Podcast appearances and mentions of Michael Marshall Smith

Send us a textI'm on a break – but couldn't resist releasing something.  Especially on today of all days, when lovers of democracy require audio sustenance whilst they wait in line to preserve America. For the first From the Vault episode, I've gone back to December of 2020, for an interview with Michael Marshall Smith. We talk about his 30 years of writing horror, fantasy, science fiction and assorted dark imaginings – captured in his career-spanning Best Of collection. Michael gives us all the good stuff about where ideas came from, why he writes the way he does, and all those details that literary voyeurs like us, want to know. It's also a trip back into the weirdness of the pandemic, and the dying days of the Trump presidency. Have your trauma shields up just in case. Support the show

Seriah is joined by Chris G. from New Zealand. Topics include differences between New Zealand and Australia, personal experiences, interactions with celebrities, the fluidity of time, free will, an incident involving a terminally ill relative and apparent precognition, Alex Whitcombe, time slips, Michael Talbot, “The Holographic Universe”, AI and sentience, plants and fungi communication and intelligence, life in other parts of the solar system, intelligent plasma, David Mitchell and necrophilia, sports and small talk, David Paulides and “Missing 411”, a missing person case local to Chris, Michael Marshall Smith's book “The Servants”, Australian quarantine stations, a youthful encounter with a strange entity, ghost tours, an actual strange experience while on a tour, an indigenous legend of a spirit that feasts on human fear, and much more! This is a fast-paced, fascinating conversation!

Seriah is joined by Chris G from New Zealand. Topics include differences between New Zealand and Australia, personal experiences, interactions with celebrities, the fluidity of time, free will, an incident involving a terminally ill relative and apparent precognition, Alex Whitcombe, time slips, Michael Talbot, “The Holographic Universe”, AI and sentience, plants and fungi communication and intelligence, life in other parts of the solar system, intelligent plasma, David Mitchell and necrophilia, sports and small talk, David Paulides and “Missing 411”, a missing person case local to Chris, Michael Marshall Smith's book “The Servants”, Australian quarantine stations, a youthful encounter with a strange entity, ghost tours, an actual strange experience while on a tour, an Indigenous legend of a spirit that feasts on human fear, and much more! This is a fast-paced, fascinating conversation!- Recap by Vincent Treewell Hosted on Acast. See acast.com/privacy for more information.

Seriah is joined by Saxon for a wide-ranging discussion. Topics include a study on false memories, the human mind's tendency to complete narratives, high strangeness, a weird encounter of Seriah's, John Keel, Woodrow Derenberger, an early experiment on the flaws of memory, Frederic Bartlett, “War of the Ghosts”, Marte Otten, short-term memory experiments, memory illusions, the brain as filter, deer vs human eyesight, African cattle farmers with thirty shades of the color brown, color-blindness and extra color vision, Chinese Whispers, a study involving communication between Autistic and non-Autistic people, an evolutionary biological explanation for Autism, trauma and perception, the brain fog of long covid, Jason Pargin, trauma as the Devil, life experiences and emotional distress, a listener story about encountering a bizarre object, Saxon's youthful experience with a fireball, various forms of hairy man phenomenon, a theory about consciousness and perception, David Weatherly, a plantation ghost of a person who never existed, Keith Linder, the Seattle Demon House, an apported Bible, author Michael Marshall Smith, Seriah's experience with Tim Renner in d, differences between experiences and recordings of those experiences, memory and perception, record-keeping and recollection, creativity and the collective unconsciousness, Jason Pargin AKA David Wong's dismissal of the paranormal, hallucination vs experience, shadow people, Seriah's encounter with the Evil Corn Monkey, the movie “The Creator”, Patrick Harper and the imaginal realm, experience vs interpretation, sleep paralysis, Louis Proud, Saxon's experiences with shadow people, the future of video recording, perception vs reality, the disappearance of privacy, Pargin's views on religion and philosophy, fear of the paranormal, discomfort with uncertainty, apocalyptic predictions, Heaven's Gate cult suicide, government disclosure, technology for the ultra-rich, and much more! This is some fascinating conversation!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4656375/advertisement

Seriah is joined by Saxon for a wide-ranging discussion. Topics include a study on false memories, the human mind's tendency to complete narratives, high strangeness, a weird encounter of Seriah's, John Keel, Woodrow Derenberger, an early experiment on the flaws of memory, Frederic Bartlett, “War of the Ghosts”, Marte Otten, short-term memory experiments, memory illusions, the brain as filter, deer vs human eyesight, African cattle farmers with thirty shades of the color brown, color-blindness and extra color vision, Chinese Whispers, a study involving communication between Autistic and non-Autistic people, an evolutionary biological explanation for Autism, trauma and perception, the brain fog of long covid, Jason Pargin, trauma as the Devil, life experiences and emotional distress, a listener story about encountering a bizarre object, Saxon's youthful experience with a fireball, various forms of hairy man phenomenon, a theory about consciousness and perception, David Weatherly, a plantation ghost of a person who never existed, Keith Linder, the Seattle Demon House, an apported Bible, author Michael Marshall Smith, Seriah's experience with Tim Renner in Gettysburg, differences between experiences and recordings of those experiences, memory and perception, record-keeping and recollection, creativity and the collective unconsciousness, Jason Pargin AKA David Wong's dismissal of the paranormal, hallucination vs experience, shadow people, Seriah's encounter with the Evil Corn Monkey, the movie “The Creator”, Patrick Harper and the imaginal realm, experience vs interpretation, sleep paralysis, Louis Proud, Saxon's experiences with shadow people, the future of video recording, perception vs reality, the disappearance of privacy, Pargin's views on religion and philosophy, fear of the paranormal, discomfort with uncertainty, apocalyptic predictions, Heaven's Gate cult suicide, government disclosure, technology for the ultra-rich, and much more! This is some fascinating conversation! - Recap by Vincent Treewell of The Weird Part Podcast Outro Music is Dead Harrison with Monolith Lord Download

Get ready to skillfully navigate this posttruth world with so many false realities. We'll find Red Pills in Gnostic comics, books, and television shows that include the Gnostic series Silo. This exploration will cover many alternative movements and philosophies: Dadaism, Postmodernism, Anarchism, and more. And it will summarize the insights of such Gnosis exemplars like Philip K. Dick, Grant Morrison, and Michael Marshall Smith. Ultimately, you'll find that buried treasure that is your higher self under a sea of simulated worlds.Astral Guest – Dr. David Sweeney, author of The OA (Constellations) and lecturer in The Glasgow School of Art's Design History and Theory department.Join the Virtual Alexandria Academy https://thegodabovegod.com/virtual-alexandria-academy/Stream Meet The Archons: https://thegodabovegod.com/access-meet-archons/This is a partial show. For the second half of the interview, please become an AB Prime member: http://thegodabovegod.com/members/subscription-levels/ or patron at Patreon: https://www.patreon.com/aeonbyteGet the simple, effective, and affordable Red Circle Private RSS Feed for all full shows: https://app.redcircle.com/shows/2afbb075-465d-42d2-833b-12fa3bca1c7d/exclusive-contentMore information on David: https://www.gsa.ac.uk/about-gsa/our-people/our-staff/s/sweeney-david/Get the book: https://amzn.to/3QDno58Check our last interview with David: https://thegodabovegod.com/gnostic-themes-in-the-oa-and-other-television/Support this podcast at — https://redcircle.com/aeon-byte-gnostic-radio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Michael Marshall Smith & I became friends over the past few years. He & I are almost polar opposites politically. We differ profoundly on guns. But whenever there's a mass shooting, we talk. We did again yesterday.

Intruders was BBC 2 and BBC America co-production from 2014. The miniseries was based on the novel by Michael Marshall Smith. Why are people behaving strangely and going missing? What is the struggle for control that some characters seem to be going through? Please send us your comments, questions, requests and complaints. You can reach […]

Intruders was 2014 miniseries based on the novel by Michael Marshall Smith. Why are people behaving strangely and going missing? What is the struggle for control that some characters seem to be going through? Please send us your comments, questions, requests and complaints. You can reach us at britishinvaders@gmail.com, and you can find us on […]

On this episode we will explore "the creeps." What are they? When do they occur? Are "the creeps" good for us? Our story, "Stolen Kisses," by Michael Marshall Smith, is one of those stories that make you go, "BRRRRR" at the end. Join us, and let the creepy times roll!MusicFesliyan Studios: "Ghost Stories,"Audio Jungle: "Halloween Waltzes"Nox Arcana: "Legend" from "Darklore Manor"Felix Mendelson: "Midsummer Night's Dream (Wedding March)"Narration: Robert BreaultPlease join us! Like and follow our Facebook page to become " patron of the Cemetery Hills Library, or (even better!), jump on our Patreon page and become a VIP Patron.                         Mugs, tee-shirts and eternal thanks await you!                                                                                           Patreon Page: https://www.patreon.com/user?u=61177769&fan_landing=trueWebpage: http://www.afterwordsparanormal.comFacebook: After Words Paranormal PodcastEmail: afterwordsstories@gmail.com

On this episode we will explore "the creeps." What are they? When do they occur? Are "the creeps" good for us? Our story, "Stolen Kisses," by Michael Marshall Smith, is one of those stories that make you go, "BRRRRR" at the end. Join us, and let the creepy times roll!MusicFesliyan Studios: "Ghost Stories,"Audio Jungle: "Halloween Waltzes"Nox Arcana: "Legend" from "Darklore Manor"Felix Mendelson: "Midsummer Night's Dream (Wedding March)"Narration: Robert BreaultPlease join us! Like and follow our Facebook page to become " patron of the Cemetery Hills Library, or (even better!), jump on our Patreon page and become a VIP Patron.                         Mugs, tee-shirts and eternal thanks await you!                                                                                           Patreon Page: https://www.patreon.com/user?u=61177769&fan_landing=trueWebpage: http://www.afterwordsparanormal.comFacebook: After Words Paranormal PodcastEmail: afterwordsstories@gmail.com

Fabien Martorell is a multi-awarded director (18 awards and 25 nominations in the US, UK and France), who lives in Los Angeles. Martorell comes from a suburb of Lyon, France. He essentially focuses on drama, thriller and crime films. He is a meticulous, detail-oriented director, with a unique esthetic and composition. He directed the Netflix film Collision, a drama/thriller, starring Langley Kirkwood (HBO's Warrior), Vuyo Dabula, Tessa Jubber and many others, shot in Johannesburg, South Africa. The film was released on June 16, 2022 and quickly became #3 in the world and sat in the Top 10 list in 68 countries on Netflix. Martorell's short films have been acclaimed and awarded in many prestigious international film festivals. Unbelief, a drama/thriller, starring Andrew Howard (Limitless, Taken 3), Tobin Bell (Saw), based on the short story by Michael Marshall Smith, won multiple awards and nominations, and was an official selection of many international film festivals. The Coin, a drama, starring Christopher Lloyd (Back To The Future), Kathryn Morris (Minority Report, Cold Case), based on the short story Soul Murder by David Mamet, also won multiple awards and nominations, and was an official selection of many major international festivals including 4 Academy-qualifying festivals (Palm Springs Int'l Film Festival & ShortFest, LA Short Fest, Newport Beach Film Festival, Cleveland Int'l Film Festival). He also directed eight other short films, which have been selected and awarded in prestigious European film festivals. Martorell's first feature documentary, Tromatized: Meet Lloyd Kaufman, about the legendary and eccentric Lloyd Kaufman (president of Troma Entertainment and creator of the Toxic Avenger), starring Stan Lee, Roger Corman, Eli Roth, Trey Parker, James Gunn. It was awarded “Best Biographical Documentary” at the 2009 New York Int'l Indep. Film Festival, presided by Abel Ferrara. It was the selection at several other film festivals, including the Hollywood Film Festival, and it was acclaimed by the specialized press/critics. The film was picked up by Under The Milky Way and distributed worldwide (Amazon, iTunes, vudu, etc.). He finished the post-production of his second feature documentary, The Guns Story, about guitarist Tracii Guns (L.A. Guns, Guns N' Roses), featuring Iggy Pop. In 2011, he established his own film production company, FM Pictures, in Los Angeles, and in 2022, he established his second film production company, Lucky Rhino, with his partner Neo Baloyi in Johannesburg. He is the co-founder of the Festival du Film Court de Vaulx-en-Velin in France, now in its twenty second year. Martorell is passionate about German cinema from the 20s and 30s, Japanese cinema from the 50s, American cinema from the 80s and 90s, Korean cinema from the 2000s, and Art History such as European and Japanese paintings.

For over three decades Ellen Datlow has been at the centre of the horror community. She is the queen of editors, the doyenne of anthologisers, the person who gets to declare what is the Best Horror of the Year.And she has come back to talk to me after I lost the conversation file the first time around…!That major mishap may have been a blessing in disguise, as since then she has published two standout anthologies, dealing with very different branches of horror. Body Shocks is a bumper collection of extremely nasty body horror; When It Gets Dark is a collection of stories inspired by the life and work of Shirley Jackson. One is icky, one is spooky, one makes you cringe, the other makes you shiver. And both are packed with stellar names. As well as discussing these anthologies, we talk about Ellen's career in horror, how she does what she does, and what words like ‘horror' and ‘scary' mean to her. She talks about big names she worked with, and gives us some ideas on who the big names of tomorrow will be.Oh, and she also lets slip that she collects doll limbs … a perfect little nugget to season this mix.Enjoy. Body Shocks: Extreme Tales of Body Horror is out now from Tachyon PressWhen Things Gets Dark: Stories Inspired by Shirley Jackson is out now from Titan PressOther books mentioned in this episode include:“Shit Happens” (2018), by Michael Marshall Smith, in The Devil and the Deep: Horror Stories of the Sea, edited by Ellen DatlowNothing but Blackened Teeth (2021), by Cassandra KhawFlyaway (2020), by Kathleen JenningsThe Only Good Indians (2020), by Stephen Graham JonesMy Heart is a Chainsaw (2021), by Stephen Graham JonesAnd Then I Woke Up (2022), by Malcolm DevlinEcho (2022), by Thomas Olde HeuveltThe Loneliness of the Long-Distance Reporter (2022), by Daniela Tomova Support the show on Patreon - https://www.patreon.com/TalkingScaredPodCome talk books on Twitter @talkscaredpod, on Instagram, or email direct to talkingscaredpod@gmail.com.Download Novellic on Google Play or Apple Store.

Como el título indica, hablamos de la película de Prime Video La guerra del mañana (Chris McKay, 2021). De hecho, hablamos bastante de ella, pero a ninguno de los dos nos gustó realmente. Está claro que eso nunca nos ha impedido hablar de una obra. SPOILERS de (17:10) a (41:20). Ya que estábamos, después el capítulo se ha convertido en una lista de «ah, he visto esta película», y «ah, he jugado a este juego», así que tenemos un surtido de obras aquí dentro. 2067, el libro Clones (de Michael Marshall Smith), Viuda negra, Astro's Playroom (PS5), Yakuza: Like a Dragon, La calle del terror, Otra vuelta de tuerca, Un lugar tranquilo 2, Nadie, Alice in Borderland...

 Como el título indica, hablamos de la película de Prime Video La guerra del mañana (Chris McKay, 2021). De hecho, hablamos bastante de ella, pero a ninguno de los dos nos gustó realmente. Está claro que eso nunca nos ha impedido hablar de una obra. SPOILERS de (17:10) a (41:20). Ya que estábamos, después el capítulo se ha convertido en una lista de «ah, he visto esta película», y «ah, he jugado a este juego», así que tenemos un surtido de obras aquí dentro. 2067, el libro Clones (de Michael Marshall Smith), Viuda negra, Astro's Playroom (PS5), Yakuza: Like a Dragon, La calle del terror, Otra vuelta de tuerca, Un lugar tranquilo 2, Nadie, Alice in Borderland...

I interview bestselling suspense, horror, and & sci-fi author Michael Marshall Smith.  As an author who has published over a dozen novels and nearly 100 short stories under THREE different pen names, Michael Marshall Smith is a the perfect person to begin shedding light on what's in the name Michael Marshall.

Jennifer has been nominated twice for the Bram Stoker award for horror, and won both the Bram Stoker and the Hugo Award for editing work. She’s written stories and novels for Battletech, Shadowrun, Valdemar, as well as many original stories and novels in YA Horror, Fantasy, and Sci Fi. She has the Best Quote Ever: You can be blunt or you can be vulgar but you can’t be both. … Continue...Episode 89 – Interview with Jennifer Brozek

In the first episode of Series 7, bestselling authors CJ Tudor and Will Dean go head to head in a war of the words, pitting a book that they each love against each other. They discuss their new novels, The Burning Girls and The Last Thing To Burn, as well as their inspirations and what they've been reading recently. The Book Off sees Sarah Water's "Little Stranger" go up against "Spares" by Michael Marshall Smith. See acast.com/privacy for privacy and opt-out information.

2020 is nearly behind us (woohoo!) but we have time for one more interview with a master of horror. Our guest this week is Michael Marshall Smith the genre polymath and man of a thousand pseudonyms (all of them involving ‘Michael’.)He is joining me to discuss his new career retrospective, The Best of Michael Marshall Smith, published in a beautiful volume by Subterranean Press. It’s a huge collection of stories, covering Michael’s 30 years of writing, from his recent work, all the way back to his debut story “The Man Who Drew Cats” – which won the British Fantasy Award. Along the way we talk about living and writing on both sides of the Atlantic, our shared love of Stephen King and why Michael writes about cats so much. We also establish that I’m a dog person. And just to make sure we cover all the bases, we also devote a few minutes to discussing the orange baby currently tantrum-ing his way out of the White House, cos it is 2020 still, after all. Lastly, if that isn’t enough for you, I run through the first “Talking Scared Top-Ten Horror of the Year” list. Next year there might be prizes, who knows. It’s been an astonishing year for horror and the first few months of this show have exposed me to writing and thinking that I may otherwise have missed. I can only hope it’s done the same for some of you.So, see you in 2021, when the skies will be blue, the birds singing, and the ghosts moaning a bit more cheerfully.Enjoy!Come talk books with us on Twitter @talkscaredpod, on Instagram, or email direct to talkingscaredpod@gmail.com.Thanks to Terry Smith Audio for sound editing and Adrian Flounders for graphic design.

This week, Liberty and Patricia discuss some of their most anticipated books of 2021, including The Rib King, Dial A for Aunties, and Harlem Shuffle. Pick up an All the Books! T-shirt here. Subscribe to All the Books! using RSS, iTunes, or Spotify and never miss a beat book. Sign up for the weekly New Books! newsletter for even more new book news. BOOKS DISCUSSED ON THE SHOW: The Rib King by Ladee Hubbard Victories Greater Than Death by Charlie Jane Anders We Could Be Heroes by Mike Chen The Gilded Ones by Namina Forna Two Truths and a Lie: A Murder, a Private Investigator, and Her Search for Justice by Ellen McGarrahan Kink: Stories edited by R.O. Kwon and Garth Greenwell Yolk by Mary H.K. Choi Dial A for Aunties by Jesse Q. Sutanto In the Quick by Kate Hope Day Remote Control by Nnedi Okorafor We Are Satellites by Sarah Pinsker Sorrowland by Rivers Solomon Damnation Spring by Ash Davidson Set Boundaries, Find Peace: A Guide to Reclaiming Yourself by Nedra Glover Tawwab Harlem Shuffle by Colson Whitehead Broken in the Best Possible Way by Jenny Lawson WHAT WE’RE READING: Raybearer by Jordan Ifueko Star Eater by Kerstin Hall  MORE BOOKS OUT THE REST OF THE YEAR: Wound from the Mouth of a Wound by torrin a. greathouse Crystal Clear: Reflections on Extraordinary Talismans for Everyday Life by Jaya Saxena In Case You Get Hit by a Bus: A Plan to Organize Your Life Now for When You’re Not Around Later by Abby Schneiderman, Adam Seifer, Gene Newman Curls by Ruth Forman, Geneva Bowers (Illustrator) Marion Lane and the Midnight Murder: A Novel by T.A. Willberg The Chanel Sisters: A Novel by Judithe Little Pretty Little Wife: A Novel by Darby Kane This One Wild and Precious Life: The Path Back to Connection in a Fractured World by Sarah Wilson  Bait and Witch by Angela M. Sanders Ten Rules for Faking It by Sophie Sullivan  The War Widow (A Billie Walker Novel) by Tara Moss A Wicked Yarn (A Craft Fair Knitters Mystery Book 1) by Emmie Caldwell  The Wrong Family: A Novel by Tarryn Fisher  Wrong Alibi by Christina Dodd A Spy in the Struggle by Aya de León  The Mystery of Mrs. Christie by Marie Benedict I Used to Have a Plan: But Life Had Other Ideas by Alessandra Olanow From Archie to Zack by Vincent Kirsch The Best of Michael Marshall Smith by Michael Marshall Smith See omnystudio.com/listener for privacy information.

Author Michael Marshall Smith (Michael Rutger) joins Seriah to talk about his latest book series, his interest in Forteana, how he creates his stories, and much more... Outro Music is Don O'Malley's The Bus Going Home... Download

Author Michael Marshall Smith (Michael Rutger) joins Seriah to talk about his latest book series, his interest in Forteana, how he creates his stories, and much more... Outro Music is Don O'Malley's The Bus Going Home... Download

Author Michael Marshall Smith (Michael Rutger) joins Seriah to talk about his latest book series, his interest in Forteana, how he creates his stories, and much more... Outro Music is Don O'Malley's The Bus Going Home... Download

Nicola and Judith discuss the Karpman Drama Triangle, what is it, which role do you take up and how can you step outside of the drama in your business and your life?   In The Show Nicola updates us on what she’s learned this week about willpower, and also about adapting Michael Marshall Smith’s short stories into screenplays. Judith’s moved house again, back to where she was last autumn and she’s enjoying the underfloor heating and the phone signal.   What's Fuelled Their Fire? Judith’s enjoying a reading week – a client’s first crime novel, plus Pam Grout’s commentary on A Course in Miracles. Nicola’s discovered more about Helen Pritchard’s LinkedIn training and joined her waiting list FB group, and been inspired by a couple of her ideas for her next BEO challenge plus one from another coach who offers unlimited laser coaching sessions.   Focus Of The Week Nicola and Judith discuss the Karpman Drama Triangle, what is it, which role do you take up and how can you step outside of the drama in your business and your life? Here are two articles which explain it. Linda Graham Rachel Turner You might also enjoy KarpmanDramaTriangle.com LISTEN HERE TO OWN IT #261 | Victim, Rescuer or Persecutor?   Words Of The Week Nicola chooses Distraction (Nir Eyal, blamers, shamers and claimers) and Judith picks Fixer (avoid rescuing at all costs).   Project Updates Nicola explains why she fell at the Daily Blogging Challenge hurdle on Day 4 but is still highly motivated by her LinkedIn work with snippets from Own It!   Who Or What's Impressed Nicola is really pleased with her Tesla shares performance in her new SIPP and Judith loves her latest Abraham find – General Well-Being 2.0 *** Join our free Facebook Group for Own It! the Podcast and talk back to us about what you hear in the show. Support our podcast on Patreon with a few monthly dollars to help defray our costs - thank you!   Thanks for listening! To share your thoughts: Leave a rating and review via your podcast app Ask a question in our Facebook Group:https://www.facebook.com/groups/OwnItThePodcast/  To help the show: Subscribe via Radio Public, iTunes, Stitcher, YouTube, TuneIn, Libsyn Please share on Twitter, Facebook or whatever social media platform you love to use and tag us if you can - we love to read your comments! Website: https://OwnItThePodcast.com

Paul Kane is one of the busiest writers that I know of. It's like the old saying goes, "If you're going to be a writer, you better do a lot of writing." And that's what Paul does. In his latest offering called Dark Mirages: Film & TV Vol. One, he's put together a collection of scripts/film & TV treatments with one of them being the unused Hellraiser V treatment by Stephen Jones and Michael Marshall Smith called HRXX End of the World. This alone makes the book worth owning. Other contributors include Stephen Gallagher, Axelle Carolyn, Peter Crowther, Muriel Gray & Stephen Laws. The collection is being released by PS publishing and will come in a standard jacked hardcover edition and a special signed and numbered edition that are limited to a 100 copies. Checkout the table of contents: Introduction by Paul Kane HRXX End of the World — Smith & Jones Dracula — Stephen Gallagher The Last Post — Axelle Carolyn Prime Time — Peter Crowther The Seven — Muriel Gray Dead Man's Hand — Stephen Laws For full details on the collection and to order your copy today follow the link below: https://www.pspublishing.co.uk/dark-mirages-hardcover-edited-by-paul-kane-4692-p.asp?utm_source=newsletter&utm_medium=email&utm_campaign=ps_publishing_weekly_newsletter&utm_term=2018-09-28 And remember this is only volume one so it will be interesting to see what Paul has coming up next. Thanks to Paul Kane for sharing.

El protagonista de nuestra historia de hoy filtra todo por la numerología y lo recoge con detalle en un peculiar diario que raya en un padecimiento psicológico y patológico que oculta más de lo que parece… Michael Marshall Smith (1965) nació en Knutsford, Cheshire, Inglaterra y se mudó a una edad temprana a Illinois, luego Florida, después a Sudáfrica, eventualmente a Australia para terminar regresando a Inglaterra en 1973. Su primer historia publicada “El hombre que dibujó gatos” ganó el British Fantasy Award en 1991 por “Mejor Historia Corta”. Su primer novela “Sólo hacia adelante” publicada en 1994 ganó el premio August Derleth en 1995 y el Phillip K. Dick en el 2000

Ellen Datlow has been editing science fiction, fantasy, and horror short fiction for over thirty-five years as fiction editor of OMNI Magazine and editor of Event Horizon and SCIFICTION. She currently acquires short fiction for Tor.com. In addition, she has edited more than ninety science fiction, fantasy, and horror anthologies, including the annual The Best Horror of the Year, The Doll Collection, Black Feathers, and Mad Hatters and March Hares.   Forthcoming are The Devil and the Deep: Horror Stories of the Sea and Echoes: The Saga Anthology of Ghost Stories. She's won multiple World Fantasy Awards, Locus Awards, Hugo Awards, Stoker Awards, International Horror Guild Awards, Shirley Jackson Awards, and the 2012 Il Posto Nero Black Spot Award for Excellence as Best Foreign Editor. Datlow was named recipient of the 2007 Karl Edward Wagner Award, given at the British Fantasy Convention for "outstanding contribution to the genre," and has been honored with the Life Achievement Award by the Horror Writers Association and by the World Fantasy Convention.   She lives in New York and co-hosts the monthly Fantastic Fiction Reading Series at KGB Bar.  More information can be found at www.datlow.com, on Facebook, and on Twitter as @EllenDatlow. Show Notes: The Complete Fairy Tales by Oscar Wilde Irving Stone The President's Lady Nancy Drew Note: At the 18:11 minute mark, Lisa's voice has a terrible echo; at the 20:04 minute mark, Mackenzie's voice echoes. The issue doesn't repeat throughout the rest of the episode, so bear with us!  Echoes: The Saga Anthology of Ghost Stories, coming November 2018 "Shit Happens", by Michael Marshall Smith, in The Devil and the Deep anthology "Haunt", by Siobhan Carroll, in The Devil and the Deep anthology Stephen Graham Jones "Broken Record" in The Devil and the Deep anthology Mongrels Poe: 19 New Tales of Suspense, Dark Fantasy, and Horror Inspired by Edgar Allan Poe Kirkus article that Ellen mentions: "How Ellen Datlow and the Authors of The Devil and the Deep Created Your Next Great Read" Jaws Santa Barbara Museum of Natural History: Sea Center Sir John Tenniel -- Alice in Wonderland illustrator Angela Slatter Genevieve Valentine Seanan McGuire Priya Sherma Yan Svankmajer's Alice (1988) Dreamchild (1985) Gods, Monsters, and the Lucky Peach by Kelly Robson

Están ahí, como los fantasmas... por doquier, invisibles, reinando y ordenando nuestro universo. Y son tan sagrados, que pueden volver loco a quien se le ocurra descifrarlos. Además, Michael Marshall Smith y su escalofríante "Libro de los números irracionales

Ed, Del and Ross talk about books whilst a bit hungry. As a result we discuss Food of the Gods by Cassandra Khaw, Hannah Green and Her Unfeasibly Mundane Existence by Michael Marshall Smith and The Star Wars BB-Ate Cookbook. All recordings are issued under official license from Fab Radio International. The Bookworm is a Truly Outrageous Production.

Hey class!  Welcome to our very first Horror Pod Class Extra Credit Episode, where we take the opportunity to interview professionals from the horror genre.  Today, we are talking with the incomparable editor Ellen Datlow.  Ellen has a brand new theme anthology out right now named The Devil and the Deep: Horror Stories of the Sea.  We talk with Ellen quite a bit about the new collection and you can also read our review over at Signal Horizon.   Here are some Amazon affiliate links to the just released and upcoming books we talk about today: The Devil and the Deep: Horror Stories of the Sea   The Year's Best Horror Volume 10   Echos: The Saga Anthology of Ghost Stories   Signal Horizon:  For fiction readers who might not know, how important is a good editor and what techniques do you use to help authors craft a powerful story? Ellen Datlow: Well, that's kind of complicated.  First of all I don't read unsolicited manuscripts anymore.  So what I see is usually from people who I have worked with before or I know they are professional writers already and they know the basics of writing.  When I buy a story I work with a writer to basically make sure what they want to say is on the page.  So I ask a lot of questions when I am editing.  I think it is important for writers to have an editor because we are going to help you not stumble.  I consider myself as an editor, the ideal reader.  When I am looking at material I am going to help you see what missteps you might make or have already made.  My job is to help you rewrite, or revise, to get those those mistakes out of the manuscript.  And that's not copy editing, that's different.  We aren't talking about punctuation and grammar necessarily, we are talking about consistency in tone, consistency, of course if I notice words or phrases repeated I will make note of those and say "are you sure you repeat this 5 times?"  There are certain words that writers repeat a lot and with computers you can see them really easy.  Once one jumps out at me, like that or just or but, and then you can look it up and see that there are 200 buts in your 20 page story, get rid of most of them.  If you can, and that might mean you have to rewrite the sentence or cut out something.  so basically my job is to make good stories become great stories, hopefully.  Or really good stories even better.  That's kind of what I feel my job is.   Signal Horizon:  So I got a chance to read an advance copy of your newest anthology, The Devil and the Deep: Horror Stories of the Sea.  It was great, I was super impressed.  Its 15 new horror stories all with a nautical theme.  I'm really interested in the creative process you use when you come up with a theme for a new anthology and what was it like for this one in particular? Ellen Datlow:  First I pitched it to my editor that I have worked with on The Best Horror of the Year, and he liked it, it was the first original anthology that Nightshade has bought.  Sometimes the in house editor, the publisher, wants to know who you are going to try to get to write.  I don't remember if I got them the names in advance, but once we agree on a contract and it is in process I will solicit the writers.  Writers whose work I like, writers whose work might be perfect for the theme.  I'll contact them and ask them if they are interested and give them a broad outline of what I am looking for or what I am not looking for.  For the sea horror, I said I want all kinds of seas, oceans, by the sea, and even inland seas.  As you might have noticed we have an inland sea story, by Brad Denton, that takes place in the desert out in the west.  It was a former sea and so there is no actual water in the story, but I encourage writers to do that.  Basically, they have about ten months to write a story, if its a new anthology.  Over time I will periodically poke them and ask them how the story is going.  For every anthology I do I ask about a third more writers than I need because usually a third drop out for whatever reason or I don't like the story.  I keep pushing and asking how is the story coming and if writers say "what story?" then I say, hey I need a story now! Or, I need it in three months!  Sometimes they say, I can't do it or I tried, I don't have any ideas or I'm too busy.  Sometimes they send me a story and I just don't think it works.  Through the whole process as the stories come in I judge, what do I have?  What do I need?  Are too many stories similar to each other?  At that point you start contacting the authors who havn't sent anything in yet and say, I don't want any more of this or that.  So thats basically how it works, some people don't buy the stories until they have all come in, I buy them as they come in.  If there is a substantive edit I will do that before I buy the story.  That means if I think that is good and I like it, but I think it need work I won't commit to buying the story until the writer fixes it.  Then I let them sit, it usually not until about two months before I have to hand in the anthology that I start doing the line edits.  I try to start with the earlier stories, the ones I bought first, so I have had time to digest them.  Then I do the line edit where I do a line by line reading to make sure that everything seems to be in its place.  Every line is comprehensible, there is no "I don't know what you are talking about here" kind of thing.  I do the final line edit, then I have to figure out the order of the stories, usually I do that when I get all the stories in.  Thats kind of when you balance and see what you've got.  You try to balance the reading order so that the reader will enjoy it, but the thing about putting a table of contents together is that there is no guarantee that anyone is going to read it front to back.  Editors have to assume you will, because there is nothing else we can do.  The first and the last stories are the most important, the first you want to be inviting to get the reader into the anthology.  You don't want to make it too complicated.  You want to show this what the book is going to be about, so the first story is really important because you don't want to turn the reader off.  The last story is usually the one that the editor thinks is the most powerful.  Either that or sometimes I do a grace note, I put the really strong story second to last, usually a longer one, and then the last story is a shorter one that has a little punch to it.  Thats the basics of putting together an original anthology for me, then I write the introduction.  That usually comes from the proposal, I usually add to the proposal and that becomes the introduction.   Signal Horizon:  So I heard that when you solicited some of your past anthologies you will also come out with, "I don't want this".  In Children of Lovecraft I think it was no pastiche, no tentacles.  In the Doll Collection it was no Chuckie style murderous dolls.  Was there anything with the with the the Devil and the Deep that you didn't want? Ellen Datlow:  Well I didn't want to concentrate on sea monsters.  I'm trying to remember I don't really think I did.  I was pretty vague on that, for that one there didn't seem to be any obvious things to avoid.  I said I wanted horror rather than dark fantasy but other than that no.  I think that's an usual one because I don't think that the sea has been over done. The problem is with a lot of theme anthologies is that you've seen the theme and the specific types of stories on the theme over and over again. That's when you have to make sure and clarify this is what I don't want, but I don't think there has been that many sea horror anthologies so I didn't have that problem.   Signal Horizon:  One of the stories that just really stood out to me was Michael Marshall Smith's short story, "Shit Happens." I think it was legitimately one of the funniest short stories I've I've ever read and I'm dying to ask: did you know that you were going to get something that funny when you when you ask them to contribute?   Ellen Datlow:  I had no idea.   This is one of my faves too because it is funny and I usually hate funny horror.  But it works beautifully and also I love the secretary or the assistant,  she is that the fixer. I want her to have her story she's great. I forget her name but it's like oh my god I know that you've got to do more with her in the future.  Michael doesn't usually write funny but this was very funny.   Signal Horizon:  So I I know better than to ask what your favorite story from the collection is, but are there any you want to highlight that really stand out from this collection?   Ellen Datlow: It's difficult to do.  That one, but also "Haunt" which is the last one in the anthology and I it the one by Siobhan Carroll.  I put that last because I thought it was really powerful I don't want to give too much away, but it's about a boat stranded in calm water.  I forget what century it is in, maybe the nineteenth century.  I don't remember, but it's not our contemporary time.  I think it's horrifying from it's based on.  Some of the incidents in the story are real, I mean they are historically accurate.  It is just horrendous but you know it's hard to describe without giving away spoilers but that's one that I thought was a really strong story.  And of course Michael's.  I found Stephen Graham Jones' story very peculiar, I mean it's also very humorous in it's weird way.  It's about a young guy, I don't remember if he's a teenager a little older than that, but he's stranded on a desert island and things start washing up that he believes he wished for.  Be careful what you wish for because you might get it is the kind of moral of that.  It's got its mute amusing bits too, but Stephen is a really powerful writer and this is actually one of his quote unquote "lighter pieces" I think. He's very good crime writer and he's very good at dark and horrific material.  I don't you know it's like picking a favorite child.   Signal Horizon: I know it is it is difficult to talk about "Haunt."  Once I read it I wanted to tell everybody about it but it's it's difficult to talk about it without giving too much about it away.   Ellen Datlow:  The information will diminish its power.    Signal Horizon: Exactly, yeah I think one of the most powerful pieces of of short fiction I've read in in in a long time. So, you previously said that the story order, well we already talked about that.     Ellen Datlow:  But I didn't talk about things other than beginning and the ending.  You judge by various things, by the tone, the point of view, where story takes place, and how long it is.  I mean the length of the story to try to very them.  You don't want like three really long stories in a row.  Sometimes if one story is complicated and really difficult or hard to take you might put that in the middle or two thirds the way through because you want to have your readers get used to the rhythm of the book  You want them not to be slapped in the face too much until they're ready for it.  So you put a difficult, complex, or offensive, or maybe a provocative one you put that later on.  You don't put that first thing.   Signal Horizon:  I was also struck by the by the diversity of of all the of all the stories and it seems like it's a it's a real balancing act you to make sure they have a wide enough appeal and to keep the reader interested but the same time ensuring that there is a common element there that runs through the anthology.  How much of that is credited to work do you do?  Either who you solicit or how you polish them once they come in and how much of it is just kind of kind of good fortune I guess?   Ellen Datlow: It's both it depends on the anthology.  Like when I did my Poe anthology, I didn't want all of them to be House of Usher stories.  There were three stories that were kind of House of Usher stories in a way but they were different from each other. What I would do is before people wrote this story is I would say what are you writing about? I wanted them to write about one of Poe's pieces of poetry or prose. Even essays too, Glen Hirshberg wrote the Pikesville Buffalo based on short news item I think that Poe had written or read.  So it depends on the anthology.  This new one is good because it's not based on anything specific.  So I didn't have that problem. In that I was was lucky, but at a certain point you have to see how much is left, see what's coming in and if you see that everything's about a certain thing you have to steer people away from certain things.  In my Black Feathers anthology, several people have pointed out that there are quite few stories about crows and ravens. It's like well yeah because those are really popular birds!  So once you realize you've got three stories about ravens you say okay no more crows and ravens. Other birds now.  It depends on the anthology, what I did for my Alice in Wonderland anthology Mad Hatters and March Hares, is I asked each writer what you can about right about before they wrote. What creature going do, what aspect are you going to write about? To get the best variety it could. They're not meant to be retellings of events in Alice in Wonderland.  So the editor has to direct so you don't get all the same stories. Signal Horizon:  Writers are are pretty pretty open to that kind of that kind of direction? Ellen Datlow: Well, if you tell them straight out, yes.  If you tell them from the very beginning what you want to write about. I don't want to know the plot I don't want to know every detail, I just want to know what you are going to write about.  In Devil and the Deep I know Brad Denton came to me and asked me if it is okay to write the story that has no water in it. I said I asked for an inland sea story, sure go ahead. So that is the one that is the most far out there, thematically.  There is no sea in that story but it takes place in a former sea and there is a boat.  If you want to guide your anthology, then yes you have to have some input.  Some editors will give them strict assignments and say I want this or that.  I'm not that way I'm not a writer.  Those are usually editors who are also writers.  I'm not a writer, I do not have ideas. I do not want to give my ideas to the authors I want them to create their own stories and I will work with them to make the story better.  So I give guidance but I would never give them the plot line Signal Horizon:  So I saw I saw a couple weeks ago that the cover art and table of contents for The Year's Best Horror Volume ten is out.  The cover art as always is is amazing and the lineup for this year looks pretty strong. It's it's due out this summer so what are your overall impressions of that this year's line up? Ellen Datlow: Well I realize I have more women writers than ever before. Its almost even, which is unusual.  There is a substantial increase in female voices in the last twenty years and certainly the last five years.  That's been increasing and I'm finding that fabulous.  I'm gratified to see that there are women writers getting they're due coming out and writing really great stories.  I'm currently working on the best of best, which the best of the first ten years of the book.  So I am going through early volumes and I'm writing notes.  I'm not taking any stories that were in Nightmares, which was the Tachyon anthology that had the idea of the best of anew decade a modern horror.  It was like stories that I thought were really terrific from 2005-2015.  It was a sequel to my Darkness: Two Decades of Modern Horror. I'm not using any of the stories from Nightmares, which restricts me a tiny bit.  Obviously I love the stories in that anthology but I didn't want to use them again.  Its also a juggling act to pick three or so stories from each of the ten volumes.  I'm trying to get take stories that aren't over reprinted.  Things that have been reprinted only one or two times, but that is hard because over the years people have put out single author anthologies and reprint anthologies.  That's what I'm busy doing right now, but I thought last year was very strong. I always find at least twice as many stories as I can actually use. Last year's volume is a hundred thousand words which is I think the biggest I've done and I'm happy with all the stories.  I think they are great.   Signal Horizon: So when you do the Year's Best what does your workflow look like I mean?  Are you like constantly reading throughout the entire year?   Ellen Datlow:  Yeah, although I haven't really officially started for this year yet because of the Best and Best.  I will probably by the end of this month be deep into reading for this Year's Best. It's like a never ending thing. I do more work to the best of the year, not even a complaint but I do more work for the Year's Best compare to any other anthology and I get paid the least, because they are all reprints. I have people who are reading electronic magazines for me.  Something like light speed which doesn't have that much horror.  There's more and more material to read every year. Every year it they're more anthologies coming out and I always find out after the fact when it's too late. Sometimes I miss out on anthologies because the publisher doesn't send to me. I went to a con recently and it was in the dealers room and there was a publisher that had like 3 anthologies out that were published in 2017. I said you never said this to me and they said who are you?  What kind of publisher hasn't heard of the Year's Bests?  Not just mine but others.  They should be doing this to help the writers get recognition.    Signal Horizon: You know way better than me that the publishing industry has changed significantly in in the span of your career.  Right now there's a lot of really good horror coming out of very small presses.   Ellen Datlow:  Yes, right.  Well very few large presses will publish collect single other collections. A few do, but it is usually to promote or go along with a novel they are publishing.  I've been mostly with medium size and large publishers who publish my anthologies. It started with desktop publishing, and now because it's even easier with computers and everything. Writers can self publish, but it doesn't mean they should. Writers think that they should just go their work out there and someone will see it, but the problem is unless you have a following to begin with it's very hard to get anyone's attention. So in a sense things have changed, but they haven't changed that much. You still need to get your work out there and have people see or you are not going to make any money.    Signal Horizon: From my own point of view what I think one of the one of the values of the year's best horror is not only do you get all these great stories but that you also get exposed all these authors that you might not have they have read before. Sometimes you can you can pick up an author you never heard of and then you find that they have a novel and they have all these other short stories and you can really get engaged that way. Another part that I really like is that is your introductions are super detailed about what the state of the industry is is that year.    Ellen Datlow:  Well thanks, gratifying. I mean, don't love doing the summary but I take notes. I do it as I as I read I take the notes, so it's an ongoing process through the whole year.    Signal Horizon:  So I I know that you're always super tight lipped about your next themed anthologies but what other kind of things are you working on right now?    Ellen Datlow:  I'm not working on anything right.  For 2 years I worked on a huge ghost story anthology that this coming out October from Saga Books called Echoes.  It is over 200000 words so I have been working on that.  I haven't had time to sell anything else right now. In a way I feel free, I don't feel under as much pressure as usual which is kinda nice.   Signal Horizon: I really appreciate you coming on and sharing some of your knowledge with us.   Ellen Datlow:  Yeah, its been a pleasure and it's been a lot of fun.   Signal Horizon: So okay class where the big takeaways? Well if you are a  publisher make sure Ellen gets your stuff! That's the only way that you and your authors are going to get into the year's best. If you are a reader made sure you check out new anthology The Devil and the Deep, its fantastic and as always The Year's Best Horror Volume 10 is going to be is gonna be great.  So make sure you go out and pre order some Ellen's books and maybe even go to a real life brick and mortar store and buy a couple of them. Until next time, class dismissed.

We talk about life's disapointments and set up our high expectations for the next series of the Bake Off. Foreshadowing?

Michael Marshall Smith is a writer that writes in various formats: novels, for screen and short stories. His first published story was The Man Who Drew Cats, and this won the British Fantasy Award in 1991 for “Best Short Story”. His first novel, Only Forward, followed in 1991 and won the August Derleth Award for best novel in 1995 and the Philip K. Dick Award in 2000. He has also been nominated for the World Fantasy Award in 95, 96 and 97. His stories have appeared in many anthologies and magazines, including volumes of Dark Voices and Dark Terrors. Other notable novels/stories are The Straw Men novels (The Straw Men, The Lonely Dead and Blood of Angels).

Matt y Philip han cambiado de planes, y están haciendo todo lo posible para ver a Rebeca una vez más. La soledad puede ser insoportable… pero revivir algunos recuerdos es el infierno.

Matt y Philip han cambiado de planes, y están haciendo todo lo posible para ver a Rebeca una vez más. La soledad puede ser insoportable… pero revivir algunos recuerdos es el infierno.

Matt y Philip siempre soñaron con dominar el mundo, y están a punto de lograrlo con una inyección capaz de curar cualquier enfermedad. Pero jugar a ser dioses puede abrir las puertas del infierno.

Matt y Philip siempre soñaron con dominar el mundo, y están a punto de lograrlo con una inyección capaz de curar cualquier enfermedad. Pero jugar a ser dioses puede abrir las puertas del infierno.

Welcome back to our cosy nook.  Pull up an armchair, pour yourself a soothing drink and join us for a good chat.  These episodes are always special to me because we get to delve into the books under discussion in a much fuller way than our usual episodes allow.  Needless to say this means spoilers, so we recommend that listeners read the book in advance.  This episode we explore Neil Gaiman's mythical masterpiece, American Gods.  This is a toughie to describe.  In some ways it's a road-trip around the hidden highways of the USA, in others it's a meditation on belief.  The book is wildly unpredictable, utterly charming and chilling in equal measures. As ever, two of the Scrolls team have stepped aside to make space for two of You.  Joining Dion and Clover in the discussion are avid readers Jenny Williams and Bernice Watson.  Congratulations to Jenny, who has just been signed by Headline.  Her first book with them is called The Copper Promise and it is due to be published in the Spring of 2014.  An e-book of the first part of this story is available on Kindle and, having read it, I'm eagerly awaiting the the rest of the tale.  You may recognise Bernice from theChildren of the Atom podcast, here on the Geek Syndicate Network.  She also makes audio and video appearances at Liberation Frequency, a site dedicated to bringing exposure to 'new bands, artists and comedians.'  Check them out.  One last plug - Clover appears on the latest episode of Stacey's Pop Culture Parlour for a chilled out chat about... bazongas?! So, line that up after the Book Group for a change of pace. If you want to carry on the conversation you can post your comments down below.  We'd love to hear from you.  Our August episode will be on Only Forward by Michael Marshall Smith.  The final Book Group this year will (rather appropriately) be Terminus by Adam Baker: a zombie thriller with a difference.  We have room for one more guest on both of these episodes so get in touch if you want to be involved.  E-mail us at scrolls@hotmail.co.uk or tweet straight @Dion_Scrolls to bag your spot in the show.  If you don't fancy either of these books you know what to do - tell us what book you would like to chat about and we'll start booking slots for 2014.

"It's about the release of information ..."

Trente-cinquième épisode de Fantasy au Petit-Déjeuner. Au programme : "Les Domestiques" écrit par Michael Marshall Smith, et publié aux éditions Milady. Bonne quinzaine de lecture. Salvek