descendants would at last be welcomed into the halls of their kin. With me, he had succeeded and brought his people home. There was still the matter of the rest; the three sons of Arinniti and the elder warrior. Holy Crap; they were still out there, waiting to be shown the path home. My 'Evenly Holier Crap' moment was feeling the weight of the eyes of Ishara upon me. Not Ishara, the matron goddess of this; my House, but that ancient Amazon who had surrendered her personal name to oblivion to give her followers a sense of unity. No female was solely 'her' daughter; all the women of the house were equal in birth and station. It was that Ishara who stood at my shoulder and, beyond some perverse desire to look behind me to see how sexy she was, I felt I had her; not approval; her mandate. We had to be held to our oaths and would die to a woman (and man) for them. We were to give the Host a second chance to make things right. There would be no retreat. It was not in the Amazon psyche to fight the relentless, remorseless and bloody battle; to risk everything on victory with no thought of failure. It was not something guys were accustomed to, but had been the doom of men down through the ages. Whether too romantic, too stubborn, or too bound to our brother's in arms, men had embraced hopeless causes before; mostly perishing without fanfare yet with the exceptional impossible victory to give us hope. From time immemorial, male kin of the flesh and spirit had piled their corpses one upon the other, refusing the verdict of combat for the sake of brotherhood and every imaginable ideal. It was hardly a trait worth sharing with the sisters. They would understand the pieces; not the result. My lack of political ability would not be disability. I simply had to learn to fight; a lot better than I did at that moment. The echoes of this message inside my head, the chilled air that filled my lungs and balance restored to my heart was bizarrely unfrightening. It would be an affirmation of the 'first directive' oaths all the houses had sworn. It wasn't my place to raise all the 'Runners', or even a single one. It was my duty to initiate the 'Worthy', no matter their number. My actions were mine. I would not shame the other houses. I would not consider their prestige at all. It was not my place in the same way it was not their place to tell me what I could and couldn't do. It was a divine 'Go get 'em' and it felt pretty, freaking awesome. "Cáel, are you okay?" Nicole asked in a worried tone. She squeezed my thigh. I looked down at my hands. I was okay. "Nicole, I have the blood of Ahhiyawa champions on my hands. I feel it's sticky, sickening ichor and smell the copper-laden, metallic odor," I smiled. "I think I'm going to be just fine." "Who?" Nicole was even more concerned. "Someone who screwed with me a long, long time ago. They are all dead, but don't worry about the bodies showing up to bother anyone," I grinned. All the full-blooded Amazons had been very still. The word 'Ahhiyawa' appeared to scare them even more than my haunting actions. To the Amazons, the Ahhiyawa were the Mycenaeans in the time of the Iliad. The problem seemed to be that I had never heard any member of the Host use that term and I was suddenly curious as to why. "You seemed to have went away for a few seconds," Nicole joked lightly. "You do appear better rested, which is good. What is on the agenda for today?" "Get my Father's body, prepare for his cremation, arrange for the last Roman Catholic Church we attended to send somebody to the service and prepare my parent's plot," I ran down. "I imagine the police and feds will want to contact me again," I piled it on. "I want to see my home if the forensic guys let me. What do you think will be aimed at me?" "We'll check up on any family attorney you may have had along with probating your father's Will, if he had one," Nicole assured me. "As for the authorities, let's see what kind of warrants they are asking for before we move beyond a 'denial' defense." "Denial, as in me claiming I didn't do anything because, ya know, I didn't do anything," I gave her a sleepy smile. "How about we eat first?" We ordered, drank our coffee, tea and juices while remaining largely non-communicative. It wasn't until the food began arriving did I realize I'd 'misplaced' Pamela once more. As I tore into a big slab of ham, I looked over my surroundings for the first time. I gave myself a mental pat on the back when I spotted Pamela then the 'big picture' kicked me in the nuts. Pamela was dressed as a server, coasting about the room, filling drinks, getting appetizer and performing the tedious little chores that waiters and waitresses had to pull off flawlessly. The other wait-staff noticed Pamela, but since she was making their jobs easier and not taking their gratuities, they ignored her. They probably thought she was some industry expert. The plates were being cleared away when Pamela returned, back in normal clothing. She dumped a pile of ID's on the table. Nicole picked them up. "Chicago PD; Organized Crime Taskforce," Nicole read off then glanced to Pamela. "ATF, Homeland Security, FBI, FBI, Chicago PD; Homicide, Federal Marshall and Federal Marshall." "What?" Pamela said between bites of her veggie omelet. "I took their identification, not their wallets. Do you want me to go back for those too; and their keys?" "No. We have risked Mr. Nyilas' freedom enough for one meal," Nicole shot back. She took Tiger Lily's empty plate, dumped the ID's on it then covered the pile with her handkerchief. "Hello," this officious young lady greeted us. I'd been distracted by Nicole's malfeasance so I missed the hotel's new Assistant Manager's approach. It was turning out to be a great morning for visitations from my past. This ghost was much younger than the last ones. Our eyes met. It was easy to see that I was the man in charge being the only man at the table. "Director Nyilas, I hope everything is going well for you and your staff this morning," she smiled. "I would also like to convey the Hotel Burnham's condolences at the passing of your father. I too was born and raised in Burnham." I already knew where she'd lived most of her life. Most critically, I very strongly recalled where she'd gone to school; all 12 grades plus K. "Cameron Sanders," I stood and extended my hand across the table. "You look familiar." Of course she looked familiar. Cameron had publically ground my soul into the grit that ants stepped upon. Her verbal rejection had been a pivotal moment in my life. After that day, I had taken responsibility for my life both anatomically and academically. Recall how I had said I was once a 'nobody'. Here was living proof. Cameron and I had gone to the same schools from Kindergarten through our senior years. We'd even shared classes and it wasn't like I could be confused with all the other 'Cáels' we'd gone to school with; because there weren't any. The same goes for 'Nyilas'. I'd been shifting the boner in my pants for three solid years because of Cameron. She had been hot in high school and she was even better looking now; Brooke hot. For a second, my confidence wavered. In that heartbeat, I realized she was just another woman and I was no longer that guy. "Where you an upperclassman at Thornton Fractional North High School?" she queried. "Hmm; do you recall Jenny Forrester?" I countered. Cameron knew her African-American rival, no doubt. The tweak in her smile said as much. "I'm going out on a limb; you look like a DePaul girl." Cameron's eyes twinkled. Her eyes flitted down to where her class ring normally held court. She had taken it off for work neutrality. "How did you guess?" Cameron tilted her hip suggestively. Sex. "So I'm right?" I reposed. I had 'guessed' right because Cameron crowed about her decision to go to DePaul over all her other offers. "I have some family business to take care of, Cameron," I nodded. "Can we catch up later today and figure out where we've intersected before this morning?" Translation: I'm going to screw you. Not 'I want to', but 'I will'. I could normally figure out a woman in an evening. I had a three year backlog of data on poor Cameron. My Pivotal Goddess was an 'upfront' girl. Her façade was bravado backed by the fear of not measuring up; not being good enough. My mistake in High School was approaching her, hat in hand. Cameron felt best when someone took the tough choices away from her. If she didn't lead, she couldn't fail by her way of thinking. Dad had stood by me that night when he came home from work. I was a broken wreck of a teenage boy. Dad hadn't told me to toughen up and he hadn't been sympathetic. All he wanted to know was what I was going to do about it. What was 'I' going to do, as if I could be the master of my own fate. That was my Dad. The next day I started working out, eating better and taking better care of myself. He was dead; still dead yet my feelings over that had evolved. He was with my ancestors now, waiting for me and my sons and daughters. Looking at it that way, he wasn't really gone at all. "I'll see what can be done," Cameron smiled. I was going to eat her up. "Oh yeah, this plate was mistakenly delivered to my table," I indicated Pamela's illegal haul. "Could you see that it gets where it needs to go after we are gone?" Cameron shot me a sultry smile without even giving her task a casual glance. A hideous tip (kudos to Odette) was added to our over-priced bill and the ladies and I retired to our rooms. It was routine heading to our room. Mona waved us to silence. Then the 'bug hunt' began. Like every Amazon persecution of opposing 'life forms', they didn't play fair. The Amazons had placed electronic surveillance in the room before they left so when unwelcomed guests showed up while we ate and Mona 'slept' we could watch where they placed their goodies in our rooms. This was not a matter of throwing a fit and tossing the electronic devices down the garbage disposal. Oh no, not in Amazon battle lore. They found out what frequency your device was broadcasting on and backtracked it. According to Tiger Lily you can use a source point and a handheld device to triangulate the receiver. Then the fun begins. First, keep the original signal going. Put a subroutine of; oh, all kinds of credit card fraud in this case with the video file then call the appropriate law enforcement agency to bust the place. The subroutine would have no point of origin, so the Amazons would be safe. The spying agency would have a headache on their hands. Credit card fraud would require them to confiscate all the equipment because the threat posed was real, even if the tip was now suspect. This was the Amazon equivalent of fixating the enemy at one point; surveillance; while making their real move on another; the funeral. The average Amazon funeral was a private affair. My Security Detail was modifying plans for an Amazon dignitary's attendance of another Society member's funerary rites. Halfway through the deception plan, Special Agents Brock and John showed up at our door. With two law firms (Pratt's and Nicole's) dancing on their foreheads, they were being polite today and inviting me down to be questioned. I asked for Detective Lisa and Investigator Horace to be there. One: I didn't dictate who investigated me. Two: they were under Internal Affairs review. I agreed with 'one'; I would say 'nothing' to any number of highly qualified law enforcement operatives. I might give answers to the two I had mentioned. 'Two' was none of my affair. They could hope for some answers when they chose the review would be over. I was more than happy spending a lifetime not talking to them. Legalize was tossed around to the point Nicole yawned, pointed out none of them were attorney's with the United States District Court of the Northern District of Illinois; damn, that's some letterhead, and they could make no deals, grant no immunities, on their own. There was no talking to be done except for the ass-reaming the Court of Appeals was going to give both the Federal attorney who applied for the surveillance warrant and the judge who signed it. Low and behold, phones began ringing. As a patrol unit was making a raid on a room three floors down, a series of shots rang out. A gun battle ensued between the three armed men in the room, the two patrolmen (women actually) and the entire misfortunate event was caught on NBC Channel Five news. Occasionally I forget I work for fundamentally viciously sick fucks. My 'team' had sent the cops and the news crew to the spot and even supplied the ignorant housekeeper with the room card-key for the cops to break in with; a hotel room is not a private dwelling. Cops break in, do their 'freeze, we are the police' thing, but before the three feds in the room could reply, 'their' computer audio equipment let off a sound of bullets firing and ricochets echoing across the room. Nature took its course after that. The feds drew and both sides began shooting. No one died, but one ATF guy was going off to surgery. They would have all earned Purple Hearts if they had been in the military and a commendation no matter what; had two law enforcement agencies not shot each other up. The chase was on for the news crew who was desperately trying to get their station to show the footage before the feds grabbed the memory cards. Despite having had no part in that fiasco, Nicole immediately clued in that the moment our two feds ran off to help their comrades it was our time to leave. Did we go to the vehicles we came in? No. That would have exhibited a lack of paranoia my guardians would have found appalling. Two new car waited a block away. Had I been better at this game, I would have noticed the lack of functioning traffic cameras around us. Instead, I went begging to the local diocese of the Catholic Church. I plead my case. Mom and Dad were devout, raised me to be a devout Catholic yet when my Mother died, my father had never gotten over the trauma and me, being a young man, hadn't explored my spirituality yet; but I promised I'd get right on it when I returned to New York. The priest who handled the end of life stuff for the Church was sympathetic. He gave me the name of a local priest near my home I could talk to on my return. He also told me that he'd received a moving letter from a nun in Uganda about a deeply spiritual moment she had shared with me years ago, so he was onboard with giving my Dad a Catholic send-off. I wasn't sure if that was a sign to never touch a wannabe Nun again, or a reminder that nun's gave incredibly positive feedback on their sexual misadventures. I went with the latter. A few more calls, the choosing of the proper crematorium and I was through with the first part of that ordeal. Next came the funeral notification and invites. The Union would send some of Dad's closest co-workers and several neighbors said they'd show up as well. Flowers, clothes, wake; well, it couldn't be in my family home. The forensic team was gone and it was free for me to wander through, but the bullet holes and blood might put a damper on the ambience. In the midst of my worries, I got a call. A polite man named Winchell Sokolowsky offered me the Marshal Fields Jr. Mansion for my personal use. If there is any doubt, Chicago is Not the city of good Samaritans, the overly polite, or even the casually kind. Chicagoans pride themselves on being tough. We have plenty of good people who help out, volunteer and try to make life easier for their fellow man. That does not encompass giving a random stranger use of a multi-million dollar mansion. If I hadn't already been living in fantasy land, I'd have been busy figuring out which one of my few male friends was pulling this prank of on me, but no. "Can I inquire about the source of this largesse, Mr. Sokolowsky? Take in mind the incredible likelihood of a government agency most foul listening in," I cautioned him. "A family friend," he responded with an amused snort. Yeah, cause my Father's funeral was all chuckles for me. Since crab-women weren't likely to know owners of mansions, this had to be my aunts. Woot. "Thank you sir. My security people will be over to sweep the place before the city, state, or federal governments can crank out another search warrant. Thank you again." "That is not unexpected," Sokolowsky replied. "Until then." Rachel looked at me as if I'd done something absurd. She may have been right. "Did you just accept shelter from an individual we do not know; except that he is certainly part of the Protocols?" she stared at me. "Come on now," I chastised her. "It's for a funerary wake. I'm not taking three hundred of the lads out for a stroll, chasing savages up the Little Big Horn, or an Irishman deciding that Oliver Cromwell is a man of his word." I leaned in and winked to Rachel. "Besides Charlie; I got an angle." Pamela, who just happened to be walking by, gave me another high-five. Rachel was really learning to hate/dread those moments of synergy between Pamela and I. "I am not allowed to kill you and I am afraid I can't kill Pamela, but please don't think I don't want to do both," Rachel ratcheted up her displeasure. "Torn into itsy-bitsy pieces;” Pamela started. "And buried alive!" I finished. Another high-five. "You two are both insane," Rachel despaired. "That's the spirit," Pamela and my comeback to Rachel was in synch once again. To prove I wasn't heartless, I hugged Rachel. She froze, arms at her side, caught between warring impulses. I maneuvered her arms around until her hands rested on the back of my hips then rested mine on the small of her back. "Rachel, I cannot go back to a safe, faceless existence," I whispered as I planted tender kisses on her forehead. "To do so would be a betrayal of; me; Ishara." Rachel let go of her emotions and rested her head against my shoulder. "Why couldn't I be tasked to do something sane; like fight drug cartels, Maoist insurgence, or corporate hit squads in the Amazon?" she sighed. I moved my hands to her ass and gave them a nice fondle making sure to slowly grind her waist against my hips. Humping her would have been a mistake. That was sexual. I was giving her a bit of physical appreciation and nothing more. Rachel tilted her head up, I brought mine down until we were nose to nose. "Promise me you will try to stay alive, Cáel," she sounded almost mournful. "I will make a deal with you," I stated. "If I make it back to New York alive, you will consent to have sex with me." Rachel was confused, suspicious yet aroused. "None of this 'one hour' in some dormitory, or nunnery cell. I want everything; a light meal, some quality touching time and a minimum of two rounds of orgasmic sex." "Ah; not a scratch," Rachel counter-offered. I nodded, kissed her nose and she felt as if she'd won something. Rachel got ready to take us to our next stop. Pamela slipped past me. "Like shooting fish in a barrel," she whispered. I had never used that term out loud before. "That's what I would say," she clarified. She was my evil psychic twin grandmother. It was through a tireless group effort that I made it back to the Hotel Burnham at 4 p.m. Cameron made a show of being busy when I first came back. I was willing to be patient. While she puttered around, I flirted with the desk clerk and one of the baggage attendants; pale skin, blonde hair with freckles and light brown skin, black hair in a Nubian weave. This was the 'professional' lure. By presenting myself as a 'Man's Man' and garnering female adoration, I was clearly not (yet) that into her. The pressure was on her and Cameron didn't like pressure because pressure equated to the possibility of failure. Her advantages which were obvious to every other observer were not certainties to her. Contest time. "Director Cáel Nyilas," Cameron interrupted my joke to the two ladies, "I'm finished up for the day." I gave a quick smile to the women I was about to leave then turned on my personal demon. "Should I wait in the lounge until you change?" "No," I waved off her objections. "You can come up to my suite and then we can go to your domicile for you to change for a night out." Quick visual clue update: she lived at home with her parents yet dated enough that it wouldn't be awkward. It also showed me that she was uncomfortable about going to my room. She wasn't so enchanted she would do something stupid. I had the answer to that. I had made it a public declaration. Not only did my hovering troop had the news, so did her front desk. Nothing bad could happen to her if everyone knew where she was; right? On the elevator ride up it was just me, Cameron, Pamela and Esmeralda. The rest travelled on ahead. She took one rear corner so I took the other. I then let my leather-soled shoes slide down the carpet, lowering my overall height compared to Cameron. At some point, I began back-spinning my feet, pretending to be on the edge of falling on my ass. I smiled at Cameron and her eyes sparkled at the vaudevillian gesture. Know your prey and I knew way more about Cameron than was healthy for any girl. For instance, she loved Charlie Chaplin and Buster Keaton; more of a Keaton girl. She giggled then came to my rescue. She was wrapping me up in her arms while mine stayed safely away. "You are a bit of a joker," she teased me. "Your beautiful smile makes all that effort worthwhile," I truthfully pledged to Cameron. She sighed so contentedly. Behind her back, Pamela was loading a two-barreled hunting device, aiming at some surface-based, above ground structure with an open top and gave it both barrels while avoiding the imaginary back-splash. 'Looks like herring for dinner,' she mouthed with a wicked grin. Esmeralda was soaking it in. Hadn't I pounced on Rachel a few hours earlier? I was definitely hooking Cameron and reeling her in for some sexual deviant purpose; and Pamela was mocking the whole situation. E turned and faced the doors. "You seem like a really nice guy," Cameron murmured. "I mean that in a good way." "I can't see you as any way, but truthful and kind," I met her cherished countenance. "I imagine even harsh lessons are difficult for you to deliver." There; she had one last chance to figure out the poor schlub she'd crushed at the start of our senior year was me. "Being a leader can be very tough," she moped as she pressed into me. My mumbled offerings of affection and her savage reprisal had never registered with her. I was going to eat her alive. "How about I take care of you tonight?" I requested. She hesitated, not out of fear, but confusion. "Completely relax and I'll make the decisions for this one night. Your mind will be free to enjoy and discard at your pleasure." On most levels, Cameron was seeing this as a date. She was a 'dating' girl. She didn't give up the goodies until date three, if I was exceptionally good; date four, or five otherwise. I was about to dispose of that with a clever case of role reversal. My two staffers vanished as I entered my lakeside executive suite. A splendid view I thought I'd never be able to afford the last day; The 28th of December. I had enough money for a flight and a date picking me up at the airport. Bolingbrook had an inordinate amount of students stay the holidays and, by tradition, the graduating class hosted a New Year's Eve party for those students and the staff. I had told Dad about Havenstone and my infinitesimal chances of that kind of job. That was it. He patted me on the shoulder. There was no pressure to come back to Burnham after graduation if I didn't have a job lined up. It was my home if I needed it. So much was unspoken between us. I could tell he was proud; college; good grades; popular; happy. I shouldn't have taken for granted we'd get a chance to talk later. Back to the joy at hand. "So, what's it like working with your Dad?" I dropped into our causal conversation. I was in the bedroom, door open; really? Why do they put doors on those things? The 'Daddy' question could be taken two ways and I trusted Cameron to take it the worse way; and to be pissed. "My Father didn't get me the job here!" Cameron stormed in and insisted with a nice spirited mare stomp of the foot as emphasis. I 'just happened' to be naked, half turned away and a nice, highly suggestive pair of men's underwear in my hands. "What do you mean?" I was clearly confused. I turned a bit more toward her. Now she could almost see everything. "You; you have scars all over your body," she moaned. "I am a warrior, Cameron. This is the kind of man I am," I gave her a fierce, dominating gaze. "I fight for what I want and I brutally defend that which is mine. Who did you think I was?" Had Cameron been a fighter, that would have been the point she left the room. She was all up-front, bravado and a superior façade over an insecure, parentally driven trophy for their mantel place. My anger faded. It wasn't her fault I couldn't read her signs four years ago. I was still going to fuck her to the afterlife and back, but this time I'd be doing it as an informative journey. "I don't know anymore," Cameron tried to rally some sort of coherent rampart. "Come here," I beckoned her with one hand (the one without the underwear). Cameron shook her head. "Cameron, please believe me, there are things my staff would let me get away with; rape is not one of them. I won't touch you anywhere unless you give me permission." If you are a girl in the room at this point, you are toast. I just made it safe to touch my naked body. Sure, you have clothes on; for now, but not for long. Why? Women desire sex about as much as men do. Unless you are a vapid fashion model with substance abuse issues, men with non-disfiguring scars are an aphrodisiac. Add to that a hard-forged physique and men, sex is there for the taking. "I; uh;” she kept taking baby-steps forward. "I; Pam; Pamela is it?" "Yo," Pamela answered in a bored manner, knife in hand, then, "Whoa now!" she pointed her knife at my equipment. "Sheath that, young man. Put it under wraps right now." "I'm grown man, Pamela," I griped. I also put on my underwear. "Pluck the freaking pebble out of my hand, bitch, and then I'll call you an adult," Pamela sneered. Looking to Cameron, "Anything else Miss?" "No, thank you; no, wait. What do you do for Mr. Nyilas?" Cameron asked. "I'm his psychic medium," was Pamela's sage reply. That supernatural bogusness made Cameron happy. It shouldn't have. "Yeah, I kill his enemies then interrogate their souls," Pamela added with a nod. "It is highly rewarding work." Cameron's mouth gaped. "How about I shut the door and give you two kids some privacy." "What does she really do?" Cameron whispered to me. Part of me wanted to say 'she told you'. "She's my masseuse," I lied. I started putting my pants on (forgetting my socks) then fell/sat on the bed. Cameron came to my bedside. I rolled on my back and highly exaggerated the effort it took to pull them up. Cameron began giggling. "Hey, these are my 'skinny' slacks. I wouldn't laugh at you if our positions were switched." "Really?" she teased me. I laughed and she laughed along. "Cameron, think about it. I'm shirtless and definitely bra-less. I'm pretty sure I'd be too distracted by a multitude of your other assets to snicker," I countered. Cameron blushed and smiled. Ah, the visual image in Cameron's head was her, with jeans, racy panties and nothing else on while I hovered over her, relishing her attempts to conceal her charms. I shuffled back on the bed and resumed pulling my slacks up. Cameron followed, right into the danger zone. "Wait;” she put a hand on my abdomen. "What caused that scar?" So I told her. Okay, I gave her an abridged version of the truth. Fine, I lied like a big dog. I had the amazing habit of stumbling across women in need of saving. I bled for their virtue and honor, racked with intense pain before a violent victory was seized by my masculine hands. I was sure that Pamela and Rachel were hiding just outside the door, retching into waste baskets over the layers upon layers of my tripe. Around wound twelve, I was sure if I had asked Cameron to wear little lamb ears and a bell around her neck, she would have; had one been handy. To be fair, I wasn't fighting off legions of Green Beret. I was doing one better. I was using thinly-veiled caricatures of her High School enemies and nemeses. I was revealing their wickedness and pummeling them for their evil ways. There is a precious look a woman has when she miraculously discovers she is going to have the intercourse she's wanted yet somehow not recognized that need for until that moment. Cameron had that look, straddling me, skirt hiked up to her waist and vulva riding my cock (two layers intervening). We were out of wounds. "The rest are covered up," I explained in a predatory voice. Yes, Cameron was going to have sex and she had no control of events whatsoever and I hadn't even laid a hand on her yet. "Where?" she was suddenly baffled. "Pants," I kept it short and to the point. Cameron looked over her shoulder She reluctantly started to dismount so she could get to them so I made my move. I grabbed her hips in mid-dismount and rotated her around to reverse-cowgirl. Cameron began tugging off my pants with my legs raised high. My stomach crunches kicked in and I leveraged my torso up as well. I deftly moved her skirt up and went straight to the ass massage. Cameron's head shot around, eyes fearful. I had broken my word to not touch her without permission. Yes, I had lied to a girl; Now, I kissed her right on the lips, expertly delivered a delving French kiss and moved one hand to her right breast for an aggressive fondle. Cameron was really getting into it. Her nipples were highly sensitive. Her ass was humping like an over-eager sorority girl pole-dancing on Amateur Night. On cue, Cameron broke free and flew off the bed. "What; you; I thought we were going out?" she whined. She was horny as hell and didn't want to be held accountable at it. "Why are you running away?" I reclined back, solely in my underwear now. I was using my 'I'm disappointed in you' voice. Yes, I was 'guilting' a girl into having sex. Duh. I would never coerce a woman, or take one not in her right mind; that's using forces beyond her control. Guilt? Guilt has a foundation squarely in a woman's mind, just like humor, romance, common interests (feigned or not) and horniness. Girls can control guilt just like any other psychological trigger. It is called being shameless and I ought to know. Remember guys, it cuts both ways. Don't think so? You've had a girlfriend three whole months to the point she's staying over a night or two a week. One night, after your (hopefully) second round, you both discover it is that time of the month. 'Babe (or whatever pet name she has saddled you with), can you run to the store and get me some tampons and pads?' That, by the way, was not a question. She, for hygiene reasons, can't put her clothes on and go out herself. So, you go out to the Quick-Mart at 2 a.m. praying to God that none of your buddies are on a late night beer run and see you with your; stuff. You are not doing this for sex. She's not feeling 100% at the moment. Why are you? Guilt. She was at your place, making your Baloney Pony happy and this happened. You could send her out to the store. Not only is she not the only woman out there, many women understand guys getting freaked out about menstrual products. No, you feel guilty and risk the ridicule of your peers because it is your fault and you are not a dick-wad. And why did she ask you to do something that has nothing to do with you? Women are equally aware that guilt works, Baby. Back to our tale; "I'm not running away," sounded empty coming out of her mouth. "You said; touching." "I think you gave that option up when you crawled on top of me," I leered. "I clearly want to be with you, Cameron. You have given every indication you want to be with me, so I ask you again, why are you suddenly running away?" I kept after her. "I don't want to have sex; right now," again, she sounded weak. "Whatever happens, I go back to New York in two days," I met her shaky gaze. "You can set a time table if you like. The actuality of my life is relentless. I have things to get back to. If you are going to go, then go. I'll head out alone tonight, get a few drinks, come back early and grab some shut-eye," I shrugged. I went searching for my pants. See, she wasn't some random fuck. I wasn't leaving to replace her; making her a failure. I was hemming her in. I had the timeline. I had made my desires clear. There was no negotiation so while she appeared to have choices, she didn't and she knew it. For a girl who had spent so much effort working hard to not disappoint the main masculine figure in her life there was only one thing to do. "I don't want you to think I ever do anything like this," she propped up her morals while stutter-stepping back to the bed. "I feel I have a connection with you." Ah; the 'I have a connection with you' excuse. It would have been so appropriate if she actually remembered me. I pulled her onto the bed, went through the obligatory trying to push me off then we were back to the kissing and humping. Cameron turned out to be a 'use me' girl. That does Not mean abuse, it means she gets off being a responder to her partner's sexual directions. Caress her cheek, jaw and throat and she'd cup my chin, or massage my chest. Cameron was smart and a quick-learner. Her problem was a lack of a sense of adventure and an aversion to taking the lead. With the phantom applause of a hundred other male 'losers' who went to Fractional North High School, I ‘did' the queen who had been beyond us all only four years ago. The erotic twist to all that was with every sense of triumph and pleasure, Cameron mimicked me. Certainly we were both having a memorable time. I had to touch, lick, knead, and fondle every inch of Cameron's body. We both explored our nipple fetish, sixty-nined and engaged in some anal play; no penetration. I completed my first sojourn with the removal of the condom and the blowjob that had been the fantasy of countless hours in my home's upstairs bathroom. Cameron didn't just swallow; she savored and looked like she wanted more. Normally I cuddle beside my partner post-coitus. With Cameron, I lay on top of her at eye level. I put enough weight on her to let her feel pinned without real discomfort. "I have a confession," I gave her a sweaty-faced grin. "What?" she asked then gave me a peck on the lips. "We went to school together; same grade and everything," I enlightened her. "We even talked once." Cameron didn't know what to make of that. "I'll put that in perspective though. Do you believe that if you do something you do your best? Do you believe in craftsmanship?" "Cáel, you are scaring me," Cameron frowned. "Fifteen seconds and you can go," I conveyed with as much calm as I could. "Answer my question." "Okay; yes, I believe in doing your best. I believe in craftsmanship," Cameron played along. "Your words; 'never in a million years'." I related and waited. First there was the uncertainty and fear of the odd course our relationship had taken. It took a few seconds because so few pieces of the puzzle fit. "Cáel Nyilas; it was you; start of senior year; I had been," she muttered. Then came the real fear. "You must hate me." "I thought about it," I said, "but that isn't really me. See, you helped create me. Truth be told, you were only the catalyst. I did all the work." "A great many women helped. They were never a replacement for you. I was taught better than that by my first lover," I continued. "Still, I would be totally different if you hadn't casually annihilated my self-worth that September day." Pause. "Do you like the results?" "You really don't hate me;” Cameron was coming around. "It was high school. We all screw up in high school. According to a few studies, if you don't make a mess of high school, you are destined for failure," I related some real information. "You are getting hard again," Cameron gasped back to being okay with things between us. "Perhaps I should have warned you," I grinned wickedly. "I'm a sex addict." "Hey, Sex Addict!" Pamela shouted into the room. "There are some people out here to see you." "Good people, or bad people?" I shouted back. "Worse," Pamela replied. "The kind of people that want something from you." That was vaguely unpromising. "Cameron, take a shower and we'll talk about dinner when you get out. I think I need to take care of this," I sighed. Off went Cameron to the shower and on went my robe. In the main room, with a variety of levels of sexual tension, were sixteen women I didn't know. The Hotel Burnham has very nice suites, but they are not ballrooms. The room was pretty crowded, with not enough chairs and wall space getting sparse. They were all Havenstone women and I was willing to bet the average age was thirty-five; not my normal crowd. At least I knew why they were all there. Pamela suspected. Rachel and her team were clueless. "Hi, I am known as Cáel Nyilas," I greeted them. "A short history lesson and things will make a great deal more sense, so please be patient." The crowd was not pleased. I was a male and to a woman, the ladies had repudiated the world of men. They were all 'Runners'. It was the presence of Rachel's group that was keeping them civil at this point. "Twenty-five hundred years ago, as the Second Betrayal was ending, there was a small group of males who had proven themselves to the Amazon Host, taken into houses and their names were written on the Amazon Rolls," I started off. "Two of those males and three male children of one of the houses survived the massacre the female Amazons inflicted on their kin." That bought me a moment. Slaughtering your own babies, even male babies, wasn't something they would shrug off. "Well, if you know your Amazon politics, you know that the children of an Amazon who dies while in service of the Host becomes a member of the Host; so on and so on." The implications were sinking in as was the nervousness. "One of those men was a young warrior named Vranus of House Ishara. I am the sole surviving heir of Vranus. We are also here for the burial of my Father, who was murdered Sunday night. The next bit of Amazon politics. House Ishara was an extinct First House," I continued. "Oh shit," was uttered from half-dozen lips as they moved to the next, obvious step. "The succession to the Head of House for any House is elevation by your peers, accepted ritual combat and; the oldest surviving member of the House," I added. "By the Seven Martial Goddess; don't you have to be female? I mean; We are Amazons!" one of the 'Runners' yelled in disbelief. "Do you plan to add more males to your House?" one of the senior members growled. "Two things; it should not bother you one way, or another, and it is not MY House. It is the House of my Ancestor, Ishara. If this is going to be a problem, you are in the wrong room," I met her hostile glare ember for ember. That one headed for the door. "Wait," a fellow 'Runner' grabbed her arm. "You can't be going along with this Marsha?" the departing Amazon snapped. "I don't know this one, but I trust Buffy," Marsha countered. "Ok ladies, so that we are clear," Pamela sighed. "The next one of you to insult the Head of House Ishara, I am going to drag into the other room, kill you and cut you up into giblets for room service to take away," Pamela sounded positively disinterested. "I am not afraid of you," the departing one glared. "That would be a serious mistake," Rachel interjected quietly. Deep breath from me. "Listen, this is a highly improbable incident. I am not asking anyone to embrace the society you have rejected. In fact, I admire you for the strength it took to transition. I also ask you to accept the fact that I DO NOT want to be here, doing this, with any of you," I made one last effort. "Quite frankly, you man-haters scare me; being a man and all. You seem to think I have a choice in any of this. I don't. I am the heir of Vranus. I am the last known living descendant of the Amazon who chose the name Ishara for the sake of her house's unity," I stated. "I don't want to do this, but I'm not the kind of human being who runs away from my responsibilities." "Okay; Cáel of Ishara, why are we here?" Marsha said as she kept the other one from leaving. "Sixty years ago, the Amazon Houses swore an oath to the women who joined their cause. They lied to you. They have not kept up their side of the bargain. They have refused virtually all of you entry into the status as true, full-blooded Amazons," I explained. "And now you are going to rectify that; injustice?" the senior one kept mocking me. "Fine; you and me; one last chance," I sighed. "Look around you. Who do you see? The prettiest, the most pliable, the most power-hungry? If you can point out one woman in this room that doesn't deserve to be a Full-Blooded Amazon, leave now." "You didn't choose any of us," she responded. "Exactly!" I shouted. "I didn't choose any of you to be in House Ishara. Buffy Ishara and Helena Ishara did. Why? Because I don't know any of you, or your sacrifices and worth to Havenstone. I gave that duty to the two; and only two; member of House Ishara who would know who was the most worthy to be in a First House." "We are here to be inducted," one of the silent Amazons voiced with a dream-like quality. "Yes. Barring being rejected by Ishara, you will be inducted at my Father's graveside tomorrow morning," I stated clearly. "How many?" Senior questioned. "This time; twenty," I answered. "I have no agenda and no set number of 'Runners' to be inducted into House Ishara. It doesn't work
Here's an enhanced description for Fly Nubian Money: "Fly Nubian Money is the #1 financial literacy platform for women, airing Monday through Friday at 1 pm EST. The show features a diverse group of dynamic, intelligent Black women who share insights on wealth-building, investment, and financial empowerment. Each episode offers viewers the tools to achieve economic independence, with discussions on everything from investing to business strategies. To join this vibrant community of financially empowered women, text 'Queens' to 87948. For more resources and to deepen your knowledge of Financial Literacy and Wealth Building, visit FlyNubianMoney.com."
More than a hundred heads of state and government are gathering in Azerbaijan for the UN's annual climate summit - known as COP 29. 2024 is predicted to be the warmest year on record. But will previous commitments to limit global temperature rises to 1.5 celsius be achievable with the new US administration promises to withdrawal from the Paris climate treaty, as Donald Trump promises to 'drill, baby, drill.' We hear about climate financing and from the conservative coalition for climate solutions.Also in the programme: the new Israeli Defence Minister - Israel Katz - has said Hezbollah has been defeated, and has described the killing of the group's leader, Hassan Nasrallah, as the “crowning achievement"; and the Nubian pyramids of of Meroë threatened by Sudan's civil war.(Photo: Kiki Ritmeijer and Sarah Nasrawi, both UN Youth Representatives on Sustainable Development from the Netherlands, pose for a selfie outside the venue ahead of the United Nations climate change conference, known as COP29, in Baku, Azerbaijan November 10, 2024. Credit: Reuters/Murad Sezer)
I had the great pleasure of speaking with Blue from Brand Nubiin. Blue, apart from being one of the coolest guys you will ever meet, is a part of the Nubian diaspora who are coming together to celebrate and highlight the rich culture and history of Nubia.We discuss the history and culture and of course get into philosophy and the power of humanity, because... me! There's really some interesting stuff in here so definitely check it out. I apologize in advance for some of the noises in the audio. Our guest was in a busy area and I was not able to edit some of them out. Check out the links below and let me know what you think after listening. -BERNIEPS without the editing help of my favorite Aussie Garry Stevens from History IN the Bible I would not even have this episode out at all! Hooray for Garry!https://www.nubiin.com/http://jebelbarkal.org/This is a podcast by Dan Hörning and Bernie Maopolski.If you like what we do you can support the Fan of History project on https://www.patreon.com/fanofhistoryContact information:E-mail: zimwaupodcast@gmail.comhttp://facebook.com/fanofhistoryhttps://twitter.com/danhorninghttps://www.instagram.com/dan_horning/Music: “Tudor Theme” by urmymuse.Used here under a commercial Creative Commons license. Find out more at http://ccmixter.org/files/urmymuse/40020 Support the show and listen ad-free to all of the episodes, including episode 1-87. Click here: https://plus.acast.com/s/history. Hosted on Acast. See acast.com/privacy for more information.
Genesis 10 is often referred to as the “Table of Nations,” as it provides a genealogy that traces the descendants of Noah's three sons—Shem, Ham, and Japheth—following the flood. This chapter outlines how various peoples and nations of the ancient world emerged from Noah's family. Breakdown of Genesis 10: 1.The Descendants of Japheth (Genesis 10:2–5): Japheth's lineage is associated with the peoples of the northern and western regions, often seen as the ancestors of the Indo-European nations. Some key descendants include: •Gomer, linked to the Cimmerians or other northern tribes. •Magog, associated with peoples from the region near the Black Sea. •Javan, believed to be the ancestor of the Greeks and other maritime nations. Verse 5 mentions that these descendants spread out across the islands and coastal regions, suggesting that Japheth's line populated much of Europe and parts of Asia. 2.The Descendants of Ham (Genesis 10:6–20): Ham's descendants are typically associated with Africa and parts of the Near East. His lineage includes: •Cush, associated with Ethiopia or the Nubian region. •Mizraim, often identified with Egypt. •Canaan, whose descendants are connected with the land of Canaan. This section also includes a mention of Nimrod, a mighty hunter and ruler who established significant cities, such as Babel, Akkad, and Nineveh, playing a pivotal role in the rise of Mesopotamian civilization. 3.The Descendants of Shem (Genesis 10:21–31): Shem is traditionally seen as the ancestor of the Semitic peoples, including the Hebrews, Assyrians, and Arameans. His descendants, such as Elam, Asshur, and Arphaxad, populated the regions of the Middle East. Arphaxad's lineage eventually leads to Abram (Abraham), establishing the connection to the Israelites. Significance of Genesis 10: The genealogy in Genesis 10 provides an account of how the nations were divided after the flood. It highlights that humanity, despite its diversity, traces its origins back to a common ancestor—Noah. This chapter emphasizes the unity of the human race and establishes a foundational framework for understanding the relationships among the different peoples in biblical history. The “Table of Nations” also sets the stage for the Tower of Babel narrative in Genesis 11, where the scattering of peoples and the diversification of languages are described.Become a supporter of this podcast: https://www.spreaker.com/podcast/sendme-radio--732966/support.
Fly Nubian Money is the #1 platform for intelligent Black women, offering daily live shows at 1 pm EST. The platform covers topics ranging from wealth and business to relationships, politics, and more, all while keeping things fun and engaging. If you're ready to join the conversation and empower yourself financially, text the word *Queens* to 87948 and stay connected with the Fly Nubian Money community.
Candyman and Cultural Contradictions: Grateful Dead's Egypt AdventureIn this episode of the Deadhead Cannabis Show, host Larry Mishkin highlights two key topics: a favorite Grateful Dead show and his recent experiences at Goose concerts. First, Larry talks about an iconic Grateful Dead concert that took place on September 16, 1978, at the Sun et Lumiere Theater in Giza, Egypt, near the pyramids and the Sphinx. This event is special not just for its unique location but also for featuring collaborations with Egyptian musician Hamza El Din, who joined the Dead for a jam session. The Egypt shows are remembered for their blend of American rock and ancient Egyptian culture, marking a historic moment in music history.Larry also reflects on the song "Candyman" by the Grateful Dead, exploring its themes of melancholy and contradiction within the counterculture of the 1960s. He discusses how the song portrays a sympathetic yet flawed character, and how it resonates with the complex dynamics of that era, blending elements of peace, revolution, and criminality.Switching gears, Larry shares his recent experiences attending two Goose concerts in Chicago. He highlights Goose's cover of Bob Seger's "Hollywood Nights" and talks about the band's growing popularity. Larry attended the concerts with family and friends and praises the outdoor venue in Chicago, noting its impressive atmosphere and the city's skyline as a backdrop. He fondly recalls his connections to Bob Seger's music from his youth and marvels at how younger bands like Goose continue to bring classic rock into their performances. Grateful DeadSeptember 16, 1978 (46 years ago)Son Et Lumiere Theater (aka Sphinx Theatre)Giza, EgyptGrateful Dead Live at Sphinx Theatre on 1978-09-16 : Free Borrow & Streaming : Internet Archive Giza (/ˈɡiːzə/; sometimes spelled Gizah, Gizeh, Geeza, Jiza; Arabic: الجيزة, romanized: al-Jīzah, pronounced [ald͡ʒiːzah], Egyptian Arabic: الجيزةel-Gīza[elˈgiːzæ])[3] is the third-largest city in Egypt by area after Cairo and Alexandria; and fourth-largest city in Africa by population after Kinshasa, Lagos, and Cairo. It is the capital of Giza Governorate with a total population of 4,872,448 in the 2017 census.[4] It is located on the west bank of the Nile opposite central Cairo, and is a part of the Greater Cairo metropolis. Giza lies less than 30 km (18.64 mi) north of Memphis (Men-nefer, today the village of Mit Rahina), which was the capital city of the unified Egyptian state during the reign of pharaoh Narmer, roughly 3100 BC. Giza is most famous as the location of the Giza Plateau, the site of some of the most impressive ancient monuments in the world, including a complex of ancient Egyptian royal mortuary and sacred structures, among which are the Great Sphinx, the Great Pyramid of Giza, and a number of other large pyramids and temples. Giza has always been a focal point in Egypt's history due to its location close to Memphis, the ancient pharaonic capital of the Old Kingdom. Son et lumière (French pronunciation: [sɔ̃n e lymjɛʁ] (French, lit. "sound and light")), or a sound and light show, is a form of nighttime entertainment that is usually presented in an outdoor venue of historic significance.[1] Special lighting effects are projected onto the façade of a building or ruin and synchronized with recorded or live narration and music to dramatize the history of the place.[1] The invention of the concept is credited to Paul Robert-Houdin, who was the curator of the Château de Chambord in France, which hosted the world's first son et lumière in 1952.[1] Another was established in the early 1960s at the site of the Great Pyramid of Giza in Egypt. One of the Seven Wonders of the Ancient World and a star attraction in Egypt, the pyramids of Giza offer a completely different experience at night, when lasers, lights, and visual projections bring their history to life. Here's how to visit the pyramids after dark. The sound and light show at Giza takes place every night for 55 minutes by the Great Sphinx of king Kephren, it is a laser show with history narration of your own language. Kyle FitzgeraldThe National Standing under a total lunar eclipse at the foot of ancient power by the Great Pyramid, the Grateful Dead were concluding the final show of their three-night run at the Sound and Light Theatre in Giza in 1978.His hair in pigtails, guitarist Jerry Garcia wove the outro of the percussive Nubian composition Olin Arageed into an extended opening of Fire on the Mountain. “There were Bedouins out on the desert dancing … It was amazing, it really was amazing,” Garcia said in a 1979 radio interview. The September 14-16 shows in Giza were the ultimate experiment for the American band – the first to play at the pyramids – known for pushing music beyond the realms of imagination. And just as the Grateful Dead were playing in the centre of ancient Egypt, a landmark peace treaty was being brokered in the US that would reshape geopolitics in the Middle East. For as the Grateful Dead arrived in Egypt as cultural ambassadors, on the other side of the world US president Jimmy Carter had gathered his Egyptian counterpart Anwar Sadat and Israeli prime minister Menachem Begin to broker the Camp David Accords that led to an Egyptian-Israeli peace settlement. “No show that they have ever done has the international significance of their three performances in Egypt,” said Richard Loren, the Grateful Dead's manager from 1974-1981. “When we left the stage on the last show, everybody was high on acid, and the first news that came on: They signed the Camp David agreement. Sadat, Begin and Carter signed the agreement in Camp David. This happened during those three days.” Loren, who produced the shows, credited his friendship with Jefferson Airplane vocalist Marty Balin, who had a keen interest in Egypt, for developing his own fascination with the country. “The lead singer for Jefferson Airplane is the seed that resulted in the Grateful Dead playing in Egypt,” he said. Loren recalled riding a camel around the pyramid site during a three-week visit in 1975. To his right were the pyramids. In front of him, the Sphinx. “And I look down and I see a stage, and a light bulb went off in my head immediately. The Grateful Dead ought to play in Egypt,” he said. Loren, associate Alan Trist and Grateful Dead bass player Phil Lesh formed a scouting committee that would be responsible for liaising with American and Egyptian officials, Secret Service members and Egyptian first lady Jehan Sadat to allow the Grateful Dead to play in front of the pyramids. After the mission to the proposed site, meetings in Washington and Egypt, discussions with government officials and a party for the consulate, the band still needed to convince officials the purpose of the show was to make music – not money. And so the Dead paid their own expenses and offered to donate all the proceeds.Half would be donated to the Faith and Hope Society – the Sadats' favourite charity – and the other to Egypt's Department of Antiquities. “It was a sales pitch by the three of us – Alan, Richard and Phil,” Loren said. A telegram was sent on March 21, 1978, confirming the Grateful Dead would perform two open-air shows at the Sound and Light in front of the Great Pyramid and Sphinx. They would go on to play three shows. Describing the planning, bassist Phil Lesh said, "It sort of became my project because I was one of the first people in the band who was on the trip of playing at places of power. You know, power that's been preserved from the ancient world. The pyramids are like the obvious number one choice because no matter what anyone thinks they might be, there is definitely some kind of mojo about the pyramids."[11]Rather than ship all of the required sound reinforcement equipment from the United States, the PA and a 24-track, mobile studio recording truck were borrowed from the Who, in the UK. The Dead crew set up their gear at the open-air theater on the east side of the Great Sphinx, for three nights of concerts. The final two, September 15 & 16, 1978, are excerpted for the album. The band referred to their stage set-up as "The Gizah Sound and Light Theater". The final night's performance coincided with a total lunar eclipse. Drummer Bill Kreutzmann played with a cast, having broken his wrist while horseback riding. The King's Chamber of the nearby Great Pyramid of Giza was rigged with a speaker and microphone in a failed attempt to live-mix acoustical echo.[12] Lesh recalled that through the shows he observed "an increasing number of shadowy figures gathering just at the edge of the illuminated area surrounding the stage and audience – not locals, as they all seem to be wearing the same garment, a dark, hooded robe. These, it turns out, are the Bedouin, the nomadic horsemen of the desert: drawn in by the music and lights... each night they have remained to dance and sway rhythmically for the duration of the show."[13] Kreutzmann recalls "Egypt instantly became the biggest, baddest, and most legendary field trip that we took during our entire thirty years as a band... It was priceless and perfect and, at half a million dollars, a bargain in the end. Albeit, a very expensive bargain."[14] The concerts weren't expected to be profitable (proceeds were donated to the Department of Antiquities and a charity chosen by Jehan Sadat). Costs were to be offset by the production of a triple-live album; however, performances did not turn out as proficient as planned, musically, and technical problems plagued the recordings.[10] The results were shelved as the band focused instead on a new studio album, Shakedown Street. INTRO: Candyman Track #3 2:54 – 4:50 From Songfacts: the American Beauty album is infused with sadness. Jerry Garcia's mother was still seriously injured and her still fate uncertain following an automotive accident, while Phil Lesh was still grieving his father's passing. The melancholic aura comes through in "Candyman" as much as any other song on the album.The effect of the melodic sadness on the song's context is interesting, to say the least. It makes everything about the candyman character in the song seem sympathetic, when the lyrics suggest that he is anything but. Dead lyricist Robert Hunter said he certainly didn't resonate with the character's penchant for violence (more on that below).The Random House Historical Dictionary of American Slang defines the term "candyman" primarily as a drug dealer and secondarily as a man who is lucky in general and lucky with women in particular. The latter version seems to fit better with the song, as the character announces his arrival to all the women in town and tells them they ought to open their windows (presumably to let him in). While there's no evidence to suggest that Hunter was getting at anything too deep with the song, "Candyman" does provide an interesting perspective on the contradictions of the 1960s counterculture. Mixed in with all the peaceniks and flowers were hard-drug pushers, violent revolutionaries, and common criminals. By 1970, this stew had long since become so mixed-up that its attendant parts could no longer be cleanly extracted from each other. The fact that American Beauty came out in the midst of the Manson Family "hippie cult killings" trial says just about all that needs to be said about the complicated reality that had arisen out of the 1960s counterculture.Beyond all that, though, the outlaw song that romanticizes criminality is a long-held and cherished tradition in American music. With American Beauty, Jerry Garcia wanted the Dead to do something like "California country western," where they focused more on the singing than on the instrumentation. So the sang Hunter's lyrics: Good mornin', Mr. BensonI see you're doin' wellIf I had me a shotgunI'd blow you straight to HellThis is an oddly violent line for a song by the Grateful Dead, who sought to embody the '60s peace-and-love ethos about as sincerely and stubbornly as any act to come out of the era. It always got a raucous applause from the audience, too, which seems equally incongruous with the Deadhead culture.Hunter was bothered by the cheers. In an interview published in Goin' Down the Road by Blair Jackson (p. 119), he brings this phenomenon up when asked if any of his songs has been widely misinterpreted. He mentions that he had first witnessed an audience's enthusiastic response to violence while watching the 1975 dystopian film Rollerball and "couldn't believe" the cheers.Hunter tells Jackson that he hopes fans know that the perspective in "Candyman" is from a character and not from himself. He stresses the same separation between himself and the womanizer in "Jack Straw." As far as the Mr. Benson in "Candyman," David Dodd in the Annotated Grateful Dead Lyrics makes a great case for that being Sheriff Benson from Leadbelly's "Midnight Special" (who may very well have been based on a real sheriff). If true, this might place "Candyman" in Houston, Texas (though Hunter might not have had anything so specific in mind). Almost always a first set song. Often featured in acoustic sets, back in the day. This version features this awesome Garcia solo that we were listing to. Maybe he was inspired by the pyramids or whatever magical spirits might have come out from within to see this American band the Grateful Dead. Hopefully, it made those spirits grateful themselves. Played: 273First: April 3, 1970 at Armory Fieldhouse, Cincinnati, OH, USALast: June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA SHOW No. 1: Hamza El Din Track #10 7:30 – 9:00 Hamza El Din (Arabicحمزة علاء الدين) (July 10, 1929 – May 22, 2006) was an Egyptian Nubian composer, oudplayer, tar player, and vocalist. He was born in southern Egypt and was an internationally known musician of his native region Nubia, situated on both sides of the Egypt–Sudan border. After musical studies in Cairo, he lived and studied in Italy, Japan and the United States. El Din collaborated with a wide variety of musical performers, including Sandy Bull, the Kronos Quartet and the Grateful Dead. His performances attracted the attention of the Grateful Dead, Joan Baez, and Bob Dylan in the 1960s, which led to a recording contract and to his eventual emigration to the United States. In 1963, El Din shared an apartment in the San Francisco Bay Area with folk musician Sandy Bull. Following his appearance at the Newport Folk Festival in 1964, he recorded two albums for Vanguard Records, released 1964–65. His 1971 recording Escalay: The Water Wheel, published by Nonesuch Records and produced by Mickey Hart, has been recognized as one of the first world music recordings to gain wide release in the West, and was claimed as an influence by some American minimalist composers, such as Steve Reich and Terry Riley, as well as by Grateful Dead percussionist Mickey Hart.[1] He also performed with the Grateful Dead, most famously during their Egypt concerts of 1978. During these three shows, Hamza El Din, performed as a guest and played his composition "Ollin Arageed" He was backed by the students of his Abu Simbel school and accompanied by the Grateful Dead. After Egypt, hamza el din played with the dead in the U.S. On October 21st, back in 1978, the Grateful Dead were in the midst of wrapping up a fiery five-night run at San Francisco's Winterland Ballroom. This string of shows was particularly special for the band, as they marked the first shows played by the Dead following their now-legendary performances near the Great Pyramid of Giza in Egypt a month prior. n an effort to bring their experiences in Northern Africa home with them to share with their fans, the Dead's '78 Winterland run saw sit-ins by Egyptian percussionist, singer, and oud player Hamza El Din. On October 21st, El Din opened the show solo, offering his divine percussion before the Grateful Dead slowly emerged to join him for an ecstatic rendition of “Ollin Arageed”, a number based off a Nubian wedding tune, before embarking on a soaring half-acoustic, half-electric jam, that we will get to on the other side of Music News: MUSIC NEWS: Lead in music: Goose — "Hollywood Nights" (Bob Seger) — Fiddler's Green — 6/8/24 (youtube.com) 0:00 – 1:10 Goose covering Bob Seeger and the Silver Bullet Band's Hollywood Nights, this version from earlier this year but Goose did play it Friday night in Chicago at the Salt Shed's Festival stage outside along the Chicago river with the Skyline in the background. Very impressive. "Hollywood Nights" is a song written and recorded by American rock artist Bob Seger. It was released in 1978 as the second single from his album, Stranger in Town. Seger said "The chorus just came into my head; I was driving around in the Hollywood Hills, and I started singing 'Hollywood nights/Hollywood hills/Above all the lights/Hollywood nights.' I went back to my rented house, and there was a Time with Cheryl Tiegs on the cover...I said 'Let's write a song about a guy from the Midwest who runs into someone like this and gets caught up in the whole bizarro thing.'" [1] Seger also said that "Hollywood Nights" was the closest he has had to a song coming to him in a dream, similar to how Keith Richards described the riff to "(I Can't Get No) Satisfaction" coming to him in a dream. Robert Clark Seger (/ˈsiːɡər/SEE-gər; born May 6, 1945) is a retired American singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded with the groups Bob Seger and the Last Heard and the Bob Seger System throughout the 1960s, In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album Live Bullet (1976), recorded live with the Silver Bullet Band in 1975 at Cobo Hall in Detroit, Michigan. In 1976, he achieved a national breakout with the studio album Night Moves. On his studio albums, he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, which appeared on several of Seger's best-selling singles and albums. A roots rock musician with a classic raspy, powerful voice, Seger is known for his songs concerning love, women, and blue-collar themes, and is one of the best-known artists of the heartland rock genre. He has recorded many hits, including "Night Moves", "Turn the Page", "Mainstreet", "Still the Same", "Hollywood Nights", "Against the Wind", "You'll Accomp'ny Me", "Shame on the Moon", "Roll Me Away", "Like a Rock", and "Shakedown", the last of which was written for the 1987 film Beverly Hills Cop II and topped the Billboard Hot 100 chart. He also co-wrote the Eagles' number-one hit "Heartache Tonight", and his recording of "Old Time Rock and Roll" was named one of the Songs of the Century in 2001. Which leads us to: Goose plays three nights in Chicago: Wednesday, Thursday and Friday night at the Salt Shed. I caught the Thursday and Friday show. Went with my wife on Thursday and hung out with good friends John and Marnie, her brothers Rick and Joel, Stephan and others. Friday with my son Daniel and good buddy Kevin who got us rock star parking and even more impressively killer seats dead center at the bottom of the grandstands in the back of the floor, a few feet off the floor and dead center so we could see everything, hear everything and have a place to sit and rest for a few minutes when needed. I have to say, I've now seen Goose five times and enjoy them more and more. Great musical jams, great light show, lots of good energy from the band and the fans. Rick Mitoratando is a first class guitartist and singer, Peter Anspach on keyboard and guitar and vocals, Jeff Arevalo, percussionist, Trevor Weekz on bass and newcomer, Cotter Ellis on drums, replacing original drummer, Ben Askind. Began playing in 2014 in Wilton Connecticut so this is their 10 year and they are just getting stronger. They really love what they do and its shows in their live performances. Great set lists in Chicago: Thursday night they were joined on stage by Julian Lage, a jazz composer and guitarist for the last two songs of the first set, A Western Sun and Turned Clouds. If you have not yet seen Goose you need to see Goose. Soon. Jane's Addiction Concert Ends Abruptly After Perry Farrell Punches Dave Navarro Onstage 3. Jane's Addiction Offer ‘Heartfelt Apology' for Fight, Cancel Sunday's Show Phish announce 3 night run in Albany Oct. 25 – 27 to benefit Divided Sky Foundation A residential program for people recovering from drug and alcohol abuse. The Divided Sky Foundation, a 46-bed nonprofit recovery center spearheaded by Phish frontman Trey Anastasio, will be an abstinence-based, nonmedical residence, one of the first ofits kind in Vermont. The Divided Sky Foundation is a charitable nonprofit founded by Anastasio; it purchased the Ludlow location to create a substance-use disorder treatment center back in 2021. Anastasio, Phish's lead guitarist and vocalist, has dealt publicly with his own drug and alcohol use and later sobriety, a journey that brought him under the supervision of drug court in Washington County, New York, in the mid-2000s. There, he met Gulde, who worked in the court system at the time, and the two have stayed friends since. Together, Gulde and Anastasio used their personal experiences with treatment facilities to implement a vision for the Ludlow space, she said. Very cool organization, deserves everyone's support. Trey turned it around which is why he is now 5 years older than Jerry was when he died in 1995 and Trey and Phish are just getting stronger and stronger. SHOW No. 2: Ollin Arageed Track #11 13:10 – 14:42 Musical composition written by Hamza El-Din. He and members of the Abu Simbel School of Luxor choir opened the shows with his composition Olin Arageed on nights one and two, and opened set two of night three with the song as well. Joined on stage by the band. Fun, different and a shout out to the locals. The Dead played it a few more times with Hamza and then retired it for good. SHOW No. 3: Fire On The Mountain Track #12 13:00 – end INTO Iko Iko Track #13 0:00 – 1:37 This transition is one of my all time Dead favorites. Out of a stand alone Fire (no Scarlet lead in) into a sublime and spacey Iko Iko. Another perfect combination for the pyramids, sphinx and full lunar eclipse.A great reason to listen to this show and these two tunes. MJ NEWS: MJ Lead in Song Still Blazin by Wiz Khalifa: Still Blazin (feat. Alborosie) (youtube.com) 0:00 – 0:45 We talked all about Wiz Khalifa on last week's episode after I saw him headline the Miracle in Mundelein a week ago. But did not have a chance to feature any of his tunes last week. This one is a natural for our show. This song is from Kush & Orange Juice (stylized as Kush and OJ) is the eighth mixtape by American rapper Wiz Khalifa. It was released on April 14, 2010, by Taylor Gang Records and Rostrum Records. Kush & Orange Juice gained notoriety after its official release by making it the number-one trending topic on both Google and Twitter.[1] On the same day, a link to the mixtape was posted for download on Wiz's Twitter.[2] The hashtag#kushandorangejuice became the number-six trending topic on the microblogging service after its release and remained on the top trending items on Twitter for three days.[ 1. Nixon Admitted Marijuana Is ‘Not Particularly Dangerous' In Newly Discovered Recording2. Marijuana Use By Older Americans Has Nearly Doubled In The Last Three Years, AARP-Backed Study Shows3. Medical Marijuana Helps People With Arthritis And Other Rheumatic Conditions Reduce Use Of Opioids And Other Medications, Study Shows4. U.S. Marijuana Consumers Have Spent More Than $4.1 Billion On Pre-Rolled Joints In The Past Year And A Half, Industry Report Finds SHOW No. 4: Sunrise Track #162:08 – 3:37 Grateful dead song written, music and lyrics by Donna Jean Godchaux. Released on Terrapin Station album, July 27, 1977 There are two accounts of the origins of this song, both of which may be true. One is that it is about Rolling Thunder, the Indian Shaman, conducting a ceremony (which certainly fits with many of the lyrics). The other is that it was written by Donna in memory of Rex Jackson, one of the Grateful Dead's crew (after whom the Rex Foundation is named). The song is about a Native American medicine man named Rolling Thunder, who spent a lot of time with the Dead."'Sunrise' is about sunrise services we attended and what Rolling Thunder would do," Godchaux said on the Songfacts Podcast. "It's very literal actually. Rolling Thunder would conduct a sunrise service, so that's how that came about."Donna Jean Godchaux wrote this song on piano after Jerry Garcia asked her to write a song for the Terrapin Station album. She said it just flowed out of her - music and lyrics - and was one of the easiest songs she ever wrote.The drumming at the end of the song was played by a real medicine man. "We cut it in Los Angeles, and he came and brought the medicine drum, so what you hear on the end is the real deal," Godchaux told Songfacts. "It was like a sanctuary in that studio when he was playing that. It was very heavy." It was played regularly by the Grateful Dead in 1977 and 1978 (Donna left the band in early 1979).This version is the last time the band ever played it. Played: 30 timesFirst: May 1, 1977 at The Palladium, New York, NY, USALast: September 16, 1978 at the Pyramids, Giza Egypt OUTRO: Shakedown Street Track #17 3:07 – 4:35 Title track from Shakedown Street album November 8, 1978 One of Jerry's best numbers. A great tune that can open a show, open the second set, occasionally played as an encore, but not here. It is dropped into the middle of the second set as the lead in to Drums. This is only the second time the song is played by the band. Played: 164 timesFirst: August 31, 1978 at Red Rocks Amphitheatre, Morrison, CO, USALast: July 9, 1995 at Soldier Field, Chicago, IL – opened the second set, the final set of music ever performed by the band. Shout outs: Karen Shmerling's birthday This week my beautiful granddaughter, Ruby, is coming to town to visit. Can't wait to see her and her parents. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
*) Chief of Israeli intel unit quits over October 7 failure The head of the Israeli army's notorious intelligence and surveillance unit has accepted responsibility for failing to prevent a raid by Hamas fighters on October 7 last year. Brigadier General Yossi Sariel, who led Unit 8200, told Chief of Staff Herzl Halevi he's resigning. Sariel is one of seven high-ranking officials, including top military leaders, to step down amid backlash over Hamas' attacks on Israeli military sites and settlements, once Palestinian lands. *) New video, witnesses refute Israel's account of Eygi's killing The Israeli army says Eygi was "very likely" hit unintentionally during a "violent riot" aimed at the "key instigator." But new evidence opposes that claim. Video and witness reports suggest that the killing of Turkish-American activist Aysenur Ezgi Eygi in the occupied West Bank was in fact a targeted assassination. In this Washington Post's investigation, it shows that Eygi was shot after 30 minutes when the clashes in Beita had ended. *) Biden, Gaza 'key factors' driving US support for Africa UNSC seats The US push for two permanent UN Security Council seats for Africa and a rotating seat for island nations is tied to boosting Biden's legacy and shifting focus from Israel's war on Gaza, a UN expert told TRT World. Richard Gowan of the International Crisis Group said, "Biden might be remembered as the president who paved the way for Council reform." Gowan added that the move helps distract from the US's controversial vetoes on truce calls in Gaza saying "The US wants to be seen as a reformer, not a spoiler." *) Kim's visit reveals North Korea's uranium enrichment plant for first time North Korea's Kim Jong-un has been wanting to expand his country's nuclear capabilities for a while now. And now for the first time ever, he has publicly disclosed a uranium enrichment facility. Kim said he is aiming to exponentially boost the production of nuclear weapons for self-defence amid growing nuclear threats from the US and its allies. *) UNESCO 'deeply concerned' about possible looting from Sudan museums UNESCO has sounded the alarm over armed groups reportedly looting museums and heritage sites in war-torn Sudan. It said it was particularly concerned by reports of looting at the National Museum of Sudan, as well as the Khalifa House Museum in Omdurman and Nyala Museum in South Darfur. The National Museum, which opened in the 1970s, has been home to more than 2,700 objects including some important pieces from the ancient Egyptian Pharaonic dynasties and Nubian culture.
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Tim Armstrong from Omnicruit on Black Wall Street Today with Blair Durham. Omnicruit LLC is a professional international nurse recruiting firm dedicated to placing highly qualified foreign and domestic registered nurses and other healthcare professionals into positions within United States healthcare facilities. We are a Minority-owned, multinational team of professionals working together to serve our clients by combining our expertise, global recruiting, and staffing experience. We are committed to bridging the gap of domestic nurse staffing shortfalls by placing them with some of the most exceptional healthcare facilities, all while solving their DEI requirements. https://www.omnicruit.us/ and https://www.hrgreenbook.com/listing/omnicruit-nurse-recruiting.html Interested in sponsoring the podcast? Want to contact Blair or Brian or Black BRAND? Info@BlackBRAND.biz . The Black Wall Street Today (BWST) radio show is focused on all things Black entrepreneurship and hosted by Virginia Tech alumnae Blair Durham, co-founder and co-President of Black BRAND. The BWST podcast is produced by using selected audio from the radio show and other Black BRAND events. BWST is the media outlet for Black BRAND. Black BRAND is a 501(c)(3) organization that stands for Business Research Analytics Networking and Development. We are Hampton Roads Regional Black Chamber of Commerce. We promote group economics through professional development and community empowerment, and we unify the black dollar by providing financial literacy, entrepreneurship training, and networking resources! http://blackbrand.biz m.me/blackwallstreettoday + info@blackbrand.biz + (757) 541-2680 Instagram: www.instagram.com/blackbrandbiz/ + Facebook: www.facebook.com/blackbrandbiz/ Produced by Seko Varner for Positive Vibes Inc. http://www.PositiveVibes.net Find Black Owned Businesses in the 757: www.HRGreenbook.com Invest in Black Excellence! Watch all episodes of www.GenerationalFlip.com now! $20k - $90K of business funding - https://mbcapitalsolutions.com/positive-vibes-consulting/ Money for your business: https://davidallencapital.com/equipment-financing?u=&u=PositiveVibes Money for Real Estate Investments: https://PositiveVibesConsulting.com Purify yourself, house, and environment to remain safe: https://www.vollara.com/PositiveVibes Invest in stocks via STASH: https://get.stashinvest.com/sekosq72j Fix your credit: https://positivevibes.myecon.net/my-credit-system/ Raise money with Republic: https://republic.com/raise/i/jpdajr Melanin, Black History, B1, Black First, ADOS, Foundational Black American, African, Indigenous, Virginia, Underground Railroad, Slavery, America, Black Enterprise, Norfolk, Richmond, Africa, Cupid Shuffle, Gospel Music, Moorish, Negro Spirituals, Stay Woke, Black History Month, Christian, Noble Drew Ali, Malcolm X, Ebony, African American, Entrepreneur, #GetOnCode, Tone Talks, Black American, Afrisynergy News, Black People, Nubian, Empowerment Agenda, BlackWallStreet, Black Wall Street, theWE, Hampton Roads Greenbook
Top up your coaxium, pay off the portmaster, check the nava computer and try not to bounce too close to a supernova as we invite you to Start Your Engines. This episode Paul Naylor and Mark Newbold discuss Padmé Amidala's personal fleet, consisting of her modified J-type 327 Nubian starship, her H-type Nubian yacht and her J-type Naboo star skiff. All this and much more on the latest episode of Start Your Engines. Visit Wookieepedia at https://starwars.fandom.com/wiki/Main_Page Remember to tune in to Good Morning Tatooine, LIVE Sunday evenings at 9.00pm UK, 4.00pm Eastern and 1.00pm Pacific on Facebook, YouTube, X, Instagram and Twitch and check out our Fantha Tracks Radio Friday Night Rotation every Friday at 7.00pm UK for new episodes of The Fantha From Down Under, Planet Leia, Desert Planet Discs, Start Your Engines, Collecting Tracks, Canon Fodder and special episodes of Making Tracks, and every Tuesday at 7.00pm UK time for your weekly episode of Making Tracks. You can contact any of our shows and send in your listeners questions by emailing radio@fanthatracks.com or comment on our social media feeds: https://www.youtube.com/@FanthaTracksTV/ https://links.fanthatracks.com/ https://link.chtbl.com/fanthatracksradio www.instagram.com/fanthatracks www.facebook.com/FanthaTracks www.twitter.com/FanthaTracks www.pinterest.co.uk/fanthatracks/ www.fanthatracks.tumblr.com/ www.tiktok.com/@fanthatracks www.twitch.tv/fanthatracks www.threads.net/@FanthaTracks
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In this episode Kara and Jordan sit down with Prof. Solange Ashby (Assistant Professor, Near Eastern Languages and Cultures, UCLA) to discuss her academic journey and her research on Nubian women. Solange Ashby received her Ph.D. in Egyptology from the University of Chicago. Dr. Ashby's expertise in ancient languages, including Egyptian hieroglyphs, Demotic, and Meroitic, underpins her research into the history of religious transformation in Northeast Africa. Her book, Calling Out to Isis: The Enduring Nubian Presence at Philae, explores the Egyptian temple of Philae as a Nubian sacred site. Her second book explores the lives of five Nubian women from history including queens, priestesses, and mothers. Dr. Ashby is an Assistant Professor in the department of Near Eastern Languages and Cultures at UCLA where she teaches Egyptology and Nubian StudiesAcademia WebsiteSHOW NOTES* Download the full article here- Ashby, Solange. 2018. “Dancing for Hathor: Nubian Women in Egyptian Cultic Life.” Dotawo 5. https://doi.org/10.5070/D65110046.* Meroitic Language* C-Group Culture * Hathor* Dance in ancient Egypt & Nubia* Inner panel of the sarcophagus of Aashyt* Tattoo practice in Nubia and Egypt * Philae Temple* William Leo Hansberry Society * The Hansberry Society panel on Early Christianity, commemorating Rev. Dr. Gay L. Byron will be on Saturday August 17th at 1 p.m. ET/10 a.m. PT on their YouTube Channel: https://www.youtube.com/channel/UC0HcD4L9_k0YFz8L_vH-jzw Get full access to Ancient/Now at ancientnow.substack.com/subscribe
Without Your Head Horror Podcast with Eric Roberts and director Gino McKoy! In theaters now! A terrifying sci-fi thrill ride, LUMINA follows four friends desperately searching for their abductee friend in a DUMB - DEEP UNDERGROUND MILITARY BASE. Whether they find their friend or not, what they find in the desert of the US to the sands of the Sahara, will change their lives forever. PATRICIA, a free-spirited Nubian hippie and amateur videographer, is staying at the house of her rich friend, ALEX, who decides to throw a party that reunites old friends and introduces them to his new girl, TATIANA. The night seems destined for drama when he invites DELILAH, an old girlfriend who doesn't hide her feelings for him. Despite the tension running through the celebration, the night goes off without a hitch. Everything changes with the sudden appearance of blinding lights from the sky. One second they're there, the next they're gone, and the only thing for sure is that Tatiana has disappeared. Months go by, during which Alex's mental state deteriorates. He joins an online community of conspiracy theorists and UFO watchers and has even reached out to GEORGE, an old acquaintance whose beliefs demand a matching tin foil hat. Worried about him, Patricia calls Delilah. After a recent falling out Delilah has been reluctant to come by, but jumps at the opportunity to work her way back into his life. Alex is convinced he must find Tatiana and he believes she's in a DUMB. After an intensely vivid dream about Tatiana being held captive there. The four friends set out on a trip that changes some lives and takes others. After being hunted by alien menaces, tracked by the government, and chased by lights in the sky, they quickly realize that they have gotten themselves in too deep. In his feature directing debut, Gino Mckoy leads a cast that includes the legendary Eric Roberts as well as up-and-coming talent Rupert Lazarus, Eleanor Williams, Andrea Tivadar, Sidney Nicole Rogers, Ken Lawson, and Emily Hall. --- Support this podcast: https://podcasters.spotify.com/pod/show/withoutyourhead/support
Fly Nubian Money (FNM) is a premier financial education platform dedicated to empowering the Black community through financial literacy and economic empowerment. Offering courses on investing, entrepreneurship, and wealth-building strategies, FNM aims to bridge the wealth gap and promote economic independence. The platform features expert instructors, including Dr. Boyce Watkins, and provides valuable resources to help individuals and families achieve financial success. Join the movement to elevate your financial knowledge and secure your economic future with Fly Nubian Money. For more information, visit BoyceWatkins.com.
Welcome back to the New Moon in Cancer, "Jupiter Visioning Journey". Today's episode is about connecting with sound magic. As a water sign, Cancer is related to the movement of our vibrational energy. The Moon can be seen as our CosmicTimer, and as a reminder that life is in a constant state of change.It appears that people from the beginning of life, have created rituals around the phases and movements of the Moon. The New Moon is especially recognized and celebrated. More and more, people in the West, are starting to recall our primal roots, ancestral ways, and our indigenous connections.How did Kathy and I come up with a conversation about the Nubian rhythm? Number one, we are both currently studying Middle Eastern frame drum. Many of the rhythms that we are learning come from Africa and the Middle East. Second, drumming is an ancient form of sound and music making. Creating music is an innate attribute of humankind, and probably other animals too... Birdsong of all kinds are everywhere. The Moon in Cancer represents the beginning of life. The first sound that you and I hear is the drumbeat of our mother's heart. So it seems we are wired, and have an innate need to experience that nurtured sacred feeling. That watery echois a link that we all have in common with one another. So why do we drum, and want to share it with others? It is a reminder of the connection with the past and present. Drumming and music-making is a way to center us in our inner awareness. The Moon and Gaia are both essential to our life/Soul experiences. So we drum to celebrate our fascination, thankfulness, wonder and pure joy at being part of this Cosmic Expression that is never ending. Video on Youtube: Kathy and I invite you to enjoy our, brief "Nubian Rhythm, celebrating the Moon and Her magic. https://youtu.be/2E1LB_0tnOIContact: Kathy Harmon-Luber, Shamanic Sound Healing Practitioner & Reiki Master https://www.SufferingToThriving.com Let's have an Astrology Conversation. I look forward to seeing you. Now is the time.https://www.soulsoundinsights.com/light-reading.htmlhttps://www.soulsoundinsights.com/music-musings-meditation.htmlI am proud to announce my new offering as a Certified Creative Depth Coach. As a Creative Depth Coach, I provide guidance, support and soul insights on how to discover, explore and navigate your life by recognizing your magnificent "Creative Genius". Some of my modalities and Soul tools are "Art as Process" EFT Tapping, Sound and Music for Inner Journeying , using the wisdom of Astrology, Tarot, Oracle and Numerology. l Enjoy Full Moon Lunar Eclipse in Taurus Drumming Video:https://vimeo.com/769123538/b344b2b541 "Calling The Wild", Original Music by MaeRuth McCants
Fly Nubian Money (FNM) is a premier financial education platform dedicated to empowering the Black community through financial literacy and economic empowerment. Offering courses on investing, entrepreneurship, and wealth-building strategies, FNM aims to bridge the wealth gap and promote economic independence. The platform features expert instructors, including Dr. Boyce Watkins, and provides valuable resources to help individuals and families achieve financial success. Join the movement to elevate your financial knowledge and secure your economic future with Fly Nubian Money. For more information, visit BoyceWatkins.com.
Fly Nubian Money (FNM) is a premier financial education platform dedicated to empowering the Black community with the knowledge and tools to achieve financial independence and prosperity. By offering courses, resources, and expert guidance on topics like investing, entrepreneurship, and wealth management, FNM aims to build a legacy of economic empowerment. Join the movement and transform your financial future with Fly Nubian Money. Visit [FlyNubianMoney.com](http://FlyNubianMoney.com) to learn more and get started on your path to financial success.
Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. Political correspondent Sam Sokol and environmental reporter Sue Surkes join host Jessica Steinberg for today's episode. Sokol speaks about the Knesset voting on a bill to extend reservists' service, in order to keep reservists keep serving because of exigencies of the war, and an ongoing manpower shortage. Sokol discusses how this bill feeds into the ongoing ultra-Orthodox draft issue, generating a backlash of anger as it backs into what is sometimes called an evasion law for the ultra-Orthodox draft, allowing exemptions for young yeshiva students while the burden falls on other parts of Israeli society. He also looks at another bill that would allow the government to appoint hundreds of new state-funded rabbinical posts in towns and local councils, creating a kind of jobs program for members of the coalition's religious parties. The bill was stalled during the earlier months of the war, is now being pushed by the coalition partners and Sokol said that a major political scrap could emerge from these two controversial issues on the docket. Surkes talks about a pilot program for the children of migrants and refugees that integrates them into mixed classes in other neighborhoods, offering more hope for the future but not solving the many issues facing this beleaguered population. She also describes the rescue of a Nubian ibex that fell into a deep sinkhole near Kibbutz Ein Gedi near the Dead Sea. For more updates, please check out The Times of Israel's ongoing live blog. Discussed articles include: Far-right ministers blast ‘delusional' daily pauses in fighting to secure Gaza aid Knesset revives bill expanding Chief Rabbinate's influence over local authorities Government backs new extension to IDF reservists' service despite backlash Nubian ibex rescued from 10-meter-deep sinkhole THOSE WE HAVE LOST: Civilians and soldiers killed in Hamas's onslaught on Israel THOSE WE ARE MISSING: The hostages and victims whose fate is still unknown Subscribe to The Times of Israel Daily Briefing on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode was produced by the Pod-Waves. IMAGE: Ultra-Orthodox Jews protest against the drafting of Haredim to the IDF, June 2, 2024 (Photo by Chaim Goldberg/Flash90)See omnystudio.com/listener for privacy information.
The ladies of Fly Nubian Money ask: What happened to Wendy Williams?
The ladies at Fly Nubian Money ask whether or not Diddy is finished.
Shaunie Henderson, ex-wife of Shaquille O'neal, is writing a memoir about her life as his wife.
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