Podcast appearances and mentions of Michael Connelly

Today in the interrogation chair, it's debut author Gene Koon with his book, ANOTHER TRY. Find out why Jeffery Deaver said, "I love this novel!" and why Michael Connelly called it, "Wonderful." Hear about Gene's work in The Hague working on the Slobodan Milošević trial and how he grew up with an airplane wing in his bedroom. Welcome, to The Dossier Podcast! genekoon.com | thewritersdossier.com | Voice credit: Hillary Huber

Today in the interrogation chair, it's debut author Gene Koon with his book, ANOTHER TRY. Find out why Jeffery Deaver said, "I love this novel!" and why Michael Connelly called it, "Wonderful." Hear about Gene's work in The Hague working on the Slobodan Milošević trial and how he grew up with an airplane wing in his bedroom. Welcome, to The Dossier Podcast! genekoon.com | thewritersdossier.com | Voice credit: Hillary Huber

Harry Bosch je nielenže dávno na dôchodku, navyše ho čoraz väčšmi trápi zdravie. Jeho dcéra Maddie však usilovne pokračuje v otcových šľapajach a snaží sa vypracovať na detektívku LAPD. Začne pracovať na dvoch prípadoch s Renée Ballardovou. Získajú horúcu stopu DNA spojenia medzi nedávno zatknutým mužom a sériovým násilníkom a vrahom, ktorý sa odmlčal pred dvadsiatimi rokmi. Zatknutý muž má len dvadsaťštyri rokov, takže genetická súvislosť musí byť rodinná. Keď sa však Ballardová a jej tím presunú za podozrivým, narazia na mätúcu sieť tajomstiev a právnych prekážok. Stopy vedú do nebezpečne vysokých kruhov, a tak im Harryho skúsenosti a odvaha celkom isto ešte prídu vhod. „Nedá sa odložiť... prináša napätie takmer na prasknutie, zaručene poteší jeho fanúšikov. Patrí medzi Connellyho najlepšie knihy.“ — Publishers Weekly „...Čakanie je Michael Connelly vo svojej najlepšej forme, opäť potvrdzuje, prečo je nepopierateľným majstrom moderného kriminálneho románu.“ — The Real Book Spy „Verdikt: Meno Connelly na obálke je zárukou skvelého čítania; a ani táto novinka nie je výnimkou. Príbeh sleduje prípady metodicky a realisticky, postavy sa ďalej vyvíjajú.“ — Library Journal Audiokniha: Čakanie Autor: Michael Connelly Interpret: Zuzana Kyzeková Dĺžka: 12:40 h Vydavateľstvo: Publixing a Slovart Audiokniha Čakanie na webe Publixing (MP3 na stiahnutie) Audiokniha Čakanie na webe Audiolibrix (MP3 na stiahnutie)

Jess here! A while back, Sarina and KJ talked about how much they enjoyed Tess Gerritsen's novel, The Spy Coast, and Sarina reassured KJ she'd enjoy book two of the series even more. I had never read a Tess Gerritsen novel, and while I'd heard her name before and vaguely understood she wrote thrillers, I was starting from square one when I downloaded the audio version of The Spy Coast. Now, I'm not an international spy thriller kind of gal. In the abstract, I understand the allure of books like Tinker Tailor Soldier Spy or Six Days of the Condor. Spies! Intrigue! International [almost exclusively men] of mystery! But they have never really floated my proverbial boat. That said, I loved Tess Gerritsen's spies and the world they inhabit. There's a sense of place - nay, a downright LOVE of place - and a retiring, rural New England domesticity that spoke to this retiring, rural New England reader. Book two, The Summer Guests, is even more rooted in Maine, on its history and the social dynamics of its natives and its summer people. Once I tore through those first two books, I went back to Gerritsen's first book, The Surgeon, one of Time Magazine's top 100 thriller/mystery books of all time and the first in the Rizzoli & Isles series, consequently made into a long-running television series. Gerritsen has a fascinating career trajectory, lots to talk about regarding pantsing and plotting, where the ideas come from, and lots of other geeky details about the writing life. I hope you enjoy it as much as we did. Find Tess at Tessgerritsen.com, or on Bluesky, @TessGerritsen Transcript below!EPISODE 462 - TRANSCRIPTJennie NashHey everyone, it's Jennie Nash, founder and CEO of Author Accelerator, the company I started more than 10 years ago to lead the emerging book coaching industry. In October, we'll be enrolling a new cohort of certification students who will be going through programs in either fiction, nonfiction, or memoir, and learning the editorial, emotional, and entrepreneurial skills that you need to be a successful book coach. If you've been curious about book coaching and thinking that it might be something you want to do for your next career move, I'd love to teach you more about it, you can go to bookcoaches.com/waitlist to check out the free training I have—that's bookcoaches.com/waitlist. The training is all about how to make money, meaning, and joy out of serving writers. Fall is always a great time to start something new. So if you're feeling called to do this, go check out our training and see if this might be right for you. We'd love to have you join us.Multiple SpeakersIs it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.Jess LaheyHey, this is Jess Lahey, and this is the Hashtag AmWriting Podcast. This is the podcast about writing all the things—short things, long things, poetry, prose, narrative nonfiction, fiction, creative nonfiction, queries, proposals. This is the podcast about writing all the things. More than anything else, this is the podcast about the writing life and about getting the work done. I am Jess Lahey. I'm the author of The Gift of Failure and The Addiction Inoculation. And you can find my journalism at The Atlantic and The Washington Post, and my bi-weekly (formerly bi-weekly) column at The New York Times, The Parent-Teacher Conference, ran for about three years I am joined today by Sarina Bowen, who has written 50-odd books. She has written lots and lots of romance, and her most recent addition to the world of publishing has been her thrillers, Dying to Meet You and The Five Year Lie. And she has a book coming out this fall called Thrown for a Loop. The reason I am recording this intro on my own—which, as you may know if you've been listening, is highly unusual for us—is because I know myself. And I know when I'm really excited to talk to someone on the podcast; I'm going to flub the intro. I'm going to forget something. I'm going to forget to introduce them altogether. So today, I'm doing that first, so I don't mess it up. A while ago on the podcast, you may have heard Sarina and KJ read some books by an author named Tess Gerritsen. I had heard of Tess Gerritsen, but I had never read any of her books. I just hadn't yet. I haven't read Nora Roberts yet. I haven't read—there are lots of authors I haven't read yet. And sometimes you don't even know where to start. So when Sarina and KJ recommended Tess Gerritsen's new series set in Maine—the first one being The Spy Coast and the second one being The Summer Guests—I figured I had a good place to start. And you know, as a New Englander, I love a good book about New England, and that was the start of my interest in Tess Gerritsen's work. I have gone back to the beginning and started with her book The Surgeon, which was her first book in the series that became the Rizzoli and Isles Series, as well as a television show. Tess Gerritsen has a—she's written through 33 books at this point. And as I now know, she has also directed a documentary called Magnificent Beast about pigs, which I listened to this morning while I was vacuuming the house. I loved it. She also—she has a lot to say about genre, about publishing, about second careers, about a writing place, and about process. So let's just jump right into it. I am so excited to introduce to you today, Tess Gerritsen. So from the perspective of what our listeners love—this podcast, the Hashtag AmWriting Podcast —is super geek. People who love the nuts and bolts and the dorky details of the writing life. Sarina has a past life in finance, and so she tends to be, like, our “no, but let's talk about the numbers” kind of person. I'm just the research super dork, which is why I spent my morning watching your documentary about pigs.Tess GerritsenOh my god! (Laughing)Jess LaheyMagnificent Beast. I—I've joked in the past that if I could, I would probably just research things in—in, you know, maybe there'll be a book out there, maybe there won't, but I would research things and—and just learn as much as I could. And so I loved—loved—your Magnificent Beast documentary. I thought it was fantastic. But one of the reasons that we wanted to talk to you, just from the very beginning, is that we feel like you do some pretty incredible world-building and relationship-building with your places and your characters. And so I just—I would love to start there, mainly with the idea of starting with the real nuts and bolts stuff, which is, like, what does an average writing day look like for you? And how do you, sort of—how do you set that up? What does it look like, if you have an average writing day? Maybe you don't.Tess GerritsenWell, it's hard to describe an average writing day, because every day is—there are days when you sit at your desk and you just, you know, pull your hair. And there are days when you get distracted by the news. And there are many days when I just do not want to write. But when I'm writing, the good days are when my characters are alive and talking to me. And it's—it's—you talked about world-building and character-building. That is really key to me. What are they saying to me? Can I hear their voices? And it sounds a little—a little crazy, because I am hearing voices. But it's those voices that really make characters come alive.Jess LaheyI—You have said in other interviews that you are very much—sorry to those of you who hate the terms—that you are very much a pantser. And you are sitting on this interview with a consummate plotter. Sarina is our consummate plotter. So could you talk a little bit about how those character—how those voices—influence, you know, the pantsing of the—of the book, and—and how that works for you?Tess GerritsenWell, I mean, it is weird that I am a pantser. And it's funny—I think that people who are plotters tend to be people who are in finance or in law, because they're used to having their ducks lined up, you know. They—they want everything set up ahead of time, and it makes them feel comfortable. And I think a large part of becoming a pantser is learning to be comfortable with unpredictability. Learning to just let things happen, and know you're going to take wrong turns, know you're going to end up in blind alleys—and yet just keep on forging ahead and change direction. So I suppose that what helps me become a pantser, as I said, is hearing a character's voice. If, for instance, when I wrote The Spy Coast, the first thing I heard about that book was Maggie Bird's voice. And she just said, “I'm not the woman I used to be.” And that's an opening there, right? Because you want to find out, Maggie, who did you used to be? And why do you sound so sad? So a lot of it was just—just getting into her head and letting her talk about what a day-to-day life is, which is, you know, raising chickens and collecting eggs and becoming—and being—a farmer. And then she does something surprising in that very first chapter. There's a fox that's killing her chickens, so she grabs her rifle and kills it with one shot. And that opens up another thing, like—how are you, a 62-year-old woman, able to take out a rifle and kill a fox with one shot? So it's—it's those things. It's those revelations of character. When they come out and they tell you something, or they show you they—they have a skill that you weren't aware of, you want to dig deeper and find out, you know, where did they get that skill?Sarina BowenAnd that is a really fun way to show it. I mean, you're talking today with two people who have also kept chickens.Multiple Speakers(All laughing)Jess LaheyAnd had foxes take their chickens, actually.Sarina BowenOh yes, because the two go together.Tess GerritsenYes.Sarina BowenBut yes, I admit I have never shot a fox, and maybe wouldn't.Jess LaheyI have yelled very loudly at a fox, and he actually—I have to say—really mad respect for the fox, because he took one look at me—he did drop the chicken that I was yelling at him for grabbing—and then he went across the street, around the neighbor's house, around the back of the other neighbor's house, and came at the exact same chicken from the other side of the house, where I couldn't see him out the window.Tess GerritsenOh, they are so smart. They are so smart.Jess LaheySo smart. Sarina, it sounded like you had something— you had something you wanted to add, and I interrupted you when we were talking about pantsing and we were talking about world-building and characters speaking to you.Sarina BowenWell, I just had thought that it was a lovely moment to explain why I was so excited to read this book after I heard Tess speak at Thriller Fest 2024, in a packed room where there was nowhere to sit except on the floor. You told the audience a little bit of a story from your real life that—that made you want to write that book. And I wonder if you could tell us what that was, because for me—I mean, we were only five minutes into your talk, and I'm like, oh, I'm—I'm going to download that tonight.Tess GerritsenWell, yes, it was. A lot of my books come from ideas that I've been stewing over for years. I have a folder called the ideas folder. It's an actual physical manila folder. And if I see something in an article or a newspaper or a magazine, I'll just rip it out and stick it in there, and it sometimes takes a long time before I know how to turn this into a book. So the idea for The Spy Coast is a little bit of obscure knowledge that I learned 35 years ago, when I first moved to Maine. My husband is a medical doctor. He opened up a practice, and when he would bring in new patients, he would always get an occupational history. And he used to get this answer—this very strange answer—from his new patients. They would say, “I used to work for the government, but I can't talk about it.” And after he heard that three times, he thought, what town did we land in? And who are these people? And we later found out that on our very short street, on one side of us was a retired OSS person, and on the other side was retired CIA. A realtor told us that our town was full of CIA retirees. So, I mean, of course you want to ask, why did they get here? What are they doing here? What are their lives like? I knew there was a book in there, but I didn't know what that book was. I needed 35 years to come up with the idea. And what I really needed to do was become old and—and realize that as you get older, especially women, we become invisible. People don't pay attention to us. We are over the hill. You know, everybody looks at the young, pretty chicks, but once you start getting gray hair, you fade into the background. And with that experience myself; I began to think more and more about what it's like to be retired. What is it like to be retired from a job that was maybe dangerous, or exciting, or something that you really risked your life to—to achieve? So that was—that was the beginning of The Spy Coast. What happens to CIA retirees—especially women—who are now invisible? But that makes them the best spies of all.Jess LaheyYeah, and we have—we did this really cool thing, this really fun thing for us on the Hashtag AmWriting Podcast. It's like a supporter-only thing, where we call First Pages, where very brave authors—very brave writers—submit their first page to us, and we talk about it and decide whether or not we'd want to turn the page. And you have an incredible skill on your first pages. You're very, very good at first pages. And I was thinking about The Summer Guests, that you had this wonderful line that I'm going to read now:Purity, Maine, 1972. On the last day of his life, Purity police officer Randy Pelletier ordered a blueberry muffin and a cup of coffee at the Marigold Café,Which immediately reminded me of my very, very favorite line from all of literature—my very favorite first line—which is Irving's first line from A Prayer for Owen Meany, in which he ruins the story for you right there in the first line:I am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God.There is this incredible power to first lines. And I'm sort of wondering where—how first lines happen for you. Do they happen first? Do they happen last? Do they happen along the way?Tess GerritsenFirst lines usually happen last. I—it's—I will write the whole book, and I'll think, something's missing in that first chapter. How do I open this up? And, you know, there are things that make lines immediately hypnotic, and one of those things is an inherent contradiction—something that makes you think, wait, okay, you start off this way, but then all of a sudden, the meaning of that line switches. So, yeah, it starts off with, you know, this guy's going to die. But on that last day of his life, he does something very ordinary. He just orders coffee at the local café. So I think it's that contradiction that makes us want to read more. It's also a way to end chapters. I think that—that if you leave your reader with a sense of unease—something is about to go wrong, but they don't know what it is yet—or leave them with an unanswered question, or leave them with, as I said, a contradiction—that is what's page-turning. I think that a lot of thriller writers in particular mistake action for—for being—for being interesting. A car chase on the page is really very boring. But what's interesting is something that—you could feel that tension building, but you don't know why.Sarina BowenI have joked sometimes that when I get stuck on a plot, sometimes I will talk at my husband and—and say, “you know, I'm stuck here.” And he always says, “And then a giant squid attacked.” And it—of course I don't write books that take place where this is possible, so—but it never fails to remind me that, like, external action can sometimes be just, you know, totally pointless. And that if you're stuck, it's because one of your dominoes isn't leaning, you know, in the right spot. So...Tess GerritsenYeah, it's—it's not as much fun seeing that domino fall as seeing it go slowly tilting over. You know, I really learned this when I was watching a James Bond movie. And it starts off—you know, the usual James Bonds have their cold open to those action and chasing and death-defying acts. I found that—I find that really, in that movie anyway—I was like, Ho hum. Can we get to the story? And I found the time when I was leaning forward in my theater seat, watching every moment, was really a very quiet conversation aboard a train between him and this woman who was going to become his lover. That was fascinating to me. So I think that that transfers to book writing as well. Action is boring.Jess LaheyYou and Sarina do something that I feel, as a writer; I would probably not be very good at, which is creating that unease. I—Sarina in particular does this thing... I've read every one of Sarina's books, as a good friend is supposed to do. And I text her, and I say, Why don't they just talk about it and just deal? Get it out in the open! And she's like, you know, we just got to make these people uncomfortable. And you both have this incredible talent for helping—keeping the reader, uh, along with you, simply because there is this sense of unease. We're slightly off-kilter the whole time. And yet in me, as a people pleaser, that makes me very uncomfortable. I want people to be happy with each other. So how do you—if you get to a place where you feel like maybe things aren't off-kilter enough, or things aren't off-balance enough—how do you introduce a little bit of unease into your—into your story?Tess GerritsenWell, I think it comes down to very small points of conflict—little bits of tension. Like, we call it micro-tension. And I think those occur in everyday life all the time. For instance, you know, things that happen that really don't have any big consequence, but are still irritating. We will stew about those for—for a while. And, you know, I used to write romance as well, so I understand entirely what Sarina is doing, because romance is really about courtship and conflict. And it's the conflict that makes us keep reading. We just—we know this is the courtship. So there's always that sense of it's not quite there, because once the characters are happy, the story is over, right?Sarina BowenYeah.Multiple Speakers(All laughing)Sarina BowenAlso, writing the ends of romance novels is the least interesting part. Like, what...? Once the conflict is resolved, like, I cannot wait to get out of there.Tess GerritsenRight, exactly. You know, I—I pay attention to my feelings when I'm reading a book, and I've noticed that the books that I remember are not the books with happy endings, because happiness is so fleeting. You know, you can be happy one second, and then something terrible will happen. You'll be unhappy. What lasts for us is sadness, or the sense of bittersweet. So when I read a book that ends with a bittersweet ending—such as, you know, Larry McMurtry Lonesome Dove—I ended up crying at the end of that book, and I have never forgotten that ending. Now, if everybody had been happy and there had been nobody to drag all those miles at the end, I would have forgotten that book very quickly. So I think—I try—I always try to leave the end of the book either bittersweet—I mean, you want to resolve all the major plot points—but also leave that sense of unease, because people remember that. And it also helps you, if you have a sequel.Sarina BowenThat's so interesting you've just brought up a couple of really interesting points, because there is a thriller—I actually write suspense now—and one of the books that so captured my attention about five years ago was killing it on the charts. And I thought it was actually a terrible book, but it nailed the bittersweet ending. Like, the premise was solid, and then the bittersweet ending was perfect, and the everything between the first chapter and the last chapter was a hot mess, but—but—um, that ending really stuck with me. And I remember carrying it around with me, like, Wow, they really nailed that ending. You know, and—and maybe that has, like, legs in terms of, like, talking about it. And, you know, if it—if—if it's irritating enough, like, the tension is still there—enough to, like, make people talk about it—it could actually affect the performance of that book. But also, um, one thing that I really love about this series—you have—what is the series title for the...?Tess GerritsenMartini—The Martini Club.Sarina BowenThe Martini Club, right? So The Martini Club is two books now. I inhaled the first one last summer, and I inhaled the second one this summer. And The Martini Club refers to this group of friends—these retired spies. And of course, there are two completely different mysteries in book one and book two. And I noticed a couple of things about the difference between those mysteries that was really fun. So in the first case—or in one of the two cases, let's see—in one of them, the thing that happens in their town is actually, like, related to them. And in the other one, it's kind of not. So to me, that felt like a boundary expansion of your world and your system. But also, I just love the way you leaned into the relationship of these people and their town in such a way. And how did you know to do that? Like, how—what does your toolbox say about how to get that expansiveness in your character set? Like, you know, to—to find all the limits of it?Tess GerritsenThat—you know, so much is like—it's like asking a pole-vaulter how they do it. They just—they have just—I guess its muscle memory. You don't really know how you're doing it, but what I did know was—with age, and because I love these characters so much—it really became about them and about what is going to deepen their friendship? What kind of a challenge is going to make them lean into each other—lean on each other? That's really what I was writing about, I think, was this circle of friends, and—and what you will do, how much you will sacrifice, to make sure your friends are safe. No, you're right—the second book is much more of a classic mystery. Yeah—a girl disappears. I mean, there was—there were—there were CIA undertones in that, because that becomes an important part of the book. But I think that what people are—when people say they love this book—they really talk about the characters and that friendship. And we all want friends like this, where we can go and—and—and have martinis together, and then if we—one of us needs to—we'll go help them bury a body.Multiple Speakers(All laughing)Tess GerritsenThat's—they all have shovels, and they're willing to do it. That's the kind of friendship—friends—we want.Jess LaheyWell, and that's funny you mention that—I had an entire question—it wasn't even a question, it was a statement—in here about friendships and being grateful to you for the reminder about the importance of relationships. And this entire podcast was born out of the fact that we were talking writing all the time, and we just wanted an official way to sit down once a week and actually talk about the work. And your work is suffused with just these incredible relationships—whether that's the Rizzoli and Isles—you know, in your first—in the one of your other series—and I'm just—I'm very grateful for that, because we—especially—I think I re—I really crave books about female relationships, especially about older female relationships. And I have been loving your books, and I've—like, as I may have mentioned to you in my initial email—I had—I'm so sorry—never read your books before. And I admitted in the introduction that there are lots of very, very famous authors whose books I have never read. And it's always so exciting to me to dive into someone's series and realize, oh, this person really touches on themes that mean a lot to me, and I can already tell that I'm going to be enjoying a lot of their books to come forward. So thank you for all of the great descriptions of relationships and how we do rely on each other for various aspects of just how we get through all of this stuff.Tess GerritsenYeah—get through life. But you know what's funny about it is that it didn't start that way. For instance, let's go back to Rizzoli and Isles. The very first time they both appear in a book is in The Apprentice. And they don't start off being friends. They start off being—they're so different. As the TV producer once said, “you've really written about Captain Kirk and Mr. Spock.” That's okay—they are—in the books. They are not natural friends. But like real-life friendships, sometimes—just kind of develop slowly, and—and they have their ups and downs. So there are times when—when Jane and Maura are barely speaking to each other because of conflicts they have. But by the time book twelve comes around—or maybe book seven comes around—you know that they would risk their lives for each other. So I think that if you're writing a series like Rizzoli and Isles, or like The Martini Club, it really helps to develop the friendship on the fly and see how they react to certain stresses. The next book, which I just turned in, called The Shadow Friends—it even put—pushes them even further, and it really—it really strains a marriage, because it's—it's more about Ingrid, and an old lover comes back into her life. She used to—they were both spies—and he is, like, hot, hot, hot—Antonio Banderas kind of guy. And here's Ingrid, married to Lloyd, you know, who's just a sweet analyst who cooks dinner for her every night. And I—when I was coming up with that story, I thought, I want to write a book about their marriage. So it wasn't—the plot wasn't about, oh, you know, international assassinations, even though that does occur in the book. It's really about the story of a marriage.Jess LaheyAnd it gives you, it gives you added unease. You know, if you have your two characters not speaking to each other, and you know your readers love those characters and crave those characters to be getting along at some point, then that's just another reason that we're following along. I was just thinking about, uh, Michael Connelly, uh, book the other day, because I really, really like the series he did with Renée Ballard and her relationship with the Bosch character, and how that series is totally about crime, but yet it's also very much about the relationship. And I think I follow—I continue to read those because of the relationship between those two human beings, and less so because of the murder mystery sort of stuff.Tess GerritsenI think it really becomes important if you're dealing also with Hollywood television series. I still remember what the producer first said when he called me up about Rizzoli and Isles. He said, "I love your girls, and I think they belong on TV.” He didn't say, I love your plots. He didn't say, I love your mysteries, you know, all your intricate ups and downs. It was really about the girls. So if you hope to sell to a television series, really, it's about characters again.Jess LaheyAbsolutely.Sarina BowenI was going to ask about longevity, because you have so many books, and you're so obviously still invigorated by the process, or there wouldn't be a book three that you just turned in. So how have you been able to avoid just being sick to death of—of writing suspense novel after suspense novel?Tess GerritsenI refused. That's what it is. You know, I—I don't—I guess I could say that I have a little bit of ADHD when it comes to—to the books I write. I cannot—after 13 books of Rizzoli and Isles, I just had a different idea. And it takes—it takes a certain amount of backbone to say no to your publisher, to your editor, to people who are going, well, when's the next one in this series coming out? And to be able to say, I need a break. I need to do something completely different. So over—how many years I've been a writer—almost 40 now—I've written science fiction and historicals and a ghost story and romantic suspense and spy novels and medical thrillers and crime novels. I've been all over the place, but each one of those books that took me out of what I was expected to do was so invigorating. It was a book that I needed to write. As an example, I wrote a book called Playing with Fire. Nobody wanted that book. Nobody expected that book. It was a historical about World War II, and about music—about the power of music—and having to do with the death camps. I remember my publisher going, "What are you doing?" And, you know, it's—it's true—they're—they—they are marketers, and they understood that that book would not sell as well, and it didn't. But it still remains one of my favorite books. And when you want to write a book, you need to write that book. That's all—even—even if nobody wants it.Jess LaheyI actually was—I'm so pleased that this came up, because that was actually going to be my question, because both you and Sarina have done this—done, you know, 90 degrees—whether it's out of, you know, one genre into another—and that, to me, requires an enormous amount of courage. Because you know you have people expecting things from you. And you in particular, Tess, have people saying, "No, I want the next one. I love this relationship. I want the next one." And—and dealing—you're not just dealing with the disappointment of whether it's an agent or an editor, but the disappointment of fans. And that's a pressure as well. So when I used to do journalism, I remember a question I asked of another journalist was, "How do you continue to write without fear of the comment section?" And essentially, for us, that's our—you know, those are our readers. So how do you find that thing within yourself to say, no, this really is the thing that I need to be writing now?Tess GerritsenWell, that is a really—it's a really tough decision to buck the trend or buck what everybody's expecting, because there's a thing in publishing called the death spiral. And if your book does not sell well, they will print fewer copies for the next one. And then that won't sell well. So you start—your career starts to go down the drain. And that is a danger every time you step out of your tried and true series and do something out of—you know, completely out of the ordinary. I think the reason I did it was that I really didn't give a damn. It was—it was like, Okay, maybe this will kill my career, but I've got to write this book. And it was always with the idea that if my publisher did not want that, I would just self-publish. I would just, you know, find another way to get it out there. And I—I was warned, rightly so, that your sales will not be good for this book, and that will—it will hurt the next contract. And I understood that. But it was the only way I could keep my career going. Once you get bored, and you're—you're trapped in a drawer, I think it shows up in your writing.Jess LaheyI had this very conversation with my agent. The—my first book did well. And so then, you know, the expectation is, I'll write like part two of that, or I'll write something for that exact same audience again. And when I told my agent—I said, "You know, this book on substance use prevention and kids—I—it's—I have to write it. And I'm going to write it even, you know, if I have to go out there and sell it out of the trunk of my car." And she said, "Okay, then I guess we're doing this." And yes...Tess Gerritsen(Laughing) They had their best wishes at heart.Jess LaheyAnd honestly, I love—I loved my book that did well. But The Addiction Inoculation is the book I'm most proud of. And, you know, that's—yeah, that's been very important to me.Tess GerritsenI often hear from writers that the book that sold the fewest copies was one that was—were their favorites. Those are the ones that they took a risk on, that they—I mean, they put their heart and soul into it. And maybe those hurt their careers, but those are the ones that we end up being proud of.Jess LaheyI like to remind Sarina of that, because I do remember we text each other constantly. We have a little group, the three of us, a little group text all day long. And there was—I remember when she first wrote a male-male romance, she was scared. She was really scared that this was going to be too different for her readers. And it ended up being, I think, my favorite book that she's ever written, and also a very important book for her in terms of her career development and growth, and what she loves about the work that she does. And so I like to remind her every once in a while, remember when you said that really scared you and you weren't sure how your readers were going to handle it?Sarina BowenRight? Well, I also did that in the middle of a series, and I went looking for confirmation that that is a thing that people did sometimes, and it was not findable. You know, that was...Jess LaheyWhat? Change things up in terms of—change things up in the middle of a series?Sarina BowenIn the middle of a series. And anyway, that book still sells.Tess GerritsenThat is a great act of courage, but it's also an act of confidence in yourself as a writer. There are ways to do it. I think some writers will just adopt a different pen name for something that's way out there.Jess LaheyIt's funny you should say... it's funny you should say that.Sarina BowenWell, no, and I never have done that, but, um—but anyway, yeah, that's hard. I, uh...Jess LaheyYeah.Sarina BowenIt's hard to know. Sometimes...Jess LaheyWe entertain it all the time. We do talk about that as an option all the time. Shouldn't we just pick up and do something completely different? One of the things that I also—I mentioned at the top of the podcast about, you know, you went off—not only have you done lots of different things in terms of your writing—but you went off and you did an entire documentary about pigs. I have—I have to ask you where on earth that came from and why. And it is a total delight, as I mentioned, and I have already recommended it to two people that I know also love the topic. But, you know, to go off—and especially when you usually, as some of us have experienced—our agents saying, so when am I going to see more pages? or when am I going to see the next book? And you say, I'm really sorry, but I have to go off and film this documentary about pigs.Tess GerritsenYes. Well, you know, I was an anthropology major in college, and I've always been interested in the pig taboo. You know, back then, everybody just assumed it was because, yeah, it was disease or they're dirty animals—that's why they're forbidden food. It never quite convinced me, because I'm Chinese-American. Asia—you know, Asia loves pork. Why aren't they worried about all that? So I was in Istanbul for a book tour once, and I remember I really wanted bacon, and, you know, I couldn't get bacon. And then I thought, okay, I really need to find out why pork is forbidden. This is a—this is a cultural and historical mystery that never made sense to me. The explanations just never made sense to me. It cannot be trichinosis. So I told my son that—my son is—he does—he's a filmmaker as well. And he just said, "Well, let's do it. Let's—we will pose it as a mystery," because it is a mystery. So it took us probably two years to go and—you know, we interviewed anthropologists and pet pig owners and archaeologists, actually, just to find out, what do they say? What is the answer to this? And to us, the answer really just came down to this cultural desire for every—every tribe—to define us versus them. You know, they eat pigs. They're not us, so therefore they're the enemy. And it was fascinating because we—we ended up finding out more about pigs than I was expecting, and also finding out that people who have pet pigs can sometimes be a little unusual.Jess LaheyAnd the people who purchase the clothes for the pigs are also crazy.Tess GerritsenYes. Sew outfits for their pigs and sleep with their pigs. And there was—there was one woman who had—she slept on the second floor of her house, so she had an elevator for her pig who couldn't make it up the stairs, and, you know, ramps to get up onto the bed because they've gotten so fat—they've been overfed. But it was—for me, at the heart of it was a mystery.Jess LaheyAs a nonfiction author whose whole entire reason for being is, "I don't know—let's find out," I think that's just the most delightful thing. And I loved your framing as, "I don't know, we have this question, let's go out there and just ask people about it and find the experts." And that's—oh, I could just live on that stuff. So...Tess GerritsenSo could I. You know, research is so enticing. It's enticing. It is—it can get you into trouble because you never write your book. Some of us just love to do the research.Jess LaheySarina actually has taken skating lessons, done glass blowing—what else have you done? Yoga classes and all—all kinds of things in the pursuit of knowledge for her characters. And I think that's a delight.Sarina BowenYes. If you can sign up for a class as part of your research, like, that is just the best day. Like, you know, oh, I must take these ice skating lessons twice a day for five months, because—yeah—or twice a week, but still.Tess GerritsenYou must be a good ice skater then.Sarina BowenI'm getting better.Tess GerritsenSo you never gave them up, I see.Jess LaheyWell, it's fun because she usually writes about hockey, but she has a figure skater coming up in this book that's coming out this fall. And she's like, "Well, I guess I'm just going to have to learn how to figure skate."Tess GerritsenYeah.Sarina BowenI also—one time I went to see Rebecca Skloot speak about her big nonfiction The Immortal Life of Henrietta Lacks.Tess GerritsenOh, okay.Sarina BowenAnd she said that all her best ideas had come from moments in her life when she went, "Wait, what?!"Tess GerritsenYes. Yep.Sarina BowenIncluding for The Immortal Life of Henrietta Lacks. Like, she learned about the cells in high school—she was in high school biology class—and the teacher said, like, "This woman died in the '60s, but we're still using her cells," and she said, "Wait, what?!" And that's—that's what you made me think of with the pigs. Like, I think...Jess LaheyWell, and also your folder of ideas. I mean, I immediately texted Sarina after listening to a podcast where I heard an ad, and the ad made me go, "Oh that could be creepy." And then I'm like, "Okay, this is—this is a plot. This is going in the folder somewhere." And so you have to just think about how those things could unfold over time. And I love the idea of—and even in journalism—there are articles that I've written where I said, this just isn't their time. And then, like, five years later, I'll hear something out there, and I'm like, okay, finally, it's the time for this thing. And there's a reason you put that article in your idea—in your paper—manila folder of ideas.Tess GerritsenWell, I think writers are—we have to be curious. We have to be engaged in what's going on around us, because the ideas are everywhere. And I have this—I like to say I have a formula. It's called "two plus two equals five." And what that means is, sometimes you'll have a—you'll have a piece of information that, you know, there's a book here, but you haven't figured out what to do with it. And you wait for another piece of information from some completely different source, and you put them together, and they end up being like nuclear fusion—bigger than the…Sarina BowenYes!Jess LaheyYes!Tess GerritsenSome of the parts.Sarina BowenMost every book I've ever written works like that. Like, I have one idea that I drag around for, like, five years, and then I have this other idea, and one day I'm like, oh, those two things go together.Tess GerritsenYep.Jess LaheyYeah, absolutely. I think Stephen King mentioned that about Carrie. I think it was like, telekinesis, and that usually starts about the time of menstruation, and it was like, boom, there was Carrie. You know, those two things came together. I love that so much. So you mentioned that you have just handed in your next book, and we don't—we do not, as a rule, ask about what's next for an author, because I find that to be an incredibly intimidating and horrifying question to be asked. But I would love to hear; you know, is this—is this series one that you hope to continue working on? The main series, mainly because we have quite fallen in love with your little town in Maine—in Purity, Maine. Fantastic name for your town, by the way. It's really lovely. It creates such a nice dichotomy for these people who have seen and heard things during their careers that maybe are quite dark, and then they retire to a place called Purity. Is this a place where we can hopefully spend a little bit of time?Tess GerritsenWell, I am thinking about book number four now. I have an idea. You know, it always starts with—it starts with an idea and doodling around and trying to figure out what—you know, you start with this horrible situation, and then you have to explain it. So that's where I am now. I have this horrible situation, I have to explain it. So, yeah, I'm thinking about book four. I don't know how—you never know how long a series is going to go. It's a little tough because I have my characters who are internationally based—I mean, they've been around the world—but then I can't leave behind my local cop who is also a part of this group as well. So I have to keep an eye out on Maine being the center of most of the action.Sarina BowenRight, because how many international plots can you give Purity, Maine?Tess GerritsenThat's right, exactly. Well, luckily…Jess LaheyLook, Murder, She Wrote—how many things happened to that woman in that small town?Tess GerritsenExactly, exactly. Well, luckily, because I have so many CIA retirees up here, the international world comes to us. Like the next book, The Shadow Friends, is about a global security conference where one of the speakers gets murdered. And it turns out we have a global security conference right here in our town that was started by CIA 40 years ago. So I'm just—I'm just piggybacking on reality here. And—not that the spies up here think that's very amusing.Sarina BowenThat is fantastic, because, you know, the essential problem of writing a suspense novel is that you have to ground it in a reality that everyone is super familiar with, and you have to bring in this explosive bit of action that is unlikely to happen near any of us. And those two things have to fit together correctly. So by, um, by putting your retired spies in this tiny town, you have sort of, like, gifted yourself with that, you know, precise problem solver.Tess GerritsenYeah, reminding us.Sarina BowenYeah.Tess GerritsenBut there's only so far I can take that. I'm not sure what the limits... I think book four is going to take them all overseas, because my local cop, Jo, she's never been out of the country—except for Canada—and it's time for her dad to drag her over to Italy and say, "Your dead mom wanted to come to Italy, so I'm taking you." And, of course, things go wrong in Italy for Jo.Jess LaheyOf course, of course. Well, we're going to keep just banging on about how much we love these books. I think we've already mentioned it in three podcast episodes so far in our “What have you been reading lately that you've really loved?” So we're—we're big fans. And thank you so much for sitting down to talk with us and to—you know, one of the whole points of our podcast is to flatten the learning curve for other authors, so we hope that that's done a little bit of that for our listeners. And again, thank you so much. Where can people find you and your work if they want to learn a little bit more about Tess Gerritsen—her work?Tess GerritsenYou can go to TessGerritsen.com, and I try to post as much information there as I can. But I'm also at Bluesky, @TessGerritsen, and what is now called “X”—a legacy person on X—@TessGerritsen, yes.Jess LaheyThank you so, so much again. And for everyone out there listening, keep your butt in the chair and your head in the game.The Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music—aptly titled Unemployed Monday—was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Welcome to my newest recommendation. I won't call these reviews, at least not technically, because I won't be offering anything I didn't like! These are books I've read and think you'll enjoy, too. We're starting out with a brand new series and character from Michael Connelly, a maestro in the detective genre whose crime novels I've been devouring for thirty years. I couldn't put this one down, which is almost always true for me with a new Michael Connelly. Listen in and see what I think of the author, his writing, and his new must-read 'Nightshade.'

National Junk Food day.  Entertainment from 1998. First major battle of civil war, Coldest temperature on the planet, Frank & Jesse James rob first train.  Todays birthdays - Ernest Hemingway, Kay Starr, Don Knotts, Robin Williams, Eric Brazilian, Michael Connelly, Jon Lovits.  Alan Sheppard died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Junk Food - Kids ChannelThe boy is mine - Brandy  MonicaI can still feel you - Collin RayeBirthdays - In da club - 50 Cent    https://www.50cent.com/Wheel of fortune - Kay StarrAndy Griffith TV themeThrees Company TV themeAnd we danced - The HootersExit - Truckstop Betty - Jason Lee wIlson    Jason Lee Wilsoncountryundergroundradio.comHistory & Factoids webpage

Streaming wird immer mehr zum Fernsehen. Davon zeugen auch die beiden Serien, die Holger und Rüdiger in dieser Woche besprechen, könnten sie doch gut auch bei Sat.1 oder den Öffentlich-Rechtlichen im Abendprogramm laufen. Mit "Ballard" (6:54) expandiert Prime Video sein "Bosch"-Universum. Nach der Mutterserie und dem Spin-off "Bosch: Legacy" kommt jetzt eine weitere Adaption der Bücher von Michael Connelly, die sich auf Maggie Q als Cold-Case-Ermittlerin Renée Ballard konzentriert. Kann das überzeugen? Und kann man die Serie schauen, ohne zuvor alle zehn "Bosch"-Staffeln gesehen zu haben? Während "Ballard" in Los Angeles unterwegs ist, ermitteln Eric Bana und Sam Neill in der Netflix-Serie "Untamed" (34:09) 300 Meilen weiter nördlich im Yosemite. So sieht es zumindest aus. Während Rüdiger beurteilt, ob eine in Vancouver gedrehte Serie glaubhaft den National Park wiedergeben kann, fragt sich Holger, warum mal wieder die persönlichen Probleme der Ermittler so sehr in den Vordergrund rücken müssen. Aber das wichtigste bei beiden Serien ist natürlich: Wurden die Hauptrollen gut besetzt und funktioniert die Spannungs-Erzählung? Cold-Open-Frage: "Was halten wir von den Emmy-Nominierungen 2025?"

Retired FBI agent and criminal profiler Candice DeLong sits down with bestselling author Michael Connelly and veteran LAPD detective Mitzi Roberts to discuss Ballard, the new Prime Video series expanding Connelly's gritty “Harry Bosch” universe. The show's lead, Renee Ballard, is inspired by Mitzi's real-life work tracking down killers – like the infamous Samuel Little – and shaped by her decades-long career on the force. Candice explores how Mitzi's pursuit of justice and Connelly's storied career as an author merged to bring Ballard to life, and how truth and fiction can collide to tell gripping stories on the screen.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterNeed more Killer Psyche? With Wondery+, enjoy exclusive episodes, early access to new ones, and they're always ad-free. Start your free trial in the Wondery App or visit wondery.app.link/TI5l5KzpDLb now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Running a tight, emotionally grounded procedural is no small feat — especially when you're steering a beloved franchise into new territory. On this week's Below the Line, Skid sits down with Director Patrick Cady, 1st Assistant Director/Producer Trey Batchelor, Cinematographer Jason Andrew, and Gaffer Derrick Kolus to go behind the scenes of Bosch: Legacy, the three-season Amazon series that extended the universe of Michael Connelly's iconic detective — and pushed the crew into new creative and logistical territory. We cover: How Bosch: Legacy balanced a fresh tone with the DNA of the original series The shift to a 5-act structure, network oversight, and more “advertiser-friendly” creative mandates How tight prep schedules, minimal standing sets, and constant location moves shaped every department's workflow Jason's transition from Key Grip to Cinematographer, and how his background informed his pacing and shot planning The challenges of lighting on the move — and how Derrick's rigging strategy kept the crew ahead of schedule Trey's insight into cast performances, unexpected rewrites, and what it really means to “make the day” Keeping continuity between DPs and episodes while balancing stylistic differences The collaborative bond this crew built across 10+ years and two Bosch series Along the way, they reflect on the show's emotional arc, where it fits within the Bosch universe, and how Bosch: Legacy became a proving ground for tight collaboration, creative flexibility, and below-the-line excellence.

Join hosts J.D. Barker, Christine Daigle, JP Rindfleisch, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about influencers, AI, and BookBub. Then, stick around for a chat with Andrew Gulli!Andrew Gulli's The Strand Magazine: The Strand Mystery Magazine is a quarterly which offers the best of both worlds—publishing previously unpublished works by literary masters such as John Steinbeck, Ernest Hemingway,  Rod Serling,  Louisa May Alcott, Shirley Jackson, Agatha Christie, Dashiell Hammett, Raymond Chandler , Tennessee Williams, and H.G.Wells . The Strand Magazine also features new works by today's bestselling authors including Alexander McCall Smith, R.L. Stine, Michael Connelly, Faye Kellerman, Craig Johnson, Ruth Ware, Joseph Finder, and Jeffery Deaver, as well as engaging interviews. Our reviews section looks at the latest mystery/thriller offerings, Sherlock Holmes pastiches, and anthologies, in addition to audiobooks and DVDs. The Strand Mystery Magazine has been featured several times in The New York Times, NPR, PBS, USA Today, and the Associated Press.Our current issue features Ian Fleming, Graham Greene, C.J. Box, Denise Mina and John Floyd. We also have an interview with Amor Towles.

Se il titolo vi sembra un po' forte, dovreste sapere la storia che c'è dietro a "I'm Glad My Mom Died", ovvero “Sono felice che mia mamma sia morta”, il libro dell'attrice Jennette McCurdy (Sam & Cat, iCarly, ecc…) che diventerà una serie con Jennifer Aniston. E no… il titolo non è ironico… Cambiando argomento, è sempre più sequel mania: è in lavorazione la serie "Very Young Frankenstein", ispirata al mitico film "Frankenstein Jr" di Mel Brooks; è in preparazione anche "The Social Network 2", con lo sceneggiatore Aaron Sorkin nuovamente al lavoro sulle vicende legate a Mark Zuckerberg e al suo Facebook; in più, stanno partendo le riprese del sequel de "Il diavolo veste Prada", con il cast originale al completo. E proprio sulla scia di questa novità, la rubrica "5 cose che non potete non sapere" è questa volta dedicata proprio al cult "Il diavolo veste Prada". Passando alle uscite più imminenti, su Amazon Prime sta per debuttare "Ballard", serie poliziesca spin-off di "Bosch", incentrata sulla detective Renée Ballard, ideata dalla penna di Michael Connelly, mentre per chi ha voglia di rinfrescarsi in sala, al cinema sono usciti -tra gli altri- "Jurassic World - La rinascita" con Scarlett Johansson e "Albatross" con Giancarlo Giannini.See omnystudio.com/listener for privacy information.

durée : 00:48:07 - Le Masque et la Plume - par : Rebecca Manzoni - Nos critiques partagent leurs avis concernant les nouveautés littéraires, depuis le festival international "Quai du Polar" : les nouveaux livres de Michael Connelly, Séverine Chevalier, Jacky Schwartzman, Aslak Nore et Marin Ledun. - invités : Arnaud Viviant, Elisabeth Philippe, Patricia Martin, Bernard Poirette - Arnaud Viviant : Critique littéraire (Revue Regards), Elisabeth Philippe : Critique littéraire (L'Obs), Patricia Martin : Journaliste, critique littéraire et productrice chez France Inter, Bernard Poirette : Journaliste et critique (Podcast C'est à lire) - réalisé par : Guillaume Girault Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this Reel Insights episode, Sean Tajipour, the Mayor of Nerdtropolis, chats with Ballard star Courtney Taylor to talk about her thrilling new role in the Bosch universe.Courtney shares what it's like stepping into Michael Connelly's world of gritty crime stories, working alongside legends like Maggie Q and John Carroll Lynch, and how she brings her own comedic background into a dramatic role. From subtle levity to high-stakes cold cases, she teases what fans can expect from this bold new chapter.Plus, she dishes on her favorite moments from the season, what it was like to fan out over Maggie Q, and why Ballard is perfect for both new viewers and longtime Bosch fans.Ballard will stream on Prime Video on July 9.Visit Nerdtropolis.comFacebookInstagramTwitterTikTok

Since 2014's Mr. Mercedes Stephen King has treated fans to an unexpected turn in his sizable oeuvre; sausage-factory fiction, the kind pumped out on the regular by literary superstars James Patterson, Michael Connelly, Lee Child and others, applying his gift for characters, dialogue, and Hail Mary horror to the rather predictable world of these soap opera serials.

Esta semana contamos con una selección pensada para adultos, con quince recomendaciones de variado género y formato.Comenzamos con un libro de memorias, "Lejos de Egipto", de André Aciman. Seguimos con la "Autobiografía" de Agatha Christie. La tercera obra de hoy es "Todos los perros de mi vida", de Elizabeth von Arnim, o cómo contar la vida propia usando a los perros como pretexto, un título recomendado especialmente a los amantes de estas mascotas. En el género policiaco contamos con "La espera", de Michael Connelly. La novela histórica está presente en este listado con "Ingrata patria", de Elvira Roca Barea, y con el clásico de Joseph Conrad "Los duelistas". Otro clasico, este de aventuras, es "Scaramouche" de Rafael Sabatini. En "Por pura amabilidad", de Doris Langley Moore, nos adentramos en un misterio costumbrista con el trasfondo del mundo del Arte, mientras que en "Viajes con Charley", de John Steinbeck aprendemos que el viaje vital de verdad es, precisamente, lo que el propio viaje deja en nosotros mismos. Sumamos a este elenco dos obras de relatos: "Mi marido", de Rumena Bužarovska, y "La gata", de Colette, dedicada especialmente a los amantes de los gatos. "La inteligencia de las flores", de Maurice Maeterlinck, nos habla de la ambición de invadir y conquistar la superficie terrestre, una particular visión del mundo vegetal. "Un abril encantado", de Elizabeth von Arnim (repetimos autora, por cierto) nos cuenta una historia que parte de un anuncio en el Times en el que se ofrece el alquiler de un castgillo medieval. La décimo cuarta recomendación es "Wittgenstein: Una familia en cartas: 3228", de Brian McGuinness, historia de la familia del filósofo Ludwig Wittgenstein a través de las cartas que se intercambiaron. Y culminamos la selección con "Mi tío Oswald", de Roal Dahl, una atrevida novela erótica.Quedamos emplazados con Fuensanta Marín para compartir con los oyentes otra serie de recomendaciones dirigidas a los más jóvenes. Será la semana que viene.

durée : 00:01:47 - Les 80'' - par : Nicolas Demorand - Nicolas Demorand a aimé le nouveau roman du prolifique écrivain américain, "Sous les eaux d'Avalon", qui paraît ce mercredi chez Calmann Lévy. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

There's a new addition to Michael Connelly's literary family in Nightshade, Detective Sergeant Stilwell, a smart investigator who butted heads with the wrong brass and is now trying to rebuild his life - and career - miles away from the mean streets of Los Angeles. Unlike those of favorites like Harry (and, increasingly, his daughter Maddy) Bosh, Renée Ballard, and Mickey “Lincoln Lawyer” Haller, this adventure is laser-focused on the mystery itself, though Connelly brings the same focused intensity and eye for minute details that's made him a favorite among crime fiction writers.

Paolo Marini"I padroni del mondo"Transeuropa Edizioniwww.transeuropaedizioni.itCon una trama avvincente e un respiro internazionale, il romanzo di Paolo Marini ci trascina in un vortice di intrighi e complotti che sfidano i confini della realtà. Tra personaggi memorabili e colpi di scena mozzafiato, l'autore costruisce un mosaico narrativo dove ogni pezzo svela un nuovo mistero. Una storia che esplora i limiti dell'etica e del potere, mantenendo il lettore col fiato sospeso fino all'ultima pagina. Un debutto che promette di lasciare il segno nel panorama del thriller contemporaneo.Paolo Marini è nato a Brescia il 22 settembre 1967. Vive a Gardone Val Trompia, dove risiede con la sua famiglia. Avido lettore di autori come Clive Cussler, Lee Child e Michael Connelly, ha scoperto una grande passione per la scrittura, trasformando un'idea in un romanzo che rappresenta il coronamento di un lavoro intenso e appassionato.Questo è il suo esordio letterario.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

The Master Crime Writer and Phil's all time favourite writer, Michael Connelly, returns to Bestsellers to talk about his 40th novel. NightShade features a brand new character, Detective Stilwell, whom Michael loves so much, he's going to return to in future books. We chat to him about the challenges of creating a brand new series when you're forty books in; where Stilwell fits into the Connelly Universe that already includes Bosch, Ballard and The Lincoln Lawyer and why his characters who all work around law enforcement, seem to be Anti Establishment!We love Mike here at Bestsellers and wish him well with the unforeseen medical procedures his doctors have ordered, which have led to the cancellation of his UK and US tour. This information was not in the public domain at time of recording, hence why we don't talk about it.

In this episode of "Coffee Break" Rod Reynolds joins me to talk about the return of Detective Casey Wray in his thrilling new novel "Shatter Creek". Shatter Creek plunges readers into the chaos of a brazen triple homicide that shatters the relative calm of a Long Island town. When two victims are gunned down in broad daylight, police scramble to determine if they're facing a mass shooting. The discovery of a third body initially simplifies the case, pointing to a domestic dispute with an obvious suspect, but Casey's instincts tell her something's off.Whether you're continuing the journey from "Black Reed Bay" or discovering Casey Wray for the first time, this novel stands as compelling evidence of why Reynolds continues to be one of crime fiction's most refreshing voices.Shatter CreekHampstead County Police Department is embroiled in scandal after corruption at the top of the force was exposed. Cleared of involvement and returned to active duty, Detective Sergeant Casey Wray nonetheless finds herself at a crossroads when it becomes clear not everyone believes she's innocent. CORRUPTIONPartnered with rookie Billy Drocker, Casey works a shocking daytime double-homicide in downtown Rockport with the two victims seemingly unknown to one another. And when a third victim is gunned down on her doorstep shortly after, it appears an abusive ex-boyfriend holds the key to the killings. MURDERWith powerful figures demanding answers, Casey and Billy search for the suspect, fearing he's on a murderous rampage. But when a key witness goes missing, and new evidence just won't fit, the case begins to unravel. DANGER With her career in jeopardy, Casey makes a shattering discovery that threatens to expose the true darkness at the heart of the murders… with a killer still on the loose… For fans of Mare of Easttown, Tana French, Michael Connelly and James Lee Burke Send us a textSupport the show"Enjoying 'The Conversation'? Support the podcast by buying me a cup of coffee ☕️! Every contribution helps keep the show going.https://ko-fi.com/nadinemathesonDon't forget to subscribe, download and review. You can purchase books by the authors featured in our conversations through my affiliate shop on Bookshop.org. By using this link, you'll be supporting independent bookstores, and I may earn a small commission at no additional cost to you. Follow Me:www.nadinematheson.com BlueSky: @nadinematheson.com Substack: @nadinematheson Instagram: @queennadsThreads: @nadinematheson Facebook: nadinemathesonbooksTikTok: @writer_nadinematheson

Michael Connelly: From Crime Reporter to Bestselling Author with over 80 million books sold! 

durée : 00:48:07 - Le Masque et la Plume - par : Rebecca Manzoni - Nos critiques partagent leurs avis concernant les nouveautés littéraires, depuis le festival international "Quai du Polar" : les nouveaux livres de Michael Connelly, Séverine Chevalier, Jacky Schwartzman, Aslak Nore et Marin Ledun. - invités : Arnaud Viviant, Elisabeth Philippe, Patricia Martin, Bernard Poirette - Arnaud Viviant : Critique littéraire (Revue Regards), Elisabeth Philippe : Critique littéraire (L'Obs), Patricia Martin : Journaliste, critique littéraire et productrice chez France Inter, Bernard Poirette : Journaliste et critique (Podcast C'est à lire) - réalisé par : Guillaume Girault

durée : 00:06:52 - Le Masque et la Plume - Les critiques du Masque n'ont pas été séduits par cet énième polar de Michael Connelly à l'écriture paresseuse et qui n'honore pas la mystérieuse affaire du Dahlia Noir.

ICYMI: Hour Three of 'Later, with Mo'Kelly' presents an in-depth conversation with actor Titus Welliver, who joins the program to preview the 3rd and final season of 'Bosch: Legacy.' Spinning off from 'Bosch,' the longest-running franchise on Prime Video, in 'Bosch: Legacy,' Welliver stars as Harry Bosch, the tough and damaged retired LAPD detective turned private investigator. Based on the popular book series by bestselling author Michael Connelly, Bosch is on "One Final Case, One Final Fight, One Final Season," with two new episodes dropping every Thursday until the finale on April 17th…PLUS – A look at what local theaters need to do to survive the box-office lull – on KFI AM 640…Live everywhere on the iHeartRadio app

ICYMI: 'Later, with Mo'Kelly' presents an in-depth conversation with actor Titus Welliver, who joins the program to preview the 3rd and final season of 'Bosch: Legacy.' Spinning off from 'Bosch,' the longest-running franchise on Prime Video, in 'Bosch: Legacy,' Welliver stars as Harry Bosch, the tough and damaged retired LAPD detective turned private investigator. Based on the popular book series by bestselling author Michael Connelly, Bosch is on "One Final Case, One Final Fight, One Final Season," with two new episodes dropping every Thursday until the finale on April 17th – on KFI AM 640…Live everywhere on the iHeartRadio app

Season Three of Bosch: Legacy is based on Michael Connelly's best-selling novels Desert Star (2022) and The Black Ice (1993). The murder investigation of Kurt Dockweiler brings dangerous secrets to light and threatens to ruin the lives of our three principal characters. The disappearance of a family haunts Harry Bosch and forces him to confront the limits of justice. In a hotly contested race, Honey “Money” Chandler is poised to become the next District Attorney of Los Angeles. And Maddie Bosch gets entangled in a series of violent follow-home robberies.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Season Three of Bosch: Legacy is based on Michael Connelly's best-selling novels Desert Star (2022) and The Black Ice (1993). The murder investigation of Kurt Dockweiler brings dangerous secrets to light and threatens to ruin the lives of our three principal characters. The disappearance of a family haunts Harry Bosch and forces him to confront the limits of justice. In a hotly contested race, Honey “Money” Chandler is poised to become the next District Attorney of Los Angeles. And Maddie Bosch gets entangled in a series of violent follow-home robberies.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Barbara Peters in conversation with Rick Jackson, Matthew McGough, and Michael Connelly

We share a lot of success stories here on the ISO Show, along with hints, tips and updates to Standards, including insights from our consultants who work with Standards day in and day out.  In our latest mini-series, we're taking a step back to introduce members of our team, to explore how they fell into the world of ISO and discuss the common challenges they face while helping clients achieve ISO certification.   In this episode we introduce Darren Morrow, a Senior Consultant at Blackmores, to learn about his journey towards becoming an ISO Consultant and what drives him to help clients on their ISO journey.   You'll learn ·      What is Darren's role at Blackmores? ·      What does Darren enjoy outside of consultancy? ·      What path did Darren take to become an ISO Consultant? ·      What is the biggest challenge he's faced when implementing ISO Standards? ·      What is Darren's biggest achievement?   Resources ·      Isologyhub ·      Engagement Amplifier Gameplan   In this episode, we talk about: [00:30] Episode Summary – We introduce Darren Morrow, a Senior Consultant here at Blackmores, to discuss his journey towards becoming an ISO consultant who specialises in ISO 9001, ISO 45001, ISO 14001 and ISO 50001.   [03:45] What is Darren's role at Blackmores? Darren is a Senior Consultant with Blackmores, supporting companies with maintaining systems, undertaking internal audits, and supporting with implementing new systems to gain certification. A key part of his role is translating ISO Standards into plain English, and guides clients on how to apply them in practice. [04:55] What does Darren enjoy doing outside of consultancy?: Darren moved to Norfolk back in 2021 ans has since found the relaxed way of life there to be a great fit. It also offers a lot of good walking opportunities for his 2 Leonberger's (giant breed dogs), who mostly enjoy the local parks and beach walks. Darren is also an avid reader, clocking in a whopping 343 weeks' worth of reading on his kindle. His favourite genres include:- ·      Crime, thriller, adventure types - Clive Cussler, Michael Connelly, David Baldacci, CJ Box, Dan Brown, James Carol ·      Horror - James Herbert, Stephen King ·      Supernatural, urban fantasy, fantasy - Ben Aaronvitch, Jim Butcher, Raymond E Feist, C S Lewis & Tolkien ·      Historical - CJ Sansom, SJ Parris ·      And Terry Pratchett for a weird dose of reality. He's also a movie buff, with a collection of over 1,000 films ranging from the 1930's all the way to modern era. Recently he took on the challenge of watching all the Marvel films in chronological order, which took a few weeks! [10:35] What was Darren's path towards becoming an ISO Consultant?: Before Blackmores, Darren was the Quality Manager for a company that worked within the Highways Maintenance sector, working there for 8 years. For the first 18 months he was primarily the Quality Manager for a specific contract on the Olympic Park, as that contract came to an end, he moved into the main company Quality Manager role supporting multiple highway term maintenance contracts along with various smaller projects that the business won. Prior to that, he was a SHEQ Advisor within the Rail industry, working for a signaling company. Darren worked there for about 5 years, within head office support roles for quality and health and safety, moving to working on supporting the project teams and project delivery for signaling schemes. Overall, looking back, he's worked with standards within a quality, health & safety, environmental for around 25 years now.  [13:20] What is Darren's favourite aspect of being a Consultant? – Darren likes the variety. As an ISO Consultant, he gets to work with lots of different people, companies and industries, so he gets to learn a lot about how they work and how Standards apply to different industries. He also enjoys the fact that after working with clients for a number of years, he becomes just another member of the team.   [15:15] What Standards does Darren specilaise in and why? Starting with: ·      ISO 9001 Quality: This is the main standard that Darren starting working with back in 1999 ·      ISO 45001 Occupational Health and Safety: While working within rail, Darren was given the opportunity to do some training and proceeded to complete NEBOSH courses - general and construction, this proved invaluable in future roles. ·      ISO 14001 Environmental: Darren ended up working with this Standard as part of on-going development. His role as a Quality Manager expanded, and at the time, all external audits with our certification body were coordinated through him. So, for on-going development he completed the NEBOSH environmental managed certificate. ·      ISO 50001 Energy Management: This is one of Darren's favourites. He's taken on this standard since working with Blackmores and seemed like a natural progression with the work he was already doing. He likes how this standard helps companies think more about their impacts on the environment in terms of energy consumption. In terms of companies climate change impacts, Darren likes how ISO 50001 can support deep dives into data that is available or not clearly available in many cases to support improvement and reduction in energy consumption. This also can pave the way for those companies that take it more seriously, and progress to newer standards like ISO14064-1 for quantification and reporting of greenhouse gases, but also part 3 for the verification and validation of greenhouse gases. This is where our sister company, Carbonology Ltd, really excel. Darren does his bit with ISO 50001 clients to educate and prepare them for taking more proactive steps towards meaningful energy and carbon reporting. For example, if they grow sufficiently or fall within the parameters of mandatory schemes such as ESOS or SECR reporting, or they just want to do their bit and demonstrate their commitment to minimising their impact on the environment and overall energy consumption. [23:10] What is the biggest challenge Darren had faced during a project and how did he overcome it?: He doesn't have a single one that stands out, but common issues are usually either down to availability or commitment of the individuals within the company he's supporting. For example, the company may decide that they require certification to a standard or multiple standards. There will be commitment from some within the business, and there are those that may not see the importance or feel it's not important to them and what they do.  Darren's job is to support the company in achieving its main goal in gaining certification. His work with the company involved explaining what is to be done and why. He's found that most of any resistance is because individuals do not know the why and how it impacts them, etc. The other aspect is to make it clear that he is not there to tell them what to do, or that they're doing it wrong. He works with people to either document the process (where required), help them find improvement in the process and continue to search for improvement. [27:00] What is Darren's proudest achievement? Darren states that there's no one definitive achievement to highlight, rather he would say supporting clients who are new to the standards. Working with them and providing knowledge so that they know the 'why' and understand the standards and their processes, and finally seeing the end result with being recommended for certification. The ones that he's particularly happy with are those that go for multiple standards, that result in recommendation for certification with little or no significant findings from the certification body, it shows that the company has been fully engaged and embedded the overall process into how they work. If you'd like any assistance with implementing ISO standards, get in touch with us, we'd be happy to help! We'd love to hear your views and comments about the ISO Show, here's how: ●     Share the ISO Show on Twitter or Linkedin ●     Leave an honest review on iTunes or Soundcloud. Your ratings and reviews really help and we read each one. Subscribe to keep up-to-date with our latest episodes: Stitcher | Spotify | YouTube |iTunes | Soundcloud | Mailing List

durée : 00:01:42 - Les 80'' - par : Nicolas Demorand - Je vais évoquer une fois de plus Michael Connelly, auteur que j'adore, vous le savez bien. Ses romans se sont vendus à près de 90 millions d'exemplaires dans le monde et le New York Times lui consacre un très joli portrait qui est surtout une visite de l'atelier du romancier de 68 ans.

Liam & Dave (Watch It If You Can Podcast) join me to sum up Michael Connelly's BOSCH and LINCOLN LAWYER books, how they complement the hit shows of the same name & the other respectable characters who've had their own fascinating spin-off novels. Does crime fiction still fascinate or is it just for select crowds?  Is this one of the few sagas where both the fans and non-fans can agree on the adapation's merit? All that and some additional predictions so come watch the detectives discuss!     SONG USED:  "Can't Let Go" by Caught a Ghost (Theme from BOSCH)                       MAIN LINKS:  LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview  Instagram: https://www.instagram.com/jacked_up_podcast/        SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ   iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/   Podbean: https://jackedupreviewshow.podbean.com   Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M   Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218   RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE   Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz   Anchor:  https://anchor.fm/s/a46297c/podcast/rss   PocketCasts: https://pca.st/0ncd5qp4   CastBox:  https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222   Discord:  https://discord.com/channels/796154005914779678/796154006358851586         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass 

Detective Rick Jackson, a decorated LAPD detective and a key inspiration in the development of Harry Bosch, delivers a shocking and immersive look into the one case he could never let go. In June 1990, Ronald Baker, a straight-A UCLA student, was found repeatedly stabbed to death in a tunnel near Spahn Ranch, where Charles Manson and his followers once lived. Shortly thereafter, Detective Rick Jackson and his partner, Frank Garcia, were assigned the case. Yet the facts made no sense. Who would have a motive to kill Ron Baker in such a grisly manner? Was the proximity to the Manson ranch related to the murder? And what about the pentagram pendant Ron wore around his neck? Jackson and Garcia soon focused their investigation on Baker's two male roommates, one black, and one white. What emerges is at once a story of confounding betrayal and cold-hearted intentions, as well as a larger portrait of an embattled Los Angeles, a city in the grip of the Satanic Panic and grappling with questions of racial injustice and police brutality in the wake of Rodney King. Rick Jackson, the now-retired police detective who helped inspire Michael Connelly's beloved Harry Bosch, along with co-writer, Matthew McGough, take us through the events as he and his partner experienced them, piecing together the truth with each emerging clue. Black Tunnel White Magic is the true story of a murder in cold blood, deception and betrayal, and a city at the brink, set forth by the only man who could tell it. BLACK TUNNEL, WHITE MAGIC: A Murder, a Detective's Obsession, and 90's Los Angeles on the Brink-Rick Jackson and Matthew McGoughFollow and comment on Facebook-TRUE MURDER: The Most Shocking Killers in True Crime History   https://www.facebook.com/profile.php?id=100064697978510 Check out TRUE MURDER PODCAST @ truemurderpodcast.com 

Wenzel, Tobias www.deutschlandfunkkultur.de, Lesart

Wenzel, Tobias www.deutschlandfunkkultur.de, Lesart

durée : 00:01:44 - Les 80'' - par : Nicolas Demorand - 80 secondes sur mon vieux compagnon de polar, le romancier américain Michael Connelly, qui publie de manière métronomique un ou deux romans par an — une telle productivité, quoi qu'on en pense, force le respect.

On this episode of Currently Reading, Kaytee and Meredith are discussing: Bookish Moments: books as equalizers and kiddos who love books as much as we do Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: what we do to keep momentum in our reading lives The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site) .  .  .  .  1:33 - Our Bookish Moments Of The Week 6:35 - Grassrootz Bookstore  8:08 - Our Current Reads 8:21 - Witness 8 by Steve Cavanagh (Meredith) 10:26 - The Lincoln Lawyer by Michael Connelly 11:44 - Thirteen by Steve Cavanagh 11:55 - Bury Your Gays by Chuck Tingle (Kaytee) 12:21 - Pounded by the Pound by Chuck Tingle (amazon link) 12:31 - Taken by the Gay Unicorn by Chuck Tingle (amazon link) 12:41 - Aardvark Book Club 16:30 - The Great Hunt by Robert Jordan (Meredith) 17:41 - The Eye of the World by Robert Jordan 22:13 - Revenge of the Tipping Point by Malcolm Gladwell (Kaytee) 22:35 - The Tipping Point by Malcolm Gladwell 26:16 - Come Closer by Sara Gran (Meredith) 27:42 - 101 Horror Books to Read Before You're Murdered by Sadie Hartmann 31:08 - It Came from the Trees by Ally Russell (Kaytee) 35:19 - Deep Dive: Losing Momentum In Our Reading 49:21 - Meet Us At The Fountain 49:27 - I wish to ask if you can find actual smutty books on the shelves in bookstores (like monster romance etc with the wild covers). (Meredith) 50:01 - The Dragon's Bride by Katee Robert 50:32 - Neon Gods by Katee Robert 51:07 - Open Door Romance via Novel Neighbor 51:08 - The Novel Neighbor 51:15 - The Ripped Bodice Bookstore 52:04 - Still Life by Louise Penny (special edition w/sprayed edges, releases Sep. 30, 2025) 52:27 - I wish it was easier to get pretty versions of our favorite books. (Kaytee) 52:35 - The Hunger Games box set by Suzanne Collins (special edition with sprayed edges) 53:23 - Ember in the Ashes by Sabaa Tahir 53:53 - Quicksilver by Callie Hart (special edition, pre order, releases Aug 19, 2025) 55:11 - The Beautiful Mystery by Louise Penny Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. February's IPL comes to you from Fables and Fairy Tales in Marinsville, Indiana! Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business.  All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

Jordan talks about an upcoming detective story from author Michael Connelly.Get all the news you need by listening to WBZ NewsRadio 1030 on the free #iHeartRadio app! Or ask Alexa to play WBZ NewsRadio on #iHeartRadio.

www.mikegarrigan.com - Singer/songwriter Mike Garrigan shares the tenth experiment from his Production Lab.  Given the prompt "Create a song imagined as an outtake from The Downward Spiral" and a month in which to work, Mike produced "Black Echo." Hear the song and a detailed description of the entire creative process.Notes:The featured song is inspired by the Michael Connelly novel of the same name.Correction: Adrian Belew, not Alan Moulder, played the ring mod guitar on The Downward Spiral.Send me a Text Message.

Michael Connelly (Resurrection Walking, Lincoln Lawyer) and Candice Fox (Devil's Kitchen, Crimson Lake) share some laughs and talk about their first encounter in a New York City bar. Learn more about the two authors, their books, and the publishing industry in this brand new series "Authors on Authors". Hosted on Acast. See acast.com/privacy for more information.

As the NHS struggles to meet demand, the Royal College of Nursing warns treating patients in corridors puts lives at risk. Plus Lord Kinnock on Elon Musk's attacks on the Prime Minister, and Michael Connelly chronicles LA's fire disaster.

Michael Connelly joins Simon and Matt for a bonus Q&A episode. He talks about his writing processes, inspirations, favourite authors -and who he would invite to his fantasy dinner party. Learn more about your ad choices. Visit megaphone.fm/adchoices

Simon and Matt welcome international bestselling author Michael Connelly to Books Of The Year. They discuss his new book The Waiting, as well as his inspirations, Los Angeles basements, the constant nagging of an author's head and how he feels about Bosch getting older. Learn more about your ad choices. Visit megaphone.fm/adchoices

The latest episode of Grey Matter with Michael Krasny featured best-selling crime and detective novelist Michael Connelly, creator of Harry Bosch and Mickey Haller, and author of his 39th novel, "The Waiting." The conversation began with Krasny asking Connelly how he decides which character to feature, since "The Waiting" stars Renée Ballard, though Bosch plays a major role. Connelly discussed the important advisory role of Ballard's prototype, Mitzi Roberts, the recently retired head of the Los Angeles cold case unit. He explained how the journalist in him uses real and current events as undergirdings to his fiction. Connelly explored several real cases that influenced his latest novel, including two "pillowcase rapist" cases and the unsolved Black Dahlia murder. He also discussed the similarities between Miami and Los Angeles as destination cities, his role as executive producer in TV and movies, and his female characters, including Maddie Bosch. He shared his emotional connection to his characters and how he feels when they die or are killed, his literary and maternal influence, and what drew him to hard-boiled fiction. The discussion then turned to why jazz is central to the Bosch novels and the challenges Connelly faces when writing about music. They explored how Bosch and Haller became half-brothers, the origin of Haller's Lincoln, and the important role new technologies play in many of Connelly's novels. The conversation concluded with insights into his writing style, work habits, advice for aspiring writers, and details about his current work in progress.

Ted Humphrey is an accomplished writer, producer, director, and showrunner. He's earned acclaim for his work as a producer on the CBS hit show THE GOOD WIFE in which he was honored with multiple Emmy, Golden Globe, and Writers Guild nominations for Best Drama Series. For his episode “Boom,” he received a Writers Guild nomination for Best Episodic Drama Script. In his latest series, THE LINCOLN LAWYER, based on the beloved novels by Michael Connelly and developed for television by Humphrey, Mickey Haller runs his law practice out of his Lincoln, and he's ready to hit the gas. Moving through Los Angeles, he takes cases while balancing a private life that includes being a father and having two ex-wives. In this interview, we talk about his early influences and how he transitioned to the entertainment industry, concerns about the current state of television production and writer development, his show THE LINCOLN LAWYER, the impact of streaming services on television production and storytelling, and more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

One thing longtime Michael Connelly fans should know before diving into The Waiting, which is being marketed as a Ballard and Bosch adventure, is that the “Bosch” could mean one of two characters; retired LA detective Harry Bosch, easily the writer's most popular character, or his daughter, Maddy Bosch, now working as a patrol officer in the LAPD but dreams of following in her (in)famous dad's grizzled footsteps. Last year's Resurrection Walk, which heavily focused on Harry Bosch and Mickey “Lincoln Lawyer” Haller, left little room for Ballard (minus an extended cameo), but here the Connellyverse continues to coalesce around Renée Ballard as its new center, functioning as a dual “passing of the touch” for both the series' lead as well as the expected generational transition from father to daughter.

We are delighted to welcome worldwide bestseller Michael Connelly back to the podcast to discuss his new novel The Dark Hours, which explores an LA scarred by fear and social unrest. Michael reflects on how the world of Harry Bosch has grown over an incredible thirty years, and he answers our listener questions of writing habits, outlining and much, much more.

John Pirruccello Returns Again!Take a walk with me down Fascination Street as I get to know even more about John Pirruccello. In John's 3rd appearance on the show, we discuss The Mandela Effect; and some of the instances where it haunts John. Then we talk about the British playwright Patrick Marber, and some of his projects. John will be working with Partrick soon, and I pepper him with questions about it. Naturally, we talk about some of John's previous projects like: She Hulk & Twin Peaks, and john shares some behind the scenes stories involving David Lynch & David Mamet. We chat about Comicon and his experience there, and then I ask John questions about his life, some of his past experiences, and people from his past. He shares a story of trying to get in the movie The Godfather 3, and the time he spent with Father Guido Sarducci. Then we jump into some of his upcoming work. Season 3 of The Lincoln Lawyer comes out this week! John plays a prosecutor in most of the new season. He talks about playing ping pong on the set with the lead actor from the show, We do talk a bit about John's time on Mayans MC, and what a fun show that was to work on. Finally, we discuss John's role in The Sex Lives of College Girls, and his upcoming debut on The Simpsons! John and I close out the show talking about The Olympics, and the break dancing kerfuffle. 

Michael Connelly's eight-part podcast is wonderfully produced and offers a handful of actors woven in and out of a riveting and well-paced story. Host Jo Reed and AudioFile's Michele Cobb discuss this adapted horror story that smoothly intertwines the fantastical into the plot. After a novelist calls a locksmith to open a safe, things get a bit scary for them both. Listeners will remain engaged, and once you start listening, you won't want to stop. Read our review of the audiobook at our website. Published by Audible, Inc. Discover thousands of audiobook reviews and more at AudioFile's website. Support for our podcast comes from Hachette Audio, the publisher of CONNIE, this behind the scenes look into Connie Chung's life, read by Connie Chung herself. Find out more at Hachette Audio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Author Michael Connelly and Director Alison Ellwood have created a new four-part docuseries, “The Wonderland Massacre and the Secret History of Hollywood” (now streaming on MGM+) and it proves that truth is stranger than fiction. In the summer of 1981, five people were found beaten in an apartment in the Hollywood Hills. Four were already dead when the cops arrived, including two members of the “Wonderland Gang,” which often stole drugs from rival dealers to sell or use themselves. Alison and Michael explain what drew them to this tale of modern noir, how the crime played out and was eventually (mostly) solved, and which celebrities were swept up into its macabre and twisted orbit. The only way “Group Text” happens is with YOUR support and support from mm amazing sponsors! I LOVE these gummies! No joke! Head to Viiahemp.com and use the code GROUPTEXT to receive 15% off + one free sample of their award-winning gummies. (21+). Thanks for supporting Group Text Looking to lose mare than 10 lbs? Let's get you started with 15% off and free rush shipping so you can add LEAN to you healthy diet and exercise plan. Visit TakeLean.com and enter GROUPTEXT for your discount. That's promo code GROUPTEXT at TakeLean.com Feeling drained and ready to get your energy and health back on track? Try Field of Greens! Use promo code GROUPTEXT at FieldOfGreens.com to get 15% off your first order and FREE rush shipping! This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or the Hurrdat Media YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on AirTalk, listeners share how encampment clearings have affected their neighborhoods. Also on the show, UC Davis opens first of its kind research center dedicated to studying coffee; we talk best Happy Hours in Los Angeles with Brain De Los Santos, host of the LAist podcast, How To LA; we examine why Rancho Palos Verdes is prone to landslides; author Michael Connelly joins us to talk about his new podcast docuseries ‘The Wonderland Massacre & the Secret History of Hollywood;' our TV critics review the latest shows; and more. How have encampment clearings affected your area? (00:17) UC Davis opens coffee research center (23:36) The best happy hour spots in LA (34:37) Why Rancho Palos Verdes is prone to landslides (51:22) Michael Connelly talks new docuseries ‘The Wonderland Massacres' (1:09:34) TV-Talk (1:26:09)