Podcasts about Mark Korven

Federalist Papers. President Trump enjoys saying he's a student of history, and you might say he's familiar with America's way-back documents. While on the campaign trail for the presidency, Mr. Trump often said he wanted to reduce the Federal Government, and in principle, this has been a long-debated argument regarding power over state rights. By any measurement, the 36 trillion Federal debt is an abuse of power and threatens every man, woman, and child. MUSIC Aaron Zigman, Mark Korven, Hildur Gudnadotter, Tyler Bates, & Joel Richard, Benard Herrmann, Michel Lagard

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! paypal.me/LibroTobias Shirley Jackson, nació en San Francisco en diciembre de 1916 y murió con tan sólo 48 años en agosto de 1965. Fue una sobresaliente cuentista y novelista estadounidense especializada en el género de terror. Es sabido por muchos que su obra motivó las carreras literarias de genios como Stephen King o Richard Matheson, sin ir más lejos. Durante su vida su talento y su obra pasaron bastante desapercibidas. En los últimos años, gracias a la serie televisiva «La maldición de Hill House», su obra ha recibido una creciente atención por parte de la crítica y creadores audiovisuales. Esa novela en concreto, «La maldición de Hill House», escrita en 1959 es la que la catapultó definitivamente a la fama. Recientemente se ha estrenado una película, un biopic sobre su vida, que está disponible en Amazon Prime Video y que lleva por título «Shirley». Dirigida por Josephine Decker y con la gran Elisabeth Moss, la protagonista de «El cuento de la criada», haciendo el papel de nuestra autora de hoy. Siempre se la consideró una escritora de terror, aunque el suyo es un terror mucho más psicológico y cotidiano. El monstruo de sus historias, en la mayoría de casos, es el propio ser humano. Y eso es lo que convierte su obra en mucho más terrorífica. Canciones: • “What Went We” de Mark Korven • “Witch's Coven” de Mark Korven Narración, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Wenn ihr euch schon immer geärgert habt wie dumm sich manche Charaktere in Horrorfilmen verhalten, meist in Teenieslashern, dann habt ihr jetzt die Möglichkeit das zu ändern. Und zwar in dem ihr diese Charaktere einfach selbst spielt und die Entscheidungen für sie trefft. Wobei neu ist das nicht. Das haben Sebastian und ich schon 2015 getestet als Supermassive Games Until Dawn für die PS4 erschien. Das 2024 Remake wurde von Ballistic Moon gemacht. Und da es sich nicht nur um ein Remaster handelt, hat sich in Sachen Grafik einiges getan. Auch die Steuerung wurde angepasst, ist aber leider trotzdem ein wenig schwammig. Ebenso gibt es einen neuen Soundtrack. Vielleicht wegen Lizenzen, aber immerhin konnte man Mark Korven engagieren, der die Musik zu Das erste Omen komponiert hat. Ich finde noch immer das Original von Mark Jason Graves besser, aber wirklich mies ist der neue Soundtrack auch nicht. Das Spielprinzip ist noch wie im Original und macht auch Spaß, aber es stellt sich natürlich die Frage, ob man unbedingt die neue Version benötigt, wenn man die alte gespielt hat bzw. noch besitzt. Das muss natürlich jede/r für sich selbst beantworten. Spaß macht das Spiel auf alle Fälle, und durch die vielen Enden und Möglichkeiten gibt es auch genug Gründe es mehr als nur einmal durchzuspielen.

Jake Jackson reveals how he recorded and mixed Mark Korven's score for The Omen prequel, The First Omen at London's AIR Studios using a 96-channel Neve 88R console.

Toronto-based composer Mark Korven, best known for his work on The Witch, The Lighthouse and The Black Phone, talks about crafting the score for his most recent horror project, The First Omen – a prequel to the 1976 film, The Omen. He explains how he created an original score while paying homage to Ave Satani from the ‘76 film, and how he used a unique instrument of his own design named The Apprehension Engine.

This brand new episode of Bloody Disgusting's Boo Crew is "all for you!" In theaters everywhere as of Friday, April 5th, it's Arkasha Stevenson's absolutely enthralling, THE FIRST OMEN! We can't say enough incredible things about this film. It really is a stunning experience. A masterfully directed vision, you've got the score from Mark Korven, the cinematographer from Evil Dead 2013, Aaron Morton - and it's anchored by these beautifully haunting performances. Ralph Inneson, Bill Nighy and it's star..Nell Tiger Free! Nell is a MESMERIZING storyteller. What she brings to the festivities here will genuinely haunt you forever. We are thrilled to bring you into this conversation with Nell as we do a spoiler free jounrney into HER story, her genuine passion for the horror genre AND the iconic omen franchise including her adventure in bringing this nightmare to life. Episode 416 with the inimitable Nell Tiger free is NOW SLAYING! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Squad reflects and looks back on 300 episodes by reviewing 3 movies from the early days of the podcast as they review "Cannibal Holocaust,Cemetery Man, and The VVitch". We also air for the first time in 7 years the very first interview ever conducted on the podcast with the composer of "The VVitch" Mark Korven and Joe shares some funny behind the scenes moments about the interview. Music provided by www.purple-planet.com

Wes Keltner is the CEO of Gun Interactive, creators of the upcoming game The Texas Chain Saw Massacre. Ross Tregenza composed the music and worked on sound. The game is in the canon of the original film from 1974. We talk about how they pieced together a handful of working chain saws to get the perfect sound from the machine, the same models used in the original film. And Wes had an instrument made specifically for the soundtrack (pictured on Patreon). He had an Apprehension Engine created. Invented by composer Mark Korven, the instrument is able to create a wealth of creepy sounds. You can support Level with Emily on Patreon. Join us on Discord for free. Find this conversation on YouTube and Twitter. Patrons have access to exclusive merch, Discord events and special guest playlists. I loved talking with these two creators about The Texas Chain Saw Massacre. And if you haven't seen the original, or if it's been a while, WATCH IT. PLAYLIST by Ross Tregenza for The Texas Chain Saw Massacre unless noted otherwise 00:00 And What Will Be Left Of Them 27:56 The Old Slaughterhouse 30:02 Blunt Headed Hammer 1:17:32 (audio from the trailer) 1:17:47 The Massacre 1:18:10 Other Sprouts, by Sam Keenan

Why are some sounds more frightening than others? Are there evolutionary origins behind the things we find scary? And is there anything more blood-curdling than a full throated scream?Becky Ripley and Emily Knight tune in to the sounds that send the shivers down our spines, via a frightened Marmot in the Rocky Mountains of Colorado, and a brand new kind of musical instrument known as the 'apprehension engine'. Beware listeners, you may be in for a fright....Featuring professor Daniel Blumstein, Chair of the Department of Ecology at UCLA, and film score composer Mark Korven. Produced and presented by Emily Knight and Becky Ripley.

William Gibson is the father of cyberpunk, that most evocative of sci-fi genres -- where technology meets flesh in the neon-soaked worlds of the corporate-run near future. But explicit adaptations of his work have been few and far between: the closest I can think of is the wishy-washy Keanu Reeves vehicle Johnny Mnemonic. The latest, and most sprawling, attempt comes from Prime Video's The Peripheral, based on the 2014 novel of the same name about two siblings in a near-future rural dystopia (played by Chloe Grace Moretz and Jack Reynor) who become unwitting pawns in a game of wits and warfare decades further in the future, across differing timelines.   Westworld showrunners Jonathan Nolan and Lisa Joy port over that show's sense of dour retro-futurism into The Peripheral's sleek, minimalist designs and big ideas about the destiny of humanity. But alongside that sits a tightly-plotted and darkly funny slice of rural-tech thriller, somewhere between Ozark and, well, Westworld, with plenty of portentous omens about the destruction of the world and the dissolution of identity along the way.   It certainly helps matters that the show is scored by this week's guest, Genie and Gemini Award-winning composer Mark Korven. A staple of Canadian horror and sci-fi film and TV, Korven cut his teeth with Peripheral director and EP Vincenzo Natali on films like Cube. But his best-known work is easily his score for 2015's The Witch, for which he helped invent the innovative new instrument, The Apprehension Engine.   His works are crackling, atmospheric pieces that revel in their own discordance, banging and clanging odd instruments together. That approach dovetails nicely with The Peripheral's brutalist sci-fi minimalism, with a hefty drone of synth to soak in the proceedings alongside his homespun methods. On the pod, we talk about the Apprehension Engine, and how he approached his score to The Peripheral.   You can find Mark Korven at his official website here.   The entire first season of The Peripheral is now streaming on Prime Video. You can also stream the soundtrack on your preferred streaming service courtesy of Lakeshore Records.

paypal.me/LibroTobias Joe Hill (Joseph Hillstrom King) es algo más que uno de los tres hijos de Stephen King. Es el reconocido autor de novelas como “El traje del muerto”, “Cuernos”, “NOS4A2” o “Fuego”, antologías de relatos breves como “A tumba abierta” o “Tiempo extraño” y comics como “Locke & Key” o “La capa” con los que se ha hecho un nombre propio dentro de la literatura de género. Este relato, “El teléfono negro”, pertenece a su antología “Fantasmas” su primera recopilación de relatos que publica SUMA y que contiene 15 relatos en total (Unas 400 páginas) y ha sido recientemente adaptado al cine por Scott Derrickson con un reparto formado por Ethan Hawke y Jeremy Davies entre otros. Enlace al audio dedicado a Joe Hill: https://www.ivoox.com/libro-tobias-5-30-joe-hill-audios-mp3_rf_25817393_1.html Enlace al audio relato "La huella dactilar": https://www.ivoox.com/libro-tobias-audio-relato-la-huella-audios-mp3_rf_73456680_1.html Temas: • The Black Phone Main Title – Mark Korven • The Final Chapter – Mark Korven Narración, edición y montaje: Asier Menéndez Marín Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

paypal.me/LibroTobias Joe Hill (Joseph Hillstrom King) es algo más que uno de los tres hijos de Stephen King. Es el reconocido autor de novelas como “El traje del muerto”, “Cuernos”, “NOS4A2” o “Fuego”, antologías de relatos breves como “A tumba abierta” o “Tiempo extraño” y comics como “Locke & Key” o “La capa” con los que se ha hecho un nombre propio dentro de la literatura de género. Este relato, “El teléfono negro”, pertenece a su antología “Fantasmas” su primera recopilación de relatos que publica SUMA y que contiene 15 relatos en total (Unas 400 páginas) y ha sido recientemente adaptado al cine por Scott Derrickson con un reparto formado por Ethan Hawke y Jeremy Davies entre otros. Enlace al audio dedicado a Joe Hill: https://www.ivoox.com/libro-tobias-5-30-joe-hill-audios-mp3_rf_25817393_1.html Enlace al audio relato "La huella dactilar": https://www.ivoox.com/libro-tobias-audio-relato-la-huella-audios-mp3_rf_73456680_1.html Temas: • The Black Phone Main Title – Mark Korven • The Final Chapter – Mark Korven Narración, edición y montaje: Asier Menéndez Marín

Vi nærmer os rekordgrader herhjemme, så du kan roligt tage sombreroen på og kæmpe dig igennem denne uges episode af podcasten, inden du bliver stegt. Vi fortsætter nemlig rundturen i streamingland med sommeranbefalinger fra Amazon Prime, HBO Max, DRTV, TV2 Play og Viaplay. Det bliver mange hotte anbefalinger! Vi høres på åen. Forresten... Vi er på Twitter - og Instagram-mediet: @streamaaen Og også Facebook: www.facebook.com/streamaaen. Kontakt os gerne: streamaaen@gmail.com. Bag podcasten står Peter Vistisen, Tobias Iskov Thomsen og Anders Zimmer Hansen - alle tidligere øl, som Peter har på altanen i 30 graders varme. Yderligere informationer Citat fra film/serie: Invincible (Wind Sun Sky Entertainment, Skybound Entertainment, Skybound North, Amazon Studios, Point Grey Pictures, Amazon Prime Video - composer: John Paesano), Bosch: Legacy (Hieronymus Pictures, Fabrik Entertainment, Amazon Studios, Amazon Freevee - composer: Jeff Russo), The Outlaws (Big Talk Productions, Four Eyes Entertainment, BBC Studios, BBC One, Amazon Prime Video), Nul Stjerner (Danmarks Radio, DRTV), Billy the Kid (Viaplay Group, Viaplay, Epix, Take 5 Productions Inc., SEVEN24 Films Inc., EPIC Studios LLC - composer: Mark Korven), Shameless (John Wells Productions, Warner Bros. Television, Showtime Networks, Warner Bros. Television Distribution, CBS Television Distribution, Showtime - composer: iZLER), Fringe (Bad Robot Productions, Warner Bros. Television, Warner Bros. Television Distribution, Fox - composers: Michael Giacchino, Chris Tilton, Mike McCready), Hacks (First Thought Productions, Paulilu Productions, Fremulon, 3 Arts Entertainment, Universal Television, NBCUniversal Television Distribution, HBO Max) Sang: Beach Party - Islandesque by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 licence. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100613 Artist: http://incompetech.com/

The one and only Mark Korven joins me on The Film Scorer Podcast! Mark is probably best known for scoring films like The Witch and The Lighthouse, but his latest score is for Resident Evil: Welcome to Raccoon City. We talk about that film and his score, as well as his prior releases, his signature instrument the "Apprehension Engine," and Mark announces an upcoming 25th anniversary release of his score for Cube. Of course, during the interview we touch on a load more as well.   This was a very exciting interview for me since Mark's work is one of the reasons I began down this film music path in the first place. When I first saw The Witch, I found the music absolutely fascinating and unlike anything I'd really heard. Although I didn't begin writing about film music until a couple years after, it certainly planted the seed.   You can find more about Mark on his website. Resident Evil: Welcome to Raccoon City is currently in theaters, while many of Mark's more recent scores are available on all major platforms.

In this week's episode, we discuss Robert Eggers 2015 historical horror The VVitch! Starring Anya Taylor Joy (The Queen's Gambit), The VVitch follows a Puritan family who encounter forces of evil in the woods after being banished from their New England farm.Joining Isabelle & I is our very own guest witch, Sophia Somerville. Sophia is a Sydney-based writer, tarot reader, and the creator behind Southern Spells: an online space for creative people to explore the occult. She reads and teaches tarot through the lenses of pop culture, mental health, and mysticism, and leads a weekly writing group.It was such a joy to have a chat with Sophia. You can follow her work at southernspells.com and @southernspellsThis episode explores our culture's hesitations towards new ageism, coming out as a witch, finding one's own spirituality, the importance of an impactful film ending, Robert Eggers unique take on the horror genre, The Craft, wanting to be a witch on film and how if we wanna become witches, the choice is ours!Enjoy! Live deliciously!This VVitch is available to watch on Netflix.Music: Mark Korven: "Witch's Coven" (from The VVitch soundtrack)

Composer Mark Korven is the featured guest on this Score to Screen podcast. Korven elaborates on his experience working alongside director Robert Eggers while composing the hypnotic score for The Lighthouse. From Robert Eggers, the visionary filmmaker behind modern horror masterpiece The Witch, comes his latest The Lighthouse, a hallucinatory tale of two lighthouse keepers on a remote and mysterious New England island in the 1890s. Starring Willem Dafoe and Robert Pattinson, A24's The Lighthouse made its world premiere at the 2019 Cannes Film Festival. Mark Korven is a Toronto based composer for film and television. He is best known for his work on the 2016 period horror film The Witch, which won Robert Eggers the best director award at the 2015 Sundance Festival. His scores have been nominated fourteen times for Canadian film and television awards, winning several. He has also composed feature film scores for acclaimed directors Deepa Mehta, Patricia Rozema and Vincenzo Natale. Korven is also a multi-instrumentalist specializing in world music. The Score to Screen podcast series is produced and hosted by Crossover Media's Max Horowitz. Listen to The Lighthouse Soundtrack and get the vinyl here. Listen to the official Mark Korven Spotify playlist here. To learn more about Sony Soundtracks visit: https://lnk.to/sonysoundtracksPD

Voici le deuxième épisode du format "L.A. Confinemential" du trio de "Tu L'As Vu ?", Gravlax – Papa(Gubi)da – Casa, où chaque membre parle, à tour de rôle et un film par un film, de 3 métrages visionnés durant cette période de confinement. D'autres épisodes suivront, tant que la période n'est pas achevée. Pour cette deuxième salve, voici le menu :– 1'00 / Gravlax : "HIDDEN" de Jack Sholder (1987)http://www.allocine.fr/film/fichefilm_gen_cfilm=3397.html– 11'55 / Gubi : La série "ATYPICAL" de Robia Rashid (depuis 2017)http://www.allocine.fr/series/ficheserie_gen_cserie=21143.html– 20'35 / Casa : La mini-série "CHERNOBYL" de Craig Mazin (2019)http://www.allocine.fr/series/ficheserie_gen_cserie=22429.html– 24'10 / Gravlax : "HITLER EST KAPUT" de Marius Waisberg (2008)https://www.senscritique.com/film/Hitler_est_Kaput/422534– 35'35 / Gubi : "GUNS AKIMBO" de Jason Lei Howden (2020)http://www.allocine.fr/film/fichefilm_gen_cfilm=256221.html– 41'25 / Casa : "CUBE" de Vincenzo Natali (1999)http://www.allocine.fr/film/fichefilm_gen_cfilm=9348.html– 44'00 / Gravlax : "SIMØNE" d'Andrew Niccol (2002)http://www.allocine.fr/film/fichefilm_gen_cfilm=28981.html– 54'40 / Gubi : "ESCAPE FROM PRETORIA" de Francis Annan (2020)http://www.allocine.fr/film/fichefilm_gen_cfilm=256405.html– 59'20 / Casa : "THE PROFESSOR" ("Les derniers jours de Monsieur Brown") de Wayne Roberts ( 2019 )http://www.allocine.fr/film/fichefilm_gen_cfilm=256081.htmlMorceaux utilisés dans cet épisode :– Générique "Loud Pop" ( Gravlax )– Michael Convertino "The Hidden Main Title"– Michael Convertino "Final Transference"– Hunters Collectors "Is There Anybody In There"– The Pharcyde "Passin Me By"– Eels "Fresh Blood"– Hildur Guðnadóttir "The Door"– Hildur Guðnadóttir "Waiting for the Engineer"– Max Raabe "Oops ! I did it again !"– B.O. "Hitler est kaput" : "Bryanskaya Ulica" / "Voyna i mir" / "Kokain"– Enis Rotthoff "Enter The Ride"– Enis Rotthoff "This is About Art"– Mark Korven "Cube Main Title"– Carter Burwell "Nicola Walks"– Carter Burwell "Welcome to SimOne"– Carter Burwell "Presidential Suite"– Carter Burwell "Splendid Decay"– David Hirschfelder "Logos, Archives, Leaflet Bombs"– Kathy Ingraham "Little Things"Bonus :– Le caméo de Jean-Claude Vandamme dans le film russe "Rjveski contre Napoléon" (2012 ; par l'équipe de "Hitler est kaput") :https://www.youtube.com/watch?v=ss6O2riF3zY– Le clip ( version explicite ) de Rihanna "Better Have My Money" où apparaît Rachel Roberts, interprète de "SimOne" :https://www.youtube.com/watch?v=B3eAMGXFw1o– Compilation des morts à l'écran de Danny Trejo :https://www.youtube.com/watch?v=5cKkoagMX5gLien Twitter du podcast : https://twitter.com/TLVPodcastPage Facebook du podcast : https://www.facebook.com/M.Gravlax/Page du podcast : https://podcast.ausha.co/tu-l-as-vu

Martin Vis en Douglas Pluylaar keken, toen het nog kon, naar The Lighthouse in het Kriterion en gingen daarna nog even uit eten. Maar wat vonden wij ervan?! Luister naar ons via audiogeeks.nl, de plek voor al je favoriete geeky podcasts.

Een nieuwe CD met muziek van Johannes Kreidler, door pianist Martin Tchiba, èn ook nog niet zo lang uit: 72 Angels van Lera Auerbach. Tenslotte: de muziek bij de film The Lighthouse is een ode aan de misthoorn: angstaanjagend en mysterieus. Muziek van Claude Debussy, György Ligeti, Benjamin Britten, Mark Korven, Johannes Kreidler, Lera Auerbach, George De Decker.

Neste episódio, uma conversa sobre a trilha do suspense psicológico O Farol (The Lighthouse, 2019), do diretor Robert Eggers (15:30), e também uma retrospectiva da carreira do compositor Mark Korven –– especialmente sua parceria com Eggers em A Bruxa (08:30).  Depois, Gustavo e Maurício trazem outros exemplos de "trilha de maluco" (39:00)com citações que vão de de Crepúsculo dos Deuses (Sunset boulevard, 1950) à Gemeos, mórbida semelhança (Dead ringers, 1988), com destaque especial para a música de Coringa (Joker, 2019), forte candidato a render prêmios para sua compositora Hildur Guðnadóttir. (01:05:00). Após, recomendamos as músicas da série de animação Rick & Morty e a trilha instrumental da novela global  Velho Chico. (01:11:45). A playlist do episódio já está no Spotify. Nosso twitter é @papotrilha.  Bom podcast!

Pour clore l'année 2019 planete sauvage vous a préparé deux montages sonores de 20 minutes, l'un plongeant essentiellement dans le cinéma et l'autre essentiellement dans les séries télé, alliant dans son collage dialogues, voix, sons, bruits et musiques, tous puisés dans divers oeuvres audiovisuelles, afin de vous offrir du cinéma pour l'oreille dans une ambiance sonore qui vogue entre le drone, l'électronique ambiant, les percussions et les silences. The Lighthouse, Upgrade, Chernobyl, House of Hummingbird, Dark, The First, Colin Stetson, Ben Frost, Mark Korven, Jed Palmer...... . .  . .  .  .  .     .       .          .              .

Award-winning film and TV composer Mark Korven dropped by the q studio to demonstrate how his "Apprehension Engine" creates the sound of nightmares.

Pour clore l'année 2019 planete sauvage vous a préparé deux montages sonores de 20 minutes, l'un plongeant essentiellement dans le cinéma et l'autre essentiellement dans les séries télé, alliant dans son collage dialogues, voix, sons, bruits et musiques, tous puisés dans divers oeuvres audiovisuelles, afin de vous offrir du cinéma pour l'oreille dans une ambiance sonore qui vogue entre le drone, l'électronique ambiant, les percussions et les silences. The Lighthouse, Upgrade, Chernobyl, House of Hummingbird, Dark, The First, Colin Stetson, Ben Frost, Mark Korven, Jed Palmer...... . .  . .  .  .  .     .       .          .              .

This week we are reviewing Robert Eggers' The Lighthouse. It's a descent into madness that doesn't hold your hand. The performances of Willem Defoe and Robert Pattinson are worth the price of admission, but everything related to the production design, sound, and script are all of the highest caliber. Skip to Intro - 0:29Skip to Trailer - 6:17Skip to Synopsis - 8:20Skip to Review - 10:06Skip to Score - 14:41Skip to Spoilers - 20:51Skip to Final Recommendations - 1:12:44Skip to Taglines - 1:14:44 Skip to Announcing Pumpkin Carving Contest Winners - 1:18:05Skip to Outro and Special Thanks - 1:39:31 Big thanks to Dustin Goebel (@dgoebel00 on instagram) for the original artwork In his sophomore film, Robert Eggers follows up The Witch with a romcom set in Nova Scotia. Willem Defoe plays an experienced sailor, and Robert Pattinson plays his young and supple protege. In this will they won’t they romantic drama, they fight happiness every step of the way, until it finally wears them down.  Poster for The Lighthouse Here is the trailer. https://youtu.be/Hyag7lR8CPA The Lighthouse Trailer Synopsis for The Lighthouse (2019) Actually, The Lighthouse is about two lighthouse keepers, or wickies, that are stationed in a remote lighthouse in New England. Willem Defoe plays Thomas Wake, an elderly salty seaman, and Robert Pattinson plays Ephraim Winslow a young man trying out a new career. As Wake domineers over Winslow, forcing him to do all the hard labor up-keeping the tattered lighthouse, he spends the coveted watch basking naked in the glow of the lamp. Winslow wants some of that sweet naked basking action, and he slowly descend into madness. Review of The Lighthouse If you are going into this film expecting another The Witch, you are going to be disappointed. This is a much more surreal and confusing film.  However, what this movie does share with Eggers’ first film is a meticulously historically accurate film with a unique and striking visual style. While I might not have liked this film as much as I thought I would, I can’t help but have respect for Eggers’ ambitious artistic vision. Pattinson and Defoe are perfect casting for this film, and they both give amazing performances. There are some really great scenes and monologues in this film. General audiences will probably be turned off by a lot of the choices that were made in terms of narrative and visual style, but film students will be creaming over this movie for years to come. Watch The LighthouseOn AmazonClick Here to Watch Is The Lighthouse a Horror Movie? Is this a horror movie? Kind of. It has enough horror elements to qualify it way more than a movie like Happy Death Day 2U. Most of the focus is on the tension between the two main characters, and the mental instability caused by seclusion and alcoholism. That being said, there are Lovecraftian and folkloric horror elements. Visual Style The most striking aspect of the visuals of the film is it's aspect. RATIO, that is. It is shot in 1.19:1 aspect ratio, which is basically square. It evokes a kind of claustrophobia and intimacy that is rare in a theatrical experience. This is not to say that we are unfamiliar with this framing in modern times. Instagram, is one of the most popular social media platforms for digesting imagery. It was shot on 35mm black and white Double-X 5222 film using a Panavision Millennium XL2 camera with vintage Baltar lenses from the early 20th century. The film stock required a much brighter light source to get exposure, so they had to use about 15 to 20 times more light on set to actually see anything on film. Because of this, the crew would often wear sunglasses. Sound Design The sound design on this film is great. Along with the anachronistic visual style, the sound on this film is mixed in mono. This doesn't hinder the film in any noticable manner. The music by Mark Korven stays out of the way,

Vi tar ut varsin femtiolapp från Vargtimmen-kontot och går på vår numera traditionellt säsongsenliga loppisrunda. Tomas visar sig ha en biografisk koppling tidigt i livet till Johan Theorins Ölandskvartett, och Lars trendspanar nästa nordamerikanska go-to-resmål för hippa svenskar. Vi pratar också om: Majorna-loppisen, Roky Erikson, Gilbert Yacub, Bela Lugosi, The Witch, Robert Eggers, The Lighthouse, New England Patriots, NEIPA, Stephen King, Mark Korven, Sphere, Dustin Hoffman, Sharon Stone, Samaul L. Jackson, Barry Levinson, Rainman, Contact, The Abyss, Stargate, 2001: A Space Odyssey, Event Horizon, Laurence Fishbourne, Sam Neill, Paul Anderson, Kathleen Quinlan, John Ajvide Lindqvist, Våran hud, vårat blod, våra ben, Kärven, Creepypodden, Speciella omständigheter, Pappersväggar, Havssvalget, Skumtimmen, Nattfåk, Blodläge, Rörgast, Gothic Crime, Kastlösa, Alvaret, The Haunting, Dreamworks, The Haunting of Hill House, Shirley Jackson, Liam Neeson, Catherine Zeta-Jones, Owen Wilson, Mats Strandberg, Färjan, Close-Up Magazine, Anders Fager, Lilla stjärna, The Brotherhood of the Wolf, Vargarnas pakt, Gévaudan, The Matrix, Christophe Gans, Silent Hill, The Evil Dead, Joseph Loduca, Charles Dickens, A Christmas Carol, Bloomsbury Books, The Cricket on the Hearth, Vincent Price, En hemsk natt, Legenda, Hans Arnold, Jack London, Evilyn Waugh, Edgar Allan Poe, George Bernhard Shaw, Saki, Frank Heller, Kristina Lugn, Sanningen i faller Valdemar, MR James, Vissla och jag kommer, Henry Kuttner, Råttor på kyrkogården, Anton Tjechov, En hemsk natt, Bodil Malmsten, Jack London, Musiken på berget, Pan, The Music of the Hill, Will F- Jenkins, Obehaglig hemkomst, Skräckens timmar, Mynt och Musik, Ebbes Hörna, Peter Jackson, King Kong, Apocalypto, Jack Black, Adrien Brody, Naomi Watts, Michael Connelly, Räven, Vargquizzen och Henriksberg. Nostalgi, löst tyckande och akademisk analys i en salig röra.

This is a special episode where Brad and Alex discuss the released score for an unreleased film entitled Breathing. The film was directed by Anthony Scott Burns, but taken from him at the last minute, re-edited and scored by Mark Korven, and released as Our House. One of the casualties was the original score by pop-synth duo Bronwyn Griffin (vocals, songwriter) and Austin Garrick (producer, songwriter, synthesizer, and drums) as the band Electric Youth. They released the score as Breathing: Original Motion Picture Soundtrack to a Lost Film. Youve probably never heard of it, but Alex was kind enough to bring it to my and your attention. It needs to be heard! A completely original film score along the lines of the electronic minimalism that have been so pervasive over the past ten years. In addition to Breathing, Brad decided to delve into another electronic but also older score, The Neverending Story. While Brad may not have gotten all the facts just right, the maze of discovering the American release, the German release, AND the bootleg edition was certainly eye-opening. Follow along as Brad and Alex navigate two incredibly unique scores.

An interview with Mark Korven.  Mark is a Toronto based composer for film and television. He is best known for his work on the 2016 period Horror film THE WITCH, which won the best director award at the 2015 Sundance festival for director Robert Eggers,  and went on to earn $40 million at the box office.His scores have been nominated 14 times for Gemini awards (Canada's Award that is analogous to the Emmy Awards in the United States, and the BAFTA Television Award in the United Kingdom) and 8 times for Genie awards (Canada's Award that is analogous to the Oscar Award in the United States). He has won two Gemini awards, and a Genie award for his work on CURTIS’S CHARM.Mark is also a multi-instrumentalist specializing in world music. He is represented by Core Music Agency.  www.markkorven.com

It's our first annual Halloween Special! This month we compare Jerry Goldsmith's classic score for The Omen (1976) and a more modern example, The VVitch (2015) score by Mark Korven. Along the way we share some of our (perhaps contentious) views on the horror genre generally.  Rounds for this month 1 – Opening music 2 – Missing Children 3 - Matricide 4 – Horror Scenes 5 - Legacy and Impact Added bonus – the Apprehension Engine by Mark Korven http://www.markkorven.com/Apprehension_Engine.html   Video at - https://youtu.be/1lTYPvArbGo To find out more, or leave us a message you can reach us at @tristellarmusic on your favourite social media (twitter, facebook and insta) or via our website - www.tristellarmusic.com --- Send in a voice message: https://anchor.fm/soundtrack-showdown/message

Hello and welcome to Episode 19 of The Bazaar! Today, my interview with Mark Korven; Mark is a film and TV composer who has been in the business for over 30 years. He is probably best known for his work on The VVitch (2015) and the cult classic Cube (1997), along with over 60 other projects, including an episode of The Twilight Zone back in 1989. He has also helped create the nightmare inducing Apprehension Engine; an instrument designed for horror sounds. He was fascinating to talk to and I think I learned a thing or two from him, whether he gained any insight into the world from me is up for debate. I hope you enjoy! Come back anytime. Continue the discussion over on Twitter to @TheBazaarCast using #TheBazaarCast Find out more about Mark Korven and his projects below: Website: markkorven.com Twitter: @korvenmark IMDb: Mark Korven Apple Music: Mark Korven YouTube: /bigwhitehouse1 *** Music Werewolves In Siberia “Bazaar of Oddities (The Bazaar Cast Theme)” - In Memoriam EP Twitter: @WIS_synth Facebook: /WerewolvesInSiberia *** All inquiries to TheBazaarCast@gmail.com Twitter @TheBazaarCast using #TheBazaarCast --- Send in a voice message: https://anchor.fm/thebazaarcast/message

Death of Zombie film pioneer George Romero, the music behind the horror genre, The Apprehension Machine by Tony Duggan-Smith and Mark Korven, Horrorcore and Psychobilly music, the secrets of slasher flick foley artists The post Apprehension Engine appeared first on The Geeks and Beats Podcast with Alan Cross and Michael Hainsworth.

Onderbelichte en ongrijpbare horrorfilm The Witch kreeg geen bioscooprelease, maar wordt door velen geprezen en verdient een bespreking. Is de fascinerend vreemde klassieker Possession uit 1981 meer dan gekrijs en gekte? Beide films hebben in ieder geval freaky filmmuziek en dus een goede aanleiding voor een toepasselijke top 5. Advies: niet luisteren voor het slapen gaan. 00:00 Introductie 02:07 Recensie: The Witch 20:02 Filmmuziek: The Witch (componist Mark Korven) 22:56 Jee of Nee 24:18 Klassieker: Possession (1981) 40:25 Filmmuziek: Possession (componist Andrzej Korzynski) 42:48 Top 5: Freaky Filmmuziek 74:13 Vooruitblik en Filmmuziek: Poltergeist (componist Jerry Goldsmith) Presentatie: Gudo en John

Episode 53. Stay tuned for an announcement on this week's episode, and a selection of fine vinyl soundtracks including two new releases from FINDERS KEEPERS, THE DEVIL'S NIGHTMARE, FRENZY, PAPAYA-LOVE GODDESS OF THE CANNIBALS, LESS THAN ZERO, PERVERSION STORY and PARFUM DE FEMME. We sit down for a chat with Toronto-based composer MARK KORVEN about his extensive background in film and television, and his latest score for the acclaimed horror-drama THE VVITCH which is out now on all formats from Milan Records. www.markkorven.com Created by Tony Giles & Scott Johannsson Recorded at Solatron Studios, Birmingham UK Theme Music by Scott Johannsson DFC Logo by Dan Cullinan May 21st 2016