Podcasts about Sorry We Missed You

The Old Oak will be Ken Loach's last feature film and Sharuna Sagar was granted exclusive access behind the scenes of this landmark movie. She joins the 86-year-old director on his swansong as he brings together his loyal team for one last time. As with his previous two films, I, Daniel Blake and Sorry We Missed You, Ken returns to the North East of England, to tell the story of Syrian refugees who have been housed in an ex-mining village. With him are his long-standing partners, producer Rebecca O'Brien and writer Paul Laverty, and they reveal the secrets of Loach's success, with films like Kes, Cathy Come Home and The Wind That Shakes The Barley.

***Join the Seventh Row newsletter to stay updated on myfrenchfilmfestival and other unique opportunities to watch under-the-radar films: http://email.seventh-row.com Legendary British filmmaker Mike Leigh has a new film out in cinemas called Hard Truths, which is one of the best films of the year. What makes Mike Leigh's films so good and so uniquely Mike Leigh Films is inextricable from the process he uses to make them. But there are quite a few common myths and misconceptions about his process, including that his films are improvised and, confusingly, that his films are rehearsed. In this episode, Alex debunks these myths using research for her 2018 book Peterloo in Process: A Mike Leigh Collaboration. The book dives deeper into Leigh's process through interviews with him and his collaborators on the film, both behind and in front of the camera.  You can purchase a copy of Peterloo in Process at http://mikeleighbook.com Related Episodes TIFF 2024 #4: British social realism: Mike Leigh's Hard Truths and Andrea Arnold's Bird Ep. 119 Mike Leigh's Naked Ep. 32 Sorry We Missed You and Peterloo Ep. 11 Mike Leigh's Peterloo ------- Stay updated on Seventh Row Follow Seventh Row on Twitter, Bluesky and Instagram. Read our articles at seventh-row.com. Follow Alex Heeney on Bluesky, Twitter and Instagram. 

In this episode of the TIFF 2024 season, Alex discusses two new films from masters of British social realism: Andrea Arnold's Bird and Mike Leigh's Hard Truths. Bird had its world premiere at Cannes in May; Hard Truths had its world premiere at TIFF. Alex finds similarities in subject matter and storytelling approach between the films, including the very strong performances from some Seventh Row favourites, and discusses what each of them is individually doing that's worth noting.  Alex wrote the book on Mike Leigh's Peterloo and his process, so her discussion of Hard Truths places it within Leigh's oeuvre and discusses how his signature process helped make this film an impressive achievement. On this episode 0:00 Intro to the episode 3:34 Andrea Arnold's Bird 16:32 Mike Leigh's Hard Truths 38:14 Closing remarks, more from TIFF to find and look forward to More Andrea Arnold An essay on landscape and limbo in Fish Tank by Gillie Collins A review of American Honey by Elena Lazic An interview with editor Joe Bini by Orla Smith on editing Lynne Ramsay's You Were Never Really Here and how that differs from working with Andrea Arnold More Mike Leigh Read our ebook on Mike Leigh's Peterloo: mikeleighbook.com Listen to Ep. 32: Sorry We Missed You and Peterloo (Members Only) Listen to Ep. 119: Mike Leigh's Naked (FREE) Listen to us discuss Vera Drake and its place in the history of abortion movies in our Abortion on Film season. About the TIFF 2024 season: In the TIFF 2024 season, Editor-in-Chief Alex Heeney will discuss some of the best under-the-radar gems at the 2024 Toronto International Film Festival through themed episodes. This is for you if: You're attending TIFF and looking for recommendations; You're looking ahead to your local film festival for must-see titles; and/or You're interested in how filmmakers from around the world explore similar topics/genres, even if you're not sure if you'll ever see the films. The season will be spoiler-free and designed to be listened to even if you haven't seen the films (or are worried you won't ever be able to).  Check out all of our TIFF 2024 coverage here: https://seventh-row.com/tif24 ---- Interested in attending a film festival? Get my five essential tips for the film adventurer seeking a fantastic festival experience. These tips are tailored to TIFF but will work for any other film festival. Sign up here: http://email.seventh-row.com/tiff24

Bob Cratchit. Ron Weasley. Daniel Blake. Working class characters are often painted as humble folk, morally pure and deserving of our sympathy. But what if they're...not?Join us as we discuss truly progressive portrayals of the working class in film. Instead of patronising, what if films instead gave people agency over their own lives? Instead of portraying poverty as a purifying force, what if films were honest about the negative consequences of oppression on the subject? What if – and bear with me here – but what if working class people were sometimes bad? We start our first episode of 2024 with a quick discussion on the Golden Globes and Academy Awards, before jumping into a chat about a number of films, some which we think do the working class a disservice, and others that we feel are much more honest and human in their portrayals. Up for discussion are:The films of Ken Loach and Shane Meadows, including I, Daniel Blake (2016), Sorry We Missed You (2019) and This Is England (2006);Meantime (1983);Saltburn (2023);The films of Bong Joon-ho, including Snowpiercer (2013) and Parasite (2019);Fallen Leaves (2023);Red Rocket (2021);Harry Potter;Pride (2014);The Royle Family (TV sitcom);The Full Monty (1997);Brechtian theatre;The films of Jean-Luv Godard;Together (2000).Support the show

In de Texaanse woestijn van de jaren vijftig ligt een stadje, wat één keer per jaar opleeft met de komst van een grote sterrenkijkersconventie. Het is typisch zo'n sluimerend plaatsje waar atoombommen worden getest en waar ufo's landen. En hier stranden Augie Steenbeck en zijn kinderen, als ze met de auto op weg zijn naar de vader van zijn overleden vrouw. Dit is Asteroid City. Althans, dat is het op een podium. Want Asteroid City is niet echt, het is de setting van een toneelstuk. Voor filmdocent Rudi de Boer is dit – na The French Dispatch – de film waar regisseur Wes Anderon hem misschien voorlopig wel echt verloren heeft. De bonte cast aan filmsterren en de prachtige visuele stijl kunnen hem deze keer echt niet meer bekoren. Want alle lagen die Anderson over elkaar heen legt, maken de inhoud van de film deze keer te ondoordringbaar. De Boer is een regelrechte veelkijker, en geeft in het hele land lezingen over films. Eventueel zelfs in sluimerende woestijnstadjes. En ook wordt hij geregeld te geïnterviewd op tv om zijn licht te schijnen op nieuwe ontwikkelingen in de filmwereld, als die weer de aandacht trekken van de redacties van o.a. RTL Nieuws et cetera. Met host Ruud heeft hij het ook over hoe grote filmmakers altijd dezelfde film opnieuw maken, dat het nu Jason Schwartzman is die de gemankeerde vader speelt, en naturlijk over de AI-trailers van fictieve Wes Anderson-films. Steun Duimpjeworstelen op Patreon! En ontvang leuke extraatjes ^_^ Links: Rudi de Boer op het Netwerk Filmeducatie:  https://filmeducatie.nl/aan-de-slag/workshop/rudi-de-boer-filmeducatie  Rudi over Sorry We Missed You: https://www.youtube.com/watch?v=KCvQ6O422XM  Rudi praat in het RTL Nieuws over de hype rond Don't Look Up: https://www.rtlnieuws.nl/editienl/artikel/5277776/filmhype-twitter-hashtags-dont-look-hoe-ontstaat-een-hype  Cursus Filmgeschiedenis van Rudi in zijn woonplaats Utrecht: https://www.hartlooper.nl/filmgeschiedenis-door-rudi-de-boer/  Extra links: 'The absurdist reality of Asteroid City' van Thomas Flight: https://www.youtube.com/watch?v=K2WTGnOP48c  The missing Bill Murray part from Asteroid City: https://youtube.com/watch?v=oBYU7JMqp3o  'The Perfect Asteroid City Double Feature, According to the Cast of Asteroid City' op Letterboxd: https://www.youtube.com/watch?v=m_UUrKvF9P8 

The Old Oak | Sozialdrama mit Schaumkrone Ganze 57 Regiearbeiten kann Ken Loach in seiner Filmografie vorweisen, die bis in die Mitte der 60er Jahre zurückreicht und gespickt ist mit preisgekrönten Dramen wie "Angels' Share", "Ich, Daniel Blake" oder zuletzt "Sorry We Missed You". Da überrascht es wenig, dass der britische Altmeister mit nunmehr stolzen 87 Jahren seinen letzten Film vorlegt und dabei einmal mehr das Thema anspricht, dass sich quer durch sein komplettes Werk zieht: soziale Ungerechtigkeit. So erzählt er in "The Old Oak" vom vereinsamten Pub-Besitzer TJ aus Durham in Nordosten Englands, wo 2016 Geflüchtete aus Syrien in der Nachbarschaft unterkommen. Während der Großteil der Einheimischen diese eher skeptisch beäugen, freundet sich TJ mit ihnen zunächst an und modelt seine baufällige Bar schließlich sogar zur Armenküche für Bedürftige um. Das erregt ebenso schnell Aufsehen wie Missmut bei seinen einstigen Stammkunden. Stu und Dom konnten sich "The Old Oak" bereits vor Kinostart am 23. November ansehen und verraten euch, ob der Meister des Sozialdramas mit seinem Abschlusswerk nochmal ein letztes Ausrufezeichen setzen kann oder ob dieses doch eher einem abgestandenen Bier gleicht, das zu lange auf dem Tresen gestanden hat. Was von beidem zutreffender ist, findet ihr heraus, in dem ihr auf Play drückt. Shakran und Prost! Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0) Folge direkt herunterladen Folgt uns ab sofort regelmäßig live auf Twitch: twitch.tv/dertelestammtisch

CINEMA! E ANCORA CINEMA! Nuovo appuntamento con la mia rubrica "improvvisata" in cui esprimo opinioni su film visti da pochi minuti al Cinema per ricordarvi che il CINEMA è AL CINEMA! Anni dopo il suo disperato "Sorry We Missed You", Ken Loach torna al cinema con il suo nuovo capitolo di uno spaccato di vita a lui tanto caro. A differenza però degli ultimi suoi film, "The Old Oak" ci mostra un Loach deciso a raccontare una storia sofferente e universale in cui noi possiamo trovare una parte di noi stessi e soprattutto ricordare quali sono i valori della vita degni di essere chiamati tali. --- Send in a voice message: https://podcasters.spotify.com/pod/show/madmike3/message

The writer James Slaymaker, author of Time is Luck: The Cinema of Michael Mann, returns to the pod from Southampton for a discussion of selected works from the veteran British filmmaker Ken Loach, who at age 87 is about to release what is said to be his final feature, The Old Oak. Ken Loach's 1969 feature Kes is a staple of the British school curriculum to this day and his 2016 film I, Daniel Blake won the Palme d'or at Cannes and was a big hit in the UK. We discuss the role Loach recently played in British politics, first allied with the Labour Party under the left-wing leadership of Jeremy Cornyn and then ousted from Labour in the ideological purge of the Keir Starmer era. We discuss three of his features on this episode: the controversial 1990 political thriller Hidden Agenda with Brian Cox and Frances McDormand, 2019's gig economy drama Sorry We Missed You, and a lesser-seen Loach film from 2001, The Navigators. These works offer a critique from the left of several decades of austerity policies in the UK, the horrors of privatization and the overall exploitation of workers by management. Plus: RIP William Friedkin. Become a patron of the podcast to access to exclusive episodes every month, including this summer's entire Miami Vice sidebar series. Over 30% of Junk Filter episodes are exclusively available to patrons. To support this show directly please subscribe at ⁠⁠⁠⁠⁠https://www.patreon.com/junkfilter Follow James Slaymaker on Twitter. James' book Time is Luck: The Cinema of Michael Mann, is now available in paperback and Kindle. Hidden Agenda is currently available to watch on Tubi. Sorry We Missed You is streaming on Kanopy (if you have a library card). And The Navigators is currently available to watch on YouTube. McDonald's UK advert directed by Ken Loach, 1991 Trailer for Hidden Agenda (Loach, 1990) Trailer for The Navigators (Loach, 2001) Trailer for Sorry We Missed You (Loach, 2019) “Ken Loach's Agenda Is to Rile the British Establishment” by David Gritten, for the Los Angeles Times, January 1, 1991 “Democracy is Dead in Keir Starmer's Labour” by Ken Loach, for The Guardian, September 28, 2021

The Old Oak will be Ken Loach's last feature film and Sharuna Sagar was granted exclusive access behind the scenes of this landmark movie. She joins the 86 year old director on his swansong as he brings together his loyal team for one last time. As with his previous two films, I, Daniel Blake and Sorry We Missed You, Ken returns to the North East of England, to tell the story of Syrian refugees who have been housed in an ex-mining village. With him are his long-standing partners, producer Rebecca O'Brien and writer Paul Laverty, and they reveal the secrets of Loach's success.

Randy stands by the new Schrader film. Clark talks comedian-turned-horror-director and never even mentions Jordan Peele. Russ professes his love of goblin lairs with “Unwelcome”. Films: Alantutorial (Series), Master Gardener (2022), First Reformed (2017), The Card Counter (2021), Full Time (2021), Documentary Now! (series), Sorry We Missed You (2019), Into the Deep (2020), Outpost (2022), Unwelcome (2022) Hey, we're on YouTube!  Listening on an iPhone? Don't forget to rate us on iTunes!   Fill our fe-mailbag by emailing us at OverlookHour@gmail.com   Reach us on Instagram (@theoverlooktheatre) Facebook (@theoverlookhour) Twitter (@OverlookHour)

Hellllooooooooo!!!! We are BACK!! Sooooo sorry for the Hiatus!  We missed you so much! Hope you enjoy the first episode of the new year!

Témánk: a ruppó, a zseton, a lóvé, a zsé. Ebből az adásból kiderül, hogy Mókus Luca miért rontja meg a fiatalságot, de a pénzügyi tudatosság oltárán áldozva megpróbáljuk kitölteni a tőzsde és a mágia közös halmazát is. Emellett pár tornagyakorlatot is bemutatunk: a feketén hömpölygő aranyban fürdést a kezdőknek, az adósságban fuldoklást a haladóknak ajánljuk. A lélek éjszakája sötét és tele van iszonyattal: A Wall Street farkasában csíkokat felporszívózó brókerek vonyítanak, a Vérző olajban szomjas olajkutak szuszognak. A Gettómilliomosban még csak a vak koldusok markában csengenek a rúpiák, a Sajnáljuk, nem találtuk otthonban már egy futár zsebében csilingel a céges applikáció. Tartsatok velünk! Ez itt a Semmi kóla, a Partizán kultúrtörténeti podcastja.Kövessétek a Semmi kólát az Instagramon!https://www.instagram.com/semmikolapodcast/Ha az adással kapcsolatban bármiféle észrevételetek van, írjatok bátrana semmikolapodcast@gmail.com címre.Hosszan tárgyalt filmekA Wall Street farkasa (The Wolf of Wall Street, 2013); Gettómilliomos (Slumdog Millionaire, 2008); Sajnáljuk, nem találtuk otthon (Sorry We Missed You, 2019);Vérző olaj (There Will Be Blood, 2007)Röviden említett filmek és sorozatok: A nagy dobás (The Big Short, 2015); A viszkis (2017); Élősködők (Parasite, 2019); Joker (2019); Nyerd meg az életed! (Squid Game, 2021)Ajánlott irodalom: Niall Ferguson: A pénz felemelkedése. A világ pénzügyi történelme (2021)A Partizán Podcast Facebook oldalát itt találod:https://www.facebook.com/profile.php?id=100087436092000A Partizán oldalát és a videóit itt tudod megnézni:Youtube-on: https://www.youtube.com/c/Partiz%C3%A1nm%C3%A9diaFacebookon: https://facebook.com/partizanpolitika/Támogasd te is a Partizán munkáját!https://csapat.partizanmedia.hu/fundraising/partizan/Extra tartalmak, vágatlan videók:https://www.patreon.com/partizanpolitika

This is an excerpt of a members only episode. To listen to the full episode, become a member at http://seventh-row.com/join One of the best movies of 2022, Jerzy Skolimowski's visually and aurally inventive Eo, is now in cinemas for a limited time. The film is about injustice in the animal world seen through the eyes of a donkey. It's a great big screen experience (for sound and image) so we're going deep on the film this week. Editor-in-Chief Alex Heeney and Executive Editor Orla Smith are joined by Associate Editor Dr. Brett "Empathy" Pardy.  About the excerpt In this excerpt, we discuss whether Eo is presented as an "exceptional" animal/donkey in the film. Many films about animals depict them as exceptional, like Air Bud the golden retriever who can play basketball or Okja the superpig. In many ways, Skolimowski's film bucks convention here by making Eo a fairly normal donkey whose experiences (and the way he's depicted) render him a subject of interest rather than because he's a particularly special donkey.  We ask, why do we care about animals on screen (in general) and why do we care about Eo? Does a home exist for a donkey like Eo? Become a member to listen to the rest of the discussion, which includes: In the full episode, we go even deeper on how the film creates empathy for a donkey and give a donkey the appearance of a full emotional inner-life. We also compare Eo to other recent films about (or featuring) animals — including White God, Lean on Pete, Cow, and Gunda — to help us understand how empathy is usually extended toward on-screen animals. Finally, we discuss how some of the best politically conscious films being made today, with youthful exuberance, are coming from directors over 70.   01:51 Why are we talking about Eo? 09:18 Placing Eo within the canon of donkey stories 13:53 Exceptional donkeys (this section is the only one available free)32:00 Anthropomorphising animals  46:56 An older generation of political filmmakers Show Notes Become a member for access to all of our upcoming episodes Listen to our previous podcast season on Women at Cannes Read Alex Heeney's review of Eo Get your copy of our ebook on Lean on Pete, a film about an unexceptional horse Read Alex Heeney's White God interview with the film's director and animal trainer Get your copy of our ebook Road to nowhere: Kelly Reichardt's broken American dreams. It features an interview with the First Cow and Lean on Pete animal trainer. Watch the 2009 Sam Mendes Charlie Rose interview referenced in the episode. He discusses the differences between directing film and theatre Related episodes Ep. 11: Mike Leigh's Peterloo (Free) - on the film and what we learned about Leigh's process and the film from writing the book Peterloo in process: A Mike Leigh collaboration Ep. 32: Sorry We Missed You and Peterloo (Members only) - we discuss creating empathy for characters navigating an unjust world Ep 93: The films of Agnieszka Holland (Members Only) - we discuss Europa Europa, Washington Square, and Charlatan and how Holland depicts life under totalitarian states (which has similarities what Eo experiences as a lower class donkey) Ep. 104: Agnieszka Holland on directing (Members Only) - an in-depth interview with the director about bucking convention from early on in her career, and how she continues to do so now Ep. 7: Andrew Haigh's Lean on Pete (Free) - we discuss the film and its depiction of an unexceptional horse, as well as insights gleaned from our ebook on the film (Lean on Pete: A Special Issue), including how it was made Where to find us Follow Seventh Row on Twitter and Instagram @SeventhRow. Follow Alex Heeney @bwestcineaste, Orla Smith @orlamango, and Dr. Brett Pardy @DrAntiqueiPod on Twitter. 

If you're not a patron you can get the full episode by visiting patreon.com/workstoppage and support us with $5 a month. For the second episode of our series discussing the labor movement in films, we're going across the pond to cover two movies from the UK.  First up, we discuss Ken Loach's Sorry We Missed You, a devastating realist look at the state of the working class in Britain. The film follows the struggle of a working class family trying to provide for their kids in a job market where no matter how hard you work, a living wage and a comfortable life feel further and further out of reach. Sorry We Missed You provides no illusions about class mobility or hard work winning out in the end, it forces us to confront the reality that so many jobs in the modern economy are premised on poverty wages and hours so long that you never see your family.  For our second film, we discuss 2014's Pride, which tells the true story of a group of LGBTQ activists in London who band together to support striking coal miners in Wales. The film focuses on the power of solidarity, and shows how by combining all the struggles against all the forms of oppression faced by the working class, we can be much stronger than when we're divided.  Join the discord: discord.gg/tDvmNzX  Follow the pod at instagram.com/workstoppage, @WorkStoppagePod on Twitter,  John @facebookvillain, and Lina @solidaritybee

The Work Sucks Summer continues with a marathon episode about Ken Loach's Sorry We Missed You. The movie is sad enough, so we figured we might as well just get everything off our chests this week. The Gig Economy, "Independent Contractors," and recognizing truly dangerous jobs are a sampling of the topics we touch on. It's still funny sometimes, we promise. If you'd like to support our nonsense, join our Patreon at https://patreon.com/themidnightboys

In Episode 217, Bradford and Craig chat about the weather and then discuss five mostly baseball topics.1. It all goes down in the group chat: Yes it's sort of old news at this point, but we do have to weigh in on the Pham/Joc fantasy football fight. 2. The Gang Blows Another One in the Late Innings: It's not so sunny in Philadelphia. 3. Sorry We Missed You, Cubs: The Cubs are so not nice we missed them twice.4. Derek Tweeter: The Captain is now on Twitter, during Jeter Week no less.5. What to Watch: Ohtani in the Bronx, the Jays and White Sox try to get out of first gear, but the Pablo Lopez heads will have to wait until the weekend.Five and Dive is listener-supported, you can join our Patreon at patreon.com/fiveanddive. If you want to get in contact with the show, the e-mail address is fiveanddive@baseballprospectus.com.Our theme tune is by Jawn Stockton. You can listen to him on Spotify and Apple MusicSpotify: http://bit.ly/JawnStockton_SpotifyApple Music: http://bit.ly/JawnStockton_AM

In Episode 216, Jeffrey and Craig don't have any banter at all and then discuss five mostly baseball topics.1. Sorry We Missed You, Tigers: We chat about Patrick Dubuque's article on Detroit's rebuild and where they go from here.2. Sorry We Missed You, Pirates: Yeah, okay there is a reason we didn't talk about some of these teams for the first six weeks of the season.3. Sorry We Missed You, Athletics: You can't say they don't have nice uniforms.4. Around the Horn: More nice uniforms, the same number of pitchers, and we check in on the American League Rookie of the Year race.5. What to Watch: The Mets/Phillies already aren't disappointing if you are into that. If you aren't, some key divisional showdowns. Five and Dive is listener-supported, you can join our Patreon at patreon.com/fiveanddive. If you want to get in contact with the show, the e-mail address is fiveanddive@baseballprospectus.com.Our theme tune is by Jawn Stockton. You can listen to him on Spotify and Apple MusicSpotify: http://bit.ly/JawnStockton_SpotifyApple Music: http://bit.ly/JawnStockton_AM

In Episode 215, Bradford and Craig discuss five mostly baseball topics.1. Inside Jokes: We discuss Tim Anderson and Josh Donaldson.2. No Rutsch, Man: Adley Rutschman finally gets the call, will this spur the Orioles on to medium term success?3. Sorry We Missed You, Marlins: The Marlins have plenty of young pitching, not enough offense, and a difficult division (although maybe not this year). 4. Around the Horn: A farewell to Roger Angell, a welcome back to Trevor Story's bat, and new digs for Justin Upton https://www.si.com/mlb/2022/05/21/roger-angell-death-nobody-did-it-better https://www.nytimes.com/2022/05/23/sports/baseball/roger-angell.html https://www.newyorker.com/news/postscript/remembering-roger-angell-hall-of-famer https://theathletic.com/3107190/2022/05/20/roger-angell-baseball-writer-obituary/5. What to Watch: A quiet slate all in all, but a couple pitching matchups to highlight.Five and Dive is listener-supported, you can join our Patreon at patreon.com/fiveanddive. If you want to get in contact with the show, the e-mail address is fiveanddive@baseballprospectus.com.Our theme tune is by Jawn Stockton. You can listen to him on Spotify and Apple MusicSpotify: http://bit.ly/JawnStockton_SpotifyApple Music: http://bit.ly/JawnStockton_AM

This week Mitchell and Slim discuss their growing watchlists including Pleasure, On the Count of Three, The Innocents, and the No-Slims LB Survivor Club. They also look back at recent releases and community reviews. Finally, we shuffle our watchlists but not before one host finally revealing their thoughts on The Sacrifice. Weekend Watchlist – Updated Weekly list > movies mentioned in this episode. Letterboxd reviews and links mentioned: Transcripts of podcast episodes available Mitchell and Slim's Pleasure reviews Claira and Mitchell's On the Count of Three reviews Slim's The Innocents review Jeremy's Happening review Andy, Rowan and Kingston's Doctor Strange 2 reviews Mia's Men review Jack's Top 50 of 2022 list Gemma's Leonor Will Never Die review Dave's Official Top 250 Narrative Feature Films list Ross's Blood for Dracula review Liam's Sorry We Missed You review Georgie's Marai review Credits: This episode was recorded in Delaware and Philadelphia, and edited by Slim. Facts by Jack. Transcript by Sophie Shin. Theme: ‘IZON' by Trent Walton.

We discuss This is Going to Hurt, an early contender for best show of the year, the excellence of Ben Whishaw, why Ambika Mod is such an exciting newcomer, and how it brilliantly discusses the mental health of National Health Service workers. This episode features  Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, and Contributing Editor Lindsay Pugh Content warning: This episode discusses suicide Show notes and related episodes: Ep. 69: Paddington and Paddington 2 (Member's Only) Ep. 32: Sorry We Missed You and Peterloo (Member's Only) Follow Seventh Row on Twitter, Instagram, and Facebook, and read our articles at seventh-row.com.

When you follow your dreams into the stars, there are places—and people—you must leave behind. "Sorry We Missed You!" is a touching meditation on family, identity, and dreams set aboard our favourite spaceship in the universe: The Flying Potato. Copyright khōréō magazine 2022. Read by Ashley E. Oh, Produced by Katalina Watt, and Edited by Aleksandra Hill. Visit khoreomag.com & follow us on Twitter, Instagram and Facebook @KhoreoMag. Artwork: Aya Ghanameh Music: This Too Shall Pass by Scott Buckley https://soundcloud.com/scottbuckley Creative Commons Attribution 3.0 Unported CC BY 3.0 Free Download or Stream: http://bit.ly/-this-too-shall-pass Music promoted by Audio Library https://www.youtube.com/watch?v=SEKx5vpSgvI Sound effects from freesound.org all licensed under CCBYNC 3.0: Ringing bell - happy by domrodrig Power Down by noirenex

This week we're talking class and labor struggles in film. A topic which is way too big to tackle in an hour, but we're trying it anyway! Joined by guest Cameron Shuman, we talk in-depth about I Daniel Blake, Born in Flames, Working Girls, Our Daily Bread, Willy Wonka and the Chocolate Factory, Sorry We Missed You, and so many more. Topic suggested by listener Nick Martin. SPOILED IN THIS EPISODE: Sorry We Missed You, Willy Wonka and the Chocolate Factory, Snowpiercer, Shadows in Paradise. Email us at boothwindow@gmail.com and/or follow us on Instagram @throughtheboothwindowpodcast, @theobveeus, and @caitlinstow

Para esta quincena, recomiendo Death to 2021, Eight Grade, Passing y Neruda en Netflix. En Amazon Prime video, The Tender Bar y A beautiful day in the neighborhood. De HBOMax comento Station Eleven y Top of the lake. En Disney+ recomiendo The Rescue, y para cerrar 5 muy buenas opciones en Mubi: Las marimbas del infierno, Cold war, Los paraguas de Cherburgo, Sorry We Missed You y Life Itself. See acast.com/privacy for privacy and opt-out information.

We discuss the recent BFI restoration of Mike Leigh's 1993 classic Naked, starring David Thewlis. Podcast hosts Alex Heeney and Orla Smith are joined by regular guest Lindsay Pugh. On this episode Peterloo in Process: A Mike Leigh collaboration (2:21) Related episodes (9:06) Our favourite Mike Leigh films (14:52) Naked (21:57) David Thewlis (29:15) Why do we like this film? (35:44) Why this title? (1:02:26) London (1:06:29) Is there a parallel to Naked with a female lead? (1:15:58) The film's great performances (1:20:33) Conclusion (1:27:04) Show notes Purchase our ebook Peterloo in Process: A Mike Leigh collaboration. The book includes interviews with Mike Leigh himself, cinematographer Dick Pope, editor Jon Gregory, costume designer Jacqueline Durran, production designer Suzie Davies, make-up designer Christine Blundell, plus actors Rory Kinnear and Maxine Peake. Read Alex's interview with Josh O'Connor where he cites Thewlis as an inspiring "kind of weird looking guy" Follow David Thewlis on Instagram Related episodes Ep. 117: The North Water Ep. 107: Are men OK? Masculinity, mental health, & addiction in Another Round and Oslo, August 31st Ep. 52: First Cow and Wendy and Lucy Ep. 36: Abortion on screen and Never Rarely Sometimes Always (Member's Only) Ep. 32: Sorry We Missed You and Peterloo (Member's Only) Ep. 11: Mike Leigh's Peterloo Follow Seventh Row on Twitter, Instagram, and Facebook, and read our articles at seventh-row.com.

THE CATEGORY IS... WERK WERK WERK WERK WERK WERK! Alex Hare (director, writer, producer, creator of internet art) joins Michael and Shelley to talk about his Stealth Sex Symbol... Ron Leibman in NORMA RAE (1979). Other films discussed include BLUE COLLAR (1979) and SORRY WE MISSED YOU (2019). Follow Alex on Instagram and Twitter @alexleehare. Let's get horny!Support this show http://supporter.acast.com/everyone-is-hot. Hosted on Acast. See acast.com/privacy for more information.

This episode focuses on site favourite Andrew Haigh's newest project, The North Water, starring Jack O'Connell and Colin Farrell. We discuss how this on-the-surface unusual work fits into Haigh's thematic interests. This episode features Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, Associate Editor Brett Pardy, and special guest Fiona Underhill. It also features an excerpt from Alex's interview with Andrew Haigh. On This Episode: Intro (1:05) Why did Andrew Haigh do this series? (16:42) Andrew Haigh on upending expectations in his work (28:11) Who is the real evil? Drax, Cavendish, and Baxter (35:01) What does it mean to be civilized (45:12) Sumner and Drax as mirrors (51:51) The episodic structure (1:00:03) The Inuit characters (1:20:01) The lack of promotion for the series (1:27:27) Conclusion (1:32:55) Show Notes: Visit our Directors We Love page on Andrew Haigh, collecting all of our articles and podcasts about his film and television work Check out MovieJawn magazine for Fiona's article on The Loneliness of the Long Distance Runner, starring a young Tom Courtenay Purchase our ebook on Andrew Haigh's Lean on Pete Purchase our ebook on Joanna Hogg's The Souvenir Related episodes Ep. 110: Brief encounters: Weekend and End of the Century Ep. 94: Looking Ep. 91: AIDS on screen, featuring It's a Sin Ep. 69: Paddington and Paddington 2 Ep. 53: Boys State and First Stripes Ep. 32: Sorry We Missed You and Peterloo Ep. 7: Andrew Haigh's Lean on Pete Follow Seventh Row on Twitter, Instagram, and Facebook, and read our articles at seventh-row.com.

SORRY WE MISSED YOU. We missed one pod due to time so now we will do 2 for 1. We review Minnesota and preview Illinois and talk about our first nightmare...Spencer could start playing again..... Lets dive into it all!!

SORRY WE MISSED YOU. We missed one pod due to time so now we will do 2 for 1. We review Minnesota and preview Illinois and talk about our first nightmare...Spencer could start playing again..... Lets dive into it all!!

Heute zu Gast Moderator und Politik-Journalist Louis Klamroth! Seine drei Lieblingsfilme sind „Sorry We Missed You“, „Victoria“ und „Der Geschmack von Rost und Knochen“. Was alle Filme gemeinsam haben, stellt er allerdings erst während des Gesprächs mit Steven fest. Beide schwärmen nebenbei noch von Marion Cotillard und Frederick Lau. Serienfan ist Louis auch, besonders empfehlen kann er „Borgen“. Seit er beruflich auch in der Politik hinter die Kulissen schaut, kann er bestätigen wie wahrheitsgetreu diese Serie ist. Louis gehört zu 100% zum Team Kino, er hat es sogar schon gebracht von Berlin nach Hamburg zu fahren, um einen Film in seinem Lieblingskino zu schauen. Wie es ist, als Kind neben dem weinenden Bundeskanzler zu sitzen und warum die Mitgliedschaft in einem Debattierklub für seine berufliche Karriere hilfreich ist und er das Kino bei „Harry Potter“ und „Der Herr der Ringe“ verlassen hat, hört ihr in dieser Folge. Ein Gespräch über den perfekten Samstag, das Diskutieren mit Christian Lindner und Dreharbeiten mit dem eigenen Vater.

Zum zweiten Mal nach der letztjährigen Jahresabschlussfolge sind alle Filme dieser Episode auf dem Mist der Supporter bei Steady und Patreon gewachsen, die uns jeden Monat Beiträge für die Banausen-Lostrommel zurufen die wir dann monatlich leeren. Ob dann auch Mist beim Schauen der Filme über die Bildschirme flackert, steht auf einem anderen Blatt, um diese Antwort zu kriegen, müsst ihr euch diesen Podcast anhören...

Paris Marx is joined by Lauren Kaori Gurley to discuss how Amazon surveils workers to stop them from organizing, the difficult working conditions in warehouses and for delivery drivers, and whether Jeff Bezos become Executive Chair will change anything.Lauren Kaori Gurley is a labor reporter at Motherboard/Vice. Follow Lauren on Twitter as @LaurenKGurley.Tech Won’t Save Us offers a critical perspective on tech, its worldview, and wider society with the goal of inspiring people to demand better tech and a better world. Follow the podcast (@techwontsaveus) and host Paris Marx (@parismarx) on Twitter, and support the show on Patreon.Find out more about Harbinger Media Network at harbingermedianetwork.com.Also mentioned in this episode:Lauren wrote about how Amazon’s Global Security Operations Center has a massive surveillance operation involving Pinkertons, and how the company monitors Facebook groups and internal listservs. She also spoke to workers about how they felt about it.Paris wrote that Jeff Bezos’ legacy as CEO is one of brutal exploitation and that can’t be forgotten.Ken Loach’s Sorry We Missed You shows how the gig economy ruins people’s lives.During the pandemic, there were Amazon walkouts across the United States and global protests during the pandemic. Workers in Bessemer, Alabama are also voting on unionization.Amazon stole delivery drivers’ tips and has been forced to repay them $61.7 million.Support the show (https://patreon.com/techwontsaveus)

How do you navigate a world in which nothing seems secure?  Mike and Dan discuss Ken Loach's Sorry We Missed You (2020), his portrait of a family dealing with the stresses of the gig economy.  For a film that seems under-directed, this descent into a middle-class Dante's Inferno works so well because of Loach's skill and the actors' performances.  The guys talk about how the film is about fear more than greed, the social reality of bodily functions, and the ways in which the characters try to hold onto their dignity--and each other.  So drop those keys and give it a listen! Please follow or subscribe to the show wherever you get your podcasts and on Twitter @15MinFilm.   You can also contact us at fifteenminutefilm@gmail.com.   Incredible bumper music by John Deley.

Commentiamo la CLASSIFICA DI ONDACINEMA DEI MIGLIORI FILM DEL 2020 , parallelamente alle scelte dei nostri lettori, soffermandoci sui film che ci hanno accompagnato durante l'anno cinematografico. Assenze roboanti e presenze ingombranti, conferma di un cinema piacevole e vario. -01:28: i film assenti dalla classifica -05:13: i film di maniera -06:40: "Jojo Rabbit" e "Sorry We Missed You" -10:05: i film di genere e di animazione -14:46: cinema francese al suo meglio -20:05: "Favolacce" -24:08: "Ema" e "Undine" -28:46: il podio

Da ist er! Der große Rückblick aufs Jahr 2020. Ein Jahr, welches uns sicherlich lange in Erinnerung bleiben wird. Flo, Mike und Bernd blicken in gemütlicher Runde auf das vergangene Film-Jahr zurück und gehen Monat für Monat durch. Jeder hat eine Top 10 der Filme des Jahres zusammengestellt, welche wir hier ausführlich besprechen. Wenn ihr zu bestimmten Filmen springen wollt, checkt die Timecodes. Viel Spaß! (00:00) Vorwort & das Popcorn und Nachos-Jahr (13:52) Januar (13:52) FFF: White Nights (15:09) Jojo Rabbit (17:30) Deathcember, Gundula, VFW, Disapperance at Clifton Hill (20:18) Judy (22:03) Little Women (24:14) Detention (28:37) Die Wütenden – Les Misérables (31:07) Knives Out (36:47) Bad Boys for Life, Sorry We Missed You, Queen & Slim, Underwater (38:14) A Sun (41:50) Der schwarze Diamant - Uncut Gems (47:40) Februar (48:16) Der Unsichtbare (50:10) The Gentlemen (52:52) Bombshell - Das Ende des Schweigens (55:20) 365 Days (57:45) Birds of Prey (59:05) Sonic the Hedgehog, Horse Girl (01:00:30) Pinocchio (01:02:24) März (01:03:05) Susi und Strolch (01:05:00) Die Känguru-Chroniken (01:07:05) Kahlschlag (01:09:20) Spenser Confidential (01:10:20) Die Farbe aus dem All (01:10:57) The Platform - Der Schacht (01:12:23) Taylor Swift (01:12:58) First Cow (01:16:23) The Painted Bird (01:19:05) The Assistant (01:24:19) Dein Zuhause gehört mir (01:27:17) Onward (01:27:51) April & Mai (01:28:48) A Secret Love (01:29:50) Man from Beirut (01:31:30) Love, Wedding, Repeat (01:32:04) The Hunt (01:33:57) Der wunderbare Mr. Rogers (01:36:23) Juni (01:36:49) Schw31ns7eiger Memories (01:38:06) Artemis Fowl (01:38:37) Guns Akimbo (01:40:23) Monos (01:43:38) Da 5 Bloods (01:48:01) Juli (01:48:35) Berlin Alexanderplatz (01:52:25) Waves (01:54:11) Unhinged (01:56:08) The King of Staten Island (02:00:03) The Old Guard, Meine Freundin Conni - Geheimnis um Kater Mau (02:01:05) August (02:01:29) Project Power (02:04:11) Tenet (02:08:25) You Cannot Kill David Arquette (02:12:36) White Goose Lake (02:17:25) September (02:18:20) Fantasy Filmfest (02:18:28) Becky (02:19:50) Palm Springs (02:22:00) Possessor (02:25:47)Archive (02:27:06) Inheritance (02:28:02) Psycho Goreman (02:28:50) The Personal History of David Copperfield, Relic (02:29:23) Bring Me Home (02:29:49)Deerskin (02:32:23) Corpus Christi (02:36:55) Mein Lehrer, der Krake (02:42:15) Mulan (02:44:06) The Devil All The Time (02:48:23) The Babysitter: Killer Queen (02:51:03) I'm Thinking of Ending Things (02:54:03) Oktober (02:54:45) Peninsula (02:57:50) Kajillionaire (03:01:47) Niemals Selten Manchmal Immer (03:04:35) Vergiftete Wahrheit (03:08:45) His House (03:09:15) Borat 2 (03:11:03) The Trial of the Chicago 7 (03:13:30) Internationale Hofer Filmtage (03:13:59) Slalom (03:17:15) Gefangen im Netz (03:19:42) Was geschah mit Bus 670? (03:23:10) November & Dezember (03:23:38) If Anything Happens I Love You (03:25:30) Sound of Metal (03:31:00) Mank (03:37:25) Soul (03:51:15) Verabschiedung & Top 10-Listen Wir freuen uns natürlich sehr über jegliche Kritik und Anregungen für künftige Besprechungen, sowie positive Bewertungen und Rezension auf iTunes. Twitter: https://twitter.com/popundnac Blog: http://popcornundnachos.de iTunes: https://podcasts.apple.com/de/podcast/popcorn-und-nachos-der-popcast/id1482372346 Spotify: https://open.spotify.com/show/0j5BdeN7VS034B2Zld3Q71?si=0uNlHTViSH2LzW74uJYJAA

Tim and Jay reveal their favorite movies of pandemic-afflicted 2020, along with some honorable mentions. Their lists intersect at one point and one point only! Thanks for listening during 2020, and we're looking forward to talking more about movies in 2021!Movies we mention in this episode, in no particular order: The Truth, Arkansas, The Outpost, About Him and Her, The Quarry, Mank, Sorry We Missed You, First Cow, Ma Rainey's Black Bottom, Possessor, Tenet, Corpus Christi, Palm Springs, Never Rarely Sometimes Always, The Other Lamb, Soul, Lovers' Rock, The Sound of Metal, I'm Thinking of Ending Things, A Sun, Wonder Woman 1984Opening music: "Let's Start at the Beginning," Lee RosevereClosing music: "Découvre moi," Marc Senet & Simon GrivotCome find us:WebsiteFacebookTwitterInstagram

Films Mentioned: A Very Harold & Kumar Christmas (2011), Kajillionaire (2020), Sorry We Missed You (2019), Entre Nous (1983), Harry Potter and the Prisoner of Azakaban (2004), The Hunger Games (2012), The Hunger Games: Catching Fire (2013) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Fergus has worked for director Ken Loach over the past thirty years on over a dozen films, most recently on I, Daniel Blake and Sorry We Missed You, as Production Designer. Fergus has also worked in several other art department roles on projects like: Quantum of Solace, Ang Lee's The Life of Pi, and the whimsical The Grand Budapest Hotel for Wes Anderson.

We aren't done talking about films! We're getting a little nostalgic this week to share our top 5 animated films. Will they all be Disney films? Will Hamilton be discussed AGAIN? You'll have to download and listen to find out. Make sure you rate and review us on Apple Podcasts while you're at it!Links to our letterboxd and a few other places can be found in our bio, check it out to see our various film lists, kept there for posterity. Gawrsh, I sure do hope you're having a lovely week, ah-hyuck! Catch you on the flippity flip. Spoilers belowCulture discussed in this week's culture catch-up: Hunt for the Wilderpeople, Sorry We Missed You, The African Doctor, Raiders of the Lost Ark, Host, Dark Waters, The Fog, Natives: Race & Class in the Ruins of Empire, Hamilton: The Revolution, The Walking Dead, UzumakiIf you would like to add to the discussion please join us in the following places:----more----Facebook: https://www.facebook.com/culturebucketpodcast----more----Join our Facebook discussion group at: Culture Bucket Bucket Squad on facebook----more----Twitter: https://twitter.com/CultBucketPod----more----Instagram: https://www.instagram.com/culturebucketpodcast/----more----Email: culturebucketpodcast@gmail.com----more----Letterboxd: https://letterboxd.com/CultureBucket/----more----Spotify: https://open.spotify.com/user/wd0xyllzxj6ftwi25hfwgjapv

WE'RE BACK!BIRTHDAY! EXERCISE! CANTONA!ZELDA BOOKS! FOOTBALL!NICE WEATHER! DOGSITTING!TELLY! I'LL BE GONE IN THE DARK!ALL OR NOTHING: SPURS! TWIN PEAKS!GAMES! NINTENDO SWITCH! MARIO!TETRIS 99! MARIO KART! COFFEE TALK!NEON ABYSS! GHOSTS OF TSUSHIMA!MOVIES! BILL AND TED! PRESTIGE! TENET!APOCALYPSE! SORRY WE MISSED YOU!QUIT THAT INFERNAL BRACKET 2!EMAILS! PUMA! TRANSFERS! TOM CRUISE!WRESTLING! AEW DYNAMITE!AND MUCH MUCH MORE!

In this episode, we discuss Sorry We Missed You, Ken Loach's 2019 film. Hoping that self-employment through gig economy can solve their financial woes, a hard-up UK delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of this modern-day form of labour exploitation.

Herzlich Willkommen bei Filmerfahren, dein Filmpodcast. Wir haben uns mittlerweile von "Cats" erholt und sind mit einer ganzen Ladung neuer Filmreviews zurück. Von Doku, Drama bis Horror ist diese Folge wirklich alles dabei! Also hört rein, wir bedanken uns fürs zuhören und bis zum nächsten Mal. Stay Safe, Stay Home und schaut Filme. :) Shownotes: 02:00 The Big Short 09:34 Boys State 27:16 Idiocracy 33:05 Sorry We Missed You 41:43 The Invitation 50:14 The Invitation Spoiler 57:00 Unknown User: Dark Web 01:03:55 Unknown User: Dark Web Spoiler 1:06:35 Sonstiges und Tschüssi

Hallo zusammen, heute besprechen wir Sorry We Missed You. Shownotes: Geplänkel (Geschaut, gespielt, gelesen, gehört, gefühlt): Dune, Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), Der Leuchtturm, Athlete A, Diskussion ob wir bald ins Kino gehen (Tenet) (5:30) Review – “Sorry We Missed You” (45:40) Wie immer sind wir dankbar für E-Mails [...] More

Ken Loach and Mike Leigh, two long time British directors associated with social realism, are frequently compared to each other, despite having significantly different approaches. Loach's latest film, Sorry We Missed You reminded us of Leigh's most recent film Peterloo in their political commitment to improving the lives of the working class. Sorry We Missed You (2019) is a contemporary film about a working-class man who ends up in an increasingly horrible hellscape after he starts gig work delivering packages for Amazon. Peterloo (2018) is a period drama that illuminates the real life story of the rally to get the vote in Manchester in St. Peter's Square in 1800s Manchester, a working class city on the rise.   In this episode, Editor-in-Chief Alex Heeney is joined by Executive Editor Orla Smith and Associate Editor Brett Pardy to discuss how Loach and Leigh approach politics, character, and much more. For detailed show notes, please visit: https://seventh-row.com/2020/03/02/ep-32:-sorry-we-missed-you-and-peterloo/ Follow Seventh Row on Twitter, Instagram, and Facebook, and read our articles at seventh-row.com.

Zoli - kezdetek 2004-től Párhuzam - Sajnáljuk, nem találtuk otthon c. film Valóság, kolegák Időjárás, Ciara, Dennis Fb csoport: Magyar Sofőrök Angliában Valentin nap: te mennyire vagy boldog? HS2 - jön a gyorsvasút Angolok és a logika Te mikor költözöl haza? Lakóparkok, házak, bérek, munkahelyek, raktárak... Hol hallgass minket? Sorry We Missed You (2019) - Sajnáljuk, nem találtuk otthon https://www.imdb.com/title/tt8359816/ Special Guest: Zoli.

THE CONVO: Grammy Award winner Billie Eilish is planning on giving a special performance at the 2020 Oscars. Also, 2011 Steven Soderbergh movie Contagion is suddenly up in the iTunes charts presumably because of the Coronavirus. THE FLICKS: Rosie - This is a film that should be grouped together with the last couple of Ken Loach movies I, Daniel Blake and Sorry We Missed You as they are all damning stories of lower-class struggle in the United Kingdom, glaring truth that is just going to get worse. Coming from acclaimed filmmaker Paddy Breathnach, this is the story of Rosie Davis, a mother of four who is desperately looking for a place to sleep and live temporarily after their landlord evicts after selling the house from under them. While her husband works shift after shift for an uncaring employer, Rosie is the only person fighting to keep their family from becoming destitute and homeless in a film that always feels incredibly real and palpable. When the final credits hit I need to give myself a minute to collect my emotions that had been shattered over the hour and a half of this tragic story. These are the films that are most important right now. Parasite - This film was an amazing way to start out my coverage of this year's Vancouver International Film Festival, some great Korean cinema from one of the masters, Bong Joon-Ho. In his return to all Korean film, he tells the story of a family of con artists who grift their way into a rich family's lives as a chauffeur, housekeeper, tutor and personal assistant respectively. They think they've hit the big time until the former housekeeper shows them a deep secret that she's been hiding in their employer's house that blows everyone's situation up. Joon-Ho crafts another incredible masterpiece of a movie that's filled with twists, incredible cinematography and the amazing ability to tell stories within a story. He never relents in showing that he is not only one of the greatest Korean storytellers today but one of the best in cinema today. This is your chance to check out the movie before it wins a Best Picture Oscar, the first foreign film to do so. Steve Stebbing is Movie connoisseur and critic. On Twitter @TheStevilDead, or at SteveStebbing.ca

Younger generations are our only hope for a better future. The post Ken Loach – Sorry We Missed You appeared first on Fred Film Radio.

This week, we take delivery of Ken Loach's latest, Sorry We Missed You and talk to the director himself. Plus, 37 years later, we return to the Overlook Hotel for The Shining sequel Doctor SleepDirector Ken Loach teams once again with I, Daniel Blake screenwriter Paul Laverty for another indictment of the capitalist forces shaping modern Britain. Ricky is dreaming of better things for his family when he becomes a delivery van driver. But as an ‘independent contractor', he's working in unsparing conditions, just like his wife Abbie, a care nurse, both of them on zero hours contracts. Living like this means that they're pushed to the brink, and their world falls apart when their teenage son starts to go off the rails.Whatever happened to Danny Torrance, the gifted young boy from The Shining? It's a question that must have vexed Stephen King enough to produce a sequel 37 years later. In Doctor Sleep, a grown-up Danny (Ewan McGregor) finds himself in the role of protector to a young girl on the run from a cult that is hell-bent on harvesting her gift.Discussing the films this week are Jake Cunningham, Sam Howlett, Kelly Powell and Ella KempFollow the team on Social Media:@jakehcunningham - Jake@samhowlett_1 - Sam@ks_powell - Kelly@ella_kemp - EllaProduced by Jake CunninghamEdited by Mark Towers Hosted on Acast. See acast.com/privacy for more information.

This week on the podcast, Jane Krakowski, who you'll probably know from 30 Rock and Unbreakable Kimmy Schmidt, dropped by to chat with Stuart about her new comedy series Dickinson - the Emily Dickinson's coming-of-age story told with a modern twist. And Stewart caught up with filmmaker Ken Loach who told us all about his latest effort, ‘Sorry We Missed You', which takes a hard look at the realities of today's gig economy. Plus Rhianna Dhillon will be giving us her picks for what to watch this week and Dr Hannah Fry brings you The Maths Of Life.

Sorry We Missed You is a depiction of the new poor workers in Britain, that slave away in order to survive The post Ken Loach – Sorry We Missed You #67SSIFF appeared first on Fred Film Radio.