POPULARITY
3 episodes with Paul Laverty
3 episodes with Paul Laverty
2 episodes with Paul Laverty
3 episodes with Paul Laverty
2 episodes with Paul Laverty
2 episodes with Paul Laverty
2 episodes with Paul Laverty
2 episodes with Paul Laverty
2 episodes with Paul Laverty
The Old Oak will be Ken Loach's last feature film and Sharuna Sagar was granted exclusive access behind the scenes of this landmark movie. She joins the 86-year-old director on his swansong as he brings together his loyal team for one last time. As with his previous two films, I, Daniel Blake and Sorry We Missed You, Ken returns to the North East of England, to tell the story of Syrian refugees who have been housed in an ex-mining village. With him are his long-standing partners, producer Rebecca O'Brien and writer Paul Laverty, and they reveal the secrets of Loach's success, with films like Kes, Cathy Come Home and The Wind That Shakes The Barley.
In this Film Ireland podcast, Gemma Creagh talks to Mark Forbes, Director of Quiet on Set: The Class Division in the Film Industry. Filmmaker Mark Forbes examines classism that has plagued the UK film industry for decades and through the lens of individuals from working-class backgrounds as we observe the challenges they encounter when attempting to enter the field. The film features actors Maxine Peake and Vicky McClure, writer Paul Laverty and filmmakers Sean McAllister and Kolton Lee. Filmed between July 2023 & July 2024, Quiet on Set: The Class Division in the Film Industry is currently being edited.
It's a classic case of head versus heart as Ian and David take on The Old Oak!The guys have very different takes on the (purported) final film by esteemed director Ken Loach, in which a young Syrian refugee named Yara (Ebla Mari) and her family move into an impoverished Northern England former mining town in 2016. Yara befriends TJ (Dave Turner), the owner of the titular pub, who is caught between loyalty to his xenophobic friends/patrons and the instinct to look out for these new, well-meaning strangers.In this spoilerific discussion, Ian and David dig into Loach and screenwriter Paul Laverty's effective use of acting, aesthetics, and mood in crafting their sympathetic, pro-immigrant "message movie"--one that paints all attendant concerns about numbers, culture, and economics as strictly the domain of alcoholic racist idiots.Is this, as the filmmakers likely thought of it, "the movie we need right now"? Or is it a polemic disguised as a (very well executed) slice-of-life drama?Pull up a stool, pour yourself a drink, and find out!Subscribe, like, and comment to the Kicking the Seat YouTube channel, and check out kickseat.com for multiple movie podcasts each week!Show LinksWatch the Old Oak trailer.As mentioned in the show, The 11th Chicago Critics Film Festival kicks off this Friday (May 3rd) at the Music Box Theatre. Get your festival passes and tickets now!Follow David Fowlie's film criticism at Keeping It Reel.
Screenwriter Paul Laverty – whose decades-long collaboration with director Ken Loach culminates in The Old Oak, now in theaters across North America – is here to shine a light on Diego Quemada-Diez' 2013 migrant drama The Golden Dream. Your genial host Norm Wilner is always happy to lend a hand.
Ron Kovic Listen to a conversation with Ron Kovic discussing his new book, a dangerous country and American elegy with Eric Mann, two veterans of the anti-war movement discuss the big lie of the US war machine, the role of taking personal responsibility inside oppressive systems, personal forgiveness, and the will to move forward. The Old Oak directed by Ken Loach Eric will also be reviewing, the great Ken Loach's new, and last film The Old Oak a beautiful film of how a Syrian refugee woman and a British working class man fight, anti-immigrant sentiment and March forward together. The Old Oak is put together by a fantastic trio: Directed by Ken Loach written by Paul Laverty, produced by Rebecca O'Brien There will be a sneak preview of the The Old Oak at the Strategy And Soul Theater on Thursday, April 11 and a theatrical opening at the Laemmle Royal on Friday, April 12 join us that Thursday night and go to the Royal as well
Que nadie duerma es el último trabajo de Antonio Méndez Esparza con él y con su protagonista Malena Alterio charlamos de esta cinta basada en la novela homónima de Juan José Millás, y con la que Malena conduce su primer protagonista en una carrera que la lleva directamente al Goya. Un thriller psicológico, con dramas cotidianos. Otra de las cintas en las que nos detenemos es La ermita, el segundo trabajo de Carlota Pereda en el que vuelve a jugar con el terror pero desde un plano más sutil. Con Carlota Pereda y Belén Rueda, su protagonista, hablamos de esta mezcla perfecta entre drama y lo sobrenatural. Compartimos micrófono con ellos en la Seminci y hoy los recordamos, porque El viejo roble de Ken Loach y su inseparable guionista Paul Laverty, llega a la gran pantalla. La película más luminosa de este director que retrata una de las zonas más deprimidas de Durham. No dejamos los festivales porque el de Hamburgo la premió, también el de San Sebastián, con dos galardones. Dirigida por Isabel Herguera, llega a las salas y a De película El Sueño de la Sultana, inspirada en un cuento de ciencia ficción que nos lleva a un viaje mágico por la India en busca de Ladyland, la utopía de las mujeres. La imagen permanente, fue la gran triunfadora de la Seminci, Laura Ferrás se ha convertido en la primera directora española en ganar la espiga de oro y lo hace con una película en catalán, una cinta diferente, muy radical, dónde confronta dos generaciones de una familia, que igual te conmueve como te hace reír. Amanece es otra propuesta interesante, la ópera prima de Juan Francisco Viruega, protagonizada por Aura Garrido, Iria del Río e Isabel Ampudia, una historia generacional, con las relaciones sentimentales y el paisaje almeriense como telón de fondo. Todo esto además del resto de la cartelera, hablaremos del Festival de Sevilla con su director Manuel Cristóbal, del festival de Gijón, tendremos Marian Álvarez la actriz protagonista y guionista de Lobo, película inaugural, además de la colaboración de Luis Alegre, las mejores series con Pedro Calvo y su participación. Escuchar audio
'Que nadie duerma' es el último trabajo de Antonio Méndez Esparza con él y con su protagonista Malena Alterio charlamos de esta cinta basada en la novela homónima de Juan José Millás, y con la que Malena conduce su primer protagonista en una carrera que la lleva directamente al Goya. Un thriller psicológico, con dramas cotidianos.Otra de las cintas en las que nos detenemos es 'La ermita', el segundo trabajo de Carlota Pereda en el que vuelve a jugar con el terror pero desde un plano más sutil. Con Carlota Pereda y Belén Rueda, su protagonista hablamos de esta mezcla perfecta entre drama y lo sobrenatural.Compartimos micrófono con ellos en la Seminci y hoy los recordamos, porque 'El viejo roble' de Ken Loach' y su inseparable guionista Paul Laverty, llega a la gran pantalla. La película más luminosa de este director que retrata una de las zonas más deprimidas de Durham. No dejamos los festivales porque el de Hamburgo la premió, también el de San sebastian, con dos galardones. Dirigida por Isabel Herguera llega a las salas y a "De película" 'El sueño de la Sultana', inspira en un cuento de ciencia ficción que nos lleva a un viaje mágico por la India en busca de Ladyland, la utopía de las mujeres. 'La imagen permanente', fue la gran triunfadora de la Seminci, Laura ferrás se ha convertido en la primera directora española en ganar la espiga de oro y lo hace con una película en catalán, una cinta diferente, muy radical, dónde confronta dos generaciones de una familia, que igual te conmueve como te hace reir.'Amanece' es otra propuesta interesante, la ópera prima de Juan Francisco Viruega, protagonizada por Aura Garrido, Iria del Río e Isabel Ampudia, una historia generacional, con las relaciones sentimentales y el paisaje almeriense como telón de fondo.Todo esto además del resto de la cartelera, hablaremos del Festival de Sevilla con su director Manuel Cristóbal, del festival de Gijón, tendremos Marian Álvarez la actriz protagonista y guionista de 'Lobo', película inaugural, además de la colaboración de Luis Alegre, las mejores series con Pedro Calvo y su participación.Escuchar audio
"We live in a digital society that isolates us from each other and makes it difficult to create moments of solidarity. But community forms are possible" The post “The Old Oak”, interview with director Ken Loach and screenwriter Paul Laverty appeared first on Fred Film Radio.
"We live in a digital society that isolates us from each other and makes it difficult to create moments of solidarity. But community forms are possible" The post “The Old Oak”, interview with director Ken Loach and screenwriter Paul Laverty appeared first on Fred Film Radio.
"We live in a digital society that isolates us from each other and makes it difficult to create moments of solidarity. But community forms are possible" The post “The Old Oak”, interview with director Ken Loach and screenwriter Paul Laverty appeared first on Fred Film Radio.
"We live in a digital society that isolates us from each other and makes it difficult to create moments of solidarity. But community forms are possible" The post “The Old Oak”, interview with director Ken Loach and screenwriter Paul Laverty appeared first on Fred Film Radio.
"We live in a digital society that isolates us from each other and makes it difficult to create moments of solidarity. But community forms are possible" The post “The Old Oak”, interview with director Ken Loach and screenwriter Paul Laverty appeared first on Fred Film Radio.
"We live in a digital society that isolates us from each other and makes it difficult to create moments of solidarity. But community forms are possible" The post “The Old Oak”, interview with director Ken Loach and screenwriter Paul Laverty appeared first on Fred Film Radio.
Efter 60 år av arbetarklasskildringar tackar den ikoniske brittiske filmskaparen Ken Loach för sig - med en sista film. P1 Kulturs filmreporter Emma Engström har träffat honom. Lyssna på alla avsnitt i Sveriges Radio Play. Vid 87 års ålder har Ken Loach nu gjort sin sista långfilm. ”The Old Oak” utspelar sig på en av många brittiska pubar som stänger på grund av ökade kostnader och färre kunder. Eftersom det är en Ken Loach-film handlar det om arbetarklassens problem, betraktade genom hans och manusförfattaren Paul Lavertys socialistiskt färgade lins. En lins som gett honom en massa priser och en trogen publik, men som fått kritiker att kalla honom Englandshatare, galen marxist och till och med antisemit. Emma Engström intervjuar Ken Loach och Paul Laverty och nystar upp den röda tråden genom en 60-årig filmkarriär.Producent: Anna Tullberg
Det kommer en ny generation filmmakare nu, säger den 87-årige regissören i en intervju med vår filmreporter Emma Engström. Ken Loach får hederspriset på Stockholms filmfestival, som öppnar idag. Lyssna på alla avsnitt i Sveriges Radio Play. Vid 87 års ålder har Ken Loach nu gjort sin sista långfilm. ”The Old Oak” utspelar sig på en av många brittiska pubar som stänger på grund av ökade kostnader och färre kunder. Eftersom det är en Ken Loach-film handlar det om arbetarklassens problem, betraktade genom hans och manusförfattaren Paul Lavertys socialistiskt färgade lins. En lins som gett honom en massa priser och en trogen publik, men som fått kritiker att kalla honom Englandshatare, galen marxist och till och med antisemit. Emma Engström intervjuar Ken Loach och Paul Laverty och nystar upp den röda tråden genom en 60-årig filmkarriär.SVT:s SATSNING ”HISTORIEN OM SVERIGE” IMPONERARKulturredaktionens kritiker Mattias Berg har sett de tre första delarna av Sveriges Televisions stora folkbildningsprojekt ”Historien om Sverige”. I tio avsnitt berättas historien om Sveriges tillblivelse, från istiden fram till idag. Detta med hjälp av 300 experter och skådespelaren Simon J Berger. GRETHE ROTTBÖLL: VI HAR MEDLEMMAR SOM ÄR RÄDDA FÖR HOT OCH HATI förra veckan skrev Sveriges författarförbunds ordförande och vice ordförande, Grethe Rottböll och Per Wirtén, en debattartikel där de konstaterar att judiska kulturskapare i Sverige ställer in sin medverkan i olika evenemang på grund av rädsla för hot och hat. Och att arrangörer i sin tur ställer in medverkan av judiska författare på grund av den förhöjda hotbilden. ”Vi kan aldrig acceptera att författare tvingas stanna hemma på grund av hot och hat. Vi uppmanar skolor och bibliotek att bjuda in judiska författare,” skriver de i debattartikeln. Grethe Rottböll berättar för P1 Kulturs reporter Lina Kalmteg varför uppmaningen att anlita judiska författare är så nödvändig just nu. OBS-ESSÄ: VEM VILL MINNAS UMEDALENS OFFER?Vilka historier minns vi och vilka glömmer vi bort? Ett sätt att undersöka frågan är att se vilka teman som får ta plats i den offentliga konsten. Kulturredaktionens konstkritiker Mårten Arndtzén tar avstamp i en länge dold familjehistoria.Programledare: Lisa BergströmProducent: Anna Tullberg
Entrevistamos al director Ken Loach y al guionista Paul Laverty en la 68 edición de la Seminci, donde han presentado su último trabajo juntos "El viejo roble". Escuchar audio
Hoy, último programa desde la SEMINCI de Valladolid, cuya 68 edición acaba de terminar. Con Ken Loach y Paul Laverty, director y guionista de El viejo roble, ganadora del Premio del Público de la Sección Oficial y del Premio al Mejor Actor, para Dave Turner. Y con El maestro que prometió el mar, que nos presentan su directora Patricia Font y dos de sus protagonistas: Enric Auqué y Luisa Gavasa, de la Sección Oficial Fuera de Competición. Escuchar audio
Esta semana viajamos a una nueva edición de Seminci, la 68 y la primera con José Luis Cienfuegos. Precisamente con él iniciamos este programa con el charlaremos de la nueva identidad del certamen, de su frescura y de lo más importante del cine independiente, experimental y vanguardista. JUNIPER, es la primera película escrita y dirigida por Matthew J. Saville y la elegida para cerrar el certamen, con una impresionante y excepcional Charlotte Rampling que además recibirá una de las espigas de honor. Con ambos compartimos micrófono. Kiti Mánver, protagonista de Mamacruz que se presenta en el festival fuera de concurso y llega hoy a todas las salas es otra de esas espigas de honor. Con Ella y Patricia Ortiz charlamos de esta cinta que habla abiertamente de la sexualidad en la madurez, una película con la que muchas mujeres se van a sentir identificadas. Ken Loach, visitó por primera vez la Seminci en 1969 con Kes, le gusta presentar sus películas en este certamen, este año llega con el Viejo roble, de nuevo con guion de su viejo compañero, Paul Laverty. Ambos pasan por el programa como también lo hacen Enric Auquer y Patricia Font, actor y directora de El maestro que prometió el mar que llega a las salas el 10 de noviembre, pero antes pasa por la sección oficial de la Seminci. La SEMINCI le concede el Premio Especial a la Creación Artística, además, fuera de concurso se podrá ver el estreno mundial del documental Cristina García Rodeo: La mirada oculta, de la cineasta Carlota Nelson Con Carlota y Cristina García Rodero compartimos una charla muy interesante. Otro de los estrenos muy esperados es Memento Mori, serie original de Prime Video rodada en Valladolid que protagonizan Yon González, Francisco Ortiz y Juan Echanove, de ella nos habla nuestro colaborador Pedro Calvo que ha tenido la oportunidad de estar con ellos. Repasamos los títulos que llegan a la cartelera y nos detenemos en El chico y la garza, la nueva y esperada película de Hayao Miyazaki que llega a las salas tras pasar por el Festival de San Sebastián una historia con tintes autobiográfico sque nos muestra hasta dónde puede llegar el cine de animación. La contadora de películas de Lone Scherfigun es la película que inauguro Seminci y ahora llega a las salas con un elenco encabezado por la francesa Bérénice Bejo, el español Antonio de la Torre y el alemán Daniel Brühl. Una de las películas que se estrena en plataformas es la última película de Paco Plaza, su título Hermana Muerte, película con la que vuelve al universo de Verónica. Descubriremos el amor de Andrea a través de la música de Vetusta Morla, con ellos hemos estado y no nos olvidamos de su participación. Escuchar audio
Esta semana viajamos a una nueva edición de Seminci, la 68 y la primera con José Luis Cienfuegos. Precisamente con él iniciamos este programa con el charlaremos de la nueva identidad del certamen, de su frescura y de lo más importante del cine independiente, experimental y vanguardista.'JUNIPER', es la primera película escrita y dirigida por Matthew J. Saville y la elegida para cerrar el certamen, con una impresionante y excepcional charlotte Rampling que además recibirá una de las espigas de honor. Con ambos compartimos micrófono.Kiti Manver, protagonista de 'Mamacruz' que se presenta en el festival fuera de concurso y llega hoy a todas las salas es otra de esas espigas de honor. Con ella y Patricia Ortiz charlamos de esta cinta que habla abiertamente de la sexualidad en la madurez, una película con la que muchas mujeres se van a sentir identificadas. Ken Loach, visitó por primera vez la Seminci en 1969 con 'Kes', le gusta presentar sus películas en este certamen, este año llega con 'El viejo roble', de nuevo con guion de su viejo compañero, Paul Laverty. Ambos pasan por el programa como también lo hacen Enric Auquer y Patricia Font, actor y directora de 'El maestro que prometió el mar' que llega a las salas el 10 de noviembre, pero antes pasa por la sección oficial de la Seminci.La SEMINCI le concede el Premio Especial a la Creación Artística, además, fuera de concurso se podrá ver el estreno mundial del documental "Cristina García Rodeo: La mirada oculta", de la cineasta Carlota Nelson Con Carlota y Cristina García Rodero compartimos una charla muy interesante. Otro de los estrenos muy esperados es "Memento Mori", serie original de Prime Video rodada en Valladolid que protagonizan Yon González, Francisco Ortiz y Juan Echanove.Repasamos los títulos que llegan a la cartelera y nos detenemos en 'El chico y la garza', la nueva y esperada película de Hayao Miyazaki que llega a las salas tras pasar por el Festival de San Sebastián una historia con tintes autobiográficos que nos muestra hasta dónde puede llegar el cine de animación. 'La contadora de películas' de Lone Scherfigun es la película que inauguro Seminci y ahora llega a las salas con un elenco encabezado por la francesa Bérénice Bejo, el español Antonio de la Torre y el alemán Daniel Brühl. Una de las películas que se estrena en plataformas es la última película de Paco Plaza, su título 'Hermana Muerte', película con la que vuelve al universo de Verónica.Descubriremos el amor de Andrea a través de la música de Vetusta Morla, con ellos hemos estado y no nos olvidamos de su participación.Escuchar audio
The Old Oak, which is playing in UK cinemas as this podcast is released, is the final collaboration between director Ken Loach and screenwriter Paul Laverty. The pair join regular host Simon Brew for a very special episode of the STUDIOCANAL Presents podcast. Ken and Paul take us into the making of the film, why those chose to tackle it in the first place, and how they went about putting it together. The far-reaching conversation goes through casting right through to Ken Loach's last day on set. True story, too: there's a moment when Ken Loach also teases Simon about his choice of football team. The Old Oak is out now.
The podcast is fully back up and running again, and this time, we turn our attention to the return of Hannibal Lecter. 2001's Hannibal was the long-awaited return of Anthony Hopkins as Hannibal Lecter to the big screen, following 1991's The Silence Of The Lambs. But the original director didn't return. The original screenwriter didn't return. One of the two Oscar-winning stars didn't return. And a chance meeting in Malta - as Ridley Scott was shooting Gladiator - was what helped push things forward.The gestation of I, Daniel Blake was a little more straightforward, as writer Paul Laverty and director Ken Loach went about their familiar process: this time, though, they'd be making a film with fairly quick ramifications. What's more, casting a lead actor who was just on the verge of jacking it all in...---Find Simon on Twitter and Bluesky at @simonbrew, and the podcast can be found at @filmstories Hosted on Acast. See acast.com/privacy for more information.
RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews. This week Vidar was reviewing the stage adaptation of Ken Loach's 2016 award-winning film, ‘I DANIEL BLAKE' by Comedian, Playwright and Actor Dave Johns who also played the lead role of Daniel in Ken Loach's film as the production visited the Birmingham Repertory Theatre. Professional Audio Describer Jonathan Nash provided the live description for both the dry run and the audio described performance at the Birmingham Repertory Theatre. ‘I, Daniel Blake' is adapted by Dave Johns from the film directed by Ken Loach, written by Paul Laverty, and produced by Rebecca O'Brien for Sixteen Films. Dan is a carpenter. A Geordie through and through. Just on the mend after a heart attack. Katie has just arrived from London. Finally got a council house for her and the kids. A fresh start. ‘I, Daniel Blake' is one of the most important stories of a generation. A glimpse behind the headlines and the stark reality of what happens when the political system is stacked against you. With 14.5 million people living in poverty in the UK, this is not fiction. It is reality. A touching and vital story of how people come together in the face of adversity and how sometimes creating a family to support you just isn't enough. The show is adapted for stage by Dave Johns who played Daniel Blake in the award winning 2016 film. Presented by Northern Stage, Birmingham Rep, ETT, Oldham Coliseum and tiny dragon Productions, in association with Cardboard Citizens. Age Guideline 12+ More about the tour of ‘I DANIEL BLAKE' can be found on either the northern Stage website - https://northernstage.co.uk/whats-on/i-daniel-blake-2/ Or the English Touring Theatre Company's website - https://ett.org.uk/our-work/i-daniel-blake/ Image: RNIB Connect Radio Bright Green 20th Anniversary Logo
We're talking about the first ever stage adaptation of Ken Loach's and Paul Laverty's multi-award winning 2016 film I, Daniel Blake. The production, which is touring the UK, opened at Northern Stage Newcastle to rave critical reviews and passionate audience reactions. Dave Johns, who adapted it for the stage, played Daniel in the original film, winning Best Actor at the British Independent Awards and Best Newcomer at the Empire Awards for his performance. Davey Nellist, who plays Daniel in this new stage version, is best known for his roles as Mike Stamford in Sherlock with Benedict Cumberbatch and more recently in the TV series Stonehouse with Matthew McFadden. Dave and Davey tell us how the play is deliberately being hailed as non-fiction and a very real story about poverty and homelessness in Newcastle today. The city had one foodbank in 2016 but now has seven. Dave also tells us how he landed the part in the movie, having been a comedian and formerly a bricklayer. I, Daniel Blake tours till mid-November to Birmingham, Manchester, Exeter, Liverpool, Durham, Leeds, Oxford, Edinburgh, Stratford, Northampton, Coventry and Guildford, before returning to Northern Stage in September. For dates and full details see here. Follow us on Facebook, Twitter, Instagram
The Old Oak will be Ken Loach's last feature film and Sharuna Sagar was granted exclusive access behind the scenes of this landmark movie. She joins the 86 year old director on his swansong as he brings together his loyal team for one last time. As with his previous two films, I, Daniel Blake and Sorry We Missed You, Ken returns to the North East of England, to tell the story of Syrian refugees who have been housed in an ex-mining village. With him are his long-standing partners, producer Rebecca O'Brien and writer Paul Laverty, and they reveal the secrets of Loach's success.
Welcome back to PARTISAN, a podcast exploring politics and history in film and entertainment. Join your host, Tony Black, as he is joined by host of the Den of Ten podcast, Sam Stokes, to discuss Ken Loach's 2015 searing British drama, I, DANIEL BLAKE. Next time on Partisan, guest Nick Chandler joins us to discuss Tony Gilroy's 2007 corporate thriller MICHAEL CLAYTON... Host / Editor / Producer Tony Black Guest Sam Stokes SHOW NOTES Interviews: Ken Loach talks to The Guardian: https://amp.theguardian.com/film/2016/oct/15/ken-laoch-film-i-daniel-blake-kes-cathy-come-home-interview-simon-hattenstone Ken Loach talks to The Independent: https://www.independent.co.uk/arts-entertainment/films/features/i-daniel-blake-ken-loach-interview-cathy-come-home-benefits-cuts-a7377391.html?amp Ken Loach talks to The Skinny: https://www.theskinny.co.uk/film/interviews/ken-loach-i-daniel-blake?amp Ken Loach talks to Vox: https://www.vox.com/platform/amp/culture/2017/1/4/13980456/ken-loach-interview-i-daniel-blake-bureaucracy-palme-dor Dave Johns talks to National World: https://www.nationalworld.com/culture/film/dave-johns-interview-daniel-blake-film-legacy-comedy-career-3590478?amp Ken Loach talks to Empire: https://www.empireonline.com/movies/features/ken-loach-daniel-blake/ Paul Laverty talks to No Film School: https://nofilmschool.com/2017/01/paul-laverty-interview-i-daniel-blake Ken Loach talks to The Hollywood Reporter: https://www.hollywoodreporter.com/tv/tv-news/bbc-broadcast-ken-loachs-i-daniel-blake-sparks-debate-uk-1174073/amp/ Hayley Squires talks to Screen Daily:https://www.screendaily.com/features/i-daniel-blake-star-hayley-squires-i-cant-walk-away-from-whats-happened-in-this-film-/5114347.article Analysis: Give them dignity: a review of I, Daniel Blake by A.R. Gibbons: https://usir.salford.ac.uk/id/eprint/44550/1/Give%20them%20Dignity.pdf I, Daniel Blake: An Authentic Cinema by Girish Shambu: https://www.criterion.com/current/posts/5277-i-daniel-blake-an-authentic-cinema I, Daniel Blake is a realistic depiction of life on benefits. Isn't it? by Frances Ryan https://amp.theguardian.com/commentisfree/2017/feb/16/daniel-blake-realistic-life-benefits I, Daniel Blake: Ken Loach and the scandal of Britain's benefits system: https://amp.theguardian.com/film/2016/sep/11/i-daniel-blake-ken-loach-director-film-movie-benefits-system I, Daniel Blake | A Sociological Analysis by Sociocinema: https://youtu.be/imRdEjsrbqI Like our Facebook page: https://www.facebook.com/partisanpod Follow us on Twitter: @partisanpod Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis We Made This on Twitter: @we_madethis wemadethisnetwork.com Title music: Progressive Progress (c) Howard Harper-Barnes via epidemicsound.com
Welcome back to PARTISAN, a podcast exploring politics and history in film and entertainment.Join your host, Tony Black, as he is joined by host of the Den of Ten podcast, Sam Stokes, to discuss Ken Loach's 2015 searing British drama, I, DANIEL BLAKE.Next time on Partisan, guest Nick Chandler joins us to discuss Tony Gilroy's 2007 corporate thriller MICHAEL CLAYTON...Host / Editor / ProducerTony BlackGuestSam StokesSHOW NOTESInterviews:Ken Loach talks to The Guardian: https://amp.theguardian.com/film/2016/oct/15/ken-laoch-film-i-daniel-blake-kes-cathy-come-home-interview-simon-hattenstoneKen Loach talks to The Independent: https://www.independent.co.uk/arts-entertainment/films/features/i-daniel-blake-ken-loach-interview-cathy-come-home-benefits-cuts-a7377391.html?ampKen Loach talks to The Skinny: https://www.theskinny.co.uk/film/interviews/ken-loach-i-daniel-blake?ampKen Loach talks to Vox: https://www.vox.com/platform/amp/culture/2017/1/4/13980456/ken-loach-interview-i-daniel-blake-bureaucracy-palme-dorDave Johns talks to National World: https://www.nationalworld.com/culture/film/dave-johns-interview-daniel-blake-film-legacy-comedy-career-3590478?ampKen Loach talks to Empire: https://www.empireonline.com/movies/features/ken-loach-daniel-blake/Paul Laverty talks to No Film School: https://nofilmschool.com/2017/01/paul-laverty-interview-i-daniel-blakeKen Loach talks to The Hollywood Reporter: https://www.hollywoodreporter.com/tv/tv-news/bbc-broadcast-ken-loachs-i-daniel-blake-sparks-debate-uk-1174073/amp/Hayley Squires talks to Screen Daily:https://www.screendaily.com/features/i-daniel-blake-star-hayley-squires-i-cant-walk-away-from-whats-happened-in-this-film-/5114347.articleAnalysis:Give them dignity: a review of I, Daniel Blake by A.R. Gibbons: https://usir.salford.ac.uk/id/eprint/44550/1/Give%20them%20Dignity.pdfI, Daniel Blake: An Authentic Cinema by Girish Shambu: https://www.criterion.com/current/posts/5277-i-daniel-blake-an-authentic-cinemaI, Daniel Blake is a realistic depiction of life on benefits. Isn't it? by Frances Ryanhttps://amp.theguardian.com/commentisfree/2017/feb/16/daniel-blake-realistic-life-benefitsI, Daniel Blake: Ken Loach and the scandal of Britain's benefits system: https://amp.theguardian.com/film/2016/sep/11/i-daniel-blake-ken-loach-director-film-movie-benefits-systemI, Daniel Blake | A Sociological Analysis by Sociocinema: https://youtu.be/imRdEjsrbqILike our Facebook page:https://www.facebook.com/partisanpodFollow us on Twitter:@partisanpodSupport the We Made This podcast network on Patreon:www.patreon.com/wemadethisWe Made This on Twitter: @we_madethiswemadethisnetwork.comTitle music: Progressive Progress (c) Howard Harper-Barnes via epidemicsound.com
Rebecca O'Brien is one of Europe's leading producers within independent filmmaking. Some of her credits include the Cannes Palm d'Or winners The Wind that Shakes the Barley (2006) and I, Daniel Blake (2016), as well as Land and Freedom (1995) and You Were Never Really Here (2019). In this interview, Rebecca tells host Evita about her career journey, her long term collaboration with writer Paul Laverty and Ken Loach, and how making political movies have changed her views on the world. Follow us on Instagram @MakingItWomenInFilm and tag us on your stories to get a shout out in the next episode! Visit SixteenFilms, created by Rebecca O'Brien and Ken Loach. Follow @KenLoachSixteen on Twitter. Making It: Women in Film is produced by Redeeming Features (@Redeeming_Features & redeemingfeatures.co.uk) Host: Malin Evita (@MalinEvita & malinevita.com) Production Supervisor: Ruth Aitken (@RaitkenFilm) Researcher: Lauren San Miguel (@Laur.VSM) Production Assistants: Shania Bethune (@ShaniaBethune) & Abbie Wise Visit womeninfilm.co.uk for more. Got any feedback for us? Email MIWIF.feedback@gmail.com! --- Send in a voice message: https://anchor.fm/makingitwomeninfilm/message
Freshly nominated for an Emmy award, we meet The Handmaid's Tale's Australian star Yvonne Strahovski who stars in a new sci-fi. Director Emma Seligman chats about her indie festival hit Shiva Baby, and Spanish filmmaker Icíar Bollaín on her subverted rom-com Rosa's Wedding.
Freshly nominated for an Emmy award, we meet The Handmaid's Tale's Australian star Yvonne Strahovski who stars in a new sci-fi. Director Emma Seligman chats about her indie festival hit Shiva Baby, and Spanish filmmaker Icíar Bollaín on her subverted rom-com Rosa's Wedding.
Freshly nominated for an Emmy award, we meet The Handmaid's Tale's Australian star Yvonne Strahovski who stars in a new sci-fi. Director Emma Seligman chats about her indie festival hit Shiva Baby, and Spanish filmmaker Icíar Bollaín on her subverted rom-com Rosa's Wedding.
Freshly nominated for an Emmy award, we meet The Handmaid's Tale's Australian star Yvonne Strahovski who stars in a new sci-fi. Director Emma Seligman chats about her indie festival hit Shiva Baby, and Spanish filmmaker Icíar Bollaín on her subverted rom-com Rosa's Wedding.
Freshly nominated for an Emmy award, we meet The Handmaid's Tale's Australian star Yvonne Strahovski who stars in a new sci-fi. Director Emma Seligman chats about her indie festival hit Shiva Baby, and Spanish filmmaker Icíar Bollaín on her subverted rom-com Rosa's Wedding.
Ecoutez d'autres épisodes et programmes : lesbonnesondes.ma L'Afterwork de cette semaine est placé sous le signe de l'écriture : qu'elle soit cinématographique, littéraire ou théâtrale, les deux invités de Hamza Lyoubi et Mehdi El Kindi voguent entre les mots, les caméras et les continents. Installée au Maroc depuis 2007, Amira Géhanne-Khalfallah a autant de vies que de talents : dans son Algérie natale, elle fait des études de biologie cellulaire et moléculaire avant de glisser dans le journalisme, puis de laisser sa plume aller vers le théâtre, le roman et le cinéma. La journaliste qu'elle a été a écrit dans les colonnes qui ont, avant elle, accueilli Kateb Yacine ou Albert Camus. La dramaturge qu'elle est a emmené ses pièces partout, du Mali à la France, notamment à Avignon. L'écrivaine qu'elle est également a publié son premier roman, Le Naufrage de la Lune, aux éditions Barzakh (2018). Et en 2020, la réalisatrice qu'elle est tout autant a reçu, pour son film El Sghayra, une mention spéciale du jury Enfants de la compétition Génération Kplus à la Berlinale. Si Amira Géhanne-Khalfallah a décidé de s'installer au Maroc, c'est parce qu'elle a rêvé de la Kasbah des Oudayas, à Rabat. Et si Reda Lahmouid a décidé de s'installer à Montréal, c'est pour poursuivre ses rêves de cinéma, après une carrière confortable et respectée de directeur de création dans le monde de la publicité à Casablanca. Scénariste et réalisateur, ce qu'il préfère et aspire à faire, c'est marquer les esprits en racontant des histoires puisées dans des thématiques de société. En attendant, celui qui a signé plusieurs courts-métrages et réalisé des clips pour Nabyla Maân, Sara Moulablad ou encore Barathon Lane jongle entre plusieurs scénarios et projets, tirant le meilleur du fait d'avoir « le cul entre deux chaises ». Un épisode où l'on évoque des personnages qui ne vont pas là où leur auteure veut les mener, des articles de presse collés sur les murs d'une Algérie encore blessée, un confinement à Istanbul, le trac de la première œuvre et de sa réception par le public, et des références à Martin Scorsese, Paul Laverty, Ken Loach, Mohammed Khaïr-Eddine ou encore Leftah… Bonne écoute !
In today’s you have all the Nasty Gals together with the incredible Rebecca O’Brien. Rebecca is world renowned film Producer. We talk her beginnings in the industry at Edinburgh Film Festival to Channel 4 in its early days, America to setting up sixteen Films with Ken Loach and Paul Laverty to the joys of black cats. Elaine nearly got a kitten in this episode. REBECCA O'BRIEN Rebecca O’Brien began her film life working at the Edinburgh Film Festival. After a short stint in theatre admin at Riverside Studios she took a one week film production course and fell headlong into production. She worked on early Channel Four films and dramas, including “My Beautiful Laundrette” (as Location Manager) and the Michael Rosen inspired multi-cultural kids’ series “Everybody Here”. Her feature film producing debut was “Friendship’s Death” written and directed by Peter Wollen and starring Tilda Swinton and Bill Paterson. Her first film with Ken Loach was “Hidden Agenda” and since then they have made eighteen feature films together and many other documentary and short projects. In 2002 they formed Sixteen Films. Apart from the Loach/Laverty films, Rebecca also produced the “Bean” movie for Working Title, “Princesa” for Parallax Pictures, “City of Tiny Lights” for Sixteen Films and has executive produced for Camilla Bray, Ian Knox and Henrique Goldman. In 2016 she produced “Versus – the Life and Films of Ken Loach” a documentary directed by Louise Osmond. Rebecca has sat on various film industry boards including PACT, the European Film Academy, the UK Film Council and South West Screen. She is currently a board member of the British Screen Advisory Council. Rebecca makes awesome flapjacks. Website: https://www.sixteenfilms.co.uk/ Twitter: @SixteenFilms PAYPAL Paypal Link for those who can donate. A million thanks and love. Resources https://www.gofundme.com/f/black-women-in-film https://www.gofundme.com/f/bme-business-fund https://www.scottishtrans.org/support/support-groups-in-scotland/ https://www.thetrevorproject.org https://bornthisway.foundation/ https://itgetsbetter.org https://www.alerojasmine.com/ https://bespokebinny.com/ https://pelicansandparrots.com/ https://www.matuggarum.com/ https://sheniandteni.com/ https://lihabeauty.com https://ibereapparel.com/ https://blacklivesmatter.carrd.co/ https://blacklivesmatter.com/ https://m4bl.org/ https://docs.google.com/document/d/1BRlF2_zhNe86SGgHa6-VlBO-QgirITwCTugSfKie5Fs/mobilebasic https://secure.actblue.com/donate/bail_funds_george_floyd https://justiceforbreonna.org/ https://www.gofundme.com/f/i-run-with-maud https://www.anothermag.com/fashion-beauty/12570/black-british-owned-businesses-to-buy-from-now-fashion-beauty-design-lifestyle https://theeverymom.com/black-history-month-books-for-kids/ https://themadmommy.com/black-owned-etsy-shops/ Join our Zoom Coffee Morning every Friday at 11am GMT, email persistentandnasty@gmail.com WeAudition offer: For 25% off your monthly subscription quote: NASTY25 Backstage Offers: Get a free 12 months Actor Subscription: join.backstage.com/persistentnasty-uk-12m-free/ Or if you've got a project to cast, you can Post Castings for free: Apply promo code PERSISTENTANDNASTY at the checkout Persistent and Nasty is produced in association with Edinburgh based live-arts production house Civil Disobedience. Civil Disobedience is committed to creating and supporting queer work and theatre and art that addresses issues of inequality and injustice. You can find out more about the Persistent and Nasty project and all the work that Civil Disobedience do by visiting wearecivildisobedience.com. You can also find us on all the usual social media platforms. On Twitter @weareohsocivil On Instagram @wearecivildisobedience And on Facebook at Facebook. com/wearecivildisobedience
‘Looking For Eric' is a pretty unique film. A postal worker from Manchester in the middle of a personal crisis suddenly finds himself talking to the apparition of the legendary French player Eric Cantona, and attempts to turn his life around in order to have another shot at happiness. Paul Laverty's screenplay is a reflection on aging, memory, mistakes, community, family and football. There was plenty to discuss in this episode, and I was joined by Andrew Graves, the author of the new book ‘Welcome to the Cheap Seats: Silver Screen Portrayals of the British Working Class'. I highly recommend this book to anyone who is interested in learning more about this branch of cinema, from ‘Saturday Night and Sunday Morning' to ‘This is England'. You can buy it here from the publisher, Five Leaves. *** Want to comment, get news and join episode discussions? Join the community on Syncify: https://syncify.fm/podcast/the-21st-rewrite. Instagram: @the21strewrite. Website contact page: https://www.the21strewrite.com/contact
In this episode, Film Forum Presents two events: From our archive, an introduction by former New York Police Department commissioner Bill Bratton, who appeared with Don Siegel’s 1968 crime drama MADIGAN as part of our NYPD repertory series in 2011. You’ll also hear a recent Q&A with Paul Laverty, screenwriter of Ken Loach’s acclaimed drama SORRY WE MISSED YOU, which is now available for rental in our Virtual Cinema. But first, a new weekly segment. Photo: Paul Laverty at Film Forum. Photo by Laura Bregman.
For Cinetopia's November broadcast on EH-FM, Amanda Rogers (Co-Founder of Cinetopia) and Jim Ross (Managing Editor of TAKE ONE Magazine) review Monos, Meeting Gorbachev from Werner Herzog, and The Nightingale. Jim also briefly discusses the release of Martin Scorsese’s new Netflix epic The Irishman and interviews Paul Laverty about his latest collaboration with Ken Loach, Sorry We Missed You. 05:25 - The Irishman & Upcoming Netflix releases 13:42 - Monos 24:40 - Meeting Gorbachev 34:05 - The Nightingale 45:55 - Paul Laverty Interview & Sorry We Missed You 1:07:48 - What’s On & Next Month
Sorry We Missed You is a 2019 British drama film directed by Ken Loach, written by Paul Laverty and produced by Rebecca O'Brien. Principal photography began in September 2018 in the Newcastle area in north-east England. It was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival. Despite having a broken arm in a sling, Loach appeared to promote the film at Cannes, where he said that it would be his final film to compete at the festival. It received the audience award for best European film at the 2019 San Sebastián International Film Festival The film is scheduled to be released in the United Kingdom on November 1, 2019, and in the United States on March 6, 2020. Ricky (Kris Hitchen) and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self employed delivery driver. It's hard work, and his wife's job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point. -------------------- FOLLOW US -------------------- NADIA SAWALHA & FAMILY https://www.instagram.com/nadiasawalhaandfamily.com http://www.twitter.com/nadiasawalha For more movie news follow: POPCORN JUNKIES: https://www.instagram.com/thepopcornjunkies elle@doghouse-media.co.uk --- Send in a voice message: https://anchor.fm/popcorn-junkies/message
Felicity Beckett talks to celebrated screenwriter Paul Laverty about his new film, Sorry We Missed You, directed by Ken Loach, in cinemas now. Set in Newcastle, Ken Loach’s new tale of predicament is about a family struggling to get on the housing ladder. In the Loach tradition, it’s fierce, open and angry: a film about the real human cost of our economic development. Ricky is a labourer, proud of never having been on the dole, and his wife, Abby, is a contract nurse and carer. Despite working longer and harder, they realise they will never have independence or their own home. As their debts increase and as Abby faces exploitative pressures at work, even for a strong, loving family, life is becoming toxic. So, when the app revolution offers Ricky a golden opportunity, it’s now or never.
This week, we take delivery of Ken Loach's latest, Sorry We Missed You and talk to the director himself. Plus, 37 years later, we return to the Overlook Hotel for The Shining sequel Doctor SleepDirector Ken Loach teams once again with I, Daniel Blake screenwriter Paul Laverty for another indictment of the capitalist forces shaping modern Britain. Ricky is dreaming of better things for his family when he becomes a delivery van driver. But as an ‘independent contractor', he's working in unsparing conditions, just like his wife Abbie, a care nurse, both of them on zero hours contracts. Living like this means that they're pushed to the brink, and their world falls apart when their teenage son starts to go off the rails.Whatever happened to Danny Torrance, the gifted young boy from The Shining? It's a question that must have vexed Stephen King enough to produce a sequel 37 years later. In Doctor Sleep, a grown-up Danny (Ewan McGregor) finds himself in the role of protector to a young girl on the run from a cult that is hell-bent on harvesting her gift.Discussing the films this week are Jake Cunningham, Sam Howlett, Kelly Powell and Ella KempFollow the team on Social Media:@jakehcunningham - Jake@samhowlett_1 - Sam@ks_powell - Kelly@ella_kemp - EllaProduced by Jake CunninghamEdited by Mark Towers Hosted on Acast. See acast.com/privacy for more information.
On a bumper-sized edition of The Filum Show, we've got reviews for Stephen King's 'Doctor Sleep' and Ken Loach's 'Sorry We Missed You', as well as two very special interviews with Jillian Bell, the star of 'Brittany Runs A Marathon' and Paul Laverty, the screenwriter of 'Sorry We Missed You'. As well as this, Dee, Eoin and Brian talk about their favourite horrors as it's our Halloween Special! See omnystudio.com/listener for privacy information.
Hello! With 15% population taking 70% flights in the UK, is a frequent flyer tax the fairest way to tackle the contribution of aviation to the climate crisis? We talk to Professor Alice Larkin about the problem of aviation emissions and why technology isn’t coming to the rescue any time soon. Then Leo Murray makes the argument for a frequent flyer tax and explains how it would work in practice.AND Filmmakers Ken Loach and Paul Laverty talk about their latest collaboration on ‘I’m Sorry We Missed You’. They discuss the problems of the gig economy, their approach to filmmaking and why they remain optimists despite the issues their films depict. See acast.com/privacy for privacy and opt-out information.
You Missed it? Podcast is at the 38th annual Vancouver International Film Festival. Jack and Zach are once again back VIFF; Today's episodes they discuss the drama, "Sorry We Missed You." Nominated for the Palme d'Or at the 2019 Cannes Film Festival, The film follows a delivery driver, Ricky and his family living in Newcastle, as they struggle to pay off increasing debt, dealing with unforgiving working conditions, and a family that's drifting farther apart. Directed by Ken Loach, written by Paul Laverty, and starring Kris Hitchen, Debbie Honeywood, Rhys Stone, and Katie Proctor. For more access to You Missed it? content, visit: Facebook: www.facebook.com/YouMissedIt/ Twitter: twitter.com/ymi_podcast Instagram: YMI_Podcast Soundcloud: @youmisseditpodcast Apple Music: itunes.apple.com/ca/podcast/you-m…-it/id1300461379 Spotify: open.spotify.com/show/4tp0AdTgfZR…_YTvOkBCfy-ikLQw Visit: www.viff.org for tickets and showtimes at the Vancouver International Film Festival.
With Antonia Quirke. Writer Paul Laverty explains why he followed up I, Daniel Blake with a bio-pic about Cuban dancer Carlos Acosta. Yuli is directed by his partner Iciar Bollain, and this is their fourth collaboration as writer and director. They explain how they first met on the set of Ken Loach's Land And Freedom. Gordon Stainforth, the music editor of The Shining, reveals some little known facts about its famous score and why Stanley Kubrick was not the control freak that he's often been made out to be. Neil Brand reveals the differences between the music on the soundtrack and the original score composed by Wendy Carlos.
Se estrena la cinta de Icíar Bollaín con guion de Paul Laverty que adapta las memorias de Carlos Acosta, el bailarín cubano
The Jimmy's Hall company, led by Michael John McCarthy, recorded three of the tracks from this production; A Stor Mo Chroi, Bean Phaídín and Faithful Departed. Jimmy's Hall is adapted from Paul Laverty's film script, directed by Graham McLaren. Song for the Faithful Departed Vocals & Electric Guitar: Ruth McGill Shaker & Cajon: Brian Gilligan Piano: Andrew Linnie Bass: Alan Devally Tin Whistle: Catherine Bell Harmonica: Aindrias de Staic Recorded in Open Door Studios, Limerick by Joe Mulcahy.
The Jimmy's Hall company, led by Michael John McCarthy, recorded three of the tracks from this production; A Stor Mo Chroi, Bean Phaídín and Faithful Departed. Jimmy's Hall is adapted from Paul Laverty's film script, directed by Graham McLaren. Recorded in Open Door Studios, Limerick by Joe Mulcahy. Bean Pháidín / Out On The Ocean Vocals: Bríd Ní Neachtain, Lisa Lambe & Company Bodhrán: Muiris Crowley Fiddle: Aindrias de Staic Guitar: Alan Devally Cajon: Brian Gilligan Bones: Bosco Hogan Flute: Catherine Bell Piano: Andrew Linnie
The Jimmy's Hall company, led by Michael John McCarthy, recorded three of the tracks from this production; A Stor Mo Chroi, Bean Phaídín and Faithful Departed. Jimmy's Hall is adapted from Paul Laverty's film script, directed by Graham McLaren. Recorded in Open Door Studios, Limerick by Joe Mulcahy. A Stor Mo Chroí Vocals: Lisa Lambe Piano: Richard Clements Fiddle: Aindrais de Staic Bass: Brian Gilligan Soprano Sax: Andrew Linnie Flute: Catherine Bell Choral Vocals: Rest of Company
London 2011/Martin Ginestie - 6 questions from Alice Walker,John Berger,Ken Loach,Paul Laverty,Amira Hass and Chris Hedges
London 2011/Martin Ginestie - 6 questions from Alice Walker,John Berger,Ken Loach,Paul Laverty,Amira Hass and Chris Hedges
Writer Paul Laverty talks about his film The Olive Tree and the political impact of his Ken Loach collaboration I, Daniel Blake. Director Kleber Mendonça Filho tells us what happened after the cast and crew of his film Aquarius used the red carpet at Cannes to protest against the Brazilian government. Is cinema too left-wing? And does it have any political impact anyway? Toby Young, Maitland McDonagh and Will Massa discuss. And we reveal the results of our poll - will it be Claire Denis or Ava DuVernay?
In this episode of Indie Film Weekly, No Film School co-hosts Liz Nord, Jon Fusco and Emily Buder reveal which cameras shooters are looking to buy this year, and help you avoid on-set arrests. They discuss the dominance of Panasonic's GH5 in indie filmmaker buzz, while ARRI's Alexa rules over the Academy's Sci-Tech Awards and film sets everywhere. The show covers the potential neutering of net neutrality by the new head of America's Federal Communications Commission, and an upcoming indie-helmed Netflix show that's pissing off white people. We also hear from screenwriter Paul Laverty on his BAFTA-winning film, ‘I, Daniel Blake’ and cinematographer Bojan Bazelli on his collaboration with Gore Verbinski for the wild ride that is ‘A Cure for Wellness’. In Ask No Film School, we cover when (and when not) to ask for permission for public shoots, and other tips for outdoor guerrilla filmmaking. As always, we also bring you the latest gear news, upcoming grant and festival deadlines, this week’s indie film releases, and other notable things you might have missed while you were busy making films. You can see all the links from this show in this week’s podcast post at nofilmschool.com
After a packed-out film screening of BAFTA award-winning I, Daniel Blake and a Q&A session at SOAS we caught up with film director Ken Loach and comedian Francesca Martinez for a short interview - listen to them talk about the human right of laughter, the role of the arts in politics and the surprising success of Loach's latest film I, Daniel Blake. Thanks to Feyzi Ismail. Interview and production by Miia Laine. About I, Daniel Blake: Daniel Blake, 59, has worked as a joiner most of his life in Newcastle. Now, for the first time ever, he needs help from the state. He crosses paths with single mother Katie and her two young children, Daisy and Dylan. Katie’s only chance to escape a one-roomed homeless hostel in London has been to accept a flat in a city she doesn’t know, some 300 miles away. Daniel and Katie find themselves in no-man’s land, caught on the barbed wire of welfare bureaucracy as played out against the rhetoric of ‘striver and skiver’ in modern-day Britain. Ken Loach was born in 1936 in Nuneaton. Following a brief spell in theatre, Loach launched his long career directing films for television and the cinema. Now, 60 years after he made an indelible mark on society with the airing of Cathy Come Home, a TV drama which was credited with transforming the nation's perception of homelessness, Loach returns with one of his most powerful and important films. The Palme d'Or winning I, Daniel Blake proves Ken's voice is as essential to the country now as it ever was. This is his second Palme d'Or, the first for The Wind That Shakes the Barley in 2006. His film Kes was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. His socially critical directing style and his socialist ideals are evident in his film treatment of social issues in general - poverty, homelessness and labour rights, amongst others. He has collaborated with screenwriter Paul Laverty on a number of films. How To Make a Ken Loach Film, an app and website that unveils Ken's inimitable style of filmmaking through contributions from close collaborators and the man himself, is available online for free. Francesca Martinez is a wobbly* comedian, writer and speaker who has toured internationally with sell-out runs at The Melbourne Comedy Festival, The Edinburgh Festival Fringe, and the Just For Laughs Festival in Montreal. She launched her comedy career in 2000 beating a thousand UK comedians, including Mathew Horne, Karl Theobald and Jimmy Carr, to become the first and only woman to win the Open Mic Award. She has performed in Australia, Ireland, France, South Africa, Canada, Singapore, Malaysia, in Hollywood and on Broadway, and at the World Economic Forum in Davos, Switzerland alongside actress Emma Thompson. Last year, she opened Series 11 of BBC2's Live At The Apollo, guested on BBC's Celebrity Pointless, and wrote a play commemorating Shakespeare's birth for BBC Radio 3. This year she has commissions to write plays for BBC Radio 4 and the National Theatre. In 2013 she collected 100,000 signatures for the WOW campaign, leading to a historic debate on welfare cuts in the House of Commons. In 2015 she received an Honorary Doctorate from the Open University for 'making Britain a more compassionate and fairer society', and another in 2016 from Bradford University. Her bestselling first book, also called What The **** Is Normal?!, was published by Random House in 2014, with a paperback release in May 2015. *Oh yeah, she has mild cerebral palsy but she much prefers the word ‘wobbly’.
“follow your instinct... leave space to be ambushed. if a character has got life it’ll take you to places that you’ll never expect” Paul Laverty director Ken Loach, writer Paul Laverty, producer Rebecca O'Brien and actors Hayley Squires + Dave Johns discuss the real-life stories that inspired I, Daniel Blake
The 29th European Fim Awards took place on 10 December in Wroclaw, Poland – the European Capitial of Culture 2016. Podcast hosts Jake Cunningham and Sam Howlett attended the ceremony on behalf of Curzon Home Cinema, to report on the prestigious Awards and, celebrating achievements in European cinema.Listen to their round up from this star-studded ceremony, including the award winners, red carpe highlights, and low down on the filmmakers. Features 'Toni Erdmann', 'Julieta', 'Elle' and many more acclaimed European films. Includes an interview with Paul Laverty, screenwriter of 'I, Daniel Blake'.Produced and edited by Jake CunninghamMusic supplied by incompetech.com Hosted on Acast. See acast.com/privacy for more information.
This week on the Curzon Film Podcast we discuss Ken Loach's new film 'I, Daniel Blake' From a script by regular collaborator Paul Laverty, the desire to tell this powerful, current story brought Loach out of retirement, and ultimately won the Palme D'or at this years Cannes Film Festival. Discussing the film this week are Jenna Hobbs, Sam Howlett & Jake CunninghamProduced and edited by Jake CunninghamStudio services by CSRFM.comMusic supplied by incompetech.com Hosted on Acast. See acast.com/privacy for more information.
British film-maker Ken Loach and screenwriter Paul Laverty discuss their Palme d'Or winner ‘I, Daniel Blake’. Plus: Christopher Guest, the man behind ‘This is Spinal Tap’ and ‘Best in Show’, returns with his new film ‘Mascots’.
Kinos säsongspremiär innehåller den svenska roadmovien Odödliga, den evige vänstermannen Ken Loachs manusförfattare - Paul Laverty och en episk mor och dotterrelation i kultklassikern Grey Gardens. Hur kommer det sig att samtidigt som streamingjättarna tar över marknaden, videobutikerna stängs ner och VOD-tjänster har blivit vardag, att det ändå är biografpremiär och antalet sålda biobiljetter som räknas? När Alex Garlands Ex Machina med Alicia Vikander i huvudrollen som robot, nu släpps direkt på dvd rasar folk på nätet över att den inte går upp på bio. Och länge var det oklart om det skulle bli biodistribution för den av många efterlängtade hiphop-filmen Straight Outta Compton om den amerikanska rapgruppen N.W.A. Nu kommer den på bio i alla fall till fansens förtjusning. Kinos reporter Fredrik Wadström har undersökt vårt förhållande till filmkonsumtion och biografromantik.Andreas Öhman gjorde succé redan med sin långfilmsdebut, I rymden finns inga känslor, som snart ska göras i en amerikansk version. 2012 kom Bitchkram om fejkat liv på internet och förra året släpptes Remake, ett experimentellt kärleksdrama helt och hållet inspelad med handkamera. Till Kinostudion kommer han med sin alldeles nya film Odödliga som är en klassisk roadmovie, inspirerad av Thelma & Louise och True Romance, om Isak och Em som följs åt på en vådlig resa norrut i stulen bil. Vi har också träffat manusförfattaren till Ken Loachs tolv senaste filmer, så även den som sägs bli Loachs sista - bioaktuella Jimmy's Hall. Paul Laverty började sitt liv som filosof, blev sedan jurist och slutligen manusförfattare i vänsteranda.Programledare: Saman BakhtiariProducent: Nina Asarnoj
Título original Land and Freedom (Tierra y libertad) Año 1995 Duración 110 min. País Reino Unido Reino Unido Director Ken Loach Guión Jim Allen Música George Fenton Fotografía Barry Ackroyd Reparto Ian Hart, Icíar Bollaín, Rosana Pastor, Tom Gilroy, Marc Martínez, Frédéric Pierrot, Sergi Calleja, Raffaele Cantatore, Pascal Demolon, Paul Laverty, Josep Magen, Jürgen Müller Productora Coproducción GB-España-Alemania; Parallax Pictures / Messidor Films / Road Movies Filmproduktion Género Drama. Bélico | Guerra Civil Española. Histórico Sinopsis Otoño de 1936. David Carr (Ian Hart), un joven comunista en paro, deja Liverpool para intervenir en la guerra civil española, dentro del bando republicano, e ingresa en la Brigada Internacional del frente de Aragón. Allí conocerá a muchos milicianos procedentes de toda Europa y Estados Unidos, en especial la española Blanca (Rosana Pastor), una atractiva anarquista. David y Blanca están convencidos de luchar por la defensa de la libertad. La igualdad entre las personas y el compartir tierra y bienes, sin existencia de clases sociales son los ideales que defienden. Pero a veces el enemigo no solo está entre las filas del bando adversario.
Paul Laverty, Writer, Jimmy’s Hall. Festival Section: Competition. Writer Paul Laverty has had a lengthy collaboration with veteran director Ken Loach, and this time their Irish drama based on true events, JIMMY'S HALL has been selected for competition at this year's Cannes film festival. FRED reporter Amanny Mohamed caught up [...] The post Paul Laverty – Jimmy’s Hall #Cannes2014 appeared first on Fred Film Radio.
Paul Laverty, Writer, Jimmy’s Hall. Festival Section: Competition. Writer Paul Laverty has had a lengthy collaboration with veteran director Ken Loach, and this time their Irish drama based on true events, JIMMY'S HALL has been selected for competition at this year's Cannes film festival. FRED reporter Amanny Mohamed caught up [...] The post Paul Laverty – Jimmy’s Hall #Cannes2014 appeared first on Fred Film Radio.
Paul Laverty, Writer, Jimmy’s Hall. Festival Section: Competition. Writer Paul Laverty has had a lengthy collaboration with veteran director Ken Loach, and this time their Irish drama based on true events, JIMMY'S HALL has been selected for competition at this year's Cannes film festival. FRED reporter Amanny Mohamed caught up [...] The post Paul Laverty – Jimmy’s Hall #Cannes2014 appeared first on Fred Film Radio.
Paul Laverty, Writer, Jimmy’s Hall. Festival Section: Competition. Writer Paul Laverty has had a lengthy collaboration with veteran director Ken Loach, and this time their Irish drama based on true events, JIMMY'S HALL has been selected for competition at this year's Cannes film festival. FRED reporter Amanny Mohamed caught up [...] The post Paul Laverty – Jimmy’s Hall #Cannes2014 appeared first on Fred Film Radio.
Paul Laverty, Writer, Jimmy’s Hall. Festival Section: Competition. Writer Paul Laverty has had a lengthy collaboration with veteran director Ken Loach, and this time their Irish drama based on true events, JIMMY'S HALL has been selected for competition at this year's Cannes film festival. FRED reporter Amanny Mohamed caught up [...] The post Paul Laverty – Jimmy’s Hall #Cannes2014 appeared first on Fred Film Radio.
Paul Laverty, Writer, Jimmy’s Hall. Festival Section: Competition. Writer Paul Laverty has had a lengthy collaboration with veteran director Ken Loach, and this time their Irish drama based on true events, JIMMY'S HALL has been selected for competition at this year's Cannes film festival. FRED reporter Amanny Mohamed caught up [...] The post Paul Laverty – Jimmy’s Hall #Cannes2014 appeared first on Fred Film Radio.
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