Podcast appearances and mentions of Jessica Hausner

Austrian filmmaker Jessica Hausner has one of the most immediately recognizable signatures as an auteur. Her films are known as much for their formal austerity as for their daring subject matter; they are films that – to use her phrase – “do not shout so loudly”. Those are also the kinds of films that Hausner, as Jury President at the 77ᵗʰ Locarno Film Festival, did not want to overlook in favor of louder, splashier titles. When she met her fellow jurors for the first time, Hausner stressed that it was important to consider films whose emotional power develops inside the viewer more slowly, accruing over time. We sat down with Hausner for a conversation on Locarno Meets to delve into her process in making films, her taste in cinema, the more than 30 takes it often takes to get a scene right, and her philosophy as president of a festival jury.

In a bumper episode, the penultimate one of the year, Dario interviews Jessica Hausner about her new film Club Zero and Guy Maddin, Evan, and Galen Johnson about Rumours. Both films have limited UK releases this week (Friday, December 6th), and, interestingly, though they are very different films, they have thematic connections, particularly in relation to contemporary crises, social critique, and satirical modes. Club Zero stars a very well-cast Mia Wasikowska as Ms. Novak, a girlish teacher whose radical ideas about diet lead a group of students down a dangerous path. Dario's conversation with Jessica and composer Marcus Binder explores influence, seduction, and the complexities of societal expectations through the lens of her film. They discuss the dangers of eating disorders, the pressures of social responsibility placed on children, the alienating dynamics of the school environment, and how misinformation can so easily be spread. Rumours boasts a stacked cast led by Cate Blanchett, who represents the leaders of the G7. Dario talked to director-writer team Guy Maddin, Galen Johnson, and Evan Johnson about the film at the London Film Festival. The conversation navigates the complexities of creative expression in film, touching on themes of self-perception, audience expectations, character development, and the balance between artistic freedom and commercial viability. They discuss the challenges of navigating genre conventions, the significance of casting choices, and the implications of stereotypes in representing national identities. Neil and Dario then reflect on both the interviews and films, examining their artistic choices, character development, and how well the themes capture contemporary anxieties around authority, ideology, and ambivalence. They also discuss the aesthetics of symbolism and the emotional distance created through cinematography, as well as the broader implications of anxiety and manipulation in youth culture. This leads to a reflection on how artists address the current socio-political moment, how crisis is influencing many film works in an implicit way, and whether a political cinema is possible while maintaining a unique voice in an uncertain, changing cultural landscape. Thanks to Tom Finney at Blue Dolphin Films Thanks to Chris Lawrence at Film Publicity Thanks to George Crostwait and the team at The Garden Cinema ---- You can listen to The Cinematologists for free wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £3 per month. We really appreciate any reviews you might write (please send us what you have written and we'll mention it), and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. ---- Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.  

After “All We Imagine As Light” triumphed at Cannes this year, taking home the Grand Prix, Indian filmmaker Payal Kapadia headed to the Locarno Film Festival to serve on the main competition jury alongside the likes of director Jessica Hausner and star Luca Marinelli. While she was in town, we invited her to join us for a chat on LocarnoMeets.  Kapadia took us through her journey from “A Night of Knowing Nothing”, her non-fiction masterpiece that won the Best Documentary Prize at Cannes in 2021, through to her new film, which marks a decisive turn to fiction. For Kapadia, the very act of making cinema is a political one, springing from the urgent dynamics of real life in a complex social, political, and class system like India's.

Möt en av filmvärldens mest spännande regissörer, österrikiska Jessica Hausner. Hon är bioaktuell med Club Zero om ett gäng elever som går en skolkurs i att äta så lite som möjligt. P1 Kulturs Emma Engström har träffat henne. Lyssna på alla avsnitt i Sveriges Radio Play.

Författaren Jens Lapidus är aktuell med Grand final - den avslutande delen i hans Top Dog-serie om gängvåldet i dagens Sverige. Mycket har hänt i den undre världen sedan hans genombrott med Snabba cash från 2006. Jens Lapidus är gäst i dagens P1 Kultur. Lyssna på alla avsnitt i Sveriges Radio Play. HUGH GRANT OCH SEAN BAKER PÅ STOCKHOLMS FILMFESTIVALVår filmreporter Björn Jansson har pratat med skådespelaren Hugh Grant, aktuell med skräckfilmen ”Heretic” på Stockholms filmfestival, och regissören Sean Baker som invigde festivalen med Guldpalmsbelönade ”Anora”.COSTA-GAVRAS FÅR STOCKHOLM LIFETIME ACHIEVEMENT AWARDRegissören Costa-Gavras, som hedras med Stockholm Lifetime Achievement Award 2024, tar emot Bronshästen i samband med visningen av hans film ”Last Breath" på lördagen. P1 Kulturs Emma Engström berättar mer om hans gärning.JESSICA HAUSNER OM SVÄLT SOM EN SORTS RELIGIONSamtidigt som det rapporteras att den minsta damstorleken, size zero, är tillbaka i modevärlden, kommer nu filmen ”Club Zero” om ett gäng elever som går en skolkurs i att äta så lite som möjligt. Men filmen handlar inte om ätstörningar eller skönhetskrav, utan om hur vuxenvärlden utnyttjar ungas vilja att förändra världen. Det berättar den österrikíska regissören Jessica Hausner - som ofta berör ämnen som är absurda eller skrämmande - för vår reporter Emma Engström.KLASSIKERN: DRACULAS OLIKA ANSIKTENDet har gjorts ett otal filmatiseringar av Dracula. Att två så totalt olika versioner som Werner Herzogs och Francis Ford Coppolas båda lyckas framställa sin tragiske antihjälte så väl, det säger mycket om urkraften i Bram Stokers berättelse. Ludvig Josephson, producent för skräckpodden Creepypodden i Sveriges Radios P3, förmedlar sina intryck av de två porträtten av greve Dracula. Programledare: Lisa BergströmProducent: Henrik Arvidsson

Chantal and Amy discuss Sidse Babett Knudsen's short film, “WOACA” (Woman Of A Certain Age), directed by Mackenzie Davis and played in the Toronto International Film Festival (TIFF) in 2023.  Chantal and Amy also discuss other work of Knudsen that was released in 2023 and 2024 (so far): “Club Zero" (directed by Jessica Hausner, 2023) “Ehrengard: The Art of Seduction” (directed by Billie August, 2023 - Netflix) “Vogter” (“Sons”, in English.  Directed by Gustav Moller, 2024) “Le Fil” (“An Ordinary Case”, in English.  Directed by Daniel Auteuil, 2024)

Novo filme de Jessica Hausner, o clássico de Emir Kusturica reexibido, as estreias de "A Ilha Vernwelha", "Completamente passado" e Cão e Gato"

Frau Novak unterrichtet Ernährung an einem englischen Nobelinternat der Zukunft. Sie propagiert radikalen Verzicht bis hin zur Null-Diät. Der Film „Club Zero“ der Österreicherin Jessica Hausner wirft einen scharfen Blick auf unsere Obsession für „richtige“ Ernährung und zeichnet sich dabei durch besondere formale Konsequenz aus.

Club Zero | Gourmet-Kino oder ein Film zum Kotzen? Das könnte interessant werden, überlegte sich Stu, als er sich "Club Zero" ansah. Denn vor dem Film gibt es erst einmal eine fette (Pardon) Triggerwarnung, da Jessica Hausner sich in ihrer neuen Regiearbeit mit dem Thema Essstörungen auseinandersetzt. Dabei ist der Film, in dem "Alice im Wunderland"-Star Mia Wasikowska mitspielt, weniger ein Drama als vielmehr eine Satire. So zumindest empfand es Schlogger sowie auch Stu, als sie den Film sahen, der am 28. März in unsere Kinos kommt. Ob MJ ähnlich denkt oder vielleicht ganz anders, warum unsere Rezensenten mindestens eine Szene im Film zum Kotzen fanden und ob "Club Zero" die vielen negativen Kritiken nach seiner Premiere letztes Jahr in Cannes wirklich verdient hat, darüber und noch viel mehr sprechen sie in diesem Podcast. Also, Finger raus aus dem Rachen und ab auf den Play-Button. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0) Folge direkt herunterladen Folgt uns ab sofort regelmäßig live auf Twitch: twitch.tv/dertelestammtisch

Terminada oficialmente la carrera de premios, nos ponemos en modo nueva temporada de cine y nos vamos de rodajes. En estos días hemos estado en el de 'Soy Nevenka' de Icíar Bollaín y en el de las nuevas series de Rodrigo Sorogoyen y el dúo formado por Cristóbal Garrido y Adolfo Valor. De la cartelera os recomendamos varias películas interesantes como 'Club Zero', de Jessica Hausner, comentamos la polémica 'El Sucesor', la española 'La abadesa' y, por supuesto, la nueva aventura de 'Los Cazafantasmas'. En series, también tenemos novedades como 'El problema de los tres cuerpos', la nueva ficción de los creadores de 'Juego de Tronos'

A story of healing hinged on hope, ‘Lourdes' is a film that takes you where you weren't prepared to go but are glad you went, guided by the talented writer and director Jessica Hausner. A brilliant testament to the depth of the human condition as it relates to understanding our struggles with ourselves and with society, ‘Lourdes' is a Martin Scorsese favorite… and a favorite of mine as well. This feature is published in 'The Loud Edition' of AwareNow Magazine: https://www.awarenowmagazine.com Featuring: Jessica Hausner Interviewed by: Allié McGuire Music by: The Wildcardz Produced by: AwareNow Media --- Support this podcast: https://podcasters.spotify.com/pod/show/awarenow/support

On this week's instalment of the Movie Squad podcast, Tristan Fidler reviews a new Coen brother (singular) film, Simon Miraudo discusses the wickedly talented Mia Wasikowska, and Brekky host Pam Boland reveals herself to be a chaotic presence in cinemas. Queer comedy Drive Away Dollsis the first picture on the docket, from Ethan Coen and Tricia Cooke, with Tristan and Pam bonding over their shared theatrical experience with the pic's silly shenanigans. Then Simon brings everyone back down with Club Zero, a troubling and dangerous drama from Jessica Hausner, in which Mia Wasikowska plays a strange teacher who compels her students to stop eating entirely. Drive Away Dolls is now in cinemas. Club Zero opens on 29 February. Keep listening for a pod-exclusive chat about movie moments that have repulsed Simon and Tristan! And tune into RTRFM 92.1 at 7:30am on Fridays for your regular broadcast of Movie Squad on the radio!

On this week's instalment of the Movie Squad podcast, Tristan Fidler reviews a new Coen brother (singular) film, Simon Miraudo discusses the wickedly talented Mia Wasikowska, and Brekky host Pam Boland reveals herself to be a chaotic presence in cinemas. Queer comedy Drive Away Dolls is the first picture on the docket, from Ethan Coen and Tricia Cooke, with Tristan and Pam bonding over their shared theatrical experience with the pic's silly shenanigans. Then Simon brings everyone back down with Club Zero, a troubling and dangerous drama from Jessica Hausner, in which Mia Wasikowska plays a strange teacher who compels her students to stop eating entirely. Drive Away Dolls is now in cinemas. Club Zero opens on 29 February. Keep listening for a pod-exclusive chat about movie moments that have repulsed Simon and Tristan! And tune into RTRFM 92.1 at 7:30am on Fridays for your regular broadcast of Movie Squad on the radio!

Prendendo spunto dalla rassegna Pr1ma 1 Pr1mi di MUBI, parliamo della luce del cinema “statica, esistenzialista e surreale” del regista svedese Roy Andersson. Nella puntata, inoltre, diamo uno sguardo alla programmazione dei cinema per gennaio 2024; spieghiamo la rassegna Pr1ma 1 Pr1mi di MUBI e approfondiamo la ricca offerta cinematografica della Cineteca di Bologna, sempre di gennaio.Qui l'indice della puntata:00:28 News. Aggiornamenti sull'attività editoriale di Linkinmovies.it01:42 News. Uno sguardo alla programmazione dei cinema per gennaio 2024 in cui si segnalano le uscite dei film di Hayao Miyazaki, Wim Wenders,  Lanthimos, Alexander Payne, Francesco Munzi, Quentin Dupieux, Elise Girard, Taika Waititi.05:16 News. Presentazione della rassegna Pr1ma 1 Pr1mi di MUBI che raccoglie le opere prime di alcuni registi europei americani da Sofia Coppola a Berry Jenkins; da Alice Rohrwacher a Ruben Östlund fino a Jessica Hausner e Michel Gondry e Roy Andersson.08:02 News. Proponiamo e analizziamo la proposta cinematografica per gennaio 2024 de La Cineteca di Bologna partendo dalla rassegna Bernardo Bertolucci, ladro di cinema che ripresenta The dreamers e altri film basati sull'idea di cinefilia.  https://cinetecadibologna.it/programmazione/rassegne-di-cineteca/13:14 La Luce del Cinema di Roy Andersson. Film analizzati: A swedish love story; Giliap; Confessioni dal secondo piano; You, The living; Un piccione seduto su un ramo riflette sull'esistenza; Sulla infinitezza. 37:18. Chi riceverà l'Orso d'oro onorario al Festival di Berlino 2024?

Il regista Gianfilippo Pedote ci presenta il suo "Soldato Peter", diretto assieme a Giliano Carli (Gil) con Ondina Quadri.Intervista esclusiva alla regista Jessica Hausner che racconta il suo "Club Zero", con Mia Wasikowska e Sidse Babett Knudsen.Con il nostro Boris Sollazzo parliamo di "The Marvels" diretto da Nia DaCosta, con Brie Larson e Zawe Ashton e di “Lubo” diretto da Giorgio Diritti, con Franz Rogowski e Christophe Sermet.La vita di Carla Fracci raccontata dal regista Daniele Luchetti; per tre sere al cinema dal 13 al 15 novembre.Arriva in sala il terzo capitolo di "Trolls 3" film di animazione diretto da Tim Heitz e Colin Jack. Lo ha visto per noi Chiara Pizzimenti.

Oggi a Cult: lo spettacolo "Chernobyl" per la regia di Michele Sinisi al Teatro Fontana di Milano; il film "Club Zero" di Jessica Hausner; Andrée Ruth Shammah firma "Il misantropo" al Teatro Franco Parenti; la rubrica di lirica di Giovanni Chiodi...

Cette semaine, la critique cinéma d'Anne-Marie Baron, nous fait découvrir le film « Club Zero », Jessica Hausner (2023) Drame, Thriller

Émission du 4 septembre 2023 00:00) - La scène de la semaine : "Rogue One : A Star Wars Story" de Gareth Edwards(01:50) - L'ouverture(06:17) - News(12:53) - Présentation du 45ème Cinemed avec Charlélie Jardin, médiateur culturel du festival Dans cette quatrième émission de l'année : (28:21) - "The Creator" de Gareth Edwards(48:03) - "Club Zero" de Jessica Hausner(57:27) - "Le Procès Goldman" de Cédric Kahn(1:10:08) - L'interview : Nathalie Hertzberg, co-scénariste du "Procès Goldman"(1:35:48) - "Bop To The Top !" (1:37:15) - Quiz "Les chiffres dans les titres de films" (1:53:20) - Les Recos de l'équipe (1:56:20) - Le générique de fin

This week on Cannesversations, Eliana and Patrick discuss Valeska Grisebach's self-described "dance with the Western genre," the 2017 Cannes Un Certain Regard film Western. Considered by some to be part of the second generation of the Berlin School and by others to be one of the distinct voices of the New Austrian Cinema, Grisebach distinguishes herself through her filmmaking approach by favoring a collaborative process with her actors in the conceptualization of scenes.Strangely enough, this does not take away from her directorial signature style, yet rather establishes her as one of the leading filmmakers of world cinema concerned with narrative realism. Western implements documentary-style filmmaking techniques to speak to the subsisting undercurrent themes of colonization and masculinity with contemporary panache and vigilant subtlety.Credit/ Resources:Marco Abel. The Counter-Cinema of the Berlin School, Camden House, 2013.Martine Floch. „Western, de Valeska Grisebach (2017).” Histoire Politique, https://doi.org/10.4000/histoirepolitique.5350.Codruța Morari. European Auteurs Revisit the Western: Thomas Bidegain's Les Cowboys and Valeska Grisebach's Western.New German Critique: An Interdisciplinary Journal of German Studies. 2019;46(3 [138]):11-34.Tony Pipolo. Small Talk. “Tony Pipolo on Valeska Grisebach's Western.” Artforum, February 2018.Peter Scheinpflug. „Western (Valeska Grisebach, 2017). Home is here the horse is, oder: Valeska Grisebachs respektvolle Demontage des Westernhelden.”Lola, Toni, Yella und die anderen: Der deutsche Film nach 1990, Brill | Fink, 2023, pp. 417-434.Victoria Steiner. „Der deutsche Weste(r)n zu Valeska Grisebachs WESTERN (2017) – unter anderem.“ Medienobservationen, pp. 1-20.Peter Verstraten “Valeska Grisebach's Western: An Unacknowledged Remake of Samuel Fuller's ‘Run of the Arrow.'” Senses of Cinema, Issue 87, June 2018.Catherine Wheatly. “Not Politics but People: The ‘Feminine Aesthetic' of Valeska Grisebach and Jessica Hausner.” New Austrian Film, Berghahn Books, 2011, pp. 136-147.Sound:EFF Open Audio License for Le Carnaval des Animaux (Saint-Saëns, Camille - Aquarium) by Neal O'Doan (Piano) Nancy O'Doan (Piano), and Seattle Youth Orchestra Pandora Records/Al Goldstein ArchiveInterview: https://www.youtube.com/watch?v=iKAPNjgkNS4

Jessica Hausner talks about Club Zero, screening in competition at Cannes Film Festival The post Jessica Hausner – Club Zero #Cannes2023 appeared first on Fred Film Radio.

Jessica Hausner talks about Club Zero, screening in competition at Cannes Film Festival The post Jessica Hausner – Club Zero #Cannes2023 appeared first on Fred Film Radio.

Jessica Hausner talks about Club Zero, screening in competition at Cannes Film Festival The post Jessica Hausner – Club Zero #Cannes2023 appeared first on Fred Film Radio.

Jessica Hausner talks about Club Zero, screening in competition at Cannes Film Festival The post Jessica Hausner – Club Zero #Cannes2023 appeared first on Fred Film Radio.

Jessica Hausner talks about Club Zero, screening in competition at Cannes Film Festival The post Jessica Hausner – Club Zero #Cannes2023 appeared first on Fred Film Radio.

Jessica Hausner talks about Club Zero, screening in competition at Cannes Film Festival The post Jessica Hausner – Club Zero #Cannes2023 appeared first on Fred Film Radio.

Hausner, Jessicawww.deutschlandfunkkultur.de, VollbildDirekter Link zur Audiodatei

Ep. 179: Cannes #7 with Mark Asch on Asteroid City, Gondry's Book of Solutions, Club Zero Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The 2023 Cannes film festival series continues, live from Cannes! This episode I reunite with critic Mark Asch to talk about a few more high-profile Cannes premieres, including Wes Anderson's star-studded Asteroid City, Michel Gondry's unexpectedly personal The Book of Solutions, and Jessica Hausner's Club Zero. Stay tuned for more episodes with a delightful array of brilliant critics. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Monserrate” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Steifes Erzählen, hohle Geschichten und ganz viel Empathie: Ein Gespräch über die neuen Filme von Wes Anderson, Jessica Hausner und Aki Kaurismäki.

Il cinema di Jessica Hausner riesce ad essere contemporaneamente magnetico e respingente. Con Club Zero mette in scena una sorta di distopia molto contemporanea nei temi e ambigua nella resa. Un progetto sicuramente interessante che è riuscito a stimolarci parecchio.

durée : 00:04:00 - Le journal du festival - Dans le Journal de Cannes, en ce 22 mai : l'entrée en lice de Wes Anderson avec son nouveau film "Asteroïd City" et sa brochette de stars, Jessica Hausner et son "Club Zero" qui pourrait bien rafler le grand Prix, et des artistes qui veulent changer le cinema et signent une tribune pour le climat.

Bonjour from Cannes! This week Anna Smith gives us a taste of the French Riviera live from the Festival de Cannes, catching some friends of Girls On Film out and about at the festival. Anna is joined by fellow critics Wendy Mitchell and Karen Krizanovich who give you their hot tips for films coming out of this year's Cannes, from international indies to big blockbusters. They chat about Phoebe Waller-Bridge's ground-breaking character in the newest instalment of Indiana Jones, Indiana Jones and the Dial of Destiny. They also discuss the welcome increase in female-led films in the festival this year. Malaysian director Amanda Nell Eu's Tiger Stripes is also delved into, alongside other international films from Turkey, Argentina, Belgium, Finland, Mongolia, Italy… Anna also speaks with journalist and critic Valerie Complex, a year after her controversial Deadline article ‘Valerie Complex On Being Black At Cannes: How Microaggressions Marred My Festival Experience'. You can read the article here: https://deadline.com/2022/06/black-at-cannes-deadline-critic-valerie-complex-microaggressions-marred-her-festival-experience-1235037273/ Finally, Anna caught up with See-Saw films' Head of TV and Film for Australia, Liz Watts, for a chat about the business of Cannes, and how it informs the year ahead for the film industry. Films mentioned in this episode include: Indiana Jones and the Dial of Destiny, James Mangold, 2023 In Flames, Zarrar Kahn, 2023 The Feeling That the Time for Doing Something Has Passed, Joanna Arnow, 2023 It's Raining in the House, Paloma Sermon-Dai, 2022 If Only I Could Hibernate (Baavgai Bolohson), Zoljargal Purevdash, 2023 Tiger Stripes, Amanda Nell Eu, 2023 The Return or Homecoming (Le retour), Catherine Corsini, 2023 The Delinquents (Los delincuentes), Rodrigo Moreno, 2023 Nine Queens, Fabián Bielinsky, 2000 The Aura (El aura), Fabián Bielinsky, 2005 How to Have Sex, Molly Manning Walker, 2023 About Dry Grasses, Nuri Bilge Ceylan, 2023 The Old Oak, Ken Loach, 2023 La Chimera, Alice Rohrwacher, 2023 The Piano, Jane Campion, 1993 Titane, Julia Ducournau, 2021 Rosalie, Stéphanie Di Giusto, 2023 Fallen Leaves (Kuolleet Lehdet), Aki Kaurismäki, 2023 The Royal Hotel, Kitty Green, 2023 The New Boy, Warwick Thornton, 2023 Club Zero, Jessica Hausner, 2023 Television mentioned in this episode include: Succession, 2018–2023 Also mentioned in this episode: BFI partners with Diversity in Cannes to celebrate Black women filmmakers during the Cannes Film Festival: https://www.bfi.org.uk/news/bfi-diversity-cannes-black-women-filmmakers The Palm Dog Awards: https://www.palmdog.com/ Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Archbold Producer: Lydia Scott Audio Producer: Benjamin Cook Assistant Producer: Eleanor Hardy Principal Partners: Vanessa Smith and Peter Brewer House band: MX Tyrants Thank you also to our Patreon Supporters and to Campari Lounge.

Continúa el maratón de películas en Cannes. Anoche el jurado que entregará la Palma de Oro examinó dos cintas: la comedia finlandesa “Las Hojas Muertas” y “Club Cero”, un drama sobre el radicalismo dietético. Crónica desde CannesEl Festival de Cannes vivió el lunes una de sus noches más introspectivas. El finlandés Aki Kaurismaki es candidato por quinta vez a la Palma de Oro, con Las hojas muertas, la historia de dos solitarios, en busca del amor en Helsinki. Como la mayoría de los personajes de Kaurismaki, los protagonistas de esta cinta pertenecen a la clase obrera. Están inmersos en una vida rutinaria y sosa; un día se encuentran por casualidad en un bar de karaoke de la capital, e intentan convencerse de que podrían haber encontrado, al fin, el amor. Esta comedia inexpresiva parece suceder en los años 70 pero Kaurismaki se las ingenió para recordarnos en filigrana que Rusia ha invadido Ucrania.La austríaca Jessica Hausner continua su exploración de las sociedades modernas y sus radicalismos en su última cinta Club Cero.Club Zero arranca en un exclusivo liceo que recibe a una profesora para una nueva materia: la Alimentación Consciente. Miss Novak convence a sus alumnos de la necesidad de no alimentarse, lo que tendrá repercusiones para el medioambiente, la economía global y para la salud. Algunos jóvenes se entregan a esta creencia para integrar un selecto y misterioso grupo llamado el Club Cero.Con esta película Jessica Hausner critica los fanatismos absurdos en una sociedad que fabrica gurús e influencers que manipulan a su público hasta convertirlos en seres irracionalesLas hojas muertas y Club Cero son dos de las 21 películas aspirantes a la Palma de Oro a la Mejor película.

Junge Menschen und ihre Probleme: Ein Film mit Sandra Hüller und zwei sehr unterschiedliche Blicke auf Jugend bei den Filmfestspielen von Cannes - Im siebten artechock-Podcast aus Cannes berichtet Rüdiger Suchsland von einer Nouvelle-Vague-artigen Dreiecksgeschichte aus China, einem französischen Gerichtsdrama mit Sandra Hüller in der Hauptrolle und über "Club Zero", den neuen Film der Österreicherin Jessica Hausner, einer Satire über unser aktuelles Essverhalten

El 76º Festival Internacional de cine de Cannes reunirá una vez más una constelación de estrellas del séptimo arte mundial. Grandes nombres de Hollywood y del cine europeo desfilarán por la alfombra roja. Seis directoras figuran entre los candidatos a la máxima recompensa del certamen. “Habrá veteranos y nuevos talentos, para recordar que en materia de arte, no hay fecha de caducidad”, aseguró Thierry Frémaux, el delegado general del festival en la conferencia de presentación de la selección, cita que da inicio a la cuenta regresiva para el 76º Festival de Cannes, a realizarse del 16 al 27 de mayo.En efecto, la selección es un coctel de “habitués” y nuevas firmas, películas de todos los rincones del planeta, con una predominancia de cintas italianas, africanas y francesas, y una presencia remarcada de mujeres cineastas, seis de ellas en la competencia por la Palma de Oro.Entre los asiduos, destacan el estadounidense Wes Anderson, el británico Ken Loach y el alemán Wim Wenders, así como Martin Scorsese, quien a sus 80 años presentará “Killers of the flower moon”, interpretada por Leonardo di Caprio y Robert de Niro, entre otros. La cinta, que podría integrar la lista de la competencia, está basada en la novela del mismo nombre que narra una serie de asesinatos de indígenas Osage, en Oklahoma en los años 20.Destacan en esta selección la presencia de tres italianos: Nanni Moretti (Il sol dell'avvenire), Marco Bellocchio (Rapito) y Alice Rohrwacher (La chimera). Además de Rochwacher, otras cinco mujeres desfilarán por la alfombra roja en 2023: Jessica Hausner, Kaouther Ben Hania, Justine Triet, Catherine Breillat y Ramata-y Toulaye Sy.Acción e historiaLa fiesta del cine en la Riviera francesa promete desatar pasiones, con la presencia de súper estrellas de Hollywood. Entre ellos se cuentan los ya anunciados, Harrison Ford, quien presentará la quinta entrega de Indiana Jones, y Johnny Depp, en el papel de Luis XV en el drama histórico “Jeanne du Barry”, dirigido y protagonizado por la francesa Maïwenn.Confirmado también ha sido el español Pedro Almodóvar, quien presenta "Strange way of life", un cortometraje de corte western y gay, con Ethan Hawke y el chileno Pedro Pascal.Regresa a Cannes el también español Víctor Erice (82 años), autor de obras importantes del cine hispano como "El espíritu de la colmena" o "El Sur", que hace tres décadas que no rueda un largometraje ("El sol del membrillo", documental de 1992). Erice presentará "Cerrar los ojos", con José Coronado y Ana Torrent, en  la sección Cannes Premières, pero sin competir por la Palma de Oro.El único representante latinoamericano en la competencia será el brasileño Karim Ainouz con su cinta "Firebrand".Sin embargo, América Latina estará presente en la sección “Una cierta mirada” con el argentino Rodrigo Moreno, con "Los delincuentes", los brasileños João Salaviza y Renée Nader Messora, con "Crowra", y el chileno Felipe Gálvez, con "Los colonos".Por la glamurosa alfombra roja del certamen pasarán Julianne Moore y Natalie Portman, que protagonizan la última película de Todd Haynes ("I'm not There").De su lado, el estreno mundial de la película de Wes Anderson, "Asteroid City", promete ser espectacular por la cantidad de estrellas en su reparto: Tom Hanks, Margot Robbie, Scarlet Johansson o Adrien Brody, entre otros.El presidente del jurado del festival tampoco es un desconocido, el sueco Ruben Ostlund, quien alzó el año pasado su segunda Palma de Oro por “Sin filtro”, luego de la ganada en 2017 por "The Square").

Aprofitem les figures més santes de la Mercè i el Pilar per parlar una mica de la presència divina i no tan divina en l'art! En Pol ens porta el sempre incorrecte Alejandro Jodorowsky amb el seu còmic "El Papa terrible". L'Adriano ens parla de miracles amb la pel·lícula "Lourdes", de Jessica Hausner. I què millor que amanir-ho bé amb la tornada, com a tertulià, de Ferran Pujol!

Paul Anthony Nelson is joined this week by guest film critics Fi Wright and Will Cox to review three new releases: LITTLE JOE dir. Jessica Hausner (2019), WEREWOLVES WITHIN dir. Josh Ruben (2021) and HERSELF dir. Phyllida Lloyd (2020). Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

José Carlos Cabrejo y Ricardo Bedoya comentan en este episodio dos estrenos de Netflix: "El discípulo", de Chaitanya Tamhane, y "El ejército de los muertos", de Zack Snyder. Asimismo, algunas películas vistas en el festival Al Este: "Quo Vadis, Aida?", de Jasmila Žbanić; "Bad Luck Banging or Loony Porn", la ganadora del último Oso de Oro de la Berlinale y dirigida por Radu Jude; "Days", de Tsai Ming-liang, y "Little Joe", de Jessica Hausner.

Well, we did it. It’s the final episode of Switchblade Sisters. Instead of doing a traditional show, April invited Katie Walsh, Drea Clark, and producer Casey O’Brien to discuss the making of Switchblade Sisters. We listen to messages from listeners and past guests and share our stories from the history of the podcast. We laugh, we cry, and Drea says “connective thread” at least 300 times. Thank you to everyone who listened and supported us. We will miss you. The episodes will stay up forever. So if you ever need any filmmaking advice, or maybe some assurance to follow your dreams, the show will always be there.Keep up with April Wolfe on her Twitter. And give Drea Clark and Katie Walsh a follow, too.

Una puntata ricca di curiosità! si parla di un sacco di roba.Argomenti: Recensione di PLAY di Ruben Ostlund, recensione di LITTLE JOE di Jessica Hausner, MONDO GABBER, parleremo di film Musical assieme a un ospite speciale: Matteo Tiberia, regista e co.autore del programma UNA PEZZA DI LUNDINI.

It's Episode Nine and we're talking about two creepy art films this week - Little Joe directed by Jessica Hausner and She Dies Tomorrow directed by Amy Seimetz. We also decide what the next Batman film should be! And who we would cast in our new Batman franchise ...

Mit ihrem bisherigen Schaffen hat die österreichische Regisseurin Jessica Hausner bewiesen, dass sie zu den ganz großen Stilistinnen des europäischen Kinos gehört. Ihre Themen sind vielfältig. Sie reichen von nicht zu bändigender Adoleszenz bis zu genmanipulierten Pflanzen. Der Umgang mit Genreversatz-Stücken ist komplex und die formal-ästhetische Haltung zurückgenommen radikal. Sebastian und Marcus konzentrieren sich auf drei ihrer Filme: "Hotel" (2004), "Lourdes" (2009) und letztlich "Little Joe" (2019). Zu Gast ist die Filmwissenschaftlerin Sabrina Gärtner, die kürzlich eine Monographie über das Werk von Jessica Hausner im Büchner-Verlag vorgelegt hat.

Le duo le plus résistant du cinéma de genre français revient sur la ligne de front avec pas un, mais deux films sur le feu ! Peu de temps avant la présentation de Kandisha au Festival de Sitges, et alors qu'ils travaillent sur le montage de The Deep House, Alexandre Bustillo et Julien Maury sont venus faire un gros détour par le PIFFFcast. Leurs débuts, leurs films, leurs projets avortés : vous saurez tout sur la dirty pair de l'horreur made in France ! Avec Alexandre Bustillo, Julien Maury, Véronique Davidson, Xavier Colon, Cyril Despontin et Laurent Duroche. Réalisation : Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo ► En écoute aussi sur Itunes : apple.co/2Enma9n ► Sur Deezer : www.deezer.com/fr/show/56007 ► Sur Spotify : open.spotify.com/show/4n3gUOfPZhyxL5iKdZIjHA ► Sur Youtube : https://youtu.be/j9CzY2uTRXc ► La liste des films abordés dans les précédentes émissions : bit.ly/PIFFFcast-List ► Venir discuter avec nous du PIFFFcast : bit.ly/ForumPIFFFcast REFERENCES L'oeil du PIFFF :   - Iodo de Kim Ki-Young (1977) - Starry eyes de Kevin Kölsch, Dennis Widmyer (2014) - A Dark song de Liam Gavin (2016) - Boys in the tree de Nicholas verso (2016) - L'été où j'ai grandi de Gabriele Salvatores (2003) - Les Ruines de Carter Smith (2008) https://soundcloud.com/pifffcast/pifffcast-40-des-vacances-denfer - The Girl next door de Gregory Wilson (2007) - Little Joe de Jessica Hausner (2019) - Le Château dans le ciel de Hayao Miyazaki (1986) Le Dossier :  - A l'intérieur d'Alexandre Bustillo et Julien Maury (2007) - Livide d'Alexandre Bustillo et Julien Maury (2011) - Aux yeux des vivants d'Alexandre Bustillo et Julien Maury (2014) - La Traque de Serge Leroy (1975) - Leatherface d'Alexandre Bustillo et Julien Maury (2017) - Kandisha d'Alexandre Bustillo et Julien Maury (2020) - The Deep Housed'Alexandre Bustillo et Julien Maury (2021) - Mort un dimanche de pluie de Joel Santoni (1986) - Megan is missing de Michael Goi (2011) - Poltergeist de Tobe Hooper (1982) Les recos en vrac : - Brutus VS César de Kheiron (2020) - Beastie Boys Story de Spike Jonze (2020) - La Maison d'Emma Becker (Editions Flammarion) - Following de Christopher Nolan (1998) - All Thoughs Fly d'Anna Von Hausswolff (Album) https://annavonhausswolffsl.bandcamp.com/album/all-thoughts-fly - Un pays qui se tient sage de David Dufresne (2020)

Snösätra industriområde har sedan 2014 blivit ett centrum för graffittikonstnärer, med besökare från hela Europa. Men nu ska en stor del av området rivas för att kunna saneras och bli en del av ett närliggande naturreservat något som mött kritik från konstnärer. Junior Lindgren, konstnär; Jacob Kimvall, konstvetare; Jonas Naddebo (c), kulturborgarråd i Stockholm. EVA DAHLGREN SLÄPPER NYTT ALBUM I drygt 40 år har Eva Dahlgren varit en del av svenskt musikliv. Imorgon fredag släpper hon sitt 14:e album, Evalution ett litet steg för mänskligheten, men ett stort steg framåt för henne, enligt henne själv. Eva Dahlgren är gäst i dagens P1 Kultur. VECKANS ORD: RÖTMÅNAD  Den här veckan ser Katarina Wikars hur det jäser, bubblar och luktar i omgivningarna. Veckans ord är Rötmånad. FILM: GENMANIPULERAD VÄXT GÖR MÄNNISKOR LYCKLIGA I sin nya film Little Joe synar regissör Jessica Hausner vetenskapen i hennes berättelse om växten som kan göra människor lyckliga. Roger Wilson har träffat Hausner. SNAPPHANARNA FORTSÄTTER ATT GÄCKA DET SVENSKA IMPERIET Sverige har länge brottats med snapphanarna. Är de terrorister, frihetskämpar eller både och? Dan Jönsson reflekterar över en grupp som fortfarande vägrar passa in. Programledare: Saman Bakhtiari Producent: Eskil Krogh Larsson

Plants in horror have been few and far between. There has been THE LITTLE SHOP OF HORRORS (1960), THE RUINS (2008), while many others included alien invasions such as INVASION OF THE BODY SNATCHERS (1956) and THE THING FROM ANOTHER WORLD (1951). Now genetics and the changing of the DNA of plants has entered the horror world with the British film LITTLE JOE (2020). Scientist Alice Woodard (Emily Beecham) works for a commercial genetics company that works in making plants better for garden and home. Her groups new idea is the plant called Little Joe (named after her son). Red and beautiful, the plant has been genetically changed to let out a beautiful smell that should make its owner feel more relaxed and happy. Yet Bella (Kelly Fox), a competing scientist, feels something isn't right with the Little Joes and begins to believe people are being negatively influenced by the plant. Austrian director Jessica Hausner works with longtime collaborator, French screenwriter Géraldine Bajard, on a film that received praise at Cannes Film Festival. The film has received generally good reviews even if some felt it was a slow burn. Dark Discussions takes a look at this interesting picture and gives their thoughts.

Esta semana, dedicamos una parte importante a repasar lo que hemos visto del D'A Film Festival 2020 (celebrado online en Filmin), del que destacamos · CINE: Un blanco, blanco día, de Hlynur Palmason, Little Joe, de Jessica Hausner, Jesus Shows You The Way To The Highway, de Miguel Llansó y, sobre todo, Nomad: In the Footsteps of Bruce Chatwin, de Werner Herzog. Además nos da tiempo a hablar de: · LIBRO: Un artista del mundo flotante, de Kazuo Ishiguro · VIDEOJUEGO: Statik: Institute of Retention, de Tarsier Studios Entre medio suenan Los Coronas homenajeando a Kraftwerk y Raphael cantando en francés.

El cine de terror destapa nuestros miedos más profundos, es uno de los géneros más taquilleros que dice mucho de las sociedades en las que vivimos. Esta semana llegan a plataformas varias propuestas. a primera es un remake, el de It: capítulo 2,  la adaptación de la novela de Stephen King. Más autoral es El Faro, película de Robert Eggers con la relación de un farero y su ayudante aislados en una isla remota. Protagonizan Robert Pattinson y Willemn Dafoe. En cine clásico, además, recordamos Viernes 13, una película que se estrenó hace ahora 40 años. También está ya disponible en streaming Jojo Rabbit, comedia negra de Taika Waititi sobre el nazismo, y dos cintas independientes, la china Hasta siempre hijo mío y la sueca Solo nos queda bailar. Además, entrevistamos a Jessica Hausner por 'Little Joe' y a Juan Antonio Vigar, director del Festival de Málaga. En televisión dos estrenos españoles esta semana: Netflix estrena Valeria, la adaptación de las novelas de Elísabet Benavent y TVE vuelve con El ministerio del tiemp

Vivariums and Architecture on Film: In this episode of Resonance’s monthly show on how Architecture and the built environment is represented in Culture, we explore examples of architecture on film. Alex Fitch talks to director Jessica Hausner about her psychological thriller Little Joe, which explores the effects of a genetically modified plant designed to alter […]

Vivariums and Architecture on Film: In this episode of Resonance’s monthly show on how Architecture and the built environment is represented in Culture, we explore examples of architecture on film. Alex Fitch talks to director Jessica Hausner about her psychological thriller Little Joe, which explores the effects of a genetically modified plant designed to alter […]

Sam Clements talks to Emily Beecham about her role in the new film by director Jessica Hausner, Little Joe.  Little Joe follows Alice (Emily Beecham), a single mother and dedicated senior plant breeder at a corporation engaged in developing new species. She has engineered a special crimson flower, remarkable not only for its beauty but also for its therapeutic value: if kept at the ideal temperature, fed properly and spoken to regularly, this plant makes its owner happy. Against company policy, Alice takes one home as a gift for her teenage son, Joe. They christen it ‘Little Joe’. But as their plant grows, so too does Alice’s suspicion that her new creation may not be as harmless as its nickname suggests.

Greed is (kinda) good on this week’s Truth & Movies, as Michael Leader, Simran Hans and Matt Thrift sail away with Michael Winterbottom and Steve Coogan for their super-rich satire – just watch out for those false teeth! Also in cinemas is Jessica Hausner’s Little Joe, starring Emily Beecham as a botanist whose latest scientific breakthrough comes with a curious side effect. Continuing the nefarious flora theme in Film Club, we revisit Fran Oz’s 1986 horror-comedy Little Shop of Horrors. See acast.com/privacy for privacy and opt-out information.

Today, we take a little detour from our series dedicated to exploring witches onscreen to bring you a bonus episode about the new film by director Jessica Hausner, the plant-based sci-fi horror Little Joe. The first part of the episode features broadcaster Rowena Alice (@Rowenaaaaa) to discuss the film and some the themes it touches on. In the second part of the episode you'll hear our interview with lead actress Emily Beecham, who picked up the Best Actress award at the Cannes Film Festival for her performance in Little Joe. Little Joe is released in UK cinemas on Friday 21 February. You can watch the trailer here. *** The Final Girls are a UK-based film collective exploring the intersections of horror film and feminism. Find out more about our projects here: thefinalgirls.co.uk Follow us on Twitter, Instagram and Facebook. Follow Anna on @annabdemented and Olivia is on @livihowe 

Her performance in Little Joe won Emily Beecham best actress award at the Cannes Film Festival last year. Also starring Ben Whishaw it is a scifi take on the dangers of genetic engineering in flowers. It's the first film in English for Austrian director Jessica Hausner and she reveals what inspired it and the themes that recur in her films. Continuing our series on how to get a movie made, Pitch to Production, Matthew Sweet explores the tricky business of assigning rights with Clare Israel of film and literary agents David Higham Associates and development consultant Rowan Woods. Another winner at Cannes in 2019 was the French film Portrait of a Lady on Fire which took Queer Palm and Best Screenplay prizes for its writer and director Céline Sciamma. Set in eighteenth century France it is the story of the developing attraction between a female portrait painter and the young woman sitting for her. Its stars Noémie Merlant and Adèle Haenel who talk about the difference between being the observed and the observer in art and the fun they had shooting sex scenes. Presented by: Antonia Quirke Producer: Harry Parker

Little Joe is a 2019 internationally co-produced drama film directed by Jessica Hausner. It was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival. At Cannes, Emily Beecham won the award for Best Actress. Beecham stars as Alice Woodard, a plant breeder and single mother who creates "Little Joe", a plant that gives its caretakers joy. Emily Beecham as Alice Woodard Ben Whishaw as Chris Kerry Fox as Bella Kit Connor as Joe Woodard David Wilmot as Karl Phénix Brossard as Ric Jason Cloud as Student Sebastian Hülk as Ivan Leanne Best as Brittany Lindsay Duncan as Psychotherapist Goran Kostic --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

Jessica Hausner ist österreichische Filmregisseurin , Autorin, Mutter, Mitglied der Oscar-Akademie und ihr neuer und erster English sprachiger Film „Little Joe“ ist seit dem 9. Januar in den deutschen Kinos! In der Webtalkshow spricht sie mit Moderator Nico Gutjahr über die Entstehung, Stimmung am Set und das Thema ihres nächsten Films! Nicht vergessen: Webtalkshow Podcast immer Samstag und Sonntag, neue Folgen als Video von Montag bis Freitag auf www.webtalkshow.de Foto: Evelyn Rois

Er zähle zu den bedeutendsten Charakterdarstellern der Film- und Theaterwelt, lobte die Berlinale. Außerdem: Der Prozess gegen den Filmproduzenten Harvey Weinstein hat begonnen und die Golden Globes wurden verliehen. Wir blicken auf die Kinostarts der Woche und sprechen mit Jessica Hausner zu ihrem neuen Film "Little Joe". Von Jakob Bauer

Die österreichische Regisseurin Jessica Hausner bürstet Filmgenres wie Horror oder Science Fiction subversiv gegen den Strich und wurde schon zur würdigen Nachfolgerin von Stanley Kubrick erklärt. Ihr neuer Film "Little Joe“ spielt mit den Verheissungender Genforschung. Anke Sterneborg hat mit Jessica Hausner gesprochen und beleuchtet ihr außergewöhnliches Werk.

Frauen sind in der öffentlichen Wahrnehmung der Filmwelt unterrepräseniert. Warum eigentlich und was kann man tun? Wo stehen wir aktuell? Hat #MeToo etwas verändert? Wir haben Jessica Hausner gefragt, vielfach ausgezeichnete Regisseurin aus Österreich und jüngst mit ihrem Film LITTLE JOE - GLÜCK IST EIN GESCHÄFT im Wettkampf um die Goldene Palme von Cannes. Musik: http://www.bensound.com

It's a bit of a mix and match on BEHIND THE LENS this episode as writer/director DAVID GUY LEVY joins us live talking about his latest film THE MANDELA EFFECT, the story of a man who, following a personal tragedy, becomes obsessed with facts and the misremembering of them by thousands of people. Listen as David talks about the development of the story and visually bringing a questioning of reality to the screen. Plus, listen to our exclusive interview with writer/director JESSICA HAUSNER as she talks about the hypnotic (and deliciously creepy) LITTLE JOE! Our discussion digs deep into Jessica's use of color, cinematography, social issues and themes, and more. http://behindthelensonline.net http://eliasentertainmentnetwork.com

Hi everyone! It’s Friday, so we’re back with another Fantastic Fest review from Andrew Campbell. Today’s review I thought wasn’t going to make it, and I was getting really frustrated with him, but then someone sent me this awesome houseplant and now it’s fine, and I’m fine, and everything’s fine. You know what else is fine? Andrew’s previous reviews, which include THE POOL (Episode #656), critical darling DOLEMITE IS MY NAME (Episode #649), and ensemble film extraordinaire KNIVES OUT (Episode #652). I wonder who sent this flower? Oh! I guess you’ll want to check out our review for ANNA AND THE APOCALYPSE (Episode #425) for... no reason. Before the review, we’ll have a promo from the DC High podcast. Every episode, D & C provide a heaping dose of edutainment as they work their way through a high-school themed curse. You can find them on Twitter and Facebook @DCHighpod. Don’t miss their Reign of Terror 2019 guest review for HATCHET (Episode #613). Subscribe to stay current with the latest releases. Contribute at Patreon for exclusive content. Connect with us over social media to continue the conversation. Here we go! ///// > ///// Hello film fans! Stephanie here. Andrew seems to have caught a touch of the plague this week and his voice sounds like he spent the whole day screaming. The review itself is all his, but you’ll be hearing my voice instead of his raw scratchy one. Anyway, today’s movie is about a nefarious plant and if I was going to watch a movie about plant life, it would be something more like LITTLE SHOP OF HORRORS or the real horror of 2018’s ANNIHILATION (Episode #400), both of which are streaming now on Amazon Prime. Today’s movie is LITTLE JOE, the 2019 film from Magnolia Pictures, written by Jessica Hausner and Geraldine Bajard, and directed by Hausner. LITTLE JOE played the 2019 Fantastic Fest as a “sneak preview” - whatever that means. The first English language film from Austrian director Hausner, LITTLE JOE stars Emily Beecham as Alice a single mother caring for her son Joe (Kit Connor) while preoccupied with her genetically engineered plant species called Little Joe. As a senior scientist at a research company, Alice has developed a flower that, when cared for and spoken to, emits a red cloud of particulates containing oxytocin, essentially providing a source of artificial happiness. Frequently forced to work late monitoring her plants, Alice is often absent from her teen son’s life with late night take-out dinners becoming the norm. She makes an uncharacteristically poor decision to smuggle a single bloom home as a gift for her son, but before long young Joe’s personality begins to change. The trailer for this film looks gorgeous, providing a setting for a great story. A stark, glass-walled laboratory staffed by a crew of meticulous workers tending to a grid of single-stem houseplants featuring a crimson puffball on the end. Alice’s bright-red bob of hair and the dark fluorescent grow-lights being the only other signs of color. The sterile, antiseptic lab clashes with the ominous soundtrack pulsating throughout. The film itself delivers in this regard, every scene well-shot with some creative camera angles and long pans. The story is a slow burn, just as the trailer indicates, however it grows a bit thin with remarkably few twists or payoffs along the way. The conclusion is predictable and pedestrian, however the film does have an interesting subtext regarding antidepressants. Fortunately for folks like me who don’t always pick up on these things, the characters eventually have an overt conversation on the subject. With pharmaceuticals (or in this case, a potentially malicious chemical-emitting houseplant) that serve to artificially alter one’s personality to create happiness, at what point does the person become someone else altogether? One thing that drew me to this film is the fact that Emily Beecham picked up the award for Best Actress at Cannes for LITTLE JOE. This seemed unlikely for a genre film such as this, however, Cannes has a recent history of recognizing actresses in horror and sci-fi films, including Charlotte Gainsbourg for ANTICHRIST and Kirsten Dunst for MELANCHOLIA, both stemming from the deranged mind of Lars von Trier. Unfortunately, I found Beecham’s performance to be rather pedestrian, along with most of the cast, which also includes actor Ben Whishaw as Chris, a co-worker at the lab and potential love interest for Alice. The film works to build suspense as Alice sees subtle signs that her son and co-workers are behaving differently, possibly resulting from Little Joe’s spores. But “subtle” is the key word here, the film sacrificing any real excitement for the restraint of being a light psychological thriller. The obvious comparison here is to INVASION OF THE BODY SNATCHERS, either the 1956 film or the more well-known 1978 remake starring Donald Sutherland. There the plants are extraterrestrial rather than bio-engineered, but as they slowly begin to supplant people both mentally and physically, you get some genuine terror that has aged surprisingly well. LITTLE JOE starts with the same note, but all the fun parts are missing. What makes LITTLE JOE fantastic? The Little Joe plant was scientifically engineered to be infertile, ostensibly to give the company control over the plant’s production once it becomes a commercially viable product.  However, as we know from a certain dinosaur, you cannot control nature’s intrinsic need to reproduce. In other words... This is basically the low-stakes flora version of JURASSIC PARK and it deserves a few points for that. LITTLE JOE is a slow-paced sci-fi thriller that rewards patient viewers with a meditative moral tale. Fans of lab-based thrillers such as GATTACA, CONTAGION, or Jeff Goldblum in THE FLY may enjoy this film. Rotten Tomatoes: 69% Metacritic: 58 One Movie Punch: 6.2/10 LITTLE JOE (2019) is not rated and opens today in limited release. Come back next Wednesday when Andrew will be returning with MARRIAGE STORY, starring Scarlett Johansson and Adam Driver. The latest from Noah Baumbach is a gut-wrenching story of love and divorce featuring two actors at the top of their game. You can expect Oscar nominations and possibly a few wins from this one. It’s been drawing rave reviews in a limited theatrical run and hits Netflix on Friday. Will you be ready to go by then, Andrew? Oh, you’re sounding better already!

This is a truly fascinating and unique episode of Switchblade Sisters. The phenomenal Austrian director Jessica Hausner joins April to talk about M. Night Shyamalan’s The Visit. But unlike any previous episode of Switchblade Sisters, Jessica had never seen The Visit and had to turn it off halfway through because she was too frightened! Nonetheless, this is a deeply insightful conversation that covers her personal philosophy of precise filmmaking, working with child actors, and her new sci-fi film starring Emily Beecham and Ben Whishaw called Little Joe, which won Best Actress for Beecham at the Cannes Film Festival and was in competition for the Palme d’Or. Little Joe is in theaters and streaming on December 6. And if you haven’t seen The Visit…you should! With April Wolfe and Jessica Hausner. You can let us know what you think of Switchblade Sisters on Twitter or Facebook. Or email us at switchbladesisters@maximumfun.org.

Bienvenidos a un nuevo programa especial de La Gran Evasión sobre el Festival de Cine Europeo de Sevilla, edición 16. Desde Radiopolis, en la 92.3 de la FM repasamos nuestro amado festival con el entusiasmo y la devoción acostumbradas. Comentamos el palmarés, nuestras impresiones y conmociones sufridas, por los golpes de las obras de Jessica Hausner, Abel Ferrara, Robert Guédiguian, Nadav Lapid, Albert Serra, Eloy Enciso, Pietro Marcello, Marco Bellocchio o Bruno Dumont, entre otros. Tenemos la suerte de poder contar con el programador del festival, Javier Estrada, que nos relata su visión del certamen al teléfono. Una amena charla regada con la música de los grupos que han participado en el Seff Noche, nuestras críticas "crípticas", nuestras entrevistas absurdas y sobre todas las cosas, nuestra pasión por el cine. Esta fría noche, compartimos experiencias y emociones cinéfilas, José Miguel Moreno, Raúl Gallego, Gervi Navío, "Guti" y Javier Estrada, mientras, un solemne canto ortodoxo, nos recuerda lo insignificante que somos. De coda final os dejamos extractos de las entrevistas "perpetradas" por nuestro intrépido y bilingüe reportero.

Emily Beecham won the best actress award at this year's Cannes Film Festival for her brilliantly nuanced and tightly focused performance in Jessica Hausner's art house science fiction film “Little Joe.” Recently she played The Widow in the AMC series “Into The Badlands,” starred in “Daphne,” and had a memorable supporting role in “Hail Caesar.” In this episode she talks about the importance of connection, avoiding “attractive acting,” Mike Leigh, the strenuousness of intense physical performance, her “Little Joe” hair, and much more!

LA CHRONIQUE CINE, mercredi et vendredi à 9h et 13h30. Jeanne Beyrand nous parle des sorties des films. Cette semaine, 2 films : "Little Jo" de Jessica Hausner avec Emily Beecham et Ben Whishaw et "Noura Rêve" de Hinde Boujemaa avec Hend Sabri et Lotfi Abdelli.

On se retrouve cette semaine pour parler tout d’abord d’un sujet qui a suscité la polémique jusqu’au sein de l’équipe de Popcorn : Faut-il boycotter J’accuse, le nouveau film de Roman Polanski ? Flashback revient pour vous et en détail sur les différentes accusations portées à l’encontre du réalisateur et sur les différentes positions que suscite la sortie de son nouveau film. On vous parle ensuite de deux autres films sortis cette semaine : NOURA RÊVE de Hinde Boujemaa, un film tendre et réussi sur le divorce d’une femme tunisienne qui voudrait s'échapper avec son amant LITTLE JOE de Jessica Hausner, un thriller d’anticipation à base de plantes dangereusement génétiquement modifiées Enfin, retrouvez les coups de coeur et coups de gueule de nos chroniqueurs en fin d’émission Chroniqueurs : Pauline Blanc, Anna Metcalfe, Mathilde Piqué, Paul Jarrige, Claire Ell, Alice Perrault et Jeanne Burin des Roziers

Du CLAAC en veux-tu, du CLAAC en voilà ! Après le double épisode sur la Corée, qui vous a privé d'un épisode "classique", on vous condense ces deux dernières semaines de sorties avec un gros programme ! Promis, on revient vite au format habituel, même si la masse de sorties du 20 novembre nous convainc du contraire. Aujourd'hui, Matt Damon et Christian Bale poursuivent Ferrari à bord de leur Ford GT40 dans Le Mans 66. Une course nostalgique qui inspire à Nicolas Bedos pour le conte des héros d'une autre Belle Époque. Pour leur prochaine aventure, ils devront affronter une application démoniaque avec Countdown, des fleurs envoûtantes avec Little Joe, des locataires voleurs de baraque avec Furie, mais aussi l'intégralité de la fierté française avec J'accuse. Bloqués en France, ils vont découvrir l'impasse et le tourbillon européen avec Adults In The Room. Démembrés sauvagement par cette machine implacable, ils tentent dans leur dernier souffle leur reconstitution avec J'ai perdu mon corps. Du film sociétal, d'époques, de l'animation, du genre, on y va ! Bonne écoute ;) Temporalité de l’épisode : 01:38 La Belle époque (2019) de Nicolas Bedos avec Daniel Auteuil, Guillaume Canet, Doria Tillier, Fanny Ardant, Pierre Arditi, Denis Podalydès … 10:22 Le Mans 66 de James Mangold avec Matt Damon, Christian Bale, Caitriona Balfe... 22:09 J’accuse (2019) de Roman Polanski avec Jean Dujardin, Louis Garrel, Emmanuelle Seigner, Gérgory Gadebois, Wladimir Yordanoff, Melvil Poupaud, Mathieu Amalric, Vincent Perez, Denis Podalydès... 38:13  J’ai perdu mon corps de Jérémy Clapin ... 45:17 Adults in the room de Costa-Gavras avec Christos Loulis, Alexandros Bourdoumis… 55:16 Little Joe de Jessica Hausner avec Emily Beecham, Ben Whishaw… 1:05:29 Countdown (2019) de Justin Dec avec Elizabeth Lail, Jordan Calloway, Talitha Bateman… 1:11:15 Furie (2019) de Olivier Abbou avec Adama Niane, Stéphane Caillard, Paul Hamy... 1:22:27 Conclusion Podcasts cités : Spécial Films Coréens #FFCP 2019 (1/2) Spécial Films Coréens #FFCP 2019 (2/2) Crédits :  Émission animée par Thomas Bondon, Thierry de Pinsun, Hera Laskri, Carl Vincent Alex. Générique original : Kostia R. Yordanoff (tous droits réservés)  Retrouvez aussi Certains l’aiment à chaud sur :  Facebook : @claacpodcast Instagram : @claacpodcast Twitter: @CLAACpodcast Ausha  Itunes / Apple Podcast  Spotify  Deezer  Stitcher  Podmust  Podcloud 

Nous évoquons cette semaine le témoignage de Adèle Haenel et la sortie cntroversée du film "J'accuse" de Roman Polanski après la sélection hebdomadaire des films sortis ce mercredi 13 novembre. Nous avons décidé de néanmoins parlé de "J'accuse" et du très énigmatique "Little Joe" de Jessica Hausner. Pour nous contacter, vous pouvez le faire sur la page "Facebook" de Cinecritik ou sur Twitter. Bonne semaine à tous.

Cette semaine, Diane nous parle d'une fleur qui rend heureux, dans Little Joe, de Jessica Hausner ; Noura rêve, de Hinde Boujemaa, un film tunisien sur l'adultère ; et d'un été en Normandie, avec Le Bel été, de Pierre Creton. Si vous voulez écouter l’émission en intégralité, le podcast de l’Amuse Gueule est à retrouver chaque semaine sur le site vl-media.fr.

Otro año, otra edición del Festival de Cine más importante de México. Si bien premia solo al cine local, este evento cultural que cada año se enriquece más y más, se ha convertido ya en una sucursal de Cannes. Al exhibir casi todo el palmarés del festival francés en Morelia, los mexicanos y visitantes disfrutan de una atractiva muestra de lo que el año nos ha dado. En tiempos en que la brecha entre cine industrial y el círculo autoral se vuelve más grande, los festivales siguen siendo punto de encuentro entre visiones y contenidos. Sin estar libres de polémica, siempre fuente de sustancia para ponderar las tendencias que marcan la cultura, no solo de México, sino del mundo. Los temas sociales, las tensiones políticas y los problemas que tristemente aquejan a este país, han determinado las películas de este año, mostrando que, como todo reflejo, sirven no solo para apreciar, también para analizar. Lo nuevo de Kleber Mendoça, Céline Sciamma, Robert Eggers, Johana Hog y Ciro Guerra, convive con nuevas promesas de la realización como Karim Aïnouz, Jessica Hausner y Ginevra Elkann. Algunos viejos maestros como Woody Allen y Terrence Malick, también vuelven destilando un poco de óxido pero sin dejar de dar tema de conversación. Sorpresas, decepciones, placeres y corajes, todo esto lo comentamos en este episodio especial de Cine Con Acento, que a punta de resistencia y cafeína, repasa lo mejor que ofreció esta decimoséptima edición del Festival Internacional de Cine de Morelia.

This week on the Film at Lincoln Center podcast, we preview our upcoming Jessica Hausner retrospective with programmer Dan Sullivan. He discusses the Austrian director's eclectic filmography thus far, which will be presented starting this Friday with a sneak preview of her Cannes winner Little Joe (featuring a Q&A with Hausner and actress Emily Beecham) and continuing through Sunday. See showtimes and get tickets at filmlinc.org/hausner, plus save with 3+ film package. Then we go to a special conversation with Martin Scorsese. Following the world premiere of The Irishman at the 57th New York Film Festival, the director sat down with NYFF director Kent Jones for the annual event On Cinema. During the discussion the filmmaker talked about influences and recent favorites, illustrated with film clips. During the discussion the legendary filmmaker talked about influences and recent favorites, illustrated with film clips, specifically a pair of Hugo Haas features, Ari Aster’s Hereditary, and Joanna Hogg’s Archipelago. This podcast is brought to you by Film at Lincoln Center.

Rappelez-vous, il y a environ un an, notre épisode 14. Nous avions parlé de La Cité de la peur, mais durant les actus pop, DDSchutz et Philou avaient fait un long retour sur le Festival Européen du Film Fantastique de Strasbourg (FEFFS) 2018. Cette année, nous avons décidé de faire un hors-série plus long que d'habitude qui sert de bilan à l'édition 2019. Pour cette occasion, vous retrouverez DDSchutz, Flavien et Philou, qui ont reçu des accréditations pour assister aux séances, on en profite d'ailleurs pour remercier l'organisation pour ça. Et à épisode exceptionnel, invité exceptionnel, Magic Jacques, de feu l'Improbable Podcast et habitué de l'événement, a pu nous rejoindre pour parler des films qu'il a vus. Vous pouvez retrouver un long thread des impressions de film sur Twitter, alimenté au fil des visionnages. Le palmarès de l'édition 2019. Introduction et film d'ouverture (05:15) Présentation globale du festival Film d'ouverture : The Lighthouse, de Robert Eggers (09:03) Compétition Crossovers (12:02) The Art of Self-Defense, de Riley Stearns (12:27) First Love, de Takashi Miike (23:19) Jesters: The Game Changers, de Kim Joo-ho (30:22) Ni Dieux ni maîtres, d'Eric Cherrière (34:58) Compétition Animation (39:59) La fameuse invasion des ours en Sicile, de Lorenzo Mattotti (41:02) Ride Your Wave, de Masaaki Yuasa (43:39) Away, de Gints Zilbalodis (45:56) L'Extraordinaire voyage de Marona, d'Anca Damin (50:41) J'ai perdu mon corps, de Jérémy Clapin (58:15) The Relative Worlds, de Yuhei Sakuragi (1:00:32) Evénements spéciaux et rétrospectives (1:03:15) La séance secrète : Le Projet Blair Witch, de Daniel Myrick et Eduardo Sánchez (1:03:37) La master class de Robert Rodriguez suivie de la projection de Red 11 (1:14:09) La conférence "Quel avenir pour les open worlds ?", qu'on retrouve sur Youtube (1:22:42) The Tingler, de William Castle, dans le cadre de la rétrospective "Parasites" (1:26:18) Midnight Movies (1:29:52) The Cleansing Hour, de Damien LeVeck (1:30:48) Bliss, de Joe Begos (1:34:26) Aquaslash, de Renaud Gauthier (1:38:08) The Pool, de Ping Lumpraploeng (1:40:24) Body at Brighton Rock, de Roxanne Benjamin (1:48:32) Porno, de Keola Racela (1:53:14) Jesus Shows You the Way to the Highway, de Miguel Llanso (1:55:12) Séances spéciales (2:00:00) Hail Satan?, de Penny Lane Compétition Fantastique (2:06:07) Furie, d'Olivier Abbou (2:07:07) Little Joe, de Jessica Hausner (2:11:15) The Beach House, de Jeffrey A. Brown (2:15:17) Greener Grass, de Jocely DeBoer et Dawn Luebbe (2:23:00) Come to Daddy, d'Ant Timpson (2:30:46) Knives and Skin, de Jennifer Reeder (2:33:06) The Hole in the Ground, de Lee Cronin (2:37:41) In Fabric, de Peter Strickland (2:42:51) Conclusion et bilan du festival (2:49:44) Retrouvez-nous sur les agrégateurs de podcasts tels que Apple Podcast, Podcast Addict et bien d'autres. Twitter | Facebook | Podcloud Tracklist : • Générique de début : Dirty Terrain - Hard Funk Beat• Générique d'introduction et de conclusion : Elmer Food Beat - Le plastique c'est fantastique & Aqua - Barbie Girl• Générique de fin : Fulldiegodruming - Cubanthecity

Day 11 of the @BFI 63rd #LFF Tonight's #EchoChamber we have 'Fanny Lye Deliver'd', 'Waves', 'Judy & Punch' & 'A Beautiful Day in the Neighborhood'. PLUS 'Little Joe' director Jessica Hausner stops by for a chat! If you click the link in my bio, you'll be able to find this new episode This week we have: Fanny Lye Deliver'd London Film Festival Screenings: 10th October 2019 Director: Thomas Clay Cast: Maxine Peake, Charles Dance, Freddie Fox, Tanya Reynolds Genre: Drama, History, Thriller Running Time: 110 min Cert: 12a Twitter: @FannyLye ------------ Waves London Film Festival Screenings: Saturday 12th October 2019 Sunday 13th October 2019 20:30, Vue West End Release Date: 15th November 2019 (US) - 17th January 2020 (UK) Director: Trey Edward Shults Cast: Kelvin Harrison Jr, Lucas Hedges, Taylor Russell, Alexa Demie Genre: Comedy, Crime, Drama Running Time: 135 min Cert: 18 Website: here. Twitter: @wavesmovie Instagram: @wavesmovie ---------------- Judy & Punch London Film Festival Screenings: 12th October 2019 Sunday 13th October 2019 14:00, ODEON Luxe Leicester Square Release Date: 15th November 2019 Director: Mirrah Foulkes Cast: Mia Wasikowska, Damon Herriman, Tom Budge, Benedict Hardie, Lucy Velik Genre: Comedy, Crime, Drama Running Time: 105 min Cert: 15 Website: here. ---------------- A Beautiful Day in the Neighborhood London Film Festival Screenings: 12th October 2019 Sunday 13th October 2019 11:30, Embankment Garden Cinema Sunday 13th October 2019 17:45, Empire Haymarket Release Date: 22nd November 2019 (US) - 6th December 2019 (UK) Director: Marielle Heller Cast: Tom Hanks, Matthew Rhys, Susan Kelechi Watson, Chris Cooper Genre: Biography, Drama Running Time: 107 min Cert: PG Website: here. Twitter: @ABeautifulDay Instagram: @abeautifuldaymovie ---------------- For all your info on the festival, check out the BFI website.

Jessica Hausner talks with FRED about her first English language film, her interest in mixing realism with irony, and the science fiction look. The post Jessica Hausner – Little Joe #Cannes2019 appeared first on Fred Film Radio.

Jessica Hausner talks with FRED about her first English language film, her interest in mixing realism with irony, and the science fiction look. The post Jessica Hausner – Little Joe #Cannes2019 appeared first on Fred Film Radio.

Jessica Hausner talks with FRED about her first English language film, her interest in mixing realism with irony, and the science fiction look. The post Jessica Hausner – Little Joe #Cannes2019 appeared first on Fred Film Radio.

Jessica Hausner talks with FRED about her first English language film, her interest in mixing realism with irony, and the science fiction look. The post Jessica Hausner – Little Joe #Cannes2019 appeared first on Fred Film Radio.

Jessica Hausner talks with FRED about her first English language film, her interest in mixing realism with irony, and the science fiction look. The post Jessica Hausner – Little Joe #Cannes2019 appeared first on Fred Film Radio.

Jessica Hausner talks with FRED about her first English language film, her interest in mixing realism with irony, and the science fiction look. The post Jessica Hausner – Little Joe #Cannes2019 appeared first on Fred Film Radio.

Comment les jeunes réalisatrices traitent de l'amour ? Réponses avec les films de Céline Sciamma et Jessica Hausner analysés par Virginie Apiou et Thibaut de Saint Maurice. Les films : Naissance des pieuvres de Céline Sciamma et Amour fou de Jessica Hausner

Jessica Hausner, director Gerardine O’Flynn, producer Bertrand Faivre, producer Geraldine Bajard, co-writer moderator: Tricia Tuttle, director, BFI Festivals

Nu är första helgen i Cannes avverkad och i dagens P1 Kultur möter vi flera stjärnor i filmer som tävlar om årets Guldpalm - skådespelaren Antonio Banderas är en av dem! Pedro Almodóvars nya film "Dolor y gloria", där Antonio Banderas spelar en av huvudrollerna, är med och tävlar om Guldpalmen, men P1 Kulturs Roger Wilson och Björn Jansson har också träffat den österrikiska regissören Jessica Hausner som medverkar i tävlingen med "Little Joe". Hon har tidigare medverkat i tävlingssektionen "Un certain regard" och har genom åren fått mycket uppmärksamhet för filmer som debuten "Lovely Rita" och "Miraklet i Lourdes". Filmregissören Ken Loach är också med och slåss om årets Guldpalm och P1 Kultur har mött skådespelarna Debbie Honeywood och Kris Hitchen som är med i Loach film "Sorry we missed you". Ytterligare en regissör som kan komma att få bära hem årets Guldpalm, är den franska regissören Bruno Dumont, som är i Cannes med filmen "Jeanne". Hör hans jämförelse mellan Jean d´Arc och Greta Thunberg! Svenska kortfilmaren Elin Övergaard är uttagen för tävlan om kortfilmens Guldpalm och hon är med i dagens program för att berätta om sin film "Ingen lyssnar". Det gör också Johanna Pyykkö, som tävlar med sin kortfilm"The Manila lover" under kritikerveckan Hör rapporteringen från den 72:a filmfestivalen i Cannes. Peter Dahl har gått bort 85 år gammal. P1 Kultur Cecilia Blomberg minns en driven konstnär som framför allt var trogen sig själv, sina egna idéer och ideal. Dessutom - i dagarna öppnade Liljevalchs i Stockholm den stora sommarutställningen, som ägnas fotografen Anders Peterséns Stockholmsbilder tagna mellan 2015 och 2018. Fotografierna dokumenterar staden och människorna som bor där och skapat ett mångfacetterat porträtt av huvudstaden och vår tid. Kritiksamtal i dagens P1 Kultur med kulturredaktionens Jenny Teleman. Och, denna vecka prövar OBS någonting som vad vi kunnat utröna inte gjorts i programmets femtiosexåriga historia. Under hela veckans sänds en enda lång essä, som utan problem kan höras i fyra separata delar, som var och en står för sig själv. Och det är författaren och essäisten Dan Jönsson som reflekterar över framtiden med avstamp i de dystopier och utopier som tagit form i klimatkrisens tidevarv. Programledare: Måns Hirschfeldt Producent: Maria Götselius

We're back from Cannes with day 5 of our podcasts covering all the cinematic goings-on in the south of France. For today's episode, Film Comment Editor-in-Chief Nicolas Rapold is joined by FC contributing editor Amy Taubin and Justin Chang, critic at the Los Angeles Times. The three kick things off a conversation about Pedro Almodóvar's Pain and Glory before taking a look at Mati Diop's Atlantique, Mounia Meddour's Papicha, Michael Angelo Covino's The Climb, and Jessica Hausner's Little Joe, one of the most anticipated entries at the festival. Check out all of our Cannes coverage: https://www.filmcomment.com/blog/category/cannes/

Little Joe et Jessica Hausner et  Douleur Et Gloire à la critique. Florence Leroy reçoit Franck Finance Madureira, Jean-Pierre Lavoignat et Caroline Vié.

In this episode, I talk about Jessica Hausner's 2009 film, "Lourdes." It tells the story of Christine, a young woman in a wheelchair who goes to the famous Catholic holy site of Lourdes in France where she and other pilgrims hope for healing and possibly a miraculous cure. I talk about loneliness, disability, and my own struggle with religion. Consider making this podcast sustainable by supporting it on Patreon. Subscribe to the Her Head in Films Newsletter. Follow me on Facebook, Twitter, Instagram, and Tumblr. Original artwork by Dhiyanah Hassan Full show notes: Under the Sand Family Life 45 Years My episode on Jonathan Glazer's Birth More about the streaming site, Mubi My episode on Barbara Loden's Wanda PBS documentary Sacred Journeys: Lourdes My episode on The Passion of Joan of Arc The Innocents by Anne Fontaine Jessica Hausner's Amour Fou My episode on The Diving Bell and Butterfly and Locked-in Syndrome More about Jean-Dominique Bauby My episode on Scarred Hearts More about Max Blecher My episode on I, Daniel Blake Jessica Hausner's interviews with Timeout London and Austrianfilms.com

The Austrian film director at the 11th Talents Sarajevo. The post Jessica Hausner – Filmmaker #23rdSFF appeared first on Fred Film Radio.

The Austrian film director at the 11th Talents Sarajevo. The post Jessica Hausner – Filmmaker #23rdSFF appeared first on Fred Film Radio.

The Austrian film director at the 11th Talents Sarajevo. The post Jessica Hausner – Filmmaker #23rdSFF appeared first on Fred Film Radio.

The Austrian film director at the 11th Talents Sarajevo. The post Jessica Hausner – Filmmaker #23rdSFF appeared first on Fred Film Radio.

The Austrian film director at the 11th Talents Sarajevo. The post Jessica Hausner – Filmmaker #23rdSFF appeared first on Fred Film Radio.

The Austrian film director at the 11th Talents Sarajevo. The post Jessica Hausner – Filmmaker #23rdSFF appeared first on Fred Film Radio.

Kino har bjudit in hiphopforskaren Johan Söderman och filmkritikern Malin Krutmeijer för att ta reda på varför filmen "Straight Outta Compton" har lyckats så bra och vad den betyder för hiphopkulturen i stort. Regissören Beata Gårdeler har undersökt människans flockbeteende i sin andra långfilm, den prisbelönade Flocken. Hon kommer till Kinostudion för att berätta om processen med filmen. Dessutom så hör vi vad som gjort störst intryck på Lisa Bergström under filmfestivalen i Venedig. Det var länge osäkert om biografiska filmen om rapgruppen NWA skulle nå de svenska biodukarna.På fredag är det i alla fall biopremiär för "Straight Outta Compton". Kino har bjudit in hiphopforskaren Johan Söderman och filmkritikern Malin Krutmeijer för att ta reda på varför den här filmen har lyckats så bra och vad den betyder för hiphopkulturen i stort. Regissören Beata Gårdeler har undersökt människans flockbeteende i sin andra långfilm, den prisbelönade Flocken.Efter att den unga Jennifer anmält sin klasskamrat för våldtäkt blir hon och hennes familj utfrysta av det lilla samhället de lever i.Beata Gårdeler kommer till Kinostudion för att bland annat berätta om de reaktioner hon fått efter visningarna under årets upplaga av filmfestivalen i Berlin. Där vann hon Kristallbjörnen för bästa långfilm i ungdomssektionen Generation 14plus. Dessutom så möter Gunnar Bolin den österrikiska regissören Jessica Hausner som tidigare gjort filmer som Hotel och Miraklet i Lourdes. Nu är hon bioaktuell i Sverige med sitt senaste verk Amour Fou. En film om att försöka använda sig av kärleken för att övervinna döden.Vi får också en rapport av Sveriges Radios kulturkorrespondent Lisa Bergström  om det roligaste och viktigaste från årets filmfestival i Venedig.Producent: Danina MahmutoviProgramledare: Saman Bakhtiari

Flipthetruck Interview: Jessica Hausner

Rüdiger Suchsland, Nino Klingler und Frédéric Jaeger im Gespräch: Ein Rückblick auf das Festival, Frauenfiguren und Kunst im Film. Mit kurzen und längeren Diskussionen über die Beiträge von Jessica Hausner, Xavier Dolan, Olivier Assayas, Jean-Luc Godard, Keren Yedaya ... und einem Streit über die Dardenne-Brüder.

Följ med Kino till snöiga Sundance där världens viktigaste festival för independentfilm pågår just nu. Hör grundaren Robert Redford och den franske kultfilmaren Quentin Dupieux i Gunnar Bolins porträtt av en festival som har pjäxor och skidbyxor som dresscode. Även i Göteborg är det snart festivaldags. Kino har träffat den österrikiska filmaren Jessica Hausner, regissören bakom Miraklet i Lourdes som nu är ordförande i den jury som ska dela ut en miljon kronor till vinnaren av priset Dragon Award i Göteborg.  Filmfestivalen i Sundance är en av de där festivalerna som fortfarande har ett lite mystiskt skimmer över sig. Bilderna därifrån ser mer ut som scener från en idyllisk fjällby, än något pulserande centrum för den amerikanska indiefilmen. Folk i bylsiga dunjackor som pulsar runt i snön. Filmbolagsfester som pågår i små timrade stugor. Efter att ha sett Cannes invaderas varenda år av horder av människor undrar man ju hur den där lilla staden, Park City, egentligen får plats med media, filmstjärnor, filmbolagsmänniskor och dessutom en engagerad filmpublik. Och hur hänger festivalen ihop med Sundanceinstutet - namnet brukar blixtra till i eftertexterna till vissa filmer. Gunnar Bolin förklarar hur allt funkar i sin rapport från hans premiärtur till Sundance filmfestival där pjäxor och skidbyxor är dresscode.  Även i Göteborg är det snart festivaldags. En av de filmskapare som finns i programmet är den amerikanska regissören Jonathan Caouette som 2005 slog igenom med sin debutfilm Tarnation. Ett frenetiskt montage av dokumentära scener blandat med gamla hemvideoinspelningar från hans barndom. En uppväxt som till stor del präglades av mammans personlighetsstörningar, delvis framkallade av elchocker som hon behandlats med efter en förlamning som barn. Nu har det kommit en ny film av honom som visas på filmfestivalen i Göteborg. Walk Away Renee berättar på nytt historien om förhållandet mellan mor och son, men den här gången med Jonathans mamma Renee som huvudperson, och han själv mer som en bifigur. Filmen är både en fortsättning och en avslutning på den första filmen, men kanske framför allt en kärlekshistoria mellan en mor och en son, berättar Jonathan Caouette för Kinos Gunilla Kracht. Det är ju danskt tema på Göteborgs filmfestival i år. En av filmerna som visas där är Labrador, eller Out of bounds som den heter på engelska, gjord av långfilmsdebutanten Frederikke Aspöck, och med manus av dansk/svenske Daniel Dencik - skådespelaren Davids bror. Och i huvudrollen i denna danska film ser vi faktiskt Jacob Eklund. Han spelar Nathan, en rå, farlig och oberäknelig svensk man som bor på en ödslig ö. När hans dotter kommer på besök med sin pojkvän så börjar en sorts märklig maktkamp och psykologisk krigföring mellan pappan och den blivande svärsonen. Roger Wilson träffade Frederikke och Daniel på filmens världspremiär i Cannes i fjol. Och då var hans första fråga hur Jacob Eklund egentligen hamnade i filmen. Är den ett möte mellan de svenska och danska manlighetstyperna - eller var det bara ett sätt att få loss samproduktionspengar från sverige till en dansk film? Men det visade sig att det faktiskt var skrivet så i manuset redan från början. Och manusförfattaren Daniel och filmkonsulenten som de fick pengar av fick övertala Fredrikke om att det inte finns en man som Nathan i Danmark. Kino har träffat den österrikiska filmaren Jessica Hausner, regissören bakom Miraklet i Lourdes som i fjol vann en Guldbagge för bästa utländska film. Det var hennes stora internationella genombrott. Men nu är det alltså hennes tur att bestämma vem som ska bli en av 2012:s stora festivalvinnare. Hon sitter nämligen som ordförande för juryn för Göteborgs Dragon Award, som delar ut en miljon i prispengar till en av 8 nordiska filmer. Men vad är det för typ av filmer som Jessica Hausner gillar då? Yvonne Ihmels åkte hem till Hausner i Wien för få svar på frågan. Programledare: Roger Wilson Producent: Lisa Bergström